- published: 25 Feb 2009
- views: 10033162
- author: emimusic
3:13
Norah Jones - Don't Know Why
Music video by Norah Jones performing Don't Know Why. (C) 2002 Blue Note Records....
published: 25 Feb 2009
author: emimusic
Norah Jones - Don't Know Why
Music video by Norah Jones performing Don't Know Why. (C) 2002 Blue Note Records.
- published: 25 Feb 2009
- views: 10033162
- author: emimusic
3:17
Norah Jones - Don't Know Why (Live in Amsterdam)
New York, United States (2002 -- present) Norah Jones, born on March 30th 1979 in New York...
published: 06 Nov 2010
author: ChangDae CHO
Norah Jones - Don't Know Why (Live in Amsterdam)
New York, United States (2002 -- present) Norah Jones, born on March 30th 1979 in New York City, is one of the most popular contemporary jazz and jazz-influe...
- published: 06 Nov 2010
- views: 2999482
- author: ChangDae CHO
3:07
01 Don't know why - Norah Jones
Album Come away with me (2002) Don't know why - Norah Jones I waited 'til I saw the sun I ...
published: 06 Apr 2010
author: gianpaco23
01 Don't know why - Norah Jones
Album Come away with me (2002) Don't know why - Norah Jones I waited 'til I saw the sun I don't know why I didn't come I left you by the house of fun I don't...
- published: 06 Apr 2010
- views: 476473
- author: gianpaco23
3:17
Norah Jones - Don't Know Why - Lyrics Video
Come Away With Me : http://youtu.be/18YZHxcmzAc Lyrics: I waited 'til I saw the sun I don'...
published: 14 Apr 2012
author: RoadVideo404
Norah Jones - Don't Know Why - Lyrics Video
Come Away With Me : http://youtu.be/18YZHxcmzAc Lyrics: I waited 'til I saw the sun I don't know why I didn't come I left you by the house of fun I don't kno...
- published: 14 Apr 2012
- views: 210280
- author: RoadVideo404
3:46
SoundGirl - Don't Know Why
'SoundGirl - Don't Know Why', taken from their debut album http://tinyurl.com/6cjzoq5. ---...
published: 27 Apr 2011
author: SoundGirlVEVO
SoundGirl - Don't Know Why
'SoundGirl - Don't Know Why', taken from their debut album http://tinyurl.com/6cjzoq5. --- Facebook: http://www.facebook.com/SoundGirlOfficial Twitter: http:...
- published: 27 Apr 2011
- views: 734020
- author: SoundGirlVEVO
2:57
Nikki Yanofsky - Don't Know Why (RAWsession)
Music video by Nikki Yanofsky performing Don't Know Why. (C) 2010 Decca Label Group....
published: 19 Sep 2010
author: NikkiYanofskyVEVO
Nikki Yanofsky - Don't Know Why (RAWsession)
Music video by Nikki Yanofsky performing Don't Know Why. (C) 2010 Decca Label Group.
- published: 19 Sep 2010
- views: 136539
- author: NikkiYanofskyVEVO
3:57
Shawn Colvin - I Don't Know Why
Music video by Shawn Colvin performing I Don't Know Why. (C) 1993 SONY BMG MUSIC ENTERTAIN...
published: 25 Oct 2009
author: Shawn Colvin
Shawn Colvin - I Don't Know Why
Music video by Shawn Colvin performing I Don't Know Why. (C) 1993 SONY BMG MUSIC ENTERTAINMENT.
- published: 25 Oct 2009
- views: 158420
- author: Shawn Colvin
3:06
Don't Know Why cover by Bea Miller
Posted Tuesday, as promised. Not really something I would have expected myself to sing, bu...
published: 12 Mar 2013
author: Beatrice Miller
Don't Know Why cover by Bea Miller
Posted Tuesday, as promised. Not really something I would have expected myself to sing, but I like it. And as always, awkward face at the end ;) Enjoyy.
- published: 12 Mar 2013
- views: 40363
- author: Beatrice Miller
2:44
Stevie Wonder - "I Don't Know Why" 1969
From 1969... http://timewarptv.blogspot.com/...
published: 12 Mar 2006
author: WookieCookie
Stevie Wonder - "I Don't Know Why" 1969
From 1969... http://timewarptv.blogspot.com/
- published: 12 Mar 2006
- views: 1045379
- author: WookieCookie
3:11
Sesame Street: Norah Jones Sings Don't Know Y
For more videos and games check out our new website at http://www.sesamestreet.org In this...
published: 25 Nov 2008
author: SesameStreet
Sesame Street: Norah Jones Sings Don't Know Y
For more videos and games check out our new website at http://www.sesamestreet.org In this clip, Norah misses her friend, the letter Y. Sesame Street is a pr...
- published: 25 Nov 2008
- views: 9790393
- author: SesameStreet
3:29
House of Love - I Don't Know Why I Love You
Music video for classic House of Love single....
published: 11 May 2006
author: David Bryant
House of Love - I Don't Know Why I Love You
Music video for classic House of Love single.
- published: 11 May 2006
- views: 287986
- author: David Bryant
4:21
McFly - Don't Know Why Lyrics
McFly Don't Know Why Lyrics One by one drinks are gone Do I have to stay Hate the sound of...
published: 21 Aug 2008
author: catty31192
McFly - Don't Know Why Lyrics
McFly Don't Know Why Lyrics One by one drinks are gone Do I have to stay Hate the sound of one more pound as it rolls away Why did I need your proof when I knew the truth And I don't...
- published: 21 Aug 2008
- views: 72789
- author: catty31192
Vimeo results:
2:24
The Me Bird
The short film "The Me Bird" is a free interpretation of the homonym poem by Pablo Neruda....
published: 28 Feb 2013
author: 18bis
The Me Bird
The short film "The Me Bird" is a free interpretation of the homonym poem by Pablo Neruda. The inspiration in the strata stencil technique helps conceptualize the repetition of layers as the past of our movements and actions. The frames depicted as jail and the past as a burden serve as the background for the story of a ballerina on a journey towards freedom. A diversified artistic experimentation recreates the tempest that connects bird and dancer.
www.18bis.tv
www.facebook.com/18bis
Watch the making of: www.vimeo.com/60860949
//
O curta The Me Bird é uma livre interpretação do poema homônimo de Pablo Neruda. A inspiração na técnica strata stencil ajuda a conceituar a repetição de camadas como o passado de nossos movimentos e ações. As molduras como jaula e o passado como fardo servem de pano de fundo para a história de uma bailarina em sua jornada rumo à liberdade. Através de variada experimentação artística, recria-se a tormenta que conecta pássaro e dançarina.
I am the Pablo Bird,
bird of a single feather,
a flier in the clear shadow
and obscure clarity,
my wings are unseen,
my ears resound
when I walk among the trees
or beneath the tombstones
like an unlucky umbrella
or a naked sword,
stretched like a bow
or round like a grape,
I fly on and on not knowing,
wounded in the dark night,
who is waiting for me,
who does not want my song,
who desires my death,
who will not know I'm arriving
and will not come to subdue me,
to bleed me, to twist me,
or to kiss my clothes,
torn by the shrieking wind.
That's why I come and go,
fly and don't fly but sing:
I am the furious bird
of the calm storm.
Pablo Neruda
20:10
Paris Vol. 5
Entry from July 27, 2009 "We are jet-lagged and exhausted. The alarm blared at 4:30 am. Wi...
published: 19 Sep 2010
author: The Seventh Movement
Paris Vol. 5
Entry from July 27, 2009 "We are jet-lagged and exhausted. The alarm blared at 4:30 am. Without opening my eyes I hit the snooze. "Just five more minutes" I told myself… "Lets go dude" a groggy voice commanded from the background. I didn't move. Out of nowhere, a pillow slammed down on my head, the mattress is lifted out from under me, and I hit the hardwood floor just missing my camera bag. "Ugh not again" I thought, but I knew he was right, we needed to hustle across the city and get our cameras rolling before sunrise. "
We were in Paris with only a week to shoot. Armed with top of the line cameras, fresh batteries, memory card wallets, and our favorite glass. The game-plan was to shoot as much as possible and to motivate each other when we were exhausted from staring down the viewfinder. Time-lapses were just an afterthought. Seen a couple. Heard a bit on what it takes to get one done. But when we stepped off the plane in Paris, we had never seen the sky as beautiful as it was. Some twenty two hours later, we slept...at least tried to...
We had never shot a time-lapse before, we had never put one together. We were just two guys who came to Paris to photograph. To make beautiful images. And we did. And we didn't stop. It became a battle against our batteries. " Why take one when you can take one-thousand" we'd laugh. Sometimes staying at a spot all day. Biking or walking from place to place. Mispronouncing words we didn't know. Two more packs of Camel's gone. We shot and shot and uploaded wherever we were. Even ran through the terabyte we brought with us and had to buy another one at Rue Montgalet ( nightmare ). Fell asleep on the Alexander III bridge while the clicks of our camera shutters became an urban lullaby.
Wandering around the streets of Paris armed with $20,000 in gear, we took Paris head on.
Its a scary feeling when you burn through a 32 gigabyte card before the day is done. You don't see what you're shooting. You compose the first frame and let your subject do the rest. We would wait for that perfect set of clouds or that perfect flare or trail from a plane. And all the while we didn't know what the final product would look like. We were shooting blind. But we wouldn't have had it any other way. The unknown kept us moving. Kept us thinking about what could happen when we return. Kept us thinking about what all these different pieces might say in the end.
Changing glass as much as we did, we didn't factor in the amount of sensor dust that would build up. We could never just shoot something once, from one angle, without doing brackets and panoramic builds. It became an obsession. And our shutters paid the price. Back home, it took weeks to get organized. Then it took months working between all these side projects, our main gig at BorrowLenses.com, and the Paris project. Just beginning to think about what we would do with all the clips became overwhelming. There wasn't an obvious flow. There didn't seem to be a complete overall puzzle that could even be constructed with the pieces we had. And the pieces were in pieces.
We started building each clip in After Effects. Render. Smoke. Chill. Re-Render. Smoke. Chill. We built around 150 clips out of the time-lapses we shot in Paris. They were flickery, noisy, grainy, bandy but they were ours. And we spent more time trying to fix them than we ever imagined. They were the first of the series. And from a single Clint Mansell song from "The Wrestler" sparked a vision for the Volumes. And once we put the first ones on Vimeo, we knew we had something going. We built the second one with a Tycho song. The third from Flying Lotus. The fourth from Pelican City. And after the fourth volume was built, we saw all these comments about the sensor dust. And THAT ate away at us.
So we started from scratch; as if we had just hoped off the plane from Paris. Reorganize, re-edit, recolor, re-render. Days and days of work. Going through entire albums trying to find that one song that would go perfectly with all the clips strung together. But we didn't know how they would all hold together. There was no obvious order again. And we didn't think we could fill the twenty volume quota that we had promised to our fans. So we settled on doing a Director's Cut. A montage of all of the clips: Paris Volume 5.
Enter Pigeon Point. We had been shooting a new series called the California Coastline. And we went to Pigeon Point down in Santa Cruz with our friend Matt. At first it didn't seem like a prime spot for time-lapses. But Matt didn't tell us the most amazing thing about Pigeon Point. They installed a new temporary 6-beam setup while the main lighthouse wasn't operational. We shot through the night, edited the next day, and posted on Monday. While we were editing, Mogwai popped into the playlist. To be honest we never sat down and listened to Mogwai with our work but it turned out that Friend of the Night fit that piece like a glove. And so we chose 2 Rights Make
29:57
The Bridge
The Vision:
Back in October of 2009, I set out to make a film that would push my talents ...
published: 10 Sep 2010
author: Marlon Torres
The Bridge
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.
The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.
Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.
Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right.
So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!
Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did.
About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor.
Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being
1:59
X-Men: First Class Title Sequence
Inspired by classic Sixties movie titles and prompted by John Struan of Super Punch fame, ...
published: 04 Apr 2011
author: Joe D!
X-Men: First Class Title Sequence
Inspired by classic Sixties movie titles and prompted by John Struan of Super Punch fame, I've built a 1960s style title sequence for the upcoming X-Men: First Class film.
Set during the midst of the Cuba Missile Crisis, X-Men: First Class tells the story of the first team coming together, before they would become the heroes and villains we know from the original X-Men Trilogy.
This sequence was designed to give a very brief primer on the time period, the setting, as well as show the relationships of the characters in this film, as they are very different from the previous movies and audiences shouldn't be confused as to why Professor X and Magneto, enemies in the original trilogy, are the best of friends in this prequel.
Super Punch held a contest redesigning the posters for the film, which played it safe by sticking very close to the correlation to the original trilogy, and winding up rather mundane compared to the slick trailer rife with espionage, red fear, and 60s hair. Several people were quick to make posters in the Mod, Saul Bass, and James Bond style that I had in mind, so it was decided that I'd make a title sequence instead.
And yes, that music is a very melancholic rendition of the 90s cartoon theme song.
Please visit SecretUndergroundHeadquarters.com and SuperPunch.blogspot.com for more awesomeness.
Special thanks to Jessica Heaton, the World's Greatest Robot Girl.
Youtube results:
3:57
Moony - I don't Know Why
...
published: 28 Jul 2008
author: Pamela Souza
Moony - I don't Know Why
- published: 28 Jul 2008
- views: 4693894
- author: Pamela Souza
2:48
Stevie Wonder - Don't Know Why I Love You
Don't Know Why I Love You (Paul Riser-Don Hunter-Lula Hardaway-Stevie Wonder) publ. Jobete...
published: 19 May 2012
author: Adrian Fisher
Stevie Wonder - Don't Know Why I Love You
Don't Know Why I Love You (Paul Riser-Don Hunter-Lula Hardaway-Stevie Wonder) publ. Jobete Album: For Once In My Life (1968) Recorded Hitsville-GW, completed...
- published: 19 May 2012
- views: 52723
- author: Adrian Fisher
2:56
ROLLING STONES I DON'T KNOW WHY
ROLLING STONES I DON'T KNOW WHY AKA/ I DON'T KNOW WHY I LOVE YOU....
published: 19 Sep 2012
author: joy laughter
ROLLING STONES I DON'T KNOW WHY
ROLLING STONES I DON'T KNOW WHY AKA/ I DON'T KNOW WHY I LOVE YOU.
- published: 19 Sep 2012
- views: 5763
- author: joy laughter
3:35
THE BRAND NEW HEAVIES - "I DON'T KNOW WHY (I LOVE YOU)"
http://www.HeaviesListeningParty.com to hear the entire new album "Get Used To It" featuri...
published: 25 Jun 2006
author: deliciousvinyl
THE BRAND NEW HEAVIES - "I DON'T KNOW WHY (I LOVE YOU)"
http://www.HeaviesListeningParty.com to hear the entire new album "Get Used To It" featuring N'Dea Davenport.
- published: 25 Jun 2006
- views: 521982
- author: deliciousvinyl
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