its, it's or ITS can mean:

''it's'', a contraction of ''it is'' or ''it has''

''its'', the possessive adjective and possessive pronoun form of the personal pronoun ''it''

Computing [link]

Incompatible Timesharing System, a computer operating system

Intelligent tutoring system, an artificial intelligence system used for tutoring

Internationalization Tag Set, a W3C recommendation for internationalizing XML

Issue tracking system, computer software that manages product issues

Organizations [link]

Identity, Tradition, Sovereignty, a former political grouping in the European Parliament

Islamic Thinkers Society

International Thespian Society, an honorary organization for high school and middle school theatre students

International Tracing Service

Indian Telecommunication Service, an organised civil service of Government of India

Irish Texts Society, promoting the study of literature

Education [link]

Institute for Transport Studies, University of Leeds, often abbreviated to ITS Leeds

Institute of Technology, Sligo, Ireland

Tenth of November Institute of Technology (Institut Teknologi Sepuluh Nopember), a public university in Surabaya, Indonesia

Institute of Technological Studies, in Sri Lanka

Instituto Tecnológico de Saltillo, in Saltillo, Coahuila, Mexico

Science and engineering [link]

Integrated Truss Structure, a component of the International Space Station

Intelligent transportation system, add information technology to the transportation infrastructure

Internal transcribed spacer, a section of DNA located within a set of ribosomal genes

International Temperature Scale of 1990 (ITS-90), a temperature calibration standard for measurements in units of kelvins and degrees Celsius

Intelligent tutoring system, a computer system which automatically provides customized instruction in some topic, usually related to the field of AI

Business [link]

International Transportation Service (ITS), an American container terminal company

Other [link]

The "It's" man, a man with torn clothes and unkempt beard who appeared at the beginning of episodes of ''Monty Python's Flying Circus''

Improv Tribal Style Belly Dance, a sub-genre of Tribal Style Belly Dance

da:ITS de:ITS es:ITS (desambiguación) fr:ITS it:ITS nl:ITS ja:ITS pl:ITS ro:ITS fi:ITS th:ไอทีเอส

name	Monty Python
medium	Television, film, theatre, audio recordings, books
nationality	British
active	1969–1983
genre	Satire, surreal humour, dark comedy
influences	The Goons, Spike Milligan, Peter Cook
influenced	Douglas Adams, Eddie Izzard, George Carlin, Vic and Bob, Steve Pemberton, Matt Stone, Trey Parker, Matt Groening
notable work	''Monty Python's Flying Circus'' (1969–1974)''And Now for Something Completely Different'' (1971)''Monty Python and the Holy Grail'' (1974)''Monty Python's Life of Brian'' (1979)''Monty Python Live at the Hollywood Bowl'' (1982)''Monty Python's The Meaning of Life'' (1983)
current members	Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones Michael Palin
website	PythOnline
footnotes	}}

Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created ''Monty Python's Flying Circus'', a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles' influence on music.

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of ''Saturday Night Live'' through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find ''The Comedian's Comedian'', three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.

Before ''Flying Circus''[link]

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue ''Cambridge Circus'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future ''Goodies'' (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of ''Yes Minister'' and ''Yes, Prime Minister''). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before ''Monty Python's Flying Circus''. ''The Frost Report'' is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

''I'm Sorry, I'll Read That Again'' (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]

''The Frost Report'' (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]

''At Last the 1948 Show'' (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]

''Twice a Fortnight'' (1967) [Palin and Jones: cast members and writers]

''Do Not Adjust Your Set'' (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] — Bonzo Dog Band: musical interludes]

''We Have Ways of Making You Laugh'' (1968) [Idle: cast member & writer] – [Gilliam: animation]

''How to Irritate People'' (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]

''The Complete and Utter History of Britain'' (1969) [Palin and Jones: cast members & writers]

''Doctor in the House'' (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of ''Do Not Adjust Your Set'', originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on ''The Frost Report'' and ''At Last The 1948 Show''. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.

''Monty Python's Flying Circus''[link]

Development of the series[link]

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on ''Beyond the Fringe'', and had worked on ''Frost'', which was similar in style. They enjoyed Cook and Moore's sketch show ''Not Only... But Also''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series ''Q5'' (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called ''Beware of the Elephants'', which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled ''Christmas Cards'', and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''Toad Elevating Moment'', ''A Bucket, a Horse and a Spoon'', ''Vaseline Review'' and ''Bun, Wackett, Buzzard, Stubble and Boot''. ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered ''Monty Python's Flying Circus'' to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. ''Arthur Megapode's Flying Circus'' was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''Live At Aspen'' during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".

Style of the show[link]

''Flying Circus'' popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. They also experimented with ending segments by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is ''The Liberty Bell'', a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece ''Venus, Cupid, Folly, and Time'' by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in ''Monty Python's Life of Brian'' they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

Introduction to North America[link]

The Canadian Broadcasting Corporation (CBC) added Monty Python’s Flying Circus to its national September 1970 fall lineup. They aired the 13 episodes of Series 1, which had first run on the BBC the previous fall (October 1969 to January 1970), as well as the first 6 episodes of Series 2 only a few weeks after they first appeared on the BBC (September to November 1970). The CBC dropped the show when it returned to regular programming after the Christmas 1970 break, choosing to not place the remaining 7 episodes of series 2 on the January 1971 CBC schedule. Within a week the CBC received hundreds of calls complaining of the cancellation, and more than 100 people staged a demonstration at the CBC’s Montreal studios.

Time-Life Films had the right to distribute all BBC-TV programs in the United States, however they had decided that British comedy simply would not work in America. Therefore, it was not worth the investment to convert the Python episodes from the European PAL standard to the American NTSC standard.

Sketches from Monty Python’s Flying Circus were introduced to American audiences in August 1972, with the release of the Python movie ''And Now for Something Completely Different'', featuring sketches from series 1 and 2 of the television show. This 1972 release met limited box office success.

In the summer of 1974 Ron Devillier, the program director for non-profit PBS television station KERA in Dallas, Texas, started airing episodes of Monty Python’s Flying Circus. Ratings shot through the roof, providing an encouraging sign to the other 100 PBS stations that had signed up to begin airing the show in October 1974—exactly 5 years after their BBC debut. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy. The popularity on PBS resulted in the 1974 re-release of the 1972 "...Completely Different" movie, with much greater box office success.

The ability to show Monty Python’s Flying Circus under the American NTSC standard had been made possible by the commercial actions of American television producer Greg Garrison. Garrison produced the NBC series ''The Dean Martin Comedy World'', which ran during the summer of 1974. The concept was to show clips from comedy shows produced in other countries, including tape of the Python sketches "Bicycle Repairman" and "The Dull Life of a Stockbroker". Payment for use of these two sketches was enough to allow Time-Life Films to convert the entire Python library to NTSC standard, allowing for the sale to the PBS network stations who then brought the entire show to US audiences.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''Are You Being Served?'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.

End of ''Flying Circus''[link]

Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name ''Monty Python's Flying Circus'' appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the ''Holy Grail'' script. While the first three series contained 13 episodes each, the fourth ended after six.

Life after the ''Flying Circus''[link]

Filmography[link]

''And Now for Something Completely Different'' (1971)[link]

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the ''Flying Circus'', reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

''Monty Python and the Holy Grail'' (1974)[link]

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. ''Monty Python and the Holy Grail'' was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. ''Holy Grail'' was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.

''Monty Python's Life of Brian'' (1979)[link]

Following the success of ''Holy Grail'', reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way ''Holy Grail'' had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. ''Holy Grail's'' production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked ''Holy Grail'' in sixth place, with ''Life of Brian'' at the top.

''Monty Python Live at the Hollywood Bowl'' (1982)[link]

Filmed at the Hollywood Bowl in Los Angeles during preparations for ''The Meaning of Life'', this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of ''Flying Circus'') and live performances of several songs from the troupe's then-current ''Monty Python's Contractual Obligation Album''.

''Monty Python's The Meaning of Life'' (1983)[link]

Python's final film returned to something structurally closer to the style of ''Flying Circus''. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—''The Crimson Permanent Assurance''. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation ''Parrot Sketch Not Included,'' where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

''Secret Policeman's Ball'' benefit shows[link]

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the ''Secret Policeman's Ball'' shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting. The shows are credited by Amnesty with helping the organisation develop public awareness in the US where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first ''Secret Policeman's Ball'' benefit—the 1976 ''A Poke In The Eye (With A Sharp Stick)''—where they performed several Python sketches. In this first show they were collectively billed as ''Monty Python''. (Peter Cook deputised for the errant Idle in one major sketch ''The Courtroom''.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing ''Secret Policeman's Ball'' benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo[link]

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably ''A Fish Called Wanda'' (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in ''Time Bandits'' (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed ''Jabberwocky'' (1977), and also directed and co-wrote ''Brazil'' (1985) and ''The Adventures of Baron Munchausen'' (1988), which featured Palin and Idle respectively. ''Yellowbeard'' (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series ''Ripping Yarns'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film ''Erik the Viking'', also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel ''The Wind in the Willows''. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including ''Cheers'', ''3rd Rock from the Sun'', Q's assistant in the James Bond movies, and ''Will & Grace''), 23 direct-to-video productions, six video games, and a number of commercials. His BBC sitcom ''Fawlty Towers'' (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the ''Flying Circus'' on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with ''Rutland Weekend Television'' in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary ''All You Need Is Cash''), and as an actor in ''Nuns on the Run'' (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical ''Spamalot'' has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas. This was followed by ''Not the Messiah (He's a Very Naughty Boy)'', which repurposes ''The Life of Brian'' as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions[link]

Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours. The final reunion of all six members occurred during the ''Parrot Sketch Not Included – 20 Years of Monty Python'' special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''Mr. Toad's Wild Ride''.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD ''The Life of Python''. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of ''The Meaning of Life,'' Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."

2003's ''The Pythons Autobiography By The Pythons'', compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original ''Grail'' and ''Brian'' films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from ''Holy Grail'', mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical ''Spamalot'', based on ''Monty Python and the Holy Grail''. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of ''Spamalot'', PBS announced on 13 July 2005, that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''Monty Python's Personal Best.'' Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of ''Monty Python's Flying Circus'', a six part documentary entitled ''Monty Python: Almost the Truth (The Lawyer's Cut)'' was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of ''Not the Messiah (He's a Very Naughty Boy)'' at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.

In June 2011, it was announced that Monty Python have begun production on their first film project since ''the Meaning of Life'' in 1983. Their next film, ''A Liar's Autobiography'', is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. ''A Liar’s Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.

Python members[link]

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman, in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's ''Help!'' magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before ''The Meaning of Life'').

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''Splitting Heirs'' (written, produced by and starring him) and 1998's ''An Alan Smithee Film: Burn Hollywood Burn'' (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical ''Spamalot'', based on the ''Holy Grail'' movie. He also wrote ''Not the Messiah (He's a Very Naughty Boy)'', an oratorio derived from the ''Life of Brian''.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007.

Associate Pythons[link]

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the ''7th Python'', in a style reminiscent of George Martin (or other associates of The Beatles) being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as ''Associate Pythons'' at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the ''Flying Circus''. He appeared in sketches and the Python films, as well as performing some of his songs in ''Monty Python Live at the Hollywood Bowl''. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for ''All You Need is Cash'' (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album ''The Rutles: Archaeology'' and Idle's straight-to-DVD ''The Rutles 2: Can't Buy Me Lunch'', each undertaken without the other's participation. According to an interview with Idle in the ''Chicago Tribune'' in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the ''Flying Circus'', she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors[link]

Cleese's first wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in ''Monty Python and the Holy Grail''. Cleese and Booth later co-wrote and co-starred in ''Fawlty Towers''.

Douglas Adams was "discovered" by Chapman when a version of the ''Footlights Revue'' (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode ''The Light Entertainment War'', Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of ''Mr. Neutron'', Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including ''Out of the Trees.'' He also contributed to a sketch on the soundtrack album for ''Monty Python and the Holy Grail''.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled ''The Life of Python'' (1999) that was part of the ''Python Night'' and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as ''Live at Aspen'').

Cultural influence[link]

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish". A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence" Matt Groening, creator and co-developer of the animated sitcom ''The Simpsons'', names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.

Space[link]

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records[link]

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.

'Pythonesque'[link]

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries. Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of ''South Park'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).

''Good Eats'' creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode. Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python[link]

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( ), named after Bicycle Repair Man sketch.

In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of ''Montypythonoides riversleighensis'' in honour of the Monty Python team. (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".) In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor. In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."

The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's ''Contractual Obligation Album'' from 1980.

The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year. A philosophy lecture series entitled ''Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python''. The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.

In the book ''The Reptile Room'' by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.

Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .

The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

''Dead Parrot Society'' is the title of a comedy CD released in 1993 featuring sketches from ''Monty Python's Flying Circus'' as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film ''Dead Poets Society''.

Media[link]

Television[link]

''Monty Python's Flying Circus'' (1969–74)

:The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

''Monty Python's Fliegender Zirkus'' (1972)

: Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

''Monty Python's Personal Best'' (2006)

:Six one-hour specials, each episode presenting the best of one member's work.

Films[link]

There were five Monty Python productions released as theatrical films:

''And Now for Something Completely Different'' (1971)

:A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' purposely re-enacted and shot for film.

''Monty Python and the Holy Grail'' (1974)

:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

''Monty Python's Life of Brian'' (1979)

:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

''Monty Python Live at the Hollywood Bowl'' (1982)

:A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

''Monty Python's The Meaning of Life'' (1983)

:An examination of the meaning of life in a series of sketches from conception to death and beyond.

''Monty Python: Almost the Truth (The Lawyer's Cut)'' (2009)

:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

''A Liar's Autobiography: Volume IV'' (2012)

:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums[link]

''Monty Python's Flying Circus'' (1970)

''Another Monty Python Record'' (1971)

''Monty Python's Previous Record'' (1972)

''The Monty Python Matching Tie and Handkerchief'' (1973)

''Monty Python Live at Drury Lane'' (1974)

''The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail'' (1975)

''Monty Python Live at City Center'' (1976)

''The Monty Python Instant Record Collection'' (1977)

''Monty Python's Life of Brian'' (1979)

''Monty Python's Contractual Obligation Album'' (1980)

''Monty Python's The Meaning of Life'' (1983)

''The Final Rip Off'' (1988)

''Monty Python Sings'' (1989)

''The Monty Python Instant Record Collection, Volume 2'' (1991)

''The Ultimate Monty Python Rip Off'' (1994)

''The Instant Monty Python CD Collection'' (1994)

''Spamalot'' (Broadway version of ''Monty Python and the Holy Grail'' with Tim Curry as King Arthur) (2005)

''The Hastily Cobbled Together for a Fast Buck Album'' (unreleased)

Theatre[link]

''Monty Python's Flying Circus'' – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.

''Monty Python's Spamalot'' – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, ''Spamalot'' is a musical adaptation of the film ''Monty Python and the Holy Grail''. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.

''Not the Messiah (He's a Very Naughty Boy)'' – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on ''Monty Python's Life of Brian''. Entitled ''Not the Messiah'', it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. ''Not the Messiah'' was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books[link]

''Monty Python's Big Red Book'' (1971) ISBN 0-413-29520-6.

''The Brand New Monty Python Bok'' (1973) ISBN 0-7493-1170-3.

''Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk)'' (1977) ISBN 0-413-38520-5.

''MONTYPYTHONSCRAPBOOK/ The Life of Brian'' (1979) ISBN 0-413-46550-0.

''Monty Python's Flying Circus – Just The Words'' Volume 1 (1989) ISBN 0-413-62540-0.

''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) ISBN 0-413-62550-8.

''The Complete Monty Python's Flying Circus'' Volumes 1 & 2

''The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book'' (1994) ISBN 0-413-69000-8

''Michael Palin Diaries 1969–1979''

''The Pythons: Autobiography by the Pythons''

''The Life of Brian/Jesus'' (2011) ISBN 978-184876-628-0.

Games[link]

''Monty Python's Flying Circus'' (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum

''Monty Python's Complete Waste of Time'' (1994) released by 7th Level for PC / DOS

''Monty Python & the Quest for the Holy Grail'' (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".

''Monty Python's The Meaning of Life'' (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.

''Python-opoly'' (2007), a Monty Python-themed property game released by Toy Vault Inc. ''Monty Python Fluxx'' (2008), a card game released by Looney Labs

''Blazing Dragons''

See also[link]

Beyond the Fringe

List of Monty Python's Flying Circus episodes

List of recurring characters in Monty Python's Flying Circus

Monty Python's Complete Waste of Time

Python (Monty) Pictures

Spamalot

The Goodies

The Goon Show

References[link]

Further reading[link]

The Secret Policeman's Balls, 3-DVD set (2009)

Monty Python: 40 Years of Insanity

The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)

External links[link]

Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle

Monty Python – Official YouTube page

Monty Python Videos – Monty Python's best videos and movies

2012 interview with Carol Cleveland, covering ''Flying Circus'' and ''Holy Grail''

Python at ifilm.com

Pythonisms: Python quotes as figures of speech

Release of the 3-DVD Secret Policeman's Balls

40 Years of Monty Python – photo essay by ''TIME'' magazine

Monty Python Reunion event, New York, 15 October 2009

Category:British comedy troupes Category:British television comedy Category:Virgin Records artists Category:Arista Records artists Category:European Film Awards winners (people) Category:Charisma Records artists

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name	Bonnie Tyler
background	solo_singer
birth name	Gaynor Hopkins
alias	Sherene Davis
birth date	June 08, 1951
birth place	Skewen, Wales, United Kingdom
instrument	Vocals
genre
occupation	Singer
years active	1975–present
label	RCA, Chrysalis, CBS Records, Columbia, Hansa, Atlantic, East West Records, CMC Records, Sony, Stick Music
website	''Official Site'' }}

Bonnie Tyler (born Gaynor Hopkins on 8 June 1951) is a Welsh singer. She is most notable for having several hits in the 1970s and 80s, including "Lost in France", "It's a Heartache", "Total Eclipse of the Heart" and "Holding Out For A Hero" as well as her European 2004 hit "Si demain... (Turn Around)".

With a distinctively husky voice due to damaged vocal cords, Tyler is a three-time Grammy Award nominee and three-time Brit Award nominee, and three-time Goldene Europa award winner. Tyler was also the first Welsh female artist to reach the top of the U.S. Billboard Hot 100 music charts.

Early life[link]

Tyler was born in Skewen, Neath, Wales to a family that included three sisters and two brothers. Her father, Glyn Hopkins, worked in a coal mine and her mother, Elsie Hopkins, (an opera lover) shared her love for music with her children, and was known to have been part of the local church choir. Tyler grew up listening to Motown music and female artists like Janis Joplin and Tina Turner. She concluded her education in the sixties and began working in the local grocery shop, then as a supermarket cashier.

In 1970, aged 19, she entered a talent contest, singing the Mary Hopkin hit "Those Were the Days", and finished in second place, winning £1. She then was chosen to sing in a band with front man Bobby Wayne, known as Bobby Wayne & The Dixies. Two years later, she formed her own band called Imagination (not related to the 1980s British dance band of the same name) and performed with them in pubs and clubs all over southern Wales. It was then that she decided to adopt the stage name of "Sherene Davis", taking the names from her niece's forename and favourite aunt's surname. Despite the two name changes, her family and friends still know her as Gaynor.

On July 4, 1973, she married Robert Sullivan, a real estate agent, Swansea night club manager and Olympic judoka. In 1975, she was discovered by Roger Bell who arranged a recording contract for her with RCA Records. Before signing, she was asked to choose a different stage name and settled on Bonnie Tyler.

Career[link]

The 1970s[link]

In 1976, Tyler was spotted in "The Townsman Club" in Swansea by the songwriting and producing team of Ronnie Scott and Steve Wolfe, who became her managers, songwriters and producers.

Tyler first began by recording a track entitled "My! My! Honeycomb", which did not receive any chart success, but did gain local airplay in Swansea. The track was later released on the 2002 compilation, "Total Eclipse Anthology" and on a re-release of "The World Starts Tonight" in 2009, along with the rare track, "Baby I Remember You".

Following the Top 10 success of her 1976 song "Lost in France", Tyler released her first album in 1977 entitled ''The World Starts Tonight''. A further single from the album, "More Than a Lover", made the UK Top 30, and the follow-up single, "Heaven", reached the Top 30 in Germany.

In 1977, Tyler was diagnosed with nodules on her vocal cords that were so severe that she needed to undergo surgery to remove them. After the surgery, she was ordered not to speak for six weeks to aid the healing process, but she accidentally screamed out in frustration one day. This caused her voice to take on a raspy quality. At first she believed that her singing career was ruined; but to her surprise her next single, "It's a Heartache," made her an international star. The song reached #4 in the UK, #3 in the US, #2 in Germany, and topped the charts in several countries (including France and Australia). The song was originally released by Ronnie Spector and Juice Newton separately, but Tyler's version was the most recognised and credited recording of the song. Tyler's second album, ''Natural Force'', was also retitled ''It's a Heartache'' for the U.S. market and certified Gold there. Tyler performed in the Long Miles Country Music Festival prior to the release of ''Natural Force'' alongside musicians such as Johnny Cash and Kris Kristofferson. In 1978, Tyler was given a Bravo Otto award in Germany for her success in Europe.

Though further global success was elusive during this era, Tyler did have some regional hits: "Here Am I" made the German Top 20 in spring of 1978; "My Guns Are Loaded" peaked at number 3 in France in 1979; and she scored a minor UK Top 40 hit with "Married Men" in summer 1979 (the theme to the film ''The World Is Full of Married Men''). Tyler released the albums ''Diamond Cut'' in 1979 and ''Goodbye to the Island'' in 1981. The track "Sitting on the Edge of the Ocean" was the Grand Prix winner of the 1979 Yamaha World Song Festival held in Tokyo.

The 1980s[link]

Tyler released four albums for RCA Records from 1977 to 1981, but she became increasingly dissatisfied with Scott and Wolfe's management as they were trying to market her as a pop-country music artist. When her contract with RCA expired, she signed with David Aspden Management and sought help from songwriter Jim Steinman, most familiar to audiences as Meat Loaf's primary collaborator, to give her music the rock style she wanted. She signed with Columbia Records in 1982.

Her next album, ''Faster Than the Speed of Night'', was released in Spring 1983 and included the power-ballad "Total Eclipse of the Heart", which was written by Steinman. The song was a worldwide hit, reaching No. 1 in the UK, Ireland, France, Australia, and in the United States where it remained at the top for four weeks. Her presence in the US chart was at a time when almost one third of the Billboard Hot 100 was filled by songs from UK based acts - a situation not seen since the 1960s British Invasion and Beatlemania. ''Faster Than the Speed of Night'' entered the UK Albums Chart at number 1, and also became a Top Five bestseller in the US and Australia. "Total Eclipse of the Heart" also brought Tyler a nomination for the Grammy Award for Best Female Pop Vocal Performance. Also in 1983, Tyler was offered to sing the title song of the James Bond film, Never Say Never Again. Tyler disliked the song and turned down the offer, and so the song was given to American singer Lani Hall instead. In 1984, Tyler performed "Total Eclipse of the Heart" at the Grammy Awards, and received another Grammy nomination as Best Rock Female Vocalist for "Here She Comes", a song that was part of the soundtrack for the 1984 restoration of the film ''Metropolis''. She also released the singles "A Rockin' Good Way", a duet with fellow Welsh artist Shakin' Stevens, which made #5 in the UK, and "Holding Out for a Hero", for the ''Footloose'' soundtrack, which made the U.S. Top 40 and later peaked at number 2 in UK in the summer of 1985. "Holding Out For A Hero" (written by Steinman and Dean Pitchford) was also used as the main theme for the 1984 US television series ''Cover Up'', though the version heard on the TV series was not Tyler's original but performed by E.G. Daily.

The following albums, ''Secret Dreams and Forbidden Fire'' (1986) and ''Hide Your Heart'' (1988), achieved some success in France, Switzerland, Scandinavia, South Africa, Australia, but were not successful in the UK or the US. One of the single releases, "If You Were A Woman (And I Was A Man)", became another Top 10 hit in France in 1986 and was certified Silver. In 1987, Tyler recorded a bilingual track with the Brazilian singer Fábio Junior entitled "Sem Limites Pra Sonhar" or "Reaching for the Infinite Heart" in English. In the same year, she sang the title song for Mike Oldfield's album ''Islands''. Tyler also sang backing vocals with Cher for the song "Perfection" on Cher's self-titled 1987 album, and "Emotional Fire" on Cher's 1989 album ''Heart Of Stone''.

In 1988, Tyler performed at the Reading Festival, accompanying performers such as Meat Loaf and Jefferson Starship. Tyler was victim to violent abuse from an aggressive crowd hurling bottles at her on stage after the organiser's failed attempt to introduce pop music to the annual event. Tyler was credited for carrying on and completing her set despite the audience's treatment. She even managed to get the audience to join in with "It's A Heartache" at the end of her set performance.

The 1990s[link]

Throughout the 1990s, Tyler's success was limited to continental Europe. In the early 1990s, she switched to the German label Hansa and found a new producer in Dieter Bohlen. Her first album for the label was ''Bitterblue'', released in late 1991, which saw her leaving the rock genre of the 1980s and establishing a more soft-pop sound. The album went quadruple-platinum in Norway, platinum in Austria, and gold in Germany, Switzerland and Sweden. Following the success of this album, two volumes of compilation albums were released entitled 'The Very Best Of Bonnie Tyler'. The first disc sold over 600,000 copies.

Tyler followed this up with the albums ''Angel Heart'' (1992) and ''Silhouette in Red'' in 1993. In light of her success in Germany, Tyler won Best International Female Vocalist at the RSH Gold Award, the "Goldene Europa" Award and the ECHO Award in 1994.

In April 1992, Tyler participated in a Greek ensemble CD with Sofia Arvaniti. The track was released on Arvaniti's 'Parafora' album on the EMI label, which was composed by Greek musician Michalis Rakintzis. It was named "The Desert Is In Your Heart", or "Petheno Stin Erimia" in Greek, and was a bilingual track (Greek and English). An instrumental version of the song was also released on Arvaniti's album. The album reached Gold.

In 1993, the first volume of Tyler's compilation The Very Best of Bonnie Tyler was released. It received a strong backing of advertising support. The featured tracks were selections from the 1970s to 1991, in chronological order and included a biography of Tyler's career. Over 600,000 copies were sold in Germany, dominating the charts over artists such as Madonna, Cher and Tina Turner. Later, in 1994, Columbia Records released ''Heaven & Hell'', a Bonnie Tyler and Meat Loaf compilation album which featured tracks from both artists. The compilation became a Gold record in the UK.

After her three albums with producer Dieter Bohlen, Tyler wanted to have a more international sound on her next record. She switched labels to Warner Music in 1995 and recorded ''Free Spirit'', an album on which she worked again with Jim Steinman as well as other prolific producers such as David Foster and Humberto Gatica. However, the album was only a minor success in continental Europe, though the single "Making Love Out of Nothing at All" (previously a hit for Air Supply in 1983) narrowly missed the UK Top 40. The single featured Tyler's mother's operatic vocals on the intro to the song. The album was re-released in 1996, now including the track "Limelight" which was used as the official song of the German Olympic Team. Tyler continued to record, releasing the folk influenced ''All in One Voice'' in 1999, though this was even less successful. Also in 1999, Tyler was part of an ensemble vocal unit for Rick Wakeman's ''Return to the Centre of the Earth'' CD. Tyler also recorded the track "Tyre Tracks And Broken Hearts" on the Jim Steinman and Andrew Lloyd Webber composed album ''Whistle Down The Wind''.

The 2000s[link]

In 2003, Tyler was approached by her manager, Matt Prior, to record an album that would consist of cover versions of Tyler's choice. Matt Prior became the producer of the album. Tyler picked out 13 of her favourite songs, some of which are by U2, Richard Marx, Phil Collins and The Beatles. The tracks were recorded by City of Prague Philharmonic Orchestra, but Tyler requested for her band to feature on the tracks also.

Also in 2003, French vocalist Kareen Antonn sent Tyler a demo recording of Antonn singing a French arrangement of "Total Eclipse of the Heart", entitled "Si demain... (Turn Around)", requesting for a duet with her. Tyler, completely unaware of whether Antonn was famous or not, accepted immediately and began recording the track soon after, despite the discomfort of not knowing whether the song was suitable for a duet. Released in December 2003, it went to number 1 in France, holding that chart position for ten weeks, and 12 weeks in total, as well as Belgium and Poland, selling a total of two million copies. The follow-up, "Si tout s'arrête (It's A Heartache)", another French language remake with Antonn, also made the French Top 20. Both tracks were included on Tyler's 2004 album, "''Simply Believe''". Also on this album, Tyler worked with Stuart Emerson, who wrote several songs on Tyler's Free Spirit album in 1995, and who also worked with Jim Steinman and Meat Loaf in the 1980s. Emerson wrote and produced six tracks on this album, two of which were re-recordings from her 1995 album.

By 2005, Tyler had already been working on her sixteenth studio album, ''Wings''. The sixteen-track album included 12 new tracks, two French re-recordings and two re-recordings of "Total Eclipse of the Heart" and "It's a Heartache". Tyler co-wrote most of the tracks, and was given two new tracks from Stuart Emerson, one of which was recorded as a duet between Tyler and her friend Lorraine Crosby. The track was "I'll Stand By You" and was based on the theme of friendship. Tyler's two singles from the album were "Louise" and "Celebrate", both of which received no chart success and nor did the album. In 2006, the album was re-released in the UK with 14 tracks, and called ''Celebrate''. Again, this received little chart success. For Tyler's birthday in 2005, Tyler performed several tracks from her new album at La Cigale in Paris and Zaragoza in Spain. Extracts from the concerts were released on CD (''Bonnie Tyler Live'') and DVD (''Bonnie on Tour'') in 2006 and 2007 respectively.

In 2006, French record label Stick Music released Tyler's first live album, ''Bonnie Tyler Live'', which featured songs from her 2005 album ''Wings'' as well as a handful of her greatest hits. In September 2006, Tyler made her first appearance on U.S. television in years, as she sang a duet of "Total Eclipse of the Heart" with actress Lucy Lawless on the American show ''Celebrity Duets''.

In 2007, a new Greatest Hits collection, ''From the Heart: Greatest Hits'', was released. The compilation reached #2 in the Irish album charts and #31 in the UK. Also in 2007, Tyler featured on a charity album called "''Over the Rainbow''". The event was filmed and shown on British TV series ''Challenge Anneka''. Anneka Rice was set the challenge to put together a thirteen-track compilation album made up of songs from musicals in five days and organise a promotional concert for the release of the CD. The proceeds went to the ''Chase Trust'' disabled children's charity. Tyler selected "I Don’t Know How to Love Him" from one of her favourite musicals, ''Jesus Christ Superstar''. In March 2007, Tyler appeared in the 20th season of the British TV show, "''Never Mind The Buzzcocks''".

In 2009, it was announced by Mal Pope that he had recruited Tyler to perform the title track to his self-written musical, ''Cappuccino Girls'', which would tour in Wales in the following months. She mimed the title song on the closing night in the theater to celebrate its conclusion. Tyler made a guest appearance in ''Hollyoaks Later'' (the late night edition of the British Channel 4 teen soap ''Hollyoaks'') in which she sang her hit "Holding Out For a Hero" with one of the characters. She also recorded a new version of "Total Eclipse of the Heart" with the Welsh male voice choir Only Men Aloud! for their second album ''Band of Brothers'' which was released in October 2009.

Sony re-released Tyler's first two albums, "''The World Starts Tonight''" and "''Natural Force''" in 2009 with the addition of two B-Sides, which were not featured on the albums in the original release in the 1970s. This was to be the first official release of four of Tyler's co-written songs from the 1970s since the release of ''Total Eclipse Anthology'' in 2002.

On 1 November 2009, Tyler joined artists such as Escala, Joss Stone and Bananarama in a charity concert in support of breast cancer research. It was held at the Royal Albert Hall as a fundraiser for Pinktober.

The 2010s[link]

In 2010, Tyler appeared in a television advertisement for MasterCard singing a parody of "Total Eclipse of the Heart". Tyler performed in Australia for the first time in her career in the end of October, first as a supporting guest for Robin Gibb and then performing her own shows in Australia and New Zeland.

In November, Albert Hammond released an album called ''Legend'', which featured some of his most successful compositions, with many re-recorded as duets. Hammond and Tyler recorded a version of Starship's "Nothing's Gonna Stop Us Now".

In 2011, Tyler made a guest appearance in the music video "Newport State of Mind", a parody of the Jay Z and Alicia Keys song "Empire State of Mind" for the BBC's Comic Relief charity. Towards the end of 2011, Tyler dueted with the singer Laura Zen on "Amour Éternel", a new French/English version of The Bangles' 1989 hit "Eternal Flame". It was released to French radio stations on 29 August 2011. It was then released as an MP3 download in France on 26 September 2011, and also included on Tyler's triple-disc ''Best Of 3 CD'' album on 3 October 2011. Also in 2011, Tyler won an award at the BMI London Awards for "It's A Heartache".

In December 2011, a portrait of Tyler by Rolf Harris was sold by Cathy Sims for £50,000 on BBC's ''Antiques Roadshow''.

On 13 February 2012, news of the release of Tyler's new album was released on her website. It claimed that Tyler has been working in Nashville to record a new country/rock album which will be available as a CD and online for digital download for an expected release in 2012. David Huff has been named the producer and songwriters for the tracks include Desmond Child and Frank J. Myers as well as a duet with country musician Vince Gill. On 16 April, an update on Tyler's website confirmed the duet (named "What You Need From Me"), and commented that Tyler had arrived in Los Angeles two days prior to the update to assist with mixing the recorded tracks. It was later announced on Tyler's website that it is due to receive a new design in conjunction to the upcoming album.

In April 2012, the record label Rdeg re-released ''Goodbye to the Island'', ''Angel Heart'' and ''Bitterblue'' digitally.

Discography[link]

Studio albums[link]

''The World Starts Tonight'' (1977)

''Natural Force'' (1978)

''Diamond Cut'' (1979)

''Goodbye to the Island'' (1981)

''Faster Than the Speed of Night'' (1983)

''Secret Dreams and Forbidden Fire'' (1986)

''Hide Your Heart'' (1988)

''Bitterblue'' (1991)

''Angel Heart'' (1992)

''Silhouette in Red'' (1993)

''Free Spirit'' (1995)

''All in One Voice'' (1999)

''Heart Strings'' (2003)

''Simply Believe'' (2004)

''Wings'' (2005)

Other albums[link]

Soundtracks

''The World Is Full of Married Men'' (1979)

''Footloose'' (1984)

''Metropolis'' (1984)

''The Wraith'' (1986)

''Fire, Ice and Dynamite'' (1990)

''Asterix Conquers America'' (1994)

''Bandits'' (2001)

Live albums

''Bonnie Tyler Live'' (2006)

''Live in Germany 1993'' (2011)

Compilation albums

''The Very Best of Bonnie Tyler'' (1981)

''Greatest Hits'' (1986)

''Heaven & Hell'' (with Meat Loaf) (1989)

''Here Am I'' (1992)

''The Very Best of Bonnie Tyler'' Volume One (1993)

''The Best'' (1993)

''The Very Best of Bonnie Tyler'' Volume Two (1994)

''Comeback: Single Collection '90–'94'' (1994)

''The Definitive Collection'' (1995)

''Straight from the Heart – The Very Best of Bonnie Tyler'' (1995)

''Greatest Hits'' (2001)

''Total Eclipse Anthology'' (2002)

''From The Heart: Greatest Hits'' (2007)

''Best Of 3 CD'' (2011)

Filmography[link]

Film
Year	Film	Role	Notes
1979	''The World Is Full of Married Men''	Herself	Performed title theme in opening credits
1998		Herself
Television
Year	Film	Role	Notes
1983		Herself	Title translates to "''Amusement Machine''"
1993	''The Mal Pope Show''	Herself	Christmas special
2000	''Smash! Rock Anthems''	Herself	Documentary
2005		Herself	Documentary, Polish TV
2006	''James Bond's Greatest Hits''	Herself	Documentary
2007	''Challenge Anneka''	Herself	Performed "I Don't Know How To Love Him"
2009	''Hollyoaks Later''	Herself	Performed "Holding Out For A Hero" in a dream sequence
Concerts
Year of Event	Title	Year of Release	Venue
1993	''Live in Germany 1993''	2011	Frankfurt, Germany
2005	''Bonnie on Tour''	2007	La Cigale, Paris and Zaragosa, Spain

Tours[link]

1988: Hide Your Heart Tour

1994: Silhouette in Red Tour

1996: Free Spirit Tour

2003: Heart Strings Tour

Personal life[link]

After global success in the 1980s, Tyler and her husband Robert Sullivan decided to try to have a baby when she was aged 39. Tyler miscarried and did not conceive again.

Throughout her career, Tyler and her husband have owned a villa in Mumbles in Wales. They also own a home in the Algarve (in Albufeira, south Portugal), after Tyler recorded one of her albums there in the late 1970s. In 2005, Tyler was filmed for a short Polish entertainment TV show called ''Zacisze gwiazd'', which explores the houses of actors and musicians.

Some of Tyler's siblings have also been recognised to have a career in music. Her bother, Paul Hopkins, is lead singer of local Swansea band, Sunshine Cab Co. He co-wrote most of Tyler's 1980s B-sides, including "Time" and "Gonna Get Better" as well as composing some tracks for her albums, such as "The Reason Why" from ''All in One Voice''. Tyler's sister, Avis Hopkins, featured on Mal Pope's musical soundtrack of ''Cappuccino Girls'', singing the track, "Today's My Birthday". Avis Hopkins changed her name in the 1980s to Amanda Scott and released the track, "Lies" in 1988.

Through her husband, Tyler is related to actress Catherine Zeta-Jones and attended her wedding to Michael Douglas, performing "Total Eclipse of the Heart".

Awards, nominations and accolades[link]

Music awards and nominations[link]

British Awards 1977 (UK)

*Best British Female Newcomer'''

Music Retailer Magazine 1978 (USA)

*Most Promising Newcomer

Daily Express 1978 (UK)

*Best New Artist

Bravo Otto 1978 (Germany)

*Golden Otto Best Singer

Goldene Europa 1978 (Germany)

*Best Singer

Yamaha Prize 1979 (Japan)

*Grand Prix International "Sitting On The Edge Of The Ocean"

Academy Country Music 1979 (USA)

*Best New Artist "It's A Heartache" (nomination)

Radio(?) 1979 From (Spain)

*Best International Singer & Best New Artist

Brit Awards 1984 (UK)

*Best singer (nomination)

American Music Awards 1984 (USA)

*Favorite Pop/Rock Female Artist (nomination)

*Favorite Pop/Rock Single "Total Eclipse of the Heart" (nomination)

Goldene Europa 1983 (Germany)

*Comeback Of The Year

Grammy Award 1984 (USA)

*Best Pop Vocal Female "Total Eclipse of the Heart" (nomination)

*Best Rock Vocal Female "Faster Than The Speed of Night" (nomination)

Variety Club of Great Britain Award 1984 (UK)

*Best Recording Artist Of The Year "Total Eclipse Of The Heart"

Grammy Award 1985 (USA)

*Best Rock Vocal Female "Here She Comes" (nomination)

Brit Awards 1986 (UK)

*Best Singer (nomination)

MIDEM 1986 (France)

*Best International Singer

Diamond Awards 1987(Belgium)

*International Singer

RSH-Gold Award 1992 (Germany)

*Erfolgreichste deutschproduzierte Interpretin bzw. Ohrwurm des Jahres

Bravo Otto

*Best Singer of 1992, 6th place

Echo Award 1993 (Germany)

*Best International Singer "Angel Heart" (nomination)

Bravo 10 Best Singers of 1993

*6th place

Bravo 10 Best Shows of 1993

*8th place

Bravo 10 Good Looking Singer of 1993

*8th place

Bravo 10 Best CDs of 1993

"Very Best of Bonnie Tyler Vol. 1", 8th place

Bravo 10 Best CDs of 1993

"Silhouette In Red", 9th place

Goldene Europa 1993 (Germany)

*Best International Singer

Echo Award 1994 (Germany)

*Best International Singer, ''The Very Best Of/Silhouette In Red''

Radio Regenbogen Award 1999 (Germany)

*Lifetime Award

Writs Welsh Music Awards 2001 (Wales)

*Best Singer "Greatest Hits" (nomination)

Royal Welsh College Of Music & Drama 2002 (Wales)

*Honorary Fellow in recognition of outstanding achievements within the fields of music.

Les Hits de Diamant 2004 (France)

*It's A Heartache & Total Eclipse Of The Heart

Steiger Award 2005 (Germany)

*Lifetime Award

Angel Award 2009 (Germany)

*Special corporate social responsibility

Neath Port Talbot - Freedom of the county 2010 (Wales)

*Honorary recognition from the town of Port Talbot

BMI2011 , MILLION-AIR AWARD SONGS Honorees have accumulated substantial performance totals—from three million—in U.S. radio and television. IT'S A HEARTACHE Ronnie Scott (PRS) Steve Wolfe (PRS) Lojo Music Ltd. (PRS) Bonnie Tyler

Share Silver Medal2011(Norway)

Honored for contribution to local communities since 1978.

Other commercial achievements[link]

Tyler was listed as second most famous celebrity from Wales in 2005 by the BBC. Welsh singer Rhydian Roberts selected Tyler's track, "''Faster Than The Speed Of Night''", for the ''Tracks Of My Years'' segment of UK DJ Ken Bruce's BBC Radio 2 show on September 26, 2011.

See also[link]

List of artists who reached number one on the UK Singles Chart

List of artists who reached number one on the Hot 100 (United States)

References[link]

External links[link]

Category:1951 births Category:Female rock singers Category:Living people Category:People from Neath Port Talbot Category:Welsh female singers Category:Welsh pop singers Category:Welsh rock singers Category:Winners of Yamaha Music Festival Category:RCA Records artists Category:Chrysalis Records artists Category:Columbia Records artists

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