Look up swan song in Wiktionary, the free dictionary.

"The singing swan" (1655) by Reinier van Persijn.

"Swan song" is a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement. The phrase refers to an ancient belief that the Mute Swan (Cygnus olor) is completely silent during its lifetime until the moment just before death, when it sings one beautiful song. The belief, now known to be incorrect, had become proverbial in Ancient Greece by the 3rd century BC, and was reiterated many times in later Western poetry and art.

Origin and description[link]

The earliest known reference to the idea that swans sing one beautiful song before dying first appears in Aeschylus' Agamemnon from 458 BC. In the play, Clytemnestra compares the dead Cassandra to a swan who has "sung her last final lament". Plato's Phaedo records Socrates saying that, although swans sing in early life, they do not do so as beautifully as before they die. By the third century BC the belief had become a proverb.^[1] The English phrase "swan song" or "swan-song" dates to the 19th century, and entered the language from the German Schwanen(ge)sang and Schwanenlied.^[2]

In reality, Mute Swans are not actually mute during life – they hiss – and they do not sing as they die. This folktale has been contested ever since antiquity: in 77 AD, Pliny the Elder provides the first surviving refutation in Natural History (book 10, chapter xxxii: olorum morte narratur flebilis cantus, falso, ut arbitror, aliquot experimentis), stating: "observation shows that the story that the dying swan sings is false." Peterson et al. note that Cygnus olor is "not mute but lacks bugling call, merely honking, grunting, and hissing on occasion."^[3]

Nevertheless, the folktale has remained so appealing that over the centuries it has continued to appear in various artistic works. Aesop's fable of "The Swan Mistaken for a Goose" alludes to it: "The swan, who had been caught by mistake instead of the goose, began to sing as a prelude to its own demise. His voice was recognized and the song saved his life."^[4] Ovid mentions it in "The Story of Picus and Canens": "There, she poured out her words of grief, tearfully, in faint tones, in harmony with sadness, just as the swan sings once, in dying, its own funeral song."^[5]

Chaucer wrote of "The Ialous swan, ayens his deth that singeth."^[6] In Shakespeare's The Merchant of Venice, Portia exclaims "Let music sound while he doth make his choice; Then, if he lose, he makes a swan-like end, Fading in music."^[7]

The well-known Orlando Gibbons madrigal "The Silver Swan" states the legend thus:

Samuel Taylor Coleridge made comic use of this legend when he quipped ironically:

Tennyson's poem "The Dying Swan"^[8] is a poetic evocation of the beauty of the supposed song and so full of detail as to imply that he had actually heard it:

Finnish composer Jean Sibelius's tone poem The Swan of Tuonela in a famous solo, uses a cor anglais to play the dying song of the legendary swan of Tuonela.

Idiom[link]

This unreferenced section requires citations to ensure verifiability.

By extension, "swan song" has become an idiom referring to a final theatrical or dramatic appearance, or any final work or accomplishment. It generally carries the connotation that the performer is aware that this is the last performance of his or her lifetime, and is expending everything in one magnificent final effort.

Agatha Christie's famous mystery novel And Then There Were None includes, as a plot device, a gramophone record titled "Swan Song." When played, it accuses the houseguests and servants of murders for which they were not punished for various reasons. The killer intends to punish the wicked as a final act.

Robert R. McCammon's book Swan Song tells the story of a young girl in a post-apocalyptic world who will be the savior of the human race.

Anton Chekhov's first play is a one-act sketch titled "Swan Song," which he wrote in 1887. It is about an actor and a prompter who find themselves locked inside a theatre late at night, discussing the actor's past in his career.

The TV series House final episode Everybody Dies was preceded by a retrospective entitled "Swan Song".

The DC Comics character the Pied Piper plays Queen's "The Show Must Go On" as his swan song, using his control over sound to destroy the entire planet Apokolips, while being trapped inside.

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2011)

Swans
Mute Swans (Cygnus olor)
Scientific classification
Kingdom:	Animalia
Phylum:	Chordata
Class:	Aves
Order:	Anseriformes
Family:	Anatidae
Subfamily:	Anserinae
Tribe:	Cygnini Vigors, 1825
Genus:	Cygnus Garsault, 1764
Species
6–7 living, see text.
Synonyms
Cygnanser Kretzoi, 1957

Swans, genus Cygnus, are birds of the family Anatidae, which also includes geese and ducks. Swans are grouped with the closely related geese in the subfamily Anserinae where they form the tribe Cygnini. Sometimes, they are considered a distinct subfamily, Cygninae. There are six to seven species of swan in the genus Cygnus; in addition there is another species known as the Coscoroba Swan, although this species is no longer considered related to the true swans. Swans usually mate for life, though 'divorce' does sometimes occur, particularly following nesting failure. The number of eggs in each clutch ranges from three to eight.

Etymology and terminology[link]

The word swan is derived from Old English swan, akin to the German Schwan and Dutch zwaan and Swedish svan, in turn derived from Indo-European root *swen (to sound, to sing).^[1] Young swans are known as swanlings or as cygnets, from Greek κύκνος, kýknos and from the Latin word cygnus ("swan") and the Old French suffix -et ("little"). An adult male is a cob, from Middle English cobbe (leader of a group); an adult female is a pen.

Description[link]

The swans are the largest members of the duck family Anatidae, and are among the largest flying birds. The largest species, including the mute swan, trumpeter swan, and whooper swan, can reach length of over 1.5 m (60 inches) and weigh over 15 kg (33 pounds). Their wingspans can be almost 3 m (10 ft). Compared to the closely related geese they are much larger in size and have proportionally larger feet and necks.^[2] They also have a patch of unfeathered skin between the eyes and bill in adults. The sexes are alike in plumage, but males are generally bigger and heavier than females.

The Northern Hemisphere species of swan have pure white plumage but the Southern Hemisphere species are mixed black and white. The Australian Black Swan (Cygnus atratus) is completely black except for the white flight feathers on its wings; the chicks of black swans are light grey in colour, and the South American Black-necked Swan has a black neck.

The legs of swans are normally a dark blackish grey colour, except for the two South American species, which have pink legs. Bill colour varies: the four subarctic species have black bills with varying amounts of yellow, and all the others are patterned red and black. Although most birds generally do not have teeth, swans are known to be an exception to this, having small jagged 'teeth' as part of their beaks used for catching and eating fish. The Mute Swan and Black-necked Swan have a lump at the base of the bill on the upper mandible.

Distribution and movements[link]

Whooper Swans migrate from Iceland, Scandinavia, and Northern Russia to Europe, Central Asia, China, and Japan

The swans are generally found in temperate environments, rarely occurring in the tropics. A group of swans is called a bevy or a wedge in flight. Four (or five) species occur in the Northern Hemisphere, one species is found in Australia and New Zealand and one species is distributed in southern South America. They are absent from tropical Asia, Central America, northern South America and the entirety of Africa. One species, the Mute Swan, has been introduced to North America, Australia and New Zealand.^[2]

Several species are migratory, either wholly or partly so. The Mute Swan is a partial migrant, being resident over areas of Western Europe but wholly migratory in Eastern Europe and Asia. The Whooper Swan and Tundra Swan are wholly migratory, and the Trumpeter Swans are almost entirely migratory.^[2] There is some evidence that the Black-necked Swan is migratory over part of its range, but detailed studies have not established whether these movements are long or short range migration.^[3]

Behavior[link]

Mute Swan's nest with two unhatched eggs

Swans feed in the water and on land. They are almost entirely herbivorous, although they may eat small amounts of aquatic animals. In the water food is obtained by up-ending or dabbling, and their diet is composed of the roots, tubers, stems and leaves of aquatic and submerged plants.^[2]

Mute swan threatens a photographer in Toyako, Japan

Swans form socially monogamous pair bonds that last for many years, and in some cases these can last for life.^[4] These bonds are maintained year round, even in gregarious and migratory species like the Tundra Swan, which congregate in large flocks in the wintering grounds.^[5] The nest is on the ground near water and about a metre across. Unlike many other ducks and geese the male helps with the nest construction. Average egg size (for the mute swan) is 113×74 mm, weighing 340 g, in a clutch size of 4 to 7, and an incubation period of 34–45 days.^[6] With the exception of the whistling ducks they are the only anatids where the males aid in incubating the eggs.

Swans are known to aggressively protect their nests. One man was suspected to have drowned in such an attack.^[7][8]

Systematics and evolution[link]

All evidence suggests that the genus Cygnus evolved in Europe or western Eurasia during the Miocene, spreading all over the Northern Hemisphere until the Pliocene. When the southern species branched off is not known. The Mute Swan apparently is closest to the Southern Hemisphere Cygnus (del Hoyo et al., eds, Handbook of the Birds of the World); its habits of carrying the neck curved (not straight) and the wings fluffed (not flush) as well as its bill color and knob indicate that its closest living relative is actually the Black Swan. Given the biogeography and appearance of the subgenus Olor it seems likely that these are of a more recent origin, as evidence shows by their modern ranges (which were mostly uninhabitable during the last ice age) and great similarity between the taxa.

Genus Cygnus:

• Subgenus Cygnus
  • Mute Swan, Cygnus olor, is a Eurasian species that occurs at lower latitudes than Whooper Swan and Bewick's Swan across Europe into southern Russia, China and the Russian Maritimes. Recent fossil records, according to the British Ornithological Union, show Cygnus olor is among the oldest bird species still extant and it has been upgraded to "native" species in several European countries, since this bird has been found in fossil and bog specimens dating back thousands of years. Common temperate Eurasian species, often semi-domesticated descendants of domestic flocks, are naturalized in the United States and elsewhere.

Black-necked swan at WWT London Wetland Centre

• Subgenus Chenopis
  • Black Swan, Cygnus atratus of Australia, and introduced in New Zealand
    • †New Zealand Swan, Cygnus atratus sumnerensis, an extinct subspecies of the Black Swan from New Zealand and the Chatham Islands
• Subgenus Sthenelides
  • Black-necked Swan, Cygnus melancoryphus of South America
• Subgenus Olor
  • Whooper Swan, Cygnus cygnus breeds in Iceland and subarctic Europe and Asia, migrating to temperate Europe and Asia in winter
  • Trumpeter Swan, Cygnus buccinator is the largest North American swan. Very similar to the Whooper Swan (and sometimes treated as a subspecies of it), it was hunted almost to extinction but has since recovered
  • Tundra Swan, Cygnus columbianus is a small swan which breeds on the North American tundra, further north than Trumpeter Swan. It winters in the USA
    • Bewick's Swan, Cygnus (columbianus) bewickii is the Eurasian form that migrates from Arctic Russia to western Europe and eastern Asia (China, Japan) in winter. It is often considered a subspecies of C. columbianus, creating the species Tundra Swan.

Adult male Trumpeter Swan brooding it's wings

The fossil record of the genus Cygnus is quite impressive, although allocation to the subgenera is often tentative; as indicated above, at least the early forms probably belong to the C. olor - Southern Hemisphere lineage, whereas the Pleistocene taxa from North America would be placed in Olor. A number of prehistoric species have been described, mostly from the Northern Hemisphere. Among them was the giant Siculo-Maltese C. falconeri, which was taller (though not heavier) than the contemporary local dwarf elephants (Elephas falconeri).

Fossil swans

• †Cygnus csakvarensis (Late Miocene of Hungary) - formerly Cygnanser
• †Cygnus mariae (Early Pliocene of Wickieup, USA)
• †Cygnus verae (Early Pliocene of Sofia, Bulgaria)
• †Cygnus liskunae (Middle Pliocene of W Mongolia)
• †Cygnus hibbardi (?Early Pleistocene of Idaho, USA)
• †Cygnus sp. (Early Pleistocene of Dursunlu, Turkey: Louchart et al. 1998)
• †Giant Swan, Cygnus falconeri (Middle Pleistocene of Malta and Sicily, Mediterranean)
• †Cygnus paloregonus (Middle Pleistocene of WC USA) - includes "Anser" condoni and C. matthewi
• †Dwarf Swan Cygnus equitum (Middle - Late Pleistocene of Malta and Sicily, Mediterranean)
• †Cygnus lacustris (Late Pleistocene of Lake Eyre region, Australia) - formerly Archaeocygnus
• †Cygnus sp. (Pleistocene of Australia)^{[citation needed][verification needed]}

The supposed fossil swans "Cygnus" bilinicus and "Cygnus" herrenthalsi were, respectively, a stork and some large bird of unknown affinity (due to the bad state of preservation of the referred material). Anser atavus is sometimes placed in Cygnus.

The Coscoroba Swan (Coscoroba coscoroba) from South America, the only species of its genus, is apparently not a true swan. Its phylogenetic position is not fully resolved; it is in some aspects more similar to geese and shelducks.

Role in culture[link]

Swan meat has been regarded as a luxury food in England since at least the reign of Elizabeth I. A recipe for baked swan survives from that time. "To bake a Swan Scald it and take out the bones, and parboil it, then season it very well with Pepper, Salt and Ginger, then lard it, and put it in a deep Coffin of Rye Paste with store of Butter, close it and bake it very well, and when it is baked, fill up the Vent-hole with melted Butter, and so keep it; serve it in as you do the Beef-Pie."^[9]

"Łabędź" (Polish for "Swan") is a Polish/Lithuanian coat of arms which was used by many Polish szlachta and Lithuanian Bajorai (noble) families under the Polish-Lithuanian Commonwealth. The variant here given is the coat-of-arms of writer Henryk Sienkiewicz's family.

Many of the cultural aspects refer to the Mute Swan of Europe. Perhaps the best known story about a swan is The Ugly Duckling fairytale. The story centres on a duckling that is mistreated until it becomes evident he is a swan and is accepted into the habitat. He was mistreated because real ducklings are, according to many, more attractive than a cygnet, yet cygnets become swans, which are very attractive creatures. Swans are often a symbol of love or fidelity because of their long-lasting, apparently monogamous relationships. See the famous swan-related operas Lohengrin and Parsifal.

Swans feature strongly in mythology. In Greek mythology, the story of Leda and the Swan recounts that Helen of Troy was conceived in a union of Zeus disguised as a swan and Leda, Queen of Sparta. Other references in classical literature include the belief that upon death the otherwise silent Mute Swan would sing beautifully - hence the phrase swan song; as well as Juvenal's sarcastic reference to a good woman being a "rare bird, as rare on earth as a black swan", from which we get the Latin phrase rara avis, rare bird.

The Irish legend of the Children of Lir is about a stepmother transforming her children into swans for 900 years. In the legend The Wooing of Etain, the king of the Sidhe (subterranean-dwelling, supernatural beings) transforms himself and the most beautiful woman in Ireland, Etain, into swans to escape from the king of Ireland and Ireland's armies. The swan has recently been depicted on an Irish commemorative coin.

Indeed, swans are also present in Irish history through the poems of W.B. Yeats. Notably the poem Wild Swans at Coole has a heavy focus on the mesmerising characteristics of the swan. Yeats also recounts the myth of Leda and the Swan in his poetry.

In Norse mythology, there are two swans that drink from the sacred Well of Urd in the realm of Asgard, home of the gods. According to the Prose Edda, the water of this well is so pure and holy that all things that touch it turn white, including this original pair of swans and all others descended from them. The poem Volundarkvida, or the Lay of Volund, part of the Poetic Edda, also features swan maidens.

In the Finnish epic Kalevala, a swan lives in the Tuoni river located in Tuonela, the underworld realm of the dead. According to the story, whoever killed a swan would perish as well. Jean Sibelius composed the Lemminkäinen Suite based on Kalevala, with the second piece entitled Swan of Tuonela (Tuonelan joutsen). Today, five flying swans are the symbol of the Nordic Countries and the whooper swan (Cygnus cygnus) is the national bird of Finland.

French satirist François Rabelais wrote in Gargantua and Pantagruel that a swan's neck was the best toilet paper he had encountered.

St Hugh of Lincoln with swan

A swan is one of the attributes of St Hugh of Lincoln based on the story of a swan who was devoted to him.

In Latin American literature, the Nicaraguan poet Rubén Darío (1867–1916) consecrated the swan as a symbol of artistic inspiration by drawing attention to the constancy of swan imagery in Western culture, beginning with the rape of Leda and ending with Wagner's Lohengrin. Darío's most famous poem in this regard is Blasón - "Coat of Arms" (1896), and his use of the swan made it a symbol for the Modernismo poetic movement that dominated Spanish language poetry from the 1880s until the First World War. Such was the dominance of Modernismo in Spanish language poetry that the Mexican poet Enrique González Martínez attempted to announce the end of Modernismo with a sonnet provocatively entitled, Tuércele el cuello al cisne - "Wring the Swan's Neck" (1910).

Swans are revered in Hinduism, and are compared to saintly persons whose chief characteristic is to be in the world without getting attached to it, just as a swan's feather does not get wet although it is in water. The Sanskrit word for swan is hamsa or hansa, and it is the vehicle of many deities like the goddess Saraswati. It is mentioned several times in the Vedic literature, and persons who have attained great spiritual capabilities are sometimes called Paramahamsa ("Great Swan") on account of their spiritual grace and ability to travel between various spiritual worlds. In the Vedas, swans are said to reside in the summer on Lake Manasarovar and migrate to Indian lakes for the winter. They're believed to possess some powers such as the ability to eat pearls. They are also believed to be able to drink up the milk and leave the water from a saucer of milk adulterated with water. This is taken as a great quality, as shown by this Sanskrit verse:

Swan from flowers. Baku, Azerbaijan

Hindu iconography typically shows the Mute Swan. It is wrongly supposed by many historians^[who?] that the word hamsa only refers to a goose^{[citation needed]}, since today swans are no longer found in India, not even in most zoos. However, ornithological checklists clearly classify several species of swans as vagrant birds in India.

The ballet Swan Lake by Pyotr Tchaikovsky is considered among both the most important works of this composer and among the often-performed classics of ballet. It is partially based on an ancient German legend, which tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse—to which were added similar elements from Russian folk tales.^[10] Some major elements (girls turned to swans and living in a lake, and a hero falling in love with one of them) are also shared by the Irish mythology story of Caer Ibormeith.

The 1994 American animated film The Swan Princess is also derived from the same ancient sources, featuring an evil sorcerer who kidnaps a princess named Odette and curses her so that she is a swan by day and a woman by night, until the prince comes to rescue her.

Hans Christian Andersen's tale "The Wild Swans" is similar to the "Children of Lir" story. The king has eleven sons and one daughter, named Elisa. The evil stepmother turns the eleven brothers into swans and banishes Elisa, an interesting exception to the tradition of swan maidens.

The Black Swan is the faunal emblem of the Australian state of Western Australia and swans are featured on the coat of arms of Canberra, the Australian capital.

The Sydney Swans are an Australian rules football team based in Sydney, Australia.

See also[link]

• Royal Swans

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Swans

Wikimedia Commons has media related to: Cygnus

• Louchart, Antoine; Mourer-Chauviré, Cécile; Guleç, Erksin; Howell, Francis Clark & White, Tim D. (1998): L'avifaune de Dursunlu, Turquie, Pléistocène inférieur: climat, environnement et biogéographie. C. R. Acad. Sci. Paris IIA 327(5): 341–346. [French with English abridged version] doi:10.1016/S1251-8050(98)80053-0
• The Swan Sanctuary Shepperton,England
• A Colony of Swans in Adda River (Italy) Video on You Reporter
• Swan photos on Imeleon
• Swan videos on the Internet Bird Collection
• Swan paintings on Artinthepicture
• A History of British Birdsvep:Joucen

Three singers-a trio-singing a song while accompanied on a lute played by one of the singers. Das Konzert [The Concert] (c. 1490, Lorenzo Costa).

In music, a song is a composition for voice or voices, performed by singing. A song may be accompanied by musical instruments, or it may be unaccompanied, as in the case of a cappella songs. The lyrics (words) of songs are typically of a poetic, rhyming nature, though they may be religious verses or free prose.

A song may be for a solo singer, a duet, trio, or larger ensemble involving more voices. Songs with more than one voice to a part are considered choral works. Songs can be broadly divided into many different forms, depending on the criteria used. One division is between "art songs", "pop songs", and "folk songs". Other common methods of classification are by purpose (sacred vs secular), by style (dance, ballad, Lied, etc.), or by time of origin (Renaissance, Contemporary, etc.).

A song is a piece of music for accompanied or unaccompanied voice or voices or, "the act or art of singing," but the term is generally not used for large vocal forms including opera and oratorio.^[1] However, the term is, "often found in various figurative and transferred sense (e.g. for the lyrical second subject of a sonata...)."^[1] The noun "song" has the same etymological root as the verb "to sing" and the Oxford English Dictionary (OED) defines the word to mean "that which is sung" or "a musical composition suggestive of song." The OED also defines the word to mean "a poem" or "the musical phrases uttered by some birds, whales, and insects, typically forming a recognizable and repeated sequence and used chiefly for territorial defence or for attracting mates." ^[2]

Cultural types[link]

Art songs[link]

Art songs are songs created for performance in their own right, usually with piano accompaniment, although they can also have other types of accompaniment such as an orchestra or string quartet, and are always notated. Generally they have an identified author and composer and require voice training for acceptable performance. German-speaking communities use the term art song ("Kunstlied") to distinguish so-called "serious" compositions from folk song ("Volkslied"). The lyrics are often written by a poet or lyricist and the music separately by a composer. Art songs may be more formally complicated than popular or folk songs, though many early Lieder by the likes of Franz Schubert are in simple strophic form. They are often important to national identity.

Art songs feature in many European cultures, including but not limited to: Russian (romancy), German (Lieder), Italian (canzoni), French (mélodies), Scandinavian (sånger), Portuguese (canções), Spanish (canciones). There are also highly regarded British and American art songs in the English language. Cultures outside of Europe that have a classical music tradition, such as India, may or may not feature art songs. The accompaniment of European art songs is considered as an important part of the composition.

The art song of the period in which they originally flowered is often a duet in which the vocalist and accompanist share in interpretive importance. The pieces were most often written to be performed in a home or salon setting, although today the works enjoy popularity as concert pieces. The emergence of poetry during this era was much of what inspired the creation of these pieces by Brahms, Schumann, Schubert and other composers. These composers set poems in their native language. Many works were inspired by Johann Wolfgang von Goethe and Heinrich Heine. Another method would be to write new music for each stanza to create a unique form; this was through-composed form known in German as durchkomponiert. A combination of both of these techniques in a single setting was called a modified strophic form. Often romantic art songs sharing similar elements were grouped as a song cycle.^[3]

Folk songs[link]

Folk songs are songs of often anonymous origin (or are public domain) that are transmitted orally. They are frequently a major aspect of national or cultural identity. Art songs often approach the status of folk songs when people forget who the author was. Folk songs are also frequently transmitted non-orally (that is, as sheet music), especially in the modern era. Folk songs exist in almost every culture.

Popular songs[link]

Modern popular songs are typically distributed as recordings and are played on the radio, though all other mass media that have audio capabilities are involved. Their relative popularity is inferred from commercially significant sales of recordings, ratings of stations and networks that play them, and ticket sales for concerts by the recording artists. A popular song can become a modern folk song when members of the public who learn to sing it from the recorded version teach their version to others. Popular songs may be called pop songs for short, although pop songs or pop music may instead be considered a more commercially popular genre of popular music as a whole.

See also[link]

Wikiquote has a collection of quotations related to: Song

• Air (music)
• Animal song: bird song, whale song, zoomusicology
• Aria
• Ballad
• Canticle
• Category:Musical forms
• Hymn
• Instrumental
• Lied
• Madrigal (music)
• Song structure (popular music)
• Vocal music
• Theme song
• Poem and song
• Singing

References[link]

Further reading[link]

• Marcello Sorce Keller (1984), "The Problem of Classification in Folksong Research: a Short History", Folklore, XCV, no. 1, 100- 104.

Clint Mansell
Mansell with the Sonus Quartet, playing in Union Chapel, London, 20 July 2009
Background information
Birth name	Clinton Darryl Mansell
Born	(1963-01-07) 7 January 1963 (age 49)
Origin	Coventry, England
Genres	Classical Contemporary classical Electronic Alternative
Occupations	Musician, composer
Years active	1981–present
Associated acts	Pop Will Eat Itself
Website	clintmansell.com
Notable instruments
Music sample
Clint Mansell – "Lux Æterna" noicon

Clinton Darryl "Clint" Mansell, (born 7 January 1963) is an English musician, composer, and former lead singer and guitarist of the band Pop Will Eat Itself.

After the disbanding of Pop Will Eat Itself in 1996, Mansell was introduced to film scoring when director Darren Aronofsky, hired him to score his debut film, π.^[1] Mansell then wrote the score for the next Aronofsky film, Requiem for a Dream, which has been well received.^[2] Its main composition "Lux Aeterna" has become extremely popular, appearing in a wide variety of advertisements and film trailers.^[3][4][5]

Mansell's composition for The Fountain was nominated for Best Original Score at the 64th Annual Golden Globe Awards. His other notable film scores include Moon, Smokin' Aces, The Wrestler, and Black Swan.

Career[link]

Pop career[link]

Mansell was the lead singer and guitarist of Pop Will Eat Itself. When PWEI signed to Nothing Records, Mansell became close friends with Trent Reznor,^[6] and he performed backing vocals on the 1999 album The Fragile by Nine Inch Nails.

Soundtrack composer[link]

Mansell's score for Darren Aronofsky's π was followed up by his score for Aronofsky's next film, Requiem for a Dream, which became a cult hit.^[1] Since their first collaboration in 1996, Mansell has composed the music to every Aronofsky film.^[7]

Other notable achievements include the theme for the film The Hole, the music for the pilot episode of CSI: NY, and the score for Aronofsky's later films The Fountain, which was nominated for Best Original Score in the 64th Annual Golden Globe Awards, and The Wrestler.^[8] Mansell has also contributed the score to HBO's Voyeur. His most recent work has been on the soundtrack for Black Swan in 2010.^[9] and the video game Mass Effect 3^[10][11]

Film trailers[link]

The trailer for The Lord of the Rings: The Two Towers contained a rearranged version of the track "Lux Æterna", using a full orchestra and choir.^[3] The piece, named "Requiem for a Tower", was recorded especially for the trailer.^[3] The orchestration was arranged by Simone Benyacar, Dan Nielsen, and Veigar Margeirsson.^[3]

"Lux Æterna" has since become popular, with both the original and the "Requiem for a Tower" version having appeared in a wide variety of advertisements and trailers, including the trailer for the Red Sox–Yankees games in the 2007 Major League Baseball season, and trailers for the films Zathura, The Da Vinci Code,^[4] Sunshine, Babylon A.D. and the TV series Lost and Top Gear. It was also used on Sky Sports News and as the theme for Soccer Saturday from 2007–2009. In 2006, the theme was used in EuroSport LIVE trailers. The theme was also used by America's Got Talent as an introduction of the judges before being changed slightly. The new variant is now a regular piece on the show.

The piece "Death Is the Road to Awe" from the score for The Fountain was featured in a trailer for the 2007 film I Am Legend, and the trailer for the film The Mist, as well as the trailer for the film Frost/Nixon, and toward the end of 2007 The Final Cut trailer for Blade Runner.

Mansell's theme tune for sci-fi movie Moon also appears on the trailer for the film The Iron Lady.^[12]

Scoring credits[link]

References[link]

External links[link]

• Official website
• Clint Mansell at the Internet Movie Database
• Mansell at Yahoo Movies
• Mansell at Rotten Tomatoes^{[dead link]}
• Interview focusing on Pop Will Eat Itself
• The Wrestler Score review
• Two and a Half Questions with Clint Mansell on Headphone Commute (2009)

This article appears to be written like an advertisement. Please help improve it by rewriting promotional content from a neutral point of view and removing any inappropriate external links. (November 2011)

Alison Sudol A Fine Frenzy
Background information
Birth name	Alison Sudol
Born	(1984-12-23) 23 December 1984 (age 27) Seattle, Washington, USA
Origin	Los Angeles, California, USA
Genres	Adult alternative, pop,rock music
Occupations	Singer-songwriter, pianist
Instruments	Vocals, piano, guitar, percussion
Years active	2006-present
Labels	Virgin, EMI
Website	www.afinefrenzy.com

Alison Sudol (born December 23, 1984), known professionally as A Fine Frenzy, is an American alternative singer-songwriter and pianist. Her debut album, One Cell in the Sea, was released in 2007, followed in 2009 by Bomb in a Birdcage. Sudol's songs have charted in the United States, Germany, Austria, Switzerland, Poland, and France, among other countries. Her music has also been featured on numerous television shows and featured in several major motion pictures. According to her official website, A Fine Frenzy's upcoming album, Pines, will be released in mid- to late-2012.^[1]

Biography[link]

Early life[link]

Born in Seattle, Washington to two dramatic arts teachers, Sudol and both parents moved to Los Angeles after their divorce when she was five years old. She grew up listening to a wide range of music, including Aretha Franklin, Ella Fitzgerald, and swing.^[2] She has stated that her roots are "Scottish, Irish, Polish, and 'a bit' of German."

She graduated from high school at the age of 16, and considered herself "nerdy and quiet." Sudol did not "drink or smoke or do anything like that." She stated in an interview "I was so nervous about going into college like that and super young. I figured I would take two years and try to find out what I was doing with music. And when I was 18, I was just so deep into it that I didn't want to stop."^[2]

Sudol had a passion for literature, and immersed herself in the works of C. S. Lewis, E. B. White, Lewis Carroll, Anthony Trollope, and Charles Dickens. Her band's name, "A Fine Frenzy", is taken from a verse in William Shakespeare's A Midsummer Night's Dream: "The poet's eye, in a fine frenzy rolling, doth glance from heaven to earth, from earth to heaven" (Theseus, Act 5, Scene 1). After teaching herself to play the piano, she began putting her creative energy into writing songs.

The short demo she sent out received attention from EMI's Jason Flom, who signed her after visiting her house and "listening to her play."^[3][4]

Music career[link]

Sudol playing the piano

In March 2007, Sudol appeared at the South by Southwest (SXSW) conference, opening for The Stooges. Shortly after, her debut album, One Cell in the Sea, was released to generally positive reviews.^[5] The first single, "Almost Lover", peaked at number 25 on Billboard's Hot Adult Contemporary Tracks chart. In mid-2007, she secured another opening spot, this time for Rufus Wainwright on his tour. In March and April 2008, Sudol headlined her own tour in the US and Canada, and in April she toured France, Belgium, Germany and Switzerland. In September 2008, she was the star act on the opening night of the New Pop Festival organized by the German broadcaster SWR3. She returned to Germany, Austria, and Switzerland on a headline tour in November 2008 and played in the Super Bock em Stock festival in Portugal in December 2008.

Her song "You Picked Me" was featured on iTunes as the "Free Single of the Week" for August 14, 2007, and VH1 featured her as one of their "You Oughta Know" artists.^[6] Additionally, in October 2008, "You Picked Me" was chosen as network theme by SIC, a Portuguese television network.

One Cell in the Sea has sold 300,000 copies. In 2008 it was released in Germany, Austria, Switzerland, and Poland. In each of those countries, the album peaked within the top 30, with the first single, "Almost Lover," reaching number eight in Germany, number ten on the Swiss Charts and number five in Austria.^[7]

Sudol's second album, Bomb in a Birdcage, was released September 8, 2009.^[8] The first single, "Blow Away," was released on July 17, 2009, followed by two more singles, "Happier" and "Electric Twist."^[9] On November 23, 2009, a live album and concert film recorded in 2007, A Fine Frenzy Live at the House of Blues Chicago, was released on iTunes.

On October 31, 2011 Sudol stated via Twitter that the band were mastering the record.^{[citation needed]} Through Sudol's appearance at the Sundance Film Festival, several song titles have been confirmed for the new album, including "Avalanches" and "Riversong". In the March 2012 issue of Lucky magazine, Sudol revealed the third album's title, Pines.^[10] The album will be released on September 18th, 2012. Along with "Pines", Sudol will release an animated short film and a companion book illustrated by Jen Lobo. ^[11]

Television appearances[link]

On February 6, 2008, Sudol performed "Come On, Come Out" on The Late Show with David Letterman. On February 23, she sang "Almost Lover" and "Come On, Come Out" on CBS' Saturday Early Show. She guest starred in the fourth season premiere of CSI: NY, playing the character Nova Kent. During her October 15, 2009, appearance on The Late Late Show with Craig Ferguson, she sang "Blow Away". On the television series House the song "Whisper" was heard during the episode "Joy to the World", and the song "Hope for the Hopeless" has been in three episodes: "Act Your Age", "Human Error", and "Airborne". "Hope for the Hopeless" was also featured in the series premiere of Defying Gravity. The song "Near to You" was played in the episode "Friendship/Passion" of the TV series Wildfire (TV series). The song "Lifesize" was played during the episode "Doppelgangers" of How I Met Your Mother. Also, the song "The Beacon" was used during the episode "Hot and Bothered" of the Canadian police drama Rookie Blue. "Ashes and Wine" was used in the Vampire Diaries episode "Bad Moon Rising".^[12] Her music has also been used on the series The Hills.

Her track "What I Wouldn't Do" was used by the UK fashion chain Matalan on their Christmas 2010 television advertising campaign. In 2011, Banana Republic used Sudol's songs "You Picked Me", "Blow Away", and "Happier" in their Fall advertising campaign and behind-the-scenes footage.

In 2012, her song "What I Woudn't Do" was featured in the hit movie based on a novel by Nicholas Sparks called ''The Lucky One'' starring Zac Efron.

Literature and writing[link]

Sudol has often referred to the literary influences on her music. Recently she disclosed that she is also pursuing a secondary career as a writer. In an interview, Sudol said she is working a children's story in the "Narnia" tradition, a fantasy featuring animals.^[13] In a later interview with Ladygunn magazine, Sudol revealed the title of her fantasy adventure book to be Three Sails and the Family Moss.^[14]

Discography[link]

Albums[link]

• One Cell in the Sea (2007), Virgin, Austria, Switzerland, Germany, Poland, US
• Bomb in a Birdcage (2009), Virgin
• A Fine Frenzy Live at the House of Blues Chicago (2009), (iTunes exclusive) Virgin
• Pines (September, 18th 2012) ^[15] Virgin

EPs[link]

• Demo - EP (2006): "Rangers," "Almost Lover," "The Well"
• Live Session (iTunes Exclusive) - EP (2007): "Almost Lover," "The Minnow & the Trout," "Borrowed Time," "Last of Days"
• Live in 2007 (2007), (Amazon.com exclusive): "Almost Lover (Live)," "Come On, Come Out (Live)," "Rangers (Live)," "The Minnow & The Trout (Live)"
• Come On, Come Out (2008), Germany: "Come On, Come Out" + Nachtwandler Protone Mix, "Love Sick," "Devil's Trade"
• Oh Blue Christmas (2009), (iTunes/Target exclusive): "Blue Christmas," "Winter Wonderland," "Winter White," "Christmas Time is Here," "Wish You Well," "Redribbon Foxes"

Singles[link]

• "Almost Lover" (2007), Germany, Switzerland, Austria, Slovenia, Poland, Lithuania
• "Rangers" (2007)
• "Come On, Come Out" (2008), Poland
• "Blow Away" (2009), International
• "Happier" (2009), International
• "Electric Twist" (2010), International
• "Near To You"

Soundtracks[link]

• Dan in Real Life (2007): "Fever"
• Sleepwalking (2008): "Come On, Come Out"
• Powder Blue (2009): "Ride-Goldrush"
• The Vampire Diaries (2010): "Ashes and Wine," "Stood Up," "All You Wanted" (with Sounds Under Radio)
• Monte Carlo (2011): "Blow Away"
• New Year's Eve (2011): "The Fun Begins"

Compilations[link]

• Stockings by the Fire (Starbucks Entertainment Compilation) (2007): "Let it Snow"

References[link]

External links[link]

Wikimedia Commons has media related to: Alison Sudol

• A Fine Frenzy official site
• A Fine Frenzy - YouTube channel