Newsweek is an American weekly news magazine published in New York City. It is distributed throughout the United States and internationally. It is the second-largest news weekly magazine in the U.S., having trailed Time in circulation and advertising revenue for most of its existence. Newsweek is published in four English language editions and 12 global editions written in the language of the circulation region.

Since 2008, Newsweek has undergone a series of internal and external contractions designed to shift the magazine's focus and audience while shoring up the title's finances. Instead, losses at the newsweekly accelerated: revenue dropped 38 percent from 2007 to 2009. The revenue freefall prompted an August 2010 sale by owner The Washington Post Company to 92-year-old audio pioneer Sidney Harman—reportedly for a purchase price of $1.00 and an assumption of the magazine's liabilities.^[2][3] Editor Jon Meacham departed from the magazine upon completion of the sale.^[3]

In November 2010 Newsweek merged with the news and opinion website The Daily Beast after extensive negotiations between the proprietors of the respective publications. Tina Brown, The Daily Beast's editor-in-chief was expected to serve as the editor of both publications. Newsweek is jointly owned by the estate of the late Harman and IAC.^[4][5]

Circulation and branches[link]

In 2003, worldwide circulation was more than 4 million, including 2.7 million in the U.S; by 2010 it was down to 1.5 million (with newsstand sales declining to just over 40 thousand copies per week). Newsweek publishes editions in Japanese, Korean, Polish, Spanish, Rioplatense Spanish, Arabic, and Turkish, as well as an English language Newsweek International. Russian Newsweek, published since 2004, was shut in October 2010.^[6] The Bulletin (an Australian weekly until 2008) incorporated an international news section from Newsweek.

Based in New York City, the magazine has 22 bureaus: nine in the U.S.: New York City, Los Angeles, Chicago/Detroit, Dallas, Miami, Washington, D.C., Boston and San Francisco, as well as overseas in London, Paris, Berlin, Moscow, Jerusalem, Baghdad, Tokyo, Hong Kong, Beijing, South Asia, Cape Town, Mexico City and Buenos Aires.^{[citation needed]}

History[link]

Cover of the first issue of News-Week magazine

Founding and early years[link]

January 16, 1939 cover featuring Felix Frankfurter

News-Week was launched in 1933 by Thomas J.C. Martyn, a former foreign-news editor for Time. He obtained financial backing from a group of U.S. stockholders "which included Ward Cheney, of the Cheney silk family, John Hay Whitney, and Paul Mellon, son of Andrew W. Mellon". Paul Mellon's ownership in Newsweek apparently represented "the first attempt of the Mellon family to function journalistically on a national scale."^[7] The group of original owners invested around $2.5 million. Other large stockholders prior to 1946 were public utilities investment banker Stanley Childs, and Wall Street corporate lawyer Wilton Lloyd-Smith.

The first issue of the magazine was dated 17 February 1933. Seven photographs from the week's news were printed on the first issue's cover.^[8]

In 1937 News-Week merged with the weekly journal Today, which had been founded in 1932 by future New York Governor and diplomat W. Averell Harriman, and Vincent Astor of the prominent Astor family. As a result of the deal, Harriman and Astor provided $600,000 in venture capital funds and Vincent Astor became both the chairman of the board and its principal stockholder between 1937 and his death in 1959.^{[citation needed]}

In 1937 Malcolm Muir took over as president and editor-in-chief. He changed the name to Newsweek, emphasized interpretive stories, introduced signed columns, and launched international editions. Over time the magazine developed a broad spectrum of material, from breaking stories and analysis to reviews and commentary.^{[citation needed]}

[edit] Under Post ownership

This section requires expansion.

The magazine was purchased by The Washington Post Company in 1961.^[9]

Richard M. Smith became Chairman in 1998, the year that the magazine inaugurated its "Best High Schools in America" list,^[10] a ranking of public secondary schools based on the Challenge Index, which measures the ratio of Advanced Placement or International Baccalaureate exams taken by students to the number of graduating students that year, regardless of the scores earned by students or the difficulty in graduating. Schools with average SAT scores above 1300 or average ACT scores above 27 are excluded from the list; these are categorized instead as "Public Elite" High Schools. In 2008, there were 17 Public Elites.^[11]

Smith resigned as board chairman in December 2007.^[12]

Restructuring and new owner[link]

During 2008–2009, Newsweek undertook a dramatic business restructuring.^[13][14] Citing difficulties in competing with online news sources to provide unique news in a weekly publication, the magazine refocused its content on opinion and commentary beginning with its May 24, 2009 issue. It shrank its subscriber rate base, from 3.1 million to 2.6 million in early 2008, to 1.9 million in July 2009 and then to 1.5 million in January 2010—a decline of 50% in one year. Meacham described his strategy as "counterintuitive" as it involved discouraging renewals and nearly doubling subscription prices as it sought a more affluent subscriber base for its advertisers.^[15] During this period, the magazine also laid off staff. While advertising revenues were down almost 50% compared to the prior year, expenses were also diminished in a planned strategy that the publishers hoped would return Newsweek to profitability.^[16]

The financial results for 2009 as reported by The Washington Post Company showed that advertising revenue for Newsweek was down 37% in 2009 and the magazine division reported an operating loss for 2009 of $29.3 million compared to a loss of $16 million in 2008.^[17] During the first quarter of 2010, the magazine lost nearly $11 million.^[18]

By May 2010, Newsweek had been losing money for the past two years and was put up for sale.^[19] The sale attracted international bidders. One bidder was Syrian entrepreneur Abdulsalam Haykal, CEO of Syria-based publishing company Haykal Media, who brought together a coalition of Middle Eastern investors with his company. Haykal later claimed his bid was ignored by Newsweek's bankers, Allen & Co.^[20]

The magazine was sold to audio pioneer Sidney Harman on August 2, 2010, for $1 in exchange for assuming the magazine's financial liabilities.^[3][21] Harman's bid was accepted over three competitors.^[22] Meacham left the magazine upon completion of the sale. Sidney Harman was the husband of Jane Harman, at that time a member of Congress from California.

[edit] Merger with The Daily Beast

At the end of 2010, Newsweek merged with the online publication The Daily Beast, following extensive negotiations between the respective proprietors. Tina Brown, The Daily Beast's editor-in-chief, became editor of both publications. The new entity, The Newsweek Daily Beast Company, was 50% owned by IAC and 50% by Harman.^[4][5][23]

The goal of The Newsweek Daily Beast Company is to have The Daily Beast be a source of instant analysis of the news, while Newsweek would serve to take a look at the bigger picture, provide deeper analysis, and "connect the dots," in the words of Harman, and for both publications to ultimately be profitable.^{[citation needed]}

During her tenure as editor-in-chief of Newsweek, Brown has taken the news weekly in a different direction than her predecessor. Whereas Jon Meacham looked to make the focus solely on politics and world affairs, Brown has brought the focus back on to all of current events, not just politics, business, and world affairs (although these issues are still the focus of the magazine). This is seen in increased attention fashion and pop culture and many of her covers since taking the job.^{[citation needed]}

2011 redesign[link]

Newsweek was redesigned in March 2011.^[24] The new Newsweek moves the "Perspectives" section to the front of the magazine, where it serves essentially as a highlight reel of the past week on The Daily Beast. More room is made available in the front of the magazine for columnists, editors, and special guests. A new "News Gallery" section features two-page spreads of photographs from the week with a brief article accompanying each one. The "NewsBeast" section features short articles, a brief interview with a newsmaker, and several graphs and charts for quick reading in the style of The Daily Beast. This is where the Newsweek staple "Conventional Wisdom" is now located. Brown retains Newsweek's focus on in-depth, analytical features and original reporting on politics and world affairs, as well as a new focus on longer fashion and pop culture features. A larger culture section named "Omnivore" features art, music, books, film, theater, food, travel, and television, including a weekly "Books" and "Want" section. The back page is reserved for a "My Favorite Mistake" column written by celebrity guest columnists about a mistake they made that defines who they are.^[25]

Highlights and controversies[link]

Lewinsky scandal[link]

Newsweek reporter Michael Isikoff was the first reporter to investigate allegations of a sexual relationship between U.S. President Bill Clinton and Monica Lewinsky, but the editors spiked the story.^[26] The story soon surfaced online in the Drudge Report.

Claims of bias[link]

A 2004 study by Tim Groseclose and Jeff Milyo asserted that Newsweek, along with all other mainstream news outlets except for Fox News and the Washington Times, exhibited a "liberal bias".^[27][28] While liberal media watchdogs described the study as "riddled with flaws,"^[29][30] their opposite numbers had similarly commented on Newsweek's alleged liberal bias.^[31][32]

Newsweek's Washington Bureau Chief and later Assistant Managing Editor Evan Thomas variously acknowledged the charge saying, "I think Newsweek is a little liberal," and, in 1996, "there is a liberal bias at Newsweek, the magazine I work for."^[33][34][35]

The magazine has been publishing articles by conservative columnist George F. Will since 1976, when he became a contributing editor, writing a biweekly backpage column. As of 2011, Will still writes for Newsweek.

Guantánamo Bay allegations[link]

In the May 9, 2005 issue of Newsweek, an article by reporter Michael Isikoff stated that interrogators at Guantanamo Bay "in an attempt to rattle suspects, flushed a Qur'an down a toilet." Detainees had earlier made similar complaints but this was the first time a government source had appeared to confirm the story. The news was reported to be a cause of widespread rioting and massive anti-American protests throughout some parts of the Islamic world (causing at least 15 deaths in Afghanistan^[36]). The magazine later revealed that the anonymous source behind the allegation could not confirm that the book-flushing was actually under investigation, and retracted the story under heavy criticism.^{[citation needed]}

Iraq war planning[link]

Fareed Zakaria, a Newsweek columnist and editor of Newsweek International, attended a secret meeting on November 29, 2001, with a dozen policy makers, Middle East experts and members of influential policy research organizations that produced a report for President George W. Bush and his cabinet outlining a strategy for dealing with Afghanistan and the Middle East in the aftermath of September 11, 2001. The meeting was held at the request of Paul D. Wolfowitz, then the deputy secretary of defense. The unusual presence of journalists, who also included Robert D. Kaplan of The Atlantic Monthly, at such a strategy meeting was revealed in Bob Woodward's 2006 book State of Denial: Bush at War, Part III. Woodward reported in his book that, according to Mr. Kaplan, everyone at the meeting signed confidentiality agreements not to discuss what happened. Mr. Zakaria told The New York Times that he attended the meeting for several hours but did not recall being told that a report for the President would be produced.^[37] On October 21, 2006, after verification, the Times published a correction that stated:

An article in Business Day on Oct. 9 about journalists who attended a secret meeting in November 2001 called by Paul D. Wolfowitz, then the deputy secretary of defense, referred incorrectly to the participation of Fareed Zakaria, the editor of Newsweek International and a Newsweek columnist. Mr. Zakaria was not told that the meeting would produce a report for the Bush administration, nor did his name appear on the report.^[37]

2008 elections[link]

In the 2008 U.S. presidential election, the John McCain campaign wrote a lengthy letter to the editor criticizing a cover story in May 2008.^[38]

Column of Ramin Setoodth[link]

This section is empty. You can help by adding to it.

Palin & Bachmann covers[link]

Former Alaska Governor and 2008 Republican Vice Presidential nominee Sarah Palin was featured on the cover of the November 23, 2009 issue of Newsweek, with the caption "How do you Solve a Problem Like Sarah?" featuring an image of Palin in athletic attire and posing. Palin herself, the Los Angeles Times and other commentators accused Newsweek of sexism for their choice of cover in the November 23, 2009 issue discussing Palin's book, Going Rogue: An American Life. "It's sexist as hell," wrote Lisa Richardson for the Los Angeles Times.^[39] Taylor Marsh of The Huffington Post called it "the worst case of pictorial sexism aimed at political character assassination ever done by a traditional media outlet."^[40] David Brody of CBN News stated: "This cover should be insulting to women politicians."^[41]

The cover includes a photo of Palin used in the August 2009 issue of Runner's World.^[42][43][44] The photographer may have breached his contract with Runner's World when he permitted its use in Newsweek, as Runner's World maintained certain rights to the photo until August 2010. It is uncertain, however, whether this particular use of the photo was prohibited.^[45]

Minnesota Republican Congresswoman and Presidential Candidate Michele Bachmann was featured on the cover of Newsweek magazine in August 2011, dubbed "the Queen of Rage".^[46] The photo of her was perceived as unflattering, as it portrayed her with a wide eyed expression some said made her look "crazy".^[47] Sources called the depiction "sexist",^[48] and Sarah Palin denounced the publication. Newsweek defended the cover's depiction of her, saying its other photos of Bachmann showed similar intensity.^[49]

Contributors and reporters[link]

Notable regular contributors to Newsweek include:

Cultural references[link]

• The 2000 film Harrison's Flowers is the story of a Newsweek photojournalist lost in the war-torn former Yugoslavia.
• Singer Paul Simon referenced Newsweek in his 1972 song "Me and Julio Down by the Schoolyard."^[50]

See also[link]

	United States portal
	Journalism portal

• List of magazines by circulation
• Newsweek Argentina
• Newsweek Pakistan
• The Washington Post Company

Notes and references[link]

External links[link]

• Official website
• NewsweekVideo's Channel
• The Washington Post Company
• History and Demographics of Newsweek

Wikimedia Commons has media related to: Newsweek

James Franco
Franco in October 2011
Born	James Edward Franco (1978-04-19) April 19, 1978 (age 34) Palo Alto, California, U.S.
Alma mater	University of California, Los Angeles
Occupation	Actor, artist, and filmmaker
Years active	1997–present

James Edward Franco (born April 19, 1978) is an American actor. His first prominent role was a lead part on the short-lived cult hit television program Freaks and Geeks; he later achieved recognition for playing the titular character in the TV biographical film James Dean (2001), for which he was awarded a Golden Globe Award. He achieved international fame with his portrayals of Harry Osborn in Sam Raimi's Spider-Man trilogy.

Franco has won or been nominated for a number of awards. He has done both dramatic and comedic work in projects and has appeared in an eclectic range of films since the 2000s, ranging from period to contemporary pieces, and from major Hollywood productions to less publicized indie films, as well as fantasy films to biopics and soap operas. Other notable films include Pineapple Express, a 2008 stoner comedy that earned him his second Golden Globes nomination; the 2008 Harvey Milk-biopic Milk; and Danny Boyle's 2010 drama film 127 Hours, about real-life mountain climber Aron Ralston's struggle to free his hand from a boulder. His performance in 127 Hours earned him nominations for many high-profile awards, including the Academy Awards, Golden Globe and Screen Actors Guild Awards. In 2011, he starred opposite Andy Serkis in Rupert Wyatt's successful science fiction film Rise of the Planet of the Apes, a reboot of the Planet of the Apes franchise. Since 2009, he has played a recurring role in the ABC daytime soap opera General Hospital.

Franco has hosted Saturday Night Live twice, as well as the 83rd Academy Awards with Anne Hathaway. He volunteers for the Art of Elysium charity. Franco currently teaches a class at New York University about transferring poetry to film.^[1]

Early life and family[link]

Nicknamed "Ted," James Edward Franco was born in Palo Alto, California. His mother, Betsy Lou (née Verne), is a poet, author, and editor, and his father, Douglas Eugene "Doug" Franco (1948–2011),^[2] ran a non-profit agency and a shipping container security company. The two met as students at Stanford University.^[3][4][5] Franco's father was of Portuguese (from the Madeira island) and Swedish descent;^[6] Franco's mother is Jewish, a descendant of immigrants from Russia (her family's surname had been changed from "Verovitz" to "Verne").^[7][8] His paternal grandmother, Marjorie (Peterson) Franco, is a published author of young adult books;^[5][9] his maternal grandmother, Mitzie (Levine) Verne, owns the Verne Art Gallery, a prominent art gallery in Cleveland, and was an active member in the National Council of Jewish Women.^[10][11][12]

Franco's family upbringing was "academic, liberal and largely secular."^[13] He grew up in California with his two younger brothers, Tom and Dave ("Davy"), the latter of whom is also an actor.^[14] Talented at mathematics, Franco interned at Lockheed Martin.^[3] Franco was often encouraged by his father to get good grades and did well on his SATs.^[13] He graduated from Palo Alto High School in 1996, where he acted in plays.^[3][15] In his high school years, Franco was arrested for underage drinking, graffiti, and for being a part of a group that stole designer fragrances from department stores and sold them to classmates.^[16] These arrests led to him briefly becoming a ward of the state. Facing the possibility of juvenile hall, Franco was given a second chance by the judge.^[6] "It was teen angst. I was uncomfortable in my own skin. I was shy. I changed my ways just in time to get good grades," he recalled of his troubles with the law.^[13]

Although the idea of becoming a marine zoologist interested him, Franco had always secretly wanted to become an actor but feared rejection.^[6] He enrolled at the University of California, Los Angeles (UCLA) as an English major,^[17] but dropped out after his freshman year against his parents' wishes^[3] to pursue a career as an actor, since he would have to have waited two years to audition for their acting program.^[6] Franco instead chose to take acting lessons with Robert Carnegie at the Playhouse West.^[15] Around this time, Franco took up a late-night job at McDonald's to support himself since his parents refused to do so. He was a vegetarian until working there.^[16] While working at the establishment, for his acting classes, he would practice accents on customers.^[6] Knowing that the aspiring actor was doing his best to follow his passion, Carnegie told Franco to pay him what he could and later on pay him back.^[6]

Acting career[link]

Early work[link]

After 15 months of training he began auditioning in Los Angeles, and started professionally acting in 1997 with guest roles on television shows. His first break came in 1999, after he was cast in a leading role on the short-lived but well-reviewed television series Freaks and Geeks.^[18] The program, which ran for 18 episodes and was canceled due to low viewership, later became a cult hit among audiences.^[19] He has since described the series as "one of the most fun" work experiences that he has had.^[20] In another interview, Franco said: "When we were doing Freaks and Geeks, I didn’t quite understand how movies and TV worked, and I would improvise even if the camera wasn’t on me ... So I was improvising a little bit back then, but not in a productive way."^[21] Franco made his film debut in a brief role in the 1999 Drew Barrymore-starring Never Been Kissed and his first major movie was the romantic teen comedy Whatever It Takes (2000), in which he played popular jock Chris. The latter is a modern day remake of the 1897 play Cyrano de Bergerac.^[22][23]

He was subsequently cast as the title role in director Mark Rydell's 2001 TV biographical film James Dean.^[24][25] To immerse himself in the role, Franco went from being a non-smoker to smoking two packs of cigarettes a day, dyed his dark brown hair blond, and learned to ride a motorcycle as well as play guitar and the bongos.^[24] To have a greater understanding of Dean, Franco spent hours with two of Dean's associates. Other research included reading books on Dean and studying his movies.^[24] While filming James Dean, the actor, to get into character, cut off communication with his family and friends, as well as his then-girlfriend. "It was a very lonely existence," he notes. "If I wasn't on a set, I was watching James Dean. That was my whole thinking. James Dean. James Dean."^[24] Despite already being a fan of Dean, Franco feared he might be typecast if he'd captured the actor too convincingly. Ken Tucker of Entertainment Weekly wrote: "Franco could have walked through the role and done a passable Dean, but instead gets under the skin of this insecure, rootless young man."^[26] He received a Golden Globe Award and nominations for an Emmy Award and a Screen Actors Guild Award (SAG).^[27][28][29]

2002–2007[link]

Franco achieved worldwide fame and attention in the 2002 superhero film Spider-Man, when he played Harry Osborn, the son of the villainous Green Goblin (Willem Dafoe) and best friend of the title character (Tobey Maguire). Originally, Franco was considered for the lead role of Spider-Man/Peter Parker in the film,^[30] though the lead went to Maguire. Todd McCarthy of Variety noted that there are "good moments" between Maguire and Franco in the film.^[31] Spider-Man was a commercial and critical success.^[32] The movie grossed $114 million during its opening weekend in North America and went on to earn $822 million worldwide.^[33] He next starred in Sonny, a 2002 release in which he was directed by fellow actor Nicolas Cage. It was Cage's involvement that had attracted Franco to the film.^[34] Set in 1980s New Orleans, Sonny follows the titular character (Franco) returning home after just being discharged from the Army. To prepare for his role, he met with sex workers or people who had previously been prostitutes.^[34] The movie was panned by critics, with the New York Posts Lou Lumenick calling it an "instant candidate for worst movie of the year."^[35] Franco was cast as a homeless drug addict in the drama City by the Sea (2002) after co-star Robert De Niro saw a snippet of his work in James Dean.^[24] He lived on the streets for several days to better understand the subject of the matter^[36] as well as talk to former or still using drug addicts.^[34] Both projects were released in September.

Franco at the Spider-Man 3 premiere, April 2007

Following City by the Sea, he co-starred alongside Neve Campbell in Robert Altman's ballet movie The Company (2003).^[13] The success of the first Spider-Man film led Franco to reprise the role in the 2004 sequel, Spider-Man 2. The movie was well received by critics,^[32] and it proved to be a big financial success, setting a new opening weekend box office record for North America.^[37] With revenue of $783 million worldwide, it became the second highest grossing film in 2004.^[33] The following year he made and starred in the black comedy The Ape^[13] and the 2005 war film The Great Raid, in which he portrayed Robert Prince, a captain in the United States Army's elite Sixth Ranger Battalion. In 2006, Franco co-starred with Tyrese Gibson in Annapolis and played legendary hero Tristan in Tristan & Isolde, a period piece dramatization of the Tristan and Iseult story also starring British actress Sophia Myles. For the former, he did eight months of boxing training and for the latter, he practiced horseback riding and sword fighting.^[38] He then completed training for his Private Pilot Licence in preparation for his role in Flyboys,^[16] which was released in September 2006; the same month, Franco appeared briefly in The Wicker Man, the remake of the seminal horror film. Also in 2006, he made a cameo appearance in the romantic comedy The Holiday.^[25]

He again played Harry Osborn in Spider-Man 3 (2007). In contrast to the previous two films' positive reviews, Spider-Man 3 was met with a mixed reception by critics.^[32] Nonetheless, with a total worldwide gross of $891 million, it stands as the most successful film in the series, and Franco's highest grossing film to date.^[33] In this same year, Franco made a cameo appearance as himself in the Apatow-directed comedy Knocked Up, which starred Freaks and Geeks alumni Seth Rogen, Jason Segel and Martin Starr.^[16] Franco co-starred with Sienna Miller in the low-budget independent films Camille, a dark fantasy dramedy about a young newly wed couple and Interview, where he appears in a voice only role, both 2007 movies that were ignored by audiences and critics alike. Among his other 2007 projects were Good Time Max, which Franco wrote, directed and starred in. The movie premiered at the 2007 Tribeca Film Festival and centers around two talented brothers who take very diverse paths in life, one going on to become a doctor whilst the other sibling (Franco) experiences unemployment and uses drugs. The actor chose to cast himself in that role because, "It was really just a process of elimination. I was better suited for this role than the responsible surgeon."^[39]

2008–2010[link]

He next starred in Pineapple Express (2008), a stoner comedy co-starring and co-written by Rogen and produced by Apatow.^[20][40] Of Franco's character, Apatow said, "You tell him, 'Okay, you're going to play a pot dealer,' and he comes back with a three-dimensional character you totally believe exists. He takes it very seriously, even when it's comedy."^[41] In her New York Times review, critic Manohla Dargis wrote: "He’s delightful as Saul, loosey-goosey and goofy yet irrepressibly sexy, despite that greasy curtain of hair and a crash pad with a zero WAF (Woman Acceptance Factor). It’s an unshowy, generous performance and it greatly humanizes a movie that, as it shifts genre gears and cranks up the noise, becomes disappointingly sober and self-serious."^[42] His performance earned him a second Golden Globe nomination, for Best Actor in a Musical or Comedy.^[27] He has stated in some interviews that he no longer uses cannabis (although he has occasionally alluded to his smoking marijuana, most notably during an extended segment on The Colbert Report.^[43]) He was awarded High Times magazine's Stoner of the Year Award for his work in Pineapple Express.^[44] In 2008 he also appeared in two films by American artist Carter, exhibited at the Yvon Lambert gallery in Paris.^[45] On September 20, 2008, he hosted the sketch comedy show Saturday Night Live (SNL),^[46] and a second time on December 19, 2009.^[47]

Franco starred opposite Sean Penn, Josh Brolin, and Emile Hirsch in Gus Van Sant's Milk (2008).^[48] In the film, he played Scott Smith, the boyfriend of Harvey Milk (Penn). Kenneth Turan of the Los Angeles Times, in review of the film, wrote: "Franco is a nice match for him [Penn] as the lover who finally has enough of political life."^[49] For his performance in the film, Franco won the Independent Spirit Award in the category for Best Supporting Actor.^[50] In late 2009, he joined the cast of the daytime soap opera General Hospital on a recurring basis. He plays Franco, a multimedia artist much like himself,^[3] who comes to Port Charles with unfinished business with mob enforcer Jason Morgan (Steve Burton).^[51] Franco has called his General Hospital role performance art. In March 2011, he will reprise his role in two episodes of General Hospital.^[52] In September 2011, Franco will reprise his role as Robert "Franco" Frank for an extended stay.^[53]

2010 was a prolific year for Franco. He kicked off the year by making an appearance on the sitcom 30 Rock where he played himself and carried on a fake romance with Jenna Maroney (Jane Krakowski) in a scheme concocted by their respective agents.^[54] After appearing in the commercial successes Date Night, an action comedy, and Eat Pray Love, an adaption of a novel, Franco played poet Allen Ginsberg in the drama Howl, released on September 24.^[8] The latter, about his most known poem and the trial about the work, premiered at the Berlin Film Festival and earned modest reviews.^[32]

His next project was 127 Hours, directed by Academy Award winner Danny Boyle, where Franco portrayed real-life mountain climber Aron Ralston. It was given a limited release starting on November 5, 2010.^[56] 127 Hours centered on Ralston trying to free his hand after it became trapped under a boulder in a ravine while canyoneering alone in Utah and resorting to desperate measures in order to survive, eventually amputating his arm. During the five-week, 12-hours-per-day shoot, Franco would only leave the gully set to use the lavatory and would read books such as academic textbooks to keep busy.^[57] Franco later called making 127 Hours a once in a life time experience.^[55] To date, 127 Hours is one of his most well-reviewed movies^[32] and was also a commercial success, commissioning $57.5 million against an $18 million budget.^[56] His performance earned him universal acclaim from critics. Subsequently, he was nominated for most of the high-profile awards, notably an Academy Award, Golden Globe and SAG as well as winning an Independent Spirit Award.

2011–present[link]

On February 23, Franco made a cameo appearance on NBC's Minute to Win It where the real-life Ralston was participating as a contestant playing for charity.^[58] After having an uncredited cameo in the opening scene of The Green Hornet (2011),^[59] he starred opposite Natalie Portman and Danny McBride in the Medieval fantasy comedy Your Highness^[60] on April 8. In it he plays Fabious, a prince who teams up with his brother (McBride) to rescue Fabious' soon to be bride (played by Zooey Deschanel). In May 2010, he was cast to star in Rupert Wyatt's $90 million budgeted Rise of the Planet of the Apes, a reboot of the Planet of the Apes series^[61] which was released on August 5. Franco has also announced that in the fall of 2011, he will appear on Broadway with Nicole Kidman in the upcoming revival of Sweet Bird of Youth by Tennessee Williams, which will be directed by David Cromer.^[62] Franco will star alongside Winona Ryder in a film entitled The Stare, which is to be directed by Jay Anania. Production began in New York on May 6, 2011. He was cast as a drug-addicted lawyer in Cherry, which will start shooting the following month in California and also star Heather Graham.^[63] He dropped out of the indie While We're Young^[64] to star in Oz: The Great and Powerful, a Disney prequel to L. Frank Baum's The Wonderful Wizard of Oz (1900), as the Wizard, superseding Johnny Depp. Filming began in July.

Franco at the "My Own Private River" Film Society Of Lincoln Center Screening & Q&A 2012

At the end of September 2010, the actor acquired the rights to Stephen Elliott's The Adderall Diaries, with the intentions to adapt, direct and star in it.^[65] It was announced in January 2011 that the actor has planned to not only star in but direct himself in The Night Stalker, a film version of author Philip Carlo's book about the 1980s serial killer, Richard Ramirez. Co-screenwriter to the screenplay, Nicholas Constantine, was initially unconvinced that Franco would be right for the movie, until he learned of Franco's desire to be a director and later watched three of his short films, one of which featured a serial killer, ultimately confirming to the writer that the actor had a darker side.^[66] One of his other upcoming projects, The Iceman, will reunite Franco with Michael Shannon, after the two worked together on the short film Herbert White. The movie is based upon real-life contract murderer Richard Kuklinski, who notoriously froze his victims.^[67] The actor also has plans to direct a film version of William Faulkner's As I Lay Dying.^[68]

Franco is currently adapting a film version of Cormac McCarthy's 1973 novella Child of God, which chronicles the depraved and violent impulses of a young Tennessee backwoodsman after he is dispossessed of his ancestral land.

He will star as Oscar Biggs/the Wizard of Oz in the film Oz: The Great and Powerful, which is a prequel to the 1939 film The Wizard of Oz. The movie will be released by Walt Disney Pictures on March 8, 2013 in theaters.

Franco is set to star alongside fellow Oscar nominee Jonah Hill and producer Brad Pitt in the upcoming film currently titled True Story. The film, which is actually based on a true story, will see Franco play Christian Longo, a man who was on the FBI's most wanted list, and had also been hiding under the identity of Michael Finkel, played by Hill, a journalist.^[69]

Other projects[link]

Franco in October 2010

Franco produced and directed a documentary titled Saturday Night documenting a week in the production of an episode of SNL.^[70] The film began as a short for an NYU class but grew due to his two episodes as host, while short stories he wrote for other classes appeared in Esquire and McSweeney's.^[3] In summer 2010, the fictional Franco from General Hospital held an exhibit at the Museum of Contemporary Art in Los Angeles, while the real Franco held an exhibit at the museum based on his experiences on the soap opera.^[3] One of his short movies, The Clerk's Tale, was screened in competition at the Hamptons Film Festival at the end of 2010.^[65]

On October 19, 2010 Scribner published a collection of short stories called Palo Alto: Stories by Franco.^[71] The book is named after the California city where Franco grew up and is dedicated to many of the writers he worked with at Brooklyn College. Inspired by some of Franco's own teenage memories,^[38] Palo Alto consists of life in Palo Alto as experienced by a series of teenagers who spend most of their time indulging in driving drunk, using drugs and taking part in unplanned acts of violence. Each passage is told by a young narrator.^[72] The book has received mixed reviews; Los Angeles Times called it "the work of an ambitious young man who clearly loves to read, who has a good eye for detail, but who has spent way too much time on style and virtually none on substance."^[71] The Guardian said that Franco's "foray into the literary world may be met with cynicism in some quarters, but this is a promising debut from a most unlikely source."^[73] Writing in the New York Times, reviewer and fellow author Joshua Mohr praised Franco for how, in the story "American History", he juxtaposed historical parts with a present-day social commentary that "makes the we wonder how much we’ve actually evolved in post-bellum America."^[74]

Publishers Weekly reviewed the collection, stating "The author fails to find anything remotely insightful to say in these 11 amazingly underwhelming stories."^[75]

In January, the actor screened his multimedia project entitled Three's Company The Drama, in which he merges video and art to update the former sitcom, at the 2011 Sundance Film Festival.^[76] Franco reunited with Milk director Van Sant to make Unfinished, a project that features two movies: Endless Idaho and My Own Private River. Endless Idaho showcases edited outtakes, deleted scenes and behind-the-scenes footage from the 1991 movie My Own Private Idaho, while My Own Private River focuses on the late actor River Phoenix.^[77] The idea for the exhibition was conceived after Van Sant introduced unused footage from the 1991 film to Franco, inspiring him to turn it into something more. Unfinished opened from February 26 to April 9 at the Gagosian Gallery in Beverly Hills.^[77]

On February 27, 2011, he and Anne Hathaway hosted the 83rd Academy Awards. The two were selected to help the awards show achieve its goal of attracting a younger audience.^[78] Franco had previously said that he accepted the job for the experience and because it was a once in a lifetime opportunity.^[79] Numerous media viewers criticized Franco for his discontent and lack of energy on stage and the show was widely panned, with some reviewers dubbing it the worst telecast in its history.^[80][81][82] The actor later spoke about his hosting in an interview on The Late Show with David Letterman. He explained that when accepting the job he never had high hopes, adding “It was never on my list of things to do. It doesn’t mean I didn’t care and it doesn’t mean I didn’t try, right?” Regarding allegations that he was under the influence of marijuana while hosting, Franco commented "I think the Tasmanian Devil would look stoned standing next to Anne Hathaway. She has a lot of energy!" He concluded that he tried his best and could have had "low energy" during the telecast.^[83]

In May, Franco made his dance-theater directorial debut at New York's Stella Adler studios, where he narrated all the performances. Entitled "Collage" and described as a "mixed-media piece", the show featured live dance, theater, music, and poetry. Tickets were free but were distributed on a first come, first serve basis.^[84] The actor will also direct two short films for songs ("Blue" and "That Someone Is You") by R.E.M. from their album Collapse Into Now (2011).^[85] Franco continued his career as a filmmaker with The Broken Tower, a 90-minute docudrama shot in black and white about poet Hart Crane, who committed suicide by jumping off the steamship SS Orizaba.^[86] It originally started out as his masters thesis.^[87] After being screened at 2011's Los Angeles Film Festival  – among more than 200 feature films, short projects, and music videos from more than 30 countries to be selected^[88] – it is slated for a 2012 theatrical release.

In the media[link]

Franco being interviewed in 2011

Viewed as a sex symbol, Franco was named the Sexiest Man Living in 2009 by Salon.com.^[89] There has often been frequent media coverage of Franco, particularly regarding his interest in going to colleges. In addition to that, Franco has also claimed to have been strongly misquoted by reports in the media^[90] and news outlets reporting erroneous information about him.^[91] This led to the actor being parodied in an episode of SNL's Weekend Update segment, which an Entertainment Weekly writer deemed "clever".^[92] In a 2011 interview, he stated:

I’ve been perceived as this guy yelling, 'Hey, look at me. I want attention.' I’m not going to school to get articles written about me. I’m just going to school. But the fact that I’m going to school or that someone takes a picture of me sleeping is like, 'We’re gonna jump on that and criticize him for his antics.' What antics? I write. I make movies. I’m going to school. I hosted the Oscars. I take these projects seriously.^[90]

In response to questions regarding his sexuality now that he has portrayed three gay characters during his acting career, he insists he finds plenty more dimensions to the characters than their bedroom proclivities. "Or, you know what," he quipped, "maybe I’m just gay."^[93] Those rumors led to a Gawker article linking him to a New York Post Page Six blind item about a closeted gay actor, nicknamed "the Gay Rapist". Despite the victim of the alleged attack denying that it was Franco, two magazines then contacted Franco's lawyer to alert them that they might run stories suggesting his involvement, but were unable to as at least part of their stories were fabricated.^[90] However, Gawker refused to take their article down as they were simply reporting what another outlet published and instead offered him a chance to make a comment about the speculation on its website. He declined, hoping it would die down. The actor later called the episode very offensive because he has friends who have been raped.^[90]

Personal life[link]

In 2008, he was named as the new face of Gucci's men's fragrance line.^[94][95] Regarding his secular upbringing, Franco told The Guardian that he feels as if he has "missed out on the Jewish experience", but has been told not to worry about that by his Jewish friends. He said in the same interview that he likes "the idea of religion as a source of community." When asked if he was a "believer", he responded "In God? I don't know. Yes. To a certain extent. It's a complicated question."^[13] After meeting on the set of Whatever It Takes, Franco dated co-star Marla Sokoloff for five years.^[96] He was in a relationship with actress Ahna O'Reilly since 2006.^[96][97] He confirmed their separation in an interview for Playboy magazine's August 2011 issue, saying that his interest in education got between them.^[90]

Education[link]

Franco, dissatisfied with his career's direction,^[3] Franco reenrolled at UCLA in the fall of 2006 as an English major with a creative writing concentration. He received permission to take as many as 62 course credits per quarter compared to the normal limit of 19,^[98] while still continuing to act. He received his undergraduate degree in June 2008 with a GPA over 3.5/4.0.^[98][3][99] For his degree, Franco prepared his departmental honors thesis as a novel under the supervision of Mona Simpson.^[3][100] While at the university, the actor studied French, the Holocaust, philosophy of science, and American literature among other things. To continue acting, he would study on film sets.^[13]

He was selected as the commencement speaker at his alma mater, UCLA, and was to speak at the ceremony on June 12, 2009. On June 3, however, a press release announced Franco's cancellation due to a scheduling conflict, making it the second cancellation in a row, after commencement speaker Bill Clinton had canceled the appearance.^[101] On January 26, 2011, Franco and the Harvard Lampoon released a satirical video on prominent comedy website Funny or Die mocking his last-minute cancellation.^[102]

Franco, just before he gets a ride in the Blue Angels No. 7, with Patrick Palma in a two-seat FA-18B, in August 2006

He moved to New York to simultaneously attend graduate school at Columbia University's MFA writing program, New York University's Tisch School of the Arts for filmmaking,^{[94][103][104][105]} and Brooklyn College for fiction writing,^[98] while occasionally commuting to North Carolina's Warren Wilson College for poetry.^[3] He received his MFA from Columbia in 2010.^[106] Franco is a PhD student in English at Yale University^[107] and will also attend the Rhode Island School of Design.^[3] The actor opted against watching the 2011 Academy Award nominees be announced (where he was a top contender) in favor of attending class. "I’m not gonna miss class to go and presume that I’m going to be nominated, but if you want to bring out a camera crew to Yale and wait and see if I get nominated, I’d be happy to step out of class and say I’m very grateful", he commented.^[108]

He has been accepted to the University of Houston for the doctoral program in literature and creative writing but is not going to attend UH after all.^[109] Having previously shown a desire to teach, in March 2011, it was announced that Franco will teach a fall semester course on modifying poetry into short films to ten to twelve third-year graduate film students at NYU. The course will focus mainly on production, meaning that the students will be in charge of creating their own film based on poetry. At the time of the announcement the actor had yet to put together a syllabus, but has until the summertime to do so.^[110]

When asked about his education, Franco said that he loves school and that it keeps him focused as well as grounded. "I go to school because I love being around people who are interested in what I’m interested in and I’m having a great experience... I’m studying things that I love so it’s not like it’s a chore", he told the Washington Post, according to a New York Magazine article.^[111] Franco has also credited his education for helping him "take acting seriously" when his parents did not see it as a successful post-college career.^[6] Franco developed an aptitude for art—painting in particular—during his high school years while attending the California State Summer School for the Arts (CSSSA).^[15] Franco has said painting was the "outlet" he needed in high school, and he "has actually been painting longer than he has been acting."^[112] His paintings were displayed publicly for the first time at the Glü Gallery in Los Angeles, from January 7, through February 11, 2006.^[15][113] He launched his first European art exhibition in 2011 at Peres Projects in Berlin.^[72]

He enjoys reading on the set of his films. Pineapple Express producer Judd Apatow has said of him: "He's a very education-minded person. We used to laugh because in between takes he'd be reading The Iliad on set. We still haven't read The Iliad. It was a very difficult book. With him, it was always James Joyce or something."^[114]

In an interview with Showbiz411, on September 23, 2010, Franco made the erroneous public announcement that he received a "D" grade in "Acting" class at the NYU Graduate Film School. It was in fact a "Directing the Actor" class. Franco admitted to missing most all of his classes that semester. A professor at New York University alleges that Franco did not earn his grades while attending that school. He states that Franco missed over 80% of his classes and only received high marks and a degree because of his celebrity as an actor.^[115]

Charitable work[link]

Franco has said aiding others is "the key to life, the key to happiness" and, "as an actor, you can get wrapped up in yourself and your career...A little secret is one of the greatest ways to break that is to stop thinking about yourself for a second."^[116] When Franco was at a point in his life where he wanted to give back but was unsure how, he asked his Spider-Man co-star Kirsten Dunst for advice. At the suggestion of Dunst, he started volunteering at the charity Art of Elysium, where she also volunteers, which helps children with serious medical conditions. He said the experience helped save his life. In January 2011, at the Art of Elysium Heaven Gala in Los Angeles, Franco was honored for his work at the hospital, receiving the Spirit of Elysium accolade.^[117]

On March 31, 2011, the actor took part in "An Evening with James Franco", a Washington DC dinner benefit for 826DC, a non-profit foundation created to help neighborhood students reach their goals, as well as provide after-school literature programs and workshops which encourage them to improve their writing skills. Franco became involved with Dave Eggers' 826 National after Eggers asked him to do a conceptual idea for the program, and he directed a documentary for them and has since been a supporter of them. At the event, Franco spoke about how he thought schools needed to be more original with their literature programs. "Writing can do things that video cannot", he added.^[118]

In April, Franco autographed a T-shirt that will be auctioned-off through the Yoshiki Foundation, with the proceeds being donated for the Japanese tsunami relief occurring in 2011.^[119] On June 14, he was honored by amfAR, the foundation for AIDS research, at the Museum of Modern Art. Franco received the Piaget Award of Inspiration for his humanitarian work and contributions to men’s style.^[120]

Filmography[link]

Selected works[link]

• Franco, James. "A Star, a Soap and the Meaning of Art." The Wall Street Journal, December 4, 2009.
• Franco, James. "Just Before the Black." Esquire, March 24, 2010.
• Franco, James (2010). Palo Alto: Stories. Scribner. ISBN 978-1-4391-6314-6. 

References[link]

External links[link]

Wikimedia Commons has media related to: James Franco

• James Franco at the Internet Movie Database
• James Franco at Yahoo! Movies
• James Franco at People.com

Elvis Costello
Costello at the 2009 International Film Festival, Toronto, Canada.
Background information
Birth name	Declan Patrick MacManus
Also known as	D.P. Costello The Imposter Little Hands of Concrete Napoleon Dynamite D.P.A. MacManus Declan Patrick Aloysius MacManus The Right Reverend Jimmy Quickly
Born	(1954-08-25) 25 August 1954 (age 57) Paddington, London, England
Genres	Punk rock Pub rock New Wave
Occupations	Musician, singer-songwriter, record producer
Instruments	Vocals, guitar, keyboards, bass, drums
Years active	1970–present
Labels	Stiff, Radar, F-Beat, Demon, Columbia, Warner Bros., Mercury, Island, Deutsche Grammophon, Lost Highway, Verve, HearMusic, Rykodisc, Rhino, Hip-O
Associated acts	The Attractions, The Imposters, Diana Krall, Burt Bacharach, Brodsky Quartet, Nick Lowe, Madness, The Strokes,The Specials,Squeeze,
Website	Elvis Costello.com
Notable instruments
Fender Jazzmaster Fender Telecaster

Elvis Costello (born Declan Patrick MacManus, 25 August 1954) is an English singer-songwriter.^[1] He came to prominence as an early participant in London's pub rock scene in the mid-1970s and later became associated with the punk/New Wave genre.^[2][3] Steeped in word play, the vocabulary of Costello's lyrics is broader than that of most popular songs. His music has drawn on many diverse genres; one critic described him as a "pop encyclopaedia", able to "reinvent the past in his own image".^[4]

Costello has won multiple awards in his career, including a Grammy Award, and has twice been nominated for the Brit Award for Best British Male.^[5] In 2003, Elvis Costello & the Attractions were inducted into the Rock and Roll Hall of Fame.^[6] In 2004, Rolling Stone ranked Costello number 80 on their list of the 100 Greatest Artists of All Time.^[7]

Early life[link]

Costello was born Declan Patrick MacManus^[8] in St Mary's Hospital, London, the son of Lilian Alda (née Ablett, b. 1927, Liverpool)^[9] and Ross MacManus (1927–2011), a musician and bandleader.^[10] He is of Irish heritage.^[11] Costello lived in Twickenham, attending Hounslow Secondary Modern School, which is now St Mark's Catholic Secondary School, in neighbouring Hounslow.^[12][13] With a musically inclined father (who was a jazz trumpeter and sang with The Joe Loss Orchestra),^[14] Costello's first broadcast recording was alongside his dad in a television commercial for R. White's Lemonade (I'm a Secret Lemonade Drinker). His father wrote and sang the song; Costello provided backing vocals. The advertisement won a silver award at the 1974 International Advertising Festival.

Costello moved with his Liverpool-born mother to Birkenhead in 1971. There, he formed his first band, a folk duo called Rusty, with Allan Mayes. After completing secondary school at St. Francis Xavier's College, he moved back to London where he next formed a band called Flip City,^[15] which had a style in the pub rock vein. They were active from 1974 through to early 1976. Around this time, Costello adopted the stage name D.P. Costello. His father had performed under the name Day Costello, and Elvis has said in interviews that he took this name as a tribute to his father.

To support himself, he worked at a number of office jobs, most famously at Elizabeth Arden – immortalised in the lyrics of "I'm Not Angry" as the "vanity factory" – where he worked as a data entry clerk. He worked for a short period as a computer operator at the Midland Bank computer centre in Bootle. He continued to write songs, and began actively looking for a solo recording contract. On the basis of a demo tape, he was signed to independent label Stiff Records. His manager at Stiff, Jake Riviera, suggested a name change, combining Elvis Presley's first name and Costello, his father's stage name.^[16]

Career[link]

1970s[link]

Costello's first single for Stiff was "Less Than Zero", released on 25 March 1977. Two months later, his debut album, My Aim Is True (1977), was released to moderate commercial success (No. 14 in the UK and, later, Top 40 in the US) with Costello appearing on the cover in what became his trademark oversize glasses, bearing some resemblance to Buddy Holly. Stiff's records were initially distributed only in the UK, which meant that Costello's first album and singles were initially available in the US as imports only. In an attempt to change this, Costello was arrested for busking outside a London convention of CBS Records executives, protesting that no US record company had yet seen fit to release his records in the United States.^[17] Costello signed to CBS's Columbia Records label in the US a few months later.

The backing for Costello's debut album was provided by American West Coast band Clover, a country outfit living in England whose members would later go on to join Huey Lewis and the News and The Doobie Brothers. Later in 1977, Costello formed his own permanent backing band, The Attractions, consisting of Steve Nieve (born Steve Nason; piano), Bruce Thomas (bass guitar), and Pete Thomas (drums; unrelated to Bruce Thomas). Growing antipathy between Costello and Bruce Thomas contributed to the Attractions' first split in 1986, and the rift was exacerbated by what Costello felt was his unflattering portrayal in Thomas' 1990 roman à clef The Big Wheel. Despite this, the original group reunited for the 1994 album Brutal Youth and toured together over the next two years, but split for good in 1996, although Nieve and Pete Thomas continued to back Costello through various touring and recording line-ups and as of 2011 are still members of his current backing group The Imposters. The split between Costello and Bruce Thomas appears permanent, however; Bruce made a brief appearance with his former bandmates when the group was inducted into the Rock & Roll Hall of Fame in 2003, but when Costello was asked why Bruce did not play with them at the event, he reportedly replied, "I only work with professional musicians."

Costello released his first major hit single, "Watching the Detectives", which was recorded with Nieve and the pair of Steve Goulding (drums) and Andrew Bodnar (bass), both members of Graham Parker's backing band The Rumour (whom he had used to audition for The Attractions).

Elvis Costello, in Massey Hall, Toronto, April 1979

On 17 December 1977, Costello and The Attractions appeared as the musical guest act on the episode of Saturday Night Live as a last minute fill-in for the Sex Pistols. Scheduled to play "Less Than Zero", he surprised the SNL crew by abruptly stopping the song mid-intro, and launching into "Radio Radio." Following a whirlwind tour with other Stiff artists – captured on the Live Stiffs album, notable for Costello's recording of the Burt Bacharach/Hal David standard "I Just Don't Know What to Do With Myself" – the band recorded This Year's Model (1978). Some of the more popular tracks include the British hit "(I Don't Want to Go To) Chelsea" and "Pump It Up." His U.S. record company saw Costello as such a priority that his last name replaced the word Columbia on the label of the disc's original pressing. The Attractions' first tour of Australia in December 1978 was notable for controversial performance at Sydney's Regent Theatre when, angered by the group's failure to perform an encore after their brief 35-minute set, audience members destroyed some of the seating.^[18]

A tour of the U.S. and Canada also saw the release of the much-bootlegged Canadian promo-only Live at the El Mocambo, recorded at a Toronto rock club, which finally saw an official release as part of the 2½ Years box set in 1993. It was during the ensuing United States tour that Costello met and developed a relationship with former Playboy model Bebe Buell. Their on-again-off-again courtship would last until 1984 and would allegedly become a deep well of inspiration for Costello's songwriting.

In 1979, he released his third LP Armed Forces (originally to have been titled Emotional Fascism, a phrase that appeared on the LP's inner sleeve). Both the album and the single "Oliver's Army" went to No. 2 in the UK, and the opening track "Accidents Will Happen" gained wide television exposure thanks to its innovative animated music video, directed by Annabel Jankel and Rocky Morton. Costello also found time in 1979 to produce the debut album for the 2 Tone ska revival band The Specials.

Costello's standing in the U.S. was bruised for a time when in March 1979, during a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio Holiday Inn bar, the singer referred to James Brown as a "jive-ass nigger", then upped the ante by pronouncing Ray Charles a "blind, ignorant, nigger".^[19][20] Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious in order to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press. According to Costello, "it became necessary for me to outrage these people with about the most obnoxious and offensive remarks that I could muster." In his liner notes for the expanded version of Get Happy!!, Costello writes that some time after the incident he had declined an offer to meet Charles out of guilt and embarrassment, though Charles himself had forgiven Costello saying "Drunken talk isn't meant to be printed in the paper." Costello worked extensively in Britain's Rock Against Racism campaign both before and after the incident. The incident inspired his Get Happy!! song "Riot Act."^[21]

Costello is also an avid country music fan and has cited George Jones as his favourite country singer. In 1977, he appeared in Jones' duet album My Very Special Guests, contributing "Stranger in the House", which they later performed together on an HBO special dedicated to Jones.

1980s[link]

The soul-infused Get Happy!! would be the first, and—along with King of America–possibly most successful, of Costello's many experiments with genres beyond those he is normally associated with. The single, "I Can't Stand Up for Falling Down" was an old Sam and Dave song (though Costello increased the tempo considerably). Lyrically, the songs are full of Costello's signature word play, to the point that he later felt he had become something of a self-parody and toned it down on later releases; he has mockingly described himself in interviews as "rock and roll's Scrabble champion." His only 1980 appearance in North America was at the Heatwave festival in August near Toronto.

In 1981, the band released Trust amidst growing tensions within the band, particularly between Bruce and Pete Thomas. In the U.S., the single "Watch Your Step" was released and played live on Tom Snyder's Tomorrow show, and received airplay on FM rock radio. In the UK, the single "Clubland" scraped the lower reaches of the charts; follow-up single "From a Whisper to a Scream" (a duet with Glenn Tilbrook of Squeeze) became the first Costello single in over four years to completely miss the charts. Costello also co-produced Squeeze's popular 1981 album East Side Story (with Roger Bechirian) and also performed backing vocals on the group's hit single "Tempted".

Following Trust, Costello released Almost Blue, an album of country music cover songs written by the likes of Hank Williams ("Why Don't You Love Me (Like You Used to Do?)"), Merle Haggard ("Tonight the Bottle Let Me Down") and Gram Parsons ("How Much I Lied"). The album was a tribute to the country music he had grown up listening to, especially George Jones. It received mixed reviews. The first pressings of the record in the UK bore a sticker with the message: "WARNING: This album contains country & western music and may cause a radical reaction in narrow minded listeners." Almost Blue did spawn a surprise UK hit single in a version of George Jones' "Good Year for the Roses" (written by Jerry Chesnut), which reached #6.

Imperial Bedroom (1982) marked a much darker sound, due in part to the production of Geoff Emerick, famed for engineering several Beatles records. Imperial Bedroom remains one of his most critically acclaimed records, but again failed to produce any hit singles. Costello has said he disliked the marketing pitch for the album. The album also featured Costello's song "Almost Blue"; jazz singer and trumpeter Chet Baker would later perform and record a version of this song.

In 1983, he released Punch the Clock, featuring female backing vocal duo (Afrodiziak) and a four-piece horn section (The TKO Horns), alongside The Attractions. Clive Langer (who co-produced with Alan Winstanley), provided Costello with a melody which eventually became "Shipbuilding", which featured a trumpet solo by Chet Baker. Prior to the release of Costello's own version, a version of the song was a minor UK hit for former Soft Machine drummer Robert Wyatt.

Under the pseudonym The Imposter, Costello released "Pills and Soap", an attack on the changes in British society brought on by Thatcherism, released to coincide with the run-up to the 1983 UK general election. Punch the Clock also generated an international hit in the single "Everyday I Write the Book", aided by a music video featuring lookalikes of the Prince and Princess of Wales undergoing domestic strife in a suburban home. The song became Costello's first Top 40 hit single in the U.S. Also in the same year, Costello provided vocals on a version of the Madness song "Tomorrow's Just Another Day" released as a B-side on the single of the same name.

Tensions within the band—notably between Costello and bassist Bruce Thomas—were beginning to tell, and Costello announced his retirement and the break-up of the group shortly before they were to record Goodbye Cruel World (1984). Costello would later say of this record that they had "got it as wrong as you can in terms of the execution". The record was poorly received upon its initial release; the liner notes to the 1995 Rykodisc re-release, penned by Costello, begin with the words "Congratulations!, you've just purchased our worst album". Costello's retirement, although short-lived, was accompanied by two compilations, Elvis Costello: The Man in the UK, Europe and Australia, and The Best of Elvis Costello & The Attractions in the U.S.

In 1985, he appeared in the Live Aid benefit concert in England, singing the Beatles' "All You Need Is Love" as a solo artist. (The event was overrunning and Costello was asked to "ditch the band".) Costello introduced the song as an "old northern English folk song", and the audience was invited to sing the chorus. In the same year Costello teamed up with friend T-Bone Burnett for the single "The People's Limousine" under the moniker of The Coward Brothers. That year, Costello also produced Rum Sodomy & the Lash for the Irish punk/folk band The Pogues.

By 1986, Costello was preparing to make a comeback. Working in the U.S. with Burnett, a band containing a number of Elvis Presley's sidemen (including James Burton and Jerry Scheff), and minor input from the Attractions, he produced King of America, an acoustic guitar-driven album with a country sound. It was billed as by "The Costello Show featuring the Attractions and Confederates" in the UK and Europe and "The Costello Show featuring Elvis Costello" in North America. Around this time he legally changed his name back to Declan MacManus, adding Aloysius as an extra middle name. Costello retooled his upcoming tour to allow for multiple nights in each city, playing one night with The Confederates (James Burton et al.), one night with The Attractions, and one night solo acoustic. In May 1986, Costello performed at Self Aid, a benefit concert held in Dublin that focused on the chronic unemployment which was widespread in Ireland at that time.

Later that year, Costello returned to the studio with the Attractions and recorded Blood and Chocolate, which was lauded for a post-punk fervour not heard since 1978's This Year's Model. It also marked the return of producer Nick Lowe, who had produced Costello's first five albums. While Blood and Chocolate failed to chart a hit single of any significance, it did produce what has since become one of Costello's signature concert songs, "I Want You." On this album, Costello adopted the alias Napoleon Dynamite, the name he later attributed to the character of the emcee that he played during the vaudeville-style tour to support Blood and Chocolate. (The pseudonym had previously been used in 1982, when the B-side single "Imperial Bedroom" was credited to Napoleon Dynamite & The Royal Guard, and was later appropriated by the 2004 film Napoleon Dynamite). In 1989, Costello, with a new contract with Warner Bros., released Spike, which spawned his biggest single in America, the Top 20 hit "Veronica", one of several songs Costello co-wrote with Paul McCartney in that period (see Collaborations).

1990s[link]

In 1991, having grown a long beard, Costello released Mighty Like a Rose, which featured the single "The Other Side of Summer." He also found time to co-compose and co-produce, with Richard Harvey, the title and incidental music for the mini-series G.B.H. by Alan Bleasdale. This entirely instrumental, and largely orchestral, soundtrack garnered a BAFTA, for Best Music for a TV Series for the pair.

In 1993, Costello experimented with classical music with a critically acclaimed collaboration with the Brodsky Quartet^[22][23] on The Juliet Letters. During this period, Costello wrote a full album's worth of material for Wendy James, and these songs became the tracks on her 1993 solo album Now Ain't the Time for Your Tears. Costello returned to rock and roll the following year with a project that reunited him with The Attractions, Brutal Youth. In 1995, Costello released Kojak Variety, an album of cover songs recorded five years earlier, and followed in 1996 with an album of songs originally written for other artists, All This Useless Beauty. This was the final album of original material that he issued under his Warner Bros. contract. In the spring of 1996, Costello played a series of intimate club dates, backed only by Nieve on the piano, in support of All This Useless Beauty. An ensuing summer and fall tour with the Attractions proved to be the death knell for the band. With relations between Costello and bassist Bruce Thomas at a breaking point, Costello announced that the current tour would be the Attractions' last. The quartet performed their final U.S. show in Seattle, Washington on 1 September 1996, before wrapping up their tour in Japan. To fulfill his contractual obligations to Warner Bros., Costello released a greatest hits album titled Extreme Honey (1997). It contained an original track titled "The Bridge I Burned", featuring Costello's son, Matt, on bass. In the intervening period, Costello had served as artistic chair for the 1995 Meltdown Festival, which gave him the opportunity to explore his increasingly eclectic musical interests. His involvement in the festival yielded a one-off live EP with jazz guitarist Bill Frisell, which featured both cover material and a few of his own songs.

In 1998, Costello signed a multi-label contract with Polygram Records, sold by its parent company the same year to become part of the Universal Music Group. Costello released his new work on what he deemed the suitable imprimatur within the family of labels. His first new release as part of this contract involved a collaboration with Burt Bacharach. Their work had commenced earlier, in 1996, on a song called "God Give Me Strength" for the movie Grace of My Heart. This led the pair to write and record the critically acclaimed album Painted From Memory, released under his new contract in 1998, on the Mercury Records label, featuring songs that were largely inspired by the dissolution of his marriage to Cait O'Riordan. Costello and Bacharach performed several concerts with a full orchestral backing, and also recorded an updated version of Bacharach's "I'll Never Fall in Love Again" for the soundtrack to Austin Powers: The Spy Who Shagged Me, with both appearing in the film to perform the song. He also wrote "I Throw My Toys Around" for The Rugrats Movie and performed it with No Doubt. The same year, he collaborated with Paddy Moloney of The Chieftains on "The Long Journey Home" on the soundtrack of the PBS/Disney mini-series of the same name. The soundtrack won a Grammy that year.

In 1999, Costello contributed a version of "She", released in 1974 by Charles Aznavour and Herbert Kretzmer, for the soundtrack of the film Notting Hill, with Trevor Jones producing. For the 25th anniversary of Saturday Night Live, Costello was invited to the program, where he re-enacted his abrupt song-switch: This time, however, he interrupted the Beastie Boys' "Sabotage", and they acted as his backing group for "Radio Radio".

2000 to present[link]

Costello performing at Glastonbury, 2005

In 2000, Costello appeared at the Town Hall Theatre, New York, in Steve Nieve's opera Welcome to the Voice, alongside Ron Sexsmith and John Flansburgh of They Might Be Giants. In 2001, Costello was artist-in-residence at UCLA and wrote the music for a new ballet. He produced and appeared on an album of pop songs for the classical singer Anne Sofie von Otter. He released the album When I Was Cruel in 2002 on Island Records, and toured with a new band, the Imposters (essentially the Attractions but with a different bass player, Davey Faragher, formerly of Cracker). He appeared as himself in the "How I Spent My Strummer Vacation" episode of The Simpsons. On 23 February 2003, Costello, along with Bruce Springsteen, Steve Van Zandt, and Dave Grohl, performed a version of The Clash's "London Calling" at the 45th Grammy Awards ceremony, in honour of Clash frontman Joe Strummer, who had died the previous December. In March, Elvis Costello & the Attractions were inducted into the Rock and Roll Hall of Fame. He announced his engagement in May to Canadian jazz singer and pianist Diana Krall, whom he had seen in concert and then met backstage at the Sydney Opera House in Australia. That September, he released North, an album of piano-based ballads concerning the breakdown of his former marriage, and his falling in love with Krall. Also that year, Costello made an appearance in the television series Frasier as a folk singer in the Cafe Nervosa, sending Frasier and Niles on a search for a new coffee bar.^[24][25]

The song "Scarlet Tide" (co-written by Costello and T-Bone Burnett and used in the film Cold Mountain) was nominated for a 2004 Academy Award; he performed it at the awards ceremony with Alison Krauss, who sang the song on the official soundtrack. Costello co-wrote many songs on Krall's 2004 CD, The Girl in the Other Room, the first of hers to feature several original compositions. In July 2004, Costello's first full-scale orchestral work, Il Sogno, was performed in New York. The work, a ballet after Shakespeare's A Midsummer Night's Dream, was commissioned by Italian dance troupe Aterballeto, and received critical acclaim from the classical music critics. Performed by the London Symphony Orchestra, conducted by Michael Tilson Thomas, the recording was released on CD in September by Deutsche Grammophon. Costello released the album The Delivery Man, recorded in Oxford, Mississippi, and released on Lost Highway Records, in September of the same year, and it was hailed as one of his best albums.

Costello's hand prints on the European Walk of Fame, Rotterdam.

A CD recording of a collaboration with Marian McPartland on her show Piano Jazz was released in 2005. It featured Costello singing six jazz standards and two of his own songs, accompanied by McPartland on piano. In November, Costello started recording a new album with Allen Toussaint and producer Joe Henry. The River in Reverse was released in the UK on the Verve label the following year in May.

A 2005 tour included a gig at Glastonbury that Costello considered to be so dreadful that he said "I don't care if I ever play England again. That gig made up my mind I wouldn't come back. I don't get along with it. We lost touch. It's 25 years since I lived there. I don't dig it, they don't dig me....British music fans don't have the same attitude to age as they do in America, where young people come to check out, say Willie Nelson. They feel some connection with him and find a role for that music in their lives."^[26]

In a studio recording of Nieve's opera Welcome to the Voice (2006, Deutsche Grammophon), Costello interpreted the character of Chief of Police, with Barbara Bonney, Robert Wyatt, Sting and Amanda Roocroft, and the album reached No. 2 in the Billboard classical charts. Costello later reprised the piece on the stage of the Théâtre du Châtelet in Paris in 2008, with Sting, Joe Sumner of Fiction Plane (Sting's son) and Sylvia Schwartz. Also released in 2006 was a live recording of a concert with the Metropole Orkest at the North Sea Jazz Festival, entitled My Flame Burns Blue. The soundtrack for House M.D. featured Costello's interpretation of "Beautiful" by Christina Aguilera, with the song appearing in the second episode of Series 2.

Costello was commissioned to write a chamber opera by the Danish Royal Opera, Copenhagen, on the subject of Hans Christian Andersen's infatuation with Swedish soprano Jenny Lind. Called The Secret Songs it was unfinished.^[27] In a performance in 2007 directed by Kasper Bech Holten at the Opera's studio theatre (Takelloftet), finished songs were interspersed with pieces from Costello's 1993 collaborative classical album The Juliet Letters, featuring Danish soprano Sine Bundgaard as Lind. The 2009 album Secret, Profane & Sugarcane includes material from Secret Songs.

On 22 April 2008, Momofuku was released on Lost Highway Records, the same imprint that released The Delivery Man, his previous studio album. The album was, at least initially, released exclusively on vinyl (with a code to download a digital copy). That summer, in support of the album, Costello toured with The Police on the final leg of their 2007/2008 Reunion Tour. Costello played a homecoming gig at the Liverpool Philharmonic Hall on 25 June 2006.^[28] and, that month, gave his first performance in Poland, appearing with The Imposters for the closing gig of the Malta theatre festival in Poznań.

In July 2008, Costello (as Declan McManus) was awarded an honorary degree of Doctor of Music from the University of Liverpool.

From late 2008 into 2010, Costello hosted Channel 4/CTV's series Spectacle in which Costello talked and performed with stars in various fields, styled similarly to Inside the Actors Studio. Between its two seasons, the show compiled 20 episodes, including one where Costello was interviewed by actress Mary-Louise Parker.^[29]

Costello was featured on Fall Out Boy's 2008 album Folie à Deux, providing vocals on the track "What a Catch, Donnie", along with other artists who are friends with the band.

Costello appeared in Stephen Colbert's television special A Colbert Christmas: The Greatest Gift of All. In the program, he was eaten by a bear, but later saved by Santa Claus; he also sang a duet with Colbert. The special was first aired on 23 November 2008.^[30] Costello released Secret, Profane & Sugarcane, a collaboration with T-Bone Burnett, on 9 June 2009. Burnett previously worked with Costello on King of America and Spike.^[31] It was his first on the Starbucks Hear Music label and a return to country music in the manner of Good Year for the Roses.

Costello performing in tribute to music legends Chuck Berry and Leonard Cohen who were the recipients of the first annual PEN Awards for songwriting excellence, at the JFK Presidential Library, in Boston, Massachusetts on 26 February 2012.

Costello appeared as himself in the finale of the third season of 30 Rock and sang in the episode's celebrity telethon, Kidney Now!.^[32] The episode references Costello's given name when Jack Donaghy accuses him of concealing his true identity: "Declan McManus, international art thief."