1867 edition of Punch, a ground-breaking British magazine of popular humour, including a great deal of satire of the contemporary social and political scene.

Satire is primarily a literary genre or form, although in practice it can also be found in the graphic and performing arts. In satire, vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, and society itself, into improvement.^[1] Although satire is usually meant to be funny, its greater purpose is often constructive social criticism, using wit as a weapon.

A common feature of satire is strong irony or sarcasm—"in satire, irony is militant"^[2]—but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to attack.

Satire is nowadays found in many artistic forms of expression, including literature, plays, commentary, and media such as lyrics.

Term[link]

The word satire comes from the Latin word satur and the subsequent phrase lanx satura. Satur meant "full," but the juxtaposition with lanx shifted the meaning to "miscellany or medley": the expression lanx satura literally means "a full dish of various kinds of fruits."^[3]

The word satura as used by Quintilian, however, was used to denote only Roman verse satire, a strict genre that imposed hexameter form, a narrower genre than what would be later intended as satire.^[3][4] Quintilian famously said that satura, that is a satire in hexameter verses, was a literary genre of wholly Roman origin (satura tota nostra est). He was aware of and commented on Greek satire, but at the time did not label it as such, although today the origin of satire is considered to be Aristophanes' Old Comedy. The first critic to use satire in the modern broader sense was Apuleius.^[3]

The derivation of satire from satura properly has nothing to do with the Greek mythological figure satyr.^[5] To Quintilian, the satire was a strict literary form, but the term soon escaped from the original narrow definition. Robert Elliott writes:

"As soon as a noun enters the domain of metaphor, as one modern scholar has pointed out, it clamours for extension; and satura (which had had no verbal, adverbial, or adjectival forms) was immediately broadened by appropriation from the Greek word for “satyr” (satyros) and its derivatives. The odd result is that the English “satire” comes from the Latin satura; but “satirize,” “satiric,” etc., are of Greek origin. By about the 4th century AD the writer of satires came to be known as satyricus; St. Jerome, for example, was called by one of his enemies 'a satirist in prose' ('satyricus scriptor in prosa'). Subsequent orthographic modifications obscured the Latin origin of the word satire: satura becomes satyra, and in England, by the 16th century, it was written 'satyre.'"^[6]

Satire and humour[link]

Satirical works often contain "straight" humour, usually to give relief from what might otherwise be relentless preaching. Although this has always been so, it is probably more marked in modern satire. Yet some satire is not "funny", nor is meant to be. Laughter is not an essential component of satire.^[7] Obviously, not all humour - even on such topics as politics, religion or art, or using the great satirical tools of irony, parody, and burlesque - is necessarily "satirical"; the most light-hearted satire always has a serious "after-taste". The Ig Nobel Prize satire on trivial scientific research describes this as "first make people laugh, and then make them think"^[8] - a fair definition of satire itself.

Social and psychological functions[link]

Satire and irony in some cases have been regarded as the most effective source to understand a society, the oldest form of social study.^[9] They provide the keenest insights into a group's collective psyche, reveal its deepest values and tastes, and the society's structures of power.^[10][11] Some authors have regarded satire as superior to non-comic and non-artistic disciplines like history or anthropology.^[9][12][13] In a prominent example from Ancient Greece, philosopher Plato, when asked by a friend for a book to understand Athenian society, referred him to the plays of Aristophanes.^[14][15]

The state of political satire in a given country reflects the state of civil liberties and human rights. Under totalitarian regimes any criticism of a political system including satire is suppressed. A typical example is the Soviet Union where the dissidents, such as Aleksandr Solzhenitsyn and Andrei Sakharov were under strong pressure from the government. While satire of everyday life in the USSR was allowed, the most prominent satirist being Arkady Raikin, political satire existed in the form of anecdotes^[16] that made fun of Soviet political leaders, especially Brezhnev, famous for his narrow-mindness and love for awards and decorations.

Classifications of Satire[link]

Satire is a diverse genre which is complex to classify and define, with a wide range of satiric "modes".^[17][18]

Horatian vs Juvenalian[link]

"Le satire e l'epistole di Q. Orazio Flacco", printed in 1814.

Satirical literature can commonly be categorized as either Horatian or Juvenalian,^[19] although the two are not entirely mutually exclusive.

Horatian satire, named for the Roman satirist, Horace (65 BCE – 8 BCE), playfully criticizes some social vice through gentle, mild, and light-hearted humour. It directs wit, exaggeration, and self-deprecating humour toward what it identifies as folly, rather than evil.^{[citation needed]} Horatian satire's sympathetic tone is common in modern society.^{[citation needed]}

Examples of Horatian satire include:

• Daniel Defoe's The True-Born Englishman
• Alexander Pope's The Rape of the Lock
• C.S. Lewis' The Screwtape Letters
• Matt Groening's The Simpsons
• Rick Mercer's The Rick Mercer Report
• The Ig Nobel Prizes.
• Have I Got News For You

Juvenalian satire, named after the Roman satirist Juvenal (late 1st century - early 2nd century CE), is a type of satire that is more contemptuous and abrasive than the Horatian. Juvenalian satire addresses social evil through scorn, outrage, and savage ridicule. This form is often pessimistic, characterized by irony, sarcasm, moral indignation and personal invective, with less emphasis on humour. Strongly polarized political satire is often Juvenalian.

Examples of Juvenalian satire:

• Joseph Hall's Virgidemiarum
• Jonathan Swift's A Modest Proposal and The Predictions for the Ensuing Year (written as Isaac Bickerstaff).
• Samuel Johnson's London
• Voltaire's Candide
• George Orwell's Nineteen Eighty-Four and Animal Farm
• Bret Easton Ellis's American Psycho
• Ray Bradbury’s Fahrenheit 451
• William Golding's Lord of the Flies
• Stanley Kubrick's Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb
• Aldous Huxley's Brave New World
• Anthony Burgess' A Clockwork Orange
• Chris Morris's "Brasseye" & "The Day Today"
• Joseph Heller's Catch-22
• William Burroughs' Naked Lunch
• Jon Stewart's The Daily Show with Jon Stewart
• Stephen Colbert's performance at the 2006 White House Correspondents Dinner
• Trey Parker & Matt Stone's South Park
• Douglas Adams' Hitchhiker's Guide to the Galaxy^{[citation needed]}
• Julian Barnes' England, England

Satire vs Teasing[link]

In the history of theatre there has always been a conflict between engagement and disengagement on politics and relevant issue, between satire and grotesque on one side, and jest with teasing on the other.^[20] Max Eastman defined the spectrum of satire in terms of "degrees of biting," as ranging from satire proper at the hot-end, and "kidding" at the violet-end; Eastman adopted the term kidding to denote what is just satirical in form, but is not really firing at the target.^[21] Nobel laureate satirical playwright Dario Fo pointed out the difference between satire and teasing (sfottò).^[22] Teasing is the reactionary side of the comic, it limits itself to a shallow parody of physical appearance; the side-effect of teasing is that it humanizes and draws sympathy for the powerful individual towards which is directed. Satire instead uses the comic to go against power and its oppressions, has a subversive character, and a moral dimension which draws judgement against its targets.^[23][24][25] Fo formulated an operational criteria to tell real satire from sfottò, saying that real satire arouses an outraged and violent reaction, and that the more they try to stop you, the better is the job you are doing.^[26] Historically, people in positions of power have welcomed and encouraged good-humoured buffoonery, while have tried to censor, ostracize and repress satire.^[20][23]

Teasing (sfottò) is an ancient form of simple buffoonery, a form of comedy without satire's subversive edge. Teasing includes light and affectionate parody, good-humoured mockery, simple one-dimensional poking fun, benign spoofs. Teasing typically consists in a impersonation of someone monkeying around with his exterior attributes, tics, physical blemishes, voice and mannerisms, quirks, way of dressing and walking, the phrases he typically repeats. By contrast, teasing never touches on the core issue, never makes a serious criticism judging the target with irony; it never harms the target's conduct, ideology and position of power; it never undermines the perception of his morality and cultural dimension.^[23][24] Sfottò directed towards a powerful individual, makes him appear more human and draws sympathy towards him.^[27] Hermann Göring propagated jests and jokes against himself, with the aim of humanizing his image.^[28][29]

Classifications by topics[link]

Types of satire can also be classified according to the topics it deals with. From the earliest times, at least since the plays of Aristophanes, the primary topics of literary satire are politics, religion and sex.^[30][31][32] On one hand because these are the most pressing problems that affect anybody living in a society, and on the other hand because these topics are usually taboo, considered sacred and off-limits by social etiquette.^[30][33] Among these, politics in the broader sense is considered the pre-eminent topic of satire.^[33] Satire which targets the clergy is a type of political satire, while religious satire is that which targets religious beliefs.^[34] Satire on sex may overlap with blue comedy, off-color humor and dick jokes.

Scatology has a long literary association with satire.^[30][35][36] The use of scatology is closely related to the grotesque and what is sometimes called the satiric grotesque.^[30] Shit plays a fundamental role in satire because it symbolizes death, the turd being "the ultimate dead object."^[35][36] The satirical comparison of individuals or institutions with shit, exposes their "inherent inertness, corruption and dead-likeness."^[35] Satire about death overlaps with black humor, gallows humor.

Another classification by topics, is the distinction between political satire, religious satire and satire of manners.^[37] Political satire is sometimes called topical satire, satire of manners is sometimes called satire of everyday life,^{[citation needed]} and religious satire is sometimes called philosophical satire. Comedy of manners, sometimes also called satire of manners, criticizes mode of life of common people; political satire aims at behavior, manners of politicians, and vices of political systems; philosophical satire has as its object global vices inherent to mankind.^{[citation needed]} Historically, Comedy of manners, which first appeared in British theater in 1620, has uncritically accepted the social code of the upper classes.^[38] Comedy in general accepts the rules of the social game, while satire subverts them.^[39]

Another analysis of satire is the spectrum of his possible tones: wit, ridicule, irony, sarcasm, cynism, the sardonic and invective.^[40][41]

Development[link]

Ancient Egypt[link]

One of the earliest examples of what we might call satire, The Satire of the Trades,^[42] is in Egyptian writing from the beginning of the 2nd millennium BC. The text's apparent readers are students, tired of studying. It argues that their lot as scribes is useful, and their lot far superior to that of the ordinary man. Scholars such as Helck^[43] think that the context was meant to be serious.

The Papyrus Anastasi I^[44] (late 2nd millennium BC) contains a satirical letter which first praises the virtues of its recipient, but then mocks the reader's meagre knowledge and achievements.

Greco-Roman world[link]

The Greeks had no word for what later would be called "satire", although the terms cynicism and parody were used. Modern critics call the Greek playwright Aristophanes one of the best known early satirists: his plays are known for their critical political and societal commentary,^[45] particularly for the political satire by which he criticized the powerful Cleon (as in The Knights). He is also notable for the persecution he underwent.^{[45][46][47][48]} Aristophanes' plays turned upon images of filth and disease.^[49] His bawdy style was adopted by Greek dramatist-comedian Menander. His early play Drunkenness contains an attack on the politician Callimedon.

The oldest form of satire still in use is the Menippean satire by Menippus of Gadara. His own writings are lost. Examples from his admirers and imitators mix seriousness and mockery in dialogues and present parodies before a background of diatribe. The reader is meant to question approved truths in order to form a didactic set of knowledge.^{[citation needed]} As in the case of Aristophanes plays, menippean satire turned upon images of filth and disease.^[49]

The first Roman to discuss satire critically was Quintilian, who invented the term to describe the writings of Lucilius. The two most prominent and influential ancient Roman satirists are Horace and Juvenal, who wrote during the early days of the Roman Empire. Other important satirists in ancient Latin are Lucilius and Persius. Satire in their work is much wider than in the modern sense of the word, including fantastic and highly coloured humorous writing with little or no real mocking intent. When Horace criticized Augustus, he used veiled ironic terms. In contrast, Pliny reports that the 6th century BC poet Hipponax wrote satirae that were so cruel that the offended hanged themselves.^[50]

Medieval Islamic world[link]

Main articles: Arabic satire and Persian satire

Medieval Arabic poetry included the satiric genre hija. Satire was introduced into Arabic prose literature by the Afro-Arab author Al-Jahiz in the 9th century. While dealing with serious topics in what are now known as anthropology, sociology and psychology, he introduced a satirical approach, "based on the premise that, however serious the subject under review, it could be made more interesting and thus achieve greater effect, if only one leavened the lump of solemnity by the insertion of a few amusing anecdotes or by the throwing out of some witty or paradoxical observations. He was well aware that, in treating of new themes in his prose works, he would have to employ a vocabulary of a nature more familiar in hija, satirical poetry."^[51] For example, in one of his zoological works, he satirized the preference for longer human penis size, writing: "If the length of the penis were a sign of honor, then the mule would belong to the (honorable tribe of) Quraysh". Another satirical story based on this preference was an Arabian Nights tale called "Ali with the Large Member".^[52]

In the 10th century, the writer Tha'alibi recorded satirical poetry written by the Arabic poets As-Salami and Abu Dulaf, with As-Salami praising Abu Dulaf's wide breadth of knowledge and then mocking his ability in all these subjects, and with Abu Dulaf responding back and satirizing As-Salami in return.^[53] An example of Arabic political satire included another 10th century poet Jarir satirizing Farazdaq as "a transgressor of the Sharia" and later Arabic poets in turn using the term "Farazdaq-like" as a form of political satire.^[54]

The terms "comedy" and "satire" became synonymous after Aristotle's Poetics was translated into Arabic in the medieval Islamic world, where it was elaborated upon by Islamic philosophers and writers, such as Abu Bischr, his pupil Al-Farabi, Avicenna, and Averroes. Due to cultural differences, they disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms, such as hija (satirical poetry). They viewed comedy as simply the "art of reprehension", and made no reference to light and cheerful events, or troubled beginnings and happy endings, associated with classical Greek comedy. After the Latin translations of the 12th century, the term "comedy" thus gained a new semantic meaning in Medieval literature.^[55]

Ubayd Zakani introduced satire in Persian literature during the 14th century. His work is noted for its satire and obscene verses, often political or bawdy, and often cited in debates involving homosexual practices. He wrote the Resaleh-ye Delgosha, as well as Akhlaq al-Ashraf ("Ethics of the Aristocracy") and the famous humorous fable Masnavi Mush-O-Gorbeh (Mouse and Cat), which was a political satire. His non-satirical serious classical verses have also been regarded as very well written, in league with the other great works of Persian literature. Between 1905 and 1911, Bibi Khatoon Astarabadi and other Iranian writers wrote notable satires.

Medieval Europe[link]

In the Early Middle Ages, examples of satire were the songs by Goliards or vagants now best known as an anthology called Carmina Burana and made famous as texts of a composition by the 20th century composer Carl Orff. Satirical poetry is believed to have been popular, although little has survived. With the advent of the High Middle Ages and the birth of modern vernacular literature in the 12th century, it began to be used again, most notably by Chaucer. The disrespectful manner was considered "Unchristian" and ignored but for the moral satire, which mocked misbehaviour in Christian terms. Examples are Livre des Manières by Étienne de Fougères (~1170), and some of Chaucer's Canterbury Tales. The epos was mocked, and even the feudal society, but there was hardly a general interest in the genre.

Two major satirists of Europe in the Renaissance were Giovanni Boccaccio and François Rabelais. Other examples of Renaissance satire include Till Eulenspiegel, Reynard the Fox, Sebastian Brant's Narrenschiff (1494), Erasmus' Moriae Encomium (1509) and Thomas More's Utopia (1516).

Early modern western satire[link]

Direct social commentary via satire returned with a vengeance in the 16th century, when farcical texts such as the works of François Rabelais tackled more serious issues (and incurred the wrath of the crown as a result).

The Elizabethan (i.e. 16th century English) writers thought of satire as related to the notoriously rude, coarse and sharp satyr play. Elizabethan "satire" (typically in pamphlet form) therefore contains more straightforward abuse than subtle irony. The French Huguenot Isaac Casaubon pointed out in 1605 that satire in the Roman fashion was something altogether more civilised. Casaubon discovered and published Quintilian's writing and presented the original meaning of the term (satira, not satyr), and the sense of wittiness (reflecting the "dishfull of fruits") became more important again. 17th century English satire once again aimed at the "amendment of vices" (Dryden^{[disambiguation needed ]}).

In the 1590s a new wave of verse satire broke with the publication of Hall's Virgidemiarum, six books of verse satires targeting everything from literary fads to corrupt noblemen. Although Donne had already circulated satires in manuscript, Hall's was the first real attempt in English at verse satire on the Juvenalian model.^[56] The success of his work combined with a national mood of disillusion in the last years of Elizabeth's reign triggered an avalanche of satire - much of it less conscious of classical models than Hall's - until the fashion was brought to an abrupt stop by censorship.^[57]

The Age of Enlightenment, an intellectual movement in the 17th and 18th century advocating rationality, produced a great revival of satire in Britain. This was fuelled by the rise of partisan politics, with the formalisation of the Tory and Whig parties - and also, in 1714, by the formation of the Scriblerus Club, which included Alexander Pope, Jonathan Swift, John Gay, John Arbuthnot, Robert Harley^{[disambiguation needed ]}, Thomas Parnell, and Henry St John, 1st Viscount Bolingbroke. This club included several of the notable satirists of early 18th century Britain. They focused their attention on Martinus Scriblerus, "an invented learned fool...whose work they attributed all that was tedious, narrow-minded, and pedantic in contemporary scholarship".^[58] In their hands astute and biting satire of institutions and individuals became a popular weapon.

Jonathan Swift was one of the greatest of Anglo-Irish satirists, and one of the first to practise modern journalistic satire. For instance, In his A Modest Proposal Swift suggests that Irish peasants be encouraged to sell their own children as food for the rich, as a solution to the "problem" of poverty. His purpose is of course to attack indifference to the plight of the desperately poor. In his book Gulliver's Travels he writes about the flaws in human society in general and English society in particular. John Dryden wrote an influential essay entitled "A Discourse Concerning the Original and Progress of Satire" ^[59] that helped fix the definition of satire in the literary world. His satirical Mac Flecknoe was written in response to a rivalry with Thomas Shadwell and eventually inspired Alexander Pope to write his satirical The Rape of the Lock. Other satirical works by Pope include the Epistle to Dr Arbuthnot.

The romantic prejudice against satire, is the belief spread by the romantic movement that satire is someting unworthy of serious attention; this prejudice has held considereable influence to this day.^[60]

Daniel Defoe pursued a more journalistic type of satire, being famous for his The True-Born Englishman which mocks xenophobic patriotism, and The Shortest-Way with the Dissenters - advocating religious toleration by means of an ironical exaggeration of the highly intolerant attitudes of his time.

Anglo-American satire[link]

Ebenezer Cooke, author of "The Sot-Weed Factor," was among the first American colonialists to write literary satire. Benjamin Franklin and others followed, using satire to shape an emerging nation's culture through its sense of the ridiculous.

Mark Twain was a great American satirist: his novel Huckleberry Finn is set in the antebellum South, where the moral values Twain wishes to promote are completely turned on their heads. His hero, Huck, is a rather simple but goodhearted lad who is ashamed of the "sinful temptation" that leads him to help a runaway slave. In fact his conscience, warped by the distorted moral world he has grown up in, often bothers him most when he is at his best. Ironically, he is prepared to do good, believing it to be wrong.

Twain's younger contemporary Ambrose Bierce gained notoriety as a cynic, pessimist and black humorist^{[citation needed]} with his dark, bitterly ironic stories, many set during the American Civil War, which satirized the limitations of human perception and reason. Bierce's most famous work of satire is probably The Devil's Dictionary, in which the definitions mock cant, hypocrisy and received wisdom.

Satire in Victorian England[link]

Novelists such as Charles Dickens often used passages of satiric writing in their treatment of social issues. Several satiric papers competed for the public's attention in the Victorian era and Edwardian period, such as Punch and Fun.

Perhaps the most enduring examples of Victorian satire, however, are to be found in the Savoy Operas of W. S. Gilbert and Sir Arthur Sullivan. In fact, in The Yeomen of the Guard, a jester is given lines that paint a very neat picture of the method and purpose of the satirist, and might almost be taken as a statement of Gilbert's own intent:

"I can set a braggart quailing with a quip,

The upstart I can wither with a whim;

He may wear a merry laugh upon his lip,

But his laughter has an echo that is grim!"

20th century satire[link]

Peter Sellers in famous satire Dr. Strangelove.

In the 20th century, satire was used by authors such as Aldous Huxley and George Orwell to make serious and even frightening commentaries on the dangers of the sweeping social changes taking place throughout Europe and United States. The film The Great Dictator (1940) by Charlie Chaplin is a satire on Adolf Hitler. Many social critics of the time, such as Karl Kraus, Dorothy Parker and H. L. Mencken, used satire as their main weapon, and Mencken in particular is noted for having said that "one horse-laugh is worth ten thousand syllogisms" in the persuasion of the public to accept a criticism. Joseph Heller's most famous work, Catch-22, satirizes bureaucracy and the military, and is frequently cited as one of the greatest literary works of the twentieth century.^[61] Novelist Sinclair Lewis was known for his satirical stories such as Babbitt, Main Street, and It Can't Happen Here. His books often explored and satirized contemporary American values.

The film Dr. Strangelove from 1964 was a popular satire on the Cold War. A more humorous brand of satire enjoyed a renaissance in the UK in the early 1960s with the Satire Boom, led by such luminaries as Peter Cook, Alan Bennett, Jonathan Miller, and Dudley Moore, whose stage show Beyond the Fringe was a hit not only in Britain, but also in the United States. Other significant influences in 1960s British satire include David Frost, Eleanor Bron and the television program That Was The Week That Was. Paul Krassner's magazine The Realist was immensely popular during the 1960s and early 1970s among people in the counterculture and had articles and cartoons that were savage, biting satires of politicians such as Lyndon Johnson and Richard Nixon, the Vietnam War, the Cold War and the War on Drugs.

Contemporary satire[link]

Contemporary popular usage of the term "satire" is often very imprecise. While satire often uses caricature and parody, by no means are all uses of these or other humorous devices, satiric. Refer to the careful definition of satire that heads this article.

Stephen Colbert satirically impersonates an opinionated and self-righteous television commentator on his Comedy Central program in the United States.

Stephen Colbert’s television program, The Colbert Report, is instructive in the methods of contemporary American satire. Colbert's character is an opinionated and self-righteous commentator who, in his TV interviews, interrupts people, points and wags his finger at them, and "unwittingly" uses a number of logical fallacies. In doing so, he demonstrates the principle of modern American political satire: the ridicule of the actions of politicians and other public figures by taking all their statements and purported beliefs to their furthest (supposedly) logical conclusion, thus revealing their perceived hypocrisy. Other political satire includes various political causes in the past, including the relatively successful Polish Beer-Lovers' Party and the joke political candidates Molly the Dog^[62] and Brian Miner.^[63]

The television program South Park relies almost exclusively on satire to address issues in American culture, with episodes addressing anti-Semitism, militant atheism, homophobia, environmentalism, corporate culture, political correctness and anti-Catholicism, among many other issues.

In the United Kingdom, a popular modern satirist is Sir Terry Pratchett, author of the internationally best-selling Discworld book series. One of the most well-known and controversial British satirists is Chris Morris, co-writer and director of Four Lions.

Satire is used on many UK television programmes, particularly popular panel shows and quiz shows such as Mock the Week, Have I Got News for You, and The Now Show. Similarly it is found on radio quiz shows such as The News Quiz.

In Canada, satire has become an important part of the comedy scene. Stephen Leacock was one of the best known early Canadian satirists, and in the early 20th century, he achieved fame by targeting the attitudes of small town life. In more recent years, Canada has had several prominent satirical television series. Some, including CODCO, The Royal Canadian Air Farce, and This Hour Has 22 Minutes deal directly with current news stories and political figures, while others, like History Bites present contemporary social satire in the context of events and figures in history. The Canadian website The Daily Week combines social and political satire with absurdity. Canadian songwriter Nancy White uses music as the vehicle for her satire, and her comic folk songs are regularly played on CBC Radio.

Cartoonists often use satire as well as straight humour. Al Capp's satirical comic strip Li'l Abner was censored in September 1947. The controversy, as reported in Time, centred around Capp's portrayal of the US Senate. Said Edward Leech of Scripps-Howard, "We don't think it is good editing or sound citizenship to picture the Senate as an assemblage of freaks and crooks... boobs and undesirables." ^[64] Walt Kelly's Pogo was likewise censored in 1952 over his overt satire of Senator Joe McCarthy, caricatured in his comic strip as "Simple J. Malarky". Garry Trudeau, whose comic strip Doonesbury has charted and recorded many American follies for the last generation, deals with story lines such as the Vietnam War (and now, the Iraq War), dumbed-down education, and over-eating at "McFriendly's". Trudeau exemplifies humour mixed with criticism. Recently, one of his gay characters lamented that because he was not legally married to his partner, he was deprived of the "exquisite agony" of experiencing a nasty and painful divorce like heterosexuals. This, of course, satirized the claim that gay unions would denigrate the sanctity of heterosexual marriage. Doonesbury also presents an example of how satire can cause social change. The comic strip satirized a Florida county that had a law requiring minorities to have a passcard in the area; the law was soon repealed with an act nicknamed the Doonesbury Act.^[65] Like some literary predecessors, many recent television satires contain strong elements of parody and caricature; for instance, the popular animated series The Simpsons and South Park both parody modern family and social life by taking their assumptions to the extreme; both have led to the creation of similar series. As well as the purely humorous effect of this sort of thing, they often strongly criticise various phenomena in politics, economic life, religion and many other aspects of society, and thus qualify as satirical. Due to their animated nature, these shows can easily use images of public figures and generally have greater freedom to do so than conventional shows using live actors.

Fake News is also a very popular form of contemporary satire, appearing in as wide an array of formats as the news media itself: print (e.g. The Onion, Private Eye), radio (e.g. On the Hour), television (e.g. The Day Today, The Daily Show, Brass Eye) and the web (e.g. Mindry.in, Scunt News,^[66] Faking News, The Giant Napkin,^[67] Unconfirmed Sources^[68] and The Onion's website). Other satires are on the list of satirists and satires. Another internet-driven form of satire is to lampoon bad internet performers. An example of this is the Internet meme character Miranda Sings.^[69][70]

In an interview with Wikinews, Sean Mills, President of The Onion, said angry letters about their news parody always carried the same message. "It’s whatever affects that person," said Mills. "So it’s like, 'I love it when you make a joke about murder or rape, but if you talk about cancer, well my brother has cancer and that’s not funny to me.' Or someone else can say, 'Cancer’s hilarious, but don’t talk about rape because my cousin got raped.' Those are rather extreme examples, but if it affects somebody personally, they tend to be more sensitive about it."^[71]

Zhou Libo, a comedian from Shanghai, is the most popular satirist in China. His humour has interested the middle-class people and had sold out shows ever since his rise to fame. Primarily a theater performer, Zhou said his work is never scripted, allowing him to improvise jokes about recent events. He often mocks political figures he supports.^{[citation needed]}

Perception of satire[link]

Because satire often combines anger and humour it can be profoundly disturbing - because it is essentially ironic or sarcastic, it is often misunderstood.

Common uncomprehending responses to satire include revulsion (accusations of poor taste, or that "it's just not funny" for instance), to the idea that the satirist actually does support the ideas, policies, or people he is attacking. For instance, at the time of its publication, many people misunderstood Swift’s purpose in A Modest Proposal, assuming it to be a serious recommendation of economically motivated cannibalism. Again, some critics of Mark Twain see Huckleberry Finn as racist and offensive, missing the point that its author clearly intended it to be satire (racism being in fact only one of a number of Mark Twain's known concerns attacked in Huckleberry Finn).^[72][73] This same misconception was suffered by the main character of the 1960s British television comedy satire Till Death Us Do Part. The character of Alf Garnett (played by Warren Mitchell) was created to poke fun at the kind of narrow-minded, racist, little-Englander that Garnett represented. Instead, his character became a sort of anti-hero to people who actually agreed with his views. The same thing happened with conservative Americans in regard to the main character in the American TV Show All in the Family, Archie Bunker.

The Australian satirical television comedy show The Chaser's War on Everything has suffered repeated attacks based on various perceived interpretations of the "target" of its attacks. The "Make a Realistic Wish Foundation" sketch (June 2009), which attacked in classical satiric fashion the heartlessness of people who are reluctant to donate to charities, was widely interpreted as an attack on the Make a Wish Foundation, or even the terminally ill children helped by that organisation. Prime Minister of the time Kevin Rudd stated that The Chaser team "should hang their heads in shame". He went on to say that "I didn't see that but it's been described to me....But having a go at kids with a terminal illness is really beyond the pale, absolutely beyond the pale."^[74] Television station management suspended the show for two weeks and reduced the third season to eight episodes.

Satire under fire[link]

Satire on internet culture.

Because satire criticises in an ironic, essentially indirect way, it frequently escapes censorship in a way more direct criticism might not. Periodically, however, it runs into serious opposition, and people in power who perceive themselves as attacked attempt to censor it or prosecute its practitioners. In a very early instance of this, Aristophanes was persecuted by the demagogue Cleon.

In 1599, the Archbishop of Canterbury John Whitgift and the Bishop of London George Abbot, whose offices had the function of licensing books for publication in England, issued a decree banning verse satire. The decree ordered the burning of certain volumes of satire by John Marston, Thomas Middleton, Joseph Hall, and others; it also required histories and plays to be specially approved by a member of the Queen's Privy Council, and it prohibited the future printing of satire in verse.^[75] The motives for the ban are obscure, particularly since some of the books banned had been licensed by the same authorities less than a year earlier. Various scholars have argued that the target was obscenity, libel, or sedition. It seems likely that lingering anxiety about the Martin Marprelate controversy, in which the bishops themselves had employed satirists, played a role; both Thomas Nashe and Gabriel Harvey, two of the key figures in that controversy, suffered a complete ban on all their works. In the event, though, the ban was little enforced, even by the licensing authority itself.

In 2005, the Jyllands-Posten Muhammad cartoons controversy caused global protests by offended Muslims and violent attacks with many fatalities in the Near East. It was not the first case of Muslim protests against criticism in the form of satire, but the Western world was surprised by the hostility of the reaction: Any country's flag in which a newspaper chose to publish the parodies was being burnt in a Near East country, then embassies were attacked, killing 139 people in mainly four countries (see article); politicians throughout Europe agreed that satire was an aspect of the freedom of speech, and therefore to be a protected means of dialogue. Iran threatened to start an International Holocaust Cartoon Competition, which was immediately responded to by Jews with an Israeli Anti-Semitic Cartoons Contest.

In 2006 British comedian Sacha Baron Cohen released Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, a "mockumentary" that satirized everyone, from high society to frat boys. Criticism of the film was heavy, from claims of antisemitism (despite the fact Cohen is Jewish) to the massive boycott of the film by the Kazakh government; the film itself had been a reaction to a longer quarrel between the government and the comedian.

In 2008, popular South African cartoonist and satirist Jonathan Shapiro (who is published under the pen name Zapiro) came under fire for depicting then-president of the ANC Jacob Zuma in the act of undressing in preparation for the implied rape of 'Lady Justice' which is held down by Zuma loyalists.^[76] The cartoon was drawn in response to Zuma's efforts to duck corruption charges, and the controversy was heightened by the fact that Zuma was himself acquitted of rape in May 2006. In February 2009, the South African Broadcasting Corporation, viewed by some opposition parties as the mouthpiece of the governing ANC,^[77] shelved a satirical TV show created by Shapiro,^[78] and in May 2009 the broadcaster pulled a documentary about political satire (featuring Shapiro among others) for the second time, hours before scheduled broadcast.^[79] Apartheid South Africa also had a long history of censorship.

On December 29, 2009, Samsung sued Mike Breen, and the Korea Times for $1 million, claiming criminal defamation over a satirical column published on Christmas Day, 2009.^[80][81]

Satirical prophecy[link]

Satire is occasionally prophetic: the jokes precede actual events.^[82][83] Among the eminent examples are:

• The 1784 presaging of modern daylight saving time, later actually proposed in 1907. While an American envoy to France, Benjamin Franklin anonymously published a letter in 1784 suggesting that Parisians economize on candles by arising earlier to use morning sunlight.^[84]
• In the 1920s an English cartoonist imagined a very laughable thing for that time: a hotel for cars. He drew a multi-story car park.^[83]
• The second episode of Monty Python's Flying Circus, which debuted in 1969, featured a skit entitled "The Mouse Problem" (meant to satirize contemporary media exposés on homosexuality), which depicted a cultural phenomenon eerily similar to modern furry fandom (which did not become widespread until the 1980s, over a decade after the skit was first aired)
• The comedy film "Americathon", released in 1979 and set in the United States of 1998, predicted a number of trends and events that would eventually unfold in the near future, including an American debt crisis, Chinese capitalism, the fall of the Soviet Union, terrorism aimed at the civilian population, a presidential sex scandal, corporate takeover of the government, and the popularity of reality shows.
• In January 2001, a satirical news article in The Onion, entitled "Our Long National Nightmare of Peace and Prosperity Is Finally Over"^[85] had newly elected President George Bush vowing to "develop new and expensive weapons technologies" and to "engage in at least one Gulf War-level armed conflict in the next four years." Furthermore he would "bring back economic stagnation by implementing substantial tax cuts, which would lead to a recession." However, the article predicted the "deregulation of ... industries, and the defunding of ... social-service programs," which turned out to be erroneous, as the Administration dramatically increased such spending, including under a trillion dollar prescription drug program.
• In 1975, the first episode of Saturday Night Live included an ad for a triple blade razor called the Triple-Trac; in 2001, Gillette introduced the Mach3. In 2004, The Onion satirized Schick and Gillette's marketing of ever-increasingly multi-blade razors with a mock article proclaiming Gillette will now introduce a five-blade razor.^[86] In 2006, Gillette released the Gillette Fusion, a five-blade razor.

See also[link]

Look up satire in Wiktionary, the free dictionary.

• List of satirists and satires
• News satire
• Onomasti komodein
• Parody religion
• Political satire
• Ritual clown
• Cringe comedy

Notes[link]

References[link]

• Branham, R Bracht and Kinney, Daniel (1997) Introduction to Petronius' Satyrica pp.xxiv
• Clark, John R. (1991) The Modern Satiric Grotesque and its traditions, Lexington: U. of Kentucky P.
• Corum, Robert T. (2002) The rhetoric of disgust and contempt in Boileau in Anne Lynn Birberick, Russell Ganim (editors) The Shape of Change: Essays in Early Modern Literature and La Fontaine in Honor of David Lee Rubin
• Elliott, Robert C. The nature of satire, in: Encyclopædia Britannica, "Satire", 2004
• Fo, Dario (1990) Dialogo provocatorio sul comico, il tragico, la follia e la ragione, interview by Luigi Allegri, pp. 2, 9. Excerpt on Satira e sfottò. Methuen Publishing in London translated it as Provocative Dialogue on the Comic, the Tragic, Folly and Reason (1993)
• Frye, Northrop (1957) Anatomy of Criticism (In particular the discussion of the 4 "myths").
• Hodgart, Matthew and Brian Connery (2009) [1969] Satire: Origins and Principles
• Wilson, R. Rawdon (2002) The hydra's tale: imagining disgust

Further reading[link]

• Bloom, Edward A. "Sacramentum Militiae: The Dynamics of Religious Satire." Studies in the Literary Imagination 5 (1972): 119-42.
• Bronowski, Jacob & Bruce Mazlish, The Western Intellectual Tradition From Leonardo to Hegel, p. 252 (1960; as repub. in 1993 Barnes & Noble ed.).
• Connery, Brian A. Theorizing Satire: A Bibliography, by Oakland University
• Dooley, David Joseph (1972) Contemporary satire
• Lee, Jae Num. "Scatology in Continental Satirical Writings from Aristophanes to Rabelais" and "English Scatological Writings from Skelton to Pope." Swift and Scatological Satire. Albuquerque: U of New Mexico P, 1971. 7-22; 23-53.
• Leonard Feinberg The satirist

Theories/Critical approaches to satire as a genre:

• Udo Kindermann, Satyra. Die Theorie der Satire im Mittellateinischen. Vorstudie zu einer Gattungsgeschichte. Nürnberg 1978.
• Emil Draitser. Techniques of Satire: The Case of Saltykov-Shchedrin. (Berlin-New York: Mouton de Gruyter, 1994) ISBN 3-11-012624-9.
• Hammer, Stephanie. Satirizing the Satirist.
• Highet, Gilbert. Satire.
• Kernan, Alvin. The Cankered Muse
• Connery, Brian and Combe, Kirk eds. (1995). Theorizing Satire: Essays in Literary Criticism. New York: St. Martin's Press. pp. 212. ISBN 0-312-12302-7. 

The Plot of Satire.

• Seidel, Michael. Satiric Inheritance.
• Entopia: Revolution of the Ants (2008), by Rad Zdero.

Jon Stewart
Stewart at the Rally to Restore Sanity and/or Fear, October 30, 2010
Birth name	Jonathan Stuart Leibowitz
Born	(1962-11-28) November 28, 1962 (age 49) New York City, New York, U.S.
Medium	Stand-up, television, film, books
Nationality	American
Years active	1987–present
Genres	Satire/political satire/news satire, observational comedy
Subject(s)	Mass media/news media/media criticism, American politics, current events, religion, Jewish culture, race relations, human sexuality, self-deprecation
Influences	George Carlin,[1] Woody Allen,[2] Lenny Bruce,[3] David Letterman,[4] Steve Martin,[5] Richard Pryor[6]
Influenced	Stephen Colbert,[7] Steve Carell, Ed Helms, Rob Corddry
Spouse	Tracey McShane Stewart (2000— ; 2 children)
Notable works and roles	Host of The Daily Show Host of The Jon Stewart Show America (The Book): A Citizen's Guide to Democracy Inaction Earth (The Book): A Visitor's Guide to the Human Race
Emmy Awards
Outstanding Writing for a Variety, Music or Comedy Program 2001, 2003, 2004, 2005, 2006, 2009, 2011 The Daily Show Outstanding Variety, Music or Comedy Series 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011 The Daily Show
Grammy Awards
Best Comedy Album 2005 America (The Audiobook): A Citizen's Guide to Democracy Inaction Best Spoken Word Album 2011 Earth (The Audiobook): A Visitor's Guide to the Human Race

Jon Stewart (born Jonathan Stuart Leibowitz; November 28, 1962)^[6] is an American political satirist, writer, television host, actor, media critic and stand-up comedian. He is widely known as host of The Daily Show, a satirical news program that airs on Comedy Central.

Stewart started as a stand-up comedian, but branched into television as host of Short Attention Span Theater for Comedy Central. He went on to host his own show on MTV, called The Jon Stewart Show, and then hosted another show on MTV called You Wrote It, You Watch It. He has also had several film roles as an actor. Stewart became the host of The Daily Show on Comedy Central in early 1999. He is also a writer and co-executive-producer of the show. After Stewart joined, The Daily Show steadily gained popularity and critical acclaim, resulting in his sixteen Emmy Awards.

Stewart has gained acclaim as an acerbic, satirical critic of personality-driven media shows, in particular those of the US media networks such as CNN, Fox News Channel, and MSNBC.^[8] Critics say Stewart benefits from a double standard: he critiques other news shows from the safe, removed position of his "fake news" desk.^[9][10] Stewart agrees, saying that neither his show nor his channel purports to be anything other than satire and comedy. In spite of its self-professed entertainment mandate, The Daily Show has been nominated for news and journalism awards. Stewart hosted the 78th and 80th Academy Awards. He is the co-author of America (The Book): A Citizen's Guide to Democracy Inaction, which was one of the best-selling books in the U.S. in 2004^[11] and Earth (The Book): A Visitor's Guide to the Human Race released in 2010.

Early life[link]

Stewart was born Jonathan Stuart Leibowitz in New York City, to a Jewish family. He and his older brother, Larry, who is currently Chief Operating Officer of NYSE Euronext (parent company of the New York Stock Exchange),^[12] grew up in Lawrenceville, New Jersey, where they attended Lawrence High School.^[6] Jon's mother, Marian (née Laskin), is an educational consultant and teacher.^[13] His father, Donald, was a professor of physics at The College of New Jersey from 2001 through 2008; he now teaches an online course at Thomas Edison State College.^[14] Jon's parents were divorced when Stewart was eleven years old, and Stewart no longer has any contact with his father.^[6] According to Stewart, he was subjected to anti-Semitic bullying as a child.^[7] He describes himself in high school as "very into Eugene Debs and a bit of a leftist."^[15]

Stewart graduated in 1984 from The College of William & Mary in Virginia, where he played on the soccer team and initially majored in chemistry before switching to psychology.^[16][17] While at William & Mary, Stewart became a brother of the Pi Kappa Alpha Fraternity.^[18] After college, Stewart held numerous jobs; a contingency planner for the New Jersey Department of Human Services, a contract administrator for the City University of New York, a puppeteer for children with disabilities, a caterer, a busboy, a shelf stocker at Woolworth's, and a bartender at the Franklin Corner Tavern, a local blue-collar bar.^[6][17][19] In college, Stewart was friends with future Congressman Anthony Weiner, who is the only politician to have received campaign donations from Stewart.^[20]

Career[link]

Early work[link]

With a reputation for being a funny man in school,^[6][17] Jon Stewart moved to New York City in 1986 to try his hand at the comedy club circuit, but he could not muster the courage to get on stage until the following year.^[21] He made his stand-up debut at The Bitter End, where his comedic idol, Woody Allen, also began.^[2] He began using the stage name "Jon Stewart" by dropping his last name and changing the spelling of his middle name "Stuart" to "Stewart." He often jokes this is because people had difficulty with the pronunciation of Leibowitz or it "sounded too Hollywood" (a reference to Lenny Bruce's joke on the same theme).^[22] He has implied that the name change was actually due to a strained relationship with his father, with whom Stewart no longer has any contact.^[19]

Stewart became a regular at the Comedy Cellar, where he was the last performer every night. For two years, he would perform at 2 a.m. while developing his comedic style.^[23] In 1989 Stewart landed his first television job as a writer for Caroline's Comedy Hour. In 1991 he began co-hosting Comedy Central's Short Attention Span Theater, with Patty Rosborough. In 1992 Stewart hosted the short-lived You Wrote It, You Watch It on MTV, which invited viewers to send in their stories to be acted out by the comedy troupe, The State. When David Letterman left NBC in 1993, Stewart was a finalist to replace him, but Conan O'Brien was hired instead.^[22]

[edit] The Jon Stewart Show

Later in 1993, Stewart developed The Jon Stewart Show, a talk show on MTV. The Jon Stewart Show was the first talk show on that network and was an instant hit, becoming the second-highest rated MTV show behind Beavis and Butt-head.^[24] In 1994 Paramount pulled the plug on The Arsenio Hall Show and, with new corporate sibling MTV (through MTV parent Viacom's acquisition of the studio), launched an hour-long syndicated late-night version of The Jon Stewart Show. Many local affiliates had moved Hall's show to 2 a.m. during its decline and Stewart's show inherited such early morning time slots in many cities. Ratings were dismal and the show was canceled in June 1995.

Amongst the fans of the show was David Letterman, who was the final guest of The Jon Stewart Show. Letterman signed Stewart with his production company, Worldwide Pants.^[25] Stewart then became a frequent guest host for Tom Snyder on The Late Late Show, which was produced by Letterman and aired after Late Show on CBS. This led to much speculation that Stewart would soon replace Snyder permanently,^[26] but Stewart was instead offered the time slot after Snyder, which he turned down.^[27]

[edit] The Daily Show

In 1999 Stewart began hosting The Daily Show on Comedy Central when Craig Kilborn left the show to replace Tom Snyder on The Late Late Show. The show, which has been popular and successful in cable television since Stewart became the host, blends humor with the day's top news stories, usually in politics, while simultaneously poking fun at politicians and many newsmakers as well as the news media itself. In an interview on The O'Reilly Factor, Stewart denied the show has any intentional political agenda, saying the goal was "schnicks and giggles." "The same weakness that drove me into comedy also informs my show," meaning that he was uncomfortable talking without hearing the audience laugh.^[28]

Stewart has since hosted almost all airings of the program, except for a few occasions when correspondents such as Stephen Colbert, Rob Corddry, and Steve Carell subbed for him. Stewart has won a total of sixteen Emmys for The Daily Show as either a writer or producer.^[8] In 2005 The Daily Show and Jon Stewart received a Best Comedy Album Grammy Award for the audio book edition of America (The Book). In 2000 and 2004, the show won two Peabody Awards for its coverage of the presidential elections relevant to those years, called "Indecision 2000" and "Indecision 2004", respectively.

Stewart interviewing Admiral Michael Mullen during a taping session of The Daily Show

The September 20, 2001, show,^[29] the first show after the attacks of September 11, 2001, began with no introduction.^[30] Before this, the introduction included footage of a fly-in towards the World Trade Center and New York City. The first nine minutes of the show included a tearful Stewart discussing his personal view on the event. His remarks ended as follows:

"The view… from my apartment… was the World Trade Center… and now it's gone, and they attacked it. This symbol of American ingenuity, and strength, and labor, and imagination and commerce, and it is gone. But you know what the view is now? The Statue of Liberty. The view from the South of Manhattan is now the Statue of Liberty. You can't beat that."^[29]

On April 4, 2006, Stewart confronted US Senator John McCain about his decision to appear at Liberty University, an institution founded by Jerry Falwell, whom McCain had previously denounced as one of the "agents of intolerance."^[31][32] In the interchange, Stewart asked McCain, "You're not freaking out on us? Are you freaking out on us, because if you're freaking out and you're going into the crazy base [politics] world—are you going into crazy base world?" McCain replied, "I'm afraid so." The clip was played on CNN and created a surge of articles across the blogosphere.^[33][34]

In 2007 The Daily Show was involved in former correspondent Stephen Colbert's announcement that he would run for president in 2008. In 2008 Stewart appeared on an episode of the show Democracy Now!^[35] A 2008 New York Times story questioned whether he was, in a phrase originally used to describe longtime network news anchor Walter Cronkite, "the most trusted man in America".^[36]

On April 28, 2009, during a discussion on torture with Clifford May, Stewart expressed his opinion that former President Harry S. Truman was a war criminal for his use of the atomic bomb on Japan during World War II.^[37][38][39]Moments later, Stewart defended his assertion:

Here's what I think of the atom bombs. I think if you dropped an atom bomb fifteen miles offshore and you said, "The next one's coming and hitting you," then I would think it's okay. To drop it on a city, and kill a hundred thousand people. Yeah. I think that's criminal.^[37]

On April 30, 2009, Stewart apologized on his program, and stated he did not believe Truman was a war criminal:^[40]

The other night we had on Cliff May. He was on, we were discussing torture, back and forth, very spirited discussion, very enjoyable. And I may have mentioned during the discussion we were having that Harry Truman was a war criminal. And right after saying it, I thought to myself that was dumb. And it was dumb. Stupid in fact. So I shouldn't have said that, and I did. So I say right now, no, I don't believe that to be the case. The atomic bomb, a very complicated decision in the context of a horrific war, and I walk that back because it was in my estimation a stupid thing to say. Which, by the way, as it was coming out of your mouth, you ever do that, where you're saying something, and as it's coming out you're like, "What the fuck, nyah?" And it just sat in there for a couple of days, just sitting going, "No, no, he wasn't, and you should really say that out loud on the show." So I am, right now, and, man, ew. Sorry.^[41]

In April 2010, Comedy Central renewed Stewart's contract to host The Daily Show into 2013.^[42] Stewart is paid a reported $1.5 million for one season of The Daily Show.^[43] According to the Forbes list of Celebrities, he earns $14 million a year.^[44]

On September 16, 2010, Stewart and Stephen Colbert announced a rally for October 30, known as the Rally to Restore Sanity and/or Fear. It took place on the National Mall in Washington D.C. and attracted an estimated 215,000 participants.^[45]

In December 2010 Stewart was credited by the White House and other media and political news outlets for bringing awareness of the Republican filibuster on the James Zadroga 9/11 Health and Compensation Act to the public, leading to the ultimate passing of the bill which provides health benefits to first responders whose health has been adversely affected by their work at Ground Zero.^[46]

On the January 10, 2011 show, Stewart began with a monologue about the shootings in Tucson, AZ.^[47] Stewart said that he wished the "ramblings of crazy people didn't in any way resemble how we actually talk to each other on television".^[48] Before commercial break, Stewart told viewers that the show would continue as usual the next night. After commercial break, the show featured a rerun of a field piece done by Jason Jones two years earlier.

As a result of such high-profile political stands, Stewart is being recognized as a political force rather than merely as a comedian. The New York Times suggested that he is "the modern-day equivalent of Edward R. Murrow"^[49] and the UK national newspaper The Independent called him the "satirist-in-chief".^[50]

In the middle of 2002, amid rumors that David Letterman was going to switch from CBS to ABC when his contract ran out, Stewart was rumored as Letterman's replacement on CBS.^[51] Ultimately, Letterman renewed his contract with CBS. On the March 9, 2002, episode of Saturday Night Live, hosted by Stewart, a "Weekend Update" sketch poked fun at the situation. In the middle of the sketch, "Weekend Update" anchor Jimmy Fallon said that he could not continue doing the broadcast and he brought Stewart in to replace him. Stewart glowed with excitement and chattered to himself about this chance to prove himself on network television. His pep talk went on too long, however, and before Stewart could deliver any headlines, Fallon returned and said he would be able to finish the broadcast himself.

In late 2002, ABC offered Stewart his own talk show to air after Nightline. Stewart's contract with The Daily Show was near expiring and he expressed strong interest. ABC, however, decided to give another Comedy Central figure, Jimmy Kimmel, the post-Nightline slot.^[52]

Books[link]

Stewart at the launch of his book, Earth, in New York, September 27, 2010.

In 1998, Stewart released his first book, Naked Pictures of Famous People, a collection of humorous short stories and essays. The book reached The New York Times Best Seller List.

In 2004 Stewart and The Daily Show writing staff released America (The Book): A Citizen's Guide to Democracy Inaction, a mock high school History textbook offering insights into the unique American system of government, dissecting its institutions, explaining its history and processes, and satirizing such popular American political precepts as "one man, one vote", "government by the people," and "every vote counts." The book sold millions of copies upon its 2004 release and ended the year as a top fifteen best-seller.^[11]

In 2005 Stewart provided the voice of President James A. Garfield for the audiobook version of Sarah Vowell's Assassination Vacation.

In 2007 Stewart voiced a role on Stephen Colbert's audiobook version of I Am America (And So Can You!). He plays Mort Sinclaire, former TV comedy writer and Communist.

On September 21, 2010, Earth (The Book): A Visitor's Guide to the Human Race, written by Stewart and other writers of The Daily Show, was released.

Acting[link]

Although best known for his work on The Daily Show, Stewart has had roles in several films and television series.

His first film role was a minor part in The First Wives Club but his scene was deleted.^[53] In 1995 Stewart signed a three-year deal with Miramax.^[54] He played romantic leads in the films Playing by Heart and Wishful Thinking. He had a supporting role in the romantic comedy Since You've Been Gone and in the horror film The Faculty. Other films were planned for Stewart to write and star in, but they were never produced. Stewart has since maintained a relationship with Miramax founders Harvey and Bob Weinstein and continues to appear in films they have produced including Jay and Silent Bob Strike Back, Doogal and the documentary Wordplay.

He appeared in Half Baked as an "enhancement smoker" and in Big Daddy as Adam Sandler's roommate; he has joked on the Daily Show and in the documentary The Aristocrats that to get the role he slept with Sandler. Stewart often makes fun of his appearances in the high-profile flop Death to Smoochy,^[55] in which he played a treacherous television executive, and the animated film Doogal,^[56] where he played a blue spring named Zeebad who shot a freeze ray from his mustache. In 2007 Stewart made a cameo appearance as himself in Evan Almighty, which starred former Daily Show correspondent Steve Carell. In the movie Stewart was seen on a television screen in a fictional Daily Show episode poking fun at Carell's character for building an ark.

Stewart had a recurring role in The Larry Sanders Show, playing himself as an occasional substitute and possible successor to late-night talk show host Larry Sanders (played by Garry Shandling). In 1998 Stewart hosted the television special, Elmopalooza, celebrating 30 years of Sesame Street. He has guest-starred on other sitcoms including The Nanny, Dr Katz, Professional Therapist, Spin City, NewsRadio, American Dad, and The Simpsons. He has made guest-appearances on the children's television series Between the Lions, Sesame Street and Jack's Big Music Show.

Producing[link]

In the mid-1990s Stewart launched his own production company, Busboy Productions. The name of the company is a reference to Stewart's previous job as a busboy. The company's production logo features the sound of a glass being knocked over followed by a voice whispering "Oops. Sorry." Stewart signed a deal with Miramax to develop projects through his company, but none of his ideas has been produced to date. After Stewart's success as host and producer of The Daily Show, he revived Busboy Productions with Daily Show producers Ben Karlin and Rich Korson. In 2002 Busboy planned to produce a sitcom for NBC starring Stephen Colbert, but the show did not come to fruition.^[57]

In 2005 Comedy Central reached an agreement with Busboy in which Comedy Central would provide financial backing for the production company. Comedy Central has a first-look agreement on all projects, after which Busboy is free to shop them to other networks.^[58][59] The deal spawned the Daily Show spin-off The Colbert Report. Other projects include the sitcom pilot Three Strikes, the documentary Sportsfan, the series Important Things with Demetri Martin, and the film The Donor.

In March 2010 Stewart announced that he had optioned rights to the story of journalist Maziar Bahari, who was imprisoned in Iran for 118 days.^[60] On the June 6, 2011 episode of The Daily Show, Stewart again hosted Bahari and confirmed that the two would be collaborating on the project.^[61]

Awards show hosting[link]

Stewart has hosted the Grammy Awards twice, in 2001 and in 2002. In the middle of the 2001 broadcast, after laying a number of comedic duds, Stewart did what he encourages most public officials to do: he recognized his lackluster performance, saying, "Ladies and gentlemen, I just want to say I feel your scorn and accept it." When Stewart returned to host the next year, his comedy was more successful. Joking about the performance of the song "Lady Marmalade", he said, "Our next performance is from the movie Moulin Rouge!, a film about a time when the whorehouses were about the music!" When the award winners for Album of the Year walked up on stage, many in number, Stewart quipped, "I don't know what you may have heard, but you were only supposed to go on stage if you worked on the O Brother, Where Art Thou? soundtrack, not if you heard it."

On January 5, 2006, Stewart was officially announced as the host of the 78th Academy Awards, which were held March 5 at the Kodak Theatre in Hollywood. Responding to press questions at the time of his selection, Stewart remarked: "As a performer, I'm truly honored to be hosting the show. Although, as an avid watcher of the Oscars, I can't help but be a little disappointed with the choice. It appears to be another sad attempt to smoke out Billy Crystal."^[62] (According to The New York Times, Oscar producer Gilbert Cates knew that Crystal was going to be performing 700 Sundays during the time period and was not able to host.) On the Monday before the Oscars, Stewart told Larry King that he was more "excited" than nervous about the job and joked that if he turned out a failure, he could be "bumped down to public access". When asked what the opening would be, the comedian chastised himself by comparing a Stewart opening to a "Gene Rayburn homage". Instead, the opening segment, preceding Stewart's monologue, featured several recent hosts "declining" to host the show.

Critical response to Stewart's performance was mixed. Roger Ebert compared him favorably to legendary Oscar host Johnny Carson.^[63] Other reviewers were less positive; Tom Shales of The Washington Post said that Stewart hosted with “smug humorlessness.” James Poniewozik of Time said that Stewart was a bad host, but a great “anti-host” in that he poked fun at parts of the broadcast that deserved it, which lent him a degree of authenticity with the non-Hollywood audience.^[64] Stewart and correspondent John Oliver later poked fun at his lackluster reception on The Daily Show's coverage of the 79th Academy Awards by saying that the "demon of last year's Oscars had finally been exorcised."

Stewart also hosted the 80th Academy Awards on February 24, 2008. Reception that time, however, was far more positive.

Criticism of journalists[link]

[edit] Crossfire appearance

In a televised exchange with then-CNN personality Tucker Carlson on Crossfire on October 15, 2004, Stewart criticized the state of television journalism and pleaded with the show's hosts to "stop hurting America," and referred to both Carlson and co-host Paul Begala as "partisan hacks."^[65] When posted on the internet, this exchange became widely viewed and was a topic of much media discussion.

Despite being on the program to comment on current events, Stewart immediately shifted the discussion toward the show itself, asserting that Crossfire had failed in its responsibility to inform and educate viewers about politics as a serious topic. Stewart stated that the show engaged in partisan hackery instead of honest debate, and said that the hosts' assertion that Crossfire is a debate show is like "saying pro wrestling is a show about athletic competition." Carlson responded by saying that Stewart criticizes news organizations for not holding public officials accountable, but when he interviewed John Kerry, Stewart asked a series of "softball" questions (Stewart has acknowledged he voted for Kerry in the 2004 presidential election).^[66] Stewart responded that he didn't realize "the news organizations look to Comedy Central for their cues on integrity."^[67] When Carlson continued to press Stewart on the Kerry issue, Stewart said, "You're on CNN! The show that leads into me is puppets making crank phone calls! What is wrong with you?" In response to prods from Carlson, "Come on. Be funny," Stewart said, "No, I'm not going to be your monkey." Later in the show when Carlson jibed, "I do think you're more fun on your show," Stewart retorted, "You're as big a dick on your show as you are on any show."^[10] In response to Stewart's criticisms, Carlson said, "You need to teach at a journalism school," to which Stewart responded, "You need to go to one!"

Stewart discussed the incident on The Daily Show the following Monday:

We decided to go to this place, Crossfire, which is a nuanced public policy analysis show… named after the stray bullets that hit innocent bystanders in a gang fight. So I go to Crossfire and, let's face it, I was dehydrated, it's the Martin Lawrence defense… and I had always in the past mentioned to friends and people that I meet on the street that I think that show… um… blows. So I thought it was only the right thing to do to go say it to them personally on their program, but here's the thing about confronting someone with that on their show: They're there! Uncomfortable! And they were very mad, because apparently, when you invite someone on a show called Crossfire and you express an opinion, they don't care for that… I told them that I felt their show was hurting America and they came back at me pretty good, they said that I wasn't being funny. And I said to them, "I know that, but tomorrow I will go back to being funny, and your show will still blow."^[9][68]

In January 2005 CNN announced that it was canceling Crossfire. When asked about the cancellations, CNN/US' incoming president, Jonathan Klein, referenced Stewart's appearance on the show: "I think he made a good point about the noise level of these types of shows, which does nothing to illuminate the issues of the day."^[69] Soon after, Stewart quipped on The Daily Show that "I fought the law, and the law lost!"^{[citation needed]}

When asked about his relationship with Tucker Carlson on CNN's Larry King Live in February 2008, Stewart said: "It became this idea that it was personal between the two of us, and it wasn't… If there's one thing I regret about that thing, it was probably the idea that it was personal, that there was something I was saying about Tucker to Tucker, but actually it was about the show."

On March 18, 2009, Carlson wrote a blog entry for The Daily Beast criticizing Stewart for his handling of the CNBC controversy (see below). Carlson discussed the CNN incident and claimed that Stewart remained backstage for at least "an hour" and "continued to lecture our staff", something Carlson described as "one of the weirdest things I have ever seen."^[70]

Criticism of CNBC[link]

Stewart again became a viral internet phenomenon following a March 4, 2009, The Daily Show sequence. CNBC cancelled Rick Santelli's scheduled appearance but Stewart still ran a short segment showing CNBC giving bad investment advice.^[71]

Subsequent media coverage of exchanges between Jim Cramer, who had been featured heavily in the original segment, and Stewart, led to a highly anticipated face-to-face confrontation on The Daily Show.^[72] The episode received much media attention and became the second most-viewed episode of The Daily Show, trailing only the 2009 Inauguration Day episode. It had 2.3 million total viewers, and the next day, the show's website saw its highest day of traffic in 2009.^[73] Although Cramer acknowledged on the show that some of Stewart's criticisms of CNBC were valid and that the network could "do better," he later said on The Today Show that Stewart's criticism of the media was "naïve and misleading."^[74]

Criticism of Fox News[link]

For years Stewart has accused Fox News of distorting the news to fit a conservative agenda, at one point ridiculing the network as "the meanest sorority in the world."^[75] In November 2009 Stewart called out Fox News for using some footage from a previous Tea Party rally during its report of a more recent one, making the later rally appear larger than it was. The show's anchor, Sean Hannity, apologized the following night.^[76] A month later, Stewart criticized Fox & Friends cohost Gretchen Carlson – a former Miss America and Stanford graduate – for claiming that she googled words such as "ignoramus" and "czar." Stewart said that Carlson was dumbing herself down for "an audience who sees intellect as an elitist flaw."^[77]

Stewart stepped up his criticism of Fox News in 2010; as of April 24, The Daily Show had 24 segments criticizing Fox News' coverage.^[42] Bill O'Reilly, host of The O'Reilly Factor, countered that The Daily Show was a "key component of left-wing television" and that Stewart was a fan of Fox News because the network was so interesting to watch.^[42]

WGA strike of 2007–2008[link]

Stewart was an important factor in the unionization of the Comedy Central writers. The Daily Show writers were the first of Comedy Central's writers to be able to join the guild, after which other shows followed.^[78][79]

Stewart supported the 2007–2008 Writers Guild of America strike, commenting on The Daily Show episode just before the strike in a sarcastic manner about how Comedy Central had made available all of the episodes for free on their website, but without advertising, and said 'go support our advertisers'. The show went on hiatus when the strike began, as did other late night talk shows. Upon Stewart's return to the show on January 7, 2008, he refused to use the title The Daily Show, stating that "The Daily Show" was the show made with all of the people responsible for the broadcast, including his writers. During the strike, he referred to his show as A Daily Show with Jon Stewart until the strike ended on February 13, 2008.^[80] Stewart, as well as several other late night talk shows, returned to TV early in January even though the strike was not over, because their stage crews and production teams were suffering much more than the writers from the financial crunch, and by that point had been out of work for two months.^{[citation needed]}

The Writers Guild Strike of 2007–2008 was also responsible for a notable mock feud between Stewart, Stephen Colbert, and Conan O'Brien in early 2008. Without writers to help fuel their banter, the three comedians concocted a crossover/rivalry in order to garner more viewers during the ratings slump. Colbert made the claim that because of "the Colbert bump", he was responsible for Mike Huckabee's success in the 2008 presidential race. O'Brien claimed that he was responsible for Huckabee's success because not only had he mentioned Huckabee on his show, but also that he was responsible for Chuck Norris' success (Norris backed Huckabee). In response, Stewart claimed that he was responsible for the success of O'Brien, since Stewart had featured him on The Jon Stewart Show, and in turn the success of Huckabee. This resulted in a three-part comedic battle between the three pundits, with all three appearing on each other's shows. The feud ended on Late Night with Conan O'Brien with a mock brawl involving the three hosts.^[81]

Honors and awards[link]

Stewart in 2008

Stewart and other members of The Daily Show have received two Peabody Awards for "Indecision 2000" and "Indecision 2004", covering the 2000 presidential election and the 2004 presidential election, respectively.

The Daily Show received the Outstanding Writing for a Variety, Music or Comedy Program Emmy Award in 2001, 2003, 2004, 2005, 2006, 2009, and 2011, and the Primetime Emmy Award for Outstanding Variety, Music or Comedy Series every year from 2003 to 2011.

Stewart won a Grammy Award for Best Comedy Album in 2005 for his recording, America (The Audiobook): A Citizen's Guide to Democracy Inaction.

In the December 2003 New Year's edition of Newsweek, Stewart was named the "Who's Next?" person for 2004, with the magazine predicting that he would emerge as an absolute sensation in that year. (The magazine said they were right at the end of that year.)

Entertainment Weekly named Stewart as its "Entertainer of the Year" for 2004.

In 2004 Stewart spoke at the commencement ceremonies at his alma mater, William and Mary, and received an honorary Doctor of Arts degree.^[82] Stewart was also the Class Day keynote speaker at Princeton University in 2004,^[83] and the 2008 Sacerdote Great Names speaker at Hamilton College.

Stewart was named one of the 2005 Time 100, an annual list of 100 of the most influential people of the year by Time magazine.^[84]

Stewart and The Daily Show received the 2005 National Council of Teachers of English (NCTE) George Orwell Award for Distinguished Contribution to Honesty and Clarity in Public Language.

Stewart was presented an Honorary All-America Award by the National Soccer Coaches Association of America (NSCAA) in 2006.^[85]

Asteroid 116939 Jonstewart, discovered April 15, 2004, is named in his honor.

On April 21, 2009, President of Liberia Ellen Johnson Sirleaf made Stewart a chief.^[86]

On October 26, 2010, Stewart was named the Most Influential Man of 2010 by AskMen.com.^[87]

Personal life[link]

In 2000 Stewart married Tracey McShane, his girlfriend of four years. The couple met on a blind date set up by a production assistant on Stewart's film, Wishful Thinking.^{[5][88][89][90]} On June 19, 2001, Stewart and his wife filed a joint name change application and legally changed both of their surnames to "Stewart."^[91] He proposed to his future wife through a personalized crossword puzzle created with the help of Will Shortz, the crossword editor at The New York Times.^[92][93] The couple had their first child, Nathan Thomas Stewart (named after Stewart's grandfather),^[6] in July 2004. Their second child, a daughter, Maggie Rose Stewart, was born in February 2006.^[94] They own a cat named Stanley and two pit bull terriers, Monkey and Shamsky (named after former Major League Baseball player Art Shamsky).^[7]

In 2000, when he was labeled a Democrat, Stewart generally agreed but described his political affiliation as "more socialist or independent" than Democratic.^[95]

Stewart is an avid fan of both the New York Giants and the New York Mets and occasionally brings this up on his show. He gave an impassioned rant to open his show on February 4, 2008, immediately after the Giants had defeated the Patriots in the Super Bowl, about the Giants victory, noting his satisfaction in having bragging rights over Patriot and Red Sox sports fans who worked with him and had tormented him for years.^[96] He has mentioned his fandom on his show during interviews with Tiki Barber and David Wright.^[97][98]

Filmography[link]

Bibliography[link]

• Naked Pictures of Famous People (Rob Weisbach Books, 1998) ISBN 0-688-17162-1
• America (The Book): A Citizen's Guide to Democracy Inaction (Warner Books, September 2004) ISBN 0-446-53268-1
• Earth (The Book): A Visitor's Guide to the Human Race (Grand Central Publishing, 2010) ISBN 978-0-446-57922-3

References[link]