Rajput is a Hindi film released in 1982.^[1]This is a multi-starrer movie directed by Vijay Anand.

Plot[link]

An amendment in Independent India comes where kingdoms are seized and people from Royal family are no longer rulers. One such kingdom is about to be seized from Jaipal Singh who refuses to lose his position. He continues to rule the jurisdiction as king and compels people to pay tax for him. People protest against this and one such person is police Inspector Dhirendra Singh. Because of this, he is transferred to a small village. His parents arranges his marriage with Janki who is the daughter of Dhiren's father's childhood friend. But Janki is in love with Manu Pratap Singh whose paternal uncle is the husband of Janki's paternal aunt. Due to an enemity between two families, Janki's aunt warns her that their love would not be accepted by Janki's father. But both of them are strong in their love and have intercourse before the marriage. Manu Pratap Singh's younger brother is in love with an orphan girl Kamli. All are happy until Jaipal Singh rapes Kamli and she runs away from the village.Meanwhile Jaipal Singh asks Janki for marriage to Janki's father which fury's him as he is an old man and a father of teenage girl despite he is a king.

Manu and Bhanu protest in their own way against the king on one way and so Manu was not able to meet Janki. Both Manu's father and Janki's father strongly oppose their love. Janki is married to Dhirendra Singh. While Janki leaves for her husband's home she is kidnapped by Jaipal Singh's niece and he tries to rape her. But Manu shoots him death and he fells on Janki who is fainted due to falling from horse. Dhirender misunderstands that Janki was raped and he cannot touch her. After two months he comes to know about Janki's pregnancy and misunderstands it is due to the incident on the marriage and tells her to abort the baby. But Janki refuses and insists that she will go out of his life. But Dhirender's love for Janki permits her to give birth to the baby. Janki gives birth to a son and she goes to jail to inform Manu about it. But Manu who finds Dhirender is a very nice man advices Janki to live with her husband and forget him. Janki obeys him and apologizes Dhirender for all miseries caused by her. Dhirender who initially refuses to see the child but accepts the baby as his own son. All the three live happily. Dhirender promises that he will have that baby alone as his child. Jaipal Singh sends his daughter Jaya abroad for education to shut her mouth when she starts questioning him. Manu-Bhanu Pratap's father was killed by Jaipal Sing and Bhanu waits to take revenge on him.

Seven years pass by and now Dhirendar Singh is Superintendent of Police. He finds many dacoits have formed and they plunder many areas and root cause of this is Jaipal Singh at underground but he has no evidence to prove that. Bhanu now a bandit named Bhavani who steals money and help the poor. Manu is released from jail and he stays for one night in Dhirendar Singh's house. There he meets his son who is very affectionate towards his father Dhirendar. Though he cannot expose himself his affection is overflown on the child.Kamli lives an illegal life with her son out of a village. Jaya, daughter of Jaipal Singh returns from abroad. Bhanu kidnaps her to take revenge on Jaipal Singh who once raped his lover. Bhanu forcefully marries Jaipal and Kamli by threatening with knife in Jaya's neck.Jaya understands about her father and sides with Bhanu.She finds Bhanu is a well educated and kind man and both fall in love. Manu misunderstands that his father and borther are killed by a bandit Bhavani and sets off to kill him without knowing that Bhavani is his brother Bhanu. Dhiren comes to arrest Bhavani on kidnapping charge but Jaya admits she is her on her own wish. Dhiren find the people are very much affected by Jaipal and want to portest against him. Dhiren compels them not to take law in their hands and he will take action against him lawfully. He gathers evidences and goes to arrest Jaipal. But he drops the action as Jaipal kidnapped his son. Dhirend finds that Manu is the real father of the child. He decides to save the child and give it to Janki and let live Manu with Janki and her son and leaves to arrest Jaipal. Manu promises Janki that her marriage will not be broken and he sets to save Dhiren. After much struggles and fights Jaipal is killed by Manu.Manu is injured by gunshot when he protects Dhirendra from Jaipal's shot.

Manu tells Dhiren that a man cannot be a father just because he gives birth and tell Dhiren can be the father of Janki's son and dies in his arms. Dhiren lets the child to lit the funeral pyre of Manu and Bhanu understands the truth about the child on seeing Janki.Dhirendra unites with his child and wife.

Cast[link]

• Dharmendra as Manu Pratap Singh/Manu
• Rajesh Khanna as Dhirendra Singh/Dhirendra/Dhiren
• Vinod Khanna as Bhanu Pratap Singh/Bhanu/Bhavani
• Hema Malini as Janki
• Ranjeeta Kaur as Kamli
• Tina Munim as Jaya
• Ranjeet as Jaipal Singh
• Indrani Mukherjee

References [link]

External links[link]

Rajput at the Internet Movie Database

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This article has multiple issues. Please help improve it or discuss these issues on the talk page. It needs additional citations for verification. Tagged since July 2007. It may have been edited by a contributor who has a close connection with its subject. Tagged since October 2010.

Anand Bakshi (21 July 1920 – 30 March 2002) was a popular Indian poet and lyricist.

Biography of Anand Bakshi[link]

Early days[link]

Anand Bakshi was born in Rawalpindi, now in Pakistan, in 1920.^[1] His ancestors were from Kurree, near Rawalpindi, and had origins in Kashmir. His mother, Sumitra, died 1940, when he was 20. Bakshi's family migrated to India (Lucknow) on 2 October 1947, in the aftermath of the partition, when he was 27 years old.

Before he established himself as a lyrics writer for Hindi film songs, he served for 2 years in the Royal Indian Navy, (Karachi) and after partition he served 6 years in the Indian Army, based at Jabalpur, with The Corps of Signals, and later with the E.M.E., Infantry.

While in the Army, The Corps of Signals, he wrote an "Aim in Life" for himself. – “Every one in this world, rich or poor should have a definite aim in life. A man without any fixed purpose in life is like a ship without rudder, at the mercy of the winds, powerless to control its course. So a person having no aim in life has nothing by which to guide his actions, or regulate his conduct. I, the undersigned, Anand Prakash Bakshi (AZAD.), intend to study music. For it is my aim in life to become an artist. And to achieve this, I must join films, radio, or theatre, and become a singer, songs composer, music director, director, etc.,.”^{[citation needed]}

[edit] Timeline^{[citation needed]}

• 6 Mar 1943 - He left Cambridge College, (Rawalpindi)
• 12 Jul 1944 - He joined Royal Indian Navy (Post - Boy 1) hoping that his ship (H.M. I.S. Dilawar, and, H.M.I.S. Bahadur) would dock in Bombay, the land of his film dreams, but was disappointed when she did not.
• 5 Apr 1946 - He was dismissed from the Royal Indian Navy after he was arrested and detained in custody, for taking part in Naval Mutiny at Bombay harbor, against the British Empire, on the ship H.M.I.S. Hindustan.
• 12 Apr 1947 - He joined Indian Army, with The Corps of Signals. In his spare time in the army he would write songs and sing to friends. It is his army mates who encouraged him to try his luck in Hindi films as an actor, writer or singer.
• 2 Oct 1947 - The family left Rawalpindi, Pakistan, for India, for Lucknow, at Jubbolpore, (due to the Partition)
• 16 Feb 1951 - Left Corps of Signals
• 1951 - He arrived in Bombay (to find work in films), but did not get work so he returned.
• 02 Apr 1951 - He joined the Indian Army, with The E.M.E. (The Corps of Electrical and Mechanical Engineers)
• 2 Oct 1954 - He married Kamla Mohan (his neighbor from Rawalpindi)
• 27 Aug 1956 - He left the Indian Army, E.M.E. to travel to Bombay to join films. He carried a Motor car driving licence as a back up in case he did not find work in films soon.
• Oct 1956 - He arrived again in Bombay, (to again try and find work in films), for the 2nd time, armed with about 60 lyrics/songs, but did not find work, so he would sit in the waiting room of Dadar Station, or the platform bench at Marine Lines Station, and continue write his dreams- songs.

His first published poem appeared in an Army publication, “Sainik Samachar”, 1950's and this fact boosted his morale and gave him confidence to try in Hindi films. While in the army he would write songs of the films he had seen just to get a feel of if he were the lyrics writer of that film what would he write. He would perform as a singer and actor in the theater plays, Bara Khambas, held on campus and earned the appreciation of his seniors too. All this fueled his dream to leave the Army once again for traveling to Bombay and join films. (Later on, in the late 90’s, he even wrote a special song for the Indian Military Academy, Dehra Dhun. He even wrote a song for the Corps of Signals, on their invitation. After his death, the Corps of Signals established a “Bakshi Corner” in their Corps Museum.)

Success[link]

Anand Bakshi came to Hindi films to make a name for himself in writing and singing but ended up becoming more successful in writing lyrics. He got his break writing songs in a Brij Mohan's film titled, "Bhala Aadmi", 1958, acted by Bhagwan Dada. He wrote 4 songs in this film. His first song in this film was "Dharti Ke Laal Na Kar Itna Malaal" which was recorded on 9 Nov 1956.

He found big success only in 1965 (Jab Jab Phool Khile) and went on to work as a lyricist of over 3500 songs and 650 films in the course of his life^{[citation needed]}. He got his first time singing in a film was in Mome Ki Gudiya(1972). The first song he sang was a duet “Baaghon me bahaar aayi hothon pe pukaar aayi”, along with Lata Mangeshkarfor music composed by Laxmikant Pyarelal. He also sang songs in 4 other films: Sholay (1975) where he sang the quawwali "Chand Sa Koi Chehera" along with Manna Dey, Kishore Kumar, Bhupinder; Maha Chor (1976); Charas (1976); and, Balika Badhu (1976).

After writing for few movies from 1956 onwards, Bakshi made a mark for himself for writing a quawalli for the 1962 film Kaala Samundar, the song was “Meri Tasveer Lekar Kya Karoge tum”, and the film Mehendi Lagi Mere Haath. He got his real big breakthroughs in 1965 with Himalaya Ki God Mein, and a huge breakthrough again in 1965 with the super hit film Jab Jab Phool Khile, starring Shashi Kapoor; and then again in 1967 with the super hit movie Milan (starring Sunil Dutt).

Anand Bakshi’s association in Hindi films with film Music Composers include appox 302 films with Laxmikant Pyarelal, 99 films with R D Burman, 32 with Kalyanji-Anandji, 26 with Anu Malik, 17 with Rajesh Roshan ans his songs have been sung by singers like Shamshad Begum, Khursheed Bawra, Amirbai Karnataki, Bhushan & Party, Sudha Malhotra and more.

He wrote the first recorded songs of singers like Shailendra Singh, Kumar Sanu, Kavita Krishnamurthy, etc., and he established himself as a versatile lyricist with the song "Dum Maro Dum" in the movie Hare Rama Hare Krishna (1972).

After this, he wrote memorable lyrics in many movies including Bobby and Amar Prem (1971), Aradhana 1970, Jeene Ki Raah, Mera Gaon Mera Desh, Aaye Din Bahar Ke, Aya Sawan Jhoom Ke, Seeta Aur Geeta, Sholay (1975), Dharam Veer, Nagina, Hum (1991), Mohra (1994), Dilwale Dulhania Le Jayenge (1995), Heer Raanjha, Dushman(film) (1998), Taal (1998), Mohabbatein (2000), Gadar: Ek Prem Katha (2001) and Yaadein.

Death[link]

Late in his life, he suffered from heart and lung disease as a consequence of life-long smoking. In 2001, he caught a bacterial infection at Nanavati hospital, during a minor heart surgery. He finally died of multiple organ failure on 30 March 2002, 8:00PM (IST) at Mumbai's Nanavati Hospital, at the age of 82^{[citation needed]}. The last released movie with lyrics by Anand Bakshi was Mehbooba (2008).

Awards[link]

Bakshi received 40 Filmfare Award nominations, and won four Filmfare awards as best lyricist.

The songs awarded the Filmfare award were:

40 nominations of Filmfare awards:

1967 – C.I.D.A.L.C. (Committee International for the Diffusion of Arts and Literature through the Cinema) at the Festival Des Films Asiatiques, Frankfurt (Frankfurt Sur Main 1967).

He also won innumerable Ruby Film Awards, Aashirwad Film Awards, Sushma Shama Awards, 3 Screen awards, and Zee & Stardust Hero Honda Awards.

Bakshi won an award from the SPCA for his hard-hitting lyrics for the song Nafrat Ki Duniya Chhodke Pyar Ki Duniya Mein from the film Haathi Mere Saathi.

Bakshi wrote the most lyrics—for 300 Hindi movies—with the music directors duo Laxmikant-Pyarelal as the movies' composers. Not coincidentally, he was the lyricist on all the occasions they won the Filmfare Award for Best Music Director, except their first award winning album, Dosti, for which the lyrics were written by Majrooh Sultanpuri. Bakshi also wrote the lyrics for many films whose music was composed by Rahul Dev Burman and their association resulted in many hit songs.

Misc[link]

• Anand Bakshi wrote the lyrics for the very first films of several of today's stars, including Sunny Deol, Jackie Shroff, Kamal Haasan, Rishi Kapoor, Amrita Singh, Shahrukh Khan, Akshay Kumar, among several others.

• He worked with several music directors who were the sons of the music directors that he had worked with in his early days: SD and RD Burman, Chitragupta and Anand-Milind, Kalyanji Anandji and Viju Shah, Roshan and Rajesh Roshan, Nadeem-Shravan and Sanjeev Darshan etc. He also worked with father-son pairs of film directors like Manmohan Desai and Ketan Desai, and Yash and Aditya Chopra.

• He wrote the first recorded songs of playback singers Mukesh, Shailender Singh, Udit Narayan, Kumar Sanu, Kavita Krishnamurthy and S. P. Balasubrahmanyam, to name a few.

• Stars like Rajesh Khanna, Dharmendra, Jeetendra, Sunny Deol, Shashi Kapoor, Sunil Dutt, Amitabh Bachchan, Anil Kapoor, Rajendra Kumar, Ajay Devgan, Shahrukh Khan and Juhi Chawla opted for Anand Bakshi when they started their own film production companies.

• The song he sang in Sholay, a qawwali, "Ke Chand Sa Koi Chehra" for R.D.Burman in Sholay along with Kishore Kumar, Manna Dey and Bhupinder. Anupama Chopra's Sholay: The Making of a Classic mentions that "The qawwali was recorded but never shot - the film was already longer than the requisite three hours. Bakshi was most disheartened. 'Perhaps if they had kept it' he wondered 'I might have had a career as a singer'."^[2]

• However, Anand Bakshi sung a song in film Charas Dharmendra. The song was "Ke Aaja ter yaadi aayi" and has to satisfy himself by singing only the "mukhda" of song - the rest of the song is sung by Lata-Rafi pair. It was great hit of the time. He stopped singing as many of the films he sang in did not do well at the box office and he got superstitious and stopped singing after "Balika Badhu".

• Anand Bakshi acted as a Fakir, begging for alms, in the 1966 film Picnic (1966) starring Manoj Kumar, Kalpana, Azra & Shubha Khote.

Anand Bakshi’s songs remixed and released in foreign films:

• In 2001, Anand Bakshi’s song, "Aaj mausam bada beimaan hai", was included in Monsoon Wedding.
• In 2009, Anand Bakshi’s song "Choli ke peeche kya hai", was included in Slumdog Millionaire.

See also[link]

Poetry portal

• Filmography of Anand Bakshi

References[link]

External links[link]

• Anand Bakshi at the Internet Movie Database

This article may require cleanup to meet Wikipedia's quality standards. No cleanup reason has been specified. Please help improve this article if you can; the talk page may contain suggestions. (May 2008)

Manhar Udhas is Hindi and Gujarati language singer. He has given voice for many Hindi movies as playback singer. He is the elder brother of singer Pankaj Udhas and Nirmal Udhas and has worked with Pankaj on albums and Live Shows. Manhar has worked with all the composers of the film world and has lent his voice for almost all the Bollywood heroes. Sung for more than 300 films - Gujarati, Punjabi, Bangali and many others. He, like his brother Pankaj, is well known for singing Ghazals. He is one of the Top 5 'Ghazalkars' in the world.

Early life[link]

He obtained a Diploma Mechanical Engineer degree from Bhavnagar.

Trivia[link]

• Janab Sayed Ahmed Sayeed,(Molisaab)taught Urdu to Manhar and introduced him to the poetry of Meer Taki Meer and Mirza Ghalib. He also taught Urdu to Manhar's accomplished brothers Pankaj and Nirmal.

Discography[link]

1970 Preet Na Shamna
1970 Purab Aur Paschim
1973 Abhimaan( Edit By Shammi Kapoor From Himachal, Dharamsala-Sidhbari(Rakkar) 1973 Tamari Yaad Ma
1975 Suraj Dhalti Saanjno
1983 Hero (1983 film)
1986 Jaanbaaz

1987 Aagman
1988 Avsar
1989 Anand
1990 Aavkar
1990 Jungle Queen - A Tarzan Love Story
1991 Saudagar
1991 Arpan
1991 Ghar Jamai
1992 Prem Deewane

1992 Aamantran
1993 Arman
1993 Lootere
1993 Khalnayak
1994 Abhinandan
1994 Amrut
1995 Aabhushan
1996 Anurag
1996 Jaan
1997 Abhishek
1997 Trimurti
1998 Aarambh
1998 Anubhav
1999 Asmita
1999 Jaanwar
2000 Aakar
2001 Aawaaz
2002 Aalaap
2003 Apeksha
2005 Aafreen
2006 akruti
2007 Aabhaar
2008 Akshar
2010 Anmol
2012 Abhilasha

Singles[link]

• Aapse hum to bichde hue (Vishwas, 1969)
• Purva suhaani aayee (Purab Aur Paschim, 1970)
• Loote koi man ka nagar (Abhimaan, 1973)
• Hum tumhe chahte hai aise (Qurbani, 1980)
• Tu mera jaani hai (Hero, 1983)
• Har kisi ko nahin milta (Jaanbaaz, 1986)
• Tera naam liya (Ram Lakhan, 1989)
• Gali Gali mein (Tridev, 1989)
• Hum tere bin kahin nahin (Sadak, 1991)
• Ek musafir (Gunaah, 1993)
• Jaan (Jaan, 1996)
• jungle love ( laila ne kaha )

Now He is a well-known "singer" of Shirdi Sai Baba's Devotinal Songs A brand New Album Named "SAI MEHAR" is being launched and it Is written By Shri Vikas Mehta. Shri vikas mehta is a well-known poet and writer and many albums are written by him. And many of them are sung by Manhar Udhas

References[link]

• Manhar Udhas at the Internet Movie Database
• The Hindu newspaper article on Manhar Udhas
• Manhar Udhas as Judge for popular Sa Re Ga Ma Pa Zee TV show

This article about an Indian singer is a stub. You can help Wikipedia by expanding it. v t e

Hema Malini
Born	Hema Malini R. Chakravarthy (1948-10-16) 16 October 1948 (age 63)[1] Ammankudi, Tiruchirappalli district, Tamil Nadu, India[1]
Occupation	actress, director, producer, politician
Years active	1965–present
Spouse	Dharmendra (1980–present)
Children	Esha Deol Ahana Deol

Hema Malini (Tamil: ஹேமா மாலினி, Hēmā Māliṉi ^?; born 16 October 1948) is an Indian actress, director and producer, as well as a Bharatanatyam dancer-choreographer. Making her acting debut in Sapno Ka Saudagar (1968), she went on to appear in numerous Bollywood films, most notably those with actor and future-husband Dharmendra.^[2] She was initially promoted as "Dream Girl", and in 1977 starred in a film of the same name.^[3] During this period, she established herself as one of Hindi cinema's leading actresses, noted for both her comic and dramatic roles, her beauty, and her accomplished classical dancing.^[4][5][6]

Malini is one of the most successful female film stars in the history of Indian cinema.^[5][7][8] Appearing in over 150 films in a career span of 40 years, she has starred in a large number of successful films, and her performances in both commercial and arthouse cinema, were often recognised.^[5] During her career, she has been nominated 11 times for the Filmfare Award for Best Actress, of which she won once in 1972. In 2000, she was presented with the Filmfare Lifetime Achievement Award. In the same year, she was honoured with the Padma Shri, the fourth-highest civilian honour, by the Government of India.^[9] She also served as the Chairperson of the National Film Development Corporation. She was awarded the prestegious "SaMaPa Vitasta Award 2006" in Delhi by SaMaPa - "Sopori Academy of Music And Performing Arts" by Music Legend Pandit Bhajan Sopori for her lifetime contribution and service to Indian culture and Dance.

Of late Malini spends most of her time on charitable and social ventures, while making occasional appearances in films. She is a member of India's Bharatiya Janata Party and was nominated member by the party in Rajya Sabha, the upper House of parliament during 2003–2009.^[10]

Early life and family[link]

Hema Malini Chakravarty was born into a Tamil Iyengar family in Ammankudi, Tiruchirappalli to V.S. Ramanujam Chakravarthy^[11] and Jaya Chakravarthy on 16 October 1948.^[1] Her mother was a film producer. Malini was the youngest of the three children and has two brothers.^[12] She was not interested in academic studies but enjoyed history, her favourite subject in school.^[12] She was educated at Andhra Mahila Sabha in Chennai.^[11]

Some of Bollywood's most popular Bollywood actors like Sanjeev Kumar and Jeetendra have proposed to Hema Malini.^[13][14] In her authorized biography, Hema Malini mentions she almost accepted Jeetendra's proposal, but later backed out.^[13] Unable to tolerate the rejection, Sanjeev Kumar was reportedly driven to alcoholism and remained unmarried till his death in 1985.^[13]

Hema fell in love with her co-star Dharmendra during the filming of Sholay.^[15] She eventually married him in 1980. Before they married, they both converted to Islam,^[16] since Dharmendra was already married to Prakash Kaur^[17][18][19] who refused to divorce him. Apart from Sholay, the Dharmendra-Hema pair appeared together in films like Seeta Aur Geeta, Dreamgirl, Charas and The Burning Train. After her marriage she became the step-mother of Sunny Deol and Bobby Deol, both popular actors in Bollywood. She has two daughters with Dharmendra, Esha Deol (born 1982) and Ahana Deol (born 1984). Her elder daughter Esha is a well-known actress in Bollywood while her younger daughter Ahana is an aspiring director^[20] who worked as an assistant director to Sanjay Leela Bhansali in his film Guzarish (2010) which starred Hrithik Roshan and Aishwarya Rai.^[21][22]

Hema Malini's niece is actress Madhoo who had starred in films Phool Aur Kaante (1991), Roja (1992)^[23] and Annayya (1993)

Film career[link]

Debut: 1960s[link]

Hema was considered for a Tamil film when she was 15 but rejected by director C. V. Sridhar saying that she was too thin.^[24] In 1965, she got an opportunity to act in a short episode as dancer in Pandava Vanavasam, a Telugu film. Later Ananthaswamy, a film poducer offered her a role opposite Raj Kapoor in his film Sapno Ka Saudagar (1968).^[24] She was promoted as the dream girl of Bollywood right from that film itself.^[24]

Breakthrough: 1970s[link]

In Johnny Mera Naam (1970), she was cast in a more pivotal role and the film became a blockbuster. She took challenging roles which most of the heroines of the 1960s refused to do. She played the role of a young widow in Andaaz (1971) and in Lal Patthar (1971) she played a character with negative shades.^[24] The following year, Hema double-roled with Dharmendra and Sanjeev Kumar in Seeta Aur Geeta.^[25] Even after many years the film remains one of the best in her career.^[25] The film was a blockbuster and earned her first Filmfare Best Actress Award.^[26] Within four years of making her debut, she established herself as one of the leading actresses in Bollywood.^[4]

During the mid 70s, her fans started calling her "Dream Girl", an allusion to the movie of the same name where she starred opposite Dharmendra.^[24]

A majority of her films released during this period were highly successful; Sanyasi, Dharmatma and Pratigya. Sholay, released in 1975, became a box-office phenomenon, where she played the role of Basanti, an unforgettable role of a talkative girl.^[24]

Malini starred in many movies throughout the 1970s and is perhaps best remembered for her glamour, style, and accomplished classical dancing.^[13][27] The Dharmendra-Hema pair had back to back hits from the early 70's like Sharafat, Tum Haseen Main Jawan, Naya Zamana, Raja Jani, Seeta Aur Geeta starring together in 28 movies in all, eventually marrying him in 1980.^[24] The pair continued with box office hit movies like Patthar Aur Payal, Dost, Charas, Jugnu, Azaad, Dillagi and Dil Kaa Heera. She also achieved some strong dramatic or comic moments in films like Trishul, Joshila and Khushboo. In the late 1970s she acted in female-centric movies like Kinara (1977) and Meera (1979), directed by Gulzar.

Post marriage: 1980–1999[link]

After her marriage she continued to work in films like Kranti, Naseeb, Satte Pe Satta and Vijay Anand's Rajput. The couple Dharmendra Hema Malini were paired together even after marriage, in the eighties in Alibaba Aur 40 Chor, Baghavat, Samraat and Razia Sultan.In 1983 she starred in Andha Kanoon which marked the debut of Tamil actor Rajinikanth in Bollywood. In the film she played the sister of Rajinikanth, seeking revenge for the death of her parents. The following year she acted in K. Balachander's Ek Nai Paheli, a remake of his Tamil film Apoorva Raagangal. She portrayed the role of a classical singer in the film.

She was a part of the hit multi-starrers Baghavat and Raaj Tilak both opposite Dharmendra, and continued to gain success in films focusing on her character like Aandhi Toofan, Durgaa and Ramkali in 1985, Sitapur Ki Geeta in 1987 saw her doing action oriented roles while Ek Chaddar Maili Si (1986), Rihaee and Jamai Raja (1990), saw her playing more matured roles.^[24]

Hema also directed a film, Dil Aashna Hai which was a commercial failure and her career tapered off as she chose to concentrate more on her dance ballets and Television serials.^[24]

Comeback: 2000s[link]

After taking a break from films for a number of years in the 1990s and early 2000s, Hema made a comeback with Baghban (2003).^[24] The film had Amitabh Bachchan playing her husband and also earned her a Filmfare Best Actress Award nomination. She also played a cameo in the 2004 film Veer-Zaara. In both films, she played a self-possessed, elderly married woman. In 2011, She directed her second feature film that featured her daughter Esha Deol in the lead role alongside her husband Dharmendra in Tell Me O Khuda which released on Diwali of 2011.^[28][29]

Political career[link]

Hema Malini and her husband have been involved in politics, as members of the Bharatiya Janata Party (BJP). She was elected to the Rajya Sabha, the upper house of the Parliament of India, with the support of the Bhratiya Janata Party.^[30][31] She campaigned for the BJP candidate, Vinod Khanna, former Bollywood actor in the 1999 Lok Sabha Elections in Gurdaspur in Punjab.^[30] In 2004, Hema Malini joined the Bharatiya Janata Party.^[30]

In February 2004, she joined the party (BJP) officially.^[30] With her film career less hectic, she has been an active member of the party, attending party meetings and rallies and campaigning for the party through various elections. In March 2010, she was made general secretary of the BJP. In February 2011, it was reported that Hema Malini has been recommended by H.N.Ananth Kumar, party general secretary.^[31]

Other work[link]

Malini performing at a concert

Hema Malini is a trained Bharatanatyam artist, a classical dance of India. Her daughters are well trained in the same dance form; the three have performed together at charity dance concerts.^[32][33] Malini is also trained in Odissi by Guru Kelucharan Mahapatra. Her refulgent smile eased her portrayal of a wide range of characters ranging from the fiery Narasimha to a graceful Rama on Tulasidas's Ramcharitmanas.^[34] In 2007, she performed in Mysore on the eve of Dussera, where she played the roles of Sati, Parvati and Durga.^[35] She had performed at the Khajuraho Dance Festival with her daughters.^[36]

In 2003, she played the role very well of Goddess Durga in television serial Jai Mata Ki, directed by Puneet Issar and aired on Star Plus.^[37] She directed and starred in the television serial Noopur, in which she played the role of a Bharatanatyam dancer.^[24] She owned the editorship of New Woman, a Hindi woman's magazine.^[38][39] In 2000 she was appointed as the first-ever woman chairperson of the National Film Development Corporation for three years.^[11][40] She owns a dance school, Natya Vihar Kalakendra.^[41]

In 2007, she was signed by Kent, a mineral water purifier system, as its brand ambassador.^[42] She is one of the three brand ambassadors of Pothys, a textile showroom in Chennai (the others being Sudha Ragunathan and Trisha Krishnan).^[43]

The first biography of Malini, Diva Unveiled-Hema Malini, was written by Ram Kamal Mukherjee and first published in 2005.^[44]

Latest filmography[link]

See also[link]

• List of awards and nominations received by Hema Malini
• List of Indian film actresses

References[link]

Further reading[link]

• Somaaya, Bhawana (2007). Hema Malini: the authorized biography. New Delhi: Lotus Collection. ISBN 81-7436-467-6. 
• Raheja, Dinesh. "Hema Malini: Bollywood's Dreamgirl". Rediff. http://www.rediff.com/entertai/2002/oct/25dinesh.htm. Retrieved 15 June 2011. 

External links[link]

Wikimedia Commons has media related to: Hema Malini

• Hema Malini at the Internet Movie Database

Kishore Kumar (4 August 1929 – 13 October 1987), born Abhas Kumar Kanjilal Ganguly was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for most number of Filmfare Awards won in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government and from that year onwards, the Madhya Pradesh Government initiated a new award called the "Kishore Kumar Award" for contributions to Hindi cinema.

Early life[link]

Kishore Kumar was born into the Ganguly family in Khandwa, Central Provinces and Berar (now in Madhya Pradesh) as Abhas Kumar Ganguly.^[1] His father Kunjalal Ganguly (Gangopadhya) was a lawyer. His mother Gouri Devi came from a wealthy Bengali family. Kishore was the youngest of four siblings, the other three being Ashok Kumar (the eldest), Sati Devi, and Anoop Kumar. The composer Bappi Lahiri is also related to Kishore Kumar on his mother's side.

While Kishore was still a child, Ashok Kumar became a Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and tried to follow Saigal's singing style.

Career[link]

After Ashok Kumar became a Bollywood star, the Ganguly family used to visit Bombay regularly. Abhas Kumar changed his name to Kishore Kumar and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. Kishore Kumar's first film as an actor was Shikari (1946), in which Ashok Kumar played the lead role. Music director Khemchand Prakash gave Kishore Kumar a chance to sing "Marne ki duayen kyon mangu" for the film Ziddi (1948). After this, Kishore Kumar got many other assignments, but he was not very serious about a film career.^[2] In 1949, he decided to settle in Mumbai.

Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.^[3]

He starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music.^[4] However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.

Kishore Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving the brothers.

Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore and told him that he should develop a style of his own, instead of copying Saigal.^[3] Kishore Kumar did not have a formal training in music.^[5] He kept Burman's advice in mind and eventually developed his own style of singing, which featured the yodeling that he had heard on the gramophone records of Tex Morton and Jimmie Rodgers bought by his brother Anoop Kumar.^[6]

S. D. Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their initial films included the songs "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958).^[7] Asha Bhosle and Kishore Kumar performed duets composed by S. D. Burman including "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958), "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from [Teen Devian|Teen Deviyan] (1965).

C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer.^[4] Their collaborations include "Eena Meena Deeka" from Aasha (1957). Kishore Kumar's work includes "Nakhrewaali" from New Delhi (1956) by Shankar Jaikishan, and "C.A.T. Cat Maane Billi" and "Hum To Mohabbat Karega" from Dilli Ka Thug (1958) by Ravi.

Kishore Kumar produced, directed, and acted in Jhumroo (1961). He wrote the lyrics for the title song, "Main Hoon Jhumroo," and composed music for all the songs in the film. Later, he produced and directed Door Gagan Ki Chhaon Mein (1964). He wrote the script and composed music for the film. Its based on the relationship between a father (Kishore Kumar) and his deaf and mute son (played by his real-life son, Amit Kumar). He made another two films called Door Ka Rahi (1971) and Door Waadiyon Mein Kahin (1980).

In the 1960s, as an actor, Kishore Kumar built up a notoriety for coming late for the shootings, or bunking them altogether.^[8] His films flopped frequently, and he landed in income tax trouble.^[3] As a singer, his work in this period includes "Zaroorat Hai Zaroorat Hai" from Manmauji (1961), "Gaata Rahe Mera Dil" from Guide (1965), and "Yeh Dil Na Hota Bechara" from Jewel Thief (1967).

In the late 1960s, Rahul Dev Burman worked together on the soundtrack of the film Padosan (1968), in which Kishore Kumar sang the songs "Mere Saamne Wali Khidki Mein" and "Kehna Hai." Padosan was a comedy film starring Kishore Kumar as a dramatist-musician, Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kishore Kumar's character in was inspired by the personality of his uncle, Dhananjay Bannerjee (a classical singer).^[2] The highlight of the film was a musical, comical duel between Kishore Kumar-Sunil Dutt and Mehmood: "Ek Chatur Nar Karke Singaar."

In 1969, Shakti Samanta produced and directed the film Aradhana, for which the music was composed by S. D. Burman. Burman fell ill after recording some duet songs with Mohammed Rafi, Asha Bhosle, Lata Mangeshkar and Kishore Kumar. Afterwards, his son and assistant Rahul Dev Burman took over the recording. R. D. Burman got Kishore Kumar to solo sing the songs "Mere Sapno Ki Rani" and "Roop Tera Mastana". Kishore Kumar won his first Filmfare award for the song "Roop Tera Mastana." It is widely believed that this film established Kishore Kumar as a leading playback singer in Bollywood.

1970s and 1980s[link]

In 1970s and 1980s Kishore Kumar sang for Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra, Sanjeev Kumar, Dev Anand, Shashi Kapoor, Randhir Kapoor, Rishi Kapoor, Mithun Chakraborty, Sanjay Dutt, Sunny Deol, Anil Kapoor and Jackie Shroff.

S. D. Burman and Kishore Kumar continued to work together, including "Phoolon Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from Prem Pujari (1969), "Aaj Madhosh Hua Jaaye Re," "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from Sharmilee (1971), "Meet na mila" from Abhimaan (1973), "Pyaar Ke Is Khel Mein" from Jugnu, "Phoolon Ke Dere Hain" from Zameer (1974}. In 1975, S. D. Burman composed his last song for Kishore Kumar. S. D. Burman went into a coma for the second time, soon after Kishore recorded the song "Badi Sooni Sooni Hai Zindagi" for the film Mili.^[4]

R. D. Burman frequently used Kishore Kumar as the male singer and recorded several songs with him in the 1970s. Some Kishore Kumar-R. D. Burman songs include "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Chingari Koi Bhadke" and "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote" and "Humein Tum Se Pyaar Kitna" from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke (Amar Prem)" and "Jab Bhi Koi Kangana" from Shaukeen (1986).

R. D. Burman recorded several duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Sagar Kinare" from Sagar in [1985], "Aap Ki Aankhon Mein Kuchh" from Ghar, "Jaane Ja Dhoondta" and "Nahi Nahi" from Jawani Diwani, "Kharoshoo" from Harjai (1982).

Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) composed many songs sung by him. Some of their songs include "Mere Mehboob Qayamat Hogi" from Mr. X In Bombay, "Mere Naseeb Mein Aye Dost" from Do Raaste, "Yeh Jeevan Hai" from Piya Ka Ghar, "Mere Dil Mein Aaj Kya Hai" from Daag: A Poem of Love, "Nahi Mai Nahi Dekh Sakta" from Majboor, "Mere diwanepan ki bhi" from Mehboob Ki Mehndi, "Naach Meri Bulbul" from Roti, "Chal Chal Mere Haathi" from Haathi Mere Saathi, "Gaadi Bula Rahi Hai" from Dost, "Ruk Jaana Nahi" from Imtihaan, "Ek Ritu Aaye" from Gautam Govinda, "My Name Is Anthony Gonsalves" from Amar Akbar Anthony, "Bahut Khoobsurat Jawan Ek Ladki" from Dostana and "Om Shanti Om" as well as "Paisa Yeh Paisa" from Karz. Laxmikant-Pyarelal composed several Kishore-Lata duets, including "Achchha To Hum Chalte Hain" from Aan Milo Sajna, "Gore Rang Pe Na Itna" from Roti, "Main Solah Baras Ki" from Karz, and "Din Mahine Saal" from Avtaar, "Tu Kitne Baras Ki" from Karz. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a duet with Kishore Kumar and Alisha Chinoy, "I love you (Kaate Nahin Katate Yeh Din Yeh Raat)" from Mr. India in (1987). Salil Chowdhury recorded songs like "Koi Hota Jisko Apna" from Mere Apne and "Gujar Gaye Din Din" from Annadata. Ravindra Jain recorded "Ghungroo Ki Tarah" and the duet "Le Jaayenge Le Jaayenge" from Chor Machaye Shor and the duet "Tota Maina Ki Kahani" from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as "Hazar Rahein" from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several songs with Kishore Kumar including Zindagi Ka Safar and Jeevan Se Bhari Teri Aankhein, from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala from Don, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam.

Other composers including Rajesh Roshan, Sapan Chakravarty, Jaidev, Chitragupta (composer), Usha Khanna, Sohnik Omi, Prem Dhawan, Vanraj Bhatia and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's film Julie featured songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other songs include Yaadon Mein Woh from Swami, Chhookar mere man ko from Yaarana, Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kahan Tak Ye Man Ko Andhere Chhalenge as well as Kahiye, Suniye (duet with Asha Bhosle) from Baaton Baaton Mein. Bappi Lahiri also recorded many songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976), Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.

During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for an Indian National Congress rally in Mumbai, but he refused.^[9] As a result, Information and broadcasting minister Vidya Charan Shukla (1975-1977) put an unofficial ban on playing Kishore Kumar songs on the All India Radio and Doordarshan from 4th May, 1976 till the end of the Emergency.^[10][11]

Later years[link]

Kishore Kumar produced and directed some movies in the late 1970s and early 1980s, such as Badhti Ka Naam Daadhi (1978), Zindagi (1981) and Door Wadiyon Mein Kahin (1980): His last appearance as an actor.

With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar became a Bollywood singer in the 1980s. Kishore Kumar also continued singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.^[8] Kishore Kumar stopped singing for Amitabh Bachchan in the mid-1980s, after Bachchan did not do a guest appearance in a film produced by him but called a truce with him by singing for him in Toofan.^[12] He also temporarily stopped singing for Mithun Chakraborty, after Yogeeta Bali divorced him and married Chakraborty.^[13] However, later Kumar sang for him in many films like Disco Dancer, Muddat, and Pyar Ka Mandir.

In the mid-1980s, Kishore Kumar sang for Anil Kapoor in Kapoor's debut film as a leading man, Woh Saat Din and also recorded Mr. India. He sang a duet with Alka Yagnik, "Tumse Badhkar Duniya Mein Na Dekha" for Kaamchor in (1986). He also recorded some songs for the film Saagar with R. D. Burman. By this time, he had decided to retire and was planning to go back to his birthplace, Khandwa.^[8]

On 13 October 1987, his brother Ashok's 76th birthday, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was Guru Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.

Kishore Kumar's song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled "Kiss Kiss, Bang Bangalore."^[14] His songs have been featured in several films, including Such a Long Journey (1998) and Side Streets (1998).^[15] Sony TV organised the television singing contest K for Kishore to search for a singer like Kishore Kumar.

Personal life[link]

Kishore Kumar married four times. His first wife was Bengali singer and actress Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958.

Kishore's second wife was actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958) and Jhumroo (1961). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Furthermore, at the time he was married to Ruma. After his divorce, because Kishore Kumar was Bengali Hindu and Madhubala Muslim, they had a civil wedding ceremony in 1960. His parents refused to attend. The couple also had a Hindu ceremony to please Kumar's parents, but Madhubala was never truly accepted as his wife. Within a month of her wedding she moved back to her bungalow in Bandra because of tension in the Kishore Kumar household. They remained married but under great strain for the remainder of Madhubala's life. The doctors in London told Madhubala that she would not live for long. The marriage lasted for nine years, and ended with Madhubala's death on 23 February 1969.

Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore was married to Leena Chandavarkar from 1980 until his death. Kishore Kumar sired two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kumar is said to have been paranoid about not being paid.^[2] During recordings, he would sing only after his secretary confirmed that the producer had made the payment.^[16] Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment).^[2] On the sets of Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him five thousand rupees. Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, Paanch Hazzar Rupaiya (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away.^[17] On another occasion, when producer R. C. Talwar did not pay his dues in spite of repeated reminders, Kishore turned up at Talwar's residence one morning and started shouting "Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight thousand"). He did this every morning until Talwar paid him.^[16]

The film Anand (1971) was originally supposed to star Kishore Kumar and Mehmood Ali in the lead.^[18] Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.^[18]

In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa.^[19] On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur.^[17] Mukherjee was one of the first persons to appreciate Kishore's singing talent.^[17]

Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior.^[20][21] Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly.^[17] Kishore Kumar was a loner, and in an interview with Pritish Nandy (1985), he said that he had no friends – he preferred talking to his trees instead.^[22] Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.^[17]

According to another reported incident, once Kishore Kumar was to record a song for producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kishore going out in his car. Sippy pleaded him to stop his car, but Kishore only increased the speed of his car. Sippy chased him to Madh Island, where Kishore Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kishore Kumar refused to recognize or talk to him and threatened to call police. Sippy had to return. Next morning, Kishore Kumar reported for the recording. An angry Sippy questioned him about his behavior on the previous day. However, Kishore Kumar insisted that Sippy must have seen a dream, and claimed that he was in Khandwa on the previous day.^[23]

Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut".^[17] In the 1960s, a financier named Kalidas Batvabbal, patently disgusted with Kishore Kumar's alleged lack of cooperation during the shooting of Half Ticket, gave him away to the income tax authorities. Kishore had to face a raid at his house. Later, Kishore invited Batvabbal home, tricked him by asking him to enter a cupboard for a "chat" and locked him inside. He unlocked Batvabbal after two hours and told him "Don’t ever come to my house again."^[17]

Filmography[link]

List of songs[link]

Awards[link]

Filmfare Awards

Winner:

Nominated:

Bengal Film Journalists' Association Awards

Winner:

• 1971 - Best Male Playback Singer for Aradhana^[24]
• 1972 - Best Male Playback Singer for Andaz^[25]
• 1973 - Best Male Playback Singer for Hare Rama Hare Krishna^[26]
• 1975 - Best Male Playback Singer for Kora Kagaz^[27]

See also[link]

• Kishore Kumar filmography
• List of songs by Kishore Kumar
• List of Indian playback singers
• Hindi songs

References[link]

Further reading[link]

• Bose, Derek (2004). Kishore Kumar: Method in Madness. New Delhi: Rupa & Co.. ISBN 978-81-291-0526-4. OCLC 57429780. 
• Valicha, Kishore (1998). Kishore Kumar: The Definitive Biography. New York/New Delhi: Penguin Books/Viking. ISBN 978-0-670-88264-9. OCLC 40164015. 
• Nerurkar, Vishwas (2004). Kishore Kumar: The Many Faces of a Genius (The Ultimate Book which includes his complete filmography, discography, unreleased material, and film posters of his films). Gayathri Publications. 

External links[link]

• Kishore Kumar at the Internet Movie Database

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