Gunpowder Plot

Guy Fawkes
George Cruikshank's illustration of Guy Fawkes, published in William Harrison Ainsworth's 1840 novel
Details
Parents	Edward Fawkes, Edith (née Blake or Jackson)
Born	(1570-04-13)13 April 1570 (presumed) York, England
Alias(es)	Guido Fawkes, John Johnson
Occupation	Soldier; Alférez
Plot
Role	Explosives
Enlisted	20 May 1604
Captured	5 November 1605
Conviction(s)	High treason
Penalty	Hanged, drawn and quartered
Died	31 January 1606(1606-01-31) (aged 35) Westminster, London, England
Cause	Hanged

Guy Fawkes (13 April 1570 – 31 January 1606), also known as Guido Fawkes, the name he adopted while fighting for the Spanish in the Low Countries, belonged to a group of provincial English Catholics who planned the failed Gunpowder Plot of 1605.

Fawkes was born and educated in York. His father died when Fawkes was eight years old, after which his mother married a recusant Catholic. Fawkes later converted to Catholicism and left for the continent, where he fought in the Eighty Years' War on the side of Catholic Spain against Protestant Dutch reformers. He travelled to Spain to seek support for a Catholic rebellion in England but was unsuccessful. He later met Thomas Wintour, with whom he returned to England.

Wintour introduced Fawkes to Robert Catesby, who planned to assassinate King James I and restore a Catholic monarch to the throne. The plotters secured the lease to an undercroft beneath the House of Lords, and Fawkes was placed in charge of the gunpowder they stockpiled there. Prompted by the receipt of an anonymous letter, the authorities searched Westminster Palace during the early hours of 5 November, and found Fawkes guarding the explosives. Over the next few days, he was questioned and tortured, and eventually he broke. Immediately before his execution on 31 January, Fawkes jumped from the scaffold where he was to be hanged and broke his neck, thus avoiding the agony of the mutilation that followed.

Fawkes became synonymous with the Gunpowder Plot, the failure of which has been commemorated in England since 5 November 1605. His effigy is traditionally burned on a bonfire, commonly accompanied by a firework display.

Early life[link]

Childhood[link]

Fawkes was baptised at the church of St. Michael le Belfrey

Guy Fawkes was born in 1570 in Stonegate, York. He was the second of four children born to Edward Fawkes, a proctor and an advocate of the consistory court at York,^{[nb 1]} and his wife, Edith.^{[nb 2]} Guy's parents were regular communicants of the Church of England, as were his paternal grandparents; his grandmother, born Ellen Harrington, was the daughter of a prominent merchant, who served as Lord Mayor of York in 1536.^[4] However, Guy's mother's family were recusant Catholics, and his cousin, Richard Cowling, became a Jesuit priest.^[5] Guy was an uncommon name in England, but may have been popular in York on account of a local notable, Sir Guy Fairfax of Steeton.^[6]

The date of Fawkes' birth is unknown, but he was baptised in the church of St. Michael le Belfrey on 16 April. As the customary gap between birth and baptism was three days, he was probably born about 13 April.^[5] In 1568, Edith had given birth to a daughter named Anne, but the child died aged about seven weeks, in November that year. She bore two more children after Guy: Anne (b. 1572), and Elizabeth (b. 1575). Both were married, in 1599 and 1594 respectively.^[6][7]

In 1579, when Guy was eight years old, his father died. His mother remarried several years later, to the Catholic Dionis Baynbrigge (or Denis Bainbridge) of Scotton, Harrogate. Fawkes may have become a Catholic through the Baynbrigge family's recusant tendencies, and also the Catholic branches of the Pulleyn and Percy families of Scotton,^[8] but also from his time at St. Peter's School in York. A governor of the school had spent about 20 years in prison for recusancy, and its headmaster, John Pulleyn, came from a family of noted Yorkshire recusants, the Pulleyns of Blubberhouses. In her 1915 work The Pulleynes of Yorkshire, author Catharine Pullein suggested that Fawkes's Catholic education came from his Harrington relatives, who were known for harbouring priests, one of whom later accompanied Fawkes to Flanders in 1592–1593.^[9] Fawkes's fellow students included John Wright and his brother Christopher (both later involved with Fawkes in the Gunpowder plot) and Oswald Tesimond, Edward Oldcorne and Robert Middleton, who became priests (the latter executed in 1601).^[10]

After leaving school Fawkes entered the service of Anthony Browne, 1st Viscount Montagu. The Viscount took a dislike to Fawkes and after a short time dismissed him; he was subsequently employed by Anthony-Maria Browne, 2nd Viscount Montagu, who succeeded his grandfather at the age of 18.^[11] At least one source claims that Fawkes married and had a son, but no known contemporary accounts confirm this.^{[12][nb 3]}

Military career[link]

In October 1591 Fawkes sold the estate in Clifton that he had inherited from his father.^{[nb 4]} He travelled to the continent to fight in the Eighty Years War for Catholic Spain against the new Dutch Republic and, from 1595 until the Peace of Vervins in 1598, France. Although England was not by then engaged in land operations against Spain, the two countries were still at war, and the Spanish Armada of 1588 was only five years in the past. He joined Sir William Stanley, an English Catholic and veteran commander in his mid-fifties who had raised an army in Ireland to fight in Leicester's expedition to the Netherlands. Stanley had been held in high regard by Elizabeth I, but following his surrender of Deventer to the Spanish in 1587 he, and most of his troops, had switched sides to serve Spain. Fawkes became an alférez or junior officer, fought well at the siege of Calais in 1596, and by 1603 had been recommended for a captaincy.^[3] That year, he travelled to Spain to seek support for a Catholic rebellion in England. He used the occasion to adopt the Italian version of his name, Guido, and in his memorandum described James I as "a heretic", who intended "to have all of the Papist sect driven out of England." He denounced Scotland, and the King's favourites among the Scottish nobles, writing "it will not be possible to reconcile these two nations, as they are, for very long".^[13] Although he was received politely, the court of Philip III was unwilling to offer him any support.^[14]

Gunpowder Plot[link]

A contemporary engraving of eight of the thirteen conspirators, by Crispijn van de Passe. Fawkes is third from the right.

In 1604 Fawkes became involved with a small group of English Catholics, led by Robert Catesby, who planned to assassinate the Protestant King James and replace him with his daughter, third in the line of succession, Princess Elizabeth.^[15][16] Fawkes was described by the Jesuit priest and former school friend Oswald Tesimond as "pleasant of approach and cheerful of manner, opposed to quarrels and strife ... loyal to his friends". Tesimond also claimed Fawkes was "a man highly skilled in matters of war", and that it was this mixture of piety and professionalism which endeared him to his fellow conspirators.^[3] The author Antonia Fraser describes Fawkes as "a tall, powerfully built man, with thick reddish-brown hair, a flowing moustache in the tradition of the time, and a bushy reddish-brown beard", and that he was "a man of action ... capable of intelligent argument as well as physical endurance, somewhat to the surprise of his enemies."^[5]

The first meeting of the five central conspirators took place on Sunday 20 May 1604, at an inn called the Duck and Drake, in the fashionable Strand district of London.^{[nb 5]} Catesby had already proposed at an earlier meeting with Thomas Wintour and John Wright to kill the King and his government by blowing up "the Parliament House with gunpowder". Wintour, who at first objected to the plan, was convinced by Catesby to travel to the continent to seek help. Wintour met with the Constable of Castile, the exiled Welsh spy Hugh Owen,^[18] and Sir William Stanley, who said that Catesby would receive no support from Spain. Owen did, however, introduce Wintour to Fawkes, who had by then been away from England for many years, and thus was largely unknown in the country. Wintour and Fawkes were contemporaries; each was militant, and had first-hand experience of the unwillingness of the Spaniards to help. Wintour told Fawkes of their plan to "doe some whatt in Ingland if the pece with Spaine healped us nott",^[3] and thus in April 1604 the two men returned to England.^[17] Wintour's news did not surprise Catesby; despite positive noises from the Spanish authorities, he feared that "the deeds would nott answere".^{[nb 6]}

One of the conspirators, Thomas Percy was promoted in June 1604, gaining access to a house in London which belonged to John Whynniard, Keeper of the King's Wardrobe. Fawkes was installed as a caretaker and began using the pseudonym John Johnson, servant to Percy.^[20] The contemporaneous account of the prosecution (taken from Thomas Wintour's confession)^[21] claimed that the conspirators attempted to dig a tunnel from beneath Whynniard's house to Parliament, although this story may have been a government fabrication; no evidence for the existence of a tunnel was presented by the prosecution, and no trace of one has ever been found; Fawkes himself did not admit the existence of such a scheme until his fifth interrogation, but even then he could not locate the tunnel.^[22] If the story is true, however, by December 1604 the conspirators were busy tunnelling from their rented house to the House of Lords. They ceased their efforts when, during tunnelling, they heard a noise from above. Fawkes was sent out to investigate, and returned with the news that the tenant's widow was clearing out a nearby undercroft, directly beneath the House of Lords.^[3][23]

The plotters purchased the lease to the room, which also belonged to John Whynniard. Unused and filthy, it was considered an ideal hiding place for the gunpowder the plotters planned to store.^[24] According to Fawkes, 20 barrels of gunpowder were brought in at first, followed by 16 more on 20 July.^[25] On 28 July however, the ever-present threat of the plague delayed the opening of Parliament until Tuesday, 5 November.^[26]

Overseas[link]

In an attempt to gain foreign support, in May 1605 Fawkes travelled overseas and informed Hugh Owen of the plotters' plan.^[27] At some point during this trip his name made its way into the files of Robert Cecil, 1st Earl of Salisbury, who employed a network of spies across Europe. One of these spies, Captain William Turner, may have been responsible. Although the information he provided to Salisbury usually amounted to no more than a vague pattern of invasion reports, and included nothing which regarded the Gunpowder Plot, on 21 April he told how Fawkes was to be brought by Tesimond to England. Fawkes was a well known Flemish mercenary, and would be introduced to "Mr Catesby" and "honourable friends of the nobility and others who would have arms and horses in readiness".^[28] Turner's report did not, however, mention Fawkes's pseudonym in England, John Johnson, and did not reach Cecil until late in November, well after the plot had been discovered.^[3][29]

It is uncertain when Fawkes returned to England, but he was back in London by late August 1605, when he and Wintour discovered that the gunpowder stored in the undercroft had decayed. More gunpowder was brought into the room, along with firewood to conceal it.^[30] Fawkes's final role in the plot was settled during a series of meetings in October. He was to light the fuse and then escape across the Thames. Simultaneously, a revolt in the Midlands would help to ensure the capture of Princess Elizabeth. Acts of regicide were frowned upon, and Fawkes would therefore head to the continent, where he would explain to the Catholic powers his holy duty to kill the King and his retinue.^[31]

Discovery[link]

Discovery of the Gunpowder Plot (c. 1823), Henry Perronet Briggs

A few of the conspirators were concerned about fellow Catholics who would be present at Parliament during the opening.^[32] On the evening of 26 October, Lord Monteagle received an anonymous letter warning him to stay away, and to "retyre youre self into yowre contee whence yow maye expect the event in safti for ... they shall receyve a terrible blowe this parleament".^[33] Despite quickly becoming aware of the letter – informed by one of Monteagle's servants – the conspirators resolved to continue with their plans, as it appeared that it "was clearly thought to be a hoax".^[34] Fawkes checked the undercroft on 30 October, and reported that nothing had been disturbed.^[35] Monteagle's suspicions had been aroused however, and the letter was shown to King James. The King ordered Sir Thomas Knyvet to conduct a search of the cellars underneath Parliament, which he did in the early hours of 5 November. Fawkes had taken up his station late on the previous night, armed with a slow match and a watch given to him by Percy "becaus he should knowe howe the time went away".^[3] He was found leaving the cellar, shortly after midnight, and arrested. Inside, the barrels of gunpowder were discovered hidden under piles of firewood and coal.^[36]

Torture[link]

Fawkes gave his name as John Johnson and was first interrogated by members of the King's Privy Chamber, where he remained defiant. When asked by one of the lords what he was doing in possession of so much gunpowder, Fawkes answered that his intention was "to blow you Scotch beggars back to your native mountains."^[37] He identified himself as a 36-year-old Catholic from Netherdale in Yorkshire, and gave his father's name as Thomas and his mother's as Edith Jackson. Wounds on his body noted by his questioners he explained as the effects of pleurisy. Fawkes admitted his intention to blow up the House of Lords, and expressed regret at his failure to do so. His steadfast manner earned him the admiration of King James, who described Fawkes as possessing "a Roman resolution".^[38]

James's admiration did not, however, prevent him from ordering on 6 November that "John Johnson" be tortured, to reveal the names of his co-conspirators.^[39] He directed that the torture be light at first, referring to the use of manacles, but more severe if necessary, authorising the use of the rack: "the gentler Tortures are to be first used unto him et sic per gradus ad ima tenditur [and so by degrees proceeding to the worst]".^[37][40] Fawkes was transferred to the Tower of London. The King composed a list of questions to be put to "Johnson", such as "as to what he is, For I can never yet hear of any man that knows him", "When and where he learned to speak French?", and "If he was a Papist, who brought him up in it?"^[41] The room in which Fawkes was interrogated subsequently became known as the Guy Fawkes Room.^[42]

Fawkes's signature of "Guido", made soon after his torture, is a barely evident scrawl compared to a later instance.

Sir William Waad, Lieutenant of the Tower, supervised the torture and obtained Fawkes's confession.^[37] He searched his prisoner, and found a letter, addressed to Guy Fawkes. To Waad's surprise, "Johnson" remained silent, revealing nothing about the plot or its authors.^[43] On the night of 6 November he spoke with Waad, who reported to Salisbury "He [Johnson] told us that since he undertook this action he did every day pray to God he might perform that which might be for the advancement of the Catholic Faith and saving his own soul". According to Waad, Fawkes managed to rest through the night, despite his being warned that he would be interrogated until "I had gotton the inwards secret of his thoughts and all his complices".^[44] His composure was broken at some point during the following day.^[45]

The observer Sir Edward Hoby remarked "Since Johnson's being in the Tower, he beginneth to speak English". Fawkes revealed his true identity on 7 November, and told his interrogators that there were five people involved in the plot to kill the King. He began to reveal their names on 8 November, and told how they intended to place Princess Elizabeth on the throne. His third confession, on 9 November, implicated Francis Tresham. Following the Ridolfi plot of 1571 prisoners were made to dictate their confessions, before copying and signing them, if they still could.^[46] Although it is uncertain if he was subjected to the horrors of the rack, Fawkes's signature, little more than a scrawl, bears testament to the suffering he endured at the hands of his interrogators.^[47]

Trial and execution[link]

The trial of eight of the plotters began on Monday 27 January 1606. Fawkes shared the barge from the Tower to Westminster Hall with seven of his co-conspirators.^{[nb 7]} They were kept in the Star Chamber before being taken to Westminster Hall, where they were displayed on a purpose-built scaffold. The King and his close family, watching in secret, were among the spectators as the Lords Commissioners read out the list of charges. Fawkes was identified as Guido Fawkes, "otherwise called Guido Johnson". He pleaded not guilty, despite his apparent acceptance of guilt from the moment he was captured.^[49]

A 1606 etching by Claes (Nicolaes) Jansz Visscher, depicting Fawkes's execution

The outcome was never in doubt. The jury found all of the defendants guilty, and the Lord Chief Justice Sir John Popham proclaimed them guilty of high treason.^[50] The Attorney General Sir Edward Coke told the court that each of the condemned would be drawn backwards to his death, by a horse, his head near the ground. They were to be "put to death halfway between heaven and earth as unworthy of both". Their genitals would be cut off and burnt before their eyes, and their bowels and hearts removed. They would then be decapitated, and the dismembered parts of their bodies displayed so that they might become "prey for the fowls of the air".^[51] Fawkes's and Tresham's testimony regarding the Spanish treason was read aloud, as well as confessions related specifically to the Gunpowder Plot. The last piece of evidence offered was a conversation between Fawkes and Wintour, who had been kept in adjacent cells. The two men apparently thought they had been speaking in private, but their conversation was intercepted by a government spy. When the prisoners were allowed to speak, Fawkes explained his not guilty plea as ignorance of certain aspects of the indictment.^[52]

On 31 January 1606, Fawkes and three others — Thomas Wintour, Ambrose Rookwood, and Robert Keyes — were dragged (i.e. drawn) from the Tower on wattled hurdles to the Old Palace Yard at Westminster, opposite the building they had attempted to destroy.^[53] His fellow plotters were then hanged and quartered. Fawkes was the last to stand on the scaffold. He asked for forgiveness of the King and state, while keeping up his "crosses and idle ceremonies", and aided by the hangman began to climb the ladder to the noose. Although weakened by torture, Fawkes managed to jump from the gallows, breaking his neck in the fall and thus avoiding the agony of the latter part of his execution.^[37][54] His lifeless body was nevertheless quartered,^[55] and as was the custom,^[56] his body parts were then distributed to "the four corners of the kingdom", to be displayed as a warning to other would-be traitors.^[57]

Legacy[link]

Procession of a Guy (1864)

On 5 November 1605 Londoners were encouraged to celebrate the King's escape from assassination by lighting bonfires, "always provided that 'this testemonye of joy be carefull done without any danger or disorder'".^[3] An Act of Parliament^{[nb 8]} designated each 5 November as a day of thanksgiving for "the joyful day of deliverance", and remained in force until 1859.^[58] Although he was only one of 13 conspirators, Fawkes is today the individual most associated with the failed Plot.^[59]

In Britain, 5 November has variously been called Guy Fawkes Night, Guy Fawkes Day, Plot Night^[60] and Bonfire Night; the latter can be traced directly back to the original celebration of 5 November 1605.^[61] Bonfires were accompanied by fireworks from the 1650s onwards, and it became the custom to burn an effigy (usually the Pope) after 1673, when the heir presumptive, James, Duke of York made his conversion to Catholicism public.^[3] Effigies of other notable figures who have become targets for the public's ire, such as Paul Kruger and Margaret Thatcher, have also found their way onto the bonfires,^[62] although most modern effigies are of Fawkes.^[58] The "guy" is normally created by children, from old clothes, newspapers, and a mask.^[58] During the 19th century, "guy" came to mean an oddly dressed person, but in American English it lost any pejorative connotation, and was used to refer to any male person.^[58][63]

William Harrison Ainsworth's 1841 historical romance Guy Fawkes; or, The Gunpowder Treason, portrays Fawkes in a generally sympathetic light,^[64] and transformed him in the public perception into an "acceptable fictional character". Fawkes subsequently appeared as "essentially an action hero" in children's books and penny dreadfuls such as The Boyhood Days of Guy Fawkes; or, The Conspirators of Old London, published in about 1905.^[65] Fawkes is sometimes referred to as "the only man ever to enter Parliament with honest intentions".^[66]

References[link]

Notes

Footnotes

Bibliography

External links[link]

Media related to Guy Fawkes at Wikimedia Commons Quotations related to Guy Fawkes at Wikiquote

• Guy Fawkes story from the BBC, including archive video clips

Members of the group "Anonymous" wearing the mask in Los Angeles, 2008

The Guy Fawkes mask is a stylised depiction of Guy Fawkes, the best-known member of the Gunpowder Plot, an attempt to blow up the English Palace of Westminster in London in 1605. While the use of a mask on an effigy has long roots as part of Guy Fawkes Night celebrations, a stylised mask designed by illustrator David Lloyd came to represent broader protest after it was used as a major plot element in V for Vendetta, published in 1982, and its 2006 film adaptation. After appearing in internet forums, the mask was worn by participants in real-life protests and has become widespread internationally among groups protesting against politicians, banks and financial institutions, such as the Occupy movement.

The mask portrays a white face with a subtle smile and red cheeks, a wide moustache upturned at both ends, and a thin vertical pointed beard.

Origins[link]

While the Gunpowder Plot was commemorated from early on with effigies of unpopular figures, towards the end of the 18th century reports appeared of children begging for money with masked effigies of Guy Fawkes, and 5 November gradually became known as Guy Fawkes Night.

The main character in the comic book series V for Vendetta, which started in 1982, and its 2006 film adaptation, wore a Guy Fawkes mask. The series, written by Alan Moore and illustrated mostly by David Lloyd is about a dystopian future United Kingdom. When developing the idea, Lloyd wrote a handwritten note: "Why don’t we portray him as a resurrected Guy Fawkes, complete with one of those papier-mâché masks, in a cape and a conical hat? He’d look really bizarre and it would give Guy Fawkes the image he’s deserved all these years. We shouldn’t burn the chap every Nov. 5th but celebrate his attempt to blow up Parliament!" Moore commented that, due to Lloyd's idea, "All of the various fragments in my head suddenly fell into place, united behind the single image of a Guy Fawkes mask."^[1]

Use in protests[link]

Protesters wearing "Guy Fawkes masks" at a protest against Scientology in London in 2008

Since the release in 2006 of the film V for Vendetta, the use of stylised "Guy Fawkes" masks, with moustache and pointed beard, has become widespread internationally among groups protesting against politicians, banks and financial institutions. The masks both conceal the identity of individuals and demonstrate their commitment to a shared cause.^[2][3] The character developed as an internet meme, common on imageboards such as 4chan as well as on video-sharing based websites such as YouTube. Initially, a stick figure who failed at everything emerged and became known as "Epic Fail Guy" (EFG). This character was increasingly shown as wearing a V for Vendetta "Guy Fawkes" mask. It became associated with Anonymous's Project Chanology protests against the Church of Scientology in 2008, as their way protecting their identity from the Church of Scientology, who is known to harass critics. Scott Stewart of University of Nebraska at Omaha's The Gateway wrote: "Many participants sported Guy Fawkes masks to draw attention both to their identity as Anonymous and the Church of Scientology's abuse of litigation and coercion to suppress anti-Scientology viewpoints."^[4] The internet-based group then adopted the character for its wider protests against authority.^[5][6]

Alan Moore, anarchist and author of V for Vendetta, has supported the use of this mask, and stated in a 2008 interview with Entertainment Weekly, "I was also quite heartened the other day when watching the news to see that there were demonstrations outside the Scientology headquarters over here, and that they suddenly flashed to a clip showing all these demonstrators wearing V for Vendetta Guy Fawkes masks. That pleased me. That gave me a warm little glow."^[7]

On 23 May 2009, protesters wearing the mask set off a fake barrel of gunpowder outside Parliament while protesting over the issue of British MPs' expenses.^[8] During the 2011 Wisconsin protests, and then during the subsequent Occupy Wall Street and the ongoing Occupy movement, the mask appeared internationally^[9] as a symbol of popular rebellion. In October 2011, campaigner Julian Assange attended the Occupy London Stock Exchange protest wearing such a mask, which he removed after a request by the police.^[2] In January 2012, Guy Fawkes masks were used by protesters against Poland's signing of ACTA.^[10] According to Time in 2011, the protesters' adoption of the mask has led to it becoming the top-selling mask on Amazon.com, selling hundreds of thousands a year. Time Warner, one of the largest media companies in the world, is paid a fee with the sale of each mask, as it owns the rights to the image.^[11]

David Lloyd, V for Vendetta illustrator and co-creator, is quoted as saying, "The Guy Fawkes mask has now become a common brand and a convenient placard to use in protest against tyranny – and I'm happy with people using it, it seems quite unique, an icon of popular culture being used this way. The book is about one man bringing down the state but the film includes a scene of a huge crowd – making a statement against a faceless corporation. The masks were useful for the Scientology protests because it prevented individuals from being recognised ... We knew that V was going to be an escapee from a concentration camp where he had been subjected to medical experiments but then I had the idea that in his craziness he would decide to adopt the persona and mission of Guy Fawkes – our great historical revolutionary."^[2]

References[link]

Wikimedia Commons has media related to: Masks of Guy Fawkes

Edward Oliver James Petrie
Performing on the Blazing Saddles stage at the 2011 Glastonbury Festival
Born	(1978-08-22) 22 August 1978 (age 33) Rustington, West Sussex
Occupation	Actor, Comedian, Television Presenter

Edward 'Ed' Oliver James Petrie (born 22 August 1978) is a British actor, comedian and television presenter. He was born, and grew up in, the seaside resort of Rustington, and was educated at Broadwater Manor in Worthing and the independent school Ardingly College in the village of Ardingly in West Sussex. He currently lives in Brockley, London.

Previous presenting work includes hosting various children's programmes, on Nickelodeon, from January 2005 until September 2007, including Slime Across The UK and The Crunch.

In 2002, Petrie was a researcher for the BBC programme, They Think It's All Over and, in 2005, was a comedy sketch writer for BBC Radio 1's The Milk Run.

He was a finalist in both, So You Think You're Funny? and York's comedy festival, National Talent Hunt in 2003. The following year, Ed was a semi-finalist in the BBC's New Comedy Awards.

Acting work has included appearances in the Channel 4 comedy programmes Green Wing and Smack the Pony.

CBBC presenting work[link]

Before joining CBBC's presentation department in September 2007, Petrie hosted the game show Wonderful World of Weird.

He later became the chief continuity presenter for the CBBC Channel, presenting afternoon links for the CBBC Channel alongside Oucho T. Cactus. The duo later presented Ed and Oucho's Excellent Inventions and a weekend morning show entitled Transmission Impossible with Ed & Oucho.

In 2008, he was nominated for a BAFTA in the Best Children's Presenter category, and collected the BAFTA for Best Children's Channel when it was won by CBBC.

Ed and Oucho's Excellent Inventions Series 2 aired on the CBBC channel on BBC 2 on 2 January 2010.

Ed presented Weekend links on the CBBC Channel with new CBBC presenter Chris Johnson as of January 2010 whilst Oucho (Warrick Brownlow-Pike) was either away or had been replaced by Dodge T Dog (Warrick Brownlow-Pike).

Ed left CBBC presentation on the 30th October 2010, to present All Over The Place, a show on CBBC with Holly Walsh which started airing in February 2011. A second series of All Over The Place aired between January and March 2012.

Personal life[link]

Ed has said through Twitter that his girlfriend is French and that she also appears in Misery Bear 's Comic Relief special (starring Kate Moss)

Television[link]

External links[link]

• Ed Petrie's own website
• CBBC stars
• Ed Petrie on Chortle
• Ed and Oucho's official BBC site

John Lennon MBE
Lennon rehearses "Give Peace a Chance" in Montreal, Canada, in 1969
Background information
Birth name	John Winston Lennon
Born	(1940-10-09)9 October 1940 Liverpool, England, UK
Died	8 December 1980(1980-12-08) (aged 40) New York, New York, US
Genres	Rock, pop
Occupations	Musician, singer-songwriter, record producer, artist, writer
Instruments	Vocals, guitar, piano, harmonica, harmonium, electronic organ, six-string bass
Years active	1957–75, 1980
Labels	Parlophone, Capitol, Apple, EMI, Geffen, Polydor
Associated acts	The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, Yoko Ono
Website	www.johnlennon.com
Notable instruments
Rickenbacker 325 Epiphone Casino Gibson J-160E

Lennon's signature

John Winston Ono Lennon, MBE (9 October 1940 – 8 December 1980) was an English musician and singer-songwriter who rose to worldwide fame as one of the founder members of The Beatles, one of the most commercially successful and critically acclaimed acts in the history of popular music. Together with Paul McCartney, he formed one of the most celebrated songwriting partnerships of the 20th century.

Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine, and iconic songs such as "Give Peace a Chance" and "Imagine". After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to devote time to raising his infant son Sean, but re-emerged with Ono in 1980 with the new album Double Fantasy. He was murdered three weeks after its release.

Lennon revealed a rebellious nature and acerbic wit in his music, writing, drawings, on film, and in interviews. Controversial through his political and peace activism, he moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while some of his songs were adopted as anthems by the anti-war movement.

As of 2012 Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 25 number-one singles on the US Hot 100 chart. In 2002 a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, Rolling Stone ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.

History[link]

1940–57: Early years[link]

Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth.^[1] He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill.^[2] His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother,^[3] but the cheques stopped when he went absent without leave in February 1944.^[4][5] When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea.^[6] After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946 Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him.^[7] Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her.^[8] It would be 20 years before he had contact with his father again.^[9]

251 Menlove Avenue, the home of George and Mimi Smith, where Lennon lived for most of his childhood and adolescence

Throughout the rest of his childhood and adolescence he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton.^[10] His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles.^[11] Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, learning how to play "Ain't That a Shame" by Fats Domino.^[12]

In September 1980 he talked about his family and his rebellious nature:

Part of me would like to be accepted by all facets of society and not be this loudmouthed lunatic musician. But I cannot be what I am not. Because of my attitude, all the other boys' parents ... instinctively recognised what I was, which was a troublemaker, meaning I did not conform and I would influence their kids, which I did ... I did my best to disrupt every friend's home ... Partly, maybe, it was out of envy that I didn't have this so-called home, but I really did ... There were five women who were my family. Five strong, intelligent women. Five sisters. Those women were fantastic ... that was my first feminist education ... One happened to be my mother ... she just couldn't deal with life. She had a husband who ran away to sea and the war was on and she couldn't cope with me, and when I was four-and-a-half, I ended up living with her elder sister ... the fact that I wasn't with my parents made me see that parents are not gods.^[13]

He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas.^[14] During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby.^[15] After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16."^[16] He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).^[17]

Lennon was raised as an Anglican and attended Dovedale Primary School.^[18] From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad."^[19] He often drew comical cartoons which appeared in his own self-made school magazine called The Daily Howl,^[20] but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."^[21]

His mother bought him his first guitar in 1956, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations.^[22] As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it".^[23] On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.^[24]

Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened.^[25] Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class.^[26] He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."^[27]

1957–70: The Quarrymen to The Beatles[link]

1957–65: Formation, commercial break-out, and touring years[link]

Lennon playing with The Beatles in 1964 at the height of Beatlemania

The Beatles evolved from Lennon's first band, the Quarrymen. Named after Quarry Bank High School, the group was established by him in September 1956 when he was 15, and began as a skiffle group.^[28] By the summer of 1957 the Quarrymen played a "spirited set of songs" made up of half skiffle, and half rock and roll.^[29] Lennon first met Paul McCartney at the Quarrymen's second performance, held in Woolton on 6 July at the St. Peter's Church garden fête, after which McCartney was asked to join the band.^[30]

McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon.^[31] According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble";^[32] although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road.^[33][34] During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.^[35]

George Harrison joined the band as lead guitarist,^[36] even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played "Raunchy" for Lennon.^[37] Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist.^[38] Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them.^[39] Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead.^[40] After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg,^[41] and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.^[42]

Brian Epstein, The Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage.^[43] Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me".^[44] McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours on 11 February 1963,^[45] a day when Lennon was suffering the effects of a cold,^[46] which is evident in the vocal on the last song to be recorded that day, Twist and Shout.^[47] The Lennon–McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant".^[45] In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".^[48]

The Beatles achieved mainstream success in the UK during the beginning of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery."^[49] After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, In His Own Write and A Spaniard in the Works.^[50] The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.^[51]

Lennon grew concerned that fans attending Beatles' concerts were unable to hear the music above the screaming of fans, and that the band's musicianship was beginning to suffer as a result.^[52] Lennon's "Help!" expressed his own feelings in 1965: "I meant it ... It was me singing 'help'".^[53] He had put on weight (he would later refer to this as his "Fat Elvis" period),^[54] and felt he was subconsciously seeking change.^[55] The following January he was unknowingly introduced to LSD when a dentist, hosting a dinner party attended by Lennon, Harrison and their wives, spiked the guests' coffee with the drug.^[56] When they wanted to leave, their host revealed what they had taken, and strongly advised them not to leave the house because of the likely effects. Later, in an elevator at a nightclub, they all believed it was on fire: "We were all screaming ... hot and hysterical."^[56] A few months later in March, during an interview with Evening Standard reporter Maureen Cleave, Lennon remarked, "Christianity will go. It will vanish and shrink ... We're more popular than Jesus now—I don't know which will go first, rock and roll or Christianity."^[57] The comment went virtually unnoticed in England but caused great offence in the US when quoted by a magazine there five months later. The furore that followed—burning of Beatles' records, Ku Klux Klan activity, and threats against Lennon—contributed to the band's decision to stop touring.^[58]

1966–70: Studio years, break-up and solo work[link]

Deprived of the routine of live performances after their final commercial concert on 29 August 1966, Lennon felt lost and considered leaving the band.^[59] Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year."^[60] According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity".^[61] 1967 saw the release of "Strawberry Fields Forever", hailed by TIME magazine for its "astonishing inventiveness",^[62] and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon–McCartney's early years.

In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales,^[63] and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared".^[64] They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road.^[65]

The anti-war, black comedy How I Won the War, featuring Lennon's only appearance in a non–Beatles' full-length film, was shown in cinemas in October 1967.^[66] McCartney organised the group's first post-Epstein project,^[67] the self-written, -produced and -directed television film Magical Mystery Tour, released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Lewis Carroll-inspired "I am the Walrus", was a success.^[68][69] With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure",^[70] but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple's chief executive by Lennon, Harrison and Starr,^[71] but McCartney never signed the management contract.^[72]

	"Give Peace a Chance" noicon Sample of "Give Peace a Chance", recorded in 1969 during Lennon and Ono's second Bed-In for Peace. As described by biographer Bill Harry, Lennon wanted to "write a peace anthem that would take over from the song 'We Shall Overcome'—and he succeeded ... it became the main anti-Vietnam protest song."[73]
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At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film.^[74] Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon,^[75] eight of which were deemed indecent and most of which were banned and confiscated.^[76] Lennon's creative focus continued to move beyond The Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: Unfinished Music No.1: Two Virgins^[77] (known more for its cover than for its music), Unfinished Music No.2: Life with the Lions and Wedding Album. In 1969 they formed The Plastic Ono Band, releasing Live Peace in Toronto 1969. In protest at Britain's involvement in the Nigerian Civil War,^[78] Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced.^[79] Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969),^[80] "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin^[81]) and "Instant Karma!".

Lennon left the group in September 1969,^[82] and agreed not to inform the media while the band renegotiated their recording contract, but he was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!"^[83] He later wrote, "I started the band. I disbanded it. It's as simple as that."^[84] In later interviews with Rolling Stone magazine, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record."^[85] He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"^[86]

1970–80: Solo career[link]

1970–72: Initial solo success and activism[link]

Advertisement for "Imagine" from Billboard, 18 September 1971.

In 1970, Lennon and Ono went through primal therapy with Dr. Arthur Janov in Los Angeles, California. Designed to release emotional pain from early childhood, the therapy entailed two half-days a week with Janov for four months; he had wanted to treat the couple for longer, but they felt no need to continue and returned to London.^[87] Lennon's emotional debut solo album, John Lennon/Plastic Ono Band (1970), was received with high praise. Critic Greil Marcus remarked, "John's singing in the last verse of 'God' may be the finest in all of rock."^[88] The album featured the songs "Mother", in which Lennon confronted his feelings of childhood rejection,^[89] and the Dylanesque "Working Class Hero", a bitter attack against the bourgeois social system which, due to the lyric "you're still fucking peasants", fell foul of broadcasters.^[90][91] The same year, Tariq Ali's revolutionary political views, expressed when he interviewed Lennon, inspired the singer to write "Power to the People". Lennon also became involved with Ali during a protest against Oz magazine's prosecution for alleged obscenity. Lennon denounced the proceedings as "disgusting fascism", and he and Ono (as Elastic Oz Band) released the single "God Save Us/Do the Oz" and joined marches in support of the magazine.^[92]

	"Imagine" noicon Sample of "Imagine", Lennon's "most famous post-Beatles' track."[93] Like "Give Peace a Chance", the song became an anti-war anthem, but its lyrics offended religious groups. Lennon's explanation was, "If you can imagine a world at peace, with no denominations of religion—not without religion, but without this 'my God is bigger than your God' thing—then it can be true."[94]
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With Lennon's next album, Imagine (1971), critical response was more guarded. Rolling Stone reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant".^[95] The album's title track would become an anthem for anti-war movements,^[96] while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from Ram that Lennon felt, and McCartney later confirmed,^[97] were directed at him and Ono. However, Lennon softened his stance in the mid-1970s and said he had written "How Do You Sleep?" about himself.^[98] He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and The Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".^[99]

Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)".^[100] To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT".^[101] The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.^[102]

Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, Some Time in New York City was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card,^[103] the album was poorly received—unlistenable, according to one critic.^[104] "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on The Dick Cavett Show. Many radio stations refused to broadcast the song because of the word "nigger".^[105] Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility.^[106] Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.^[107]

1973–75: "Lost weekend"[link]

Publicity photo of John Lennon and host Tom Snyder from the television program Tomorrow. Done in 1975, this was the last television interview Lennon gave before his death in 1980.

While Lennon was recording Mind Games (1973), he and Ono decided to separate. The ensuing 18-month period apart, which he later called his "lost weekend",^[108] was spent in Los Angeles and New York in the company of May Pang. Mind Games, credited to the "Plastic U.F.Ono Band", was released in November 1973. Lennon also contributed "I'm the Greatest", to Starr's album Ringo (1973), released the same month. (an alternate take, from the same 1973 Ringo sessions, with Lennon providing a guide vocal, appears on John Lennon Anthology).

In early 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson made headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation "towel" on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers.^[109] Lennon decided to produce Nilsson's album Pussy Cats and Pang rented a Los Angeles beach house for all the musicians^[110] but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than 30 years. Pang supplied the recording for its eventual inclusion on The Very Best of Mick Jagger (2007).^[111]

Settled back in New York, Lennon recorded the album Walls and Bridges. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano.^[112] A second single from the album, "#9 Dream", followed before the end of the year. Starr's Goodnight Vienna (1974) again saw assistance from Lennon, who wrote the title track and played piano.^[113] On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There", which he introduced as "a song by an old estranged fiancee of mine called Paul".^[114]

Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording.^[115] The same month, Elton John topped the charts with his cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals (Lennon is credited on the single under the moniker of "Dr. Winston O'Boogie"). He and Ono were reunited shortly afterwards. Lennon released Rock 'n' Roll (1975), an album of cover songs, in February. "Stand by Me", taken from the album and a US and UK hit, became his last single for five years.^[116] He made what would be his final stage appearance in the ATV special A Salute to Lew Grade, recorded on 18 April and televised in June.^[117] Playing acoustic guitar, and backed by an eight-piece band, Lennon performed two songs from Rock 'n' Roll ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine".^[117]

1975–80: Retirement and return[link]

With the birth of his second son Sean on 9 October 1975, Lennon took on the role of househusband, beginning what would be a five-year hiatus from the music industry during which he gave all his attention to his family.^[13] Within the month, he fulfilled his contractual obligation to EMI/Capitol for one more album by releasing Shaved Fish, a compilation album of previously recorded tracks.^[13] He devoted himself to Sean, rising at 6 am daily to plan and prepare his meals and to spend time with him.^[118] He wrote "Cookin' (In the Kitchen of Love)" for Starr's Ringo's Rotogravure (1976), performing on the track in June in what would be his last recording session until 1980.^[119] He formally announced his break from music in Tokyo in 1977, saying, "we have basically decided, without any great decision, to be with our baby as much as we can until we feel we can take time off to indulge ourselves in creating things outside of the family."^[120] During his career break he created several series of drawings, and drafted a book containing a mix of autobiographical material and what he termed "mad stuff",^[121] all of which would be published posthumously.

He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album Double Fantasy, which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June,^[122] that reflected Lennon's fulfilment in his new-found stable family life.^[123] Sufficient additional material was recorded for a planned follow-up album Milk and Honey (released posthumously in 1984).^[124] Released jointly with Ono, Double Fantasy was not well received, drawing comments such as Melody Maker's "indulgent sterility ... a godawful yawn".^[125]

8 December 1980: Death[link]

At around 10:50 pm on 8 December 1980, as Lennon and Ono returned to their New York apartment in The Dakota, Mark David Chapman shot Lennon in the back four times at the entrance to the building. Lennon was taken to the emergency room of the nearby Roosevelt Hospital and was pronounced dead on arrival at 11:07 pm.^[126] Earlier that evening, Lennon had autographed a copy of Double Fantasy for Chapman.^[127]

Ono issued a statement the next day, saying "There is no funeral for John", ending it with the words, "John loved and prayed for the human race. Please pray the same for him."^[128] His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created.^[129] Chapman pleaded guilty to second-degree murder and was sentenced to 20 years to life; as of 2011, he remains in prison, having been denied parole six times.^[130][131]

Personal relationships[link]

Cynthia Lennon[link]

Lennon and Cynthia Powell met in 1957 as fellow students at the Liverpool College of Art.^[132] Although being scared of Lennon's attitude and appearance, she heard that he was obsessed with French actress Brigitte Bardot, so she dyed her hair blonde. Lennon asked her out, but when she said that she was engaged, he screamed out, "I didn't ask you to fuckin' marry me, did I?"^[133] She often accompanied him to Quarrymen gigs and travelled to Hamburg with McCartney's girlfriend at the time to visit him.^[134] Lennon, jealous by nature, eventually grew possessive and often terrified Powell with his anger and physical violence.^[135] Lennon later said that until he met Ono, he had never questioned his chauvinistic attitude to women. The Beatles' song "Getting Better", he said, told his own story, "I used to be cruel to my woman, and physically—any woman. I was a hitter. I couldn't express myself and I hit. I fought men and I hit women. That is why I am always on about peace".^[13]

Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married."^[136] The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on.^[137] Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.^[138]

Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her.^[139] When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolise the ending of their marriage.^[140] After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.^[141]

Brian Epstein[link]

The Beatles were performing at Liverpool's Cavern Club in 1962, when all four Beatles were introduced to Epstein after a midday concert. Epstein was homosexual. According to biographer Philip Norman, one of his reasons for wanting to manage the group was that he was physically attracted to Lennon. Almost as soon as Julian was born, Lennon went on holiday to Spain with Epstein, leading to speculation about their relationship. Questioned about it later, Lennon said, "Well, it was almost a love affair, but not quite. It was never consummated. But it was a pretty intense relationship. It was my first experience with a homosexual that I was conscious was homosexual. We used to sit in a café in Torremolinos looking at all the boys and I'd say, 'Do you like that one? Do you like this one?' I was rather enjoying the experience, thinking like a writer all the time: I am experiencing this."^[142] Soon after their return from Spain, at McCartney's twenty-first birthday party in June 1963, Lennon physically attacked Cavern Club MC Bob Wooler for saying "How was your honeymoon, John?" The MC, known for his wordplay and affectionate but cutting remarks, was making a joke,^[143] but ten months had passed since Lennon's marriage, and the honeymoon, deferred, was still two months in the future.^[144] To Lennon, who was intoxicated with alcohol at the time, the matter was simple: "He called me a queer so I battered his bloody ribs in".^[145]

Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish.^[146] When Epstein invited suggestions for the title of his autobiography, Lennon offered Queer Jew; on learning of the eventual title, A Cellarful of Noise, he parodied, "More like A Cellarful of Boys".^[147] He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't."^[146] During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".^[148][149]

Julian Lennon[link]

Julian Lennon at the unveiling of the John Lennon Peace Monument in Liverpool, 2010

Lennon's first son, Julian, was born as his commitments with The Beatles intensified at the height of Beatlemania during his marriage to Cynthia. Lennon was touring with The Beatles when Julian was born on 8 April 1963. Julian's birth, like his mother Cynthia's marriage to Lennon, was kept secret because Epstein was convinced public knowledge of such things would threaten The Beatles' commercial success. Julian recalls how some four years later, as a small child in Weybridge, "I was trundled home from school and came walking up with one of my watercolour paintings. It was just a bunch of stars and this blonde girl I knew at school. And Dad said, 'What's this?' I said, 'It's Lucy in the sky with diamonds.'"^[150] Lennon used it as the title of a Beatles' song, and though it was later reported to have been derived from the initials LSD, Lennon insisted, "It's not an acid song."^[151] McCartney corroborated Lennon's explanation that Julian innocently came up with the name.^[151] Lennon was distant from Julian, who felt closer to McCartney than to his father. During a car journey to visit Cynthia and Julian during Lennon's divorce, McCartney composed a song, "Hey Jules", to comfort him. It would evolve into The Beatles song "Hey Jude". Lennon later said, "That's his best song. It started off as a song about my son Julian ... he turned it into 'Hey Jude'. I always thought it was about me and Yoko but he said it wasn't."^[152]

Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973.^[153] With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland.^[154] Julian started to see his father regularly, and Lennon gave him a drumming part on a Walls and Bridges track.^[155] He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques.^[155] Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."^[156]

In a Playboy interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future."^[13] After his death it was revealed that he had left Julian very little in his will.^[157]

Yoko Ono[link]

John Lennon with Yoko Ono by Jack Mitchell, 1980

Two versions exist of how Lennon met Ono. According to the first, on 9 November 1966 Lennon went to the Indica Gallery in London, where Ono was preparing her conceptual art exhibit, and they were introduced by gallery owner John Dunbar.^[158] Lennon was intrigued by Ono's "Hammer A Nail": patrons hammered a nail into a wooden board, creating the art piece. Although the exhibition had not yet begun, Lennon wanted to hammer a nail into the clean board, but Ono stopped him. Dunbar asked her, "Don't you know who this is? He's a millionaire! He might buy it." Ono had supposedly not heard of The Beatles, but relented on condition that Lennon pay her five shillings, to which Lennon replied, "I'll give you an imaginary five shillings and hammer an imaginary nail in."^[13] The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on, Notations, but McCartney declined to give her any of his own manuscripts for the book, suggesting that Lennon might oblige. When asked, Lennon gave Ono the original handwritten lyrics to "The Word".^[159]

Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit".^[160] In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the Two Virgins album, after which, he said, they "made love at dawn."^[161] When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi."^[162] Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968,^[129] a few weeks after Lennon's divorce from Cynthia was granted.^[163]

During Lennon's last two years in The Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry,^[164] so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance".^[165] They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in The Beatles' song "The Ballad of John and Yoko".^[166] Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by The Beatles' Let It Be rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth.^[167] After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on The Beatles' last album, Abbey Road.^[168] To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971.

They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.^[169]

May Pang[link]

May Pang

ABKCO Industries, formed in 1968 by Allen Klein as an umbrella company to ABKCO Records, recruited May Pang as a receptionist in 1969. Through involvement in a project with ABKCO, Lennon and Ono met her the following year. She became their personal assistant. After she had been working with the couple for three years, Ono confided that she and Lennon were becoming estranged from one another. She went on to suggest that Pang should begin a physical relationship with Lennon, telling her, "He likes you a lot." Pang, 22, astounded by Ono's proposition, eventually agreed to become Lennon's companion. The pair soon moved to California, beginning an 18-month period he later called his "lost weekend".^[108] In Los Angeles, Pang encouraged Lennon to develop regular contact with Julian, whom he had not seen for two years. He also rekindled friendships with Starr, McCartney, Beatles' roadie Mal Evans, and Harry Nilsson. Whilst drinking with Nilsson, after misunderstanding something Pang said, Lennon attempted to strangle her, relenting only when physically restrained by Nilsson.^[170]

On moving to New York, they prepared a spare room in their newly rented apartment for Julian to visit.^[170] Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking. But after the meeting he failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.^[171]

Sean Lennon[link]

When Lennon and Ono were reunited, she became pregnant, but having previously suffered three miscarriages in her attempt to have a child with Lennon, she said she wanted an abortion. She agreed to allow the pregnancy to continue on condition that Lennon adopt the role of househusband; this he agreed to do.^[172] Sean was born on 9 October 1975, Lennon's 35th birthday, delivered by Caesarean section. Lennon's subsequent career break would span five years. He had a photographer take pictures of Sean every day of his first year, and created numerous drawings for him, posthumously published as Real Love: The Drawings for Sean. Lennon later proudly declared, "He didn't come out of my belly but, by God, I made his bones, because I've attended to every meal, and to how he sleeps, and to the fact that he swims like a fish."^[173]

Former Beatles[link]

Lennon (left) and the rest of The Beatles arriving in the US in 1964

Although his friendship with Starr remained consistently warm during the years following The Beatles' break-up in 1970, Lennon's relationship with McCartney and Harrison varied. He was close to Harrison initially, but the two drifted apart after Lennon moved to America. When Harrison was in New York for his December 1974 Dark Horse tour, Lennon agreed to join him on stage, but failed to appear after an argument over Lennon's refusal to sign an agreement that would finally dissolve The Beatles' legal partnership. (Lennon eventually signed the papers while holidaying in Florida with Pang and Julian.^[174]) Harrison incensed Lennon in 1980 when he published an autobiography that made little mention of him. Lennon told Playboy, "I was hurt by it. By glaring omission ... my influence on his life is absolutely zilch ... he remembers every two-bit sax player or guitarist he met in subsequent years. I'm not in the book."^[175]

Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of Saturday Night Live in which Lorne Michaels made a $3,000 cash offer to get The Beatles to reunite on the show.^[176] The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired.^[13] Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."^[177]

Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product".^[178] When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he could not get the tune out of his head.^[178] Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."^[13]

Political activism[link]

Recording "Give Peace a Chance" during the Bed-In for Peace at the Queen Elizabeth Hotel, Montreal

Lennon and Ono used their honeymoon as what they termed a "Bed-In for Peace" at the Amsterdam Hilton Hotel; the March 1969 event attracted worldwide media ridicule.^[179][180] At a second Bed-In three months later at the Queen Elizabeth Hotel in Montreal^[181] Lennon wrote and recorded "Give Peace a Chance". Released as a single, it was quickly taken up as an anti-war anthem and sung by a quarter of a million demonstrators against the Vietnam War in Washington, DC, on 15 October, the second Vietnam Moratorium Day.^[80][182]

Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence.^[183] Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene."^[184] In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty",^[78] and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.^[185]

Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000.^[186] On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman.^[187] Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug.^[188] In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others.^[189] Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming Some Time in New York City album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair's crimes and three days after the rally, he was released on bail.^[190] The performance was recorded and two of the tracks later appeared on John Lennon Anthology (1998).^[191]

Following the Bloody Sunday incident in Northern Ireland in 1972, in which 13 unarmed civil rights protesters were shot dead by the British Army, Lennon said that given the choice between the army and the IRA (who were not involved in the incident) he would side with the latter. Lennon and Ono wrote two songs protesting British presence and actions in Ireland for their Some Time in New York City album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, David Shayler, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA though this was swiftly denied by Ono.^[192] Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film The Irish Tapes, a political documentary with a Republican slant.^[193]

According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968.^[194] However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".^[195]

Deportation attempt[link]

Following the impact of "Give Peace a Chance" and "Happy Xmas (War Is Over)", both strongly associated with the anti–Vietnam War movement, the Nixon administration, hearing rumours of Lennon's involvement in a concert to be held in San Diego at the same time as the Republican National Convention,^[196] tried to have him deported. Nixon believed that Lennon's anti-war activities could cost him his re-election;^[197] Republican Senator Strom Thurmond suggested in a February 1972 memo that "deportation would be a strategic counter-measure" against Lennon.^[198] The next month the United States Immigration and Naturalization Service (INS) began deportation proceedings, arguing that his 1968 misdemeanor conviction for cannabis possession in London had made him ineligible for admission to the United States. Lennon spent the next three and a half years in and out of deportation hearings until on 8 October 1975, when a court of appeals barred the deportation attempt, stating " ... the courts will not condone selective deportation based upon secret political grounds."^[199][103] While the legal battle continued, Lennon attended rallies and made television appearances. Lennon and Ono co-hosted the Mike Douglas Show for a week in February 1972, introducing guests such as Jerry Rubin and Bobby Seale to mid-America.^[200] In 1972, Bob Dylan wrote a letter to the INS defending Lennon, stating:

John and Yoko add a great voice and drive to the country's so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country's got plenty of room and space. Let John and Yoko stay!^[201][202]

On 23 March 1973, Lennon was ordered to leave the US within 60 days.^[203] Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York City Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people".^[204] Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary The U.S. vs. John Lennon.^[205] Lennon's Mind Games (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence.^[206] Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.^[207]

FBI surveillance and declassified documents[link]

The FBI conducted clandestine surveillance on Lennon in the early 1970s. Here is a confidential letter from J. Edgar Hoover to the Attorney General about the surveillance. Historian Jon Wiener used the Freedom of Information Act with help from ACLU lawyers to push for the eventual release of these documents.

After Lennon's death, historian Jon Wiener filed a Freedom of Information Act request for FBI files documenting the Bureau's role in the deportation attempt.^[208] The FBI admitted it had 281 pages of files on Lennon, but refused to release most of them on the grounds that they contained national security information. In 1983, Wiener sued the FBI with the help of the American Civil Liberties Union of Southern California. It took 14 years of litigation to force the FBI to release the withheld pages.^[209] The ACLU, representing Wiener, won a favourable decision in their suit against the FBI in the Ninth Circuit in 1991.^[210] The Justice Department appealed the decision to the Supreme Court in April 1992, but the court declined to review the case.^[211] In 1997, respecting President Bill Clinton's newly instigated rule that documents should be withheld only if releasing them would involve "foreseeable harm", the Justice Department settled most of the outstanding issues outside court by releasing all but 10 of the contested documents.^[211] Wiener published the results of his 14-year campaign in January 2000. Gimme Some Truth: The John Lennon FBI Files contained facsimiles of the documents, including "lengthy reports by confidential informants detailing the daily lives of anti-war activists, memos to the White House, transcripts of TV shows on which Lennon appeared, and a proposal that Lennon be arrested by local police on drug charges".^[212] The story is told in the documentary The U.S. vs. John Lennon. The final 10 documents in Lennon's FBI file, which reported on his ties with London anti-war activists in 1971 and had been withheld as containing "national security information provided by a foreign government under an explicit promise of confidentiality", were released in December 2006. They contained no indication that the British government had regarded Lennon as a serious threat; one example of the released material was a report that two prominent British leftists had hoped Lennon would finance a left-wing bookshop and reading room.^[213]

Further information: Jon_Wiener#Wiener_battles_with_the_FBI

Writing and art[link]

Lennon's biographer Bill Harry writes that Lennon began drawing and writing creatively at an early age with the encouragement of his uncle. He collected his stories, poetry, cartoons, and caricatures in a Quarry Bank High School exercise book that he called the Daily Howl. The drawings were often of crippled people, and the writings satirical, and throughout the book was an abundance of wordplay. According to classmate Bill Turner, Lennon created the Daily Howl to amuse his best friend and later Quarrymen band mate, Pete Shotton, to whom he would show his work before he let anyone else see it. Turner said that Lennon "had an obsession for Wigan Pier. It kept cropping up", and in Lennon's story A Carrot In A Potato Mine, "the mine was at the end of Wigan Pier." Turner described how one of Lennon's cartoons depicted a bus stop sign annotated with the question, "Why?". Above was a flying pancake, and below, "a blind man wearing glasses leading along a blind dog—also wearing glasses".^[214]

Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that In His Own Write (1964) was published after "Some journalist who was hanging around The Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the Daily Howl it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". The Times Literary Supplement considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". Book Week reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".^[215]

In combination with A Spaniard in the Works (1965), In His Own Write formed the basis of the stage play The John Lennon Play: In His Own Write, co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date.^[216] After Lennon's death, further works were published, including Skywriting by Word of Mouth (1986); Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook (1992), with Lennon's illustrations of the definitions of Japanese words; and Real Love: The Drawings for Sean (1999). The Beatles Anthology (2000) also presented examples of his writings and drawings.

Musicianship[link]

Instruments played[link]

Lennon's Les Paul Jr.

His playing of a mouth organ during a bus journey to visit his cousin in Scotland caught the driver's ear. Impressed, the driver told Lennon of a harmonica he could have if he came to Edinburgh the following day, where one had been stored in the bus depot since a passenger left it on a bus.^[217] The professional instrument quickly replaced Lennon's toy. He would continue to play harmonica, often using the instrument during The Beatles' Hamburg years, and it became a signature sound in the group's early recordings. His mother taught him how to play the banjo, later buying him an acoustic guitar. At 16, he played rhythm guitar with the Quarrymen.^[218] As his career progressed, he played a variety of electric guitars, predominantly the Rickenbacker 325, Epiphone Casino and Gibson J-160E, and, from the start of his solo career, the Gibson Les Paul Junior.^[219][220] Occasionally he played a six-string bass guitar, the Fender Bass VI, providing bass on some Beatles' numbers that occupied McCartney with another instrument.^[221] His other instrument of choice was the piano, on which he composed many songs, including "Imagine", described as his best-known solo work.^[222] His jamming on a piano with McCartney in 1963 led to the creation of The Beatles' first US number one, "I Want to Hold Your Hand".^[223] In 1964, he became one of the first British musicians to acquire a Mellotron keyboard, though it was not heard on a Beatles' recording until "Strawberry Fields Forever" in late 1966.^[224]

Vocal style[link]

When Lennon recorded "Twist and Shout", the final track during the mammoth one-day session that captured the band's 1963 debut album Please Please Me, his voice, already compromised by a cold, came close to giving out. Lennon said, "I couldn't sing the damn thing, I was just screaming."^[225] In the words of biographer Barry Miles, "Lennon simply shredded his vocal cords in the interests of rock 'n' roll."^[226] The Beatles' producer, George Martin, tells how Lennon "had an inborn dislike of his own voice which I could never understand. He was always saying to me: 'DO something with my voice! ... put something on it ... Make it different.'"^[227] Martin obliged, often using double-tracking and other techniques. Music critic Robert Christgau says that Lennon's "greatest vocal performance ... from scream to whine, is modulated electronically ... echoed, filtered, and double tracked."^[228]

As his Beatles' era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic John Lennon/Plastic Ono Band."^[229] David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style.^[230] Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair"^[231] Music historian Ben Urish recalls hearing The Beatles' Ed Sullivan Show performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."^[232]

Legacy[link]

John Lennon Peace Monument, Liverpool

Music historians Schinder and Schwartz, writing of the transformation in popular music styles that took place between the 1950s and the 1960s, say that The Beatles' influence cannot be overstated: having "revolutionized the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts", the group then "spent the rest of the 1960s expanding rock's stylistic frontiers".^[233] Liam Gallagher, his group Oasis among the many who acknowledge the band's influence, identifies Lennon as a hero; in 1999 he named his first child Lennon Gallagher in tribute.^[234] On National Poetry Day in 1999, after conducting a poll to identify the UK's favourite song lyric, the BBC announced "Imagine" the winner.^[94]

In a 2006 Guardian article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today."^[235] Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."^[236]

Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon's 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon.^[237] The sculpture entitled 'Peace & Harmony' exhibits peace symbols and carries the inscription "Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980".

Awards and sales[link]

Statue in John Lennon Park, Havana, Cuba

The Lennon–McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 25 number one singles on the US Hot 100 chart.^a His album sales in the US stand at 14 million units.^[238] Double Fantasy, released shortly before his death, and his best-selling, post-Beatles' studio album^[239] at three million shipments in the US,^[240] won the 1981 Grammy Award for Album of the Year.^[241] The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon.^[242]

Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons".^[243] Between 2003 and 2008, Rolling Stone recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time"^[244] and 38th of "100 Greatest Artists of All Time",^[245] and his albums John Lennon/Plastic Ono Band and Imagine, 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time".^[245][246] He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965.^[51] He was posthumously inducted into the Songwriters Hall of Fame in 1987^[247] and into the Rock and Roll Hall of Fame in 1994.^[107]

Discography[link]

Statue outside the Cavern Club, Liverpool

• Unfinished Music No.1: Two Virgins (with Yoko Ono) (1968)
• Unfinished Music No.2: Life with the Lions (with Yoko Ono) (1969)
• Wedding Album (with Yoko Ono) (1969)
• John Lennon/Plastic Ono Band (1970)
• Imagine (1971)
• Some Time in New York City (with Yoko Ono) (1972)
• Mind Games (1973)
• Walls and Bridges (1974)
• Rock 'n' Roll (1975)
• Double Fantasy (with Yoko Ono) (1980)
• Milk and Honey (with Yoko Ono) (1984)
• Menlove Ave. (1986)

Notes[link]

Citations[link]

References[link]

Further reading[link]

External links[link]

	Book: John Lennon
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Wikimedia Commons has media related to: John Lennon

• John Lennon at The Rock and Roll Hall of Fame
• John Lennon discography at MusicBrainz
• John Lennon at the Internet Movie Database
• BBC Archive on John Lennon
• NPR Archive on John Lennon
• John Lennon and Yoko Ono – slideshow by Life magazine
• John Lennon hosted by EMI Group Limited
• Unveiling of 'Peace & Harmony', European Peace Monument – Dedicated to John Lennon