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A brass band is a musical ensemble generally consisting entirely of brass instruments, most often with a percussion section. Ensembles that include brass and woodwind instruments can in certain traditions also be termed brass bands (particularly in the context of New Orleans-style brass bands), but are usually more correctly termed military bands, concert bands, wind bands or 'brass and reed' bands.

Derivations[link]

Balkan[link]

Balkan Brass Band (Serbian: Труба, trumpet) is a distinctive style of music^[1] originating in 19th century Balkans when Roma trumpeters influenced by Turkish marching bands transposed Folk music into brass.^[2] It is popular throughout the Balkans, especially Serbia, Macedonia and Bulgaria. The beats are usually fast and accompanied by kolo (dance). The performers each have their instrument of the orchestra and are called trubači (трубачи). The best known examples of acclaimed music in this style are from Goran Bregović and Boban Marković Orkestar. The Serbian film maker Emir Kusturica has, through his films (Black Cat, White Cat), made the style popular in the international community outside the Balkans.

British-style[link]

Hunters' Chorus from ''The Lily of Killarney'' Brass band arrangement of the Hunters' Chorus from The Lily of Killarney using period instruments. During the 19th century, brass bands began to spring up throughout Europe and America. Popular music, including operas, were arranged for them by composers and music sellers eager to cash in on the free advertising they provided. Problems listening to this file? See media help.

A British brass band marching

A brass band in the British tradition with a full complement of 28 players^[3] (including percussion) consists of:

• 1 Soprano Cornet in E♭
• 8-10 Cornets in B♭ (in separate parts for 'Solo', 'Repiano', 2nd and 3rd cornets; there are 4/5 players on the 'Solo' part, one 'Repiano', two 2nd, and two 3rd)
• 1 Flugelhorn in B♭ (notated on the same part as the 'Repiano' in some older music)
• 3 Horns in E♭ (called Solo, 1st and 2nd)
• 2 Baritones in B♭ (Each with separate parts)
• 2 Tenor Trombones (notated in B♭, playing separate parts)
• 1 Bass Trombone (the only brass instrument in the band notated in Concert Pitch (C), rather than in B♭ or E♭)
• 2 Euphoniums in B♭ (Usually playing the same part with divisi sections)
• 4 Tubas (2 in E♭ and 2 in B♭; often called Basses)
• 2 or 3 percussion players (with 2 or more timpani, glockenspiel, snare drum, triangle, cymbals, a drum kit and more)

• 

  Soprano cornet

• 

  Cornet

• 

  Flugelhorn

• 

  Horn in Eb

• 

  Baritone

• 

  Tenor trombone

• 

  Bass trombone

• 

  Euphonium

• 

  Tuba

With the exception of the trombones, all of the brass are conical-bore instruments, which gives the British-style brass band its distinctive bright, mellow sound (as opposed to a dark symphonic sound). All parts apart from the Bass Trombone and percussion are now written in Treble Clef.

Brass bands have a long tradition of competition between bands, often based around local industry and communities. In the 1930s brass bands thrived most with around 20,000 brass bands in the U.K.^{[citation needed]} British-style brass bands are widespread throughout Great Britain, Australia, New Zealand, Norway and continental Europe and are also found in North America. Annual competitions are held in these countries to select champion bands at various levels of musical competence.

The Salvation Army, part of the Christian church, has deployed brass bands since 1878 and they continue to be an integral part of that organisation. The most well-known Salvation Army brass band is The International Staff Band which is based in London. Salvation Army bands vary considerably in size and complement as they are based on the local personnel available, some being as small as 6-8 members. The cornet section of a Salvation Army band does not include a 'Repiano' and instead of 2nd & 3rd cornets there are 1st & 2nd cornets. A Salvation Army band may have 3-6 tenor horns, 2-4 baritones and 2-6 tenor trombones. Salvation Army bands have a local tradition of training children in brass playing from an early age (starting at 7–8 years old). In larger Salvation Army churches there will often be a Junior Band for children (7–18 years old) as well as a Senior Band for adults.

New Orleans[link]

The Spirit of New Orleans Brass Band performs at the French Quarter Festival, New Orleans, Louisiana, 11 April 2008.

The tradition of brass bands in New Orleans, Louisiana dates to the late 19th and early 20th centuries. Traditionally, New Orleans brass bands could feature various instrumentations, often including trumpets, trombones, saxophones, sousaphones and percussion. The music played by these groups was often a fusion between European-styled military band music and African folk music brought to the Americas by west African slaves and the idiom played a significant role in the development of traditional jazz. Early brass bands include the Eureka Brass Band, the Onward Brass Band, the Excelsior Brass Band, the Tuxedo Brass Band, the Young Tuxedo Brass Band, the Camelia Brass Band, and the Olympia Brass Band.

The Treme Brass Band, while not as old, has members who have been influential throughout New Orleans Brass Band music, as well as being renowned in its own right.

A well-known use of these bands is for the New Orleans jazz funeral.

In the 1970s and 1980s, the New Orleans brass band tradition experienced a renaissance, with bands breaking away from traditional stylings and adding elements of funk, hip hop, and bop to their repertoires. Some notable exponents of this style of brass band include Soul Rebels Brass Band, Rebirth Brass Band, the Stooges Brass Band, the Hot 8 Brass Band, the Lil Rascals Brass Band, Youngblood Brass Band and the Dirty Dozen Brass Band. Also, a number of groups outside the United States have begun playing this style of music.

The style of the music is often characterized by the use of the sousaphone in place of a bass violin to play the bass-line. The sousaphone may play a traditional jazz walking bass-line or groove on a riff. Trumpets, trombones, saxophones, and other horns play melodies and harmonies loosely over the bass-line. Often the lines are greatly embellished with improvisation. A typical setup includes two percussionists, one playing a marching bass drum and another playing a snare drum and a cymbal (the snare drummer often switches to a drum kit when not marching). Many variations on this exist, including the use of additional percussionists, cymbals, drums and whistles.

The style has moved beyond New Orleans and can now be found in such places as Japan with the Black Bottom Brass Band; the Netherlands with the Happy Feet and the Hurricane brass bands; Scotland with the Criterion Brass Band; Phoenix, Arizona with the Bad Cactus Brass Band; Boston, Massachusetts with the Hot Tamale Brass Band; Tennessee with Halfbrass; Minnesota with the Jack Brass Band; Missouri with the Funky Butt Brass Band; Georgia with the Half Dozen Brass Band; Cincinnati, Ohio with The Cincy Brass; and Madison, Wisconsin with the Mama Digdown's and Youngblood brass bands.

Polynesia[link]

Founded in 1836 by King Kamehameha III, the Royal Hawaiian Band is the second oldest and only full-time municipal band in the United States. In recent generations, unique brass band traditions have also developed in Tonga, Samoa, and other parts of Polynesia, as well as among the Māori of New Zealand. Some recordings are now available and these styles are beginning to be researched and promoted abroad through band tours.

Festivals around the world[link]

One festival featuring brass bands is the Tarragona international dixieland festival, in Catalonia, Spain. The organisation programs not only dixieland brass bands but also ethnic or world music brass bands from over the world, including the Dirty Dozen Brass Band from the USA, Boban Marković Orkestar from Serbia, the Jaipur Kawa Brass Band from India and Taraf Goulamas from Occitania France.

In the United States the Great American Brass Band Festival has been held annually in Danville, Kentucky for the past 18 years. This event, held in early June, attracts brass band lovers from the U.S., Canada, and Europe.

The North American Brass Band Association sponsors an annual convention that provides member bands with the opportunity to compete in a contest format similar to those conducted in the United Kingdom and Europe.

In Boston, and Seattle a series of festivals called HONK! bring together Street Brass Bands (and other related ensembles) from the United States and Canada, and some bands from other parts of the world. The groups presented include Balkan Brass Bands, New Orleans brass bands, Political Action Bands, Klezmer, and "DIY" Alternative / Radical Community Bands.

See also[link]

• Soul Rebels Brass Band
• Bestwood Welfare Black Diamonds Brass Band
• Black Dyke Mills Band
• Brass Band Buizingen
• Brass quintet
• Brighouse and Rastrick Brass Band
• Foden's Band
• Grimethorpe Colliery Band
• The Harrogate Band
• International Staff Band of the Salvation Army
• Landrake Band
• Leyland Band
• Maidenhead Citadel Band of the Salvation Army
• Marching band
• Reg Vardy Band
• North York Temple Band of The Salvation Army
• Silver bands in County Fermanagh
• The Band Of The Royal Regiment Of New Zealand Artillery - The NZ Artillery Band
• Tapton Youth Brass Band
• Music of Tonga
• Music of Samoa
• Music of Polynesia
• Māori music
• Buraban
• Chalk Farm Band of the Salvation Army
• The City of Wolverhampton Brass Band
• Lanner and District Silver Band
• Banda Music
• Onchan Silver Band
• Helston Town Band
• Vena Mills Band
• Hungry March Band
• HONK!
• Brass Instruments
• Eastern Iowa Brass Band
• Tarragona international dixieland festival in Catalonia, Spain.
• Central Park Brass
• Flowers Brass Band
• Triangle Brass Band
• Herb Alpert & the Tijuana Brass

Brass band composers[link]

• Adrian Drover
• Alan Fernie
• Arthur Butterworth
• Bram Tovey
• Brian Bowen
• Bruce Fraser
• Darrol Barry
• Dean Goffin
• Dean Jones
• Derek Bourgeois
• Derek Broadbent
• Edward Gregson
• Eric Ball
• Erik Leidzen
• George Allen
• Goff Richards
• Gordon Langford
• Frederik Magle
• Henry James Metcalfe
• Herb Alpert
• James McFadyen
• John McCabe
• Kenneth Downie
• Leslie Condon
• Marcus Venables
• Martin Cordner
• Martin Ellerby
• Nigel Clarke
• Norman Bearcroft
• Ørjan Matre
• Paul Lovatt-Cooper
• Peter Graham
• Peter Meechan
• Philip Harper
• Philip Sparke
• Philip Wilby
• Ray Steadman-Allen
• Robert Redhead
• Rodney Newton
• Ted Huggens
• Torstein Aagaard-Nilsen
• William Himes
• William Rimmer
• William F Saunders

Brass band arrangers (not composers)[link]

• Alan Fernie
• Adrian Drover

Brass band publishers[link]

This unreferenced section requires citations to ensure verifiability.

• Francis Clifford Publishing
• Adios Music
• Band Press VOF
• De Haske
• Devilish Publishing
• Elms Publishing
• Faber Music
• Gramercy Music
• JAGRINS
• Kantaramusik
• Kirklees Music
• Maverick Music
• PLC Music
• Prima Vista Musikk
• Salvationist Publishing and Supplies
• SJS Music
• Studio Music
• Wright & Round

Brass band instrument manufacturers, historical and present[link]

• C.G. Conn, Ltd. and Conn^[4]
• Boston Musical Instrument Company^[4]
• Graves and Sons^[5]
• E.G. Wright and Company^[5]
• Hall and Quinby^[6]
• E.A. Couturier^[4]
• The Standard Band Instrument Company^[4]
• Boosey and Hawkes^[4]
• Besson^[4]
• Willson^[7]
• Hirsbrunner^[8]
• Antoine Courtois^[4]
• F.E. Olds^[4]
• J. W. York^[4]
• F.A. Reynolds^[4]
• The Martin Band Instrument Company^[4]
• The Frank Holton Company^[4]
• The H.N. White Company (King Musical Instruments)^[4]
• Vincent Bach Corporation^[4]
• Blessing^[9]
• Jupiter Band Instruments^[4]
• Yamaha Musical Instruments^[4]
• Smith Watkins^[10]

References[link]

External links[link]

• Brass Bands- Services for contacting bands and players worldwide
• 4barsrest- Up to date news and articles on the brass band scene
• IBEW- The complete information resource for brass bands worldwide
• British Bandsman magazine
• Brass Band Tube - All the latest Brass Band videos on the internet
• BrassBand.co.uk-Brass Band Sheet Music Search Engine
• Matt Sakakeeny-Tulane University musicologist has written extensively on New Orleans brass bands
• The Australian Newcastle Steelworks Band's London recordings, including the 'Honest Toil March' was added to the National Film and Sound Archive's Sounds of Australia Registry in 2009
• The Newcastle Steelworks Band playing W. Rimmer’s 'Honest Toil March' on australianscreen online
• Stonehouse (Gloucestershire) Brass Band 1898

Jools Holland
Holland at the British Academy Television Awards 2009
Background information
Birth name	Julian Miles Holland
Born	(1958-01-24) 24 January 1958 (age 54) Blackheath, London, England
Genres	Boogie-woogie, jazz, blues, R&B
Occupations	Musician, composer, television presenter, bandleader
Instruments	Piano, keyboard, guitar
Years active	1974–present
Associated acts	Squeeze Rhythm & Blues Orchestra
Website	Official site

Julian Miles "Jools" Holland OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer, and television presenter. He was a founder of the band Squeeze (1974-1980 & 1985-1990) and his work has involved him with many artists including Sting, Eric Clapton, George Harrison, David Gilmour, Magazine and Bono.

Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004, he collaborated with Tom Jones on an album of traditional R&B music. He currently hosts Later... with Jools Holland, a music-based show aired on BBC2, on which his annual show Hootenanny, is based.^[1]

Life and career[link]

His great grandfather came from Ireland.^[2]

Holland played as a session musician before finding fame, and his first studio session was with Wayne County & the Electric Chairs in 1976 on their track "F*ck Off."^[3]

Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1981 and helped the band to achieve millions of record sales, before pursuing his solo career.^[3]

Holland began issuing solo records in 1978, his first EP being Boogie Woogie '78. He continued his solo career through the early 1980s, releasing an album and several singles between 1981 and 1984. He branched out into TV, co-presenting the Newcastle-based TV music show The Tube with Paula Yates. Holland achieved notoriety by inadvertently using the phrase "groovy fuckers" in a live, early evening TV trailer for the show, causing it to be suspended for six weeks.^[4] He referred to this in his sitcom "The Groovy Fellers" with Rowland Rivron.

Holland at the Tsunami Relief concert in Cardiff's Millennium Stadium, 22 January 2005

In 1983 Holland played an extended piano solo on The The's re-recording of "Uncertain Smile" for the album Soul Mining. In 1985, Squeeze (which had continued in Holland's absence through to 1982) unexpectedly regrouped including Jools Holland as their keyboard player. Holland remained in the band until 1990, at which point, he again departed Squeeze on amicable terms to resume his solo career as a musician and a TV host.

In 1987, Holland formed The Jools Holland Big Band which consisted of himself and Gilson Lavis from Squeeze. This gradually became his 18-piece Rhythm & Blues Orchestra.^[3]

Between 1988 and 1990 he performed and co-hosted along with David Sanborn during the two seasons of the music performance program Sunday Night on NBC late-night television.^[5] Since 1992 he has presented the music program Later... with Jools Holland, plus an annual New Year's Eve Hootenanny.

In 1996, Holland signed a recording contract with Warner Bros. Records,^[3] and his records are now marketed through Rhino Records.

Holland has a touring band, The Rhythm And Blues Orchestra, which often includes singers Sam Brown and Ruby Turner. In January 2005 Holland and his band performed with Eric Clapton as the headline act of the Tsunami Relief Cardiff.

Personal[link]

Holland lives in the Westcombe Park area of Blackheath in South East London, where he had his studio, Helicon Mountain, built to his design, inspired by Portmeirion, the setting for the 1960s TV series The Prisoner.^[6] Holland owns costumes and props from the series and occasionally appears wearing the trademark brown-with-white-pipe blazer featured in the series. In 1987, Holland demonstrated his love of the series and starred in a spoof documentary, The Laughing Prisoner, with Stephen Fry, Terence Alexander and Hugh Laurie.^[6] Much of it was shot on location in Portmeirion, with archive footage of Patrick McGoohan, and featuring musical numbers from Siouxsie and the Banshees, Magnum and XTC. Holland performed a number towards the end of the program. His younger brother, Christopher, also plays organ in the Rhythm & Blues Orchestra, as well as being a singer-songwriter.

Holland was an interviewer for The Beatles Anthology TV project, and appeared in the 1997 film Spiceworld as a musical director.

He received an OBE in 2003 in the Queen's Birthday Honours list, for services to the British music industry as a television presenter and musician. In September 2006 Holland was appointed a Deputy Lieutenant for Kent.^[7] He is also known for his charity work: in June 2006 he performed in Southend for HIV/AIDS charity Mildmay,^[8] and in early 2007 he performed at Wells and Rochester Cathedrals to raise money for maintaining cathedral buildings.^[9] He is also patron of the Drake Music Project^[10] and has raised many thousands of pounds for the charity.

Holland was appointed an Honorary Fellow of Canterbury Christ Church University at a ceremony held at Canterbury Cathedral on 30 January 2009.^[11]

On 29 August 2005 Holland married Christabel McEwen, his girlfriend of 15 years (between 1983 and 1995 she had been married to Edward Lambton, 7th Earl of Durham, before they divorced). The wedding, at St James's Church, Cooling near Rochester, was attended by many celebrities, including Ringo Starr, Robbie Coltrane, Stephen Fry, Lenny Henry, Noel Gallagher, Dawn French and Jennifer Saunders.^[12]

Holland is also a patron for The Milton Rooms, an Arts centre in Malton, North Yorkshire, along with Bill Nighy, Imelda Staunton and Kathy Burke.^[13]

Writing[link]

His 2007 biography, Barefaced Lies and Boogie Woogie Boasts was BBC Radio 4 "Book of the Week" in the week beginning 8 October 2007 and was read by Holland. He is the author or joint author of four other books.

Discography[link]

Albums that have charted and gained Certifications[link]

Releases[link]

• 1978 "Boogie Woogie '78" (EP)
• 1981 Jools Holland and His Millionaires
• 1984 Jools Holland Meets Rock 'A' Boogie Billy (U.S. release only)
• 1990 World Of His Own
• 1991 The Full Complement
• 1992 "Together Again" (single with Sam Brown)
• 1992 The A-Z Geographer's Guide To The Piano
• 1994 Solo Piano
• 1994 Live Performance
• 1996 " Jazz & Rock & Roll
• 1997 Lift The Lid
• 1998 Best Of
• 1999 Sunset Over London
• 2000 Hop The Wag
• 2001 Small World Big Band
• 2002 SWBB Volume Two: More Friends
• 2003 Jack O The Green (SWBB Friends 3)
• 2004 Tom Jones & Jools Holland
• 2005 Beatroute
• 2005 Swinging the Blues, Dancing the Ska
• 2006 Moving Out To The Country
• 2007 Best of Friends
• 2008 The Collection
• 2008 The Informer (With Ruby Turner)
• 2008 "The Informer" (single with Ruby Turner)
• 2009 "I Went By" (single with Louise Marshall)
• 2010 Rockinghorse

Film and television[link]

• 1981 Urgh! A Music War
• 1982 Police: Around the World
• 1982 - 1987 The Tube (Host for 121 editions)
• 1983 Rebellious Jukebox: Compere
• 1984 The Young Ones: Punk (Episode entitled "Summer Holiday")
• 1985 Walking To New Orleans (Jools Holland in New Orleans)
• 1987 Eat the Rich: Sun Reporter
• 1987 Filthy Rich & Catflap: Strip Show Pianist (Episode #1.3)
• 1987 The Laughing Prisoner: No. 7
• 1987 French and Saunders (Episode 1.5)
• 1988 Sunday Night: Host (unknown episodes)
• 1989 Juke Box Jury: Host (unknown episodes)
• 1989 The Groovy Fellers Himself, 6 episodes
• 1991 Mr Roadrunner (Jools Holland in Memphis)
• 1994 There's No Business: Pianist
• 1994 - 1995 Don't Forget Your Toothbrush
• 1995 The Beatles Anthology
• 1997 Spice World: Musical Director
• 1997 Name That Tune: Host and Pianist
• 2003 Jool's History of the Piano : Presenter
• 2006 Top Gear: Star in a reasonably priced car.
• 2007 Fairport@Forty: Interview
• 2009 Chop Shop Rover Concept: The Jet 1 Car : Customer

Current television programmes[link]

• 1992–present Later... with Jools Holland
• 1993–present Hootenanny

Books[link]

• "Rolling Stones": A Life on the Road, (with Dora Loewenstein), Viking/Allen Lane (1998), (ISBN 0-670-88051-5)
• Beat Route: Journeys Through Six Counties, Weidenfeld & Nicholson (1998), (ISBN 0-575-06700-4)
• Ray Charles: Man and Music, (with Michael Lydon), Payback Press (1999), (ISBN 0-86241-929-8)
• Hand That Changed Its Mind , International Music Publications (2007), (ISBN 1-84328-645-9)
• Barefaced Lies and Boogie-woogie Boasts , Michael Joseph Ltd (2007), (ISBN 0-7181-4915-7)

References[link]

External links[link]

• Official website
• Jools Holland at the Internet Movie Database
• Jools Holland's Radio 2 show at BBC Programmes
• Later...with Jools Holland at BBC Online

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2010)

Dirty Dozen Brass Band
Playing in 2008 Photo: Candace Paulman
Background information
Origin	New Orleans, Louisiana
Genres	Jazz, New Orleans R&B, Jazz fusion, Second Line, Funk, Soul, Jam Band
Years active	1977–present
Labels	Concord Jazz, Rounder, Columbia, Mammoth, Ropeadope Records, Shout! Factory
Associated acts	Modest Mouse, Widespread Panic, Dave Matthews
Website	www.dirtydozenbrass.com
Members
Gregory Davis - trumpet, vocals Roger Lewis - baritone, soprano sax Kevin Harris - Tenor saxophone Terence Higgins - Drums Jake Eckert - Guitar (touring band) Efrem Towns - Trumpet, flugelhorn Kirk Joseph - Sousaphone
Past members
Charles Joseph - Trombone Lionel Batiste - Bass drum Benny Jones - Bass drum Jenell Marshall - Snare drum Big Sam - Trombone Jamie Mclean Guitar Julius McKee - Sousaphone Revert Andrews - Trombone

The Dirty Dozen Brass Band is a New Orleans, Louisiana, brass band. The ensemble was established in 1977 by Benny Jones together with members of the Tornado Brass Band. The Dirty Dozen revolutionized the New Orleans brass band style by incorporating funk and bebop into the traditional New Orleans style, and has been a major influence on the majority of New Orleans brass bands since.

Beginnings[link]

The Dirty Dozen Brass Band ultimately grew out of the youth music program established by Danny Barker at New Orleans' Fairview Baptist Church. In 1972 Barker started the Fairview Baptist Church Marching Band with the goal of providing young people with a positive outlet for their energies. The band achieved considerable local popularity and transformed itself into a professional outfit led by trumpeter Leroy Jones and known as the Hurricane Brass Band. By 1976, however, opportunities for brass bands were drying up; Jones left the group to play mainstream jazz and, after a brief period as the Tornado Brass Band, the group fell apart.

Nevertheless, a few of the musicians from the Tornado band—trumpeter Gregory Davis, sousaphonist Kirk Joseph, trombonist Charles Joseph, and saxophonist Kevin Harris–continued to rehearse together into 1977, and they were joined by Efrem Towns (trumpeter/lead singer) and Roger Lewis on saxophone and Benny Jones and Jenell Marshall on drums. By this point the popularity of brass band music in New Orleans was at a low ebb, and paying gigs were rare, a circumstance which influenced the early development of the band. As Davis describes it,

In the beginning, there was a lot of rehearsal going on, ... [and] we started to develop a repertoire. ... We were just rehearsing, and we were interested in learning the chord progressions and the melodies. ... We were all free to bring in whatever we wanted to rehearsal. We weren't thinking about getting gigs.

This sense of freedom allowed the band to incorporate bebop tunes and jazz standards into their repertoire, as well as lighthearted pieces like the Flintstones theme song.

When Benny Jones, who was active in the social and pleasure club scene, was asked to get a band together for a parade he would draw from this rehearsal group; before long, Gregory Davis assumed leadership of the band. "I thought it would be better to use the same people as often as I could," he explains. "That helped to keep it tight." The band initially called themselves the Original Sixth Ward Dirty Dozen, a name designed to show their strong connection to the Tremé neighborhood and the local social club scene, as represented by the Dirty Dozen Social and Pleasure Club.

The band began playing regular Thursday night gigs at a Seventh Ward club called Daryl's, and later added a regular spot at the Glasshouse, a neighborhood bar in a black neighborhood of Uptown New Orleans, which lasted "about seven or eight years". The Daryl's performances caught the attention of Jerry Brock, a radio broadcaster and co-founder of new local radio station WWOZ. Brock describes his initial reaction to the band:

I'll never forget the first time I walked in there. ... The people were so exuberant—the floor was covered with people, rolling on the floor! ... This is what the Fairview band and the Hurricane Brass Band had been leading up to—the Dirty Dozen had renewed this music to the New Orleans community. The people were going wild. Going to Daryl's became the weekly ritual.

Popularity[link]

In 1980, Jerry Brock made the first professional recording of the Dirty Dozen Brass Band, which he played "constantly" on WWOZ. He also prepared a press kit for the group and, in his words, "helped them to present themselves professionally".

According to the December 7th, 1981 Times-Picayune article (Section 5, Page3), by writer Betty Guillaud, the Dirty Dozen Brass Band was one of the groups that performed at the Rolling Stones' private party aboard the Riverboat S.S. President in New Orleans. Dianna Chenevert handled band bookings and assisted with guest selection for promoter Bill Graham. A photo taken of the Dirty Dozen Brass Band onstage at the Stones party was later used on the inside of Chenevert’s agency brochure. Dirty Dozen band members were featured as stellar musicians from Louisiana, on the Southern Stars poster created by Chenevert to help promote them and historically document their contribution to the music industry. On October 12, 1983 USA Today reporter Miles White highlighted the poster, which provided more nationwide attention.

Back in 1982 Brock had arranged a concert for the band at the well-known local music venue Tipitina's, which was the first time they had played at a "white club" in New Orleans. Afterwards the band had one of its first international appearances, when Kidd Jordan recommended the band to the organizers of the Groningen Festival in the Netherlands.

The band's popularity began to take off in 1984. Promoter George Wein booked them on a tour of southern Europe, and when they returned to the United States they secured engagements at two clubs in New York, Tramp's and The Village Gate, where their original short bookings were ultimately extended to six weeks. After a week at home in New Orleans the band travelled to California for four weeks, and before the year was out made three more trips to Europe. 1984 also saw the recording and release of the band's first album, My Feet Can't Fail Me Now, on the Concord Jazz label. Gregory Davis assesses the band's popularity at the time:

Outside Louisiana, support was in pockets. It was okay in California, but our widest support was in Europe. ... There were many more festivals and clubs that featured jazz, and a high level of enthusiasm. We got the same sort of reception in Japan.

In 1986 the band's set at the Montreux Jazz Festival in Montreux, Switzerland, was recorded and released as Mardi Gras at Montreux on Rounder Records. The album and the band's touring successes attracted major-label attention, and in 1987 the band signed a contract with Columbia. Their Columbia debut, 1987's Voodoo, featured guest appearances by Dr. John, Dizzy Gillespie and Branford Marsalis. This introduced a trend for the group, and future recordings saw them joined by a variety of special guests including Elvis Costello, DJ Logic, Norah Jones, and the man who started it all, Danny Barker. The group has also toured and recorded with jam band Widespread Panic, as well as spending almost all of 1995 as the opening act for The Black Crowes 'Amorica Or Bust' US Tour.

In 1998, after a five-year hiatus from recording, the band switched labels to release Ears to the Wall on Mammoth Records. They followed it up in 1999 with Buck Jump which was produced by John Medeski of Medeski Martin & Wood. (Medeski also played Hammond B3 on the album.) Their next album, 2002's Medicated Magic, appeared on Ropeadope Records, as did their subsequent studio release, Funeral for a Friend, which appeared in 2004. Funeral for a Friend represents something of a return to the band's roots: it is a documentation of a New Orleans "funeral with music", the original environment of the brass band form. They appear on the 2005 benefit album A Celebration of New Orleans Music to Benefit MusiCares Hurricane Relief 2005, with the song "Mardi Gras In New Orleans". They were also featured on two tracks on Modest Mouse's album "Good News for People Who Love Bad News": "Horn Intro" and "This Devil's Workday." On August 29, 2006, the Dozen released What's Going On, their version of the entire 1971 Marvin Gaye landmark disc What's Going On as a response to the devastation of Hurricane Katrina that struck New Orleans exactly one year earlier.

Influence[link]

From the beginning, the music of the Dirty Dozen was a departure from the traditional New Orleans brass band sound, and as the band's popularity increased the distance between them and more traditional groups only grew. When Kirk and Charles Joseph left the band suddenly in 1991, citing the pressures of the group's demanding touring schedule, Davis was forced to replace Kirk Joseph not with another sousaphonist but with an electric bass player. Similarly, in 1994 drummers Lionel Batiste (who had replaced Benny Jones on bass drum some years earlier) and Jenell Marshall left the group; Davis was unable to find a pair of drummers who met his expectations, and instead hired a single musician to play drum kit. The subsequent addition of a keyboard player and guitarist removed the band still further from its street band roots. Finally, throughout the band's history they relied on written arrangements to a far greater extent than do most other New Orleans brass bands.

Despite the Dirty Dozen's uniqueness, however, the band's success inspired a resurgence of New Orleans' brass band music, both in the city and nationwide. The band was most influential in the 1980s, when they demonstrated by example that brass band music could be successful by moving beyond a type of music that risked stagnation as nothing more than a tourist attraction. Before the Dirty Dozen band was formed the Olympia Brass Band was already mixing R&B and jazz influences in with traditional tunes; the Dirty Dozen took this farther, and gave the trend worldwide visibility. Bands which followed in their wake did not all follow their more jazz oriented stage band approach—only the Soul Rebels have gone in that direction—but a wide variety of bands, from the Rebirth Brass Band to Wisconsin's Youngblood Brass Band have been influenced by them in other ways. Rebirth has the most direct connection with the Dirty Dozen: they got their start playing at Daryl's when the Dirty Dozen was on the road.

Discography[link]

• 1984 - My Feet Can't Fail Me Now (Concord Jazz)
• 1986 - Live: Mardi Gras in Montreaux (Rounder)
• 1987 - Voodoo (Columbia) Featuring Dr. John, Dizzy Gillespie and Branford Marsalis
• 1989 - The New Orleans Album (Columbia) Featuring Danny Barker, Dave Bartholomew, Eddie Bo and Elvis Costello
• 1991 - Open Up: Whatcha Gonna Do for the Rest of Your Life (Columbia)
• 1993 - Jelly (Columbia)
• 1996 - Ears to the Wall (Mammoth)
• 1999 - Buck Jump (Mammoth) Featuring John Medeski
• 2002 - Medicated Magic (Ropeadope Records) Featuring John Bell, Dr. John, Olu Dara, Norah Jones, DJ Logic, and Robert Randolph
• 2003 - We Got Robbed: Live in New Orleans (Self-released)
• 2004 - Funeral for a Friend (Ropeadop)
• 2005 - This is the Dirty Dozen Brass Band (Compilation, Shout! Factory)
• 2006 - What's Going On (Shout! Factory)
• 2007 - Goin' Home: A Tribute to Fats Domino (Vanguard), performing "Every Night About This Time" with Buddy Guy and Joss Stone
• 2012 - Twenty Dozen (Savoy Jazz)

The Dirty Dozen Brass Bands appear on:

• 1989 - Elvis Costello: Spike (Warner) Songs - "Deep, Dark, Truthful Mirror", "Chewing Gum", "Stalin Malone"
• 1999 - Joe Henry: Fuse (Mammoth)
• 2000 - Widespread Panic: Another Joyous Occasion
• 2004 - Widespread Panic: Night of Joy
• 2004 - Modest Mouse: "Good News for People Who Love Bad News"
• 2009 - Modest Mouse: No One's First and You're Next

References[link]

• Burns, Mick. Keeping the Beat On the Street: The New Orleans Brass Band Renaissance. Baton Rouge: Louisiana State University Press, 2006. ISBN 0-8071-3048-6

External links[link]

Wikimedia Commons has media related to: Dirty Dozen Brass Band

• Official website
• Dirty Dozen Brass Band collection at the Internet Archive's live music archive
• Press Kit from Ropeadope Records
• MusicWeb Encyclopedia of Popular Music
• Interview with Efrem Towns at About.com

The French Revolution
The storming of the Bastille, 14 July 1789
Participants	French society
Location	France
Date	1789–1799
Result	A cycle of royal power being limited by uneasy constitutional monarchy—then abolition and replacement of the French king, aristocracy and church with a radical, secular, democratic republic—in turn becoming more authoritarian, militaristic and property-based. Radical social change to forms based on Enlightenment principles of citizenship and inalienable rights, as well as nationalism and democracy. Rise of Napoleon Bonaparte Armed conflicts with other European countries

The French Revolution (French: Révolution française; 1789–1799), was a period of radical social and political upheaval in France that had a major impact on France and indeed all of Europe. The absolute monarchy that had ruled France for centuries collapsed in three years. French society underwent an epic transformation, as feudal, aristocratic and religious privileges evaporated under a sustained assault from radical left-wing political groups, masses on the streets, and peasants in the countryside.^[1] Old ideas about tradition and hierarchy – of monarchy, aristocracy and religious authority – were abruptly overthrown by new Enlightenment principles of equality, citizenship and inalienable rights.

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The French Revolution began in 1789 with the convocation of the Estates-General in May. The first year of the Revolution saw members of the Third Estate proclaiming the Tennis Court Oath in June, the assault on the Bastille in July, the passage of the Declaration of the Rights of Man and of the Citizen in August, and an epic march on Versailles that forced the royal court back to Paris in October. The next few years were dominated by tensions between various liberal assemblies and a right-wing monarchy intent on thwarting major reforms.

A republic was proclaimed in September 1792 and King Louis XVI was executed the next year. External threats also played a dominant role in the development of the Revolution. The French Revolutionary Wars started in 1792 and ultimately featured spectacular French victories that facilitated the conquest of the Italian Peninsula, the Low Countries and most territories west of the Rhine – achievements that had defied previous French governments for centuries.

Internally, popular sentiments radicalized the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins and virtual dictatorship by the Committee of Public Safety during the Reign of Terror from 1793 until 1794 during which between 16,000 and 40,000 people were killed.^[2] After the fall of the Jacobins and the execution of Robespierre, the Directory assumed control of the French state in 1795 and held power until 1799, when it was replaced by the Consulate under Napoleon Bonaparte.

After the Napoleonic Wars and ensuing rise and fall of Napoleon's First French Empire, a restoration of absolutist monarchy was followed by two further successful smaller revolutions (1830 and 1848). This meant the 19th century and process of modern France taking shape saw France again successively governed by a similar cycle of constitutional monarchy (1830–48), fragile republic (Second Republic) (1848–1852), and empire (Second Empire) (1852–1870). The modern era has unfolded in the shadow of the French Revolution. The growth of republics and liberal democracies, the spread of secularism, the development of modern ideologies and the invention of total war^[3] all mark their birth during the Revolution.

Causes[link]

The government of King Louis XVI of France faced a fiscal crisis in the 1780s.

Adherents of most historical models identify many of the same features of the Ancien Régime as being among the causes of the Revolution. Economic factors included hunger and malnutrition in the most destitute segments of the population, due to rising bread prices (from a normal 8 sous for a four-pound loaf to 12 sous by the end of 1789),^[4] after several years of poor grain harvests. Bad harvests (caused in part by extreme weather from El Niño along with volcanic activity at Laki and Grímsvötn in 1783–1784), rising food prices, and an inadequate transportation system that hindered the shipment of bulk foods from rural areas to large population centers contributed greatly to the destabilization of French society in the years leading up to the Revolution.

Another cause was the state's effective bankruptcy due to the enormous cost of previous wars, particularly the financial strain caused by French participation in the American Revolutionary War. The national debt amounted to some 1,000–2,000 million^{[citation needed]} livres. The social burdens caused by war included the huge war debt, made worse by the loss of France's colonial possessions in North America and the growing commercial dominance of Great Britain. France's inefficient and antiquated financial system was unable to manage the national debt, something which was both partially caused and exacerbated by the burden of an inadequate system of taxation. To obtain new money to head off default on the government's loans, the king called an Assembly of Notables in 1787.

Meanwhile, the royal court at Versailles was seen as being isolated from, and indifferent to, the hardships of the lower classes. While in theory King Louis XVI was an absolute monarch, in practice he was often indecisive and known to back down when faced with strong opposition. While he did reduce government expenditures, opponents in the parlements successfully thwarted his attempts at enacting much needed reforms. Those who were opposed to Louis' policies further undermined royal authority by distributing pamphlets (often reporting false or exaggerated information) that criticized the government and its officials, stirring up public opinion against the monarchy.^[5]

Many other factors involved resentments and aspirations given focus by the rise of Enlightenment ideals. These included resentment of royal absolutism; resentment by peasants, laborers and the bourgeoisie toward the traditional seigneurial privileges possessed by the nobility; resentment of the Church's influence over public policy and institutions; aspirations for freedom of religion; resentment of aristocratic bishops by the poorer rural clergy; aspirations for social, political and economic equality, and (especially as the Revolution progressed) republicanism; hatred of Queen Marie-Antoinette, who was falsely accused of being a spendthrift and an Austrian spy; and anger toward the King for firing finance minister Jacques Necker, among others, who were popularly seen as representatives of the people.^[6]

Pre-revolution[link]

Financial crisis[link]

Caricature of the Third Estate carrying the First Estate (clergy) and the Second Estate (nobility) on its back.

Louis XVI ascended to the throne amidst a financial crisis; the state was nearing bankruptcy and outlays outpaced income.^[7] This was because of France’s financial obligations stemming from involvement in the Seven Years War and its participation in the American Revolutionary War.^[8] In May 1776, finance minister Turgot was dismissed, after he failed to enact reforms. The next year, Jacques Necker, a foreigner, was appointed Comptroller-General of Finance. He could not be made an official minister because he was a Protestant.^[9]

Necker realized that the country's extremely regressive tax system subjected the lower classes to a heavy burden,^[9] while numerous exemptions existed for the nobility and clergy.^[10] He argued that the country could not be taxed higher; that tax exemptions for the nobility and clergy must be reduced; and proposed that borrowing more money would solve the country's fiscal shortages. Necker published a report to support this claim that underestimated the deficit by roughly 36 million livres, and proposed restricting the power of the parlements.^[9]

This was not received well by the King's ministers, and Necker, hoping to bolster his position, argued to be made a minister. The King refused, Necker was fired, and Charles Alexandre de Calonne was appointed to the Comptrollership.^[9] Calonne initially spent liberally, but he quickly realized the critical financial situation and proposed a new tax code.^[11]

The proposal included a consistent land tax, which would include taxation of the nobility and clergy. Faced with opposition from the parlements, Calonne organised the summoning of the Assembly of Notables. But the Assembly failed to endorse Calonne's proposals and instead weakened his position through its criticism. In response, the King announced the calling of the Estates-General for May 1789, the first time the body had been summoned since 1614. This was a signal that the Bourbon monarchy was in a weakened state and subject to the demands of its people.^[12]

Estates-General of 1789[link]

The Estates-General was organized into three estates: the clergy, the nobility, and the rest of France.^[13] On the last occasion that the Estates-General had met, in 1614, each estate held one vote, and any two could override the third. The Parlement of Paris feared the government would attempt to gerrymander an assembly to rig the results. Thus, they required that the Estates be arranged as in 1614.^[14] The 1614 rules differed from practices of local assemblies, where each member had one vote and third estate membership was doubled. For example, in the Dauphiné the provincial assembly agreed to double the number of members of the third estate, hold membership elections, and allow one vote per member, rather than one vote per estate.^[15]

The "Committee of Thirty," a body of liberal Parisians, began to agitate against voting by estate. This group, largely composed of the wealthy, argued for the Estates-General to assume the voting mechanisms of Dauphiné. They argued that ancient precedent was not sufficient, because "the people were sovereign."^[16] Necker convened a Second Assembly of Notables, which rejected the notion of double representation by a vote of 111 to 333.^[16] The King, however, agreed to the proposition on 27 December; but he left discussion of the weight of each vote to the Estates-General itself.^[17]

Elections were held in the spring of 1789; suffrage requirements for the Third Estate were for French-born or naturalised males only, at least 25 years of age, who resided where the vote was to take place and who paid taxes.

Pour être électeur du tiers état, il faut avoir 25 ans, être français ou naturalisé, être domicilié au lieu de vote et compris au rôle des impositions.^[18]

Strong turnout produced 1,201 delegates, including: "291 nobles, 300 clergy, and 610 members of the Third Estate."^[17] To lead delegates, "Books of grievances" (cahiers de doléances) were compiled to list problems.^[13] The books articulated ideas which would have seemed radical only months before; however, most supported the monarchical system in general. Many assumed the Estates-General would approve future taxes, and Enlightenment ideals were relatively rare.^[14][19]

Pamphlets by liberal nobles and clergy became widespread after the lifting of press censorship.^[16] The Abbé Sieyès, a theorist and Catholic clergyman, argued the paramount importance of the Third Estate in the pamphlet Qu'est-ce que le tiers état? ("What is the Third Estate?"), published in January 1789. He asserted: "What is the Third Estate? Everything. What has it been until now in the political order? Nothing. What does it want to be? Something."^[14][20]

The meeting of the Estates General on 5 May 1789 in Versailles.

The Estates-General convened in the Grands Salles des Menus-Plaisirs in Versailles on 5 May 1789 and opened with a three-hour speech by Necker. The Third Estate demanded that the verification of deputies' credentials should be undertaken in common by all deputies, rather than each estate verifying the credentials of its own members internally; negotiations with the other estates failed to achieve this.^[19] The commoners appealed to the clergy who replied they required more time. Necker asserted that each estate verify credentials and "the king was to act as arbitrator."^[21] Negotiations with the other two estates to achieve this, however, were unsuccessful.^[22]

National Assembly (1789)[link]

The National Assembly taking the Tennis Court Oath (sketch by Jacques-Louis David).

On 10 June 1789, Abbé Sieyès moved that the Third Estate, now meeting as the Communes (English: "Commons"), proceed with verification of its own powers and invite the other two estates to take part, but not to wait for them. They proceeded to do so two days later, completing the process on 17 June.^[23] Then they voted a measure far more radical, declaring themselves the National Assembly, an assembly not of the Estates but of "the People." They invited the other orders to join them, but made it clear they intended to conduct the nation's affairs with or without them.^[24]

In an attempt to keep control of the process and prevent the Assembly from convening, Louis XVI ordered the closure of the Salle des États where the Assembly met, making an excuse that the carpenters needed to prepare the hall for a royal speech in two days. Weather did not allow an outdoor meeting, so the Assembly moved their deliberations to a nearby indoor real tennis court, where they proceeded to swear the Tennis Court Oath (20 June 1789), under which they agreed not to separate until they had given France a constitution.^[25]

A majority of the representatives of the clergy soon joined them, as did 47 members of the nobility. By 27 June, the royal party had overtly given in, although the military began to arrive in large numbers around Paris and Versailles. Messages of support for the Assembly poured in from Paris and other French cities.^[25]

National Constituent Assembly (1789–1791)[link]

Storming of the Bastille[link]

By this time, Necker had earned the enmity of many members of the French court for his overt manipulation of public opinion. Marie Antoinette, the King's younger brother the Comte d'Artois, and other conservative members of the King's privy council urged him to dismiss Necker as financial advisor. On 11 July 1789, after Necker published an inaccurate account of the government's debts and made it available to the public, the King fired him, and completely restructured the finance ministry at the same time.^[26]

Many Parisians presumed Louis's actions to be aimed against the Assembly and began open rebellion when they heard the news the next day. They were also afraid that arriving soldiers – mostly foreign mercenaries – had been summoned to shut down the National Constituent Assembly. The Assembly, meeting at Versailles, went into nonstop session to prevent another eviction from their meeting place. Paris was soon consumed by riots, chaos, and widespread looting. The mobs soon had the support of some of the French Guard, who were armed and trained soldiers.^[27]

The Declaration of the Rights of Man and of the Citizen of 26 August 1789

On 14 July, the insurgents set their eyes on the large weapons and ammunition cache inside the Bastille fortress, which was also perceived to be a symbol of royal power. After several hours of combat, the prison fell that afternoon. Despite ordering a cease fire, which prevented a mutual massacre, Governor Marquis Bernard de Launay was beaten, stabbed and decapitated; his head was placed on a pike and paraded about the city. Although the fortress had held only seven prisoners (four forgers, two noblemen kept for immoral behavior, and a murder suspect), the Bastille served as a potent symbol of everything hated under the Ancien Régime. Returning to the Hôtel de Ville (city hall), the mob accused the prévôt des marchands (roughly, mayor) Jacques de Flesselles of treachery and butchered him.^[28]

The King, alarmed by the violence, backed down, at least for the time being. The Marquis de la Fayette took up command of the National Guard at Paris. Jean-Sylvain Bailly, president of the Assembly at the time of the Tennis Court Oath, became the city's mayor under a new governmental structure known as the commune. The King visited Paris, where, on 17 July he accepted a tricolore cockade, to cries of Vive la Nation ("Long live the Nation") and Vive le Roi ("Long live the King").^[29]

Necker was recalled to power, but his triumph was short-lived. An astute financier but a less astute politician, Necker overplayed his hand by demanding and obtaining a general amnesty, losing much of the people's favour.

As civil authority rapidly deteriorated, with random acts of violence and theft breaking out across the country, members of the nobility, fearing for their safety, fled to neighboring countries; many of these émigrés, as they were called, funded counter-revolutionary causes within France and urged foreign monarchs to offer military support to a counter-revolution.^[30]

By late July, the spirit of popular sovereignty had spread throughout France. In rural areas, many commoners began to form militias and arm themselves against a foreign invasion: some attacked the châteaux of the nobility as part of a general agrarian insurrection known as "la Grande Peur" ("the Great Fear"). In addition, wild rumours and paranoia caused widespread unrest and civil disturbances that contributed to the collapse of law and order.^[31]

Working toward a constitution[link]

On 4 August 1789, the National Constituent Assembly abolished feudalism (although at that point there had been sufficient peasant revolts to almost end feudalism already), in what is known as the August Decrees, sweeping away both the seigneurial rights of the Second Estate and the tithes gathered by the First Estate. In the course of a few hours, nobles, clergy, towns, provinces, companies and cities lost their special privileges.

On 26 August 1789, the Assembly published the Declaration of the Rights of Man and of the Citizen, which comprised a statement of principles rather than a constitution with legal effect. The National Constituent Assembly functioned not only as a legislature, but also as a body to draft a new constitution.

Necker, Mounier, Lally-Tollendal and others argued unsuccessfully for a senate, with members appointed by the crown on the nomination of the people. The bulk of the nobles argued for an aristocratic upper house elected by the nobles. The popular party carried the day: France would have a single, unicameral assembly. The King retained only a "suspensive veto"; he could delay the implementation of a law, but not block it absolutely. The Assembly eventually replaced the historic provinces with 83 départements, uniformly administered and roughly equal in area and population.

Amid the Assembly's preoccupation with constitutional affairs, the financial crisis had continued largely unaddressed, and the deficit had only increased. Honoré Mirabeau now led the move to address this matter, and the Assembly gave Necker complete financial dictatorship.

Women's March on Versailles[link]

Engraving of the Women's March on Versailles, 5 October 1789

Fueled by rumors of a reception for the King's bodyguards on 1 October 1789 at which the national cockade had been trampled upon, on 5 October 1789 crowds of women began to assemble at Parisian markets. The women first marched to the Hôtel de Ville, demanding that city officials address their concerns.^[32] The women were responding to the harsh economic situations they faced, especially bread shortages. They also demanded an end to royal efforts to block the National Assembly, and for the King and his administration to move to Paris as a sign of good faith in addressing the widespread poverty.

Getting unsatisfactory responses from city officials, as many as 7,000 women joined the march to Versailles, bringing with them cannons and a variety of smaller weapons. Twenty thousand National Guardsmen under the command of La Fayette responded to keep order, and members of the mob stormed the palace, killing several guards.^[33] La Fayette ultimately persuaded the king to accede to the demand of the crowd that the monarchy relocate to Paris.

On 6 October 1789, the King and the royal family moved from Versailles to Paris under the "protection" of the National Guards, thus legitimizing the National Assembly.

Revolution and the Church[link]

In this caricature, monks and nuns enjoy their new freedom after the decree of 16 February 1790

The Revolution caused a massive shift of power from the Roman Catholic Church to the state. Under the Ancien Régime, the Church had been the largest single landowner in the country, owning about 10% of the land in the kingdom.^[34] The Church was exempt from paying taxes to the government, while it levied a tithe—a 10% tax on income, often collected in the form of crops—on the general population, which it then redistributed to the poor.^[34] The power and wealth of the Church was highly resented by some groups. A small minority of Protestants living in France, such as the Huguenots, wanted an anti-Catholic regime and revenge against the clergy who discriminated against them. Enlightenment thinkers such as Voltaire helped fuel this resentment by denigrating the Catholic Church and destabilizing the French monarchy.^[35] As historian John McManners argues, "In eighteenth-century France throne and altar were commonly spoken of as in close alliance; their simultaneous collapse ... would one day provide the final proof of their interdependence."^[36]

This resentment toward the Church weakened its power during the opening of the Estates General in May 1789. The Church composed the First Estate with 130,000 members of the clergy. When the National Assembly was later created in June 1789 by the Third Estate, the clergy voted to join them, which perpetuated the destruction of the Estates General as a governing body.^[37] The National Assembly began to enact social and economic reform. Legislation sanctioned on 4 August 1789 abolished the Church's authority to impose the tithe. In an attempt to address the financial crisis, the Assembly declared, on 2 November 1789, that the property of the Church was "at the disposal of the nation."^[38] They used this property to back a new currency, the assignats. Thus, the nation had now also taken on the responsibility of the Church, which included paying the clergy and caring for the poor, the sick and the orphaned.^[39] In December, the Assembly began to sell the lands to the highest bidder to raise revenue, effectively decreasing the value of the assignats by 25% in two years.^[40] In autumn 1789, legislation abolished monastic vows and on 13 February 1790 all religious orders were dissolved.^[41] Monks and nuns were encouraged to return to private life and a small percentage did eventually marry.^[42]

The Civil Constitution of the Clergy, passed on 12 July 1790, turned the remaining clergy into employees of the state. This established an election system for parish priests and bishops and set a pay rate for the clergy. Many Catholics objected to the election system because it effectively denied the authority of the Pope in Rome over the French Church. Eventually, in November 1790, the National Assembly began to require an oath of loyalty to the Civil Constitution from all the members of the clergy.^[42] This led to a schism between those clergy who swore the required oath and accepted the new arrangement and those who remained loyal to the Pope. Overall, 24% of the clergy nationwide took the oath.^[43] Widespread refusal led to legislation against the clergy, "forcing them into exile, deporting them forcibly, or executing them as traitors."^[40] Pope Pius VI never accepted the Civil Constitution of the Clergy, further isolating the Church in France. During the Reign of Terror, extreme efforts of de-Christianization ensued, including the imprisonment and massacre of priests and destruction of churches and religious images throughout France. An effort was made to replace the Catholic Church altogether, with civic festivals replacing religious ones. The establishment of the Cult of Reason was the final step of radical de-Christianization. These events led to a widespread disillusionment with the Revolution and to counter-rebellions across France. Locals often resisted de-Christianization by attacking revolutionary agents and hiding members of the clergy who were being hunted. Eventually, Robespierre and the Committee of Public Safety were forced to denounce the campaign,^[44] replacing the Cult of Reason with the deist but still non-Christian Cult of the Supreme Being. The Concordat of 1801 between Napoleon and the Church ended the de-Christianization period and established the rules for a relationship between the Catholic Church and the French State that lasted until it was abrogated by the Third Republic via the separation of church and state on 11 December 1905. The persecution of the Church led to a counter-revolution known as the Revolt in the Vendée, whose suppression is considered by some to be the first modern genocide^{[citation needed]}.

Intrigues and radicalism[link]

Factions within the Assembly began to clarify. The aristocrat Jacques Antoine Marie de Cazalès and the abbé Jean-Sifrein Maury led what would become known as the right wing, the opposition to revolution (this party sat on the right-hand side of the Assembly). The "Royalist democrats" or monarchiens, allied with Necker, inclined toward organising France along lines similar to the British constitutional model; they included Jean Joseph Mounier, the Comte de Lally-Tollendal, the comte de Clermont-Tonnerre, and Pierre Victor Malouet, comte de Virieu.

The "National Party", representing the centre or centre-left of the assembly, included Honoré Mirabeau, La Fayette, and Bailly; while Adrien Duport, Barnave and Alexandre Lameth represented somewhat more extreme views. Almost alone in his radicalism on the left was the Arras lawyer Maximilien Robespierre. Abbé Sieyès led in proposing legislation in this period and successfully forged consensus for some time between the political centre and the left. In Paris, various committees, the mayor, the assembly of representatives, and the individual districts each claimed authority independent of the others. The increasingly middle-class National Guard under La Fayette also slowly emerged as a power in its own right, as did other self-generated assemblies.

The Fête de la Fédération on 14 July 1790 celebrated the establishment of the constitutional monarchy

The Assembly abolished the symbolic paraphernalia of the Ancien Régime— armorial bearings, liveries, etc. – which further alienated the more conservative nobles, and added to the ranks of the émigrés. On 14 July 1790, and for several days following, crowds in the Champ de Mars celebrated the anniversary of the fall of the Bastille with the Fête de la Fédération; Talleyrand performed a mass; participants swore an oath of "fidelity to the nation, the law, and the king"; the King and the royal family actively participated.^[45]

The electors had originally chosen the members of the Estates-General to serve for a single year. However, by the terms of the Tennis Court Oath, the communes had bound themselves to meet continuously until France had a constitution. Right-wing elements now argued for a new election, but Mirabeau prevailed, asserting that the status of the assembly had fundamentally changed, and that no new election should take place before completing the constitution.^{[citation needed]}

In late 1790, the French army was in considerable disarray. The military officer corps was largely composed of noblemen, who found it increasingly difficult to maintain order within the ranks. In some cases, soldiers (drawn from the lower classes) had turned against their aristocratic commanders and attacked them. At Nancy, General Bouillé successfully put down one such rebellion, only to be accused of being anti-revolutionary for doing so. This and other such incidents spurred a mass desertion as more and more officers defected to other countries, leaving a dearth of experienced leadership within the army.^[46]

This period also saw the rise of the political "clubs" in French politics. Foremost among these was the Jacobin Club; 152 members had affiliated with the Jacobins by 10 August 1790. The Jacobin Society began as a broad, general organization for political debate, but as it grew in members, various factions developed with widely differing views. Several of these fractions broke off to form their own clubs, such as the Club of '89.^[47]

Meanwhile, the Assembly continued to work on developing a constitution. A new judicial organisation made all magistracies temporary and independent of the throne. The legislators abolished hereditary offices, except for the monarchy itself. Jury trials started for criminal cases. The King would have the unique power to propose war, with the legislature then deciding whether to declare war. The Assembly abolished all internal trade barriers and suppressed guilds, masterships, and workers' organisations: any individual gained the right to practice a trade through the purchase of a license; strikes became illegal.^[48]

In the winter of 1791, the Assembly considered, for the first time, legislation against the émigrés. The debate pitted the safety of the Revolution against the liberty of individuals to leave. Mirabeau prevailed against the measure, which he referred to as "worthy of being placed in the code of Draco".^[46] But Mirabeau died on 2 April 1791 and, before the end of the year, the new Legislative Assembly adopted this draconian measure.^[49]

Royal flight to Varennes[link]

The return of the royal family to Paris on 25 June 1791, after their failed flight to Varennes

Louis XVI, egged on by Marie Antoinette and other members of his family, opposed the course of the Revolution, but rejected the potentially treacherous aid of the other monarchs of Europe. He cast his lot with General Bouillé, who condemned both the emigration and the Assembly, and promised him refuge and support in his camp at Montmédy. On the night of 20 June 1791, the royal family fled the Tuileries Palace dressed as servants, while their servants dressed as nobles.

However, late the next day, the King was recognised and arrested at Varennes (in the Meuse département). He and his family were brought back to Paris under guard, still dressed as servants. Pétion, Latour-Maubourg, and Antoine Pierre Joseph Marie Barnave, representing the Assembly, met the royal family at Épernay and returned with them. From this time, Barnave became a counselor and supporter of the royal family. When they returned to Paris, the crowd greeted them in silence. The Assembly provisionally suspended the King. He and Queen Marie Antoinette remained held under guard.^{[50][51][52][53][54]}

Completing the constitution[link]

As most of the Assembly still favoured a constitutional monarchy rather than a republic, the various groups reached a compromise which left Louis XVI as little more than a figurehead: he was forced to swear an oath to the constitution, and a decree declared that retracting the oath, heading an army for the purpose of making war upon the nation, or permitting anyone to do so in his name would amount to abdication.^[55]

However, Jacques Pierre Brissot drafted a petition, insisting that in the eyes of the nation Louis XVI was deposed since his flight. An immense crowd gathered in the Champ de Mars to sign the petition. Georges Danton and Camille Desmoulins gave fiery speeches. The Assembly called for the municipal authorities to "preserve public order". The National Guard under La Fayette's command confronted the crowd. The soldiers responded to a barrage of stones by firing into the crowd, killing between 13 and 50 people.^[56]

In the wake of this massacre the authorities closed many of the patriotic clubs, as well as radical newspapers such as Jean-Paul Marat's L'Ami du Peuple. Danton fled to England; Desmoulins and Marat went into hiding.^{[citation needed]}

Meanwhile, a new threat arose from abroad: Holy Roman Emperor Leopold II, Frederick William II of Prussia, and the King's brother Charles-Philippe, comte d'Artois, issued the Declaration of Pillnitz, which considered the cause of Louis XVI as their own, demanded his absolute liberty and implied an invasion of France on his behalf if the revolutionary authorities refused its conditions.^[57] The French people expressed no respect for the dictates of foreign monarchs, and the threat of force merely hastened their militarisation.^[58]

Even before the "Flight to Varennes", the Assembly members had determined to debar themselves from the legislature that would succeed them, the Legislative Assembly. They now gathered the various constitutional laws they had passed into a single constitution, showed remarkable strength in choosing not to use this as an occasion for major revisions, and submitted it to the recently restored Louis XVI, who accepted it, writing "I engage to maintain it at home, to defend it from all attacks from abroad, and to cause its execution by all the means it places at my disposal". The King addressed the Assembly and received enthusiastic applause from members and spectators. With this capstone, the National Constituent Assembly adjourned in a final session on 30 September 1791.^[59]

Mignet argued that the "constitution of 1791... was the work of the middle class, then the strongest; for, as is well known, the predominant force ever takes possession of institutions... In this constitution the people was the source of all powers, but it exercised none."^[55]

Legislative Assembly (1791–1792)[link]

Failure of the constitutional monarchy[link]

Under the Constitution of 1791, France would function as a constitutional monarchy. The King had to share power with the elected Legislative Assembly, but he still retained his royal veto and the ability to select ministers. The Legislative Assembly first met on 1 October 1791, and degenerated into chaos less than a year later. In the words of the 1911 Encyclopædia Britannica: "In the attempt to govern, the Assembly failed altogether. It left behind an empty treasury, an undisciplined army and navy, and a people debauched by safe and successful riot."^[60] The Legislative Assembly consisted of about 165 Feuillants (constitutional monarchists) on the right, about 330 Girondists (liberal republicans) and Jacobins (radical revolutionaries) on the left, and about 250 deputies unaffiliated with either faction.^{[citation needed]} Early on, the King vetoed legislation that threatened the émigrés with death and that decreed that every non-juring clergyman must take within eight days the civic oath mandated by the Civil Constitution of the Clergy. Over the course of a year, such disagreements would lead to a constitutional crisis.^{[citation needed]}

Constitutional crisis[link]

This unreferenced section requires citations to ensure verifiability.

On 10 August 1792 the Paris Commune stormed the Tuileries Palace and massacred the Swiss Guards

On the night of 10 August 1792, insurgents and popular militias, supported by the revolutionary Paris Commune, assailed the Tuileries Palace and massacred the Swiss Guards who were assigned for the protection of the king. The royal family ended up prisoners and a rump session of the Legislative Assembly suspended the monarchy; little more than a third of the deputies were present, almost all of them Jacobins.^[61]

What remained of a national government depended on the support of the insurrectionary Commune. The Commune sent gangs into the prisons to try arbitrarily and butcher 1400 victims, and addressed a circular letter to the other cities of France inviting them to follow this example. The Assembly could offer only feeble resistance. This situation persisted until the Convention, elected by universal male suffrage and charged with writing a new constitution, met on 20 September 1792 and became the new de facto government of France. The next day it abolished the monarchy and declared a republic. This date was later retroactively adopted as the beginning of Year One of the French Republican Calendar.

War and Counter-Revolution (1792–1797)[link]

A uniform from the French Revolution period.

The politics of the period inevitably drove France towards war with Austria and its allies. The King, many of the Feuillants, and the Girondins specifically wanted to wage war. The King (and many Feuillants with him) expected war would increase his personal popularity; he also foresaw an opportunity to exploit any defeat: either result would make him stronger. The Girondins wanted to export the Revolution throughout Europe and, by extension, to defend the Revolution within France. The forces opposing war were much weaker. Barnave and his supporters among the Feuillants feared a war they thought France had little chance to win and which they feared might lead to greater radicalization of the revolution. On the other end of the political spectrum Robespierre opposed a war on two grounds, fearing that it would strengthen the monarchy and military at the expense of the revolution, and that it would incur the anger of ordinary people in Austria and elsewhere. The Austrian emperor Leopold II, brother of Marie Antoinette, may have wished to avoid war, but he died on 1 March 1792.^[62] France preemptively declared war on Austria (20 April 1792) and Prussia joined on the Austrian side a few weeks later. The invading Prussian army faced little resistance until checked at the Battle of Valmy (20 September 1792), and forced to withdraw.

The new-born Republic followed up on this success with a series of victories in Belgium and the Rhineland in the fall of 1792. The French armies defeated the Austrians at the Battle of Jemappes on 6 November, and had soon taken over most of the Austrian Netherlands. This brought them into conflict with Britain and the Dutch Republic, which wished to preserve the independence of the southern Netherlands from France. After the king's execution in January 1793, these powers, along with Spain and most other European states, joined the war against France. Almost immediately, French forces faced defeat on many fronts, and were driven out of their newly conquered territories in the spring of 1793. At the same time, the republican regime was forced to deal with rebellions against its authority in much of western and southern France. But the allies failed to take advantage of French disunity, and by the autumn of 1793 the republican regime had defeated most of the internal rebellions and halted the allied advance into France itself.

The stalemate was broken in the summer of 1794 with dramatic French victories. They defeated the allied army at the Battle of Fleurus, leading to a full Allied withdrawal from the Austrian Netherlands. They followed up by a campaign which swept the allies to the east bank of the Rhine and left the French, by the beginning of 1795, conquering Holland itself. The House of Orange was expelled and replaced by the Batavian Republic, a French satellite state. These victories led to the collapse of the coalition against France. Prussia, having effectively abandoned the coalition in the fall of 1794, made peace with revolutionary France at Basel in April 1795, and soon thereafter Spain, too, made peace with France. Of the major powers, only Britain and Austria remained at war with France.

	La Marseillaise The French national anthem La Marseillaise was written during the revolution in 1792.
Problems listening to this file? See media help.

It was during this time that La Marseillaise was first sung. Originally titled Chant de guerre pour l'Armée du Rhin ("War Song for the Army of the Rhine"), the song was written and composed by Claude Joseph Rouget de Lisle in 1792. It was adopted in 1795 as the nation's first anthem.

National Convention (1792–1795)[link]

Execution of Louis XVI[link]

Execution of Louis XVI in what is now the Place de la Concorde, facing the empty pedestal where the statue of his grandfather, Louis XV, had stood.

In the Brunswick Manifesto, the Imperial and Prussian armies threatened retaliation on the French population if it were to resist their advance or the reinstatement of the monarchy. This among other things made Louis appear to be conspiring with the enemies of France. On 17 January 1793 Louis was condemned to death for "conspiracy against the public liberty and the general safety" by a close majority in Convention: 361 voted to execute the king, 288 voted against, and another 72 voted to execute him subject to a variety of delaying conditions. The former Louis XVI, now simply named Citoyen Louis Capet (Citizen Louis Capet), was executed by guillotine on 21 January 1793 on the Place de la Révolution, former Place Louis XV, now called the Place de la Concorde.^[63] Royalty across Europe was horrified and many heretofore neutral countries soon joined the war against revolutionary France.

Economy[link]

When war went badly, prices rose and the sans-culottes — poor labourers and radical Jacobins – rioted; counter-revolutionary activities began in some regions. This encouraged the Jacobins to seize power through a parliamentary coup, backed up by force effected by mobilising public support against the Girondist faction, and by utilising the mob power of the Parisian sans-culottes. An alliance of Jacobin and sans-culottes elements thus became the effective centre of the new government. Policy became considerably more radical, as "The Law of the Maximum" set food prices and led to executions of offenders.^[64] This policy of price control was coeval with the Committee of Public Safety's rise to power and the Reign of Terror. The Committee first attempted to set the price for only a limited number of grain products but, by September 1793, it expanded the "maximum" to cover all foodstuffs and a long list of other goods.^[65] Widespread shortages and famine ensued. The Committee reacted by sending dragoons into the countryside to arrest farmers and seize crops. This temporarily solved the problem in Paris, but the rest of the country suffered. By the spring of 1794, forced collection of food was not sufficient to feed even Paris and the days of the Committee were numbered. When Robespierre went to the guillotine in July of that year the crowd jeered, "There goes the dirty maximum!"^[66]

Reign of Terror[link]

Satirical cartoon from England lampooning the excesses of the Revolution as symbolized through the guillotine: between 18,000 and 40,000 people were executed during the Reign of Terror

Queen Marie Antoinette on the way to the guillotine on 16 October 1793 (drawing by Jacques-Louis David)

The Committee of Public Safety came under the control of Maximilien Robespierre, a lawyer, and the Jacobins unleashed the Reign of Terror (1793–1794). According to archival records, at least 16,594 people died under the guillotine or otherwise after accusations of counter-revolutionary activities.^[67] A number of historians note that as many as 40,000 accused prisoners may have been summarily executed without trial or died awaiting trial.^[67][68]

On 2 June 1793, Paris sections — encouraged by the enragés ("enraged ones") Jacques Roux and Jacques Hébert – took over the Convention, calling for administrative and political purges, a low fixed price for bread, and a limitation of the electoral franchise to sans-culottes alone.^[69] With the backing of the National Guard, they managed to persuade the Convention to arrest 31 Girondin leaders, including Jacques Pierre Brissot. Following these arrests, the Jacobins gained control of the Committee of Public Safety on 10 June, installing the revolutionary dictatorship. On 13 July, the assassination of Jean-Paul Marat — a Jacobin leader and journalist known for his bloodthirsty rhetoric — by Charlotte Corday, a Girondin, resulted in further increase of Jacobin political influence. Georges Danton, the leader of the August 1792 uprising against the King, undermined by several political reversals, was removed from the Committee and Robespierre, "the Incorruptible", became its most influential member as it moved to take radical measures against the Revolution's domestic and foreign enemies.^[70]

Meanwhile, on 24 June, the Convention adopted the first republican constitution of France, variously referred to as the French Constitution of 1793 or Constitution of the Year I. It was progressive and radical in several respects, in particular by establishing universal male suffrage. It was ratified by public referendum, but normal legal processes were suspended before it could take effect.^[71]

War in the Vendée[link]

The War in the Vendée was a royalist uprising that was suppressed by the republican forces in 1796

In Vendée, peasants revolted against the French Revolutionary government in 1793. They resented the changes imposed on the Roman Catholic Church by the Civil Constitution of the Clergy (1790) and broke into open revolt in defiance of the Revolutionary government's military conscription.^[72] This became a guerrilla war, known as the War in the Vendée.^[73] North of the Loire, similar revolts were started by the so-called Chouans (royalist rebels).^[74]

After the defeat at Savenay, when regular warfare in the Vendée was at an end, the French general Francois Joseph Westermann is argued by some historians to have penned a letter (its veracity is disputed)^[75][76] to the Committee of Public Safety, stating:

"There is no more Vendée. It died with its wives and its children by our free sabres. I have just buried it in the woods and the swamps of Savenay. According to the orders that you gave me, I crushed the children under the feet of the horses, massacred the women who, at least for these, will not give birth to any more brigands. I do not have a prisoner to reproach me. I have exterminated all. The roads are sown with corpses. At Savenay, brigands are arriving all the time claiming to surrender, and we are shooting them non-stop... Mercy is not a revolutionary sentiment."^[77][78]

Other historians doubt the authenticity of this document and point out that the claims in it were patently false — there were in fact thousands of living Vendean prisoners, the revolt had been far from crushed, and the Convention had explicitly decreed that women, children and unarmed men were to be treated humanely.^[79] It has been hypothesized that if the letter is authentic, Westermann may have been attempting to exaggerate the intensity of his actions and his success, because he was eager to avoid being purged for his opposition to sans-culotte generals (he was later guillotined together with Danton's group).^[80]

The revolt and its suppression, including both combat casualties and massacres and executions on both sides, are thought to have taken between 117,000 and 250,000 lives (170,000 according to the latest estimates).^[81] Because of the extremely brutal forms that the Republican repression took in many places, certain historians such as Reynald Secher have called the event a "genocide". This description has become popular in the mass media,^[82] but has largely been rejected by mainstream scholars.^[83]

Facing local revolts and foreign invasions in both the East and West of the country, the most urgent government business was the war. On 17 August, the Convention voted for general conscription, the levée en masse, which mobilized all citizens to serve as soldiers or suppliers in the war effort.

The National Convention subsequently enacted more legislation, voting on 9 September to establish sans-culottes paramilitary forces, revolutionary armies, and to force farmers to surrender grain demanded by the government. On 17 September, the Law of Suspects was passed, which authorized the charging of counter-revolutionaries with "crimes against liberty." On 29 September, the Convention extended price limits from grain and bread to other household goods and established the Law of the Maximum, intended to prevent price gouging and supply food to the cities.^[84]

The guillotine as a symbol[link]

The guillotine became the symbol of a string of executions. Louis XVI had already been guillotined before the start of the terror; Queen Marie Antoinette, Barnave, Bailly, Brissot and other leading Girondins, Philippe Égalité (despite his vote for the death of the King), Madame Roland and many others were executed by guillotine. The Revolutionary Tribunal summarily condemned thousands of people to death by the guillotine, while mobs beat other victims to death.

The Festival of the Supreme Being on 8 June 1794

At the peak of the terror, the slightest hint of counter-revolutionary thoughts or activities (or, as in the case of Jacques Hébert, revolutionary zeal exceeding that of those in power) could place one under suspicion, and trials did not always proceed according to contemporary standards of due process. Sometimes people died for their political opinions or actions, but many for little reason beyond mere suspicion, or because some others had a stake in getting rid of them. Most of the victims received an unceremonious trip to the guillotine in an open wooden cart (the tumbrel). In the rebellious provinces, the government representatives had unlimited authority and some engaged in extreme repressions and abuses. For example, Jean-Baptiste Carrier became notorious for the Noyades ("drownings") he organized in Nantes;^[85] his conduct was judged unacceptable even by the Jacobin government and he was recalled.^[86]

Another anti-clerical uprising was made possible by the installment of the Republican Calendar on 24 October 1793. Against Robespierre's concepts of Deism and Virtue, Hébert's (and Chaumette's) atheist movement initiated a religious campaign to dechristianize society. The climax was reached with the celebration of the flame of Reason in Notre Dame Cathedral on 10 November.^[87]

The Reign of Terror ultimately weakened the revolutionary government, while temporarily ending internal opposition. The Jacobins expanded the size of the army, and Carnot replaced many aristocratic officers with soldiers who had demonstrated their patriotism, if not their ability. The Republican army was able to throw back the Austrians, Prussians, British, and Spanish. At the end of 1793, the army began to prevail and revolts were defeated with ease. The Ventôse Decrees (February–March 1794) proposed the confiscation of the goods of exiles and opponents of the Revolution, and their redistribution to the needy. However this policy was never fully implemented.^[88]

In the spring of 1794, both extremist enragés such as Hébert and moderate Montagnard indulgents such as Danton were charged with counter-revolutionary activities, tried and guillotined. On 7 June Robespierre, who had previously condemned the Cult of Reason, advocated a new state religion and recommended the Convention acknowledge the existence of the "Supreme Being".^[89]

Thermidorian Reaction[link]

The execution of Robespierre on 28 July 1794 marked the end of the Reign of Terror

On 27 July 1794, the Thermidorian Reaction led to the arrest and execution of Robespierre, Louis de Saint-Just, and other leading Jacobins. The new government was predominantly made up of Girondists who had survived the Terror, and after taking power, they took revenge as well by persecuting even those Jacobins who had helped to overthrow Robespierre, banning the Jacobin Club, and executing many of its former members in what was known as the White Terror.^[90][91]

In the wake of excesses of the Terror, the Convention approved the new "Constitution of the Year III" on 22 August 1795. A French plebiscite ratified the document, with about 1,057,000 votes for the constitution and 49,000 against.^[92] The results of the voting were announced on 23 September 1795, and the new constitution took effect on 27 September 1795.^[92]

The Constitutional Republic: The Directory (1795–1799)[link]

The new constitution created the Directoire (English: Directory) and the first bicameral legislature in French history.^[93] The parliament consisted of two houses: the Conseil des Cinq-Cents (Council of the Five Hundred), with 500 representatives, and the Conseil des Anciens (Council of Elders), with 250 senators. Executive power went to five "directors," named annually by the Conseil des Anciens from a list submitted by the Conseil des Cinq-Cents. Furthermore, the universal male suffrage of 1793 was replaced by limited suffrage based on property.^[94]

With the establishment of the Directory, contemporary observers might have assumed that the Revolution was finished. Citizens of the war-weary nation wanted stability, peace, and an end to conditions that at times bordered on chaos. Those who wished to restore the monarchy and the Ancien Régime by putting Louis XVIII on the throne, and those who would have renewed the Reign of Terror were insignificant in number. The possibility of foreign interference had vanished with the failure of the First Coalition. The earlier atrocities had made confidence or goodwill between parties impossible. The same instinct of self-preservation which had led the members of the Convention to claim so large a part in the new legislature and the whole of the Directory impelled them to keep their predominance. However, many French citizens distrusted the Directory,^[95] and the directors could achieve their purposes only by extraordinary means. They habitually disregarded the terms of the constitution, and, even when the elections that they rigged went against them, the directors routinely used draconian police measures to quell dissent. Moreover, to prolong their power the directors were driven to rely on the military, which desired war and grew less and less civic-minded.^[96]

Other reasons influenced them in the direction of war. State finances during the earlier phases of the Revolution had been so thoroughly ruined that the government could not have met its expenses without the plunder and the tribute of foreign countries. If peace were made, the armies would return home and the directors would have to face the exasperation of the rank-and-file who had lost their livelihood, as well as the ambition of generals who could, in a moment, brush them aside. Barras and Rewbell were notoriously corrupt themselves and screened corruption in others. The patronage of the directors was ill-bestowed, and the general maladministration heightened their unpopularity.^[97]

Napoléon Bonaparte in the coup d'état of 18 Brumaire, which marked the end of the revolution

The constitutional party in the legislature desired toleration of the nonjuring clergy, the repeal of the laws against the relatives of the émigrés, and some merciful discrimination toward the émigrés themselves. The directors baffled all such endeavours. On the other hand, the socialist conspiracy of Babeuf was easily quelled. Little was done to improve the finances, and the assignats continued to fall in value.^{[citation needed]}

The new régime met opposition from remaining Jacobins and the royalists. The army suppressed riots and counter-revolutionary activities. In this way the army and its successful general, Napoleon Bonaparte eventually gained total power.

On 9 November 1799 (18 Brumaire of the Year VIII) Napoleon Bonaparte staged the coup of 18 Brumaire which installed the Consulate. This effectively led to Bonaparte's dictatorship and eventually (in 1804) to his proclamation as Empereur (emperor), which brought to a close the specifically republican phase of the French Revolution.^[98]

Symbolism in the French Revolution[link]

Early depiction of the tricolour in the hands of a sans-culotte during the French Revolution

The French Revolution was a time of upheaval, especially towards traditional ideology, in almost every sense: the current monarch, King Louis XVI, was executed; the Catholic Church was all but abolished; a new calendar was created; and a new Republican government was established. In order to effectively illustrate the differences between the new Republic and the old regime, the leaders needed to implement a new set of symbols to be celebrated instead of the old religious and monarchical symbolism. To this end, symbols were borrowed from historic cultures and redefined, while those of the old regime were either destroyed or reattributed acceptable characteristics. These revised symbols were used to instill in the public a new sense of tradition and reverence for the Enlightenment and the Republic.^[99]

Fasces[link]

Fasces, likes many other symbols of the French Revolution, are Roman in origin. Fasces are a bundle of birch rods containing an axe. In Roman times, the fasces symbolized the power of magistrates who could order the beating of a criminal, representing union and accord with the Roman Republic.^[99] The French Republic continued this Roman symbol to represent state power, justice, and unity. During the French Revolution the fasces image is seen in conjunction with many other symbols. This is seen with many emblems of the French Revolution. Though seen throughout the French Revolution, perhaps the most well known French reincarnation of the fasces is the Fasces surmounted by a Phrygian cap. This image has no display of an axe or a strong central state; rather, it symbolizes the power of the liberated people by placing the Liberty Cap on top of the classical symbol of power.^[99]

Liberty cap[link]

The Liberty cap, also known as the Phrygian cap, or pileus, is a brimless, felt cap that is conical in shape with the tip pulled forward. The cap was originally worn by ancient Romans and Greeks.^[100] The cap implies ennobling effects, as seen in its association with Homer’s Ulysses and the mythical twins, Castor and Pollux. The emblem’s popularity during the French Revolution is due in part to its importance in ancient Rome: its use alludes to the Roman ritual of manumission of slaves, in which a freed slave receives the bonnet as a symbol of his newfound liberty. The Roman tribune Lucius Appuleius Saturninus incited the slaves to insurrection by displaying a pileus as if it were a standard.^[101] The pileus cap is often red in color. This type of cap was worn by revolutionaries at the fall of the Bastille. According to the Revolutions de Paris, it became "the symbol of the liberation from all servitudes, the sign for unification of all the enemies of despotism."^[99] The pileus competed with the Phrygian cap, a similar cap that covered the ears and the nape of the neck, for popularity. The Phrygian cap eventually supplanted the pileus and usurped its symbolism, becoming synonymous with republican liberty.^[99]

Liberty Tree[link]

The Liberty Tree, officially adopted in 1792, is a symbol of the everlasting Republic, national freedom, and political revolution.^[99] It has historic roots in revolutionary France as well as America, as a symbol that was shared by the two nascent republics.^[102] The tree was chosen as a symbol of the French Revolution because it is a symbol of fertility in French folklore,^[103] which provided a simple transition from revering it for one reason to another. The American colonies also used the idea of a Liberty Tree to celebrate their own acts of insurrection against the British, starting with the Stamp Act riot in 1765.^[104] The riot culminated in the hanging in effigy of two Stamp Act politicians on a large elm tree. The elm tree began to be celebrated as a symbol of Liberty in the American colonies.^[104] It was adopted as a symbol that needed to be living and growing, along with the Republic. To that end, the tree is portrayed as a sapling, usually of an oak tree in French interpretation.^[105] The Liberty Tree serves as a constant celebration of the spirit of political freedom.

Hercules[link]

The symbol of Hercules was first adopted by the Old Regime to represent the monarchy.^[106] Hercules was an ancient Greek hero who symbolized strength and power. The symbol was used to represent the sovereign authority of the King over France during the reign of the Bourbon monarchs.^[107] However, the monarchy was not the only ruling power in French history to use the symbol of Hercules to declare its power.

During the Revolution, the symbol of Hercules was revived to represent nascent revolutionary ideals. The first use of Hercules as a revolutionary symbol was during a festival celebrating the National Assembly’s victory over federalism on 10 August 1793.^[108] This Festival of Unity consisted of four stations around Paris which featured symbols representing major events of the Revolution which embodied revolutionary ideals of liberty, unity, and power.^[109] The statue of Hercules, placed at the station commemorating the fall of Louis XVI, symbolized the power of the French people over their former oppressors. The statue’s foot was placed on the throat of the Hydra, which represented the tyranny of federalism which the new Republic had vanquished.^[108] In one hand, the statue grasped a club, a symbol of power, while in the other grasping the fasces which symbolized the unity of the French people.^[110] The image of Hercules assisted the new Republic in establishing its new Republican moral system.^[109] Hercules thus evolved from a symbol of the sovereignty of the monarch into a symbol of the new sovereign authority in France: the French people.^[111] This transition was made easily for two reasons. First, because Hercules was a famous mythological figure, and had previously been used by the monarchy, he was easily recognized by educated French observers.^[107] It was not necessary for the revolutionary government to educate the French people on the background of the symbol. Additionally, Hercules recalled the classical age of the Greeks and the Romans, a period which the revolutionaries identified with republican and democratic ideals. These connotations made Hercules an easy choice to represent the powerful new sovereign people of France.

During the more radical phase of the Revolution from 1793 to 1794, the usage and depiction of Hercules changed. These changes to the symbol were due to revolutionary leaders believing the symbol was inciting violence among the common citizens.^[112] The triumphant battles of Hercules and the overcoming of enemies of the Republic became less prominent. In discussions over what symbol to use for the Seal of the Republic, the image of Hercules was considered but eventually ruled out in favor of Marianne.^[112] Hercules was on the coin of the Republic.^[112] However, this Hercules was not the same image as that of the pre-Terror phases of the Revolution. The new image of Hercules was more domesticated. He appeared more paternal, older, and wiser, rather than the warrior-like images in the early stages of the French Revolution.^[112] Unlike his 24 foot statue in the Festival of the Supreme Being, he was now the same size as Liberty and Equality.^[112] Also the language on the coin with Hercules was far different than the rhetoric of pre-revolutionary depictions. On the coins the words, "uniting Liberty and Equality" were used.^[112] This is opposed to the forceful language of early Revolutionary rhetoric and rhetoric of the Bourbon monarchy. By 1798, the Council of Ancients had discussed the "inevitable" change from the problematic image of Hercules, and Hercules was eventually phased out in favor of an even more docile image.^[112]

Role of women[link]

Women had no political rights in pre-Revolutionary France; they could not vote or hold any political office. They were considered "passive" citizens; forced to rely on men to determine what was best for them in the government. It was the men who defined these categories, and women were forced to accept male domination in the political sphere.^[113] The Encyclopédie, published by a group of philosophers over the years 1751–1777, summarized French male beliefs of women. A woman was a "failed man," the fetus not fully developed in the womb. "Women’s testimony is in general light and subject to variation; this is why it is taken more seriously than that of men" as opposed to men, upon whom "Nature seems to have conferred… the right to govern." In general, "men are more capable than women of ably governing particular matters".^[114] Instead, women were taught to be committed to their husbands and "all his interests… [to show] attention and care… [and] sincere and discreet zeal for his salvation." A woman’s education often consisted of learning to be a good wife and mother; as a result women were not supposed to be involved in the political sphere, as the limit of their influence was the raising of future citizens.^[115]

When the Revolution opened, some women struck forcefully, using the volatile political climate to assert their active natures. In the time of the Revolution, women could not be kept out of the political sphere; they swore oaths of loyalty, "solemn declarations of patriotic allegiance, [and] affirmations of the political responsibilities of citizenship." Throughout the Revolution, women such as Pauline Léon and her Society of Revolutionary Republican Women fought for the right to bear arms, used armed force and rioted.^[116]

Even before Léon, some liberals had advocated equal rights for women including women's suffrage. Nicolas de Condorcet was especially noted for his advocacy, in his articles published in the Journal de la Société de 1789, and by publishing De l'admission des femmes au droit de cité ("For the Admission to the Rights of Citizenship For Women") in 1790.

Feminist agitation[link]

The March to Versailles is but one example of feminist militant activism during the French Revolution. While largely left out of the thrust for increasing rights of citizens, as the question was left indeterminate in the Declaration of the Rights of Man,^[117] activists such as Pauline Léon and Théroigne de Méricourt agitated for full citizenship for women.^[118] Women were, nonetheless, "denied political rights of ‘active citizenship’ (1791) and democratic citizenship (1793)."^[117]

Pauline Léon, on 6 March 1792, submitted a petition signed by 319 women to the National Assembly requesting permission to form a garde national in order to defend Paris in case of military invasion.^[118] Léon requested permission be granted to women to arm themselves with pikes, pistols, sabers and rifles, as well as the privilege of drilling under the French Guards. Her request was denied.^[119] Later in 1792, Théroigne de Méricourt made a call for the creation of "legions of amazons" in order to protect the revolution. As part of her call, she claimed that the right to bear arm would transform women into citizens.^[120]

On 20 June 1792 a number of armed women took part in a procession that "passed through the halls of the Legislative Assembly, into the Tuilleries Gardens, and then through the King’s residence."^[121] Militant women also assumed a special role in the funeral of Marat, following his murder on 13 July 1793. As part of the funeral procession, they carried the bathtub in which Marat had been murdered as well as a shirt stained with Marat’s blood.^[122]

The most radical militant feminist activism was practiced by the Society of Revolutionary Republican Women, which was founded by Léon and her colleague, Claire Lacombe on 10 May 1793.^[123] The goal of the club was "to deliberate on the means of frustrating the projects of the enemies of the Republic." Up to 180 women attended the meetings of the Society.^[124] Of special interest to the Society was "combating hoarding [of grain and other staples] and inflation."^[125]

Later, on 20 May 1793, women were at the fore of a crowd that demanded "bread and the Constitution of 1793."^[126] When their cries went unnoticed, the women went on a rampage, "sacking shops, seizing grain and kidnapping officials."^[127]

Most of these outwardly activist women were punished for their actions. The kind of punishment received during the Revolution included public denouncement, arrest, execution, or exile. Théroigne de Méricourt was arrested, publicly flogged and then spent the rest of her life sentenced to an insane asylum. Pauline Léon and Claire Lacombe were arrested, later released, and continued to receive ridicule and abuse for their activism. Many of the women of the Revolution were even publicly executed for "conspiring against the unity and the indivisibility of the Republic".^[128]

These are but a few examples of the militant feminism that was prevalent during the French Revolution. While little progress was made toward gender equality during the Revolution, the activism of French feminists was bold and particularly significant in Paris.^{[citation needed]}

Women writers[link]

Olympe de Gouges was the author of the Declaration of the Rights of Woman and the Female Citizen in 1791

While some women chose a militant, and often violent, path, others chose to influence events through writing, publications, and meetings. Olympe de Gouges wrote a number of plays, short stories, and novels. Her publications emphasized that women and men are different, but this shouldn’t stop them from equality under the law. In her "Declaration on the Rights of Woman" she insisted that women deserved rights, especially in areas concerning them directly, such as divorce and recognition of illegitimate children. De Gouges also expressed non-gender political views; even before the start of the terror, Olympe de Gouges addressed Robespierre using the pseudonym "Polyme" calling him the Revolution’s "infamy and shame." She warned of the Revolution’s building extremism saying that leaders were "preparing new shackles if [the French people’s liberty were to] waver." Stating that she was willing to sacrifice herself by jumping into the Seine if Robespierre were to join her, de Gouges desperately attempted to grab the attention of the French citizenry and alert them to the dangers that Robespierre embodied.^[129] In addition to these bold writings, her defense of the king was one of the factors leading to her execution. An influential figure, one of her suggestions early in the Revolution, to have a voluntary, patriotic tax, was adopted by the National Convention in 1789.^[130]

Madame Roland (aka Manon or Marie Roland) was another important female activist. Her political focus was not specifically on women or their liberation. She focused on other aspects of the government, but was a feminist by virtue of the fact that she was a woman working to influence the world. Her personal letters to leaders of the Revolution influenced policy; in addition, she often hosted political gatherings of the Brissotins, a political group which allowed women to join. While limited by her gender, Madame Roland took it upon herself to spread Revolutionary ideology and spread word of events, as well as to assist in formulating the policies of her political allies. Though unable to directly write policies or carry them through to the government, Roland was able to influence her political allies and thus promote her political agenda. Roland attributed women’s lack of education to the public view that women were too weak or vain to be involved in the serious business of politics. She believed that it was this inferior education that turned them into foolish people, but women "could easily be concentrated and solidified upon objects of great significance" if given the chance.^[131] As she was led to the scaffold, Madame Roland shouted "O liberty! What crimes are committed in thy name!" Witnesses of her life and death, editors, and readers helped to finish her writings and several editions were published posthumously. While she did not focus on gender politics in her writings, by taking an active role in the tumultuous time of the Revolution, Roland took a stand for women of the time and proved they could take an intelligent active role in politics.^[132]

Though women did not gain the right to vote as a result of the Revolution, they still greatly expanded their political participation and involvement in governing. They set precedents for generations of feminists to come.

Counter-revolutionary women[link]

A major aspect of the French Revolution was the dechristianisation movement, a movement that many common people did not agree with. Especially for women living in rural areas of France, the demise of the Catholic Church meant a loss of normalcy. For instance, the ringing of Church bells resonating through the town called people to confession and was a symbol of unity for the community.^[133] With the onset of the dechristianisation campaign the Republic silenced these bells and sought simultaneously to silence the religious fervor of the majority Catholic population.^[133] When these revolutionary changes to the Church were implemented, it spawned a counter-revolutionary movement, particularly amongst women. Although some of these women embraced the political and social amendments of the Revolution, they opposed the dissolution of the Catholic Church and the formation of revolutionary cults like the Cult of the Supreme Being advocated by Robespierre.^[134] As Olwen Hufton argues, these women began to see themselves as the “defenders of faith”.^[135] They took it upon themselves to protect the Church from what they saw as a heretical change to their faith, enforced by revolutionaries.

Counter-revolutionary women resisted what they saw as the intrusion of the state into their lives.^[136] Economically, many peasant women refused to sell their goods for assignats because this form of currency was unstable and was backed by the sale of confiscated Church property.^[135] By far the most important issue to counter-revolutionary women was the passage and the enforcement of the Civil Constitution of the Clergy in 1790. In response to this measure, women in many areas began circulating anti-oath pamphlets and refused to attend masses held by priests who had sworn oaths of loyalty to the Republic.^[136] This diminished the social and political influence of the juring priests because they presided over smaller congregations and counter-revolutionary women did not seek them for baptisms, marriages or confession.^[137] Instead, they secretly hid nonjuring priests and attended clandestine traditional masses.^[138] These women continued to adhere to traditional practices such as Christian burials and naming their children after saints in spite of revolutionary decrees to the contrary.^[139]

It was this determined resistance to the Civil Constitution of the Clergy and the dechristianisation campaigns that played a major role in the re-emergence of the Catholic Church as a prominent social institution. In fact, Olwen Hufton notes about the Counter-Revolutionary women: “for it is her commitment to her religion which determines in the post-Thermidorean period the re-emergence of the Catholic Church…”.^[140] Although they struggled, these women were eventually vindicated in their bid to reestablish the Church and thereby also to reestablish traditional family life and social stability.^[141] This was seen in the Concordat of 1801, which formally reinstated the Catholic Church in France.^[142] This act came after years of failed attempts at dechristianisation or state-controlled religion, which were thwarted in part due to the resistance of devout counter-revolutionary women. After the upheaval of the revolutionary period, the reestablishment of the Church was seen by many people as a welcome return to normalcy.

Legacy[link]

The French Revolution has received enormous amounts of historical attention, both from the general public and from scholars and academics. The views of historians, in particular, have been characterized as falling along ideological lines, with disagreement over the significance and the major developments of the Revolution.^[143] Alexis de Tocqueville argued that the Revolution was a manifestation of a more prosperous middle class becoming conscious of its social importance.^[144] Other thinkers, like the conservative Edmund Burke, maintained that the Revolution was the product of a few conspiratorial individuals who brainwashed the masses into subverting the old order—a claim rooted in the belief that the revolutionaries had no legitimate complaints.^[145] Other historians, influenced by Marxist thinking, have emphasized the importance of the peasants and the urban workers in presenting the Revolution as a gigantic class struggle.^[146] In general, scholarship on the French Revolution initially studied the political ideas and developments of the era, but it has gradually shifted towards social history that analyzes the impact of the Revolution on individual lives.^[147]

Historians widely regard the Revolution as one of the most important events in human history, and the end of the early modern period, which started around 1500, is traditionally attributed to the onset of the French Revolution in 1789.^[148] The Revolution is, in fact, often seen as marking the "dawn of the modern era".^[149] Within France itself, the Revolution permanently crippled the power of the aristocracy and drained the wealth of the Church, although the two institutions survived despite the damage they sustained. After the collapse of the First Empire in 1815, the French public lost the rights and privileges earned since the Revolution, but they remembered the participatory politics that characterized the period, with one historian commenting: "Thousands of men and even many women gained firsthand experience in the political arena: they talked, read, and listened in new ways; they voted; they joined new organizations; and they marched for their political goals. Revolution became a tradition, and republicanism an enduring option."^[150] Some historians argue that the French people underwent a fundamental transformation in self-identity, evidenced by the elimination of privileges and their replacement by rights as well as the growing decline in social deference that highlighted the principle of equality throughout the Revolution.^[151] The Revolution represented the most significant and dramatic challenge to political absolutism up to that point in history and, despite its failures, spread democratic ideals throughout Europe and ultimately the world.^[152] It had a profound impact on the Russian Revolution and its ideas inspired Mao Zedong in his efforts at constructing a communist state in China.^[153]

See also[link]

Audio files[link]

	Paul Wranitzky: Symphony Op. 31 "The (French) Revolution" Or "La Paix". First part of the Introduction. Porticodoro / SmartCGArt Media Productions — Classical Orchestra.
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	Paul Wranitzky: "Funeral March for the Death of the King Louis XVI" from the Symphony Op. 31 "The Revolution" or "La Paix", Mov. 2 Pt. 2. Porticodoro / SmartCGArt Media Productions — Classical Orchestra.
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Other revolutions or rebellions in French history[link]

Notes[link]