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Derren Victor Brown | |
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Born | Derren Victor Brown (1971-02-27) 27 February 1971 (age 41) Purley, London, England, United Kingdom |
Nationality | British |
Occupation | Psychological illusionist, mentalist, artist, painter, writer, sceptic, television presenter |
Years active | 1992-present |
Website | |
www.derrenbrown.co.uk |
Derren Victor Brown (born 27 February 1971)[1] is an English illusionist, mentalist, painter, writer and sceptic. He is known for his appearances in television specials, stage productions, photographic memory, and British television series such as Trick of the Mind and Trick or Treat. Since the first broadcast of his show Derren Brown: Mind Control in 2000, Brown has become increasingly well known for his "mind-reading" act. He has written books for magicians as well as the general public. His caricature artwork has received gallery exhibition and is available in a single volume documenting his portrait collection.[2]
Though his performances of mind-reading and other feats of mentalism may appear to be the result of psychic or paranormal practices, he claims no such abilities and frequently denounces those who do. Brown states at the beginning of his Trick of the Mind programmes that he achieves his results using a combination of "magic, suggestion, psychology, misdirection and showmanship". Using his knowledge and skill, he appears to be able to predict and influence people's thoughts with subtle suggestion, manipulate the decision-making process and read the subtle physical and psychological signs or body language that indicate what a person is thinking.
Brown was born to Bob and Chris Brown[3] in Purley, South London, England. He has a brother, who is nine years his junior.[4] Brown was educated at Whitgift School (where his father coached swimming),[4] and studied Law and German[5] at the University of Bristol.[6] While there, he attended a hypnosis show by Martin S Taylor, which inspired him to turn to illusion and hypnosis as a career.[7] Whilst an undergraduate, he started working as a conjuror, performing the traditional skills of close-up magic in bars and restaurants. In 1992, he started performing stage hypnosis shows at the University of Bristol under the stage name Darren V. Brown.[8]
Brown began his television work with three sixty-minute specials produced over two years. In 1999 he was asked by Channel 4 to put a mind-reading programme together. The six part series Mind Control incorporated new footage with the best of his hour long shows. Selected highlights from the first series were later made available on DVD as Derren Brown — Inside Your Mind.
Andy Nyman was originally intended to front the programme but he wanted to concentrate on acting so Brown was recommended to the producers by comedian and close-up magician Jerry Sadowitz.[9]
Trick of the Mind was the title for Brown's next series, which ran for three consecutive series. Unlike Mind Control it is all completely new material. The second series started on E4 on 11 April 2005 and was repeated on Channel 4. The third series started on 26 March 2006. Trick of the Mind series 1 and 2 are available on DVD.
In an episode first broadcast on Friday 6 May Brown claimed to have created a video game called "Waking Dead" which "is able to put roughly 1/3 of the people who play it into a catatonic trance". The video game is then placed in a pub. Brown then "kidnaps" the catatonic "victim" and places him in a real-life recreation of the video game, having him fire an air gun at actors pretending to be zombies and outfitted with explosive squibs.[10]
The episode raised considerable controversy. Mick Grierson, credited in the episode as "Zombie Game Designer", put up a website linking to various articles about the episode.[11]
Trick or Treat started on Channel 4 in 2007. The focus of the show is on one volunteer who receives either a good experience or a bad experience. The experience the volunteers receive is decided by which card they choose. If they choose the card that says 'Trick' they receive a bad experience, and if they choose the card that says 'Treat' they receive a good experience. In the first series of Trick or Treat, the volunteer had no choice over the matter as the cards were ambigrams; however, in the second series, they were replaced by two more clearly defined cards that were no longer ambigrams.
Episodes of Trick or Treat are not preceded by Brown's usual claim that no actors or stooges were used in the filming of the shows. Indeed, some participants (such as the ambulance crew in the last episode) are declared to be actors.
The second series of Trick or Treat began on 2 May 2008. The third episode showed a slight change from the previous format, as actor David Tennant became the first celebrity to be used for the show. The two had met at a party where Tennant expressed interest in Brown's work. While writing the second season Brown "thought it would be fun if one of the participants was well known".[12]
The final episode of the second series featured all of the volunteers from the series that had previously received a trick or treat. This episode highlighted belief in superstition and the degree to which it can be applied.
On 26 July 2007, the US based SCI FI Channel began showing six one-hour episodes of a series titled Mind Control with Derren Brown. Andrew O'Connor and Anthony Owen were executive producers, and the show was produced by Simon Mills who had produced the two previous series of Trick Or Treat as well as The Heist and The System for Objective Productions. Journalists in New York at the press announcement were shown preview clips of Brown "manipulating human behaviour" and given the promise of more surprises to come. Sci Fi's press release described the show as an "original US produced version". The show was a mix of new segments filmed in the US and older clips shown in earlier UK TV shows. The first showing release schedule was:
Filmed for Channel 4 in front of a live studio audience, this new series, airing in September 2009[13] was made up of four one-hour specials, during which Brown attempted what he described as "some of the most incredible feats to date". The show consisted of a mixture of pre-recorded location pieces connected by theatre-based segments, with each of the four one-hour programmes building up to a major stunt performance. The first teasers broadcast were shown backwards. When played forwards, Brown explained that in his new series he would be revealing the "inner workings" of his tricks and showing the viewer "how to get away with it".
The stunts included a live TV broadcast in which Brown suggested that he had successfully predicted the winning National Lottery numbers, and another in which Brown played a subliminal video suggesting that viewers at home would feel that they had become stuck to their sofas. Brown also projected an image into viewers' minds and asked them draw it on paper. The series' final event was an attempt to predict the outcome of a roulette wheel, staking £5,000 of a chosen viewer's money on the outcome. The ball landed in the pocket numbered 30, adjacent to Brown's choice of 8.
Derren Brown Investigates began a run of three programmes on Channel 4 on 10 May 2010. During the first program, Brown met with British psychic medium Joe Power.[14] A second programme concerned a Ukrainian system of human development that claims to teach people to see without the use of their eyes, and in a third he met a "ghosthunter" from the United States. With these people he discussed their claims to have evidence of the paranormal.
# | Title[15] | Original airdate |
---|---|---|
1 | "The Man Who Contacts the Dead" | 10 May 2010 (2010-05-10) |
2 | "The Men with X-Ray Eyes" | 17 May 2010 (2010-05-17) |
3 | "The Ghosthunter" | 31 May 2010 (2010-05-31) |
Derren Brown: The Experiments was announced on 4 October 2011 on his official blog. Described by Brown as a series of "ambitious sociological experiment, in which the unwitting subject is a single person, a crowd, or even an entire town". Brown mentions that 'Three of [the episodes] are relatively dark, looking into the darker side of human behaviour, and one of them is rather positive and jolly' on his blog.
The first episode, entitled "The Assassin", aired on 21 October at 9pm and consists of Brown successfully hypnotising an unwitting member of the public to 'assassinate' a celebrity revealed to be Stephen Fry. This technique was used as a comparison to theories regarding the assassination of Robert Kennedy by Sirhan Sirhan, who claims to have no memory of the event.
In the second episode, aired on 28 October at 9pm and called "Gameshow", Brown hosted a game show purportedly called "Remote Control," asking a masked audience to vote for the escalating outcome of the fate of one contestant in an attempt to demonstrate the effect of deindividuation. The theory is that taking away individuality from someone turns them from themselves to just part of a crowd, and makes them act in a way that would sometimes go against their morals.
In the third episode, "The Guilt Trip" aired on 5 November, Brown attempted to find out if he could convince someone through association to admit to a crime they did not commit. He worked through tricking a participant into distrusting their own memory and having excessive feelings of guilt, to the extent where he confessed to the murder of an actor whom he had interacted with and was later told had been murdered.
In the fourth episode, "The Secret of Luck" which aired on 11 November, Brown spreads a rumour of a lucky dog statue throughout an entire town and documents the consequences.
The trailer for "The Experiments" was released on 11 October 2011.
The Experiments won a BAFTA at the 2012 awards in May 2012.
On 5 October 2003, Brown performed Russian roulette, live on Channel 4. The stunt was performed at an undisclosed location, supposedly in Jersey, due to laws in mainland Britain restricting the firing of live rounds to qualified armourers. The majority of the episode focused upon the nomination of the final volunteer, James, who was chosen from 12,000 who applied for the task, and whittled down to five by the day of the stunt. As a prize, James was chosen to be the only person in the room when Brown performed the stunt. James was required to load a single shot into a revolver with six numbered chambers. The bullet was located in chamber number 1, which Brown fired at a sand bag hanging on the wall.
The programme was initially condemned by senior British police officers, apparently fearful of copycat acts. In addition Jersey police stated that "There was no live ammunition involved and at no time was anyone at risk" and "There is absolutely no way that the States of Jersey police would allow anybody to put themselves at risk and shoot themselves dead."[16] When asked about the possible use of blanks in the act Brown responded, "But the frustrating and kind of ironic part of it was that even if it had been a blank that wouldn’t have made it any less dangerous. You shoot a blank next to your head and it will still kill you.”[17]
Brown himself defended the programme, saying, "It probably sounds odd. But as a magic-related performer, to have that even being asked: Was it real? Was it not real? That lifts it to a level that I'm very comfortable with. What's left is the fact that it was a terrific piece of television."[18]
Brown's next project, Derren Brown: Séance, aired on Channel 4 on 31 May 2004. In Séance, he brought students from Roehampton University together for a live séance. He held the event at Elton Hall in east London, claiming the location had a history of paranormal activity after 12 people killed themselves in a suicide pact in 1974. Brown then proceeded to demonstrate the methods used by spiritualists.
The show attempted to involve the television audience with interactive activities, the first being to identify one of the members of the suicide pact by looking at photographs. The 12 pictures were shown on screen in a set pattern, with half of them in colour and half black and white. The viewer was instructed to choose one of the colour images that they "feel a connection with". Brown then directed the viewers in a movement pattern between the photographs (for example, move left or right to one of the adjacent black and white photographs). The positioning and movement instructions were carefully planned to ensure that no matter which photograph was initially chosen the viewer would finish on the picture of "Jane". Ten of the students also chose Jane. During the following Ouija board scene, the "spirit" guided the students to spell the name Jane.
Two of the students, along with the television viewers, were asked to write the name of a city. Both students chose London.
The final scene, the séance itself, saw the group "contact" Jane. One of the students spoke as if she were Jane, giving details of her life. A letter and short film confirmed the accuracy of the details.
Brown went on to explain some of the manipulations he had used, including the photograph positioning/instructions and the use of the ideomotor effect during the Ouija board scene. The suicide pact had not taken place and "Jane" was introduced to the students at the end of the show. In his book, Tricks of the Mind, Brown reveals that, contrary to claims when the show was aired, Séance did not go out live. He said it was necessary to make people believe that it did at the time.[19]
Channel 4 received 700 complaints, most before the episode was aired. Viewers who felt "something unusual" were invited to call a telephone number, and callers were told that the show was carefully planned, and that no paranormal activities were taking place. Brown also warned viewers about the impending Ouija board scene, advising those who objected for "religious reasons or otherwise" to stop watching the show.[19]
Shown on 7 January 2005, Brown travelled to the United States to try to convince five leading figures that he had powers in their particular field of expertise: Christian evangelism, alien abduction, psychic powers, New Age theories and contacting the dead.
Using a false name each time, he succeeded in convincing all of the "experts" that he had powers, and four openly endorsed him as a true practitioner. The fifth expert, the Christian evangelist Curt Nordhielm, whilst impressed by Brown's performance, asked to meet him again before giving an endorsement. The concept of the show was to highlight the power of suggestion with regard to beliefs and people's abilities, and failure to question them. Brown made it quite clear with each experiment that if any of the subjects accused him of trickery he would immediately come clean about the whole thing, a rule similar to one of the self-imposed rules of the perpetrators of the Project Alpha hoax. His conclusion was that people tend to hear only things that support their own ideas and ignore contradictory evidence; this is known in psychology as confirmation bias. During the section concerned with religious belief, he 'converted' people to Christian belief with a touch. Afterwards, he 'deprogrammed' them of any such belief. During the programme, Brown made it clear that he was not against people holding on to their religious beliefs, and stated that he respected the religious views of people, also making it clear that he had, at one time, been a committed Christian.
The Gathering was a specially recorded as-live show at a secret location (hidden from the audience) with an invited audience of students from Roehampton University, celebrities, psychologists, psychics, taxi drivers and magicians. It was filmed on 18 May 2005 and broadcast on 29 May. As part of the show Brown recalled streets, page numbers and grid references from the Greater London A-Z map. Pseudo-psychic "mind reading" and "remote viewing" activities were also recreated.
During the show, Brown hypnotised the audience as a group and convinced them that for approximately half an hour after leaving the room they would have no memory of the events. Furthermore, the word "forget" was intermittently flashed very briefly on the backdrop throughout the performance. A variety of audience members were interviewed in a vox pop segment afterwards; some could not recollect anything, but were nevertheless impressed. One of the most prominent stunts was asking a London taxi driver to choose a street in London and then choose and mentally drive a random route. This was achieved by drawing a line on a map of London made of stuck together A-Z pages. An envelope, which had been visible on-stage throughout the entire show, was then opened. This contained a card listing the page number and coordinate of the destination, an acetate with the route marked on it and a receipt for £8 (the estimated cost of the journey by the driver). The driver's route started at Buckingham Palace and ended at Shepherd's Bush Green, the street where the secret performance took place.
The Heist was shown on 4 January 2006 at 21:00, on Channel 4. In the show, Brown used his skills on selected participants who answered an advertisement. Under the guise of a "motivational seminar" (where they would allegedly learn Brown's skills) Brown recruited a number of participants, eventually manipulating a number of them into robbing a security van in broad daylight. "The Heist" has been described by Brown as one of the stunts of which he is most proud.[20]
The robbery involved holding up a security van and guard (played by an actor) using a realistic-looking toy pistol that Brown had given the subjects earlier, and stealing a case filled with real money. Four people were selected to carry out the robbery from an initial field of thirteen, with three of them actually carrying out the "robbery". The idea was that, after the conditioning they received, they would voluntarily rob the van of their own accord. There was no mention of the "crime" to the participants, and they were not (directly) instructed to do it. The "robbery" was carried out as a result of the conditioning they received and was their own choice, not because of instructions from any third party, including Brown.
Brown associated colour, music and phrases to build the participants into a highly motivated state, converging all of those psychological empowerment tools into a single set-up. The seminar subliminally anchored freedom, childhood, opportunity and romance into various criminal acts. After having previously been convinced to steal sweets from a shop based in Codicote High Street in Hertfordshire, they experienced the euphoria that could be gained from criminal acts.
This programme also included a re-enactment of the Milgram experiment — originally carried out by Yale University psychologist Stanley Milgram in the 1960s — with the aim of selecting four of the most obedient of the group. Sixty-five percent of the subjects in this experiment were willing to administer what they believed to be lethal electric shocks to another person on the instruction of an authority figure (unbeknownst to the subjects, no electric shocks were actually administered). These were roughly the same results Milgram himself had observed.
The System, a Channel 4 special in which Brown shared his "100 percent guaranteed" method for winning on the horses, was first shown on 1 February 2008.[21]
The show was based around the idea that a system could be developed to "guarantee a winner" of horse races. Cameras followed a member of the public, Khadisha, as Brown anonymously sent her correct predictions of five races in a row, before encouraging her to place as much money as she could on the sixth race.
To demonstrate the system to the viewer, Brown tossed a coin showing ten heads in a row to prove it was not impossible, just highly improbable.
After Brown had placed a bet of £4,000 of Khadisha's money on a horse in the final race, he explained that "The System" did not really exist. He had started by contacting 7,776 people and split them into six groups, giving each group a different horse. As each race had taken place 5⁄6 of the people had lost and were dropped from the system. Brown had a different person backing each horse in each race, and one individual, Khadisha, won five times in a row. This was similar to the coin flipping earlier: rather than having a predictive technique, Brown had tossed a coin repeatedly until ten heads had come up in a row, taking over nine hours to produce the required film. Brown expressed the opinion that the principle behind "The System" (essentially confirmation bias or survivorship bias) is what is behind belief in spiritualism or homoeopathic and alternative medicine.
After the selected horse in the final race lost, and Khadisha was convinced that she had lost all her borrowed money, Brown told Khadisha to look again at the betting slip in her hand. The ticket showed the winning horse's name, meaning Khadisha kept her stake and received winnings of £13,000. Brown claimed that he had decided to bet on a different horse when he got to the booth.[22]
At the end of the show, a title card explained that "at each stage of the process, participants who did not make it to the next round were offered a complete refund of any bets they had placed."[23]
On 8 September 2010, Brown presented a new special on Channel 4 entitled "Derren Brown: Hero at 30,000 Feet".[24] The programme consisted of Brown taking a man called Matt Galley, a normal person stuck in a rut in his life, and throughout the programme coaches him to take control of life and achieve his aspirations. The programme was divided into chapters to introduce different stages in the transformation, many of which were undertaken without the subject knowing of Brown's involvement (via cooperation with Galley's parents and girlfriend to set up cameras in his house). At one stage Brown visits Galley in the middle of the night, but leaves him believing it was a dream.
During the programme Galley is put through a series of challenges, including being the victim of an armed robbery, touching a live crocodile, illicitly entering a policeman's home, and lying on a train track in a straitjacket strapped to the line whilst a train approached (the first challenge when he knew he was awake and that Brown was involved in this). The show culminated in Galley travelling on a plane where the pilot had supposedly been incapacitated.
Galley, who had not been on a plane in 10 years and had a fear of flying, joined a flight travelling from Leeds to Jersey, where he has been told that a fake game-show presented by Brown was to be filmed. The flight crew, stewards and stewardesses were real, but the rest of the passengers were actors. During the flight the cabin crew announced that the captain had been taken ill and asked for a volunteer to land the plane. At the last minute Galley volunteered, whilst walking up to the front of the plane he was placed into a trance by Brown. After landing Galley was placed into a cockpit flight simulator and woken up. He was talked through how to land the plane by a person identifying themselves as air traffic control. Galley completed the challenge successfully and then emerged from the simulator, to meet Brown and all the actors involved in the programme plus his family and friends.
Brown responded to scepticism about the show on his blog, noting that many aspects of the show's production were edited from the televised version due to time constraints. He also confirmed Donnie Darko, Fight Club, The Game and Watchmen as influences for the show. Brown went on to say that "this has been my favourite show to work on – most ambitious, most involved, most demanding and by far the most joyful. I consider it my fondest and best...."[25]
Derren Brown: Miracles for Sale is a feature length programme about the controversial practice of faith healing. In the show Brown attempted to turn a member of the British public into a "faith healer" and to convincingly give a faith healing show to church goers in Texas.[26] The show premièred 25 April 2011 on Channel 4.
An interview with Brown[27] was featured in Richard Dawkins' two-part documentary series The Enemies of Reason. Brown explained various psychological techniques used by purported psychics and spiritual mediums to manipulate their audiences. The most notable is cold reading, a technique about which Brown talked extensively in his book Tricks of the Mind. Some video footage was also used from Brown's TV special Messiah.
As part of Channel 4's 3D season, Brown presented Derren Brown's 3D Magic Spectacular.[28][29] The show was not a new special from Brown, rather he was the presenter for a number of other magicians and clips that were shown. However, he did include one clip in which he found an object that had been hidden in the streets of Venice by a volunteer.
In January 2011, to celebrate 10 years since the his first television appearance, Channel 4 held a special Derren Brown Night. Along with re-showing The Heist (which won a recent poll of favourite specials) and one of his Enigma Live shows the channel screened a special documentary; Derren Brown: Behind The Mischief, a personal and candid film about Brown. The documentary included the story of how he met his co-writer (who was featured in Seance), his mother's feelings about his involvement in Russian Roulette, and an emotional visit back to his old school, university and the Bristol bars where he first began his close-up magic. Celebrities contributors included Matt Lucas, Jo Whiley, Stephen Merchant and Simon Pegg.
Brown's first live stage show was Derren Brown Live, which he performed in the UK in 2003. The tour was then extended into 2004.
Brown's second live stage show, Something Wicked This Way Comes, toured around the UK following its success in the West End. The tour began in March 2005 at the Cambridge Theatre and finished in May at the Hammersmith Apollo. The run was then once more extended into the following year, being performed and filmed for a final time at the Old Vic Theatre in mid-June 2006.
A 90-minute edit of this show was broadcast on 29 December 2006, 10 June 2007 and 17 June 2008 on Channel 4, on 10 May 2008, 17 Jan 2009 and 6 Jan 2012 on E4; a longer, unedited version was released on DVD in May 2008. The show won the Laurence Olivier Award for Best Entertainment Show 2006. The show was co-written and directed by his long time collaborator Andy Nyman. The title is a direct quote from William Shakespeare's Macbeth; Act 4, scene 1, line 45.
Brown's third live stage show toured the United Kingdom in 2007 and 2008. "Derren Brown, Mind Reader — An Evening of Wonders", began 29 April 2007 in Blackpool, and ended 17 June in Bristol.
The show toured again from February until April 2008 throughout the UK, and concluded with a West End run at the Garrick Theatre during May and early June. The West End run was a strictly limited season of 32 performances only. A performance from the last week of the tour at the Garrick Theatre was filmed for Channel 4 and aired on 13 January 2009.
Enigma is the name of Brown's 2009/10 stage tour, directed by Andy Nyman. It began in Chatham on Friday 17 April 2009, visiting various UK towns before ending in London with a month at the Adelphi Theatre starting Monday 15 June 2009. The show includes Brown attempting to put the entire audience into a trance (he makes it clear this is not hypnotism and will not affect everyone). At the end of the show Brown requests that audience members, particularly reviewers and the press, do not reveal the show's secrets and surprises to others to avoid spoiling the fun. The show toured the UK again during the first half of 2010. Enigma was nominated for an Olivier award on 8 February 2010, Brown's second nomination for an Olivier following his 2006 show Something Wicked This Way Comes.[30] It was announced on Brown's blog that Enigma will be released on DVD as part of a box set containing three of his live shows Something Wicked This Way Comes, An Evening of Wonders and Enigma ready for a January 2011 release. Enigma was shown on Channel 4 on 6 January 2011 before the release of the box set.[31] It also aired on both 7 and 8 January 2011, the latter forming a part of 'Derren Brown Night'.
Derren Brown's 5th tour, entitled Svengali, opened on 9 March 2011 in Brighton and is planned to run until at least August 2012.[32] It is Brown's first show that is not written in collaboration with Andy Nyman.
Brown has written four books on magic: Absolute Magic, Pure Effect, Tricks of the Mind, and Confessions of a Conjuror. The first two books he penned are intended solely for practitioners of magic and mentalism, whilst his books Tricks of the Mind and Confessions of a Conjuror are aimed at the general public.
Absolute Magic, subtitled A Model for Powerful Close-Up Performance, is not so much about magical methodology as about how magicians can make their performances magical; it is written in a variety of styles: sometimes humorous, sometimes serious. He warns against an act that conveys the feeling of "Here are some tricks I've bought" and urges magicians to make their performances experiential and memorable by involving the audience. In some respects a lot of what he says is evocative of the content of Darwin Ortiz's Strong Magic but his book expresses it in the context of his experiences, performance style and theories of how performance should be. (Out of print)
Pure Effect is a more traditional book of trickery and technique and offers an insight into some of the methods that Brown employs, and offers a starting point for development for the reader's own use. (Out of print)
Tricks of the Mind is Brown's first book intended for the general public. It is a wide-ranging book in which Brown reveals some of the techniques he uses in his performances, delves into the structure and psychology of magic and discusses hypnosis. He also applies his insight to the paranormal industry, looking at the structure of beliefs and how psychology can explain why people become 'true believers'. He also offers autobiographical stories about his own experiences as a former Christian, and discusses his scepticism about religion, allegedly 'psychic' mediums and sundry other belief systems.
Confessions of a Conjuror was published by Channel 4 Books in October 2010. (ISBN 978-1-905-02657-9)
Brown has recorded some audio extracts from Tricks of the Mind. In them he expounds on the three subjects essential to his performance—Magic, Memory, and Hypnosis. The extracts last around 40 minutes each, disclosing tips and techniques Brown uses in his acts (as well as day-to-day) and narrating the highlights of his book.
The Devil's Picturebook is a near 3 hour home-made video. The first half explains in detail some classic card routines from his earlier career as a conjurer, all of which rely on sleight of hand, misdirection and audience management. The second looks at psychological card routines and shows a distinct move towards mentalism, for which he is now known. It is an instructional video for aspiring magicians and not an entertainment piece. For this reason, it was available only to practitioners through a password-protected "magicians only" area of his website. The clue to the password tells you that the word itself begins with T and is a type of palming trick.[33]
International Magic Presents: The Derren Brown Lecture is an 80-minute lecture DVD of close-up mentalism and subsequent discussion of various aspects of Brown's performance. Again, this product is not intended for general consumption but is directed at magicians and mentalists only.
In 2007, Brown performed in the short film Medium Rare.[34]
In 2008, Brown made a guest acting appearance in BBC Four's Crooked House as Sir Roger Widdowson.[35]
In 2008, Brown provided caricatures for "The QI "F" annual".
In 2009, a book, Portraits, was released containing a selection of Brown's paintings and bizarre caricatures of celebrities.
In 2010, Brown appeared in a special Comedy Gala for Channel four and Great Ormond Street Hospital. He appeared with Kevin Bishop, who played his jealous annoying twin 'Darren'.
Title | Release Date | Information |
---|---|---|
Derren Brown: Inside Your Mind | 6 October 2003 (re-released 16 April 2007) | Footage and some unused footage from Brown's Mind Control series. |
Trick of the Mind: Series 1 | 25 April 2005 | The first series of the Channel 4 show Trick of the Mind. |
Trick of the Mind: Series 2 | 27 March 2006 | The second series of the Channel 4 show Trick of the Mind |
Something Wicked This Way Comes | 5 May 2008 | A DVD release of the stage show with the same name, including segments not shown on Channel 4. |
Derren Brown: The Specials | 3 November 2008 | A collection of four of Derren Brown's one-off television specials: The Heist, The System, Séance, and Russian Roulette. |
Derren Brown: An Evening Of Wonders | 18 May 2009 | A DVD release of the stage show with the same name. |
Derren Brown: Enigma | 17 January 2011 | A DVD release of the stage show with the same name. |
Derren Brown: Live Collection | 17 January 2011 | A collection of three of Derren Brown's stage shows: Something Wicked This Way Comes, An Evening Of Wonders, and Enigma. |
In a Daily Telegraph article published in 2003 Simon Singh criticised Brown's early TV appearances, arguing that he presented standard magic and mentalism effects—such as the classic Ten Card Poker Deal trick—as genuine psychological manipulation.[36] On Brown's television and live shows he often appears to show the audience how a particular effect was created—claiming to use techniques such as subliminal suggestion, hypnosis, and body language reading. Singh's suggestion is that these explanations are dishonest. Furthermore, Singh took exception to the programme's website being categorised under Channel 4's "Science" section. The mini-site was moved to Entertainment for later series.
In an October 2010 interview, Brown conceded that Singh may have had a point, explaining that at the start of his television career "I was overstating the case, overstating my skills. I thought there'll only be one show, there'll never be a repeat, so I might as well go for it."[37] In his book Tricks of the Mind, Brown writes,
"I am often dishonest in my techniques, but always honest about my dishonesty. As I say in each show, 'I mix magic, suggestion, psychology, misdirection and showmanship'. I happily admit cheating, as it's all part of the game. I hope some of the fun for the viewer comes from not knowing what's real and what isn't. I am an entertainer first and foremost, and I am careful not to cross any moral line that would take me into manipulating people's real-life decisions or belief systems."
Brown claims to never use actors or "stooges" in his work without informing the viewers. In Tricks of the Mind, Brown writes that to use such a ploy is "artistically repugnant and simply unnecessary"; furthermore, he "would not want any participant to watch the TV show when it airs and see a different or radically re-edited version of what he understood to have happened".[19]
Brown claims to use a variety of methods to achieve his illusions including traditional magic/conjuring techniques, memory techniques, hypnosis, body language reading, cognitive psychology, cold reading and psychological, subliminal (specifically the use of PWA – "perception without awareness") and ideomotor suggestion.
In an interview published in New Scientist, Brown says that he first developed many of his "psychological illusion" skills through his training in hypnotherapy before he was involved in learning close-up magic. When asked how he was able to produce various psychological illusions such as apparent mind-reading, lie detection and hypnotic induction, Brown claimed to be able to read on subtle cues such as a micro-muscle movements that indicate to him if someone is lying or holding something back. He also states that his participants are carefully selected based on their suggestibility and responsiveness which is common in stage hypnosis. He believes that the presence of a television camera also increases responsiveness.[38]
Several authors have claimed that Brown uses neuro-linguistic programming (NLP) in his act which "consists of a range of magical 'tricks', misdirection and, most intriguing, setting up audiences to provide the response that he wishes them to provide by using subtle subliminal cues in his conversation with them."[39] In response to the accusation that he unfairly claims to be using NLP whenever he performs, Brown writes "The truth is I have never mentioned it outside of my book". Brown does have an off-stage curiosity about the system, and discusses it in the larger context of hypnotism and suggestion.[19][40] In his book "Tricks of the Mind" he mentions that he attended an NLP course with Richard Bandler, co-creator of NLP and mentor of Paul McKenna, but suggests that the rigid systems of body language interpretation employed by NLP are not as reliable as its practitioners imply. He also mentions the NLP concept of eye accessing cues as a technique of "limited use" in his book "Pure Effect".[41] The language patterns which he uses to suggest behaviours are very similar in style to those used by Richard Bandler and by the hypnotist from whom Bandler learned his skill, Milton H. Erickson. Brown also mentions in his book 'Tricks of the Mind' that NLP students were given a certificate after a four-day course, certifying them to practice NLP as a therapist. A year after Brown attended the class, he received a number of letters saying that he would receive another certificate, not for passing a test (as he discontinued practising NLP following the course), but for keeping in touch. After ignoring their request, he later received the new certificate for NLP in his mailbox, unsolicited.[42]
Brown was an Evangelical Christian in his teens, but became an atheist in his twenties. This is discussed by Brown in the "Messiah" special, and in his book Tricks of the Mind.[19] In an interview with Professor Richard Dawkins, Brown explained he sought to strengthen his belief and provide answers to common criticisms of religion by reading the Bible and other Christian religious texts, but upon doing so found none of the answers he sought and came to the conclusion that his belief (in Christianity) had no basis.[43]
The Big Issue website described Brown as being "playfully mendacious".[44] Although it has been said that Brown is banned from every casino in Britain,[45] other sources report that casinos welcome the publicity from his visits.[44]
In an interview with the Independent in 2007 Brown stated that he is gay.[46] In an interview with the Radio Times in 2011 Brown talked more about his sexuality, stating that he is blissfully happy in a relationship. He said, "I spent a lot of time thinking about me and working on what I wanted to be before I came into a relationship. In some ways, it’s bad because you come into relationship quite late without a lot of experience and you have a lot to learn. But that can also be exciting. Certainly, it’s lovely to have somebody love you and it’s lovely to love someone else." [47]
Since 2004 Brown has been the patron of the registered charity the Parrot Zoo Trust at Friskney in eastern Lincolnshire near Boston, England.[48] In an interview with LeftLion magazine he said "I’m a big fan of parrots – I think they’re fascinating creatures. Many of them live for longer than us humans and it's interesting to me the way they learn to mimic human voices even though they don't really comprehend what they're saying."[49]
Wikiquote has a collection of quotations related to: Derren Brown |
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Persondata | |
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Name | Brown, Derren |
Alternative names | |
Short description | British illusionist |
Date of birth | 27 February 1971 |
Place of birth | Purley, London, England, United Kingdom |
Date of death | |
Place of death |
Bjarke Ingels | |
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Bjarke Ingels in 2008 |
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Born | (1974-10-02) 2 October 1974 (age 37) Copenhagen, Denmark |
Nationality | Danish |
Alma mater | Royal Danish Academy of Fine Arts, School of Architecture |
Work | |
Practice | Bjarke Ingels Group |
Buildings | Mountain Dwellings |
Bjarke Ingels (born 2 October 1974) is a Danish architect. He heads the architectural practice Bjarke Ingels Group which he founded in 2006. In 2009 he co-founded the design consultancy KiBiSi. In his designs, Bjarke Ingels often tries to achieve a balance between playful and practical approaches to architecture.
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Bjarke Ingels studied architecture at the Royal Academy in Copenhagen and the Technica Superior de Arquitectura in Barcelona, receiving his diploma in 1999. As a third year student he set up his first practice and won his first competition.[1] From 1998-2001 he worked for Office of Metropolitan Architecture and Rem Koolhaas in Rotterdam.
In 2001, Bjarke Ingels returned to Copenhagen to set up the architectural practice PLOT together with Belgian OMA colleague Julien de Smedt. The company rapidly achieved success, receiving significant national and international attention for their inventive designs. They were awarded a Golden Lion at the Venice Biennale of Architecture in 2004 for a proposal for a new music house for Stavanger, Norway. Their first major achievement was the award-winning VM Houses in Ørestad, Copenhagen, in 2005. Despite its success, PLOT was disbanded in January 2006 and Bjarke Ingels created Bjarke Ingels Group, BIG, while his former partner founded JDS / Julien De Smedt Architects.[2]
With BIG, Bjarke Ingels has continued the ideology from PLOT and has several major projects under construction or development both in Denmark and abroad. These include 8 House in Ørestad and the new Danish national Maritime museum in Elsinore, hotel projects in Norway, a highrise designed in the shape of the Chinese character for 'people' for Shanghai, a masterplan for the redevelopment of a former naval base and oil industry wasteland into a zero-emission resort and entertainment city off the coast of Baku, Azerbaijan,[3] shaped as the seven mountains of the country, and a museum overlooking Mexico City.
Under the BIG Banner Bjarke recently published "Yes is more - an archcomic on architectural evolution".
On 24 July 2009, he spoke at the prestigious TED event in Oxford, UK.[4]
He presented the case study “Hedonistic sustainability” in the workshop Manage complexity - With integral solutions to an economy of means at the 3rd International Holcim Forum 2010 in Mexico City and shall be a member of the Holcim Awards regional jury for Europe in 2011.[5]
Explaining his design ideas, Bjarke Ingels states:
“ | Historically the field of architecture has been dominated by two opposing extremes. On one side an avant-garde full of crazy ideas. Originating from philosophy, mysticism or a fascination of the formal potential of computer visualizations they are often so detached from reality that they fail to become something other than eccentric curiosities. On the other side there are well organized corporate consultants that build predictable and boring boxes of high standard. Architecture seems to be entrenched in two equally unfertile fronts: either naively utopian or petrifyingly pragmatic. We believe that there is a third way wedged in the nomansland between the diametrical opposites. Or in the small but very fertile overlap between the two. A pragmatic utopian architecture that takes on the creation of socially, economically and environmentally perfect places as a practical objective.[6] | ” |
Alongside his architectural practice, Bjarke has been active as a Visiting Professor at the Rice University School of Architecture, the Harvard Graduate School of Design,[7] the Columbia University Graduate School of Architecture,[8] and the Yale School of Architecture.
Wikimedia Commons has media related to: Bjarke Ingels Group |
Persondata | |
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Name | Ingels, Bjarke |
Alternative names | |
Short description | Architect |
Date of birth | 1974-10-02 |
Place of birth | Copenhagen, Denmark |
Date of death | |
Place of death |
Sir Jonathan Ive KBE |
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Jonathan Ive, April 2009 |
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Born | February 1967 (1967-02) (age 45) Chingford, Essex, UK |
Nationality | British |
Occupation | Senior Vice President of Industrial Design, Apple Inc. |
Known for | Designer of Apple devices |
Sir Jonathan Paul "Jony" Ive, KBE (born February 1967) is a British designer and the senior vice president of Industrial Design at Apple Inc. He is the lead designer and conceptual mind behind many of Apple's products, including the iMac, MacBook Air, iPod, iPod touch, iPhone, and iPad. During Steve Jobs' tenure as CEO, Ive was given operational autonomy within the company, subject only to Jobs;[1] he currently reports to CEO Tim Cook.
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Jonathan Ive was born in Chingford, London. He was brought up by his teacher father and attended the Chingford Foundation School and went on to attend Walton High School in Stafford, then studied industrial design at Northumbria University (Newcastle Polytechnic at the time). Once enrolled in Walton, it became clear that he attained many technical and drawing skills through his father. Ive met his wife, Heather Pegg, while in secondary school. She is a year younger than Ive. They married in 1987, have twin sons and now live in San Francisco.
Ive has said that he knew he was interested in “drawing and making stuff” since around age 14. The idea of design was long in his mind, but he was unsure about exactly what he would design. His interests were very broad – from furniture and jewellery to boats and cars. He was never sure about where his interest would lead. It wasn’t until he met with various design experts that he was able to see some standard ground in wanting to further his study in product design.[2]
Ive has stated that discovering the Apple Mac during his later college years was a turning point for him. In particular, his positive perception of the Apple user experience was significant because he felt it was a departure from the lack of creativity found in computer design at that time.[3]
After finishing university, Ive went on to become a co-founder of London design agency Tangerine. Subsequently, he was commissioned in 1992 by Apple’s then Chief of Industrial Design Robert Brunner as a Tangerine consult, then full time employment.[4] He was the designer of the 2nd generation of the Newton, the MessagePad110, taking him to Taipei for the first time. He then gained his current position at Apple in 1997 as the Senior Vice President of Industrial Design after the return of Steve Jobs and has subsequently headed the industrial-design team responsible for most of the company's significant hardware products.[5] Ive's first design assignment was the iMac; it helped pave the way to many other designs such as the iPod and eventually the iPhone.[6] Jobs made design a chief focus of the firm's product strategy, and Ive proceeded to establish the firm’s leading position with a series of functionally clean, aesthetically pleasing, and remarkably popular products.[7]
The work and principles of Dieter Rams, the chief designer at Braun from 1961 until 1995, have influenced Ive's work. In Gary Hustwit's documentary film Objectified (2009), Rams states that Apple is one of only a handful of companies existing today that design products according to Rams's ten principles of "good design."[8][9]
Ive has his own laboratory with his appointed design team. They work to music that a close friend of his, DJ John Digweed, provides.[2] The majority of Apple employees are not allowed in the laboratory. According to the Steve Jobs biography, Ive's design studio has foam cutting and printing machines inside it. Also the windows are tinted.
The Sunday Times named Ive one of Britain's most influential expatriates on 27 November 2005: "Ive may not be the richest or the most senior figure on the list, but he has certainly been one of the most influential as the man who designed the iPod."
A 2006 Macworld magazine poll listed Ive's joining Apple in 1992 as the sixth most significant event in Apple's history, while Dan Moren, a writer at MacUser magazine (a subsidiary of Macworld), suggested in March 2006 that, when the time came for Steve Jobs to step down as the CEO of Apple, Ive would be an excellent candidate for the position, justifying the statement by saying that Ive "embodies what Apple is perhaps most famous for: design."[10] However, Jobs was succeeded by Tim Cook, the company's former COO.[11]
On 11 January 2008, The Daily Telegraph rated Ive the most influential Briton in the United States.[12]
In 1999, Ive was named by the MIT Technology Review TR100 one of the top 100 innovators in the world under age 35.[13]
In 2003, he was the winner of the Design Museum's Designer of the Year Award, the first given.[4]
In 2004, he was named the "Most Influential Person on British Culture" by the BBC.[14] In June 2005, British monarch Queen Elizabeth II was revealed as being an iPod owner.[15]
In 2007, the UK edition of GQ magazine named Ive "Product Designer of the Year."[16]
In 2007, Ive received the 2007 National Design Award in the product-design category for his work on the iPhone.[17]
In 2008, he was named the No. 1 "Most Influential Briton in America" by the Daily Telegraph.[18] Creativity Online included Ive in their "Creativity 50" list[19] The same year, he was awarded the MDA Personal Achievement Award for the design of the iPhone.[20]
In 2009, Ive received an honorary doctorate from the Rhode Island School of Design,[21] and honorary doctor of the Royal College of Art.[22] Also in 2009, Fast Company put him at No. 1 on their list of "100 Most Creative People in Business;[23] the Daily Telegraph named him the second "Most Influential Briton in Technology,[24] Forbes magazine listed him as second amongst the "Most Powerful People in Technology;[25] and The Guardian named him "Inventor of the Decade".[26]
In 2010, Bloomberg BusinessWeek listed Ive among the "World's Most Influential Designers",[27] CNN Money named him "Smartest Designer" in their "Smartest People in Tech" story.[28] Ive was listed at No. 18 on "The Vanity Fair 100" list,[29] and Eureka of The Times group placed him No. 5 on their list of "Britain's Most Important Scientists";[30] Fortune named Ive the "world's smartest designer" for his work on Apple products.[31]
In 2011, the Daily Mail profiled Ive, hailing him as a "design genius."[32]
Ive was appointed Commander of the Order of the British Empire (CBE) in the 2006 New Year Honours for services to the design industry. In the 2012 New Year Honours, he was elevated to Knight Commander of the Order of the British Empire (KBE) for "services to design and enterprise"[33]; he was knighted by Princess Anne in Buckingham Palace in a May 2012 ceremony.[34] He described the honour as "absolutely thrilling" and said he was "both humbled and sincerely grateful".[35][36]
Jonathan Ive personally holds almost 600 design patents.[37][38]
Wikiquote has a collection of quotations related to: Jonathan Ive |
Wikimedia Commons has media related to: Jonathan Ive |
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Persondata | |
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Name | Ive, Jonathan |
Alternative names | |
Short description | Senior Vice President of Industrial Design, Apple Inc. |
Date of birth | February 1967 |
Place of birth | Chingford, England |
Date of death | |
Place of death |
Ernest R. Emerson | |
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Born | (1955-03-07) March 7, 1955 (age 57) Northern Wisconsin, U.S. |
Alma mater | University of Wisconsin–La Crosse |
Occupation | Knifemaker, Martial artist, CEO |
Known for | tactical knives |
Influenced by | Phill Hartsfield, Michael Walker |
Spouse | Mary Emerson |
Ernest R. Emerson (born March 7, 1955) is an American custom knifemaker, martial artist, and edged-weapons expert. Originally an engineer and machinist in the aerospace industry,[1] Emerson became a knifemaker by producing knives for a martial arts class and making art knives early in his knifemaking career. In the 1980's he became better known for his combat knives and popularizing a style of knife known as the Tactical-folder.[2][3]
In order to secure military contracts, Emerson eventually founded Emerson Knives, Inc a production company to mass-produce his designs in 1996. Emerson's knives have been displayed as museum pieces, designed for use by Navy SEALs[4][5] and used by NASA in outer space.[6][7]
Emerson's knives have been featured in films and novels, due to their association with military units. This has furthered their popularity with collectors.[8]
Emerson is an accomplished martial artist who has developed a combatives system, Emerson Combat Systems, which has been taught to police officers, military units, and civilians.[9][10]
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Ernest Emerson was born on March 7, 1955 in northern Wisconsin.[11][12] While attending high school he displayed athletic ability as a wrestler and baseball player, being drafted by the St. Louis Cardinals to play professional baseball at the age of 17 in the Midwest League.[11]
Emerson began his training in martial arts at the age of 16 with the Korean version of Judo known as Yudo, traveling from Wisconsin to Minnesota twice a week to attend school.[2] He continued his study of the martial arts while attending the University of Wisconsin–La Crosse where he earned a brown belt in Kyokushinkai Karate and a black belt in Shotokan Karate while competing on the university's karate team.[11] After graduating with degrees in physical education and world history, Emerson moved to Southern California for the sole purpose of continuing his martial arts training at the Filipino Kali Academy.[11][13] There he studied Jun Fan Gung Fu, Jeet Kune Do, and Eskrima under the tutelage of Dan Inosanto and Richard Bustillo (both protégés of the late Bruce Lee).[11][13] Emerson subsequently trained in Gracie Jiu Jitsu for three years at the original Gracie Academy in Torrance, California, under the founders of the Gracie Jiu Jitsu system, Rorion and Royce Gracie.[14] Eventually, Emerson became an instructor in his own right and combined the principles of all these systems.[15] It was in Southern California where he met his wife, Mary, who at the time was one of the world's top female practitioners of Jujutsu.[4] During this time, Emerson worked as a technician, a machine operator, and eventually a design engineer for Hughes Aircraft in El Segundo.[1][16]
Although Emerson credits his grandfather's gift of a Barlow knife to him at the age of eight years with starting his interest in knives, it was not until later in life that he turned to making them.[12] The summer of 1978 found Emerson in need of a balisong knife for his study of a Filipino martial art and, unable to afford one on his salary,[2] Emerson decided he would attempt to make his own instead.[16] He milled and drilled the handles from aluminum stock; the knife's blade was a simple steel blank that he hand cut with a hacksaw, shaped with files, and heat treated at his dining room table with a butane torch.[16]
When he started classes with this "homemade" knife, his instructors and fellow students were impressed with his handiwork and asked him to make knives for them.[4] Emerson did so and sold these early butterfly knives for just the cost of materials, but he soon raised the price to $50 each, as demand for his knives increased.[16] Emerson went on to make fixed-blade knives on a part-time basis, but upon seeing a Michael Walker handmade folding knife at a gun show, he was so impressed by the quality and design that he decided he was going to make folding pocketknives from that point on.[2] Emerson contacted Walker and obtained his permission to use the Walker Linerlock mechanism on his own knives.[2] According to a 1990 article by Paul Basch, Emerson said of Walker, "Here was a guy who put everything I was looking for into a knife. It was then I decided to start making knives seriously and locking liners in particular".[17]
Emerson's early folding knives were of the linerlock variety, ground by the stock removal method, and utilized rare materials from the aerospace industry, including titanium, carbon fiber, micarta, and meteorite.[18] He incorporated exotic materials common to knifemakers of the time, including mother-of-pearl, abalone shell, paua shell, staghorn, and rare hardwoods.[3] Writer Paul Basch reported in 1990 that Emerson refused to use the parts of any animal or plant which was an endangered species, noting Emerson as being an environmentally conscious knifemaker.[17] The steel used in these blades was typically graded ATS-34, AEB-L, or 440C, and the blades were either highly polished or hand-rubbed. Emerson made knives with Damascus steel blades.[17] Among custom knife collectors and purveyors today, these knives are known as the "Pre-Tac" (Pre-Tactical) models.[14] They can be identified by their bright anodized titanium bolsters and liners and the predominant use of clip point blades.[17] The knives were noted for their close tolerances and precise locking mechanisms.[14] Emerson credits the following knifemakers for helping him along during his early years as a knifemaker: Michael Walker, Clint Breshears, Bob Engnath, and Jim Ferguson.[17]
Emerson's first logo or stamp on these knives was "Emerson Knives" surrounding the outline of a Bowie knife; accordingly this is referred to as the rare "Bowie Logo", appearing on only a very small number of knives. When a knife collector asked Emerson if he made Bowie knives, Emerson informed him that he did not. The collector then advised him to change his logo or he might confuse the knife-buying public, as they would ask for Bowie knives instead of linerlock folders. Emerson agreed with this assessment, dropping the knife outline and the word "knives" from his stamp, using just his name in a half-circle on the blade as a logo. This marking is known among collectors as the "Half-Moon Logo" and would appear again as a transitional mark between the Viper and Specwar lines of knives.[14]
These early knives sold for between $800 and $2,000 each; that, combined with his appearances at knife shows and write-ups in knife magazines, helped Emerson gain status and credibility as a custom knifemaker.[19] Once established as a serious and reputable maker, Emerson was soon able to concentrate on making the knives he wanted to make—knives designed for use as opposed to show, specifically folding-knives designed for combat.[19]
As a direct result of watching his fellow martial artists train with a fixed-blade fighting knife in class, yet carry some type of a folding knife when they left the training area, Emerson decided there was a need for a sturdy folding knife designed primarily for combat.[19] Although Emerson had always maintained that the knives he made were built as fighting knives first and foremost,[17] in October 1985 he stripped down five of these designs to simpler materials.[20] He continued his use of linen or canvas micarta because of its high tensile strength and superior gripping surface when wet; he decided on black or dark grey for the color instead of the brighter colors used previously.[14] He retained the titanium for the liners and bolsters but chose to bead-blast them a flat grey matte color as opposed to the colorful anodizing which used to appear on his knives.[14] The reasons for using titanium were its exceptional strength-to-weight ratio and corrosion resistance.[21]
Emerson ground the blades of these knives from ATS-34 steel with a Rockwell hardness of 57–59 and made them thicker toward the tip, creating a stronger-tipped blade than he had made previously.[19] He bead-blasted the blades as he did the liners and bolsters instead of rubbing or polishing them, giving them a matte finish as opposed to the mirror-polished finish common on his earlier knives and other knives at the time.[20][22] Emerson designed each one of these knives for a specific purpose. The slender Viper 1 and smaller Viper 2 were designed for use as a police officer's backup weapon.[14] The Viper 5 was designed to be used by naval boat crews, as the handle was contoured with a rear brake so as to not slip from the user's hand when wet and the Viper 3 was designed as a pure fighting knife with its 4-inch blade.[14]
Emerson's goal for this Viper line was to produce a working knife which would be more resistant to the elements and more durable than the "art knives" for which he had become known.[14][19] These knives were created to satisfy the demand for a practical field-grade combat knife which could be carried discreetly and accessed quickly.[23] He sold these five models under the name "Viper Knives" and changed the logo on the blades to read the same.[23] Emerson makes these models on a custom basis under the names MV1–5, "MV" standing for "Model Viper".[22]
In 1986 individual Navy SEALs from a West Coast team had been using personally purchased custom fixed-blade knives made by Southern California knifemaker Phill Hartsfield.[24] Hartsfield's knives were hard ground from differentially heat-treated A2 tool steel and are known for their distinctive chisel-ground blades.[4][24] More accurately, they are zero ground; that is, the edge has no secondary bevel, minimizing drag when used for cutting purposes. Emerson had long been impressed by the cutting ability of the chisel-ground edge and had asked Hartsfield's permission to incorporate it into his own folding knives, which Hartsfield granted.[24] When the SEALs asked Hartsfield to make them a folding knife, he informed them that he did not make folding knives and referred them to Emerson.[5][24]
According to the SEALs' requirements, the knife had to be corrosion resistant, designed for easy cleaning in the field, durable enough to be used on a daily basis as a tool, and capable as a weapon should the need arise.[23] Emerson's folding chisel-ground "tantō" became the sixth model in his Viper series and, while a handful of prototypes were referred to as "Viper 6", the model was soon named the "CQC-6" (CQC refers to close-quarters combat) and was chosen by the SEALs for use.[23][25] Ownership of a CQC-6 soon became something of a status symbol among members of various elite military units, including Navy SEALs, Army Special Forces, German GSG 9, and British SAS.[9][26] Because of this connection to the Special Warfare community, Emerson changed the name of his custom knife line to "Specwar Knives", and in 1990 this new designation began appearing in the logo on his blades.[25]
Other models followed in the Specwar line bearing the CQC Series moniker, including the CQC-7 which is another chisel-ground tantō-bladed folder similar to the CQC-6 but with a saber-type handle shape.[25] The CQC-8 ("Banana Knife") was a folder inspired by Bob Taylor's Warrior Knife and William F. Moran's ST-23 is used by British SAS troops.[26][27] The knife has the distinction of being the first folding knife that was designed to be ergonomically correct in both forward and reverse grip.[23] Its users refer to it as "the finest fighting knife ever developed".[28] The CQC-9 ("Eagle Knife") is a reverse-curved hawkbill blade developed as a backup weapon for an American law enforcement agency; it has an opening hole in the blade licensed from knife manufacturer Spyderco.[23][29] Although Emerson has standard models for these custom knives which progress in order to CQC16, each one is made individually by hand.[30][31]
While not the first knifemaker to build what is known as a tactical folding knife, Emerson was one of several makers who popularized the concept of the handmade tactical folder in the 1980s.[32][33] Emerson's knives began appearing in the Rogue Warrior series of novels written by the founder of the US Navy's SEAL Team Six, Richard Marcinko, at this time which helped fuel interest among collectors.[8]
This surge in interest for Emerson's knives soon became overwhelming.[34] Although he had been making knives full time since 1994, Emerson was still manufacturing these knives in his home garage workshop three years later.[3][30] As Emerson watched his customers' wait time expand from two years to seven, he realized that the demand for his handmade blades was far outpacing his ability to produce them.[3] The first method to bridge this gap between supply and demand would be through factory collaborations with established cutlery companies.[30]
Emerson's first collaboration with a knife manufacturer was with Timberline Knives in 1993 for his SPECWAR model.[35] According to Stephen Dick, the editor of Tactical Knives , this collaboration was a result of "the Navy deciding that only commercial designs would be considered due to failure of a previous custom knifemaker to deliver enough models to satisfy the need".[35] This model featured a one-side chisel-ground tantō blade almost 1/4 inch (6.35 mm) thick. Its handle was made from fiberglass-reinforced nylon molded around a near-full tang. Vaughn Neeley of Timberline designed the sheath.[36] The knife was originally a custom piece designed for Naval Special Warfare Group One, and this factory version was soon entered in the trials for the Navy SEALs knife in 1995.[35] Although it was not chosen by the Navy, Stephen Dick reported that a number of members of SEAL Team One privately purchased the knife and were disappointed it was not made the official blade.[35] The Emerson-Neeley SPECWAR knife won Blade Magazine's 1995 American Made Knife of the Year Award[14] at the magazine's Blade Show in Atlanta, Georgia, and that same year and was displayed as an exhibit at the Metropolitan Museum of Modern Art in New York City from May 24 to August 15, 1995.[37]
In 1994 the president of Benchmade Knives, Les DeAsis, approached Emerson to manufacture the CQC-6 on a larger scale as a factory production model.[14] Preferring to keep the CQC-6 as a custom-only knife, Emerson instead licensed a similar design of his, the CQC-7.[38][39]
The Benchmade factory version was sold under the model name BM970 or BM975 depending on blade length. Other designations followed which denoted blade finish,[40] manual or automatic opening, or partially serrated blade.[14] The knife retained the profile of Emerson's custom piece in addition to the ATS-34 steel and the titanium liners.[41] However, on Benchmade's offering the titanium bolsters and micarta scales were replaced with G10 fiberglass scales, the slotted screws were replaced by Torx head screws, and the pocket clip was repositioned so that the knife could be carried in the pocket in a tip-down position.[1][41]
Despite these changes the knife was true to Emerson's original design, and even though it did not have the craftsmanship of a handmade piece of cutlery it satisfied customers with their own version of Emerson's work at a lower price point and without the five-year wait.[25][39]
In February 1996, Emerson and his wife, Mary, founded Emerson Knives, Inc. (abbreviated as EKI) in Torrance, California to manufacture knives on a larger scale than he was then capable of.[2][30] This new company would be a distinct entity from his Specwar custom knives, although several custom designs would make their way into the production lineup.[42] Four years after starting this venture, Emerson sold an entire year's worth of production in four hours at the SHOT (Shooting Hunting and Outdoor Trade) Show in January 2000.[43]
Emerson continued to collaborate with other companies on knife-related projects as his own company grew. In some cases these collaborators had become his competition, such as Gerber Knives. In 2002 Emerson collaborated with Gerber Knives to create both companies' first automatic opening knife, the Gerber-Emerson Alliance.[44] In that same year, Emerson collaborated with SureFire Flashlights by making an exclusive CQC-8 (Banana Knife) numbered and marked with the SureFire logo and sold with an identically numbered Emerson-marked Centurion C2 CombatLight.[27] In 2005 Emerson collaborated with Andy Prisco, the CEO of the American Tomahawk Company, to produce the CQC-T Tomahawk. This tomahawk features a curved head machined from 4140 steel with a rear spike and a lightweight fiberglass handle. Although not made by Emerson, the tomahawk was designed by him.[45] In 2007, Emerson announced a collaboration with custom knifemaker and knife thrower Bobby Branton. The collaboration piece is a fixed-blade knife designed primarily for knife throwing dubbed the BETT: Branton-Emerson Tactical Thrower.[46]
One of Emerson's earliest production models, the Commander (winner of Blade Magazine's Overall Knife of the Year Award for 1999), is a large recurve folding knife based on a special custom design, the ES1-M, that he had made for a West Coast Navy SEAL Team.[4][47] The Commander has a hook on the spine of the blade (originally designed as a blade catcher) which, when snagged on the edge of the pocket or sheath causes the knife blade to open as it is drawn.[5] Emerson called this innovation the Wave and secured a patent for it in March 1999.[48] Emerson's Wave made its way onto most of the knives in both the production and custom lines, with the exception of the Viper models. It is a required feature on all knives that Emerson supplies to military units, search and rescue units, and law enforcement agencies.[49]
After a disastrous helicopter crash in 1999 resulting in the deaths of six Marines and one sailor, the US Navy performed an assessment of their equipment and decided among other things that they needed a new search and rescue knife.[50] The KA-BAR knives issued to the SBUs (Special Boat Units) had catastrophically failed to cut the Marines free from their webbing.[31]
The Navy went to Emerson, who designed and fabricated a working prototype within 24 hours.[31] They found that it met their needs, and the model was dubbed the "SARK" (Search and Rescue Knife). The SARK is a folding knife with a wharncliffe-style blade and a blunt tip designed so a rescuer could cut trapped victims free without stabbing them.[50] The knife features Emerson's Wave.[31] Seeing another need in the police community, Emerson replaced the blunt end of the SARK with a pointed end and named it the "P-SARK", or Police Search And Rescue Knife. The Ontario, California Police Department consulted Emerson to produce written policy for the carry and deployment of the P-SARK knives in their department.[51] In 2005, the Navy changed the requirements on the SARK to incorporate a guthook on the back of the blade for use as a line-cutter.[52] Emerson made the change on this model which is only available to the US Navy and the model designation is the NSAR (Navy Search And Rescue) Knife.[52]
In 1999, NASA contracted Emerson to build a knife for use on Space Shuttle missions and the International Space Station.[6][7] Rather than design a new model from scratch, NASA chose an existing model which already met their specifications, with one additional design requirement.[53] The model is a folding version of the Specwar knife that Emerson had designed for Timberline with the addition of a guthook cut into the tantō point of the blade with which astronauts could open their freeze dried food packages.[53] The knife is not available for purchase outside of NASA.[54]
On July 1, 2000, Emerson announced his semi-retirement from custom knifemaking in order to concentrate on this new production company and to fill the thousands of outstanding orders for his custom work. He still makes custom knives available for sale at knife shows, but takes no orders for new custom work.[55][56] Since 1995 the only way to get a new custom knife from Emerson himself is through a lottery held at knife shows where he is present.[55] Depending on the size of the show, as many as several hundred potential buyers write their names on individual pieces of paper at his booth, and at a predetermined time a name is drawn. The winner gets a chance to buy one of the custom knives brought to the show.[28][56]
In 2007, Emerson branched out in a new direction, announcing he would manufacture twelve custom electric guitars per year.[28] His first guitar debuted at Blade Magazine's Blade Show in Atlanta in June 2007.[57] In 2008, Emerson opened a clothing company called "Emerson Brand Apparel" specializing in MMA and casual clothing. In 2009 at the annual NRA Convention, Emerson announced a collaboration with custom pistol manufacturer Les Baer to produce a custom M1911 pistol built to Emerson's specifications with a semi-custom (handground blade) folding knife named the "CQC-45"(out of sequence from the CQC series as the number relates to the caliber of the pistol).[58] In late 2009, Emerson announced a collaboration with Spike's Tactical to produce an M-4 Carbine based upon his specifications for training, chambered in .22 long rifle and in 5.56 NATO; with a matching folding knife designated the "CQC-22" (out of sequence from the CQC series as the number relates to the caliber of the rifle).[59]
In September 2010, Emerson announced a collaboration with Pro-Tech Knives to produce an automatic opening version of the CQC-7. In November 2010, Emerson's Roadhouse Knife won Knives Illustrated's American Made Knife of 2010–2011 Award at the Spirit of Steel Show in Knoxville, TN. According to Emerson, the knife will be used as a prop on the Sons of Anarchy Television Show.[46]
In January 2011, at the SHOT (Shooting, Hunting, Outdoor Trade) Show in Las Vegas, NV, Emerson debuted a new knife model designed in collaboration with Kelly McCann known as the Canis.[60]
Emerson's knives have appeared onscreen in films and television shows. In Night of the Running Man, Scott Glenn's character carried a mother-of-pearl handled, one-of-a-kind Emerson CQC6.[61] Emerson Ravens, neck knives, and the Commander knife were used as props in the short-lived UPN television series Soldier of Fortune, Inc. A Commander knife was used by the character of Zak in the 1998 movie Placebo Effect; Emerson Knives is thanked in the film credits for the knife.[62]
Ridley Scott's 2001 film Black Hawk Down portrayed soldiers carrying Emerson folding knives in the hangar scene,[63] and in Tears of the Sun the Kandahar model appeared on Bruce Willis' character's web gear, and other actors were seen with Emerson Police Utility Knives.[64] Emerson Karambits, La Griffes, and Police Utility Knives are often used as weapons or rescue tools on the television show Burn Notice.[65][66] Frank Castle used an Emerson Karambit to kill an opponent in one of the final scenes in The Punisher.[67] Transporter 2 briefly showed an Emerson fixed-blade Kandahar knife in the trunk of Jason Statham's car along with other weapons as props.[68] An Emerson La Griffe was featured in the 2007 film: Doomsday.[69]
In the Russian movie 12 a remake of the classic Twelve Angry Men, an "Emerson CQC-7" is revealed as the potential weapon used by a Chechen teen in the murder of his Russian foster-parents. However, the knife shown in the movie is not a CQC-7 or even an Emerson made knife.[70]
Emerson's knives are mentioned in mystery, spy, military, action, and adventure novels. At least seven of Richard Marcinko's Rogue Warrior novels (Red Cell,[8] Green Team,[71] Task Force Blue,[72] Detachment Bravo,[73] SEAL Force Alpha, Violence of Action[74] and Holy Terror) prominently make mention of Emerson's knives (CQC-6 or CQC-7) as a regularly carried piece of equipment.[75] The protagonist, Marcinko, uses an Emerson CQC-6 or CQC-7 on various occasions. On page 175 of Task Force Blue, Marcinko remarks that his CQC-6 was a "personal gift from Ernie Emerson, himself".[72]
New York Times bestselling author David Morrell's novel The Protector not only has the main character, a former Delta Force operator named Cavanaugh, using an Emerson CQC-7 knife, but the cover art itself is a photographic illustration of a blood-stained Emerson CQC-7.[76] Cavanaugh uses the knife in combat as well as in many rigorous cutting chores. The author claims Emerson is "the best manufacturer of tactical knives" as well as a "top level blade instructor for elite military and law-enforcement units".[77] In an interview with British E-Zine Shots : The Crime and Mystery Ezine, Morrell indicated that he injured his collarbone during an Emerson knife-fighting course while performing research for the novel.[78] Morrell went on to include Emerson's knives in his books Creepers and The Spy Who Came for Christmas.[79][80]
Three of Marcus Wynne's novels (Warrior in the Shadows, No Other Option, Brothers in Arms) feature use of Emerson's knives by the main characters. The CQC-7, Commander, and La Griffe are favored by the main characters and are used as defensive weapons throughout the books.[81][82][83] The characters of S.M. Gunn's novels based on Naval Special Warfare, Navy SEALs, and submarines routinely carry Emerson's knives. One of the main characters carries an Emerson custom MV-1 Viper knife in the book SEALs SubStrike.[84] Barry Eisler's fictional hired killer John Rain's former U.S. Marine Sniper friend "Dox" uses an Emerson Comrade CQC-12, a folding knife based on the AK-47 bayonet, in The Last Assassin, referring to it as a "helluva knife" that could cut through a car door if he needed it to.[85]
Retired Navy SEAL and SEAL Team 6 Plankowner Dennis Chalker routinely puts Emerson's knives (CQC-7s and Commanders) into the hands of the heroes of his Home Team novels based on the exploits of former Naval Special Warfare Operators.[86] Emerson's CQC-7 has made its way into the Clive Cussler novel, Plague Ship.[87]
Emerson's study and instruction of martial arts is ongoing.[2] He has accumulated 35 years of experience in a variety of styles and philosophies of combat.[11] Drawing upon this base of knowledge and experience he has developed a combatives system known as Emerson Combat Systems, which has been taught to hundreds of law enforcement agencies, members of the U.S. military, and civilians.[2][24]
The system is based upon the recognition of two factors: the human body's physiological response to stress and its reduction to the use of gross motor skills.[15] According to Emerson, the techniques are based upon the physical and instinctual laws that govern the survival instincts and physical function of a human being.[88]
This system is characterized by training as realistically as possible (not training in workout gear for example) and using flowing, dynamic concepts (for example, integrated fighting and weapon transition with a strong emphasis placed on overall physical fitness.[89] Emerson maintains he does not teach a "martial art" encumbered by ritual or sporting aspects but a combatives system where the goal is more than simple self defense.[88][90]
Emerson has been consulted as a technical advisor to television and movie productions including National Geographic, specifically the program Fight Science, due in part to his position as the Hand To Hand Combat Instructor for Harry Humphries' Global Studies Group Incorporated, a company that teaches police and military tactics to law enforcement agencies and film production crews.[10][91]
Emerson has written over 30 articles on hand-to-hand combat, knife fighting, history, and knifemaking for publications including Human Events,[92] Blade Magazine,[93] American Cop Magazine,[94] Martial Arts Experts,[95] Journal of Modern Combatives,[88] Inside Kung-Fu,[90] Black Belt Magazine,[96] Police Magazine,[97] and American Handgunner.[98]
The rare Bowie Logo, which appeared on Emerson's early custom knives
Viper Knives logo
Emerson's Specwar logo
Logo from production knife company
1,200 customers waiting to get called to buy 1 of 30 knives
Cover art of The Protector
Emerson Rhino designed as a sentry-elimination weapon
|
Persondata | |
---|---|
Name | Emerson, Ernest R |
Alternative names | Emerson, Ernie |
Short description | Knifemaker, Martial Artist |
Date of birth | March 7, 1955 |
Place of birth | Northern Wisconsin, U.S. |
Date of death | |
Place of death |