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Holiness, or sanctity, is in general the state of being holy (perceived by religious individuals as associated with the divine) or sacred (considered worthy of spiritual respect or devotion; or inspiring awe or reverence among believers in a given set of spiritual ideas). In other contexts, objects are often considered 'holy' or 'sacred' if used for spiritual purposes, such as the worship or service of gods. These terms can also be used in a non-spiritual or semi-spiritual context ("sacred truths" in a constitution). It is often ascribed to people ("a holy man" of religious occupation, "holy prophet" who is venerated by his followers), objects ("sacred artifact" that is venerated and blessed ), times ("holy days" of spiritual introspection, such as during winter holidays), or places ("sacred ground", "holy place").

Etymology[link]

The word "sacred" descends from the Latin sacrum, which referred to the gods or anything in their power, and to sacerdos, priest; sanctum, set apart. It was generally conceived spatially, as referring to the area around a temple.

The English word "holy" dates back to at least the 11th Century with the Old English word hālig, an adjective derived from hāl meaning "whole" and used to mean "uninjured, sound, healthy, entire, complete". The Scottish hale ("health, happiness and wholeness") is the most complete modern form of this Old English root. The modern word "health" is also derived from the Old English hal. As "wholeness", holiness may be taken to indicate a state of religious completeness or perfection. The word "holy" in its modern form appears in Wyclif's Bible of 1382.

In non-specialist contexts, the term "holy" is used in a more general way, to refer to someone or something that is associated with a divine power, such as water used for baptism.

Hierology[link]

For the study of hieroglyphics, see hieroglyphology. For the study of sacred writings, see hierographology.

Hierology (Greek ιερος, hieros, "sacred" or "holy", + λογος, logos, "word", "account", or "reason") refers to the study of the sacred and sacredness. It is generally pursued by those who find real truth in many faiths and especially refers to philosophical speculations about religion that involve the traditions of multiple cultures or belief systems. It differs from theology in that a god or gods are not necessarily a focus and in that it may include sources with no origin in Western philosophy or religion.

Buddhism[link]

In Theravada Buddhism one finds the designation of 'noble person' or ariyapuggala (Pali). The Buddha described four grades of such person depending on their level of purity. This purity is measured by which of the ten fetters (samyojana) and klesha have been purified and integrated from the mindstream. These persons are called (in order of increasing sanctity) Sotapanna, Sakadagami, Anagami and Arahant. The latter term designates an enlightened human being and is sometimes rendered into English as the Holy One.

Christianity[link]

The temple of God is holy, which temple ye are, 1 Cor.3:17

Catholicism[link]

Catholicism has inherited much of the Jewish vision of the world in terms of holiness, with certain behaviour appropriate to certain places and times. The calendar gives shape to Catholic practice, which tends to focus on the Eucharist, in which the Real Presence of Christ is manifested. Holy days, celebrating events of the life of Christ and the lives of Catholic saints officially recognized as holy, are celebrated throughout the year. Many features of the Jewish temple (although now seen as having Christian significance) are imitated in churches, such as the altar, bread, lamp, incense, font, etc., to emphasise the extreme holiness of the Eucharistic elements, which are reserved in a tabernacle. In extension of this focus on the Sacrament as holy, many objects in Catholicism are also considered holy. They are called sacramentals and are usually blessed by a priest. Such items include rosaries, crucifixes, medals, and statues and icons of Jesus, angels and saints (Virgin Mary). While Catholics believe that holy places and objects (i.e., objects dedicated to God for sacred use) should be respected and not put to profane use, the Catholic Church condemns worshiping the object itself, as any worship given to something other than God is considered idolatry.

People in a state of sanctifying grace are also considered holy in Catholicism. A central notion of Catholicism as articulated in contemporary theology is the "[personal] call to holiness," considered as a vocation shared by every Christian believer. Profound personal holiness has traditionally also been seen as a focus for the kind of contagious holiness primarily associated with the Sacrament. So the communion of saints in Catholicism is not only the acclamation of their piety or morality, but also reverence for the tangible holiness that flows from their proximity to the divine. Hence the places where saints lived, died, performed miracles, or received visions frequently become sites of pilgrimage, and notable objects surviving a saint (including the body or parts of it) are considered relics. The holiness of such places or objects, resulting from contact with a deeply holy person, is often connected with the miraculous long after the death of the saint.

Sanctus (Latin for "holy") is the name of an important hymn of Christian liturgy. The Trisagion ('Thrice Holy') is a standard hymn of the Divine Liturgy of the Eastern Churches.

Protestantism[link]

Part of a series on the
Attributes of God
Aseity Eternity Graciousness Holiness Immanence Immutability Impassibility Impeccability Incorporeality Love Mission Omnibenevolence Omnipotence Omnipresence Omniscience Oneness Providence Righteousness Simplicity Transcendence Trinity Veracity Wrath
v t e

This unreferenced section requires citations to ensure verifiability.

The Protestant Reformation stood in opposition to the beliefs of tangible holiness in the Catholic Church and rejected most of its teachings regarding devotional practice, language and imagery. The early Protestant Reformers, who were often scholars of Ancient Greek and also borrowed from Jewish scholarship, recognized that holiness is an attribute of God, and holiness is always part of the presence of God. Yet they also recognized that "practical holiness" was the evidence of the presence of God in the converted believer. Martin Luther viewed God's grace (and therefore God's holiness), as an invasion of the life. Actions that demonstrated holiness would spring up, not premeditated, as the believer focused more and more on his or her relationship with Christ. This was the life of faith, according to Luther; a life in which one recognizes that the sin inherent in human nature never departs, yet Grace invades each human spirit and draws each person after Christ.

Calvin, on the other hand, formulated a practical system of holiness that even tied in with culture and social justice. All unholy actions, Calvin reasoned, resulted in suffering. Thus he proved out to the city fathers of Geneva that dancing and other social vices always ended with the wealthy oppressing the poor. A holy life, in his outlook, was pietistic and simple, a life that shunned extravagance, excess, and vanity. On a personal level, Calvin believed that suffering would be a manifestation of taking on the Cross of Christ, but suffering was also part of the process of holiness. He expected that all Christians would suffer in this life, not as punishment, but rather as participation in union with Christ, who suffered for them. And yet, socially, Calvin argued that a holy society would end up as a gentle, kindly society (except to criminals) where the poor would be protected from the abuses of the wealthy, the lawyers, and others who normally preyed upon them.

In Protestantism, especially in American branches of Protestantism of the more Pentecostal variety, holiness has acquired the secondary meaning of the reshaping of a person through spiritual rebirth. The term owes its origin to John Wesley's concept of "scriptural holiness" or Christian perfection.

The Holiness movement began within Methodism in the United States, among those who thought the church had lost the zeal and emphasis on personal holiness of Wesley's day. In the latter part of the 19th century revival meetings were held, attended by thousands. In Vineland, N.J in 1867 a camp meeting was begun and the "National Holiness Camp Meeting Association, which went on to establish many holiness camp meetings across the nation. Some adherents to the movement remained within their denominations; others founded new denominations, such as the Free Methodist Church, the Church of the Nazarene, and the Church of God (Anderson). Within a generation another movement, the Pentecostal movement was born, drawing heavily from the Holiness Movement. Around the middle of the 20th century, the Conservative Holiness Movement was born - a conservative offshoot of the Holiness movement.

The Higher Life movement appeared in the British Isles during the mid-19th century.

In the contemporary Holiness movement, the idea that holiness is relational is growing. In this thought, the core notion of holiness is love. Other notions of holiness, such as purity, being set apart, perfection, keeping rules, and total commitment, are seen as contributory notions of holiness. These contributory notions find their ultimate legitimacy when love is at their core (Thomas Jay Oord and Michael Lodahl).

Commonly recognized outward expressions or "standards" of holiness among more fundamental adherents frequently include applications relative to dress, hair, and appearance: e.g., short hair on men, uncut hair on women, and prohibitions against shorts, pants on women, make-up and jewelry. Other common injunctions are against places of worldly amusement, mixed swimming, smoking, minced oaths, as well as the eschewing of television and radio.

More traditional or mainline Protestant denominations, such as the Anglican, Lutheran, and some Methodist denominations, believe in Holy Sacraments that the clergy perform, such as Holy Communion and Holy Baptism. As well as strong belief in the Holy Catholic Church, Holy Scripture, Holy Trinity, and the Holy Covenant. They also believe that angels and saints are called to holiness.

Orthodoxy[link]

• see Glorification

Islam[link]

Among the names of God in Quran is القدوس (Al-Qoddous) : 59:23 and 62:1, the closest English translation for which is 'sacred'. As God alone is considered to be the ultimate source of all true purification and guidance in Islam, all holiness is his alone too.^{[clarification needed][citation needed]}

Judaism[link]

Some^[who?] consider that the Hebrew noun for "holiness," kedushah (Hebrew: קדושה‎), from the adjective kodesh, "holy," has the connotation of "separateness", although Hebrew has other verbs and adjectives to indicate separate, such as badal (בָּדַל). That which is holy in Judaism is set apart, and the separation is maintained by both legal and spiritual measures.^{[citation needed]} Certain places and times are intrinsically sacred, and strictures are placed on one's actions in those situations. However, holiness is not a single state, but contains a broad spectrum. The Mishnah lists concentric circles of holiness surrounding the Temple in Jerusalem: Holy of Holies; Temple Sanctuary; Temple Vestibule; Court of Priests; Court of Israelites; Court of Women; Temple Mount; the walled city of Jerusalem; all the walled cities of Israel; and the borders of the Land of Israel. Distinctions are made as to who and what are permitted in each area. Likewise, the holidays, including and especially the Sabbath, are considered to be holy in time; the Torah calls them "holy [days of] gathering. Work is not allowed on those days, and rabbinic tradition lists 39 categories of activity that are specifically prohibited.

The Torah describes the Aaronite priests and the Levites as being selected by God to perform the Temple services; they, as well, are called "holy." A righteous person (tzadik) is also considered to be holy.^{[citation needed]}

Beyond the intrinsically holy, objects can become sacred through consecration. Any personal possession may be dedicated to the Temple of God, after which its misappropriation is considered among the gravest of sins. The various sacrifices are holy; those that may be eaten have very specific rules concerning who may eat which of their parts, and time limits on when the consumption must be completed. Most sacrifices contain a part to be consumed by the priests - a portion of the holy to be consumed by God's holy devotees.

The encounter with the holy is seen as eminently desirable, and at the same time fearful and awesome. For the strongest penalties are applied to one who transgresses in this area - one could in theory receive either the death penalty or the heavenly punishment of karet, spiritual excision, for mis-stepping in his close approach to God's domain.

Sacred ground[link]

This unreferenced section requires citations to ensure verifiability.

Usually, social or religious groups considers an area sacred or holy, where there is a human presence, e.g. a cemetery or a building or site for worship. However, there are natural areas on each continent—canyons, mountains, rivers, forests, deserts, seashores, etc. that are considered sacred, where the site's value as a sacred area trumps its use for economic purposes, and is usually preserved for perpetuity.

See also[link]

Wikisource has the text of the 1911 Encyclopædia Britannica article holy.

• Buddhology
• Hallow
• Joseph Campbell
• Neopaganism
• New Age
• Polytheistic reconstructionism
• Sacred architecture
• Sacred art
• Sacred dance
• Sacred geometry
• Sacred history
• Sacred language
• Sacred music
• Sacred Mysteries
• Sacred prostitution
• Sacred text
• Sacred Tradition
• Sacred waters
• Theology
• Theosophy
• Traditionalist School

Notes[link]

References[link]

• Durkheim, Emile (1915) The Elementary Forms of the Religious Life. London: George Allen & Unwin (originally published 1915, English translation 1915).
• Eliade, Mircea (1957) The Sacred and the Profane: The Nature of Religion. Translated by Willard R. Trask. (New York: Harcourt, Brace & World).
• Thomas Jay Oord and Michael Lodahl (2006) Relational Holiness: Responding to the Call of Love. Kansas City, Missouri: Beacon Hill.
• Pals, Daniel (1996) Seven Theories of Religion. New York: Oxford University Press. US ISBN 0-19-508725-9 (pbk).
• Sharpe, Eric J. (1986) Comparative Religion: A History, 2nd ed., (London: Duckworth, 1986/La Salle: Open Court). US ISBN 0-8126-9041-9.

This article is outdated. Please update this article to reflect recent events or newly available information. Please see the talk page for more information. (November 2010)

Tokio Hotel
Tokio Hotel, 2010. L-R: Georg Listing, Bill Kaulitz, Tom Kaulitz, and Gustav Schäfer
Background information
Origin	Magdeburg, Germany
Genres	Pop rock,[1][2] alternative rock,[3] emo,[4] glam rock,[5] power pop,[6][7][8][9]
Years active	2001–present
Labels	Universal Music Germany, Cherrytree, Interscope
Website	www.tokiohotel.com
Members
Bill Kaulitz Tom Kaulitz Georg Listing Gustav Schäfer

Tokio Hotel is a rock band from Germany, founded in 2001 by singer Bill Kaulitz, guitarist Tom Kaulitz, drummer Gustav Schäfer and bassist Georg Listing.^[10] The quartet have scored four number one singles and have released three number one albums in their native country, selling nearly 5 million CDs and DVDs there.^[11] After recording an unreleased demo-CD under the name "Devilish" and having their contract with Sony BMG Germany terminated, the band released their first German-language album, Schrei, as Tokio Hotel on Universal Music Germany in 2005. Schrei sold more than half a million copies worldwide^[12] and spawned four top five singles in both Germany and Austria. In 2007, the band released their second German album Zimmer 483 and their first English album Scream which have combined album sales of over one million copies worldwide and helped win the band their first MTV Europe Music Award for Best InterAct. The former, Zimmer 483, spawned three top five singles in Germany while the latter, Scream, spawned two singles that reached the top twenty in new territories such as France, Portugal, Spain and Italy. In September 2008, they won in the US their first MTV Video Music Award (VMA) for Best New Artist. In October 2008, they won four awards including Best International Artist and Song of the year at Los Premios MTV Latinoamérica (MTV Video Music Awards Latin America) held in Mexico. Tokio Hotel became the first German band ever to win an award at the MTV VMAs and also at the MTV Latin America Awards. They also picked up the Headliner award at the MTV Europe Music Awards 2008 held in Liverpool on November 6, 2008 and the Award for Best Group on November 5, 2009 at the MTV Europe Music Award (EMA) held in Berlin. They won an Award for Best World Stage Performance on November 7, 2010 at the MTV Europe Music Awards in Madrid. In July 2011, they became the first German band to win an MTV Video Music Awards Japan (VMAJ). And won MTV's 2012 Musical March Madness.

History[link]

[edit] Formation (2001 - 2004)

Tokio Hotel by vocalist Bill Kaulitz and guitarist Tom Kaulitz, who are identical twin brothers, drummer Gustav Schäfer and bass-guitarist Georg Listing. The four met in 2001 after a live show in a Magdeburg-Club, where Listing and Schäfer, who knew each other from music school, watched from the audience while Bill and Tom Kaulitz played on the stage.^[13][14] Under the name Devilish, the band soon began playing in talent shows and small concerts.^[15] After Bill Kaulitz's participation in a children's Star Search in 2003 at age thirteen (which he lost in the quarter-final), he was discovered by music producer Peter Hoffmann. Devilish changed their name to Tokio Hotel: "Tokio", the German spelling of the Japanese city Tokyo, due to a love of the city, and "Hotel" due to their constant touring and living in hotels.^[13] Soon after Sony BMG took them under contract, Hoffmann hired David Jost and Pat Benzner into the team of creators and authors, and had them give the teens instruction on songwriting and instrument playing; most of the songs of the first album were written by Hoffmann, Jost and Benzer (including the singles "Scream" and "Rescue me" which were completely written by them), only the single "Unendlichkeit" was written completely by Tokio Hotel themselves. Shortly before release of their first album, Sony terminated their contract. The band is now one of the biggest modern acts from Germany and the biggest in 20 years.

[edit] Schrei (2005 - 2006)

Bill Kaulitz performing in Hessisch-Lichtenau, Germany in 2006.

In 2005, Universal Music Group took Tokio Hotel under contract and developed a marketing plan. Their first single, "Durch den Monsun" ("Through the Monsoon"), quickly rose in the charts, appearing on the German official Media Control single chart at #15 on August 20, 2005 and eventually reaching #1 on August 26, 2005; it also reached #1 on the Austrian singles chart. Their second single, "Schrei" ("Scream"), climbed to the #5 position in the German charts. These two songs were written by singer Bill Kaulitz together with their group of producers Peter Hoffmann, David Jost, Pat Benzer and Dave Roth. Their debut album, Schrei, was released on September 19, 2005, and was certified triple gold by the BVMI in 2006 for selling over 300,000 copies in Germany.^[16] In 2006, a third and fourth single, "Rette mich" ("Rescue Me") and "Der letzte Tag" ("The Final Day"), were released; both reached #1 as well. "Der letzte Tag" contained a B-side called "Wir schließen uns ein", which was also accompanied by a music video.

[edit] Zimmer 483 (2007 - 2008)

The first single off their second album Zimmer 483 (Room 483), called "Übers Ende der Welt" (later re-released in English under the name "Ready, Set, Go!"), was released on January 26, 2007 and quickly reached #1 in Germany and Austria, and #2 in France. Zimmer 483 was released in Germany on February 23, 2007, along with a deluxe edition of the album containing a DVD. The album's second single, "Spring nicht" ("Don't Jump") was released on April 7. The tour accompanying the release of the album, The Zimmer 483 Tour, was scheduled to start in March 2007, but was delayed by two weeks because the band members wished to have a different stage design. A third single, "An deiner Seite (Ich bin da)" ("By Your Side"), was released on November 16. The single contains the B-side "1000 Meere" ("1000 Oceans"), for which a music video was also produced. On April 28, 2008 Tokio Hotel released their single "Heilig" but no music video for the single was released, because of the tight schedule they had.

[edit] Scream (2007 - 2008)

Tokio Hotel's first English language album, Scream, was released on June 4, 2007 throughout Europe. In Germany, the album was released as Room 483 in order to emphasize the continuity with their last German album Zimmer 483. Scream contains English versions of a selection of songs from their German-language albums Scream and Zimmer 483. "Monsoon", the English-language version of "Durch den Monsun", was the first single from the album. "Ready, Set, Go!" (the translation of "Übers Ende der Welt") was released as the album's second single and "Don't Jump" (the translation of "Spring nicht") as the third single. A video for "Scream", the English-language version of their 2005 hit "Schrei", was also recorded, and was released to the iTunes Store in early March 2008.

Tokio Hotel gave their first concert in the United Kingdom on June 19, 2007. "Ready, Set, Go!" was released in the UK as the band's first single on August 27, 2007. The song reached #77 in the UK Singles Chart.

Tokio Hotel won an MTV Europe Music Award for Best InterAct on November 1, 2007 and were also nominated for Best Band. They performed "Monsoon" at the event.

Tokio Hotel released their first US single, simply called "Tokio Hotel", in late 2007. The single contains the tracks "Scream" and "Ready, Set, Go!", and was available exclusively at Hot Topic stores. Their second US single, "Scream America", was released on December 11, 2007. The single contains the track "Scream" and a remix of "Ready, Set, Go!" by AFI's Jade Puget. In February 2008, the band toured North America for five dates starting in Canada and finishing up in New York.^[17] After appearing and performing live on MuchMusic, while touring in Canada, "Ready, Set, Go!" entered the MuchOnDemand Daily 10, a countdown of videos chosen by viewers. It remained there for over a week, then returned to the top of the MOD Daily 10 chart on April 8. "Scream" was released in Canada on March 25 and in the US on May 6. The "1000 Hotels" European Tour began on March 3, 2008 in Brussels and continued to locations including The Netherlands, Luxembourg, France, Spain, Portugal, Italy, and Scandinavia, and was scheduled to finish on April 9; during the concert in Marseille, France on March 14, Bill started to experience vocal problems.^[18] He let the audience sing more frequently than normal and instead of the original 21 songs that were on the set list, they only played 16 songs. Bill apologized, in German, for his bad singing and explained that he was sick. Two days later, the band canceled Lisbon, Portugal concert minutes before it was supposed to commence. The rest of the "1000 Hotels" Tour and a scheduled North American Tour were cancelled following an announcement in Bild by the band's manager that Bill Kaulitz had to undergo surgery to remove a cyst on his vocal cords.^[19][20]

Bill Kaulitz had been putting strain on his voice after playing 43 concerts in the 1000 Hotels tour without vacation.^[21] He had to undergo Larynx surgery on March 30 to remove a cyst that had formed on his vocal cords.^[22] The cyst was the result of a throat infection that went untreated.^[23] Following his surgery, Bill was unable to speak for twelve days, and had four weeks of vocal rehabilitation.^[24] If Bill had continued singing the rest of the tour, his voice would have eventually been permanently damaged.^[18][25] Tokio Hotel started performing again in May 2008^[26] and after that they embarked on a 2nd part of their 1000 Hotels European Tour adding many Open Air concerts and wrapping up the tour on July 13 in Werchter, Belgium.

[edit] North American Tours and Humanoid (2009 - 2010)

This section is outdated. Please update this section to reflect recent events or newly available information. Please see the talk page for more information. (November 2010)

Tokio Hotel embarked on a second tour of North America in August 2008, which included a performance at the Bamboozled festival in New Jersey. The band's music video for "Ready Set Go!" was nominated for Best Pop Video at the 2008 MTV Video Music Awards,^[27] where they also won the award for Best New Artist.^[28] They returned to North America again in October 2008 for a month long tour of concerts and record store signings. In December 2008, a behind-the scenes DVD called Tokio Hotel TV – Caught on Camera was released. It contains footage from Tokio Hotel TV and backstage feature stories of the previous year on disc one entitled "History – The very best of Tokio Hotel TV!". A deluxe edition contains a second disc entitled "Future – The road to the new Album!" which features footage of the band on promotion tours and preparing for their third studio album.^[29]

In between the North American tours, the band returned to their record studio in Hamburg to record their third studio album, Humanoid, which, according to their producer David Jost, is currently set for release on October 2 in Germany & October 6, 2009 in the U.S.^[30][31][32] This is despite earlier statements predicting a March/April 2009 release or a May/June 2009 release.^[33][34][35] The album was recorded in both German and English with both versions were released simultaneously worldwide.^[34][35]

On August 10, it was announced on MTV news that the first German single would be "Automatisch" and its English counterpart, "Automatic", would also be released as a first single in the United States. On August 20, MTV Buzzworthy released a video which previewed "Automatic" and Cherrytree Records announced that the English version of the song would be released in the US on September 22.^[36][37] Nevertheless, the video for the single was released on September 3.

On November 2, it was announced on Tom's Blog that the second English single would be "World Behind My Wall" and its German counterpart, "Lass uns laufen", would be the second German single.^[38] The music videos for both versions were released on December 14 and December 15.

On June 24, the live music video for their single, "Dark Side of the Sun" was released on the band website.

On July 20, 2010 they released their second live album Humanoid City Live from Milan, Italy On November 22, 2010, their new song "Hurricanes and Suns," premiered on the Greek radio station Mad Radio. It was included in the bonus track on all versions of "Tokio Hotel: Best Of," a compilation album of their most successful songs. As well as the single for the 'Best of' release. The album will also include "Mädchen aus dem All", the first song the band recorded in a studio.

On December 14, 2010 their 'Best of' was released. December 2 was the World Premiere of the video for "Hurricanes and Suns" on their Official Website. On April 28, 2011 they received the "Fan Army FTW" award at the MTV O Music Awards, the networks first online award show. A clip of Bill and Tom thanking their fans was played after the winner was announced.

Tokio Hotel performed their first concert in Asia (excluding their concert in Israel) at the Audi Showcase in Singapore, followed shortly by the TM Connects With Tokio Hotel event in Malaysia, promoting the sales of their album Humanoid. They concluded the series of mini-concerts with Taiwan. They returned to Malaysia a couple of months later to perform at MTV World Stage Live in Malaysia 2010. They performed in Tokyo on December 15, 2010, after their South American Tour concluded in Distrito Federal, Mexico on December 2, 2010. In February, 2011 Tokio Hotel travelled to Japan to complete a second promo tour. A number of TV appearances and media interviews took place between February 8 and February 11.

On June 24, 2011 Tokio Hotel performed in Japan at “The Next Premium Night Tokio Hotel in Tokyo". The event was presented by Audi A1 and 150 fans were chosen to win tickets to attend the show. The event was the band's first acoustic performance in Japan. On June 25, 2011 the band performed live at the MTV Video Music Aid Japan in Tokyo. The show, which was formerly called the Video Music Awards Japan, was used as a music benefit to raise money for the Japanese Red Cross in order to help those who were affected by the recent earthquake.

Modeling and commercials[link]

This section is outdated. Please update this section to reflect recent events or newly available information. Please see the talk page for more information. (January 2010)

On January 19, 2010, lead singer Bill Kaulitz teamed up with twins Dean and Dan Caten of DSquared to walk the runway at a fashion event in Milan.^[39] Kaulitz made two appearances, as he opened and closed DSquared's Menswear Autumn/Winter 2010 show to Tokio Hotel song "Screamin".^[40]

Car maker Audi hired the two frontmen to star in their new advertising campaign to attract the younger generation. They were featured in an episode of Tokio Hotel TV (on Tokio Hotel's website) and also in a commercial.^[41]

On August 4, 2010, Tom Kaulitz got his own Reebok shoe commercial.^[42] Reebok signed the 20-year-old Tokio Hotel guitarist and sneaker addict to model shoes for the company. "At home, I created a little room like a little storage room," he said of his sneakers. He also said that he gets 10 new pairs a week.^[42]

Best Of Tokio Hotel (2010)[link]

At 13th December in Germany and 14th December internationally Tokio Hotel released their first compilation album named "Best Of". It comes in two languages: english and german. It contains the most popular songs from all the previous albums and two new songs: "Hurricanes and Suns" (was recorded for Humanoid but not included in it) and "Mädchen aus dem All" (was recorded for Schrei but not included in it).There is a deluxe edition too which comes with both german and english versions of album and a bonus DVD with all Tokio Hotel's music videos and "making of" scenes.

[edit] New album and duet with Far East Movement (2011 - present)

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2012)

After finishing "Welcome To Humanoid City Tour" Bill and Tom with their manager David Jost moved to Los Angeles and still are living there. They said they are working on the new album, which will be released in the late 2012. Paparazzies caught Bill, Tom and Gustav in a shop in Los Angeles. MTV said the new album will be named "Dark Anthem".^[43]. Bill and Tom released an app named "BTK Twins" for iOS (16 January 2012),^[44] and Android(19 December 2011),^[45] for keeping in touch with their fans. Here Bill and Tom post their photos, videos and text messages, and fans can leave messages for posts. Bill and Tom answer to these comments very often. The app costs 2.99$, and if a user wants to leave comments besides watching only he must pay 0.99$ a month. Tokio Hotel launched a service named "VIP Call".^[46] Fans may pay 4.99 Euros for a month or 3.49 Euros for 3 months and Tokio Hotel call them and leave audio messages. Fans can even ask them questions and Tokio Hotel will answer to them. On 18 May 2012 Far East Movement released an album named "Dirty Bass". In it there is a song named "If I Die Tomorrow" which is a duet with Bill. Far East Movement accepted there will be a music video released for "If I Die Tomorrow" soon. Bill Kaulitz will take part in shootings too.

Band members[link]

• Bill Kaulitz - lead vocals
• Tom Kaulitz - guitar, piano, backing vocals
• Georg Listing - bass, keyboards, synthesizers, backing vocals
• Gustav Schäfer - drums, percussion, backing vocals

Discography[link]

Studio albums

• Schrei (2005)
• Zimmer 483 (2007)
• Scream (2007)
• Humanoid (2009)
• Best Of (2010)

Awards[link]

Since the release of the "Durch den Monsun" single in 2005, Tokio Hotel have gone on to win 104 awards in various categories and countries.

2005

2006

2007

2008

2009

2010

2011

2012

References[link]

External links[link]

Wikimedia Commons has media related to: Tokio Hotel

• Official site
• Cherrytree records profile
• Interscope records profile
• Tokio Hotel on MySpace
• Tokio Hotel on Facebook
• Tokio Hotel on Twitter
• Tokio Hotel on MTV

Monty Python (sometimes known as The Pythons)^[2][3] was a British surreal comedy group who created Monty Python's Flying Circus, a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles' influence on music.^[4][5]

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content.^[6][7] A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of Saturday Night Live through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find The Comedian's Comedian, three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.^[8]

[edit] Before Flying Circus

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue Cambridge Circus (originally entitled A Clump of Plinths). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future Goodies (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of Yes Minister and Yes, Prime Minister). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before Monty Python's Flying Circus. The Frost Report is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

• I'm Sorry, I'll Read That Again (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]
• The Frost Report (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]
• At Last the 1948 Show (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]
• Twice a Fortnight (1967) [Palin and Jones: cast members and writers]
• Do Not Adjust Your Set (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation]
  — Bonzo Dog Band: musical interludes]
• We Have Ways of Making You Laugh (1968) [Idle: cast member & writer] – [Gilliam: animation]
• How to Irritate People (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]
• The Complete and Utter History of Britain (1969) [Palin and Jones: cast members & writers]
• Doctor in the House (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of Do Not Adjust Your Set, originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on The Frost Report and At Last The 1948 Show. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.^[9]

[edit] Monty Python's Flying Circus

Development of the series[link]

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on Beyond the Fringe, and had worked on Frost, which was similar in style. They enjoyed Cook and Moore's sketch show Not Only... But Also. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series Q5 (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for Do Not Adjust Your Set called Beware of the Elephants, which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled Christmas Cards, and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the Flying Circus series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members (Jones and Palin) was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's".^[10] Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before Monty Python's Flying Circus was settled upon. Some were Owl Stretching Time, Toad Elevating Moment, A Bucket, a Horse and a Spoon, Vaseline Review and Bun, Wackett, Buzzard, Stubble and Boot. Flying Circus stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered Monty Python's Flying Circus to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. Arthur Megapode's Flying Circus was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary Live At Aspen during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".^[11]

Style of the show[link]

Flying Circus popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements.^[12] An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. Because of their dislike of finishing with punchlines, they experimented with ending the sketches by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken,^[13] before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is The Liberty Bell, a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.^[12]

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece Venus, Cupid, Folly, and Time by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) only when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in Monty Python's Life of Brian they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

Introduction to North America[link]

The Canadian Broadcasting Corporation (CBC) added Monty Python’s Flying Circus to its national September 1970 fall lineup.^[14] They aired the 13 episodes of Series 1, which had first run on the BBC the previous fall (October 1969 to January 1970), as well as the first 6 episodes of Series 2 only a few weeks after they first appeared on the BBC (September to November 1970).^[14] The CBC dropped the show when it returned to regular programming after the Christmas 1970 break, choosing to not place the remaining 7 episodes of series 2 on the January 1971 CBC schedule.^[14] Within a week the CBC received hundreds of calls complaining of the cancellation, and more than 100 people staged a demonstration at the CBC’s Montreal studios.^[14]

Time-Life Films had the right to distribute all BBC-TV programs in the United States, however they had decided that British comedy simply would not work in America. Therefore, it was not worth the investment to convert the Python episodes from the European PAL standard to the American NTSC standard.

Sketches from Monty Python’s Flying Circus were introduced to American audiences in August 1972, with the release of the Python movie And Now for Something Completely Different, featuring sketches from series 1 and 2 of the television show. This 1972 release met limited box office success.

In the summer of 1974 Ron Devillier, the program director for non-profit PBS television station KERA in Dallas, Texas, started airing episodes of Monty Python’s Flying Circus. Ratings shot through the roof, providing an encouraging sign to the other 100 PBS stations that had signed up to begin airing the show in October 1974—exactly 5 years after their BBC debut. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy. The popularity on PBS resulted in the 1974 re-release of the 1972 "...Completely Different" movie, with much greater box office success.

The ability to show Monty Python’s Flying Circus under the American NTSC standard had been made possible by the commercial actions of American television producer Greg Garrison. Garrison produced the NBC series The Dean Martin Comedy World, which ran during the summer of 1974. The concept was to show clips from comedy shows produced in other countries, including tape of the Python sketches "Bicycle Repairman" and "The Dull Life of a Stockbroker". Payment for use of these two sketches was enough to allow Time-Life Films to convert the entire Python library to NTSC standard, allowing for the sale to the PBS network stations who then brought the entire show to US audiences.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as Are You Being Served? gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.^[15]

[edit] End of Flying Circus

Having considered the possibility at the end of the second series, Cleese left the Flying Circus at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts.^[9] He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."^[16]

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name Monty Python's Flying Circus appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the Holy Grail script. While the first three series contained 13 episodes each, the fourth ended after six.

[edit] Life after the Flying Circus

Filmography[link]

[edit] And Now for Something Completely Different (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the Flying Circus, reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

[edit] Monty Python and the Holy Grail (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. Monty Python and the Holy Grail was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. Holy Grail was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.^[17]

[edit] Monty Python's Life of Brian (1979)

Following the success of Holy Grail, reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way Holy Grail had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. Holy Grail's production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked Holy Grail in sixth place, with Life of Brian at the top.^[18]

[edit] Monty Python Live at the Hollywood Bowl (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for The Meaning of Life, this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of Flying Circus) and live performances of several songs from the troupe's then-current Monty Python's Contractual Obligation Album.

[edit] Monty Python's The Meaning of Life (1983)

Python's final film returned to something structurally closer to the style of Flying Circus. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, The Meaning of Life is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—The Crimson Permanent Assurance. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation Parrot Sketch Not Included, where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

[edit] Secret Policeman's Ball benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the Secret Policeman's Ball shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues.^[19] Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting.^[19] The shows are credited by Amnesty with helping the organisation develop public awareness in the US where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first Secret Policeman's Ball benefit—the 1976 A Poke In The Eye (With A Sharp Stick)—where they performed several Python sketches. In this first show they were collectively billed as Monty Python. (Peter Cook deputised for the errant Idle in one major sketch The Courtroom.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing Secret Policeman's Ball benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo[link]

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably A Fish Called Wanda (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in Time Bandits (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed Jabberwocky (1977), and also directed and co-wrote Brazil (1985) and The Adventures of Baron Munchausen (1988), which featured Palin and Idle respectively. Yellowbeard (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series Ripping Yarns (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film Erik the Viking, also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel The Wind in the Willows. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including Cheers, 3rd Rock from the Sun, Q's assistant in the James Bond movies, and Will & Grace), 23 direct-to-video productions, six video games, and a number of commercials.^[20] His BBC sitcom Fawlty Towers (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the Flying Circus on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with Rutland Weekend Television in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary All You Need Is Cash), and as an actor in Nuns on the Run (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical Spamalot has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas.^[21] This was followed by Not the Messiah (He's a Very Naughty Boy), which repurposes The Life of Brian as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions[link]

Since The Meaning of Life, their last project as a team, the Pythons have often been the subject of reunion rumours.^[21] The final reunion of all six members occurred during the Parrot Sketch Not Included – 20 Years of Monty Python special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of The Wind in the Willows, which was later renamed Mr. Toad's Wild Ride.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years.^[22] The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first Flying Circus television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD The Life of Python. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of The Meaning of Life, Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings.^[23] A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."^[24]

2003's The Pythons Autobiography By The Pythons, compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to Holy Grail that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that The Meaning of Life had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original Grail and Brian films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from Holy Grail, mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical Spamalot, based on Monty Python and the Holy Grail. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of Spamalot, PBS announced on 13 July 2005, that it would begin to re-air the entire run of Monty Python's Flying Circus and new one-hour specials focusing on each member of the group, called Monty Python's Personal Best.^[25] Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of Monty Python's Flying Circus, a six part documentary entitled Monty Python: Almost the Truth (The Lawyer's Cut) was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of Not the Messiah (He's a Very Naughty Boy) at the Royal Albert Hall. The European premiere was held on 23 October 2009.^[26] An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.^[27]

In June 2011, it was announced that Monty Python have begun production on their first film project since the Meaning of Life in 1983. Their next film, A Liar's Autobiography, is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. A Liar’s Autobiography was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.^[28]

Python members[link]

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in Holy Grail, as King Arthur, and Life of Brian, as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman, in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin.^[29] He started off as an animator and strip cartoonist for Harvey Kurtzman's Help! magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for Do Not Adjust Your Set and was then asked by its makers to join them on their next project: Monty Python's Flying Circus. He co-directed Monty Python and the Holy Grail and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before The Meaning of Life).

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After Flying Circus, he hosted Saturday Night Live four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film Splitting Heirs (written, produced by and starring him) and 1998's An Alan Smithee Film: Burn Hollywood Burn (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical Spamalot, based on the Holy Grail movie. He also wrote Not the Messiah (He's a Very Naughty Boy), an oratorio derived from the Life of Brian.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in Life of Brian, "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.^[30][31]

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series Ripping Yarns together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After Flying Circus, he hosted Saturday Night Live four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled Michael Palin Diaries 1969–1979, published in 2007.

Associate Pythons[link]

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the 7th Python, in a style reminiscent of George Martin (or other associates of The Beatles) being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as Associate Pythons at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994.

Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the Flying Circus. He appeared in sketches and the Python films, as well as performing some of his songs in Monty Python Live at the Hollywood Bowl. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for All You Need is Cash (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album The Rutles: Archaeology and Idle's straight-to-DVD The Rutles 2: Can't Buy Me Lunch, each undertaken without the other's participation. According to an interview with Idle in the Chicago Tribune in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the Flying Circus, she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors[link]

Cleese's first wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in Monty Python and the Holy Grail. Cleese and Booth later co-wrote and co-starred in Fawlty Towers.

Douglas Adams was "discovered" by Chapman when a version of the Footlights Revue (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode The Light Entertainment War, Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of Mr. Neutron, Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including Out of the Trees. He also contributed to a sketch on the soundtrack album for Monty Python and the Holy Grail.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of Flying Circus, the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled The Life of Python (1999) that was part of the Python Night and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as Live at Aspen).

Cultural influence[link]

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish".^[32] A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre Monty Python's Flying Circus was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence"^[33] Matt Groening, creator and co-developer of the animated sitcom The Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.^[34]

Space[link]

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records[link]

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.^[35]

'Pythonesque'[link]

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries.^[36] Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".^[37]

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of South Park, whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).^[38]

Good Eats creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode.^[39] Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python[link]

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

• The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( [1] ), named after Bicycle Repair Man sketch.
• In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of Montypythonoides riversleighensis in honour of the Monty Python team.^[40] (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".)
• In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor.^[41][42]
• In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."^[43]
• The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's Contractual Obligation Album from 1980.
• The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year.^[44]
• A philosophy lecture series entitled Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python.^[45][46]
• The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.^[47]
• In the book The Reptile Room by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.
• Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .
• The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

• Dead Parrot Society is the title of a comedy CD released in 1993 featuring sketches from Monty Python's Flying Circus as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film Dead Poets Society.

Media[link]

Television[link]

• Monty Python's Flying Circus (1969–74)

The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

• Monty Python's Fliegender Zirkus (1972)

Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

• Monty Python's Personal Best (2006)

Six one-hour specials, each episode presenting the best of one member's work.

Films[link]

There were five Monty Python productions released as theatrical films:

• And Now for Something Completely Different (1971)

A collection of sketches from the first and second TV series of Monty Python's Flying Circus purposely re-enacted and shot for film.

• Monty Python and the Holy Grail (1974)

King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

• Monty Python's Life of Brian (1979)

Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

• Monty Python Live at the Hollywood Bowl (1982)

A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

• Monty Python's The Meaning of Life (1983)

An examination of the meaning of life in a series of sketches from conception to death and beyond.

• Monty Python: Almost the Truth (The Lawyer's Cut) (2009)

This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

• A Liar's Autobiography: Volume IV (2012)

This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums[link]

• Monty Python's Flying Circus (1970)
• Another Monty Python Record (1971)
• Monty Python's Previous Record (1972)
• The Monty Python Matching Tie and Handkerchief (1973)
• Monty Python Live at Drury Lane (1974)
• The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail (1975)
• Monty Python Live at City Center (1976)
• The Monty Python Instant Record Collection (1977)
• Monty Python's Life of Brian (1979)
• Monty Python's Contractual Obligation Album (1980)
• Monty Python's The Meaning of Life (1983)
• The Final Rip Off (1988)
• Monty Python Sings (1989)
• The Monty Python Instant Record Collection, Volume 2 (1991)
• The Ultimate Monty Python Rip Off (1994)
• The Instant Monty Python CD Collection (1994)
• Spamalot (Broadway version of Monty Python and the Holy Grail with Tim Curry as King Arthur) (2005)
• The Hastily Cobbled Together for a Fast Buck Album (unreleased)

Theatre[link]

• Monty Python's Flying Circus – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.
• Monty Python's Spamalot – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, Spamalot is a musical adaptation of the film Monty Python and the Holy Grail. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.
• Not the Messiah (He's a Very Naughty Boy) – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on Monty Python's Life of Brian. Entitled Not the Messiah, it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. Not the Messiah was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books[link]

• Monty Python's Big Red Book (1971) ISBN 0-413-29520-6.
• The Brand New Monty Python Bok (1973) ISBN 0-7493-1170-3.
• Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk) (1977) ISBN 0-413-38520-5.
• MONTYPYTHONSCRAPBOOK/ The Life of Brian (1979) ISBN 0-413-46550-0.
• Monty Python's Flying Circus – Just The Words Volume 1 (1989) ISBN 0-413-62540-0.
• Monty Python's Flying Circus – Just The Words Volume 2 (1989) ISBN 0-413-62550-8.
• The Complete Monty Python's Flying Circus Volumes 1 & 2
• The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book (1994) ISBN 0-413-69000-8
• Michael Palin Diaries 1969–1979
• The Pythons: Autobiography by the Pythons
• The Life of Brian/Jesus (2011) ISBN 978-1-84876-628-0.

Games[link]

• Monty Python's Flying Circus (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum^[48]
• Monty Python's Complete Waste of Time (1994) released by 7th Level for PC / DOS
• Monty Python & the Quest for the Holy Grail (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".
• Monty Python's The Meaning of Life (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.
• Python-opoly (2007), a Monty Python-themed property game released by Toy Vault Inc.^[49]
• Monty Python Fluxx (2008), a card game released by Looney Labs^[50]
• Blazing Dragons

See also[link]

• Beyond the Fringe
• List of Monty Python's Flying Circus episodes
• List of recurring characters in Monty Python's Flying Circus
• Monty Python's Complete Waste of Time
• Python (Monty) Pictures
• Spamalot
• The Goodies
• The Goon Show

References[link]

Further reading[link]

• Graham Chapman; Jim Yoakum (1997). Graham Crackers: Fuzzy Memories, Silly Bits, and Outright Lies. Career Press. ISBN 978-1-56414-334-1. http://books.google.com/books?id=8xGcAAAACAAJ. Retrieved 1 October 2010. 
• Marcia Landy (2005). Monty Python's flying circus. Wayne State University Press. ISBN 978-0-8143-3103-3. http://books.google.com/books?id=J1CxIuG-_NkC. Retrieved 1 October 2010. 
• Darl Larsen (2003). Monty Python, Shakespeare, and English Renaissance drama. McFarland. ISBN 978-0-7864-1504-5. http://books.google.com/books?id=qVa1Hfh11V0C. Retrieved 1 October 2010. 
• David Morgan (1999). Monty Python speaks!. Fourth Estate. ISBN 978-1-84115-168-7. http://books.google.com/books?id=aTYcAQAAIAAJ. Retrieved 1 October 2010. 
• Alan Parker; Mick O'Shea (2006). And Now For Something Completely Digital: The Complete Illustrated Guide to Monty Python CDs and DVDs. The Disinformation Company. ISBN 978-1-932857-31-3. http://books.google.com/books?id=G49bRxbeH1kC. Retrieved 1 October 2010. 
• George Perry (2007). The Life of Python. Pavilion. ISBN 978-1-86205-762-3. http://books.google.com/books?id=J_Zg-9u4yLAC. Retrieved 1 October 2010. 
• Roger Wilmut (1980). From fringe to flying circus: celebrating a unique generation of comedy, 1960–1980. Eyre Methuen. ISBN 978-0-413-46950-2. http://books.google.com/books?id=PzxaAAAAMAAJ. Retrieved 1 October 2010. 
• The Secret Policeman's Balls, 3-DVD set (2009)
  • "The Secret Policeman's Balls DVD Release". Music For Human Rights. 27 January 2009. http://www.musicforhumanrights.org/news/secret-policemans-balls-dvd-release. Retrieved 19 August 2009. 
• Monty Python: 40 Years of Insanity
  • "Monty Python: 40 Years of Insanity". Life.com. 5 October 2009. http://www.life.com/image/first/in-gallery/34232/monty-python-40-years-of-insanity. Retrieved 6 October 2009. 
• The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)
  • "The Life of Python – 20 Greatest Monty Python Sketches". Gnews.com. 5 October 2009. http://gnews.com/entertainment/The-Life-of-Python-20-Greatest-Monty-Python-Sketches-110424014489.html. Retrieved 6 October 2009. 

External links[link]

Wikiquote has a collection of quotations related to: Monty Python

Wikimedia Commons has media related to: Monty Python

• Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle
• Monty Python – Official YouTube page
• Monty Python Videos – Monty Python's best videos and movies
• 2012 interview with Carol Cleveland, covering Flying Circus and Holy Grail
• Python at ifilm.com
• Pythonisms: Python quotes as figures of speech
• Release of the 3-DVD Secret Policeman's Balls
• 40 Years of Monty Python – photo essay by TIME magazine
• Monty Python Reunion event, New York, 15 October 2009

Blind Guardian
Blind Guardian in Malmö, Sweden, September 21, 2006. L-R: Olbrich, Ehmke, Kürsch, Siepen, Schüren, Holzwarth
Background information
Origin	Krefeld, Germany
Genres	Power metal, progressive metal, speed metal, thrash metal
Years active	1984–present
Labels	No Remorse, Virgin, Century Media, Nuclear Blast
Associated acts	Demons and Wizards, Gamma Ray, Helloween, Iced Earth, Iron Savior, Savage Circus, Schattentantz, Power Quest
Website	www.blind-guardian.com
Members
Hansi Kürsch André Olbrich Marcus Siepen Frederik Ehmke
Past members
Thomas "Thomen" Stauch Markus Dörk Christof Theißen Hans-Peter Frey Mathias Wiesner

Blind Guardian is a German power metal band formed in the mid-1980s in Krefeld, West Germany.^[1] They are often credited as one of the seminal and most influential bands in the power metal and speed metal subgenres.^[2][3] Blind Guardian is a part of the German heavy metal scene that emerged in the mid-1980s.

The band's lyrics, written by vocalist Hansi Kürsch, are inspired by the fiction of fantasy authors such as J. R. R. Tolkien, Michael Moorcock, Robert Jordan and George R. R. Martin as well as traditional legends and epics.^[4] Over the years, a running theme has developed personifying the band members as travelling bards, leading some fans to refer to the band affectionately as "The Bards".

Biography[link]

Formation as Lucifer's Heritage (1984–1987)[link]

Blind Guardian was formed in 1984 in Krefeld, Germany, by Hansi Kürsch (vocals, bass) and Andre Olbrich (guitar) under the name Lucifer's Heritage. The band first released two demos in 1985 and 1986, despite undergoing chaotic lineup changes: Markus Dörk (guitar) and Thomen Stauch (drums) were replaced by Christof Theißen and Hans-Peter Frey, respectively. Finally, in 1987, Marcus Siepen joined and Thomen came back to form the lineup which would stay consistent for the next 18 years.

Name change and rise to success (1988–1996)[link]

After Lucifer's Heritage signed a contract with No Remorse Records, the band changed their name to Blind Guardian to avoid any speculations about Satanism (in a bio it was stated that they also wanted to distance themselves from the black metal movement, as their demos were placed in with black metal albums at local record shops). They released their debut album Battalions of Fear in 1988, which was essentially a speed metal album heavily influenced by Helloween.^[5] These two German bands had close ties, and Helloween founder Kai Hansen made a guest appearance on Blind Guardian's second LP, Follow the Blind (1989), where the band revealed some thrash metal influence.^[6][7] Their third LP, Tales from the Twilight World (1990), had a much more melodic and "epic" feeling, with usage of choir and classical music influence.

Blind Guardian signed with Virgin Records in 1991, and released their fourth studio album Somewhere Far Beyond in 1992 and the live album Tokyo Tales in 1993. Flemming Rasmussen, former Metallica producer, began working with the band in 1994, producing their fifth studio album Imaginations from the Other Side, released in 1995, and The Forgotten Tales, an album that contained half covers and half original work, released in 1996.

Later years and departure of Thomen Stauch (1997–2009)[link]

In 1998, Blind Guardian released their epic album Nightfall in Middle-Earth. "Complete with anthemic choruses, spoken word story lines, and plenty of bombastic power metal punctuating every dramatic turn", says Allmusic's Vincent Jeffries, "Nightfall in Middle-Earth is perhaps Blind Guardian's most triumphant".^[8] A concept album based on J. R. R. Tolkien's The Silmarillion,^[4] Blind Guardian's music demonstrated some folk rock influence, but also featured heavy use of Queen-style layered backing vocals. Since Nightfall, bass guitar has been played by sessional member Oliver Holzwarth, and Hansi has been able to devote all his attention to singing. Nightfall was also the last Blind Guardian album produced by Rasmussen.

Lead vocalist Hansi Kürsch

A Night at the Opera, named after the Queen album, was released four years later. On this album, the band's sound lacked almost all influence of their original speed metal. Power and progressive metal abound, with over the top orchestral backing and a consistent vocal and guitar layering throughout.^[9] Though not a true concept album, many of the lyrics dealt with the common themes of religion and relations between human and divine powers. It was followed by a live album in 2003 and a DVD, Imaginations Through the Looking Glass, in 2004, which was the last recorded Blind Guardian material to feature Thomen Stauch on drums. He left the band due to musical differences and was replaced by Frederik Ehmke. The first album with Ehmke was A Twist in the Myth, which came out in 2006.

Blind Guardian participated in the soundtrack for the In the Name of the King: a Dungeon Siege Tale fantasy movie (Uwe Boll), which came out in 2008.^[10] The band also recorded a theme song for Sacred 2 Fallen Angel role-playing video game, the prequel to Sacred.^[11]

Recent events (2010–present)[link]

André Olbrich performing in 2009

"A Voice in the Dark" was the next single from Blind Guardian that was released 25 June 2010. On July 30, 2010 the album followed, called At the Edge of Time. The band started "The Sacred Worlds and Songs Divine Tour 2010", the European dates will have the opening acts Enforcer and Steelwing. The 22 October in Gothenburg, Sweden only Steelwing was the opening act. The US dates will have Holy Grail and Seven Kingdoms and later they were announced that they would play at Wacken Open Air in 2011.

On July 21, 2011, Hansi Kürsch announced on Blind Guardian's official website that they are working on an orchestral album.^[12][13] On September 1, 2011, Oliver Holzwarth joined Rhapsody of Fire as a full-time member, after 13 years as Blind Guardian's session bass player.^[14] On January 27th, 2012, the band released a compilation album, titled Memories of a Time to Come, containing re-recorded and remixed songs from the band's entire discography.^[15]

Musical style[link]

Blind Guardian with the band's definitive scenery in background

Blind Guardian's first two albums, Battalions of Fear and Follow the Blind, were more in the style of speed metal than their following works. Beginning with their third album Tales from the Twilight World, Blind Guardian gradually began to write more complicated compositions focusing less on speed. As of their sixth album, Nightfall in Middle Earth, Hansi stopped playing bass to focus on singing. At this point the band began to incorporate large amounts of orchestral arrangements, and utilized the technique of overdubbing, heavily influenced by the English rock band Queen.^[16]

Blind Guardian's music features the staccato guitars and double bass drumming characteristic of power metal, as well as the use of overdubs and numerous backing vocals to create a dense sound. This technique, especially notable in the guitar and vocal tracks, creates the impression of a vast army of musicians playing in unison and singing in harmony. This proved significant on all albums after the first two but most particularly on A Night at the Opera.

Another definitive feature of Blind Guardian music is frequent use of folk tunes and instruments, especially in power ballads such as "Lord of the Rings", "The Bard's Song", "A Past and Future Secret", "Skalds and Shadows" and "Curse My Name", among others.

Side projects[link]

Along with Jon Schaffer, the leader and founder of Iced Earth, Kürsch is a member of Demons and Wizards, where he is the lead singer.

Blind Guardian have been working on and off for eight years on an orchestral project writing music about The Lord of the Rings (negotiations failed to be included on the famous The Lord of the Rings film trilogy as the soundtrack, because the band wanted to concentrate on their next album). Although it will not be a power metal album, it will be published under the name of Blind Guardian because it matches the theme of the band's lyrics, according to Hansi.^[17]

Due to the tsunami that struck Japan on March 11, 2011, Blind Guardian began working with their former record company, EMI Music, and auctioned off an exclusive studio session for two in the Twilight Hall Studio in Grefrath, Germany for charity in which 100% of proceeds would be donated to the tsunami relief efforts.^[18] The auction ended on April 22, 2011 with a final bid of £1,171.00.^[19]

Line-up[link]

Current members[link]

• Hansi Kürsch – lead vocals (1984–present), bass (1984–1996)
• André Olbrich – lead guitar, backing vocals (1984–present)
• Marcus Siepen – Rhythm guitar, backing vocals (1987–present)
• Frederik Ehmke – drums, percussion, flute and bagpipes (2005–present)

With:

• Thomas Hackmann (sessional member) – backing vocals (1990–present)
• Oliver Holzwarth (sessional and live member) – bass, backing vocals (1997–present)
• Michael Schüren (sessional member) – keyboards, grand piano (1997-present)
• Olaf Senkbeil (sessional member) - backing vocals (1998–present)
• Pat Bender (sessional member) – keyboards, sound effects (2002–present)

Former members[link]

• Thomas "Thomen" Stauch – drums (1984–1985, 1987–2005)
• Markus Dörk – Guitars (1984–1985)
• Christof Theißen – Rhythm guitar (1986)
• Hans-Peter Frey – drums (1986)
• Mathias Wiesner – keyboards, effects (studio) (1989–2002)

Discography[link]

• Battalions of Fear (1988)
• Follow the Blind (1989)
• Tales from the Twilight World (1990)
• Somewhere Far Beyond (1992)
• Imaginations from the Other Side (1995)
• Nightfall in Middle-Earth (1998)
• A Night at the Opera (2002)
• A Twist in the Myth (2006)
• At the Edge of Time (2010)

References[link]