James G. Aton, best known as Jim Aton or Jimmy Aton (1925 – September 16, 2008) was an American jazz bassist, pianist, vocalist and composer. He worked with numerous notable artists including Billie Holiday, Anita O'Day and Bill Evans. He appeared in films such as Bop Girl Goes Calypso (1957) with the Bobby Troup Trio, Roustabout (1964) with Elvis Presley and Barbara Stanwyck, and They Shoot Horses, Don’t They? (1969) with Jane Fonda.
James Gable Aton was born in Sioux City in 1925. His father owned a music store in Sioux City, and he studied violin and piano while attending the Sioux City public schools. Following service in the Merchant Marine near the close of World War II, he was drafted and served an additional year in the Air Force, based in Denver and the Philippines. After leaving the military he spent a year studying English and music at the Morningside College Conservatory of music, before transferring to the University of South Dakota. He began performing on string bass in local jazz combos during this period, including a combo led by legendary Kansas City expatriate trumpet player and bandleader Clarence Kenner. Kenner had worked in Kansas City-based big bands in the 1920s and early 1930s and had largely defined the bluesy and swinging style of jazz for which Sioux City later became known. Kenner took the young bassist under his wing, providing Aton with much early valuable professional experience.
Jim is a diminutive form of the forename "James". For individuals named Jim, see articles related to the name Jim.
Jim is a comic book series by Jim Woodring. It began in 1980 as a self-published zine and was picked up by Fantagraphics Books in 1986 after cartoonist Gil Kane introduced Woodring to Fantagraphics co-owner Gary Groth. The publisher released four magazine-sized black-and-white issues starting in September 1987. A comic book-sized continuation, Jim Volume II, with some color, began in 1993 and ran for six issues until 1996.
Jim, which Woodring described as an "autojournal", contained comics on a variety of subjects, many based on dreams, as well as surreal drawings and free-form text which resembled Jimantha automatic writing. Besides dreams, the work drew on Woodring's childhood experiences, hallucinations, past alcoholism, and Hindu beliefs. It also included stories of recurring Woodring characters such as Pulque (the embodiment of drunkenness), boyhood friends Chip and Monk, and, in Volume II, his signature creation Frank.
Jim is made up of a variety of short comics, text pieces, and artwork. Most of the works are short comics based on Woodring's dreams. Some of the pieces are surreal parodies of advertisements in the Mad tradition.
Gimel is the third letter of the Semitic abjads, including Phoenician Gīml , Hebrew ˈGimel ג, Aramaic Gāmal , Syriac Gāmal ܓ, and Arabic ǧīm ج (in alphabetical order; fifth in spelling order). Its sound value in the original Phoenician and in all derived alphabets, save Arabic, is a voiced velar plosive [ɡ]; in Modern Standard Arabic, it represents has many standards including [ɡ], see below.
In its unattested Proto-Canaanite form, the letter may have been named after a weapon that was either a staff sling or a throwing stick, ultimately deriving from a Proto-Sinaitic glyph based on the hieroglyph below:
The Phoenician letter gave rise to the Greek gamma (Γ), the Latin C and G, and the Cyrillic Г.
Hebrew spelling: גִּימֵל
Bertrand Russell posits that the letter's form is a conventionalized image of a camel. The letter may be the shape of the walking animal's head, neck, and forelegs. Barry B. Powell, a specialist in the history of writing, states "It is hard to imagine how gimel = "camel" can be derived from the picture of a camel (it may show his hump, or his head and neck!)".
The term Aton may refer to:
People
Atony
James G. Aton, best known as Jim Aton or Jimmy Aton (1925 – September 16, 2008) was an American jazz bassist, pianist, vocalist and composer. He worked with numerous notable artists including Billie Holiday, Anita O'Day and Bill Evans. He appeared in films such as Bop Girl Goes Calypso (1957) with the Bobby Troup Trio, Roustabout (1964) with Elvis Presley and Barbara Stanwyck, and They Shoot Horses, Don’t They? (1969) with Jane Fonda.
James Gable Aton was born in Sioux City in 1925. His father owned a music store in Sioux City, and he studied violin and piano while attending the Sioux City public schools. Following service in the Merchant Marine near the close of World War II, he was drafted and served an additional year in the Air Force, based in Denver and the Philippines. After leaving the military he spent a year studying English and music at the Morningside College Conservatory of music, before transferring to the University of South Dakota. He began performing on string bass in local jazz combos during this period, including a combo led by legendary Kansas City expatriate trumpet player and bandleader Clarence Kenner. Kenner had worked in Kansas City-based big bands in the 1920s and early 1930s and had largely defined the bluesy and swinging style of jazz for which Sioux City later became known. Kenner took the young bassist under his wing, providing Aton with much early valuable professional experience.
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