Coordinates | 33°51′35.9″N151°12′40″N |
---|---|
Caption | A floorball match between Sweden (yellow) and Finland (white). |
Union | International Floorball Federation |
Nickname | Innebandy, Salibandy, Unihockey |
Contact | Moderate (shoulder to shoulder) |
Team | 5 + Goalkeeper |
Category | Indoor |
Floorball, a type of floor hockey, is an indoor team sport which was developed in the 1970s in Sweden. Floorball is most popular in areas where the sport has developed the longest, such as the Czech Republic, Denmark, Estonia, Finland, Latvia, Norway, Sweden and Switzerland. The game is played indoors on a gym floor, making it a year-round sport at the amateur and professional levels. There are professional leagues, such as Finland's Salibandyliiga and Sweden's Svenska Superligan.
While there are 49 members of the International Floorball Federation (IFF), the Czech Republic, Finland, Sweden and Switzerland have finished in most of the coveted 1st, 2nd and 3rd places at the Floorball World Championships.
In addition to those four countries, floorball is gaining popularity in countries such as Latvia, Australia, Canada, Germany, Japan, Singapore , Malaysia and the United States.
The game of floorball is also known by many other names, such as salibandy (in Finland), innebandy (in Sweden and Norway), and unihockey (in Switzerland and Germany). The names "salibandy" and "innebandy" are derived from bandy. Both of those names literally translate to "indoor bandy". Unihockey is derived from "universal hockey" since it is meant to be a special and simplified hockey form.
As of 2009, the sport of floorball has been played in almost 80 countries. Of those, 51 have national floorball associations that are recognized by the IFF. With the addition of Sierra Leone, Africa's first floorball nation, the IFF has at least one national association on each continent of the world, with the exception of Antarctica.
In January 2009, the IFF and the sport of floorball received recognition from Special Olympics. This recognition could make floorball an official Special Olympics sport in just two years. As well, the IFF hopes that floorball will be included as a demonstration sport at the 2013 Special Olympics World Winter Games.
In addition to recognition by the International Olympic Committee and Special Olympics, the IFF is also a member of the General Association of International Sports Federations (GAISF), and co-operates with the International University Sports Federation (FISU).
From 1996 to 2009, the IFF will use a world floorball championship format where the last team in the A-Division is relegated to the B-Division, while the top team in the B-Division is promoted to the A-Division. This format caused much hardship for countries such as Australia, Canada, Slovakia, and Spain, who have all been trying to get to the B-Division from the C-Division since 2004. In 2010, the IFF plans to adopt a FIFA-like continental qualification system, where teams must qualify to play at the world championships. Depending on the number of countries registered per continent or region, the IFF gives spots for the world championships. For example, Argentina, Brazil, Canada and the United States would need to play for one spot at the world championships in a continental qualification tournament for the Americas.
A floorball player is also known as a "floorballer".
A floorball game is officially played over three periods lasting 20 minutes each (15 minutes for juniors). The time is stopped in the case of penalties, goals, time-outs and any situation where the ball is not considered to be in play. An intermission of 3–10 minutes takes place between each period, where teams change ends and substitution areas. Each team is allowed a timeout of 30 seconds (which is often used late in matches). There are two referees to oversee the game, each with equal authority.
Checking is disallowed in floorball. Controlled shoulder-to-shoulder contact is allowed, but ice hockey-like checking is forbidden. Pushing players without the ball or competing for a loose ball is also disallowed, and many of these infractions lead to two minute penalties. The best comparison in terms of legal physical contact is soccer, where checking is used to improve one's positioning in relation to the ball rather than to remove an opposing player from the play. In addition to checking, players cannot lift another opponents stick or perform any stick infractions in order to get to the ball. As well, players may not raise their stick or play the ball above their knee level, and a stick cannot be placed in between a player's legs (to avoid tripping).
When a player commits a foul, or when the ball is deemed unplayable, play is resumed from a face-off or a free hit. A free hit involves a player from one team to start play from the place where the ball was last deemed unplayable. A comparison of this is a free kick in soccer. For many fouls, such as stick infractions, a free hit is the only discipline provided. However, at the referee's discretion, a penalty may be worth either two or five minutes. At that point, the player who committed the foul sits in the penalty area, and his team is short handed for the time of the penalty. If an 'extreme' foul is committed, such as physical contact or unsportsmanlike behavior, a player may receive a 10 minute penalty or even a match misconduct.
The first ever IFF-sanctioned wheelchair floorball matches were played between the men's teams of the Czech Republic and Sweden, during the 2008 Men's World Floorball Championships in Prague, Czech Republic.
In addition to this, there is also an electric wheelchair variation.
As of 2010, the Asia Pacific Floorball Championship is also the qualifying tournament for the Floorball World Championships.
Floorball Category:Team sports Category:Mixed sports Category:Indoor sports Category:Ball games Category:Variations of hockey Category:Sports originating in Sweden
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Zorro (Spanish for fox) is the secret identity of Don Diego de la Vega (originally Don Diego Vega), a nobleman and master living in the Spanish colonial era of California. The character has undergone changes through the years, but the typical image of him is a dashing black-clad masked outlaw who defends the people of the land against tyrannical officials and other villains. Not only is he much too cunning and foxlike for the bumbling authorities to catch, but he delights in publicly humiliating those same foes.
Douglas Fairbanks and Mary Pickford, on their honeymoon, selected the story as the inaugural picture for their new studio, United Artists, beginning the character's cinematic tradition. The story was adapted as The Mark of Zorro in 1920, which was a success. McCulley's story was re-released by the publisher Grosset & Dunlap under the same title, to tie in with the film.
Due to public demand fueled by the film, McCulley wrote over 60 additional Zorro stories starting in 1922. The last, The Mask of Zorro (not to be confused with the 1998 film), was published posthumously in 1959. These stories ignore Zorro's public revelation of his identity. The black costume that modern audiences associate with the character stems from Fairbanks' smash hit movie rather than McCulley's original story, and McCulley's subsequent Zorro adventures copied Fairbanks's Zorro rather than the other way around. McCulley died in 1958, just as the Disney-produced Zorro television show was becoming phenomenally successful.
In The Curse of Capistrano Don Diego Vega becomes Señor Zorro in the pueblo of Los Angeles in California "to avenge the helpless, to punish cruel politicians," and "to aid the oppressed." He is the title character, as he is dubbed the "curse of Capistrano."
The story involves him romancing Lolita Pulido, an impoverished noblewoman. While Lolita is unimpressed with Diego, who pretends to be a passionless fop, she is attracted to the dashing Zorro. His rival and antagonist is Captain Ramon. Other characters include Sgt. Pedro Gonzales, Zorro's enemy and Diego's friend; Zorro's deaf and mute servant Bernardo; his ally Fray (Friar) Felipe; his father Don Alejandro Vega; and a group of noblemen (caballeros) who at first hunt him but are won over to his cause.
In later stories McCulley introduces characters such as pirates and Native Americans, some of whom know Zorro's identity.
In McCulley's later stories, Diego's surname became de la Vega. In fact, the writer was wildly inconsistent. The first magazine serial ended with the villain dead and Diego publicly exposed as Zorro, but in the sequel the antagonist was alive, and the next entry had the double identity still secret.
Several Zorro productions have expanded on the character's exploits. Many of the continuations feature a younger character taking up the mantle of Zorro.
A notable exception to this portrayal is Disney's Zorro (1957–59), where Diego, instead, appears as a passionate and compassionate crusader for justice—but masquerades as "the most inept swordsman in all of California." (Though he still adapted the more foppish persona early on to convince the then corrupted government officials that he was harmless.) In this show, everyone knows Diego would love to do what Zorro does, but thinks he does not have the skill.
His favored weapon is a rapier which he often uses to leave his distinctive mark, a Z made with three quick cuts. He also uses a bullwhip. In his debut, he uses a pistol.
The fox is never depicted as Zorro's emblem, but as a metaphor for the character's wiliness ("Zorro, 'the Fox', so cunning and free..." from the Disney television show theme).
His "heroic pose" consists of rearing on his horse, sword raised high (the logo of Zorro Productions, Inc.
Zorro is an agile athlete and acrobat, using his bullwhip as a gymnastic accoutrement to swing through gaps between city roofs, and is very capable of landing from great heights and taking a fall. Although he is a master swordsman and marksman he has more than once demonstrated his prowess in unarmed combat against multiple opponents.
His calculating and precise dexterity as a tactician has enabled him to use his two main weapons, his sword and bullwhip, as an extension of his very deft hand. He never uses brute strength, more his fox-like sly mind and well-practiced technique to outmatch an opponent.
Some versions of Zorro have a medium-sized dagger tucked in his left boot for emergencies. He has used his cape as a blind, a trip-mat and a disarming tool. Zorro's boots are also sometimes weighted, as is his hat which he has thrown, Frisbee-like, as an efficiently substantial warning to enemies. But more often than not he uses psychological mockery to make his opponents too angry to be coordinated in combat.
Zorro is also a skilled horseman. The name of his jet-black horse has varied through the years. In The Curse of Capistrano it was unnamed. Later versions named the horse Tornado/Toronado or Tempest. In still more versions from time to time, Zorro rides a snowy white horse named Phantom.
McCulley's concept of a band of men helping Zorro is often absent from other versions of the character. An exception is Zorro's Fighting Legion (1939), starring Reed Hadley as Diego. In McCulley's stories Zorro was aided by a deaf mute named Bernardo. In Disney's Zorro television series, Bernardo is not deaf but pretends to be, and serves as Zorro's spy. He is also a capable and invaluable helper for Zorro, even wearing the mask himself occasionally to reinforce his master's charade. The Family Channel's Zorro television series replaces Bernardo with a teenager named Felipe, played by Juan Diego Botto, with a similar disability (his muteness is the result of trauma) and pretense.
The all-black Fairbanks film costume, which with variations has remained the standard costume for the character, was likely adapted from that of the Arrow film serial character The Masked Rider (film), the first Mexican black-clad masked mystery rider on a black horse to be seen on the silver screen, in 1919, just before the following year's release of The Mark of Zorro. In fact, Fairbanks' costume is identical to the Rider's, albeit with a half-mask and without the hat.
Over the years, various English reprint volumes have been published. This include but are not limited to:
In 1993 Topps Comics published a 2-issue mini-series Dracula Versus Zorro followed by a Zorro series that ran 11 issues. Topps created Lady Rawhide, a spin-off from the Zorro stories, in two brief series. All of this was written by Don McGregor. He subsequently scripted a miniseries adaptation of The Mask of Zorro film for Dark Horse Comics.
A newspaper daily and Sunday strip were also published in the late 1990s. This was written by McGregor and rendered by Tom Yeates. Papercutz once published a Zorro series and graphic novels as well. This version is drawn in a manga style.
Dynamite Entertainment relaunched the character in 2008 with writer Matt Wagner first adapting Isabel Allende's novel before writing his own stories. The publisher also released an earlier unpublished tale by Don McGregor.
The character also appeared in European comics and is universally beloved in Latin America, usually in licensed, translated reprints of American comics. In the Netherlands, Zorro was drawn by Hans G. Kresse for the weekly Pep.
On April 1, 2011 Blackstone Audio Publishing will release The Mark of Zorro (aka The Curse of Capistrano) produced by Yuri Rasovsky (Hollywood Theater of the Ear). This production stars Val Kilmer as Diego/Zorro, Ruth Livier as Lolita Pulido, Elizabeth Peña as Doña Catalina Pulido, Armin Shimmerman as the Landlord, Meshach Taylor as Sgt Gonzalez, Keith Szarabajka as Captain Ramone, Ned Schmidtke as Don Carlos Pulido, Kristoffer Tabori as Don Alejandro, Stefan Rudnicki as Friar Felipe, Scott Brick as the Governor, Phil Proctor as Don Audre, John Sloan as the Magistrado, and Gorgo Panza as Pablo.
In February 2011 American Radio Theater will begin recording the Disney style Zorro: The Legend Begins. This 4-part 4 hour long radio drama features Gregg Porter in the role of Diego/Zorro.
Henri Salvador had a hit in 1964 with the humorous song "Zorro est arrivé." It tells from a child's point of view how exciting it is whenever a villain threatens to kill a lady in the television series. But every time again, to his relief, the "great and beautiful" Zorro comes to the rescue. An early music video was made at the time.
Alice Cooper's 1982 album Zipper Catches Skin includes the song "Zorro's Ascent" which is about Zorro facing his death.
A company called Zorro Productions, Inc., asserts that it "controls the worldwide trademarks and copyrights in the name, visual likeness and the character of Zorro.". It further states that "The unauthorized, unlicensed use of the name, character and/or likeness of 'Zorro' is an infringement and a violation of state and federal laws."
These claims were disputed in the case Sony Pictures Entertainment v. Fireworks Ent. Group. On January 24, 2001, Sony Pictures, TriStar Pictures and Zorro Productions, Inc. sued Fireworks Entertainment, Paramount Pictures, and Mercury Entertainment, claiming that the Queen of Swords television series infringed upon the copyrights and trademarks of Zorro and associated characters. Sony and TriStar had paid licensing fees to Zorro Productions, Inc., related to the 1998 film The Mask of Zorro. Queen of Swords was a 2000-2001 television series set in Spanish California during the early 19th century and featuring a protagonist who wore a black costume with a red sash demonstrating many aspects of the Zorro character including the swordfighting skills of the rapier and dagger, the dagger in the boot, use of a whip and Bolas, and horse riding skills.
Zorro Productions, Inc., argued that it owned the copyright to the original character because Johnston McCulley assigned his Zorro rights to Mitchell Gertz in 1949. Gertz died in 1961 and his estate transferred to his children, who created Zorro Productions, Inc. Fireworks Entertainment argued that the original rights had already been transferred to Douglas Fairbanks, Sr. in 1920 and provided documents showing this was legally affirmed in 1929, and also questioned whether the copyright was still valid.
The court ruled that "since the copyrights in The Curse of Capistrano and The Mark of Zorro lapsed in 1995 or before, the character Zorro has been in the public domain".
Judge Collins also stated that "Plaintiffs' argument that they have a trademark in Zorro because they licensed others to use Zorro, however, is specious. It assumes that ZPI had the right to demand licenses to use Zorro at all."
On March 22, 2010, Zorro Productions, Inc., sued Mars, Incorporated, makers of M&M;'s chocolate candies, and ad agency BBDO Worldwide over a commercial featuring a Zorro-like costume.
Category:Media franchises Category:Series of books Category:Fictional characters from California Category:Fictional American people of Spanish descent Category:Fictional vigilantes Category:Characters in pulp fiction Category:Film serial characters Category:Fictional Western (genre) characters Category:Fictional sword fighters Category:Fictional gentleman thieves Category:Fictional outlaws Category:1919 introductions
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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