In physics, a phonon is a collective excitation in a periodic, elastic arrangement of atoms or molecules in condensed matter, such as solids and some liquids. Often referred to as a quasiparticle, it represents an excited state in the quantum mechanical quantization of the modes of vibrations of elastic structures of interacting particles.

Phonons play a major role in many of the physical properties of solids, including a material's thermal and electrical conductivities. Hence the study of phonons is an important part of solid state physics.

A phonon is a quantum mechanical description of a special type of vibrational motion, in which a lattice uniformly oscillates at the same frequency. In classical mechanics this is known as the normal mode. The normal mode is important because any arbitrary lattice vibration can be considered as a superposition of these elementary vibrations (cf. Fourier analysis). While normal modes are wave-like phenomena in classical mechanics, they have particle-like properties in the wave–particle duality of quantum mechanics.

The name phonon comes from the Greek word φωνή (phonē), which translates as sound or voice because long-wavelength phonons give rise to sound.

The concept of phonons was introduced by Russian physicist Igor Tamm.

Lattice dynamics

The equations in this section either do not use axioms of quantum mechanics or use relations for which there exists a direct correspondence in classical mechanics.

For example, consider a rigid regular, crystalline, i.e. not amorphous, lattice composed of N particles. We will refer to these particles as atoms, although in a real solid these may be molecules. N is some large number, say around 10²³ (on the order of Avogadro's number) for a typical sample of solid. If the lattice is rigid, the atoms must be exerting forces on one another to keep each atom near its equilibrium position. These forces may be Van der Waals forces, covalent bonds, electrostatic attractions, and others, all of which are ultimately due to the electric field force. Magnetic and gravitational forces are generally negligible. The forces between each pair of atoms may be characterized by a potential energy function V that depends on the distance of separation of the atoms. The potential energy of the entire lattice is the sum of all pairwise potential energies:

:

where $\backslash ,\; r\_i$ is the position of the $\backslash ,\; i$th atom, and $\backslash ,\; V$ is the potential energy between two atoms.

It is difficult to solve this many-body problem in full generality, in either classical or quantum mechanics. In order to simplify the task, we introduce two important approximations. First, we perform the sum over neighboring atoms only. Although the electric forces in real solids extend to infinity, this approximation is nevertheless valid because the fields produced by distant atoms are screened. Secondly, we treat the potentials $\backslash ,\; V$ as harmonic potentials: this is permissible as long as the atoms remain close to their equilibrium positions. (Formally, this is done by Taylor expanding $\backslash ,\; V$ about its equilibrium value to quadratic order, giving $\backslash ,\; V$ proportional to the displacement $\backslash ,\; x^2$ and the elastic force simply proportional to $\backslash ,\; x$. The error in ignoring higher order terms remains small if $\backslash ,\; x$ remains close to the equilibrium position).

The resulting lattice may be visualized as a system of balls connected by springs. The following figure shows a cubic lattice, which is a good model for many types of crystalline solid. Other lattices include a linear chain, which is a very simple lattice which we will shortly use for modelling phonons. Other common lattices may be found in the article on crystal structure.

:

The potential energy of the lattice may now be written as

:$\backslash sum\_\{\backslash \{ij\backslash \}\; (nn)\}\; \{1\backslash over2\}\; m\; \backslash omega^2\; (R\_i\; -\; R\_j)^2.$

Here, $\backslash ,\backslash omega$ is the natural frequency of the harmonic potentials, which we assume to be the same since the lattice is regular. $\backslash ,\; R\_i$ is the position coordinate of the $\backslash ,\; i$th atom, which we now measure from its equilibrium position. The sum over nearest neighbors is denoted as "(nn)".

Lattice waves

Due to the connections between atoms, the displacement of one or more atoms from their equilibrium positions will give rise to a set of vibration waves propagating through the lattice. One such wave is shown in the figure to the right. The amplitude of the wave is given by the displacements of the atoms from their equilibrium positions. The wavelength $\backslash ,\backslash lambda$ is marked.

There is a minimum possible wavelength, given by twice the equilibrium separation a between atoms. As we shall see in the following sections, any wavelength shorter than this can be mapped onto a wavelength longer than 2a, due to the periodicity of the lattice.

Not every possible lattice vibration has a well-defined wavelength and frequency. However, the normal modes do possess well-defined wavelengths and frequencies.

One dimensional lattice

In order to simplify the analysis needed for a 3-dimensional lattice of atoms it is convenient to model a 1-dimensional lattice or linear chain. This model is complex enough to display the salient features of phonons.

Classical treatment

The forces between the atoms are assumed to be linear and nearest-neighbour, and they are represented by an elastic spring. Each atom is assumed to be a point particle and the nucleus and electrons move in step.(adiabatic approximation)

::::::::n-1 n n+1 ← d → $\backslash cdots$o++++++o++++++o++++++o++++++o++++++o++++++o++++++o++++++o++++++o$\backslash cdots$ :::::::::→→→→→→ :::::::::$u\_\{n-1\}\; \backslash qquad\backslash quad\; u\_n\; \backslash qquad\backslash quad\; u\_\{n+1\}$

Where $n$ labels the n'th atom, $d$ is the distance between atoms when the chain is in equilibrium and $u\_n$ the displacement of the n'th atom from its equilibrium position. If C is the elastic constant of the spring and m the mass of the atom then the equation of motion of the n'th atom is :

:$-2Cu\_n\; +\; C(u\_\{n+1\}\; +\; u\_\{n-1\})\; =\; m\{\backslash operatorname\{d^2\}u\_n\backslash over\backslash operatorname\{d\}t^2\}$ This is a set of coupled equations and since we expect the solutions to be oscillatory, new coordinates can be defined by a discrete Fourier transform, in order to de-couple them.

Put

:$u\_n\; =\; \backslash sum\_\{k=1\}^N\; U\_k\; e^\{iknd\}$

Here $nd$ replaces the usual continuous variable $x$. The $U\_k$ are known as the normal coordinates. Substitution into the equation of motion produces the following decoupled equations.(This requires a significant manipulation using the orthonormality and completeness relations of the discrete fourier transform )

: $2C(\backslash cos\backslash ,kd-1)U\_k\; =\; m\{\backslash operatorname\{d^2\}U\_k\backslash over\backslash operatorname\{d\}t^2\}$

These are the equations for harmonic oscillators which have the solution: :$U\_k=A\_ke^\{i\backslash omega\_kt\};\backslash qquad\backslash quad\; \backslash omega\_k=\backslash surd\backslash Big\backslash \{\; \{2C\; \backslash over\; m\}(1-\backslash cos\{kd\})\backslash Big\backslash \}$

Each normal coordinate $U\_k$ represents an independent vibrational mode of the lattice with wavenumber $k$ which is known as a normal mode. The second equation for $\backslash omega\_k$ is known as the dispersion relation between the angular frequency and the wavenumber.

Quantum treatment

Consider a one-dimensional quantum mechanical harmonic chain of N identical atoms. This is the simplest quantum mechanical model of a lattice, and we will see how phonons arise from it. The formalism that we will develop for this model is readily generalizable to two and three dimensions. The Hamiltonian for this system is

:$\backslash mathbf\{H\}\; =\; \backslash sum\_\{i=1\}^N\; \{p\_i^2\; \backslash over\; 2m\}\; +\; \{1\backslash over\; 2\}\; m\; \backslash omega^2\; \backslash sum\_\{\backslash \{ij\backslash \}\; (nn)\}\; (x\_i\; -\; x\_j)^2\backslash$

where $\backslash ,\; m$ is the mass of each atom, and $\backslash ,\; x\_i$ and $\backslash ,\; p\_i$ are the position and momentum operators for the $\backslash ,\; i$th atom. A discussion of similar Hamiltonians may be found in the article on the quantum harmonic oscillator.

We introduce a set of $\backslash ,\; N$ "normal coordinates" $\backslash ,\; Q\_k$, defined as the discrete Fourier transforms of the $\backslash ,\; x$'s and $\backslash ,\; N$ "conjugate momenta" $\backslash ,\backslash Pi$ defined as the Fourier transforms of the $\backslash ,\; p$'s:

:

The quantity $\backslash ,\; k\_n$ will turn out to be the wave number of the phonon, i.e. $\backslash ,\; 2\backslash ,\backslash pi$ divided by the wavelength. It takes on quantized values, because the number of atoms is finite. The form of the quantization depends on the choice of boundary conditions; for simplicity, we impose periodic boundary conditions, defining the $\backslash ,\; (N+1)$th atom as equivalent to the first atom. Physically, this corresponds to joining the chain at its ends. The resulting quantization is

:$k\_n\; =\; \{n\backslash pi\; \backslash over\; Na\}\; \backslash quad\; \backslash hbox\{for\}\backslash \; n\; =\; 0,\; \backslash pm1,\; \backslash pm2,\; ...\; ,\; \backslash pm\; N.\backslash$

The upper bound to $\backslash ,\; n$ comes from the minimum wavelength, which is twice the lattice spacing $\backslash ,\; a$, as discussed above.

By inverting the discrete Fourier transforms to express the $\backslash ,\; Q$'s in terms of the $\backslash ,\; x$'s and the $\backslash ,\backslash Pi$'s in terms of the $\backslash ,\; p$'s, and using the canonical commutation relations between the $\backslash ,\; x$'s and $\backslash ,\; p$'s, we can show that

:$\backslash left[\; Q\_k\; ,\; \backslash Pi\_\{k\text{'}\}\; \backslash right]\; =\; i\; \backslash hbar\; \backslash delta\_\{k\; k\text{'}\}\; \backslash quad\; ;\backslash quad\; \backslash left[\; Q\_k\; ,\; Q\_\{k\text{'}\}\; \backslash right]\; =\; \backslash left[\; \backslash Pi\_k\; ,\; \backslash Pi\_\{k\text{'}\}\; \backslash right]\; =\; 0.\backslash$

In other words, the normal coordinates and their conjugate momenta obey the same commutation relations as position and momentum operators! Writing the Hamiltonian in terms of these quantities,

:$\backslash mathbf\{H\}\; =\; \backslash sum\_k\; \backslash left(\; \{\; \backslash Pi\_k\backslash Pi\_\{-k\}\; \backslash over\; 2m\; \}\; +\; \{1\backslash over2\}\; m\; \backslash omega\_k^2\; Q\_k\; Q\_\{-k\}\; \backslash right)$

where

:$\backslash omega\_k\; =\; \backslash sqrt\{2\; \backslash omega^2\; (1\; -\; \backslash cos(ka))\}.\backslash$

Notice that the couplings between the position variables have been transformed away; if the $\backslash ,\; Q$'s and $\backslash ,\backslash Pi$'s were Hermitian (which they are not), the transformed Hamiltonian would describe $\backslash ,\; N$ uncoupled harmonic oscillators.

The harmonic oscillator eigenvalues or energy levels for the mode $\backslash omega\_k$ are :

::$E\_n\; =\; (\{1\backslash over2\}+n)\backslash hbar\backslash omega\_k\; \backslash quad\backslash quad\backslash quad\; n=0,1,2,3\; ......$

If we ignore the zero-point energy then the levels are evenly spaced at :

::$\backslash hbar\backslash omega\; ,\; \backslash quad\; 2\backslash hbar\backslash omega\; ,\backslash quad\; 3\backslash hbar\backslash omega\; \backslash quad\; ......$

So a minimum amount of energy $\backslash hbar\backslash omega$ must be supplied to the harmonic oscillator(or normal mode) to move it to the next energy level. In comparison to the photon case when the electromagnetic field is quantised, the quantum of vibrational energy is called a phonon.

All quantum systems show wave-like and particle-like properties. The particle-like properties of the phonon are best understood using the methods of second-quantisation and operator techniques described later.

Three dimensional lattice

This may be generalized to a three-dimensional lattice. The wave number k is replaced by a three-dimensional wave vector k. Furthermore, each k is now associated with three normal coordinates.

The new indices s = 1, 2, 3 label the polarization of the phonons. In the one dimensional model, the atoms were restricted to moving along the line, so the phonons corresponded to longitudinal waves. In three dimensions, vibration is not restricted to the direction of propagation, and can also occur in the perpendicular planes, like transverse waves. This gives rise to the additional normal coordinates, which, as the form of the Hamiltonian indicates, we may view as independent species of phonons.

Dispersion relation

In the above discussion, we have obtained an equation that relates the angular frequency of a phonon, $\backslash ,\backslash omega\_k$, to its wave number $\backslash ,\; k$:

:$\backslash omega\_k\; =\; \backslash sqrt\{2\; \backslash omega^2\; (1\; -\; \backslash cos(ka))\}\; =\; 2\; \backslash omega\; |\backslash sin(ka/2)|.$

This is known as a dispersion relation.

The speed of propagation of a phonon, which is also the speed of sound in the lattice, is given by the slope of the dispersion relation, $\backslash ,\backslash tfrac\{\backslash partial\backslash omega\_k\}\{\backslash partial\; k\}$ (see group velocity.) At low values of $\backslash ,\; k$ (i.e. long wavelengths), the dispersion relation is almost linear, and the speed of sound is approximately $\backslash ,\backslash omega\; a$, independent of the phonon frequency. As a result, packets of phonons with different (but long) wavelengths can propagate for large distances across the lattice without breaking apart. This is the reason that sound propagates through solids without significant distortion. This behavior fails at large values of $\backslash ,\; k$, i.e. short wavelengths, due to the microscopic details of the lattice.

For a crystal that has at least two atoms in its primitive cell (which may or may not be different), the dispersion relations exhibit two types of phonons, namely, optical and acoustic modes corresponding to the upper and lower sets of curves in the diagram, respectively. The vertical axis is the energy or frequency of phonon, while the horizontal axis is the wave-vector. The boundaries at -k_m and k_m are those of the first Brillouin zone. The blue, violet, and brown curves are those of longitudinal acoustic, transverse acoustic 1, and transverse acoustic 2 modes, respectively.

In some crystals the two transverse acoustic modes have exactly the same dispersion curve. It is also interesting that for a crystal with N ( > 2) different atoms in a primitive cell, there are always three acoustic modes. The number of optical modes is 3N - 3. Many phonon dispersion curves have been measured by neutron scattering.

The physics of sound in fluids differs from the physics of sound in solids, although both are density waves: sound waves in fluids only have longitudinal components, whereas sound waves in solids have longitudinal and transverse components. This is because fluids can't support shear stresses. (but see viscoelastic fluids, which only apply to high frequencies, though).

Interpretation of phonons using second quantisation techniques

In fact, the above-derived Hamiltonian looks like the classical Hamiltonian function, but if it is interpreted as an operator, then it describes a quantum field theory of non-interacting bosons. This leads to new physics.

The energy spectrum of this Hamiltonian is easily obtained by the method of ladder operators, similar to the quantum harmonic oscillator problem. We introduce a set of ladder operators defined by

:

The ladder operators satisfy the following identities:

:$\backslash mathbf\{H\}\; =\; \backslash sum\_k\; \backslash hbar\; \backslash omega\_k\; \backslash left(a\_k^\{\backslash dagger\}a\_k\; +\; 1/2\backslash right)$

:$[a\_k\; ,\; a\_\{k\text{'}\}^\{\backslash dagger\}\; ]\; =\; \backslash delta\_\{kk\text{'}\}$

:$[a\_k\; ,\; a\_\{k\text{'}\}\; ]\; =\; [a\_k^\{\backslash dagger\}\; ,\; a\_\{k\text{'}\}^\{\backslash dagger\}\; ]\; =\; 0.$

As with the quantum harmonic oscillator, we can then show that $\backslash ,\; a\_k^\backslash dagger$ and $\backslash ,\; a\_k$ respectively create and destroy one excitation of energy $\backslash ,\backslash hbar\backslash omega\_k$. These excitations are phonons.

We can immediately deduce two important properties of phonons. Firstly, phonons are bosons, since any number of identical excitations can be created by repeated application of the creation operator $\backslash ,\; a\_k^\backslash dagger$. Secondly, each phonon is a "collective mode" caused by the motion of every atom in the lattice. This may be seen from the fact that the ladder operators contain sums over the position and momentum operators of every atom.

It is not a priori obvious that these excitations generated by the $\backslash ,\; a$ operators are literally waves of lattice displacement, but one may convince oneself of this by calculating the position-position correlation function. Let $\backslash ,\; |k\backslash rangle$ denote a state with a single quantum of mode $\backslash ,\; k$ excited, i.e.

:$\backslash begin\{matrix\}\; |\; k\; \backslash rangle\; =\; a\_k^\backslash dagger\; |\; 0\; \backslash rangle.\; \backslash end\{matrix\}$

One can show that, for any two atoms $\backslash ,\; j$ and $\backslash ,\backslash ell$,

:$\backslash langle\; k\; |\; x\_j(t)\; x\_\{\backslash ell\}(0)\; |\; k\; \backslash rangle\; =\; \backslash frac\{\backslash hbar\}\{Nm\backslash omega\_k\}\; \backslash cos\; \backslash left[\; k(j-\backslash ell)a\; -\; \backslash omega\_k\; t\; \backslash right]\; +\; \backslash langle\; 0\; |\; x\_j(t)\; x\_\backslash ell(0)\; |0\; \backslash rangle$

which is exactly what we would expect for a lattice wave with frequency $\backslash ,\backslash omega\_k$ and wave number $\backslash ,\; k$.

In three dimensions the Hamiltonian has the form

:$\backslash mathbf\{H\}\; =\; \backslash sum\_k\; \backslash sum\_\{s\; =\; 1\}^3\; \backslash hbar\; \backslash ,\; \backslash omega\_\{k,s\}\; \backslash left(\; a\_\{k,s\}^\{\backslash dagger\}a\_\{k,s\}\; +\; 1/2\; \backslash right).$

Acoustic and optical phonons

Solids with more than one type of atom, with either different masses or bonding strengths, in the smallest unit cell exhibit two types of phonons: acoustic phonons and optical phonons.

In terms of the dispersion relations for phonons, acoustic phonons exhibit linear dispersion, i.e., a linear relationship between frequency and phonon wavevector, in the long-wavelength limit. The frequencies of acoustic phonons, which are the phonons described above, tend to zero with longer wavelength, and correspond to sound waves in the lattice. Longitudinal and transverse acoustic phonons are often abbreviated as LA and TA phonons, respectively.

Optical phonons, however, have a non-zero frequency at the Brillouin zone center and show no dispersion near that long wavelength limit. They are called optical because in ionic crystals, such as sodium chloride, they are excited by infrared radiation. This is because they correspond to a mode of vibration where positive and negative ions at adjacent lattice sites swing against each other, creating a time-varying electrical dipole moment. Optical phonons that interact in this way with light are called infrared active. Optical phonons that are Raman active can also interact indirectly with light, through Raman scattering. Optical phonons are often abbreviated as LO and TO phonons, for the longitudinal and transverse modes respectively.

Crystal momentum

It is tempting to treat a phonon with wave vector $\backslash ,\; k$ as though it has a momentum $\backslash ,\backslash hbar\; k$, by analogy to photons and matter waves. This is not entirely correct, for $\backslash ,\backslash hbar\; k$ is not actually a physical momentum; it is called the crystal momentum or pseudomomentum. This is because $\backslash ,\; k$ is only determined up to multiples of constant vectors, known as reciprocal lattice vectors. For example, in our one-dimensional model, the normal coordinates $\backslash ,\; Q$ and $\backslash ,\backslash Pi$ are defined so that

:$Q\_k\; \backslash \; \backslash stackrel\{\backslash mathrm\{def\}\}\{=\}\backslash \; Q\_\{k+K\}\; \backslash quad;\backslash quad\; \backslash Pi\_k\; \backslash \; \backslash stackrel\{\backslash mathrm\{def\}\}\{=\}\backslash \; \backslash Pi\_\{k\; +\; K\}\; \backslash quad$

where

:$\backslash ,\; K\; =\; 2n\backslash pi/a$

for any integer $\backslash ,\; n$. A phonon with wave number $\backslash ,\; k$ is thus equivalent to an infinite "family" of phonons with wave numbers $\backslash ,\; k\backslash pm\backslash tfrac\{2\backslash ,\backslash pi\}\{a\}$, $\backslash ,\; k\backslash pm\backslash tfrac\{4\backslash ,\backslash pi\}\{a\}$, and so forth. Physically, the reciprocal lattice vectors act as additional "chunks" of momentum which the lattice can impart to the phonon. Bloch electrons obey a similar set of restrictions.

It is usually convenient to consider phonon wave vectors $\backslash ,\; k$ which have the smallest magnitude $\backslash ,\; (|k|)$ in their "family". The set of all such wave vectors defines the first Brillouin zone. Additional Brillouin zones may be defined as copies of the first zone, shifted by some reciprocal lattice vector.

It is interesting that similar consideration is needed in analog-to-digital conversion where aliasing may occur under certain conditions.

Thermodynamics

The thermodynamic properties of a solid are directly related to its phonon structure. The entire set of all possible phonons that are described by the above phonon dispersion relations combine in what is known as the phonon density of states which determines the heat capacity of a crystal.

At absolute zero temperature, a crystal lattice lies in its ground state, and contains no phonons. A lattice at a non-zero temperature has an energy that is not constant, but fluctuates randomly about some mean value. These energy fluctuations are caused by random lattice vibrations, which can be viewed as a gas of phonons. (The random motion of the atoms in the lattice is what we usually think of as heat.) Because these phonons are generated by the temperature of the lattice, they are sometimes referred to as thermal phonons.

Unlike the atoms which make up an ordinary gas, thermal phonons can be created and destroyed by random energy fluctuations. In the language of statistical mechanics this means that the chemical potential for adding a phonon is zero. This behavior is an extension of the harmonic potential, mentioned earlier, into the anharmonic regime. The behavior of thermal phonons is similar to the photon gas produced by an electromagnetic cavity, wherein photons may be emitted or absorbed by the cavity walls. This similarity is not coincidental, for it turns out that the electromagnetic field behaves like a set of harmonic oscillators; see Black-body radiation. Both gases obey the Bose-Einstein statistics: in thermal equilibrium and within the harmonic regime, the probability of finding phonons (or photons) in a given state with a given angular frequency is:

:$n(\backslash omega\_\{k,s\})\; =\; \backslash frac\{1\}\{\backslash exp(\backslash hbar\backslash omega\_\{k,s\}/k\_BT)\; -\; 1\}$

where $\backslash ,\backslash omega\_\{k,s\}$ is the frequency of the phonons (or photons) in the state, $\backslash ,\; k\_B$ is Boltzmann's constant, and $\backslash ,\; T$ is the temperature.

Operator formalism

The phonon Hamiltonian is given by :$\backslash mathbf\{H\}\; =\; \backslash frac\{1\}\{2\}\backslash sum\_\{\backslash alpha\}(p\_\{\backslash alpha\}^\{2\}\; +\; \backslash omega^\{2\}\_\{\backslash alpha\}q\_\{\backslash alpha\}^\{2\}\; -\backslash frac\{1\}\{2\}\backslash hbar\backslash omega\_\{\backslash alpha\})$ In terms of the operators, these are given by :$\backslash mathbf\{H\}\; =\; \backslash sum\_\{\backslash alpha\}\backslash hbar\backslash omega\_\{\backslash alpha\}a\_\{\backslash alpha\}^\{\backslash dagger\}a\_\{\backslash alpha\}$ Here, in expressing the Hamiltonian (quantum mechanics) in operator formalism, we have not taken into account the $\backslash frac\{1\}\{2\}\backslash hbar\; \backslash omega\_\{q\}$ term, since if we take an infinite lattice or, for that matter a continuum, the $\backslash frac\{1\}\{2\}\backslash hbar\backslash omega\_\{q\}$ terms will add up giving an infinity. Hence, it is "renormalized" by putting the factor of $\backslash frac\{1\}\{2\}\backslash hbar\backslash omega\_\{q\}$ to 0 arguing that the difference in energy is what we measure and not the absolute value of it. Hence, the $\backslash frac\{1\}\{2\}\backslash hbar\backslash omega\_\{q\}$ factor is absent in the operator formalised expression for the Hamiltonian. The ground state also called the "vacuum state" is the state composed of no phonons. Hence, the energy of the ground state is 0. When, a system is in state $|n\_\{1\}n\_\{2\}n\_\{3\}...\backslash rangle$, we say there are $n\_\{\backslash alpha\}$ phonons of type $\backslash alpha$. The $n\_\{\backslash alpha\}$ are called the occupation number of the phonons. Energy of a single phonon of type $\backslash alpha$ being $\backslash hbar\; \backslash omega\_\{q\}$, the total energy of a general phonon system is given by $n\_\{1\}\backslash hbar\backslash omega\_\{1\}\; +\; n\_\{2\}\backslash hbar\backslash omega\_\{2\}+\; ...$. In other words, the phonons are non-interacting. The action of creation and annihilation operators are given by :$a^\{\backslash dagger\}\_\{\backslash alpha\}|n\_\{1\}...n\_\{\backslash alpha\; -1\}n\_\{\backslash alpha\}n\_\{\backslash alpha\; +1\}...\backslash rangle\; =\; \backslash sqrt\{n\_\{\backslash alpha\}\; +1\}|n\_\{1\}...,n\_\{\backslash alpha\; -1\},\; n\_\{\backslash alpha\}+1,\; n\_\{\backslash alpha+1\}...\backslash rangle$ and, :$a\_\{\backslash alpha\}|n\_\{1\}...n\_\{\backslash alpha\; -1\}n\_\{\backslash alpha\}n\_\{\backslash alpha\; +1\}...\backslash rangle\; =\; \backslash sqrt\{n\_\{\backslash alpha\}\}|n\_\{1\}...,n\_\{\backslash alpha\; -1\},(n\_\{\backslash alpha\}-1),n\_\{\backslash alpha+1\},...\backslash rangle$ i.e. $a^\{\backslash dagger\}\_\{\backslash alpha\}$ creates a phonon of type $\backslash alpha$ while $a\_\{\backslash alpha\}$ annihilates. Hence, they are respectively the creation and annihilation operator for phonons. Analogous to the Quantum harmonic oscillator case, we can define particle number operator as $N\; =\; \backslash sum\_\{\backslash alpha\}a\_\{\backslash alpha\}^\{\backslash dagger\}a\_\{\backslash alpha\}$. The number operator commutes with a string of products of the creation and annihilation operators if, the number of $a$'s are equal to number of $a^\{\backslash dagger\}$'s. Phonons are bosons since, $|\backslash alpha,\backslash beta\backslash rangle\; =\; |\backslash beta,\; \backslash alpha\backslash rangle$ i.e. they are symmetric under exchange.

See also

Boson

Fracton

Rayleigh wave

Brillouin scattering

Linear elasticity

Phononic crystal

Relativistic heat conduction

Surface acoustic wave

Rigid Unit Modes

Surface phonon

SASER

Thermal conductivity

Notes

References

External links

Optical and acoustic modes

Phonons in a One Dimensional Microfluidic Crystal and with movies in .

Category:Quasiparticles Category:Bosons

Name	Susumu Hirasawa平沢進
Background	solo_singer
Origin	Tokyo, Japan
Born	April 02, 1954
Genre	Electropop, Electronic, New Wave, Synth Rock
Occupation	Musician, Producer, Activist
Years active	1979–present
Instrument	KeyboardGuitarAmiga
First album	Water in Time and Space
Latest album	Planet Roll Call
Associated acts	P-Model, Kaku P-Model, Mandrake, Shun, Global Trotters
Url	susumuhirasawa.com

is a Japanese electropop artist.

In 1972, he enrolled at Tokyo Designer Gakuin College. From 1972 to 1978, he performed in his first band Mandrake, a progressive rock group influenced by King Crimson and Yes. In 1979 he formed a New Wave synth-rock & techno-pop band called P-Model, along with two former members of Mandrake. They released a string of albums through the 1980s, and in 1989, Hirasawa began releasing solo work, while also continuing to work with the reactivated P-Model beginning in 1992. The P-Model project continued until 1999; in 2004 Hirasawa started a new unit known as Kaku P-Model, which is effectively a solo continuation of P-Model.

Compositions and performances

Hirasawa uses Amiga computers extensively in his work, using applications such as Scala, Bars and Pipes, and OctaMED in the production of his music. One of the factors that set him apart from other Japanese electronic artists is ever-changing production techniques. For 2001's Solar Ray album, his recording studio was powered completely by solar energy.

Hirasawa's live music is based on samples he activates with various hand-crafted sampler machines, pre-recorded tracks without vocals, and no regular backup performers. For the Solar Ray live tour, he used solar power and a power-generating wheel, inspired by bicycles, to power his electronic equipment. DVDs are available of his innovative award-winning live performances via his website (and ordering through Teslakite).

Activism

Hirasawa spoke out against "the nations that are headed towards carnage while ignoring international law" and the actions of the Japanese government in aiding such actions. Specifically, he pointed to the American response after the September 11, 2001 attack, which he believes to involve excessive murder of innocent people. As a result of his convictions, Hirasawa has offered free downloads of his music, which he hopes will be used as tools of objection.

Discography

P-Model

Original albums

As KAKU P-Model (solo)

Soundtracks

These are all animation soundtracks, except Kamui Mintara which is a documentary soundtrack.

Singles

Videos

References

External links

English translation of an interview with Susumu Hirasawa from Ikir Sector, an Italian-language website

Susumu Hirasawa's official site (in English)

Susumu Hirasawa's "Free Distribution Against the Carnage" anti-war protest page

Teslakite, Susumu Hirasawa's online store

The most comprehensive and current English information site

A review of Interactive Live Show 2000 DVD Version 1.4

RocketBaby's Interview

Jmusic.fr.tc Biography and complete discography at the jmusic section (in French)

Category:Japanese electronic musicians Category:Japanese composers Category:Anime composers Category:1954 births Category:Living people Category:Japanese record producers