A later review by Dr. Joseph Banks Rhine lent further insight into Crandon's performances. Dr. Rhine was able to observe some of her trickery in the dark when she used luminous objects. He refused to test her further, and postulated that she may have been subject to a personality disorder. However, Crandon continued to conduct séances and improve upon the production of effects. An English teacher, Grant Code, became a frequent visitor to the Crandon home and was enthralled by Crandon's later astonishing performances. Ultimately, he too was able to duplicate them. Code's exchange of letters with psychic investigator Walter Franklin Prince regarding Margery are currently held in the archives of the ASPR.
An elaborate investigation was held by a committee of Harvard scholars. Finally, the Harvard committee also pronounced Crandon as being fraudulent. On 30 June 1925, one of the Harvard investigators saw Crandon draw three objects from her lap. One object was shaped like a glove or flat hand, one resembled a baby's hand, and the third was not described, possibly due to it being a plastic phallus.
The Society for Psychical Research wanted further investigation. A committee of three Professors, Knight Dunlap, Henry C. McComas and Robert Williams Wood were sent to Boston. Crandon had a luminous star attached to her forehead, identifying the location of her face in the dark. After a few minutes a narrow dark rod appeared over a luminous checkerboard which had been placed on the table opposite Crandon. It moved from side to side and picked up an object. As it passed in front of Wood he lightly touched it with the tip of his finger and followed it back to a point very near Crandon's mouth. Wood thought it probable she was holding the rod by her teeth. He took hold of the tip and very quietly pinched it. It felt like a knitting needle covered with one or two layers of soft leather. Though the committee had been warned that touching the ectoplasm could result in the illness or death of the medium, neither Crandon nor the "ectoplasm" rod gave any evidence of Wood's actions. At the end of the sitting Wood dictated his actions to the stenographer. Upon hearing this Crandon gave a shriek and fainted. She was carried out of the room and the committee was asked to depart. Wood was never invited again.
Crandon's "teleplasmic hand" that allegedly appeared in photographs was said to resemble sewn tracheae. Allegations were made by some conjuring historians of Houdini and medium-ship that her surgeon husband had altered her genitalia and this was where she concealed her teleplasmic hand. The "hand" did not move after its appearance on the table before her. It lay still as if it were dead and then supposedly vanished. She refused to wear tights, and refused to be internally searched. However, proof that Crandon had been surgically altered has never been found. The 'hand' only appeared when Dr. Crandon sat next to his wife, Mina, and held or controlled, her right hand. There are photos of the alleged teleplasmic hand and its position on page 237. It appears to be coming from Crandon's groin.
Crandon's reputation was damaged when a fingerprint left on wax ostensibly by her channelled spirit, her deceased brother, Walter, was discovered to belong to her dentist by a member of the Boston Society for Psychical Research. Her dentist divulged that he had taught her how to make these prints. However, Crandon continued to perform until her early death in 1941, at about the age of 53.
Category:1888 births Category:1941 deaths Category:American spiritual mediums
de:Mina Crandon pt:Mina CrandonThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 28°36′36″N77°13′48″N |
---|---|
name | Harry Houdini |
birth name | Erik Weisz |
birth date | March 24, 1874 |
birth place | Budapest, Hungary |
death date | October 31, 1926 |
death place | Detroit, Michigan, U.S. |
occupation | Magician, escapologist, stunt performer, actor, historian, film producer, pilot, debunker |
years active | 1891–1926 |
signature | HoudiniSig.svg }} |
Harry Houdini (born Erik Weisz; March 24, 1874 October 31, 1926) was a Hungarian-born American magician and escapologist, stunt performer, actor and film producer noted for his sensational escape acts. He was also a skeptic who set out to expose frauds purporting to be supernatural phenomena.
His parents were Rabbi Mayer Samuel Weiss (1829–1892) and his wife, Cecelia (née Steiner; 1841–1913). Houdini was one of seven children: Herman M. (1863–1885); Nathan J. (1870–1927); Gottfried William (1872–1925); Theodore "Theo" (1876–1945); Leopold D. (1879–1962); and Gladys Carrie (born 1882 – unknown year of death).
Weiss came to the United States on July 3, 1878, sailing on the SS ''Fresia'' with his mother (who was pregnant) and his four brothers. The family changed the Hungarian spelling of their German surname into Weiss (the German spelling) and the spelling of their son's name into Ehrich. Friends called him "Ehrie" or "Harry".
They first lived in Appleton, Wisconsin, where his father served as Rabbi of the Zion Reform Jewish Congregation. According to the 1880 census, the family lived on Appleton Street. On June 6, 1882, Rabbi Weiss became an American citizen. Losing his tenure at Zion in 1887, Rabbi Weiss moved with Ehrich to New York City. They lived in a boarding house on East 79th Street. They were joined by the rest of the family once Rabbi Weiss found permanent housing. As a child, Ehrich Weiss took several jobs, making his public début as a 9-year-old trapeze artist, calling himself "Ehrich, the Prince of the Air". He was also a champion cross country runner in his youth. Weiss became a professional magician and began calling himself "Harry Houdini" because he was heavily influenced by the French magician Jean Eugène Robert-Houdin, and his friend Jack Hayman told him, erroneously, that in French, adding an "i" to Houdin would mean "like Houdin" the great magician. In later life, Houdini would claim that the first part of his new name, Harry, was a homage to Harry Kellar, whom Houdini admired.
In 1918, he registered for selective service as Harry Handcuff Houdini.
In 1893, while performing with his brother "Dash" at Coney Island as "The Houdini Brothers", Harry met fellow performer Wilhelmina Beatrice (Bess) Rahner, whom he married. Bess replaced Dash in the act, which became known as "The Houdinis." For the rest of Houdini's performing career, Bess would work as his stage assistant.
Houdini's "big break" came in 1899 when he met manager Martin Beck in rural Woodstock, Illinois. Impressed by Houdini's handcuffs act, Beck advised him to concentrate on escape acts and booked him on the Orpheum vaudeville circuit. Within months, he was performing at the top vaudeville houses in the country. In 1900, Beck arranged for Houdini to tour Europe. After some days of unsuccessful interviews in London, Houdini managed to interest Dundas Slater, then manager of the Alhambra Theatre. He gave a demonstration of escape from handcuffs at Scotland Yard, and succeeded in baffling the police so effectively that he was booked at the Alhambra for six months.
Houdini became widely known as "The Handcuff King." He toured England, Scotland, the Netherlands, Germany, France, and Russia. In each city, Houdini would challenge local police to restrain him with shackles and lock him in their jails. In many of these challenge escapes, Houdini would first be stripped nude and searched. In Moscow, Houdini escaped from a Siberian prison transport van. Houdini claimed that, had he been unable to free himself, he would have had to travel to Siberia, where the only key was kept. In Cologne, he sued a police officer, Werner Graff, who alleged that he made his escapes via bribery. Houdini won the case when he opened the judge's safe (he would later say the judge had forgotten to lock it). With his new-found wealth and success, Houdini purchased a dress said to have been made for Queen Victoria. He then arranged a grand reception where he presented his mother in the dress to all their relatives. Houdini said it was the happiest day of his life. In 1904, Houdini returned to the U.S. and purchased a house for $25,000, a brownstone at 278 W. 113th Street in Harlem, New York City.
From 1907 and throughout the 1910s, Houdini performed with great success in the United States. He would free himself from jails, handcuffs, chains, ropes, and straitjackets, often while hanging from a rope in plain sight of street audiences. Because of imitators, on January 25, 1908, Houdini put his "handcuff act" behind him and began escaping from a locked, water-filled milk can. The possibility of failure and death thrilled his audiences. Houdini also expanded repertoire with his escape challenge act, in which he invited the public to devise contraptions to hold him. These included nailed packing crates (sometimes lowered into water), riveted boilers, wet-sheets, mailbags, and even the belly of a whale that had washed ashore in Boston. Brewers challenged Houdini to escape from a barrel after they filled it with beer in Scranton, PA and other cities.
Many of these challenges were pre-arranged with local merchants in what is certainly one of the first uses of mass tie-in marketing. Rather than promote the idea that he was assisted by spirits, as did the Davenport Brothers and others, Houdini's advertisements showed him making his escapes via dematerializing, although Houdini himself never claimed to have supernatural powers. In 1912, Houdini introduced perhaps his most famous act, the Chinese Water Torture Cell, in which he was suspended upside-down in a locked glass-and-steel cabinet full to overflowing with water. The act required that Houdini hold his breath for more than three minutes. Houdini performed the escape for the rest of his career. Despite two Hollywood movies depicting Houdini dying in the Torture Cell, the act had nothing to do with his death. Throughout his career, Houdini explained some of his tricks in books written for the magic brotherhood. In ''Handcuff Secrets'' (1909), he revealed how many locks and handcuffs could be opened with properly applied force, others with shoestring. Other times, he carried concealed lockpicks or keys, being able to regurgitate small keys at will. When tied down in ropes or straitjackets, he gained wiggle room by enlarging his shoulders and chest, moving his arms slightly away from his body, and then dislocating his shoulders.
His straitjacket escape was originally performed behind curtains, with him popping out free at the end. However, Houdini's brother, (who was also an escape artist, billing himself as Theodore Hardeen), discovered that audiences were more impressed when the curtains were eliminated so they could watch him struggle to get out. On more than one occasion, they both performed straitjacket escapes whilst dangling upside-down from the roof of a building for publicity.
For most of his career, Houdini was a headline act in vaudeville. For many years, he was the highest-paid performer in American vaudeville. One of Houdini's most notable non-escape stage illusions was performed at New York's Hippodrome Theater, when he vanished a full-grown elephant (with its trainer) from the stage, beneath which was a swimming pool. In 1923, Houdini became president of Martinka & Co., America's oldest magic company. The business is still in operation today. He also served as President of the Society of American Magicians (aka S.A.M.) from 1917 until his death in 1926. In the final years of his life (1925/26), Houdini launched his own full-evening show, which he billed as "3 Shows in One: Magic, Escapes, and Fraud Mediums Exposed".
After Houdini's death, his friend, Martin Beck was quoted in Will Goldstone's book, ''Sensational Tales of Mystery Men'', in which he said that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldstone goes on to claim that Bess begged the key from the ''Mirror'' representative, then slipped it to Houdini in a glass of water. However, it was stated in the book "The Secret Life of Houdini" that the key required to open the specially designed Mirror handcuffs was 6" long, and thus could not have been smuggled to Houdini in a glass of water. Goldstone offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuff itself) that the entire ''Mirror'' challenge was prearranged by Houdini and the newspaper, and that his long struggle to escape was pure showmanship. In support of this, it has been reported that the sterling silver replica of the Mirror cuffs presented to Houdini in honor of his escape was actually made the year before the escape actually took place (again from "The Secret Life of Houdini").
A full-sized replica of the Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at the Houdini Museum in Scranton, PA. This is the only public display of this style cuff anywhere.
The American Museum of Magic has the “Milk Can” and "Overboard Box" used by Harry Houdini.
Houdini's second variation on Buried Alive was an endurance test designed to expose mystical Egyptian performer Rahman Bey, who claimed to use supernatural powers to remain in a sealed casket for an hour. Houdini bettered Bey on August 5, 1926, by remaining in a sealed casket submerged in the swimming pool of New York's Hotel Shelton for one hour and a half. Houdini claimed he did not use any trickery or supernatural powers to accomplish this feat, just controlled breathing. He repeated the feat at the YMCA in Worcester Massachusetts on September 28, 1926, this time remaining sealed for one hour and eleven minutes.
Houdini's final Buried Alive was an elaborate stage escape that was to feature in his full evening show. The stunt would see Houdini escape after being strapped in a strait-jacket, sealed in a casket, and then buried in a large tank filled with sand. While there are posters advertising the escape (playing off the Bey challenge they boasted "Egyptian Fakirs Outdone!"), it is unclear whether Houdini ever performed Buried Alive on stage. The stunt was to be the feature escape of his 1927 season, but Houdini died on October 31, 1926. The bronze casket Houdini created for Buried Alive was used to transport Houdini's body from Detroit back to New York following his death on Halloween.
In 1918 Houdini signed a contract with film producer B.A. Rolfe to star in a 15-part serial, ''The Master Mystery'' (released in January 1919). As was common at the time, the film serial was released simultaneously with a novel. Financial difficulties resulted in B.A. Rolfe Productions going out of business, but ''The Master Mystery'' led to Houdini being signed by Famous Players-Lasky Corporation/Paramount Pictures, for whom he made two pictures, ''The Grim Game'' (1919) and ''Terror Island'' (1920).
While filming an aerial stunt for ''The Grim Game'', two biplanes collided in mid-air with a stuntman doubling Houdini dangling by a rope from one of the planes. Publicity was geared heavily toward promoting this dramatic "caught on film" moment, claiming it was Houdini himself dangling from the plane. While filming these movies in Los Angeles, Houdini rented a home in Laurel Canyon. Following his two-picture stint in Hollywood, Houdini returned to New York and started his own film production company called the "Houdini Picture Corporation". He produced and starred in two films, ''The Man From Beyond'' (1921) and ''Haldane of the Secret Service'' (1923). He also founded his own film laboratory business called The Film Development Corporation (FDC), gambling on a new process for developing motion picture film. Houdini's brother, Theodore Hardeen, left his own career as a magician and escape artist to run the company. Magician Harry Kellar was a major investor.
Neither Houdini's acting career nor FDC found success, and he gave up on the movie business in 1923, complaining that "the profits are too meager". But his celebrity was such that, years later, he would be given a star on the Hollywood Walk of Fame (at 7001 Hollywood Blvd).
In April 2008 Kino International released a DVD box set of Houdini's surviving silent films, including ''The Master Mystery'', ''Terror Island'', ''The Man From Beyond'', ''Haldane of the Secret Service'', and five minutes from ''The Grim Game''. The set also includes newsreel footage of Houdini's escapes from 1907 to 1923, and a section from ''Merveilleux Exploits du Célébre Houdini à Paris'' (although it is not identified as such).
Following his Australia tour, Houdini put the Voisin into storage in England. He announced he would use it to fly from city to city during his next Music Hall tour, although Houdini never in fact flew again (for no documented reason).
A celebration of the centenary of Houdini's first flight was held at Diggers Rest in 2010. The event included the dedication of a new monument, a Houdini-Centenary air-show, magic performances, and the display of a one-third scale model of Houdini's Voisin.
Houdini chronicled his debunking exploits in his book, ''A Magician Among the Spirits''. These activities cost Houdini the friendship of Sir Arthur Conan Doyle. Doyle, a firm believer in Spiritualism during his later years, refused to believe any of Houdini's exposés. Doyle came to believe that Houdini was a powerful spiritualist medium, and had performed many of his stunts by means of paranormal abilities and was using these abilities to block those of other mediums that he was 'debunking' (see Conan Doyle's ''The Edge of The Unknown'', published in 1931). This disagreement led to the two men becoming public antagonists.
Before Houdini died, he and his wife, Bess, agreed that if Houdini's spirit came back to earth, he would utter "Rosabelle believe" as a secret codeword to prove that it was actually him. This was a phrase from a play that Bess performed in when the couple first met. Bess held yearly séances on Halloween for ten years after Houdini's death, but Houdini's spirit never appeared. In 1936, after a last unsuccessful séance on the roof of the Knickerbocker Hotel, she put out the candle that she had kept burning beside a photograph of Houdini since his death, later saying in 1943 that "ten years is long enough to wait for any man." The tradition of holding a séance for Houdini continues by magicians throughout the world to this day; the Official Houdini Séance is currently organized by Sidney Hollis Radner, a Houdini aficionado from upstate New York. Yearly Houdini Séances are also conducted in Chicago at the Excaliber nightclub by "necromancer" Neil Tobin on behalf of the Chicago Assembly of the Society of American Magicians; and at the Houdini Museum in Scranton by magician Dorothy Dietrich who previously held them at New York's famous Magic Towne House with such magical notables as Houdini biographers Walter B. Gibson and Milbourne Christopher. Gibson was asked by Bess Houdini to carry on the tradition. Before he died, Walter passed on the tradition to Dorothy Dietrich.
In 1926, Harry Houdini hired H. P. Lovecraft and his friend C. M. Eddy, Jr., to write an entire book combating superstition, which was to be called ''The Cancer of Superstition.'' Houdini had earlier asked Lovecraft to write a rush article on astrology, for which he paid $75. The article apparently does not survive. Lovecraft's detailed synopsis for ''Cancer'' does survive, as do three chapters of the treatise written by Eddy. However, Houdini's sudden death derailed the plans, as his widow did not wish to pursue the project.
'''
Houdini made the only known recordings of his voice on Edison wax cylinders on October 29, 1914, in Flatbush, New York. On them, Houdini practices several different introductory speeches for his famous Chinese Water Torture Cell. He also invites his sister, Gladys, to recite a poem. Houdini then recites the same poem in German. The six wax cylinders were discovered in the collection of magician John Mulholland after his death in 1970. They are part of the David Copperfield collection.
Radner archived the bulk of his collection at the Outagamie Museum in Appleton, Wisconsin, but pulled it in 2003 and auctioned it off in Las Vegas on October 30, 2004.
Houdini was a "formidable collector," He bequeathed his holdings on magic and spiritualism to the Library of Congress, which became the basis for a collection in cyberspace.
Harry Houdini died of peritonitis, secondary to a ruptured appendix. Eyewitnesses to an incident in Montreal gave rise to speculation that Houdini's death was caused by a McGill University student, J. Gordon Whitehead, who delivered multiple blows to Houdini's abdomen to test Houdini's claim that he was able to take any blow to the body above the waist without injury.
The eyewitnesses, students named Jacques Price and Sam Smilovitz (sometimes called Jack Price and Sam Smiley), proffered accounts of the incident that generally corroborated one another. The following is Price's description of events:'''}}
Houdini reportedly stated that if he had time to prepare himself properly he would have been in a better position to take the blows. He had apparently been suffering from appendicitis for several days prior and yet refused medical treatment. His appendix would likely have burst on its own without the trauma. Although in serious pain, Houdini continued to travel without seeking medical attention.
When Houdini arrived at the Garrick Theater in Detroit, Michigan on October 24, 1926, for what would be his last performance, he had a fever of 104 °F (40 °C). Despite a diagnosis of acute appendicitis, Houdini took the stage. He was reported to have passed out during the show, but was revived and continued. Afterwards, he was hospitalized at Detroit's Grace Hospital.
Houdini died of peritonitis from a ruptured appendix at 1:26 p.m. in Room 401 on October 31, aged 52.
After taking statements from Price and Smilovitz, Houdini's insurance company concluded that the death was due to the dressing-room incident and paid double indemnity.
Houdini's funeral was held on November 4, 1926, in New York, with more than 2,000 mourners in attendance. He was interred in the Machpelah Cemetery in Queens, New York, with the crest of the Society of American Magicians inscribed on his gravesite. To this day the Society holds a broken wand ceremony at the grave site in November. Houdini's widow, Bess, died on February 11, 1943, aged 67, in Needles, California. She had expressed a wish to be buried next to him but instead was interred at the Gate of Heaven Cemetery in Westchester, New York, as her Catholic family refused to allow her to be buried in a Jewish cemetery.
Biographical films:
Category:1874 births Category:1926 deaths Category:American aviators Category:American Jews Category:American magicians Category:American people of Hungarian descent Category:American people of Hungarian-Jewish descent Category:American performance artists Category:American skeptics Category:Austro-Hungarian emigrants to the United States Category:Deaths from peritonitis Category:Disease-related deaths in Michigan Category:Escapologists Category:Hungarian Jews Category:Naturalized citizens of the United States Category:People from Appleton, Wisconsin Category:People from Budapest Category:Professional magicians Category:Vaudeville performers Category:Spiritualism
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