Tennis

The US Open is a prestigious Grand Slam tournament.
Highest governing body	International Tennis Federation
First played	19th century (Birmingham, England)
Characteristics
Contact	No
Team members	Single or doubles
Mixed gender	Yes, separate tours + mixed doubles
Categorization	Racquet sport
Equipment	Tennis ball, tennis racquet
Venue	Indoor or outdoor tennis court
Olympic	Part of Summer Olympic programme from 1896 to 1924 Demonstrated in the 1968 and 1984 Summer Olympics Returned to the Summer Olympic programme in 1988 to today
Paralympic	Part of Summer Paralympic programme since 1992
Country or region	Worldwide

Tennis is a sport usually played between two players (singles) or between two teams of two players each (doubles). Each player uses a racket that is strung to strike a hollow rubber ball covered with felt over a net into the opponent's court. Object of the game is to play the ball in such a way that the opponent is not able to play a good return.^[1] Tennis is an Olympic sport and is played at all levels of society at all ages. The sport can be played by anyone who can hold a racket, including people in wheelchairs.

The modern game of tennis originated in Birmingham, England in the late 19th century as "lawn tennis" which has close connections to various field/lawn games as well as to the ancient game of real tennis. Up to then, "tennis" referred to the latter sport: for example, in Disraeli's novel Sybil (1845), Lord Eugene De Vere announces that he will "go down to Hampton Court and play tennis. As it is the Derby [classic horse race], nobody will be there".^[2] After its creation, lawn tennis spread throughout the upper-class English-speaking population before spreading around the world.^[3]

The rules of tennis have not changed much since the 1890s. Two exceptions are that from 1908 to 1961 the server had to keep one foot on the ground at all times, and the adoption of the tie-break in the 1970s. A recent addition to professional tennis has been the adoption of electronic review technology coupled with a point challenge system, which allows a player to challenge the line (or chair) umpire's call of a point. Players have unlimited opportunities to challenge provided the challenges made are correct. However, once three incorrect challenges are made in a set, they cannot challenge again until the next set. If the set goes to a tie-break, players are given one additional opportunity to challenge the call. This electronic review, currently called Hawk-Eye, is available at a limited number of high-level ATP and WTA tournaments.

Tennis is enjoyed by millions of recreational players and is also a hugely popular worldwide spectator sport, especially the four Grand Slam tournaments (also referred to as the "Majors"): the Australian Open played on hard courts, the French Open played on red clay courts, Wimbledon played on grass courts, and the US Open played also on hard courts.

History[link]

Augurio Perera's house in Edgbaston, Birmingham, where he and Harry Gem first played the modern game of lawn tennis

Predecessors[link]

While the modern game of tennis originated in late 19th century England, most historians believe that the games' ancient origin is from 12th century France, but the ball was then struck with the palm of the hand. Louis X of France was a keen player of jeu de paume, which evolved into real tennis, and became notable as the first person to construct indoor tennis courts in the modern style. Louis was unhappy with playing tennis out of doors and accordingly had indoor, enclosed courts made in Paris "around the end of the 13th century".^[4] In due course this design spread across royal palaces all over Europe.^[4] Unfortunately, in June 1316 at Vincennes, Val-de-Marne and following a particularly exhausting game, Louis drank a large quantity of cooled wine and subsequently died of either pneumonia or pleurisy, although there was also suspicion of poisoning.^[5] Because of the contemporary accounts of his death, Louis X is history's first tennis player known by name.^[5]

It was not until the 16th century that rackets came into use, and the game began to be called "tennis", from the Old French term Tenez, which can be translated as "hold!", "receive!" or "take!". An interjection used as a call from the server to his opponent.^[6] It was popular in England and France, although the game was only played indoors where the ball could be hit off the wall. Henry VIII of England was a big fan of this game, which is now known as real tennis.^[7] During the 18th century and early 19th century, as real tennis declined, new racquets sports emerged in England.^[8]

Origins of the modern game[link]

Between 1859 and 1865 Harry Gem and his friend Augurio Perera developed a game that combined elements of rackets and the Basque ball game pelota, which they played on Perera's croquet lawn in Birmingham, United Kingdom.^[9][10] In 1872, along with two local doctors, they founded the world's first tennis club in Leamington Spa.^[11]

In December 1873, Major Walter Clopton Wingfield designed and patented a similar game – which he called sphairistike (Greek: σφάίρίστική, from ancient Greek meaning "skill at playing at ball"), and was soon known simply as "sticky" — for the amusement of his guests at a garden party on his estate of Nantclwyd, in Llanelidan, Wales.^[12] Sport historians agree that Wingfield deserves much of the credit for the development of modern tennis.^[8][13] The world's oldest tennis tournament, the Wimbledon championships, were first played in London in 1877.^[14][15] The first Championships culminated a significant debate on how to standardize the rules.

Lawn tennis in the U.S., 1887

In America in 1874 Mary Ewing Outerbridge, a young socialite, returned from Bermuda where she met Major Wingfield. She laid out a tennis court at the Staten Island Cricket Club at Camp Washington, Tompkinsville, New York. The first American National championship was played there in September 1880. An Englishman named O.E Woodhouse won the singles title, and a silver cup worth $100, by defeating Canadian I.F. Hellmuth.^[16] There was also a doubles match which was won by a local pair. There were different rules at each club. The ball in Boston was larger than the one normally used in New York. On May 21, 1881, the United States National Lawn Tennis Association (now the United States Tennis Association) was formed to standardize the rules and organize competitions.^[17] The U.S. National Men's Singles Championship, now the US Open, was first held in 1881 at the Newport Casino, Newport, Rhode Island.^[18] The U.S. National Women's Singles Championships were first held in 1887 in Philadelphia.^[19]

Tennis was also popular in France, where the French Championships dates to 1891 although until 1925 it was open only to tennis players who were members of French clubs.^[20] Thus, Wimbledon, the US Open, the French Open, and the Australian Open (dating to 1905) became and have remained the most prestigious events in tennis.^[15][21] Together these four events are called the Majors or Slams (a term borrowed from bridge rather than baseball).^[22]

The comprehensive rules promulgated in 1924 by the International Lawn Tennis Federation, now known as the International Tennis Federation (ITF), have remained largely stable in the ensuing eighty years, the one major change being the addition of the tie-break system designed by James Van Alen.^[23] That same year, tennis withdrew from the Olympics after the 1924 Games but returned 60 years later as a 21-and-under demonstration event in 1984. This reinstatement was credited by the efforts by the then ITF President Philippe Chatrier, ITF General Secretary David Gray and ITF Vice President Pablo Llorens, and support from IOC President Juan Antonio Samaranch. The success of the event was overwhelming and the IOC decided to reintroduce tennis as a full medal sport at Seoul in 1988.^[24][25]

International Tennis Hall of Fame at the Newport Casino

The Davis Cup, an annual competition between men's national teams, dates to 1900.^[26] The analogous competition for women's national teams, the Fed Cup, was founded as the Federation Cup in 1963 to celebrate the 50th anniversary of the founding of the ITF.^[27]

In 1926, promoter C. C. Pyle established the first professional tennis tour with a group of American and French tennis players playing exhibition matches to paying audiences.^[21][28] The most notable of these early professionals were the American Vinnie Richards and the Frenchwoman Suzanne Lenglen.^[21][29] Once a player turned pro he or she could not compete in the major (amateur) tournaments. This resulted in a schism between the amateur and pro tennis ranks that would last until the advent of the Open Era.^[21]

In 1968, commercial pressures and rumors of some amateurs taking money under the table led to the abandonment of this distinction, inaugurating the open era, in which all players could compete in all tournaments, and top players were able to make their living from tennis. With the beginning of the open era, the establishment of an international professional tennis circuit, and revenues from the sale of television rights, tennis's popularity has spread worldwide, and the sport has shed its upper/middle-class English-speaking image^[30] (although it is acknowledged that this stereotype still exists).^[30][31]

In 1954, Van Alen founded the International Tennis Hall of Fame, a non-profit museum in Newport, Rhode Island.^[32] The building contains a large collection of tennis memorabilia as well as a hall of fame honoring prominent members and tennis players from all over the world. Each year, a grass-court tournament and an induction ceremony honoring new Hall of Fame members are hosted on its grounds.

Equipment[link]

Part of the appeal of tennis stems from the simplicity of equipment required for play. Beginners need only a racquet and balls.

Racquets[link]

A tennis racquet.

The components of a tennis racquet include a handle, known as the grip, connected to a neck which joins a roughly elliptical frame that holds a matrix of tightly pulled strings. For the first 100 years of the modern game, racquets were of wood and of standard size, and strings were of animal gut. Laminated wood construction yielded more strength in racquets used through most of the 20th century until first metal and then composites of carbon graphite, ceramics, and lighter metals such as titanium were introduced. These stronger materials enabled the production of oversized rackets that yielded yet more power. Meanwhile technology led to the use of synthetic strings that match the feel of gut yet with added durability.

Under modern rules of tennis, the racquet must adhere to the following guidelines;^[33]

• The hitting area, composed of the strings, must be flat and generally uniform.
• The frame of the hitting area may not be more than 29 inches in length and 12.5 inches in width.
• The entire racquet must be of a fixed shape, size, weight, and weight distribution. There may not be any energy source built into the racquet.
• The racquet must not provide any kind of communication, instruction or advice to the player during the match.

The rules regarding racquets have changed over time, as material and engineering advances have been made. For example, the maximum length of the frame had been 32 inches until 1997, when it was shortened to 29 inches.^[34]

Balls[link]

A Penn tennis ball.

Tennis balls are of hollow rubber with a felt coating. Traditionally white, the predominant color was gradually changed to Optic Yellow in the latter part of the 20th century to allow for improved visibility. Tennis balls must conform to certain criteria for size, weight, deformation, and bounce criteria to be approved for regulation play. The International Tennis Federation (ITF) defines the official diameter as 65.41-68.58 mm (2.575-2.700 inches). Balls must weigh between 56.0 g and 59.4 g (1.975-2.095 ounces).^[35]

Miscellaneous[link]

Advanced players improve their performance through a number of accoutrements. Vibration dampers may be interlaced in the proximal part of the string array for improved feel. Racket handles may be customized with absorbent or rubber-like materials to improve the players' grip. Players often use sweat bands on their wrists to keep their hands dry as well. Finally, although the game can be played in a variety of shoes, specialized tennis shoes have wide, flat soles for stability and a built-up front structure to avoid excess wear.

Manner of play[link]

The dimensions of a tennis court

Two players before a serve

For individual terms see: Glossary of tennis

Court[link]

Tennis is played on a rectangular, flat surface, usually grass, clay, a hardcourt of concrete and/or asphalt and occasionally carpet (indoor). The court is 78 feet (23.77 m) long, and 27 feet (8.23 m) wide for singles matches and 36 ft (10.97 m) for doubles matches.^[36] Additional clear space around the court is required in order for players to reach overrun balls. A net is stretched across the full width of the court, parallel with the baselines, dividing it into two equal ends. The net is 3 feet 6 inches (1.07 m) high at the posts and 3 feet (91.4 cm) high in the center.^[36]

The modern tennis court owes its design to Major Walter Clopton Wingfield who, in 1873, patented a court much the same as the current one for his stické tennis (sphairistike). This template was modified in 1875 to the court design that exists today, with markings similar to Wingfield's version, but with the hourglass shape of his court changed to a rectangle.^[37]

Lines[link]

The lines that delineate the width of the court are called the baseline (farthest back) and the service line (middle of the court). The short mark in the center of each baseline is referred to as either the hash mark or the center mark. The outermost lines that make up the length are called the doubles sidelines. These are the boundaries used when doubles is being played. The lines to the inside of the doubles sidelines are the singles sidelines and are used as boundaries in singles play. The area between a doubles sideline and the nearest singles sideline is called the doubles alley, which is considered playable in doubles play. The line that runs across the center of a player's side of the court is called the service line because the serve must be delivered into the area between the service line and the net on the receiving side. Despite its name, this is not where a player legally stands when making a serve.^[38] The line dividing the service line in two is called the center line or center service line. The boxes this center line creates are called the service boxes; depending on a player's position, he or she will have to hit the ball into one of these when serving.^[39] A ball is out only if none of it has hit the line or the area inside the lines upon its first bounce. All the lines are required to be between 1 and 2 inches (51 mm) in width. The baseline can be up to 4 inches (100 mm) wide.^[38]

Play of a single point[link]

The players (or teams) start on opposite sides of the net. One player is designated the server, and the opposing player is the receiver. The choice to be server or receiver in the first game and the choice of ends is decided by a toss before the warm-up starts. Service alternates game by game between the two players (or teams.) For each point, the server starts behind their baseline, between the center mark and the sideline. The receiver may start anywhere on their side of the net. When the receiver is ready, the server will serve, although the receiver must play to the pace of the server.

In a legal service, the ball travels over the net (without touching it) and into the diagonally opposite service box. If the ball hits the net but lands in the service box, this is a let or net service, which is void, and the server gets to retake that serve. The player can serve any number of let services in a point and they are always treated as voids and not as faults. A fault is a serve that falls long or wide of the service box, or does not clear the net. There is also a "foot fault", which occurs when a player's foot touches the baseline or an extension of the center mark before the ball is hit. If the second service is also a fault, the server double faults, and the receiver wins the point. However, if the serve is in, it is considered a legal service.

A legal service starts a rally, in which the players alternate hitting the ball across the net. A legal return consists of the player or team hitting the ball before it has bounced twice or hit any fixtures except the net, provided that it still falls in the server's court. A player or team cannot hit the ball twice in a row. The ball must travel past the net into the other players' court. A ball that hits the net during a rally is still considered a legal return. The first player or team to fail to make a legal return loses the point. The server then moves to the other side of the service line at the start of a new point.^[40]

Scoring[link]

Match

The outcome of a tennis match is determined through a best of three or five sets system. Recreational players may agree to play any number of sets, depending upon time availability or stamina. On the professional circuit, men play best-of-five-set matches at all four Grand Slam tournaments, Davis Cup, and the final of the Olympic Games and best-of-three-set matches at all other tournaments, while women play best-of-three-set matches at all tournaments. For men, the first player to win three sets wins the match, and for women, the first player to win two sets wins the match.^[41] A set consists of games, and games, in turn, consist of points.

Game

A game consists of a sequence of points played with the same player serving. A game is won by the first player to have won at least four points in total and at least two points more than the opponent. The running score of each game is described in a manner peculiar to tennis: scores from zero to three points are described as "love", "fifteen", "thirty", and "forty" respectively. If at least three points have been scored by each player, making the player's scores equal at forty apiece, the score is not called out as "forty-forty", but rather as "deuce". If at least three points have been scored by each side and a player has one more point than his opponent, the score of the game is "advantage" for the player in the lead. During informal games, "advantage" can also be called "ad in" when the serving player is ahead, or "ad out" when the receiving player is ahead.

The scoreboard of a match between Roddick and Saulnier.

The score of a tennis match during play is always read with the serving player's score first. In tournament play, the chair umpire calls the point count (e.g., "fifteen-love") after each point. At the end of a game, the chair umpire also announces the winner of the game and the overall score.

Game point

A game point occurs in tennis whenever the player who is in the lead in the game needs only one more point to win the game. The terminology is extended to sets (set point), matches (match point), and even championships (championship point). For example, if the player who is serving has a score of 40-love, the player has a triple game point (triple set point, etc.) as the player has three consecutive chances to win the game. Game points, set points, and match points are not part of official scoring and are not announced by the chair umpire in tournament play.

Break point

A break point occurs if the receiver, not the server, has a chance to win the game with the next point. Break points are of particular importance because serving is generally considered advantageous, with the server being expected to win games in which they are serving. A receiver who has one (score of 30–40), two (score of 15–40) or three (score of love-40) consecutive chances to win the game has break point, double break point or triple break point, respectively. If the receiver does, in fact, win their break point, the game is awarded to the receiver, and the receiver is said to have converted their break point. If the receiver fails to win their break point it is called a failure to convert. Winning break points, and thus the game, is also referred to as breaking serve, as the receiver has disrupted, or broken the natural advantage of the server. If in the following game the previous server also wins a break point, it is often referred to as breaking back.

Set

A set consists of a sequence of games played with service alternating between games, ending when the count of games won meets certain criteria. Typically, a player wins a set by winning at least six games and at least two games more than the opponent. If one player has won six games and the opponent five, an additional game is played. If the leading player wins that game, the player wins the set 7–5. If the trailing player wins the game, a tie-break is played. A tie-break, played under a separate set of rules, allows one player to win one more game and thus the set, to give a final set score of 7–6. Only in the final sets of matches at the Australian Open, the French Open, Wimbledon, the Olympic Games, Davis Cup, and Fed Cup are tie-breaks not played. In these cases, sets are played indefinitely until one player has a two-game lead. A "love" set means that the loser of the set won zero games, colloquially termed a 'bagel'.^[42] In tournament play, the chair umpire announces the winner of the set and the overall score.

In tournament play, the chair umpire announces the end of the match with the well-known phrase "Game, set, match" followed by the winning person's or team's name. The final score in sets is always read with the winning player's score first, even if the winning player loses set(s) during the match.

As an example of a score report, consider a womens' tennis match between Ana Ivanovic and Maria Sharapova. Ana Ivanovic wins the first set 6–4, but loses the second set 5–7 and wins the third set 6–0. Such a result would be written as:

Ana Ivanovic defeated Maria Sharapova, 6–4, 5–7, 6–0.

And said:

Ana Ivanovic (of Serbia) defeated Maria Sharapova (of Russia), six-four, five-seven, six-love.

Rule variations[link]

• No ad

From 'No advantage'. Scoring method created by Jimmy Van Alen. The first player or doubles team to win four points wins the game, regardless of whether the player or team is ahead by two points. When the game score reaches three points each, the receiver chooses which side of the court (advantage court or deuce court) the service is to be delivered on the seventh and game-deciding point. Utilized by World Team Tennis professional competition and ITF Junior Doubles.^[43][44]

• Pro set

Instead of playing multiple sets, players may play one "pro set". A pro set is first to 8 (or 10) games by a margin of two games, instead of first to 6 games. A 12-point tie-break is usually played when the score is 8–8 (or 10–10). These are often played with no-ad scoring.

• Match tie-break

This is sometimes played instead of a third set. This is played like a regular tie-break, but the winner must win ten points instead of seven. Match tie-breaks are used in the Hopman Cup for mixed doubles, on the ATP and WTA tours for doubles and as a player's choice in USTA league play.

Another, however informal, tennis format is called Canadian doubles. This involves three players, with one person playing a doubles team. The single player gets to utilize the alleys normally reserved only for a doubles team. Conversely, the doubles team does not use the alleys when executing a shot. The scoring is the same as a regular game. This format is not sanctioned by any official body.

"Australian doubles", another informal and unsanctioned form of tennis, is played with similar rules to the Canadian doubles style, only in this version, players rotate court position after each game. As such, each player plays doubles and singles over the course of a match, with the singles player always serving. Scoring styles vary, but one popular method is to assign a value of 2 points to each game, with the server taking both points if he or she holds serve and the doubles team each taking one if they break serve.

Wheelchair tennis can be played by able-bodied players as well as people who require a wheelchair for mobility. An extra bounce is permitted. This rule makes it possible to have mixed wheelchair and able-bodied matches. It is possible for a doubles team to consist of a wheelchair player and an able-bodied player (referred to as "one-up, one-down"), or for a wheelchair player to play against an able-bodied player. In such cases, the extra bounce is permitted for the wheelchair users only.

Surface[link]

There are five types of court surface used in professional play. Each surface is different in the speed and height of the bounce of the ball. The same surface plays faster indoors than outdoors.

• Clay

Examples are red clay, used at the French Open, and green clay (an example of which is Har-Tru and used mainly in the U.S.). Almost all red clay courts are made not of natural clay but of crushed brick that is packed to make the court. The crushed brick is then covered with a topping of other crushed particles. This type of surface does not absorb water easily and is the most common in Europe and Latin America. Clay courts normally have a slower paced ball and a fairly true bounce with more spin.

• Hard

Examples of hardcourts are acrylic (e.g. Plexicushion used at the Australian Open, DecoTurf used at the US Open), asphalt, and concrete. Hardcourts typically have a faster-paced ball with a very true bounce and it is the predominant surface type used on the professional tour.

• Grass

Grass courts usually have a faster-paced ball, and a more erratic bounce. Grass is used at Wimbledon and until 1974 three of the four Grand Slams (Australian Open, Wimbledon, US Open) were played on grass. In 2001 Wimbledon changed the type of grass to make the courts more durable and thus better able to withstand the wear of the modern game. The new grass causes the ball to bounce higher and slows it down compared to the previous grass type.^[45][46]

• Carpet

Any form of removable court covering, including carpeting and artificial turf. The bounce can be higher or lower than a hard court. Carpet surface has not been used on the ATP and WTA tour since 2009.

• Wood

Popular from the 1880s through the first half of the 20th century, wooden surface provides a very low bounce and plays very fast. There are no longer any professional tournaments held on a wooden surface although some tournaments (e.g. Rotterdam Open and Open Sud de France), are played on a wood-based court with an acrylic layer on top.

Officials[link]

An umpire informing two players of the rules

In most professional play and some amateur competition, there is an officiating head judge or chair umpire (usually referred to as the umpire), who sits in a raised chair to one side of the court. The umpire has absolute authority to make factual determinations. The umpire may be assisted by line judges, who determine whether the ball has landed within the required part of the court and who also call foot faults. There also may be a net judge who determines whether the ball has touched the net during service. The umpire has the right to overrule a line judge or a net judge if the umpire is sure that a clear mistake has been made.^[47]

In some tournaments, line judges who would be calling the serve, were assisted by electronic sensors that beeped to indicate the serve was out. This system was called "Cyclops".^[48] Cyclops has since largely been replaced by the Hawk-Eye system.^[49][50] In professional tournaments using this system, players are allowed three unsuccessful appeals per set, plus one additional appeal in the tie-break to challenge close line calls by means of an electronic review. The US Open, Miami Masters, US Open Series, and World Team Tennis started using this challenge system in 2006 and the Australian Open and Wimbledon introduced the system in 2007. In clay-court matches, such as at the French Open, a call may be questioned by reference to the mark left by the ball's impact on the court surface.

The referee, who is usually located off the court, is the final authority about tennis rules. When called to the court by a player or team captain, the referee may overrule the umpire's decision if the tennis rules were violated (question of law) but may not change the umpire's decision on a question of fact. If, however, the referee is on the court during play, the referee may overrule the umpire's decision (This would only happen in Davis Cup or Fed Cup matches, not at the World Group level, when a chair umpire from a non-neutral country is in the chair).^[47]

Ball boys and girls may be employed to retrieve balls, pass them to the players, and hand players their towels. They have no adjudicative role. In rare events (e.g., if they are hurt or if they have caused a hindrance), the umpire may ask them for a statement of what actually happened. The umpire may consider their statements when making a decision. In some leagues, especially junior leagues, players make their own calls, trusting each other to be honest. This is the case for many school and university level matches. The referee or referee's assistant, however, can be called on court at a player's request, and the referee or assistant may change a player's call. In unofficiated matches, a ball is out only if the player entitled to make the call is sure that the ball is out.

Junior tennis[link]

In tennis, a junior is a player 18 and under who is still legally protected by a parent or guardian. Players on the main adult tour who are under 18 must have documents signed by a parent or guardian. These players, however, are still eligible to play in junior tournaments.

The International Tennis Federation (ITF) conducts a junior tour that allows juniors to establish a world ranking and an Association of Tennis Professionals (ATP) or Women's Tennis Association (WTA) ranking. Most juniors who enter the international circuit do so by progressing through ITF, Satellite, Future, and Challenger tournaments before entering the main circuit. The latter three circuits also have adults competing in them. Some juniors, however, such as Australian Lleyton Hewitt and Frenchman Gaël Monfils, have catapulted directly from the junior tour to the ATP tour by dominating the junior scene or by taking advantage of opportunities given to them to participate in professional tournaments.

In 2004, the ITF implemented a new rankings scheme to encourage greater participation in doubles, by combining two rankings (singles and doubles) into one combined tally.^[51] Junior tournaments do not offer prize money except for the Grand Slam tournaments, which are the most prestigious junior events. Juniors may earn income from tennis by participating in the Future, Satellite, or Challenger tours. Tournaments are broken up into different tiers offering different amounts of ranking points, culminating with Grade A.

Leading juniors are allowed to participate for their nation in the Junior Fed Cup and Davis Cup competitions. To succeed in tennis often means having to begin playing at a young age. To facilitate and nurture a junior's growth in tennis, almost all tennis playing nations have developed a junior development system. Juniors develop their play through a range of tournaments on all surfaces, accommodating all different standards of play. Talented juniors may also receive sponsorships from governing bodies or private institutions.

Match play[link]

Convention dictates that two players shake hands at the end of a match

A tennis match is intended to be continuous.^[52] Because stamina is a relevant factor, arbitrary delays are not permitted. In most cases, service is required to occur no more than 20 seconds after the end of the previous point.^[52] This is increased to 90 seconds when the players change ends (after every odd-numbered game), and a 2 minute break is permitted between sets.^[52] Other than this, breaks are permitted only when forced by events beyond the players' control, such as rain, damaged footwear, damaged racquet, or the need to retrieve an errant ball. Should a player be determined to be stalling repeatedly, the chair umpire may initially give a warning followed by subsequent penalties of "point", "game", and default of the match for the player who is consistently taking longer than the allowed time limit.^[53]

In the event of a rain delay, darkness or other external conditions halting play, the match is resumed at a later time, with the same score as at the time of the delay, and the players at the same end of the court when rain halted play, or at the same position (north or south) if play is resumed on a different court.

Balls wear out quickly in serious play and, therefore, in ATP and WTA tournaments, they are changed after every nine games with the first change occurring after only seven games, because the first set of balls is also used for the pre-match warm-up.^[35] As a courtesy to the receiver, the server will often signal to the receiver before the first serve of the game in which new balls are used as a reminder that they are using new balls. However, in ITF tournaments like Fed Cup, the balls are changed in a 9–11 style. Continuity of the balls' condition is considered part of the game, so if a re-warm-up is required after an extended break in play (usually due to rain), then the re-warm-up is done using a separate set of balls, and use of the match balls is resumed only when play resumes.

A recent rule change is to allow coaching on court on a limited basis during a match.^{[54][55][56][57]} This has been introduced in women's tennis for WTA Tour events in 2009 and allows the player to request her coach once per set.^[58]

Tim Henman preparing to hit a serve. The left arm is extended, having just launched the ball into the air. The right arm will be raised up and forward at speed so that the racquet connects with the ball

Roger Federer preparing to hit a forehand. He is "loading" his body weight on his back (right) foot and coiling his shoulders with the help of his left hand. From this position, he will "uncoil" his body beginning with his legs, progressing to his hips and then on to his arms. This is how the "modern" forehand, utilizing the open stance, is executed.

Rafael Nadal performing a backhand volley

Justine Henin performing a backhand volley

Shots[link]

A competent tennis player has eight basic shots in his or her repertoire: the serve, forehand, backhand, volley, half-volley, overhead smash, drop shot, and lob.

Grip[link]

A grip is a way of holding the racquet in order to hit shots during a match. The grip affects the angle of the racquet face when it hits the ball and influences the pace, spin, and placement of the shot. Players use various grips during play, including the Continental (The "Handshake Grip"), Eastern (Can be either semi-eastern or full eastern. Usually used for backhands.), and Western (semi-western or full western, usually for forehand grips) grips. Most players change grips during a match depending on what shot they are hitting; for example, slice shots and serves call for a Continental grip.^[59]

Serve[link]

A serve (or, more formally, a "service") in tennis is a shot to start a point. The serve is initiated by tossing the ball into the air and hitting it (usually near the apex of its trajectory) into the diagonally opposite service box without touching the net. The serve may be hit under- or overhand although underhand serving remains a rarity.^[60] If the ball hits the net on the first serve and bounces over into the correct diagonal box then it is called a "let" and the server gets two more additional serves to get it in. If the server misses his or her first serve and gets a let on the second serve, then they get one more try to get the serve in the box.

Experienced players strive to master the conventional overhand serve to maximize its power and placement. The server may employ different types of serve including flat serve, topspin serve, slice serve, and kick (American twist) serve. A reverse type of spin serve is hit in a manner that spins the ball opposite the natural spin of the server, the spin direction depending upon right- or left-handedness. If the ball is spinning counterclockwise, it will curve right from the hitter's point of view and curve left if spinning clockwise.^[61]

Some servers are content to use the serve simply to initiate the point; however, advanced players often try to hit a winning shot with their serve. A winning serve that is not touched by the opponent is called an "ace".

Forehand[link]

For a right-handed player, the forehand is a stroke that begins on the right side of the body, continues across the body as contact is made with the ball, and ends on the left side of the body. There are various grips for executing the forehand, and their popularity has fluctuated over the years. The most important ones are the continental, the eastern, the semi-western, and the western. For a number of years, the small, frail 1920s player Bill Johnston was considered by many to have had the best forehand of all time, a stroke that he hit shoulder-high using a western grip. Few top players used the western grip after the 1920s, but in the latter part of the 20th century, as shot-making techniques and equipment changed radically, the western forehand made a strong comeback and is now used by many modern players. No matter which grip is used, most forehands are generally executed with one hand holding the racquet, but there have been fine players with two-handed forehands. In the 1940s and 50s, the Ecuadorian/American player Pancho Segura used a two-handed forehand to achieve a devastating effect against larger, more powerful players. Players such as Monica Seles or France's Fabrice Santoro and Marion Bartoli are also notable players known for their two-handed forehands.^[62]

Backhand[link]

For right-handed players, the backhand is a stroke that begins on the left side of their body, continues across their body as contact is made with the ball, and ends on the right side of their body. It can be executed with either one hand or with both and is generally considered more difficult to master than the forehand. For most of the 20th century, the backhand was performed with one hand, using either an eastern or a continental grip. The first notable players to use two hands were the 1930s Australians Vivian McGrath and John Bromwich, but they were lonely exceptions. The two-handed grip gained popularity in the 1970s as Björn Borg, Chris Evert, Jimmy Connors, and later Mats Wilander and Marat Safin used it to great effect, and it is now used by a large number of the world's best players, including Rafael Nadal and Serena Williams.^[63] Two hands give the player more control, while one hand can generate a slice shot, applying backspin on the ball to produce a low trajectory bounce. Reach is also limited with the two-handed shot. The player long considered to have had the best backhand of all time, Don Budge, had a powerful one-handed stroke in the 1930s and 1940s that imparted topspin onto the ball. Ken Rosewall, another player noted for his one-handed backhand, used a very accurate slice backhand through the 1950s and 1960s. A small number of players, notably Monica Seles, use two hands on both the backhand and forehand sides.

Other shots[link]

A volley is a shot returned to the opponent in mid-air before the ball bounces, generally performed near the net, and is usually made with a stiff-wristed punching motion to hit the ball into an open area of the opponent's court. The half volley is made by hitting the ball on the rise just after it has bounced, once again generally in the vicinity of the net. The swinging volley is hit out of the air as the player approaches the net. It is an offensive shot used to take preparation time away from the opponent, as it returns the ball into the opponent's court much faster than a standard volley. From a poor defensive position on the baseline, the lob can be used as either an offensive or defensive weapon, hitting the ball high and deep into the opponent's court to either enable the lobber to get into better defensive position or to win the point outright by hitting it over the opponent's head. If the lob is not hit deeply enough into the other court, however, an opponent near the net may then hit an overhead smash, a hard, serve-like shot, to try to end the point. Finally, if an opponent is deep in his court, a player may suddenly employ an unexpected drop shot, by softly tapping the ball just over the net so that the opponent is unable to run in fast enough to retrieve it. Advanced players will often apply back spin to a drop shot, causing the ball to "skid" upon landing and bounce sideways, with less forward momentum toward their opponent, or even backwards towards the net, thus making it even more difficult to return.

Tournaments[link]

Tournaments are often organized by gender and number of players. Common tournament configurations include men's singles, women's singles, and doubles, where two players play on each side of the net. Tournaments may be arranged for specific age groups, with upper age limits for youth and lower age limits for senior players. Example of this include the Orange Bowl and Les Petits As junior tournaments. There are also tournaments for players with disabilities, such as wheelchair tennis and deaf tennis.^[64] In the four Grand Slam tournaments, the singles draws are limited to 128 players for each gender.

Most large tournaments Seed players, but players may also be matched by their skill level. According to how well a person does in sanctioned play, a player is given a rating that is adjusted periodically to maintain competitive matches. For example, the United States Tennis Association administers the National Tennis Rating Program (NTRP), which rates players between 1.0 and 7.0 in 1/2 point increments. Average club players under this system would rate 3.0–4.5 while world class players would be 7.0 on this scale.

Grand Slam tournaments[link]

The four Grand Slam tournaments are considered to be the most prestigious tennis tournaments in the world. They are held annually and include, in chronological order, the Australian Open, the French Open, Wimbledon, and the US Open. Apart from the Olympic Games, Davis Cup, Fed Cup, and Hopman Cup, they are the only tournaments regulated by the International Tennis Federation (ITF).^[65] The ITF's national associations, Tennis Australia (Australian Open), the French Tennis Federation (French Open), the United States Tennis Association (US Open), and the All England Lawn Tennis and Croquet Club and Lawn Tennis Association (Wimbledon), are delegated the responsibility to organize these events.^[65]

Aside from the historical significance of these events, they also carry larger prize funds than any other tour event and are worth double the number of ranking points to the champion than in the next echelon of tournaments, the Masters 1000 (men) and Premier events (women).^[66][67] Another distinguishing feature is the number of players in the singles draw. There are 128, more than any other professional tennis tournament. This draw is composed of 32 seeded players, other players ranked in the world's top 100, qualifiers, and players who receive invitations through wild cards. Grand Slam men's tournaments have best-of-five set matches while the women play best-of-three. Grand Slam tournaments are among the small number of events that last two weeks, the others being the Indian Wells Masters and the Miami Masters. Currently, the Grand Slam tournaments are the only tour events that have mixed doubles contests. Grand Slam tournaments are held in conjunction with wheelchair tennis tournaments and junior tennis competitions. These tournaments also contain their own idiosyncrasies. For example, players at Wimbledon are required to wear predominantly white. Andre Agassi chose to skip Wimbledon from 1988 through 1990 citing the event's traditionalism, particularly its "predominantly white" dress code.^[68] Wimbledon has its own particular methods for disseminating tickets, often leading tennis fans to follow complex procedures to obtain tickets.^[69]

* non-international tournament began in 1891

Masters 1000[link]

The ATP World Tour Masters 1000 is a group of nine tournaments that form the second-highest echelon in men's tennis. Each event is held annually, and a win at one of these events is currently worth 1000 ranking points. When the Association of Tennis Professionals, led by Hamilton Jordan, began running the men's tour in 1990, the directors designated the top nine tournaments, outside of the Grand Slam events, as "Super Nine" events.^[70] These eventually became the Tennis Masters Series. In November at the end of the tennis year, the world's top eight players compete in the ATP World Tour Finals, a tournament with a rotating locale. It is currently held in London, England.^[71]

In August 2007 the ATP announced major changes taking place in 2009. The Masters Series was renamed to the “Masters 1000”, the addition of the number 1000 referring to the number of ranking points earned by the winner of each tournament. Contrary to earlier plans, the number of tournaments was not reduced from nine to eight and the Monte Carlo Masters remains part of the series although, unlike the other events, it does not have a mandatory player commitment. The Hamburg Masters has been downgraded to a 500 point event. The Madrid Masters moved to May and onto clay courts, and a new tournament in Shanghai took over Madrid's former indoor October slot. As of 2011 six of the nine “1000” level tournaments are combined ATP and WTA events.^[72]

1. Actual location in the adjacent suburb of Key Biscayne, Florida
2. Actual location in the adjacent French commune of Roquebrune-Cap-Martin
3. Actual location in the suburb of Mason, Ohio.

250 and 500 Series[link]

The third and fourth tier of men's tennis tournaments are formed by the ATP World Tour 500 series, consisting of 11 tournaments, and the ATP World Tour 250 series with 40 tournaments.^[73] Like the ATP World Tour Masters 1000, these events offer various amounts of prize money and the numbers refer to the amount of ranking points earned by the winner of a tournament.^[66] The Dubai Tennis Championships offer the largest financial incentive to players, with total prize money of US$2,313,975 (2012).^[74] These series have various draws of 28, 32, 48 and 56 for singles and 16 and 24 for doubles. It is mandatory for leading players to enter at least four 500 events, including at least one after the US Open.

Challenger Tour and Futures tournaments[link]

The Challenger Tour for men is the lowest level of tournament administered by the ATP. It is composed of about 150 events and, as a result, features a more diverse range of countries hosting events.^[75] The majority of players use the Challenger Series at the beginning of their career to work their way up the rankings. Andre Agassi, between winning Grand Slam tournaments, plummeted to World No. 141 and used Challenger Series events for match experience and to progress back up the rankings.^[76] The Challenger Series offers prize funds of between US$25,000 and US$150,000.

Below the Challenger Tour are the Futures tournaments, events on the ITF Men's Circuit. These tournaments also contribute towards a player's ATP rankings points. Futures Tournaments offer prize funds of between US$10,000 and US$15,000.^[77] Approximately 530 Futures Tournaments are played each year.

Premier events[link]

Premier events for women form the most prestigious level of events on the Women's Tennis Association Tour after the Grand Slam tournaments. These events offer the largest rewards in terms of points and prize money. Within the Premier category are Premier Mandatory, Premier 5, and Premier tournaments. The tiering system in women's tennis was introduced in 1988. At the time of its creation, only two tournaments, the Lipton International Players Championships in Florida and the German Open in Berlin, comprised the Tier I category. In 2009, four tournaments are Premier Mandatory, five tournaments are Premier 5, and ten tournaments are Premier.

Players[link]

Professional tennis players enjoy the same relative perks as most top sports personalities: clothing, equipment and endorsements. Like players of other individual sports such as golf, they are not salaried, but must play and finish highly in tournaments to obtain money. As of 2012^[update] the "Big Four" men's tennis players includes Roger Federer, Rafael Nadal, Novak Djokovic, and Andy Murray^[78]

In recent years, some controversy has surrounded the involuntary or deliberate noise caused by players` grunting.

Grand Slam tournament winners[link]

The following players have won at least five singles titles at Grand Slam tournaments:

Male[link] Roger Federer (16) Pete Sampras (14) Roy Emerson (12) Rod Laver (11) Björn Borg (11) Bill Tilden 10 Rafael Nadal (10) Fred Perry (8) Ken Rosewall (8) Jimmy Connors (8) Ivan Lendl (8) Andre Agassi (8) William Renshaw (7) Richard Sears (7) William Larned (7) Henri Cochet (7) Rene Lacoste (7) John Newcombe (7) John McEnroe (7) Mats Wilander (7) Lawrence Doherty (6) Anthony Wilding (6) Donald Budge (6) Jack Crawford (6) Boris Becker (6) Stefan Edberg (6) Frank Sedgman (5) Tony Trabert (5) Novak Djokovic (5)

Roger Federer has won 16 Grand Slam singles titles Female[link] Margaret Court (24) Steffi Graf (22) Helen Wills Moody (19) Chris Evert (18) Martina Navratilova (18) Serena Williams (13) Billie Jean King (12) Maureen Connolly (9) Monica Seles (9) Molla Bjurstedt (8) Suzanne Lenglen (8) Dorothea Douglass (7) Maria Bueno (7) Evonne Goolagong Cawley (7) Venus Williams (7) Justine Henin (7) Doris Hart (6) Louise Brough (6) Blanche Bingley (6) Margaret Osborne (6) Nancye Wynne (6) Lottie Dod (5) Alice Marble (5) Helen Jacobs (5) Charlotte Cooper (5) Pauline Betz (5) Althea Gibson (5) Daphne Akhurst (5) Martina Hingis (5)

Greatest male players[link]

A frequent topic of discussion among tennis fans and commentators is who was the greatest male singles player of all time. By a large margin, an Associated Press poll in 1950 named Bill Tilden as the greatest player of the first half of the 20th century.^[79] From 1920–1930, Tilden won singles titles at Wimbledon three times and the U.S. Championships seven times. In 1938, however, Donald Budge became the first person to win all four major singles titles during the same calendar year, the Grand Slam, and won six consecutive major titles in 1937 and 1938. Tilden called Budge "the finest player 365 days a year that ever lived."^[80] And in his 1979 autobiography, Jack Kramer said that, based on consistent play, Budge was the greatest player ever.^[81] Some observers, however, also felt that Kramer deserved consideration for the title. Kramer was among the few who dominated amateur and professional tennis during the late 1940s and early 1950s. Tony Trabert has said that of the players he saw before the start of the open era, Kramer was the best male champion.^[82] By the latter half of the 1950s and 1960s, Budge and others had added Pancho Gonzales and Lew Hoad to the list of contenders. Budge reportedly believed that Gonzales was the greatest player ever.^[83] Gonzales said about Hoad, "When Lew's game was at its peak nobody could touch him.  ... I think his game was the best game ever. Better than mine. He was capable of making more shots than anybody. His two volleys were great. His overhead was enormous. He had the most natural tennis mind with the most natural tennis physique."^[84]

During the open era, first Rod Laver and then more recently Björn Borg and Pete Sampras were regarded by many of their contemporaries as among the greatest ever. Andre Agassi, the first of two male players in history to have achieved a Career Golden Slam in singles tennis (followed by Rafael Nadal), has been called the best service returner in the history of the game.^{[85][86][87][88]} He is the first man to win slams on all modern surfaces (previous holders of all slams played in an era of grass and clay only), and is regarded by a number of critics and fellow players to be among the greatest players of all time.^[85][89][90] Roger Federer is now considered by many observers to have the most "complete" game in modern tennis. He has won 16 grand slam titles, the most for any male player. Many experts of tennis, former tennis players and his own tennis peers believe Federer is the greatest player in the history of the game.^{[91][92][93][94][95][96][97]} Federer's biggest rival Rafael Nadal is regarded as the greatest competitor in tennis history by former players and is regarded to have the potential to be the greatest of all time.^[98][99]

Greatest female players[link]

As with the men there are frequent discussions about who is the greatest female singles player of all time with Steffi Graf and Martina Navratilova being the two players most often nominated.

In March 2012 the TennisChannel published a combined list of the 100 greatest men and women tennis players of all time.^[100] It ranked Steffi Graf as the greatest female player (in 3rd place overall), followed by Martina Navratilova (4th place) and Margaret Court (8th place). The rankings were determined by an international panel.

Sportwriter John Wertheim of Sports Illustrated stated in an article in July 2010 that Serena Williams is the greatest female tennis player ever with the argument that "Head-to-head, on a neutral surface (i.e. hard courts), everyone at their best, I can't help feeling that she crushes the other legends.".^[101] In a reaction to this article Yahoo sports blog Busted Racquet published a list of the top-10 women's tennis players of all time placing Martina Navratilova in first spot.^[102] This top-10 list was similar to the one published in June 2008 by the Bleacher Report who also ranked Martina Navratilova as the top female player of all time.^[103]

Steffi Graf is considered by some to be the greatest female player. Billie Jean King said in 1999, "Steffi is definitely the greatest women's tennis player of all time."^[104] Martina Navratilova has included Graf on her list of great players.^[104] In December 1999, Graf was named the greatest female tennis player of the 20th century by a panel of experts assembled by the Associated Press.^[105] Tennis writer Steve Flink, in his book The Greatest Tennis Matches of the Twentieth Century, named her as the best female player of the 20th century, directly followed by Martina Navratilova.^[106]

Tennis magazine selected Martina Navratilova as the greatest female tennis player for the years 1965 through 2005.^[107][108] Tennis historian and journalist Bud Collins has called Navratilova "arguably, the greatest player of all time."^[109] Billie Jean King said about Navratilova in 2006, "She's the greatest singles, doubles and mixed doubles player who's ever lived."^[110]

In popular culture[link]

• David Foster Wallace, an amateur tennis player himself at Urbana High School in Illinois,^[111] included tennis in many of his works of nonfiction and fiction including "Tennis Player Michael Joyce's Professional Artistry as a Paradigm of Certain Stuff about Choice, Freedom, Discipline, Joy, Grotesquerie, and Human Completeness," the autobiographical piece "Derivative Sport in Tornado Alley," and Infinite Jest, which is partially set at the fictional "Enfield Tennis Academy" in Massachusetts.
• The Royal Tenenbaums (2001) features Richie Tenenbaum (Luke Wilson), a tennis pro who suffers from depression and has a breakdown on court in front of thousands of fans.^[112]
• Wimbledon (2004) is a film about a discouraged pro tennis player (Paul Bettany) who meets a young woman on the women's tennis circuit (Kirsten Dunst) who helps him find his drive to go and win Wimbledon.^[113]
• In The Squid and the Whale (2005), Joan (Laura Linney) has an affair with her kids' tennis coach, Ivan (William Baldwin). In a symbolic scene, Joan's ex-husband, Bernard (Jeff Daniels), loses a tennis match against Ivan in front of the kids.^[114]
• Woody Allen's Match Point (2005) features a love affair between a former tennis pro (Jonathan Rhys Meyers) who falls in love with his best friend's fiance (Scarlett Johansson).^[115]
• Confetti (2006) is a mockumentary which sees three couples competing to win the title of "Most Original Wedding of the Year". One competing couple (Meredith MacNeill and Stephen Mangan) are a pair of hyper-competitive professional tennis players holding a tennis-themed wedding.^[116]
• There are several tennis video games including Mario Tennis, the TopSpin series, Wii Sports, and Grand Slam Tennis.^[117][118]
• In the Japanese anime and manga series known as Prince of Tennis, the main character is Echizen Ryoma, a tennis prodigy who recently moves to Japan and attends Seishun Academy. He joins the tennis club and has defeated many of his upperclassmen, gaining a spot in the team's regulars. The team's ultimate goal is to compete in the National Middle School Tennis Championship but they must play against other teams along the way to reach their goal.

See also[link]

Tennis portal

References[link]

Notes

Further reading[link]

• Barrett, John Wimbledon: The Official History of the Championships (HarperCollins, 2001) ISBN 978-0-00-711707-9
• Collins, Bud History of Tennis - An Authoritative Encyclopedia and Record Book (New Chapter Press, 2010) ISBN 978-0-942257-70-0
• Danzig, Allison and Peter Schwed (ed.) The Fireside Book of Tennis (Simon and Schuster, 1972) ISBN 978-0-671-21128-8
• Doherty, Reginald Frank R.F. and H.L. Doherty - On Lawn Tennis (Kessinger Publishing, 2010) ISBN 978-1-167-08589-5
• Dwight, Eleanor Tie Breaker - Jimmy Van Alen and Tennis in the 20th Century (Scala Books, 2010) ISBN 978-1-905377-40-4
• Gillmeister, Heiner Tennis: A Cultural History (Continuum, 1998) ISBN 978-0-7185-0195-2
• Grimsley, Will Tennis - Its History, People and Events (Prentice-Hall, 1971) ISBN 0-13-903377-7
• King, Billie Jean and Starr, Cynthia We Have Come a Long Way (McGraw-Hill, 1998) ISBN 0-07-024625-9
• Whitehead, Dave The Tennis Junkie's Guide (To Serious Humor). (iUniverse, 2002) ISBN 0-595-65364-2
• Whitman, Malcolm D. Tennis - Origins and Mysteries (Dover Publications, 2004) ISBN 0-486-43357-9

External links[link]

Find more about Tennis on Wikipedia's sister projects:
	Definitions and translations from Wiktionary
	Images and media from Commons
	Learning resources from Wikiversity
	News stories from Wikinews
	Quotations from Wikiquote
	Source texts from Wikisource
	Textbooks from Wikibooks

International organizations

• International Tennis Federation (ITF)
• Association of Tennis Players (ATP) : Men's Professional Tennis Organization
• Women's Tennis Association (WTA) : Women's Professional Tennis Organization

Team competitions

• Davis Cup
• Fed Cup

Other

• International Tennis Hall of Fame
• Tennis Grand Slam tournaments history

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lez:Теннис

Levon Helm
Levon Helm performing in 2004 on the Village Green in Woodstock, New York.
Background information
Birth name	Mark Lavon Helm
Born	(1940-05-26)May 26, 1940 Elaine, Arkansas, United States
Died	April 19, 2012(2012-04-19) (aged 71) New York City, New York, United States
Genres	Rock and roll, rhythm and blues, rock, blues, country, folk
Occupations	Musician, songwriter, actor, producer
Instruments	Vocals, drums, percussions, mandolin, guitar, bass, harmonica, banjo, violin
Years active	1957–2012
Labels	Capitol, Mobile Fidelity, MCA, Breeze Hill, Levon
Associated acts	The Band, Ronnie Hawkins & The Hawks, Bob Dylan, Levon Helm's Ramble on the Road, Levon Helm and The RCO All-Stars, Ringo Starr & His All-Starr Band, Eric Clapton
Website	levonhelm.com

Mark Lavon "Levon" Helm (May 26, 1940 – April 19, 2012)^[1] was an American rock multi-instrumentalist and actor who achieved fame as the drummer and frequent lead and backing vocalist for The Band.

Helm was known for his deeply soulful, country-accented voice, and creative drumming style highlighted on many of the Band's recordings, such as "The Weight", "Up on Cripple Creek", "Ophelia" and "The Night They Drove Old Dixie Down". His 2007 comeback album Dirt Farmer earned the Grammy Award for Best Traditional Folk Album in February 2008, and in November of that year, Rolling Stone magazine ranked him #91 in the list of The 100 Greatest Singers of All Time.^[2] In 2010, Electric Dirt, his 2009 follow-up to Dirt Farmer, won the first ever Grammy Award for Best Americana Album, an inaugural category in 2010.^[3] In 2011, his live album Ramble at the Ryman was nominated for the Grammy in the same category and won.^[4]

On April 17, 2012, his wife and daughter announced on Helm's website that he was "in the final stages of his battle with cancer" and thanked fans while requesting prayers. Two days later, Helm died at Memorial Sloan-Kettering Cancer Center in New York City.^[5][6]

Biography[link]

Early years[link]

Born in Elaine, Arkansas,^[7], Helm grew up in Turkey Scratch, a hamlet west of Helena, Arkansas. His parents, Nell and Diamond Helm, cotton farmers and also great lovers of music, encouraged their children to play and sing. Young Lavon (as he was christened) began playing the guitar at the age of eight and also played drums during his formative years. He saw Bill Monroe & his Blue Grass Boys at the age of six and decided then to become a musician.

Arkansas in the 1940s and 50s stood at the confluence of a variety of musical styles—blues, country and R&B—that later became known as rock and roll. Listening to all these styles on the Grand Ole Opry show on radio station WSM and R&B on radio station WLAC out of Nashville, Tennessee influenced Helm. He also saw traveling shows such as F.S. Walcott's Rabbit's Foot Minstrels that featured top African-American artists of the time.

Another early influence on Helm was the work of harmonica, guitarist and singer Sonny Boy Williamson II, who played blues and early rhythm and blues on the King Biscuit Time radio show on KFFA in Helena and performed regularly in Marvell with blues guitarist Robert Lockwood, Jr. In his 1993 autobiography, This Wheel's on Fire - Levon Helm and the Story of The Band, Helm describes watching Williamson's drummer, James "Peck" Curtis, intently during a live performance in the early 1950s and later imitating this R&B drumming style. Helm established his first band, The Jungle Bush Beaters, while in high school.

Helm also witnessed some of the earliest performances by Southern country music, blues and rockabilly artists such as Elvis Presley, Conway Twitty, Bo Diddley and a fellow Arkansan, Ronnie Hawkins. At age 17, Helm began playing in clubs and bars around Helena.

The Hawks[link]

After graduating from high school, Helm was invited to join Ronnie Hawkins' band, The Hawks, a popular Southern bar and club act which also had success in Canada, where rockabilly acts were very popular. Soon after, Helm joined The Hawks, and they moved to Toronto, Ontario, Canada, where, in 1959, they signed with Roulette Records and released several singles, including a few hits.

Helm reports in his biography, This Wheel's on Fire, that fellow Hawks band members had difficulty pronouncing "Lavon" correctly, and started calling him "Levon" (/ˈliːvɒn/ LEE-von) because it was easier to pronounce.

In the early 1960s, Helm and Hawkins recruited an all-Canadian lineup of musicians: guitarist Robbie Robertson, bassist Rick Danko, pianist Richard Manuel, and organist Garth Hudson- although all the musicians were multi-instrumentalists. In 1963, the band parted ways with Hawkins and started touring under the name "Levon and The Hawks," and later as "The Canadian Squires" before finally changing back to "The Hawks." They recorded two singles, but remained mostly a popular touring bar band in Texas, Arkansas, Canada, and on the East Coast of the United States, where they found regular summer club gigs on the New Jersey shore.

Helm with The Band, at the Santa Cruz Civic Auditorium 1976 Photo: David Gans

By the mid 1960s, songwriter and musician Bob Dylan was interested in performing electric rock music and asked The Hawks to be his backing band. Disheartened by fans' negative response to Dylan's new sound, Helm returned to Arkansas for what turned out to be a two-year layoff, being replaced by drummer Mickey Jones. During this period, Helm ended up working on off-shore oil rigs in the Gulf of Mexico until he was asked to rejoin the band.

After The Hawks toured Europe with Dylan, they followed him to live around Woodstock, New York, and remained under salary to him. The Hawks recorded a large volume of demo and practice tapes in Woodstock, playing almost daily with Dylan, who had completely withdrawn from public life the previous year. These recordings were widely bootlegged and were partially released officially in 1975 as The Basement Tapes. The songs and themes developed during this period played a crucial role in the group's future direction and style. The Hawks members also began writing their own songs. Rick Danko and Richard Manuel also shared writing credits with Dylan on a few songs. In 1967, Danko called Helm and invited him to return to the band in Woodstock.

The Band[link]

Helm returned to the group, then referred to simply as "the band." While contemplating a recording contract, Helm had dubbed the band as "The Crackers." However, when Robertson and their new manager Albert Grossman worked out the contracts, the group's name was cited as "The Band." Under these contracts, The Band was contracted to Grossman, who in turn contracted their services to Capitol Records. This arrangement allowed The Band to release recordings on other labels if the work was done in support of Dylan. This allowed The Band to play on Dylan's Planet Waves album and on The Last Waltz, both non-Capitol releases. The Band also recorded their own album Music from Big Pink, which catapulted them into stardom.

Helm, center, performing with The Band. Hamburg, 1971.

On Music From Big Pink, Manuel was the most prominent vocalist and Helm sang mainly backup, with the exception of "The Weight." However, as Manuel's health deteriorated and Robbie Robertson's songwriting increasingly looked to the South for influence and direction, subsequent albums relied more and more on Helm's vocals, alone or in harmony with Danko. Helm played drums for perhaps 85% of The Band's songs,^{[citation needed]} including most of those for which he sang lead. On the others, Manuel switched to drums while Helm played mandolin or, on rare occasion, guitar or bass guitar. The entire group was multi-instrumental and certain songs featured Manuel on drums, Helm on mandolin (as on "Evangeline"), rhythm guitar (the 12-string guitar backdrop to "Daniel and the Sacred Harp" is by Helm), or bass (while Danko played fiddle).^[8]

Helm remained with The Band until their 1976 farewell performance, The Last Waltz, which was recorded in a documentary film by director Martin Scorsese.The documentary is widely considered the greatest rock and roll film ever made.

Many music enthusiasts know Helm through his appearance in the concert film, a performance remarkable for the fact that Helm's vocal tracks appear substantially as he sang them during a grueling concert. However, Helm repudiated his involvement with The Last Waltz shortly after the completion of its final scenes. In his autobiography, Helm offers scathing criticisms of the film and of Robertson, who produced it.^[9]

Solo artist and the reformed Band[link]

Helm playing mandolin in 1971

With the breakup of The Band in its original form, Helm began working on a solo album Levon Helm and the RCO All Stars, followed by Levon Helm. Helm recorded solo albums in 1980 and 1982 entitled American Son and (once again) Levon Helm. Helm also participated in musician Paul Kennerley's 1980 country music concept album, The Legend of Jesse James, singing the role of Jesse James alongside Johnny Cash, Emmylou Harris and Albert Lee.

In 1981, Helm married the former Sandra Dodd.

In 1983, The Band reunited without Robbie Robertson, with Jim Weider on guitar. In 1986, while on tour, Manuel committed suicide. Helm, Danko and Hudson continued in The Band, releasing the album Jericho in 1993 and High on the Hog in 1996. The final album from The Band was the 30th anniversary album, Jubilation, released in 1998.

In 1989, Helm and Danko toured with drummer Ringo Starr and His All-Starr Band. Other musicians in the band included singer/guitarist Joe Walsh, singer/pianist Dr. John, guitarist Nils Lofgren, singer Billy Preston, saxophonist Clarence Clemons and drummer Jim Keltner. Garth Hudson was a guest on accordion on certain dates. Levon played drums and harmonica, and sang "The Weight" and "Up On Cripple Creek" each night.

Helm performed with Danko and Hudson as The Band in 1990 at Roger Waters' epic The Wall – Live in Berlin Concert in Germany to an estimated 300,000 to half a million people.

In 1993, Helm published an autobiography entitled This Wheel's on Fire – Levon Helm and the Story of The Band.

The Midnight Ramble[link]

Helm's performance career in the 2000s revolved mainly around the Midnight Ramble at his home and studio, "The Barn," in Woodstock, New York. These concerts, featuring Helm and a variety of musical guests, allowed Helm to raise money for his medical bills and to resume performing after a nearly career-ending bout with cancer.

In the late 1990s, Helm was diagnosed with throat cancer suffering hoarseness. Advised to undergo a laryngectomy, Helm instead underwent an arduous regimen of radiation treatments at Memorial Sloan–Kettering Cancer Center in New York City. Although the tumor was then successfully removed, Helm's vocal cords were damaged, and his clear, powerful tenor voice was replaced by a quiet rasp. Initially Helm only played drums and relied on guest vocalists at the Rambles, but Helm's singing voice grew stronger. On January 10, 2004, he sang again of his Ramble Sessions. In 2007, during production of Dirt Farmer, Helm estimated that his singing voice was 80% recovered.

The Levon Helm Band featured his daughter guitarist Amy Helm, along with Larry Campbell, Teresa Williams, Jim Weider (the Band's last guitarist), Jimmy Vivino, Mike Merritt, Brian Mitchell, Erik Lawrence, Steven Bernstein, Howard Johnson (tuba player in the horn section who played on The Band's "Rock of Ages" and "The Last Waltz" live albums), Byron Isaacs, and blues harmonica player Little Sammy Davis. Helm hosted Midnight Rambles at his home in Woodstock that were open to the public.

Helm performing in Central Park, New York, 2007

The Midnight Ramble was an outgrowth of an idea Helm explained to Martin Scorsese in The Last Waltz. Earlier in the 20th century, Helm explained, traveling medicine shows and music shows such as F.S. Walcott Rabbit's Foot Minstrels, featuring African-American blues singers and dancers, would put on titillating performances in rural areas. This was also turned into a song by the Band, "The W.S. Walcott Medicine Show," with the name altered so the lyric was easier to sing.

"After the finale, they'd have the midnight ramble," Helm told Scorsese. With young children off the premises, the show resumed: "The songs would get a little bit juicier. The jokes would get a little funnier and the prettiest dancer would really get down and shake it a few times. A lot of the rock and roll duck walks and moves came from that."

Artists who performed at the Rambles include Helm's former bandmate Garth Hudson, as well as Elvis Costello, Emmylou Harris, Dr. John, Chris Robinson, Allen Toussaint, Donald Fagen of Steely Dan, Jon Herington of Steely Dan, Jimmy Vivino of "Late Night with Conan O'Brien's" The Max Weinberg 7, Sean Costello, The Muddy Waters Tribute Band, Pinetop Perkins, Hubert Sumlin, Carolyn Wonderland, Kris Kristofferson, Gillian Welch, David Rawlings, Justin Townes Earle, Bow Thayer, Luther "Guitar Junior" Johnson, Rickie Lee Jones, Kate Taylor, Ollabelle, The Holmes Brothers, Catherine Russell, Norah Jones, Elvis Perkins in Dearland, Phil Lesh (along with his sons Grahame and Brian), Hot Tuna (although Jorma Kaukonen introduced the group as "The Secret Squirrels"), Michael Angelo D'Arrigo with various members of the Sistine Chapel, Johnny Johnson, Ithalia, David Bromberg and Grace Potter and the Nocturnals^[10].

As for his drumming, in recent years Helm switched to the matched grip and adopted a less busy, greatly simplified style, as opposed to his years with The Band when he played with the traditional grip.^[11]

Helm was busy touring every year during 2000s, generally traveling by tour bus to venues in Eastern Canada and the Eastern United States. Since 2007, Helm had performed in large venues such the Beacon Theater in New York. Dr. John and Warren Haynes (The Allman Brothers Band, Gov't Mule) and Garth Hudson played at the concerts as well along with several other guests. At a show in Vancouver, Canada, Elvis Costello joined to sing "Tears of Rage." The Alexis P. Suter Band was a frequent opening act. Helm was a favorite of radio personality Don Imus and was frequently featured on Imus in the Morning. In the Summer of 2009, it was reported that a reality television series centering around the Midnight Ramble was in development.

[edit] Dirt Farmer and after

The Levon Helm Band performing at Austin City Limits Music Festival 2009

Levon Helm at Life is Good Festival in 2011

The Fall of 2007 saw the release of Dirt Farmer, Helm's first studio solo album since 1982. Dedicated to Helm's parents and co-produced by his daughter Amy, the album combines traditional tunes Levon recalled from his youth with newer songs (by Steve Earle, Paul Kennerley and others) which flow from similar historical streams. The album was released to almost immediate critical acclaim, and earned him a Grammy Award in the Traditional Folk Album category for 2007.

Helm declined to attend the Grammy Awards ceremony, instead holding a "Midnight Gramble" and celebrating the birth of his grandson, named Lavon (Lee) Henry Collins.^[12][13][14]

In 2008, Helm performed at Warren Haynes' Mountain Jam Music Festival in Hunter, New York. Helm played alongside Warren Haynes on the last day of the three-day festival. Levon also joined guitarist Bob Weir and his band RatDog on stage as they closed out the festival. Helm performed to great acclaim at the 2008 Bonnaroo Music Festival in Manchester, Tennessee.^[15][16]

Helm drummed on a couple of tracks for Jorma Kaukonen's February, 2009 album River of Time, recorded at the Levon Helm studio.

Helm released the album Electric Dirt on his own label on June 30, 2009.^[17] The album won a best album Grammy for the newly created Americana category in 2010. Helm performed on the CBS Television program David Letterman Show on July 9, 2009. He also toured that same year in a supporting role with the band Black Crowes.

In March, 2010, a documentary on Helm's day-to-day life titled Ain't in It for My Health: A Film About Levon Helm was released. Directed by Jacob Hatley, it made its debut at the South by Southwest film festival in Austin, Texas, and went on to screen at the Los Angeles Film Festival in June 2009.^[18]

On May 11, 2011, Helm released Ramble at the Ryman, a live album recorded during his September 17, 2008 performance at Nashville's Ryman Auditorium. The album features Helm's band playing six songs by The Band and other cover material, including some songs from previous Helm solo releases.^[19] The album won the Grammy Award for Best Americana Album.^[20]

Acting career[link]

In addition to his work as musician, Helm also acted in several dramatic films after the breakup of The Band. His first acting role was the 1980 film Coal Miner's Daughter in which he portrayed Loretta Lynn's father, followed three years later when he appeared as U.S. Air Force test pilot and engineer, Jack Ridley, in The Right Stuff. He also had a brief cameo as a weapons expert in the film "Shooter (film)" with Mark Walberg.

Death[link]

Levon Helm's grave at Woodstock Cemetery, May 26, 2012

In 2012, during the Rock and Roll Hall of Fame Induction Ceremonies in Cleveland, Robbie Robertson sent “love and prayers” to Helm, fueling speculation on Helm's health. Helm had previously cancelled several performances, citing poor health or a "slipped disk" in his back.^[21]

On April 17, 2012, Helm's wife Sandy and daughter Amy revealed that Helm had end-stage cancer. They posted the following message on Helm's website:

"Dear Friends,

Levon is in the final stages of his battle with cancer. Please send your prayers and love to him as he makes his way through this part of his journey.

Thank you fans and music lovers who have made his life so filled with joy and celebration... he has loved nothing more than to play, to fill the room up with music, lay down the back beat, and make the people dance! He did it every time he took the stage...

We appreciate all the love and support and concern.

From his daughter Amy, and wife Sandy"^[22]

On April 18, Robertson revealed on his Facebook page that he had a long visit with Helm at the hospital the previous Sunday.^[23] On the same day, Garth Hudson posted on his personal website that he was "too sad for words". He then left a link for a video of himself and the Alexis P. Suter band performing Bob Dylan’s song "Knocking on Heaven's Door".^[24]

Surrounded by family and friends, Helm died on April 19, 2012, at 1:30 pm at Memorial Sloan-Kettering Cancer Center in New York.^[25][26][27]

Fans were invited to a public wake at Helm's Barn studio complex on April 26. Approximately 2,000 fans came to pay their respects to the fallen musical icon. After a private funeral service and a procession through the streets of Woodstock, Helm was interred in the Woodstock Cemetery the following day, within sight of the grave of his longtime bandmate Rick Danko.

Tributes[link]

Elton John wrote the song "Levon" and named his son after Helm.^[28]

Marc Cohn wrote the song "Listening to Levon" in 2007. "The Man Behind the Drums," written by Robert Earl Keen and Bill Whitbeck, appeared on Keen's 2009 album The Rose Hotel.

In 1994, Helm was inducted into The Rock and Roll Hall of Fame as a member of The Band.^[29]

At their May 2, 2012 concert at the Prudential Center in Newark, NJ, Bruce Springsteen and the E Street Band performed "The Weight" as a tribute to Helm.^[30]Springsteen called Helm "one of the greatest, greatest voices in country, rockabilly and rock 'n' roll ... staggering ... while playing the drums. Both his voice and his drumming were so incredibly personal. He had a feel on the drums that comes out of certain place in the past and you can't replicate it." Springsteen also said it was one of the songs that he had drummer Max Weinberg audition with prior to joining the band.

List of works[link]

Discography[link]