Canvas on wooden frame

Canvas on stretcher bar

Canvas is an extremely heavy-duty plain-woven fabric used for making sails, tents, marquees, backpacks, and other items for which sturdiness is required. It is also popularly used by artists as a painting surface, typically stretched across a wooden frame. It is also used in such fashion objects as handbags and shoes.

Etymology[link]

The word canvas is derived from the 13th century Anglo-French canevaz and the Old French canevas. Both may be derivatives of the Vulgar Latin cannapaceus for "made of hemp,"^[1] originating from the Greek κάνναβις (cannabis).

Physical characteristics[link]

Modern canvas is usually made of cotton or linen, although historically it was made from hemp. It differs from other heavy cotton fabrics, such as denim, in being plain weave rather than twill weave. Canvas comes in two basic types: plain and duck. The threads in duck canvas are more tightly woven. The term duck comes from the Dutch word for cloth, doek. In the United States, canvas is classified in two ways: by weight (ounces per square yard) and by a graded number system. The numbers run in reverse of the weight so a number 10 canvas is lighter than number 4.

Canvas for painting[link]

Canvas has become the most common support medium for oil painting, replacing wooden panels. One of the earliest surviving oils on canvas is a French Madonna with angels from around 1410 in the Gemäldegalerie, Berlin. However, panel painting remained more common until the 16th century in Italy and the 17th century in Northern Europe. Mantegna and Venetian artists were among those leading the change; Venetian sail canvas was readily available and regarded as the best quality.

Boarding the yacht, painting by James Tissot, 1873. Oil on canvas

Canvas is typically stretched across a wooden frame called a stretcher, and may be coated with gesso before it is to be used; this is to prevent oil paint from coming into direct contact with the canvas fibres, which will eventually cause the canvas to decay. A traditional and flexible chalk gesso is composed of lead carbonate and linseed oil, applied over a rabbit skin glue ground; a variation using titanium white pigment and calcium carbonate is rather brittle and susceptible to cracking. As lead-based paint is poisonous, care has to be taken in using it. Various alternative and more flexible canvas primers are commercially available, the most popular being a synthetic latex paint composed of titanium dioxide and calcium carbonate, bound with a thermo-plastic emulsion. Many artists have painted onto unprimed canvas, such as Jackson Pollock,^[2] Kenneth Noland, Francis Bacon, Helen Frankenthaler, Dan Christensen, Larry Zox, Ronnie Landfield, Color Field painters, Lyrical Abstractionists and others.

Early canvas was made of linen, sturdy brownish fabric of considerable strength. Linen is particularly suitable for the use of oil paint. In the early 20th century, cotton canvas, often referred to as "cotton duck", came into use. Linen is composed of higher quality material, and remains popular with many professional artists, especially those who work with oil paint. Cotton duck, which stretches more fully and has an even, mechanical weave, offers a more economical alternative. The advent of acrylic paint has greatly increased the popularity and use of cotton duck canvas. Linen and cotton derive from two entirely different plants, the flax plant and the cotton plant.

Gesso-ed canvases on stretchers are also available. These pre-stretched, pre-primed canvases are suitable for all but the most exacting professional standards. They are available in a variety of weights: light-weight is about 4 oz (110 g). or 5 oz (140 g).; medium-weight is about 7 oz (200 g). or 8 oz (230 g).; heavy-weight is about 10 oz (280 g). or 12 oz (340 g). They are prepared with two or three coats of gesso and are ready for use straight away. Artists desiring greater control of their painting surface may add a coat or two of their preferred gesso. Professional artists who wish to work on canvas may prepare their own canvas in the traditional manner.

One of the most outstanding differences between modern painting techniques and those of the Flemish and Dutch Masters is in the preparation of the canvas. "Modern" techniques take advantage of both the canvas texture as well as those of the paint itself. Renaissance masters took extreme measures to ensure that none of the texture of the canvas came through. This required a painstaking, months-long process of layering the raw canvas with (usually) lead-white paint, then polishing the surface, and then repeating.^[3] The final product had little resemblance to fabric, but instead had a glossy, enamel-like finish. This flat surface was crucial in attaining photographic realism.

With a properly prepared canvas, the painter will find that each subsequent layer of color glides on in a "buttery" manner, and that with the proper consistency of application (fat over lean technique), a painting entirely devoid of brushstrokes can be achieved. A warm iron is applied over a piece of wet cotton to flatten the wrinkles.

Canvas can also be printed on using offset or specialist digital printers to create canvas prints. This process of digital inkjet printing is popularly referred to as Giclée. After printing, the canvas can be wrapped around a stretcher and displayed.

Canvas as a compound agent[link]

From the 13th century onward, canvas was used as a covering layer on Pavise shields. The canvas was applied to the wooden surface of the Pavise, covered with multiple layers of gesso and often richly painted in tempera technique. Finally, the surface was sealed with a transparent varnish. While the gessoed canvas was a perfect painting surface, the primary purpose of the canvas application may have been the strengthening of the wooden shield corpus in a manner not unlike to modern glass-reinforced plastic.

Splined canvas, stretched canvas and canvas boards[link]

Splined canvases differ from traditional side-stapled canvas in that canvas is attached with a spline at the rear of the frame. This allows the artist to incorporate painted edges into the artwork itself without staples at the sides, and the artwork can be displayed without a frame. Splined canvas can be restretched by adjusting the spline.

Stapled canvases stay stretched tighter over a longer period of time, but are more difficult to re-stretch when the need arises.

Canvas boards are made of cardboard with canvas stretched over and glued to a cardboard backing, and sealed on the backside. The canvas is typically linen primed for a certain type of paint. They are primarily used by artists for quick studies.

Canvas used for canoes[link]

Wood-and-canvas canoes are made by fastening an external waterproofed canvas shell to a wooden hull formed with white cedar planks and ribs. These canoes evolved directly from birchbark construction. Maine was the location of the development of commercial wood-and-canvas canoes. E. H. Gerrish, of Bangor, is now recognized as the first person to produce wood-and-canvas canoes commercially, but other Maine builders soon followed, including, B. N. Morris, of Veazie, E. M. White, of Old Town, and, of course, the Gray family of the Old Town Canoe Co. In the adjoining Canadian province of New Brunswick, from the late 19th century until being disbanded in 1979, the Chestnut Canoe Company, along with the Old Town Canoe Company in Maine, became the pre-eminent producers of wood-and-canvas canoes. American President Teddy Roosevelt purchased Chestnut canoes for a South American expedition. Wood-and-canvas canoes have undergone a resurgence in recent years, spurred in part by the Wooden Canoe Heritage Association.^[4] Builders abound, including Jerry Stelmok, Rollin Thurlow, Ken Solway, Joe Seliga, and many others.

• 

  Stretching canvas on a canoe

• 

  Wood-and-canvas canoe built by Joe Seliga

Canvas used for trampolines[link]

Canvas has become a very popular choice of use for trampoline manufacturers in the last decade. As the number of trampoline sales has increased in the UK, so has the amount of canvas used in order to make them. Cheaper trampolines often substitute a less durable woven fabric in place of canvas, making them more apt to damage when used simultaneously by more than one person. The more expensive canvas can endure multiple-person use.

Non-traditional uses for stretched canvas[link]

Canvast for needlework

It has become popular to use the myriad of stretched canvasses sizes and shapes for unconventional creative expression. Artists can create miniature works on business card sized stretched canvas and use them as trading cards to make connections with other artists. Many artists use canvas for altered art pieces as well as for scrapbook pages—because stretched canvas is available in many sizes, from miniatures to wall size, it is used for decoupage and needlework projects, made into lamps, or painted simply for home decor.

Canvas types[link]

• Dyed canvas
• Fire-proof canvas
• Printed canvas
• Stripe canvas
• Water-resistant canvas
• Waterproof canvas

Canvas products[link]

Canada Post canvas bags

• Canvas bags
• Canvas covers
• Canvas tarpaulins
• Canvas tent
• Martial arts uniforms (e.g. Judogi)

See also[link]

• Canvas print
• Marine canvas
• Plastic canvas

References[link]

Look up canvas in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Canvas

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Imogen Heap
Background information
Birth name	Imogen Jennifer Jane Heap
Born	(1977-12-09) 9 December 1977 (age 34)
Origin	Havering, Essex, England
Genres	Electronica, alternative, indie, synthpop,[1] folktronica, ambient, dream pop, rock
Occupations	Musician, singer, songwriter, visual artist
Instruments	Vocals, keyboards, array mbira, cello, clarinet, guitar, drums, keytar, nail violin, vocal percussion, synthesizer, sampler, organ, Hang, vocoder
Years active	1997–present
Labels	Almo Sounds (1998–2001) Megaphonic (2005–present) RCA Victor (2006–present)
Associated acts	Frou Frou Urban Species IAMX MIKA
Website	imogenheap.com

Imogen Jennifer Jane Heap ( /ˈɪmədʒɨn ˈhiːp/; born 9 December 1977 in the London Borough of Havering)^[2] is a Grammy Award-winning English singer, composer and songwriter from Havering, Essex. She is known for her work as part of the musical duo Frou Frou and her solo albums, which she writes, produces, and mixes. She has produced three solo albums, the latest of which is 2009's Ellipse, which was a North American chart success and earned Heap two Grammy nominations, winning Best Engineered Album, Non-Classical.^[3]

Musical and songwriting style[link]

For her solo work (as well as her work with Frou Frou and Acacia), Heap plays heavily produced and arranged singer-songwriter pop incorporating elements of rock, dance and electronica. As a guest player and collaborator she has played rock (Jeff Beck), hip-hop (Urban Species) and theatre/film music.

A skilled multi-instrumentalist, Heap extensively uses manipulated electronic sounds as an integral part of her music. She also mixes ambient sound into her music (such as the sound of a frying pan in use cooking food, in the background of her song "My Secret Friend") and has commented that "certain sounds give the music a width and a space, and that's important."^[4]

Heap states that her song lyrics come from personal experience, but are not straightforwardly confessional. She has stated "Most of the time, the lyrics are kind of like my secret messages to my friends or my boyfriend or my mum or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down to write a lyric, it is in the heat of the moment, and something has just happened."^[4]

Biography[link]

Early life[link]

Heap played music from an early age, becoming classically trained in several instruments including piano, cello and clarinet. She attended Friends School, a private, Quaker-run boarding school in Saffron Walden. Heap's mother (an art therapist) and her father (a construction rock retailer) separated when she was twelve. By the age of thirteen, she had begun writing songs.

Heap did not get along well with the music teacher at her boarding school, so she principally taught herself sequencing, music engineering, sampling and production (on Atari computers). She also taught herself to play the guitar and drums, and subsequently two percussion/idiophone instruments, the array mbira and the Hang.^[5] After school, she went on to study at the BRIT School for Performing Arts & Technology in Croydon, South London.

Early work as musician (including work with Acacia)[link]

After being introduced to Nik Kershaw by his manager Mickey Modern, Heap and Kershaw recorded four demos that Mickey Modern took to Rondor Music. Consequently, a few months later she signed her first record contract at 18 to independent record label Almo Sounds^[6]. Modern and Wood formed Modernwood Management, and managed Heap until 2006, when Modernwood was dissolved. Wood continues to manage the artist via his new company, Radius Music^[7].

During 1996, Heap began working with an experimental pop band called Acacia, which featured her future collaborator Guy Sigsworth and was fronted by the singer Alexander Nilere. While never a full member of the band, Heap was a guest vocalist (as a counterpart to Nilere) and contributed to various Acacia single and album tracks. One Acacia song, "Maddening Shroud", would later be covered by Frou Frou^[8].

Mickey Modern asked Dennis Arnold to place Imogen in the line up in the 1996 Prince's Trust Concert in Hyde Park, London organized by Harvey Goldsmith. Heap performed four songs between sets by The Who and Eric Clapton.

[edit] 1998–2000: iMegaphone

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Heap's debut album, iMegaphone (an anagram of "Imogen Heap") was a mixture of self-penned and self-produced tracks, alongside tracks co-written and produced with established producers such as David Kahne, former Eurythmic Dave Stewart and Guy Sigsworth. The album was released in 1998 internationally via Almo Sounds, to favorable reviews comparing Heap's angst-filled songs to work by PJ Harvey, Kate Bush and Annie Lennox. Promotion for the record included a tour of America and performances around Europe. Three singles were commercially released in the UK: "Getting Scared", "Shine" and "Come Here Boy". "Oh Me, Oh My" was sent to US radio stations in place of "Shine".

Heap's early success was soon replaced by problems. Almo Sounds cut funding for UK promotion and gave Heap a deadline to deliver songs for her second album. Upon delivery of the songs, she was told that they lacked "hit potential". It was announced that the record label would be sold to Universal and its artists moved to other labels or released. Heap was one of the artists who was dropped from the label, leaving her without a record contract. iMegaphone had, however, been licensed from Almo Sounds to Aozora Records in Japan, who eventually re-released and re-promoted the album in January 2002, featuring "Blanket" and "Aeroplane" (a Frou Frou remix/remake of one of her B-sides, "Airplane" of the Shine single released in 1998). The album featured new packaging, all-new artwork, and a previously unavailable hidden track, entitled "Kidding", recorded live during her 1999 tour.

Copies of the original Almo Sounds release remain rare. A Brazilian label, Trama Records, currently claims to hold the license to the record and has started re-printing copies of the album in limited quantities. The album was released digitally on the US iTunes Music Store in early 2006. After achieving commercial success with her work with Guy Sigsworth as the duo Frou Frou and her second solo album, Speak for Yourself, Heap was able to secure the re-release of iMegaphone.

2001: Interim work[link]

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In the gap between the end of promotion for iMegaphone internationally and the re-promotion, Heap had also begun to think about her second solo album, and had started writing songs, both solo, as well as working with Guy Sigsworth; however, as she was without a record deal, the songs were shelved. During the time when she was unsigned, Heap appeared on two UK singles, "Meantime" (a track written by her former Acacia colleagues Guy Sigsworth and Alexander Nilere for the soundtrack to the independent British film, G:MT – Greenwich Mean Time) and "Blanket" (a collaboration with Urban Species). In 2000, Heap sang on the album You Had It Coming by Jeff Beck.

2002–2003: Frou Frou[link]

Heap had kept in contact with Guy Sigsworth (who had co-written and produced "Getting Scared" from iMegaphone) and this led to the pair of them establishing the collaborative project Frou Frou.

The initial concept for Frou Frou was Sigsworth's, and the project was to have been an album written and produced by her with each track featuring a different singer, songwriter, poet or rapper. Heap explains that Sigsworth invited her over to his studio to write lyrics to a four-bar motif he had, with one condition – that she include the word "love" somewhere. The first line she came up with was "lung of love, leaves me breathless", and the Details album track, "Flicks" was born. A week later, Sigsworth phoned Heap up again, and together they wrote and recorded the future single "Breathe In".

Throughout the process, Frou Frou work was an equal partnership, with Heap and Sigsworth making equal contributions to writing, arrangement, production and instrumental performance and Heap handling all of the vocals.

In August 2002, they released the Details album and singles "Breathe In", "It's Good To Be In Love", and "Must Be Dreaming" (although the latter two were not commercially available). The album was critically acclaimed, but did not enjoy the commercial success that they had been hoping for.

In late 2003, after an extensive promotional tour of the UK, Europe and the US, the duo were told that their record label, Island Records would not be picking up the option for a second album.

Heap and Sigsworth remain firm friends, and have worked together since the project, including their temporary re-formation in late 2003, when they covered the Bonnie Tyler classic, "Holding Out for a Hero", which was featured during the credits of the movie Shrek 2 after Jennifer Saunders version in the film. Frou Frou saw a resurgence in popularity in 2004, when their album track "Let Go" was featured in the film Garden State.

In a 2005 interview Heap said of frou frou "(it) was really like a kind of little holiday from my own work. Guy and I, we have always worked together, and then over the years, it became clear that we wanted to do a whole album together. It was very organic and spontaneous - just one of those wonderful things that happens. But there was never a mention of a second record from either of us, and not uncomfortably. We're just both kind of free spirits. I love to work with a lot of different people, but I was also just gagging to see what I could do on my own. But I'm sure in the future, Guy and I will get back together to do another record, or to record a few songs together."^[4]

[edit] 2004–2005: The O.C. and Speak for Yourself

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Performing at Coachella Valley Music and Arts Festival

In December 2003, Heap announced on her Web site that she was going to write and produce her second solo album, using her site as a blog to publicise progress.

Heap set herself a deadline of one year to make the album, booking a session to master the album one year ahead in December 2004. She re-mortgaged her flat to fund production costs, including renting a studio at Atomic Studios, London (previously inhabited by UK grime artist, Dizzee Rascal), and purchasing instruments.

At the end of 2004, with the album completed, Heap premiered two album tracks online, selling them prior to the album's release – "Just for Now" and "Goodnight and Go".

In April 2005, The O.C. featured the vocoded-vocal track, "Hide and Seek" in the closing scenes of their season two finale. The track was released immediately to digital download services, such as iTunes, in the US, where it charted. The track was released to iTunes UK on 5 July 2005 (the same day as the UK airing of the season finale) and entered the official UK download chart.

Heap made a decision to put out the album on her own in the UK, starting her own record company, titled Megaphonic Records. The album was titled Speak for Yourself.

Speak for Yourself was released in the UK on 18 July 2005 on CD and iTunes UK, where it entered the top 10 chart. The initial 10,000 physical copies pressed sold out, distributed through large and independent record stores and Heap's own online shop.

In August 2005, Heap announced that she had licensed Speak for Yourself to Sony BMG imprint RCA Victor for the album release in the United States, Canada, and Mexico. The album was released in November 2005 and debuted at #144 in the Billboard Top 200 album chart. In concert, Heap performed solo, controlling the sound through her Apple PowerBook laptop, as well as singing and playing the piano and array mbira.

She returned from the US, already having sold over 120,000 copies.

2006–2007: The year of the 'White Rabbit'[link]

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Heap also announced, on her return to the UK, that she had signed a deal for the album to be released internationally, as well as re-promoted in the UK, with a new imprint of Sony BMG, White Rabbit, run by former Sony BMG UK A&R vice president Nick Raphael. The deal meant that the album could have the promotional backing provided by a respected major label, whilst Heap retained sole control and the team she established for Megaphonic Records.

Speak for Yourself was re-released on the label on 24 April 2006, ahead of a full promotional push on 15 May, a week after the second single, "Goodnight and Go", was commercially released in the UK.

In August 2006, Heap performed a set at the V Festival, where it was announced that "Headlock" was to be the third single to be lifted from the album, and released on 16 October 2006 in the UK.

In late September and early October, Heap embarked on a tour of the UK, holding a competition on MySpace for different support acts for each venue, before touring throughout Canada and the US in November and December. This was her first tour of North America that included a band, incorporating upright bass, percussion, and support acts Kid Beyond and Levi Weaver on beatbox and guitar, respectively. In December 2006, Heap was featured on the front page of The Green Room magazine.

On 7 December 2006, Heap received two Grammy nominations for the 49th Annual Grammy Awards, one for Best New Artist and the other for Best Song Written For Motion Picture, Television Or Other Visual Media for "Can't Take It In".

[edit] 2007–2009: Ellipse

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Throughout the creation of her album Ellipse, Heap posted vlogs, or VBlogs as she called them, through YouTube.^[9] She used these to comment on the album as well as update on its release. The album's release was pushed back multiple times. These included Heap being asked to perform at the annual event PopTech in October 2008. During the event, she premiered one of her album's songs, "Wait it Out".

Heap announced on her Twitter page that Ellipse's first single would be "First Train Home". On 17 August 2009 Heap made the entire album Ellipse available for live streaming via her webpage.

Ellipse was released in the United Kingdom on 24 August, and in the United States on 25 August.

[edit] 2011–present: Heapsongs

On 14 March 2011 Heap officially started work on a new record as fans sent in nearly 900 "sound seeds", or samples of everyday sounds such as a "dishwasher door", a "bicycle" or a "burning match". Heap has stated that the concept for this record will be to record one track over a two week period every 2 months. Each song and video will be released immediately.^[10] According to her website, the album will be completed in roughly 1.5 years.

The first song, initially entitled #heapsong1 and later retitled "Lifeline", premiered worldwide on 28 March 2011 via Ustream^[11] along with a live remix by Tim Exile. "Lifeline" was released on 30 March 2011 as a digital download from Imogen's website and via iTunes, Amazon and other digital retailers. Released alongside this was a 12 page 3DiCD package (a 3D virtual CD) including crowd sourced (and paid for) images, the instrumental version of the song, the "seeds and solos only" version and "heap speaks seeds and solos" - an-18 minute commentary by Heap on how the sounds and solos were used in "Lifeline".

On 6 May 2011 Heap tweeted that she and Deadmau5 were working on a collaboration. The song is tentatively titled "Telemisscommunications".^[12][13][14]

List of heapsongs so far[link]

1. heapsong1 is entitled "Lifeline" and was released on 30 March 2011.
2. heapsong2 is entitled "Propeller Seeds" and was released on 5 July 2011.
3. heapsong3 is entitled "Neglected Space" and was released on 17 October 2011.
4. heapsong4 is entitled "Minds Without Fear" and was released on 21 October 2011. It was the first song to be featured on 2011 Indian show, The Dewarists.
5. heapsong5 is entitled "Xizi She Knows" and was released on 24 January 2012. It is the fifth song off the forthcoming album overall.^[15]
6. heapsong6 is entitled "Me The Machine" and was performed live by Heap on 22 April 2012. The song premiered along with the film, Love the Earth, as part of Earth Day 2012.

Recordings for television and film[link]

Heap has recorded several songs for films, including a cover of the Classics IV hit "Spooky" for the soundtrack to the Reese Witherspoon film Just Like Heaven. Her song "Hide and Seek" was featured in The Last Kiss, starring Zach Braff (who used her former band Frou Frou's "Let Go" in his 2004 film Garden State), and was also used in a 2007 episode of Saturday Night Live, hosted by Shia LaBeouf. "The Moment I Said It" was also used in the episode "Seven Seconds" of the CBS crime drama Criminal Minds.

In 2004, while recording her second solo album, she was commissioned to record a cover of a short nursery rhyme for the HBO television series, Six Feet Under, entitled "I'm A Lonely Little Petunia (In An Onion Patch)".

In late 2005, Heap was asked to write a track for the soundtrack of The Chronicles of Narnia: The Lion, the Witch and the Wardrobe entitled "Can't Take It In", when a track that fellow Brit singer Dido submitted was deemed unfitting. Heap's track is played at the end of the film in an orchestral version produced by Heap and Harry Gregson Williams, who scored the movie. In addition, she composed a track for the film The Chronicles of Narnia: Prince Caspian, but it was deemed to be too dark in tone for the film. Instead, it was included in her album Ellipse as "2-1". 2-1 has also featured in CSI Miami (Season 8 Episode 9), as well as promotional trailers for the film The Lovely Bones.

In March 2006, Heap completed a track about locusts, entitled "Glittering Cloud", for a CD of music about the plagues of Egypt entitled Plague Songs, accompanying The Margate Exodus project, for musical director Brian Eno.

Heap recorded an a cappella version of the Leonard Cohen track "Hallelujah", for the season three finale of The O.C., and her "Not Now But Soon" was included on the original soundtrack for the NBC show, Heroes.

Song usage[link]

Imogen Heap and Frou Frou songs have been featured in various TV shows, movies, advertisements, and marching band productions, notably including CSI, The OC, SNL, Garden State, and So You Think You Can Dance.

Also notable is the sampling of Heap's song "Hide & Seek" in Jason DeRulo's single "Whatcha Say",^[16] which peaked at #1 on the Billboard Hot 100.

The Bluecoats Drum and Bugle Corps used Heap's song "Aha" in their 2010 production titled, "Metropolis: The Future is Now"

The Pack rapper Young L's 2001 mixtape 'As I Float: The Great John Nash' makes extensive use of samples of Imogen Heap songs on nearly every track.

Collaborations[link]

Heap has collaborated as a guest vocalist, co-writer, remixer or producer with many various artists throughout her career. Among them co-writing and producing By The Time for Mika and Now or Never for Josh Groban. The diverse range of other musicians Heap has worked with include IAMX, Jeff Beck, Temposhark, LHB, J. Peter Schwalm, Way Out West, Jon Bon Jovi, Mich Gerber, Sean Lennon, Urban Species, Matt Willis, Jon Hopkins, MIKA, Acacia, Britney Spears, Nik Kershaw, Blue October, Joshua Radin, Nitin Sawhney, I Fight Dragons and Deadmau5.^[12][13][14]

Use of technology[link]

Heap is an outspoken advocate of using new technology to interact and collaborate with her fans. In August 2009 she used Vokle, an online auditorium, to take questions from listeners over video chat.^[17]

Imogen also teamed up with Vokle to hold open cello auditions for her North American tour. She provided sheet music for “Aha” on her website and encouraged local fans to learn the part and audition live via Vokle. Imogen would then pick the cellist to accompany her for that particular city - sometimes with the help of viewers and her puppet Lion, Harold.

In 2010 Imogen opened her online auditions to singers and choirs and invited them to audition via submitted YouTube videos to accompany her on stage as she performed the song "Earth" from Ellipse. The winner of each local show was also invited to do a 15 minute gig of their own. In the studio, the official album recording of "Earth" was made up entirely of numerous tracks of vocals.

July 2011 saw Imogen unveil a pair of in development, high-tech musical gloves at the TEDGlobal conference in Edinburgh, Scotland.^[18] Inspired by the VAMP ^[19] system developed by Elly Jessop at MIT’s media lab, Imogen set out to develop the musical gloves in collaboration with Thomas Mitchell, a lecturer in music systems at the University of the West of England, Bristol. The gloves combine sensors developed by 5DT,^[20] x-io Technologies ^[21] with Shure microphones.

Using nothing but hand gestures, Imogen is currently able to amplify/record/loop acoustic instruments and her voice, play virtual instruments and manipulate these sounds live. Imogen has for many years been working toward a less constricting live set up which enables her to be mobile while performing live multiple musical production tasks, songs and improvising spontaneously without the need 'to go back to basecamp'. The gloves enable the audience to instinctively understand and connect with the process of what's going on on stage - the 'hidden' 50% of her performance. This is part of a larger audio/visual performance project Imogen has been working towards for a couple of years with the aim of touring in 2013.

Charity[link]

In 2008 she participated in a music album called Songs for Tibet: The Art of Peace, which is an initiative to support Tibet, Dalai Lama Tenzin Gyatso and to underline the human rights situation in Tibet. The album was issued on 5 August via iTunes and on 19 August in music stores around the world.^[22] On 12 October 2008, Heap also participated in "Run 10k: Cancer Research UK," placing fifth of the women in the actual run and raising over £1000 for the cause with the help of her fans.

In 2008 Imogen was asked to perform at POP!Tech in Camden, Maine (US). There she performed selections from her then forthcoming album Ellipse. After her set and an encouraging plea for another performance later in the conference by the audience and organizers, Imogen agreed. Having nothing else prepared though, she decided to improvise a song on the spot with parameters (tempo, key) suggested by the audience. After the show, Imogen was asked by a Poptech attendee if she would give the newly created piece of music to his charity. A ‘lightbulb’ moment occurred in Heap’s head and she saw the potential in doing these improvised pieces for local charities at each show during the tour she would soon begin.

The first of these songs materialized at Imogen’s show at Shepherd’s Bush Empire, in London on the 19th of February 2010. Using the same parameters and audience participation from POP!Tech, Imogen improvised a song titled, "The Shepherdess". After the show, Imogen made the song available worldwide as a digital download on her website asking for donations per download. All proceeds went to the Great Ormond Street Hospital where Imogen was diagnosed with osteomyelitis and underwent life-saving surgery as a little girl. Loving the concept, Imogen rolled this out for her North American Tour, donating all the proceeds for each song to a local charity from that city.

In 2011 Imogen was set to play a benefit concert in New Zealand's Christchurch city to help rebuild the Unlimited Paenga Tawhiti High School, following a severe 6.3 aftershock in February originating from the 7.1 earthquake that struck the Canterbury region in September 2010. The concert was held at the Burnside High Aurora Centre, also featuring performances from Roseanna Gamlen-Greene, and The Harbour Union including The Eastern, Lindon Puffin, Delaney Davidson and The Unfaithful Ways.^[23]

Live 4 X[link]

In 2010, Imogen Heap partnered with Thomas Ermacora of Bubbletank^[24] to organize a series of online charitable events called Live 4 X.

The initial event was inspired by the 2010 Pakistan floods. Triggered by monsoon rains, the floods left approximately one-fifth of the country of Pakistan underwater, affecting over 14 million people and damaging or destroying over 900,000 homes. Teaming up with Richard Branson’s Virgin Unite and Vokle.com, Heap and Ermacorda create an online webcast/fundraiser to raise awareness and money for the flood stricken. Hosted by comedian, creative, and internet personality Ze Frank, the webcast included a series of conversations with Cameron Sinclair of Architecture for Humanity, Gary Slutkin, and Anders Wilhelmson, (and later Richard Branson and Mary Robinson) with live performances by musicians Ben Folds, Amanda Palmer, Kate Havnevik, KT Tunstall, Josh Groban, Kaki King, Zoe Keating and Mark Isham.

The premise of Live 4 X thus established, Heap has since continued to refine the model, organize, host, and perform a number of charitable, streaming-live, concert events. By integrating live entertainment with educated discussion and technology, Live 4 X became an effective charitable outreach tool.

Following the devastating Great East Japan Earthquake and tsunami of 2011, Heap told Washington Times Communities journalist and recording artist Jennifer Grassman, that she intended to continue organizing Live 4 X events to benefit various charitable causes.^[25]

Catalog of Live 4 X events to date:

• August 31, 2010 – Live 4 Pakistan raised funds for flood relief and recovery in that region. Musicians included Ben Folds, Amanda Palmer, Kate Havnevik, KT Tunstall, Josh Groban, and Zoe Keating. In an ironic turn of events, Heap, was kept from appearing on Live 4 Pakistan due to Hurricane Earl which at the time was progressing along the US eastern seaboard. Heap, stranded and unable to get an internet connection, later posted a video message as well as a performance of her song “Wait It Out” from Ellipse.^[26]
• February 3, 2011 – Live 4 Capetown^[27]
• April 11, 2011 – Live 4 Sendai raised funds for Japanese tsunami recovery following the disastrous Great East Japan Earthquake of 2011. The event was also used to solicit rebuilding design ideas on behalf of Architecture for Humanity. Performers included Amanda Palmer, Ben Folds, KT Tunstall and Jamie Cullum and hosted by Ze Frank.^[28]

Film[link]

After touring for nearly two years straight for her album Speak for Yourself Imogen continued her travels, this time with only a laptop and video camera on hand as she began her writing trip for her next album. Nine weeks later she returned to the UK with the beginnings of the award-winning Ellipse and footage (as requested by a fan to film the making of the album) from its quiet beginning. Back in Essex, Imogen sought the talents of long-time friend and film maker Justine Pearsall to continue documenting the creation of the album. The film documents every moment of joy, excitement, frustration, and even the renovation of the Imogen’s childhood home including turning her old playroom into her new home studio. Everything In-Between: The Story of Ellipse was released in November 2010.

On November 5, 2010 at the Royal Albert Hall, Heap conducted an orchestra (including friends and family) as they performed an original composition by Imogen herself orchestrated by Andrew Skeet. Heap also worked with London Contemporary Voices at this time, a scratch choir formed for this concert, which continues as a new choir in its own right. It was the score to the concept film Love The Earth - in creative partnership and co-production with Thomas Ermacora again for another Bubbletank production - in which fans were invited to submit video footage highlighting all of the breathtaking qualities of nature to be selected and edited into a film. This performance was broadcasted live worldwide.

In March for the Birds' Eye Festival at the Birds Eye View Film Festival at the Southbank Centre, Imogen composed in collaboration with Andrew Skeet an a cappella choral score to the first ever surrealist film ‘The Seashell and the Clergyman’ (Germaine Dulac, 1927) with the Holst Singers, a programme repeated at the Reverb Festival at the Roundhouse in February 2012 and in the Sage, Gateshead.

Heap also performed in the Film and Music Arena at Latitude Festival in 2011.

Discography[link]

• 1998: iMegaphone
• 2005: Speak for Yourself
• 2009: Ellipse
• 2012: Heapsongs

Frou Frou[link]

• Details (2002 • Island Records/MCA/Universal) (UK: #128)
• "Breathe In" (single) (2002 • Island Records/Universal) (UK: #44)
• "It's Good to be in Love" (single) (2002 • Island Records/Universal)
• "Must be Dreaming" (single) (2002 • Island Records/Universal)
• "Let Go" (Promotional single)

Guest appearances[link]

• Hate EP by Acacia (1996 • Radar Records)
• Sway EP by Acacia (1996 • Radar Records)
• Maddening Shroud EP by Acacia (1997 • WEA)
• Cradle by Acacia – all tracks except "Wire" (1997 • WEA)
• Blanket by Urban Species – "Blanket" and "Predictably Unpredictable" (1998)
• Amor Fati by Mich Gerber – "Embers of Love", "Sirens Call (Qishm)" and "Mare" (2000)
• ¡Viva Nueva! by Rustic Overtones – "Valentine's Day Massacre" (2001 • Tommy Boy Records)
• You Had It Coming by Jeff Beck – "Dirty Mind" and "Rollin' and Tumblin'" (2001 • Sony Music)
• Tell 'Em Who We Are by LHB^{[disambiguation needed ]} – "Coming Up For Air" (2003 • Telstar TV)
• Contact Note by Jon Hopkins – "Second Sense" (2004 • Just Music)
• It's Better To Have Loved EP by Temposhark – "Not That Big (Metronomy Remix)" (2005 • Paper & Glue)
• Foiled by Blue October – "Congratulations" (2006 • Universal Records)
• Musikain by J. Peter Schwalm – "P.I.N." (2006 • Musikain Records)
• The Invisible Line by Temposhark – "Not That Big" (2007 • Paper & Glue)
• London Undersound by Nitin Sawhney – "Bring It Home" (2008 • Cooking Vinyl)
• Kingdom of Welcome Addiction by IAMX – "My Secret Friend" (2009 • Metropolis Records)
• The Boy Who Knew Too Much by Mika – "By The Time" (2009 • Casablanca Records)
• Live at Ronnie Scott's - Jeff Beck - (2008 • Eagle Records) - (2009 • DVD)

Compilation appearances[link]

• New Dawn (Class of '94) – "Missing You" – (1994)
• I Still Know What You Did Last Summer soundtrack – "Getting Scared" – (1998 • Warner Music Group)
• Virtual Sexuality soundtrack – "Come Here Boy" – (1998 • EMI)
• G:MT – Greenwich Mean Time soundtrack – "Mean Time" (with GMT) – (1999 • Island Records/Universal)
• Serve Chilled – "Blanket" (with Urban Species) – (1999 • Hed Kandi)
• Women Talking Dirty soundtrack – "Getting Scared" – (2001 • Polygram International)
• American Psycho 2: All American Girl soundtrack – "Angry Angel" – (2002 • Rondor Music (London) Ltd)
• Garden State – "Let Go" – (2004 • Epic Records/Sony BMG)
• Nearing Grace Soundtrack – "The Walk" – (2005 • Sony BMG)
• Music from the OC: Mix 4 – "Goodnight and Go" – (2005 • Warner Music Group)
• Six Feet Under, Vol. 2: Everything Ends – "I'm A Lonely Little Petunia (In An Onion Patch)" – (2005 • Astralwerks/EMI)
• Just Like Heaven Soundtrack – "Spooky" – (2005 • Sony BMG)
• Music from the OC: Mix 5 – "Hide and Seek" – (2005 • Warner Music Group)
• The Chronicles of Narnia: The Lion, the Witch and the Wardrobe – "Can't Take It In" – (2005 • Disney Records/EMI)
• The Last Kiss soundtrack – "Hide and Seek" – (2005 • Lakeshore Pictures)
• Plague Songs – "Glittering Clouds (Locusts)" – (2006 • 4AD)
• So You Think You Can Dance (US) – "Hide and Seek" – (2006)
• So You Think You Can Dance (US) – "Let Go" – (2006)
• The Black Donnellys – "The Moment I Said It" – (2007)
• In Search of Sunrise 6 – "Hide and Seek" (Tiëstos' In Search Of Sunrise Remix) – (2007)
• The Holiday – "Just For Now" and "Let Go" (Under 'Frou Frou') – (2006)
• So You Think You Can Dance – "The Moment I Said It" – (2007)
• Heroes Original Soundtrack – "Not Now, But Soon" – (2008 • NBC Records)
• Criminal Minds – "The Moment I Said It" – (2008)
• Songs For Tibet – The Art of Peace' – "Hide & Seek 2" – (2008)
• Greys Anatomy – "Bad Body Double" – (2009)
• So You Think You Can Dance (US) - "Aha!" - (2009)
• The Vampire Diaries - "Wait it Out" - (2009)
• Melrose Place - "Aha!" - (2009)
• Powder Blue - "Blanket" - (2009)
• Chuck – "Wait it Out" – (2010)
• CSI: NY - "Wait it Out" - (2010)
• Made in Chelsea - "Goodnight and Go" (2011)

References[link]

External links[link]

Wikimedia Commons has media related to: Imogen Heap

• Official website
• London Contemporary Voices Choir

Tim Minchin
Birth name	Timothy David Minchin
Born	(1975-10-07) 7 October 1975 (age 36) Northampton, England, UK[1]
Nationality	Australian, British
Years active	2002–present
Genres	Comedy music
Spouse	Sarah Minchin 2001–present (2 children)
Website	timminchin.com

Timothy David "Tim" Minchin^[2] (born 7 October 1975 in Northampton, England)^[1] is an Australian-British comedian, actor, and musician.

Tim Minchin is best known for his musical comedy, which has featured in six CDs, three DVDs and a number of live comedy shows which he has performed internationally. He has also appeared on television in Australia, Britain and the United States. After growing up in Perth, Western Australia, he attended the University of Western Australia and WAAPA before moving to Melbourne in 2002. His breakout show, "Dark Side", launched him into the public eye, achieving critical success at the 2005 Melbourne International Comedy Festival and the 2005 Edinburgh Festival Fringe.^[3]

Minchin has a background in theatre and has appeared in various stage productions, in addition to some small acting roles on Australian TV. A documentary film about Minchin, Rock N Roll Nerd (directed by Rhian Skirving), was released theatrically in 2008 ^[4] and broadcast by ABC1 in 2009.^[5] He is the co-writer of the Olivier Award winning hit musical Matilda the Musical, based on the Roald Dahl book Matilda.

Personal life[link]

Minchin was born in Northampton, UK, to Australian parents^[1] and raised in Perth, Western Australia.^[6] He was educated at the private Christ Church Grammar School and started learning piano at the age of eight, but gave it up after three years because he did not enjoy the discipline. He redeveloped an interest in the instrument after he started writing music with his brother Dan Minchin, a guitarist, but still describes himself as a "hack pianist... a 'more you practise, the better you get' kind of guy".^[7] Minchin graduated from the University of Western Australia in 1995 with a Bachelor of Arts in English and Theatre, and in 1998 completed an Advanced Diploma in Contemporary Music at the Western Australian Academy of Performing Arts.^[8]

He currently lives in London with his wife, Sarah.^[9] They have two children: a daughter, Violet, and a son, Caspar.^[10] Minchin often refers to his relationships in his songs and stand-up routines.

Musical comedy[link]

Minchin playing the piano on stage

Minchin describes his act as a "funny cabaret show" and sees himself primarily as a musician and songwriter as opposed to a comedian; his songs, he says, "just happen to be funny."^[11] His reasoning for combining the disciplines of music and comedy was revealed in one interview when he said "I'm a good musician for a comedian and I'm a good comedian for a musician but if I had to do any of them in isolation I dunno."^[12]

He draws on his background in theatre for his distinctive onstage appearance and persona.^[6] In his performances, he typically goes barefoot with wild hair and heavy eye makeup, which is juxtaposed with a crisp suit and tails, and a grand piano. According to Minchin, he likes going barefoot in his shows because it makes him feel more comfortable. He considers the eye makeup important because while he is playing the piano he is not able to use his arms and relies on his face for expressions and gestures; the eyeliner makes his features more distinguishable for the audience.^[7] Much of his look and persona, he says, are about "treading that line between mocking yourself and wanting to be an iconic figure. Mocking the ridiculousness and completely unrealistic dream of being an iconic figure."^[13] The eccentric appearance removes Minchin from reality somewhat, allowing him to make outrageous statements onstage "without annoying (most) people." ^[14]

The shows consist largely of Minchin's comedic songs and poetry, with subjects ranging from social satire to inflatable dolls, sex fetishes, and his own failed rock star ambitions. In between songs, he performs short stand-up routines.^[11] Several of his songs deal with religion, a subject with which Minchin—an atheist and a fan of Richard Dawkins—says he is "a bit obsessed."^[15] He argues that as one of the most powerful and influential forces in the world, religion should never be off-limits to satirists. He says that his favourite song to perform is "Peace Anthem for Palestine", which reflects his feelings about religious conflict.^[16] In October 2010 he was made a Distinguished Supporter of the British Humanist Association. His comedy also deals with taboos more broadly.^[17] A prime example of this is the song "Prejudice" which parodies the power awarded to something as simple as a word.

Early career (1998–2007)[link]

After completing an Advanced Diploma in Contemporary Music in 1998, Minchin started out composing music for documentaries and theatre. In 2000 he wrote and starred in the musical Pop at the Blue Room Theatre in Perth.^[18] He released a CD titled Sit with his band Timmy the Dog in 2001, but achieved little success.^[19] In 2002, after only one professional acting job, he moved from Perth to Melbourne to pursue work.^[20] Minchin struggled initially; he could not get an agent for a year and had been unable to find any acting work.^[19] While several record companies gave him positive feedback, they were not sure how his music—a mixture of satirical songs and more serious pop songs—could be marketed. He decided to compile all of his humorous songs into a single live show to "get the comedy stuff off [his] chest" before going back to more serious music.^[21]

Minchin says he entered into comedy "naively", having never even attended a live comedy gig before performing one himself.^[15] His break-out show, Darkside (co-produced by Laughing Stock Productions), achieved critical success at the 2005 Melbourne International Comedy Festival, where it won the inaugural Festival Directors' Award and attracted the notice of Karen Koren, the manager of the well-known Gilded Balloon venues.^[22] Koren backed the show's run at the Edinburgh Festival Fringe, where Minchin received the Perrier Comedy Award for Best Newcomer.^[6][23] His 2006 show, So Rock, was nominated for the Melbourne International Comedy Festival's top prize, the Barry Award, and in 2007 he was given the award for Best Alternative Comedian at the HBO US Comedy Arts Festival.^[11][24]

Live recordings of his 2005 and 2006 shows, Darkside and So Rock, have been released as CDs. In 2007, he released a DVD entitled So Live, featuring a live recording in the Sydney Opera House Studio with material from both of his previous shows.^[13] As this DVD was only released in Australia, he released a DVD in 2008 entitled So F**king Rock Live in the UK, containing largely the same material as So Live.

[edit] Ready for This? (2008–2010)

In August 2008 Minchin debuted his third solo show, Ready for This?, at the Edinburgh Fringe and subsequently took it on tour across the UK. During the Edinburgh run, he contributed to The Guardian newspaper's podcasts,^[25] despite his new show containing a song about a Guardian critic who once gave his show a negative review.^[26][27]

A recording of this show, recorded live at Queen Elizabeth Hall in London was released as an album for download via iTunes on 20 July 2009. An Australian recording was released on DVD, solely in Australia on 9 September 2009^[28] and a UK release in the second half of 2010.^[29]

In December 2009, the track "White Wine in the Sun" was released as a downloadable single online. Fans on Minchin's official forum launched a campaign to get this festive track into the UK Christmas charts by purchasing it from various online download retailers.^[30] A Facebook group was also launched to support the campaign^[31] as well as a drive on Twitter in which celebrities were contacted about the campaign and a succession of e-mails to radio DJs in a bid to get them to play the song. It was later announced that 50% of the December profits from the song would be donated to The National Autistic Society.^[32] The bid was ultimately unsuccessful.^[33]

It was announced at the end of 2009 that one of Minchin's beat poems, Storm, was to be made into a short animated movie to be released in 2010.^{[dated info][34]} A blog was launched to accompany the film-making process and a short trailer was released on 8 January 2010.^[35] The full movie was launched on YouTube on 7 April 2011.^[36]

He performed Ready for This? for what he envisages as the final time on 27 February 2010 in Sydney.^[37] He did however perform a set at The Big Libel Gig on 14 March 2010 in protest at Britain's libel laws, along with other performers including Dara Ó Briain, Marcus Brigstocke, Shappi Khorsandi, Robin Ince and Ed Byrne. As well as this, he performed at Camp Bestival as part of the Jestival Sessions in July 2010.^[38]

Minchin was the subject of the winning entry in the 2010 Archibald Prize, Australia's most important portraiture competition. The winning entry was painted by Sam Leach.^[39][40]

[edit] Tim Minchin and the Heritage Orchestra (2010–2011)

Minchin embarked on a new arena tour starting with Birmingham on Wednesday 8 December 2010. A departure from the structure of his previous live shows, his act has been scaled up to be performed with the Heritage Orchestra. It contains a mixture of material: there are new songs on the subject of prayer and of rationality — themes which often appear in his previous work. Minchin has stated that the aim of incorporating the orchestra into his act is to create a comedy show that would not be ruined by being performed in arenas, as stated in the special features of the DVD and Blu-ray. The show is touring the UK and Australia. It was filmed at the Royal Albert Hall in London for a Blu-ray and DVD that was released in November 2011.^[41]

Television and radio[link]

Tim Minchin has made appearances on Australian TV shows, including the ABC's Spicks and Specks,^[42] and The Sideshow,^[43]. He has also made appearances on Network Ten's panel shows Good News Week (February 2010)^[44] and Talkin' 'Bout Your Generation (March 2010).^[45]

Minchin has also appeared on various British radio and television shows, including the BBC's Never Mind the Buzzcocks (four times, once as guest host),^[46] BBC Radio 4's Mark Watson Makes the World Substantially Better^[47] and two specials on BBC Radio 2. He often performs on his TV appearances, such as his spots on Friday Night with Jonathan Ross in October 2009 and July 2010.^[48] He performed a specially-written song entitled "Five Poofs and Two Pianos", a parody of the show's house band, 4 Poofs and a Piano. Minchin also appeared as a special guest on the 2009 edition of The Big Fat Quiz of the Year performing a song written for the show ("It's Like 1984") in reference to a question regarding Google Street View.^[49] On Saturday 13 August 2011 Minchin hosted Prom 40: the first BBC Comedy Promenade Concert at the Royal Albert Hall. He appeared on Desert Island Discs on 6 May 2012.^[50]

A heavily cut-down version of the show released on DVD as So F**king Rock Live has aired several times on British TV channel E4, first on 23 July 2009.^[51] It aired at the turn of 2011, forming E4's New Year's coverage.^[52]

On 8 May 2010, Minchin's musical sitcom pilot Strings was broadcast on BBC Radio 2. Minchin plays the protagonist Jonny, who leaves Australia to live in the UK.^[53] Well received as it was by Radio 2, he decided against creating a full series. ^[54]

In January 2011, Minchin made his American television debut on TBS's Conan, where he performed "Inflatable You".^[55] On 12 May 2011, he performed "If I Didn't Have You" on the Late Late Show with Craig Ferguson, and on 7 June 2011 Minchin made his second appearance on Conan, singing "Prejudice".^[56] Minchin made his third appearance on Conan on 9 April 2012, singing his "3-Minute Song".

In December 2011 Minchin performed a specially written song called "Woody Allen Jesus" ^[57] on The Jonathan Ross Show. However, despite the show's producers and ITV's lawyers approving the composition for broadcast it was removed at the last minute. Responding on his blog, Minchin stated:^[58] "[...] Someone got nervous and sent the tape to ITV's director of television, Peter Fincham. And Peter Fincham demanded that I be cut from the show. He did this because he's scared of the ranty, shit-stirring, right-wing press, and of the small minority of Brits who believe they have a right to go through life protected from anything that challenges them in any way."^[59]

Acting and theatre[link]

Minchin's background is in theatre and he has appeared in various stage productions. His most recent dramatic theatrical performance was in the title role for the 2006 Perth Theatre Company production of Amadeus, a fictional play about the downfall of Mozart at the hands of the reigning court composer.^[19] His other stage acting roles have included the title role in the 2004 Perth Theatre Company / Hoopla production of Hamlet, and The Writer in the original PTC production of Reg Cribb’s The Return. He has also acted for The Australian Shakespeare Company (Twelfth Night), the Black Swan Theatre Company (Cosi, One Destiny) and in various other plays, short films and TVC’s. Roles from his days in musical theatre include Don Quixote in Man of La Mancha and Pontius Pilate (and understudying Judas twice) in Jesus Christ Superstar. He has also appeared playing small parts on the ABC telemovie Loot and on the show Comedy Inc..^[60]

Minchin also plays the role of Tom, in the contemporary family drama Two Fists, One Heart,^[61] released 19 March 2009.^[62] He also wrote the song Drowned for the film's soundtrack.^[63]

He co-wrote an Olivier Award winning musical version of Roald Dahl's novel Matilda – entitled Matilda, A Musical – with Dennis Kelly and the Royal Shakespeare Company, which is produced by the RSC. It showed at The Courtyard Theatre in Stratford-upon-Avon running from 9 November 2010 to 30 January 2011^[64] and began its West End run at the Cambridge Theatre on 25 October 2011 to great critical acclaim.^[65][66]

Minchin has been cast to play Judas in the Summer 2012 UK tour of the musical Jesus Christ Superstar.^[67]

Atheism and skepticism[link]

In an interview with IIG member John Rael, Minchin explains that what upsets him most about paranormal beliefs is "special pleading" by people who say vague things such as "there is no harm in it". Minchin states that there is very little harm in something like reiki, but asks "where do you draw the line?" when it comes to needing real evidence if a therapy works or not. He states that he is an atheist as well as a skeptic, and cannot understand how someone can call themself a skeptic and still be religious. "If you apply doubt to anything...the whole religion thing is obviously a fantasy." ^[68]

In his beat poem, Storm, which centres on Minchin having an argument with a "hippie" who believes in various New Age alternatives in lieu of pharmaceutical medicine, he states: "Science adjusts its views based on what's observed. Faith is the denial of observation, so that belief can be preserved." ^[69]

Discography[link]

Albums[link]

• Sit (with band Timmy the Dog) (2001)
• Darkside (2005)
• So Rock (2006)
• Ready For This? (2009)
• Live at the O2 (2010)
• Tim Minchin and The Heritage Orchestra (2011)

Singles[link]

• "Drowned" (2008)
• "White Wine in the Sun" (2009)
• "The Pope Song" (2010) - As a free download from his website^[70]
• "The Fence" (2011)

Compilations[link]

• Laugh-a-poolooza (featured artist) (2005)

DVD[link]

• So Live (2007) Australian DVD
• So F**king Rock Live (also known as So Fucking Rock Live)^[71] (11 October 2008)
• So F**king Rock Live (Special Edition) (also known as So Fucking Rock Live (Special Edition)) (5 October 2009)
• Ready For This? (29 November 2010)
• Tim Minchin and the Heritage Orchestra (14 November 2011)

Filmography[link]

Actor[link]

• 2008 – Two Fists, One Heart – Tom^[72]
• 2010 – The Lost Thing – The Boy (Voice)^[73]
• 2013 - Californication - Coked-up Rock Star(Guest)^[74]

Awards[link]

• 2005 Melbourne International Comedy Festival Directors' Choice Award for Dark Side^[75]
• 2005 Edinburgh Festival Fringe Perrier Comedy Award, Best Newcomer^[23]
• 2005 Melbourne International Comedy Festival, The Groggy Squirrel Critics' Award^[76]
• 2007 U.S. Comedy Arts Festival, Best Alternative Act^[77]
• 2009 Helpmann Award for Best Comedy Performer ^[78]
• 2009 Green Room Awards, Cabaret: Best Original Songs^[79]
• 2009 Green Room Awards, Cabaret: Best Artiste^[79]
• 2010 Chortle Awards, Best Music or Variety Act ^[80]
• 2012 Olivier Awards: Best New Musical for Matilda The Musical ^[81]

References[link]

External links[link]

Wikimedia Commons has media related to: Tim Minchin

• Official website
• Rock N Roll Nerd – The Tim Minchin Documentary website
• Tim Minchin's channel on YouTube
• Tim Minchin on Twitter
• Tim Minchin on Myspace
• YouTube Interview on Australian Sceptics vodcast, The TANK Vodcast, 2007
• Tim Minchin's song 'If I Didn't Have You' (Secret Policeman's Ball)
• Storm Movie Production Blog