- published: 06 Jul 2012
- views: 263
69:57
Copyright and Appropriation Art: Recent Legal Controversies - William Landes and Anthony Hirschel
This Cultural Policy Center workshop was recorded on May 10, 2011. For information on the ...
published: 06 Jul 2012
Copyright and Appropriation Art: Recent Legal Controversies - William Landes and Anthony Hirschel
This Cultural Policy Center workshop was recorded on May 10, 2011. For information on the Cultural Policy Center visit http://culturalpolicy.uchicago.edu.
Presented by William Landes, Clifton R. Musser Professor Emeritus of Law and Economics at the University of Chicago, and Anthony Hirschel, Dana Feitler Director at the Smart Museum of Art
The talk will discuss recent legal cases involving visual artists (including Jeff Koons, Richard Prince and Shepard Fairey) who incorporate copyrighted materials (often photographs) into their works without authorization from the copyright owner. Typically, the defendant in these cases claims his borrowing is a fair use and, therefore, does not violate copyright law. Courts, however, have been unsympathetic to the artist's position. Landes and Hirschel will discuss the "economic" arguments for fair use and how the law employs economic considerations to distinguish between permissible and impermissible borrowing of copyrighted material in the case of appropriation art.
- published: 06 Jul 2012
- views: 263
11:18
GERALD CELENTE - Connecticut School Shooting - The Death of America & the shootings of 2012
GERALD CELENTE - Connecticut School Shooting - The Death of America & the shootings of 201...
published: 17 Dec 2012
GERALD CELENTE - Connecticut School Shooting - The Death of America & the shootings of 2012
GERALD CELENTE - Connecticut School Shooting - The Death of America & the shootings of 2012
A gunman whose name we do not need to memorialize took advantage of our gun control laws to slaughter some 20 children and seven adults in a Newton, Connecticut elementary school.
In addition to the gunman, blood is on the hands of members of Congress and the Connecticut legislators who voted to ban guns from all schools in Connecticut (and most other states). They are the ones who made it illegal to defend oneself with a gun in a school when that is the only effective way of resisting a gunman.
What a lethal, false security are the Gun Free Zone laws. All of our mass murders in the last 20 years have occurred in Gun Free Zones. The two people murdered a couple of days earlier in the shopping center in Oregon were also in a Gun Free Zone.
Hopefully the Connecticut tragedy will be the tipping point after which a rising chorus of Americans will demand elimination of the Gun Free Zone laws that are in fact Criminal Safe Zones.
One measure of insanity is repeating the same failure time after time hoping that the next time the failure will turn out to be a success. Gun Free Zones are a lethal insanity.
We must tell our elected officials that they are acting as the criminals' friends as long as they continue to support legislation that only protects criminals, not decent people.
Oh, and we must also insist that these criminal friendly elected officials not even try to blame gun owners and our "gun culture" for what a criminal did. Had a few of us been available with guns at the Newton school, most of the victims might still be alive.
If you're shaking your head after reading the headline for this article, you're not alone. The idea of taking away guns from all the law abiding citizens while concentrating them in the hands of deranged, psychopathic criminals isn't my idea, however. It's Obama's. And Bloomberg's. And Nancy Pelosi and everybody else who is now pushing for "gun control" legislation in the wake of the Newtown, Conn. elementary school shooting.
The problem with gun control laws is that only law-abiding citizens follow laws. This should be self-evident. So while a gun ban law would see law-abiding citizens turning their guns in, law-abiding citizens are not the source of violent shootings.
It's the psychopathic criminals who are committing the violence. And because they are criminals, they will by definition ignore gun ban laws.
Want proof? Well, for starters, it's already against the law to shoot children and kill them. Yet Adam Lanza did exactly that in Newtown, Conn., oblivious to what the law says. All by itself, this is proof that laws do not stop criminal-minded psychopaths from committing acts of violence.
Strictest gun control areas have the most violent crime
Remember all this when you hear all the usual political suspects call for "gun control legislation." This legislation will, by definition, only hurt law-abiding citizens who would never even think of harming innocent children. At the same time, gun control laws will do absolutely nothing to stop psychopathic criminals from using guns, knives or other weapons to commit mass violence.
Proof of this is readily apparent. "One of the interesting characteristics of mass shootings is that they generally occur in places where firearms are [already] banned: malls, schools, etc," writes professor Glenn Harlan Reynolds in a USA Today opinion piece. "That was the finding of a famous 1999 study by John Lott of the University of Maryland and William Landes of the University of Chicago, and it appears to have been borne out by experience since then as well"
GlobalCrisisWatch 2012 2013 trends news economy global issues journal connecticut shooting school death america u.s. "united states" life society news country future history gun man college california dark knight weapon wars innocent people humanity agenda "gun control" control report safety reaction media drugs mkultra illuminati "new world order" family lifestyle kids money usd gold silver jobs employment poor poverty movie music violence video game effect entertainment mind control infowars alex jones david icke lindsey williams obama drone torture banks government Farrakhan bilderberg elite
- published: 17 Dec 2012
- views: 547
12:07
Move Beyond Thinking & Learn The Science!
http://www.masterprophetnoel.com/
Master Prophet Noel / Gifted Prophet / Author of 128 Cou...
published: 14 Jan 2013
Move Beyond Thinking & Learn The Science!
http://www.masterprophetnoel.com/
Master Prophet Noel / Gifted Prophet / Author of 128 Courses / Mentored Over 500 Prophets / Call 1-954-639-3169
William Shakespeare, Lee Bliss, Marvin Spevack, Michael Hattaway, John Roe, Ann Thompson, David Bevington, Frank Kermode, William-Alan Landes, Rebecca McKinlay Sheinberg, Alasdair D. F. Macrae, Stephen Orgel, Frank Kermode, David Crane, , G. Blakemore Evans, Peter Holland, Norman Sanders
- published: 14 Jan 2013
- views: 3
8:38
This Is The Season To change Your Life!
http://www.masterprophetnoel.com/
Master Prophet Noel / Gifted Prophet / Author of 128 Cou...
published: 14 Jan 2013
This Is The Season To change Your Life!
http://www.masterprophetnoel.com/
Master Prophet Noel / Gifted Prophet / Author of 128 Courses / Mentored Over 500 Prophets / Call 1-954-639-3169
William Shakespeare, Lee Bliss, Marvin Spevack, Michael Hattaway, John Roe, Ann Thompson, David Bevington, Frank Kermode, William-Alan Landes, Rebecca McKinlay Sheinberg, Alasdair D. F. Macrae, Stephen Orgel, Frank Kermode, David Crane, , G. Blakemore Evans, Peter Holland, Norman Sanders
- published: 14 Jan 2013
- views: 1
12:17
Awaken To The Power Of Money!
http://www.masterprophetnoel.com/
Master Prophet Noel / Gifted Prophet / Author of 128 Cou...
published: 14 Jan 2013
Awaken To The Power Of Money!
http://www.masterprophetnoel.com/
Master Prophet Noel / Gifted Prophet / Author of 128 Courses / Mentored Over 500 Prophets / Call 1-954-639-3169
William Shakespeare, Lee Bliss, Marvin Spevack, Michael Hattaway, John Roe, Ann Thompson, David Bevington, Frank Kermode, William-Alan Landes, Rebecca McKinlay Sheinberg, Alasdair D. F. Macrae, Stephen Orgel, Frank Kermode, David Crane, , G. Blakemore Evans, Peter Holland, Norman Sanders
- published: 14 Jan 2013
- views: 8
3:30
An appropriation.mov
Anita Estell answers your questions on the inner workings of the federal government. In th...
published: 03 Jan 2011
An appropriation.mov
Anita Estell answers your questions on the inner workings of the federal government. In this video she tackles appropriations and authorization bills. Visit www.anitaestellblog.com for more great information.
- published: 03 Jan 2011
- views: 52
4:41
David Zwirner's Koons, Serra Shows & New Space
David Zwirner discusses his New York gallery's growing relationships with artists Jeff Koo...
published: 04 Feb 2013
David Zwirner's Koons, Serra Shows & New Space
David Zwirner discusses his New York gallery's growing relationships with artists Jeff Koons and Richard Serra, and his expanding gallery empire. Jan. 24, 2013 Related post: http://bit.ly/11Khxu9
- published: 04 Feb 2013
- views: 144
44:58
Creative Placemaking: How, Why, Outcomes - Ann Markusen & Anne Gadwa Nicodemus
This Cultural Policy Center workshop was recorded on February 23, 2012. For more informati...
published: 27 Sep 2012
Creative Placemaking: How, Why, Outcomes - Ann Markusen & Anne Gadwa Nicodemus
This Cultural Policy Center workshop was recorded on February 23, 2012. For more information on the Cultural Policy Center, visit http://culturalpolicy.uchicago.edu/.
Ann Markusen, Arts Economy Initiative, University of Minnesota
Anne Gadwa Nicodemus, Principal, Metris Arts Consulting
Markusen and Nicodemus present the results of a national scan of successful creative placemaking efforts, defined as the revitalization of a city, neighborhood or region around arts capacity and offerings. From case studies of fifteen diverse and regionally representative cases, including Chicago's After School Matters, they draw defining features of creative place-making: exceptional initiators, designing around distinctive local traits, building public will, attaining the support both of arts and cultural leaders in the city/region and of private sector developers, and leveraging resources from non-arts sectors.
Markusen and Nicodemus will also address the challenges: forging partnerships, countering community skepticism, assembling financing, clearing regulator hurdles, ensuring maintenance and sustainability, avoiding displacement, and developing metrics of performance. The study, commissioned by the Mayors Institute on City Design and the National Endowment for the Arts, can be accessed at www.nea.gov/pub/CreativePlacemaking-Paper.pdf.
Markusen will also talk briefly about her team's recently completed work on California's arts and cultural ecology, using Cultural Data Project and other secondary data sources to probe the size, missions, and city/regional locations of 11,000 arts and cultural nonprofits.
Ann Markusen is Director of the Arts Economy Initiative and the Project on Regional and Industrial Economics at the University of Minnesota's Humphrey Institute of Public Affairs and Principal of Markusen Economic Research. Markusen's arts and cultural publications include California's Arts and Cultural Ecology (2011), Nurturing California's Next Generation Arts and Cultural Leaders (2011), Creative Placemaking (2010), Los Angeles: America's Artist Super City (2010), Native Artists: Careers, Resources, Space, Gifts (2009), San José Creative Entrepreneur Project (2008), Leveraging Investments in Creativity Artist Data User Guide (2008), Crossover: How Artists Build Careers across Commercial, Non-profit and Community Work (2006), Artists' Centers (2006), and The Artistic Dividend (2003). Markusen is a frequent public speaker and policy advisor on arts and culture in the US, Brazil, Japan, Korea, and Europe, and recently completed a year at UK Fulbright Distinguished Chair at the Glasgow School of Art (2010-11).
Anne Gadwa Nicodemus is principal of Metris Arts Consulting, which provides research and analysis to help arts and cultural activities strengthen communities -- and vice-versa. A choreographer/arts administrator turned urban planner, Nicodemus is a leading voice in arts and community development. With her frequent collaborator, Dr. Ann Markusen, she has authored a number of major reports and journal articles, most notably Creative Placemaking for the Mayors' Institute on City Design (2010), which helped to define the field, and "Arts and Culture in Urban and Regional Planning: A Review and Research Agenda" (Journal of Planning and Education Research, 2010). Through her How Art Spaces Matter reports (for Artspace Projects, 2010 and 2011), Nicodemus integrated a range of research methods and data sources across five spaces and four cities to reveal art spaces' community and arts-related impacts. Nicodemus holds a Masters of Urban and Regional Planning from the University of Minnesota's Humphrey School of Public Affairs and a B.A. from Oberlin College.
- published: 27 Sep 2012
- views: 142
32:01
Cultural Planning in Madison, Wisconsin: Toward Authentic Participation Using GIS
This Cultural Policy Center workshop was presented on February 21, 2012. For more informat...
published: 31 Jul 2012
Cultural Planning in Madison, Wisconsin: Toward Authentic Participation Using GIS
This Cultural Policy Center workshop was presented on February 21, 2012. For more information on the Cultural Policy Center visit http://culturalpolicy.uchicago.edu.
Eleonora Redaelli is Assistant Professor at University of Wisconsin-Stevens Point.
In the United States, an important objective of cultural planning is creating a sense-of-place based on public involvement. However, the processes used to involve the community need more attention. The objective is to go beyond a one-way communication, where community members merely provide their input, and pursue a dialog among residents and the local government. Using Madison, Wisconsin as an example, I will illustrate how a geographical information system (GIS) could be used by a local government to create the foundation for a planning process based on a dialogical exchange.
Eleonora Redaelli is Assistant Professor at University of Wisconsin-Stevens Point (UWSP). After working in the cultural sector in Italy, she moved to the United States where she got her PhD at The Ohio State University. At UWSP she is the coordinator of the Arts Management Program.
- published: 31 Jul 2012
- views: 58
3:36
Video Art Assignment 3 Appropriation
All of these clips are from youtube itself. They're old ads which I appropriated into a ne...
published: 11 Nov 2012
Video Art Assignment 3 Appropriation
All of these clips are from youtube itself. They're old ads which I appropriated into a new vid. Enjoy :)
- published: 11 Nov 2012
- views: 34
1:32
Life in Remission
My final project for a digital art class. This is a time lapse video of life in motion, a...
published: 02 Dec 2012
Life in Remission
My final project for a digital art class. This is a time lapse video of life in motion, all material appropriated for artistic use.
- published: 02 Dec 2012
- views: 98
81:47
With Arts at the Heart: Promoting artistic vitality in St. Paul, MN, and Cuyahoga County, OH
This conversation with civic arts leaders offers a peek behind the curtain at the machiner...
published: 25 Feb 2013
With Arts at the Heart: Promoting artistic vitality in St. Paul, MN, and Cuyahoga County, OH
This conversation with civic arts leaders offers a peek behind the curtain at the machinery with which cities seek to nurture cultural life. Delving deep into the details of their respective programs as well as the funding and administrative structures that support those programs, this study in comparisons and contrasts will also look to the future: what direction does the field of civic cultural planning need to move in, and what ideas might Chicago borrow?
Karen Gahl-Mills, Executive Director of Cuyahoga Arts & Culture
Under Ms. Gahl-Mills' leadership since 2009, the five-year old Cuyahoga Arts & Culture agency remains one of the nation's top five sources of local public funding for arts and culture. CAC has granted more than $95 million dollars to more than 200 local arts organizations.
Joe Spencer, Director for Arts and Culture for the city of St. Paul
When Mr. Spencer was hired in 2006, Mayor Chris Coleman told him "Go make St. Paul cool." Since then, he has invented a summer food truck caravan, grown the Twin Cities Jazz Fest, and nurtured live music downtown.
Julie Burros (moderator), Director of Cultural Planning for Chicago's Department of Cultural Affairs and Special Events
For over a decade, Ms. Burros has worked at DCASE at the intersection of urban planning, culture, neighborhood and economic development, and capacity building. She was also the project manager for the 2012 Chicago Cultural Plan.
This Cultural Policy Center workshop was recorded on January 30, 2013. For more information on the Cultural Policy Center, visit http://culturalpolicy.uchicago.edu/.
- published: 25 Feb 2013
- views: 14
Vimeo results:
3:15
hair-whip heartbreak
Naomi is 16, and works with us at photography factory when she is off school pretty much a...
published: 10 Jun 2011
author: photography-factory.co.uk
hair-whip heartbreak
Naomi is 16, and works with us at photography factory when she is off school pretty much as an equal member. Lets be honest age is irrelevant in a great picture, plus she has a sense of the social media space to rival the best new media agency analysts. All the newest trends are always playing out as only she predicts. Her detailed clear and analysis of youth culture on the internet is worth a million dollars to us and she is a key member of our team. More importantly her simple black and white photographic portraits are utterly brilliant, an evocation of sub suburban teenage life as seen though the eyes of a 15 (now 16) year old girl. But on the day of this slow motion test Naomi was not her normal beautiful smiling dry sarcastic self (think Juno with a camera). Recently she had a relationship with a Hollister lookalike boy end in an unfair way (what was ever fair about being 16?) and have to get it all dragged around the internet as the aftermath played out on FaceBook in a very modern and very public way. So in other words she was putting on a brave face. We all involved setting up the high speed camera and needed someone to stand in as a lighting dummy, When shooter one had the idea to getting someone to shake their hair around... and see how it might look at 2000 fps. Naomi stepped up to the plate and quite shocked us by the force and passion she used to whip. The beguiling result is here... if you look at here closely you can see something else:
Something about that action and the air swishing though her hair just seemed to change her mood, as if she had just tossed away the weight of an the old nightmare, something thick and heavy that had been clinging to her, but suddenly it was gone. As she was hair whipping for the camera, shooter one quietly said to himself:
"Go girl, shake that boy right out of your hair..."
http://www.photography-factory.co.uk
Sadness flies on the wings of the morning and out of the heart of darkness comes the light. ~Jean Giraudoux
I don't know why they call it heartbreak. It feels like every other part of my body is broken too. ~Missy Altijd
No man is rich enough to buy back his past. ~Oscar Wilde
When love is lost, do not bow your head in sadness; instead keep your head up high and gaze into heaven for that is where your broken heart has been sent to heal. ~Dante
In the arithmetic of love, one plus one equals everything, and two minus one equals nothing. ~Mignon McLaughlin, The Second Neurotic's Notebook, 1966
Relationships are like glass. Sometimes it's better to leave them broken than try to hurt yourself putting it back together. ~Author Unknown
Love is like a puzzle. When you're in love, all the pieces fit but when your heart gets broken, it takes a while to get everything back together. ~Author Unknown
Maybe part of loving is learning to let go. ~From the television show The Wonder Years
I prithee send me back my heart,
Since I cannot have thine;
For if from yours you will not part,
Why, then, shouldst thou have mine?
~John Suckling
As soon as forever is through, I'll be over you. ~Toto
Let your tears come. Let them water your soul. ~Eileen Mayhew
It's so curious: one can resist tears and 'behave' very well in the hardest hours of grief. But then someone makes you a friendly sign behind a window, or one notices that a flower that was in bud only yesterday has suddenly blossomed, or a letter slips from a drawer... and everything collapses. ~Colette
The heart is the only broken instrument that works. ~T.E. Kalem
Sometimes I wish I were a little kid again, skinned knees are easier to fix than broken hearts. ~Author Unknown
God can heal a broken heart, but He has to have all the pieces. ~Author Unknown
What is the opposite of two? A lonely me, a lonely you. ~Richard Wilbur
Sadness flies away on the wings of time. ~Jean de La Fontaine
If we must part forever,
Give me but one kind word to think upon,
And please myself with, while my heart's breaking.
~Thomas Otway
Have you ever been hurt and the place tries to heal a bit, and you just pull the scar off of it over and over again. ~Rosa Parks
With what a deep devotedness of woe
I wept thy absence - o'er and o'er again
Thinking of thee, still thee, till thought grew pain,
And memory, like a drop that, night and day,
Falls cold and ceaseless, wore my heart away!
~Thomas Moore
Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night. I miss you like hell. ~Edna St. Vincent Millay
We must embrace pain and burn it as fuel for our journey. ~Kenji Miyazawa
If you're going through hell, keep going. ~Winston Churchill
You can clutch the past so tightly to your chest that it leaves your arms too full to embrace the present. ~Jan Glidewell
There are things that we don't want to happen but have to accept, things we don't want to know but have to learn, and people we can't live wi
47:26
Megalightning
ENTIRELY NEW FORMS OF LIGHTNING HAVE BEEN DISCOVERED UP TO 1000 TIMES BIGGER THAN ANY BOLT...
published: 07 Jul 2011
author: dmptv
Megalightning
ENTIRELY NEW FORMS OF LIGHTNING HAVE BEEN DISCOVERED UP TO 1000 TIMES BIGGER THAN ANY BOLT PREVIOUSLY SEEN. WHILE NORMAL LIGHTNING FIRES DOWN BELOW CLOUDS, THESE GIANT BOLTS SHOOT UP, STUNNING EXPERTS WITH IMAGES OF LIGHTNING 80 KILOMETRES HIGH.
THIS LIGHTNING, SIX TIMES MORE POWERFUL THAN PASSENGER PLANES ARE DESIGNED TO WITHSTAND, MAY BE THE REAL KILLER IN A SPATE OF BAFFLING AIR DISASTERS.
Camera takes photo.
AND FOR THE FIRST TIME WE CAN REVEAL THE PHOTOGRAPH THAT SPARKED A SECRET NASA ENQUIRY.
WAS THIS THE PROOF THAT A HIGH ALTITUDE LIGHTNING STRIKE CAUSED THE CRASH OF THE SPACE SHUTTLE COLUMBIA?
Title card:
MEGA-LIGHTNING
NARRATOR:
EACH DAY, THE EARTH IS SHAKEN BY 8 MILLION BOLTS OF THE SKY'S MOST POWERFUL FORCE: LIGHTNING.
Bolt of lightning.
NARRATOR:
ENERGY FROM ONE BOLT EXPLODES IN SPLIT SECOND, BUT COULD POWER A HOUSEHOLD FOR HALF A YEAR. AT ANY TIME, 1800 STORMS PUMMEL OUR PLANET. EACH ONE IS A GIANT BATTERY. INSIDE A STORM, WATER TURNS TO HAIL. FAILLING ICE CRASHES ON RISING DROPLET, CREATING STATIC ELECTRICITY. CHARGES OF UP TO 100 MILLION VOLTS BUILD UP. ARCS OF ELECTRICITY FIRE OUT. THIS IS LIGHTNING. MORE THAN 90 PERCENT OF ALL BOLTS FIRE WITHIN CLOUDS. BUT A HIGHLY CHARGED STORM WILL FIRE A CASCADE OF ELECTRICAL CHARGE TO EARTH, DRAWN TO THE HIGHEST POINT. A TREE OR A BLADE OF GRASS CAN TRIGGER LIGHTNING, OR EVEN A PERSON. EACH YEAR, 100O PEOPLE AROUND THE WORLD DIE FROM DIRECT HIT. A LIGHTNING BOLT IS ONLY 3 CM WIDE. BUT AT 33,000 DEGREES CELCIUS, IT IS HOTTER THAN THE SURFACE OF THE SUN.
CGI lightning.
NARRATOR:
THIS HEAT EXPANDS THE SURROUNDING AIR, WHICH EXPLODES OUTWARDS AS THUNDER, THE SOUND OF LIGHTNING.
CGI lightning strike.
NARRATOR:
A LIGHTNING FLASH TRAVELS AT THE SPEED OF LIGHT; IT'S THUNDER TRAVELS MUCH SLOWER. THE SHORTER THE TIME BETWEEN THE FLASH AND THE THUNDER, THE CLOSER THE LIGHTNING BOLT. FEW CLOUD TO GROUND STRIKES ARE LONGER THAN THREE KILOMETRES. AND TEXTBOOKS SAID NO LIGHTNING COULD EXIST ABOVE THE CLOUDS.
Cloud to ground lighting with measuring rod.
Walt Lyons on balcony.
NARRATOR:
BUT THEN WEATHERMAN WALT LYONS AIMED HIS CAMERA ACROSS THE COLORADO PLAINS ON JULY 6, 1993.
Mountains through Walt's eye glasses
NARRATOR:
WHAT HE SAW OVERTURNED 200 YEARS OF SCIENTIFIC CERTAINTY IN AN INSTANT.
Green sprites images.
NARRATOR:
HE FILMED THESE VIDEO IMAGES. THEY SHOW LIGHTNING 80 KILOMETRES HIGH AND 40 KILOMETRES WIDE FIRING ABOVE THE CLOUDS. THEIR EXISTENCE HAD BEEN DISMISSED AS FANTASY. THEIR DISCOVERY SHEDS NEW LIGHT ON WHAT HAS BEEN CAUSING AIRPLANES TO FALL FROM THE SKY.
Sunrise.
Stuart Beecher lights a pipe.
NARRATOR:
THE DISCOVERY OF MEGA-LIGHTNING BEGAN WITH ORDINARY PEOPLE SEEING EXTRAORDINARY THINGS.
Stills of Beecher in name separated by light flashes.
NARRATOR:
IN 1969 STUART BEECHER WAS DEFENDING A MORTAR PIT OUTSIDE SAIGON IN SOUTH VIETNAM, WHEN A STORM BROKE.
Stuart Beecher:
There was this giant flash of lighting that reached from the ground through the base of the cloud, completed illuminated the cloud, and out the top from the ground, in this beautiful double helix pattern, that seemed to just go on forever. It was just like it was going straight into space.
Amateur photo of above cloud lightning.
STRAPLINE:
Photograph: Tudor Williams
NARRATOR:
THERE HAD EVEN BEEN PHOTOGRAPHS. THIS WAS TAKEN AT MT ISA IN AUSTRALIA, IN 1968. SCIENTISTS HAD IGNORED THE SIGHTINGS.
Skeet Vaughan flying.
NARRATOR:
SKEET VAUGHAN, A SENIOR NASA ENGINEER, MET A WITNESS WHO HAD SEEN GIANT LIGHTNING IN 1981. AS A TRAINED PILOT, VAUGHAN TOOK THE SIGHTING SERIOUSLY.
STRAPLINE:
Skeet Vaughan - NASA Engineer 1959-96
Skeet Vaughan:
I wrote an article in one of the flying magazines, and asked pilots to tell me if they'd seen any unusual lightning, or anything out of the ordinary. A number of pilots, about 19 of them, sent me letters telling me about this kind of a thing.
Pilot walks to letterbox.
NARRATOR:
PILOT LARRY PARTRIDGE WAS ONE OF THOSE WHO WROTE TO VAUGHN, REVEALING THAT HE'D SEEN GIANT LIGHTNING ABOVE THE CLOUDS GOING UP, AND NOT DOWN.
STRAPLINE:
Larry Partridge, pilot.
Larry Partridge:
All of a sudden, POW! Just a split second, this huge bolt of lightning came out of the top and disappeared into deep blue space. The captain turned to me and said, wide eyed, and said did you see that? And so I said yes, and so we turned and told the flight engineer, and he said, that's impossible. Lightning doesn't go up.
CGI blue jet.
Pilot Robin May flying.
STRAPLINE:
Robin May - pilot
Robin May:
A Strike of lightning appeared to come from the top of the cloud, went straight up, bright white, for ten or 15 thousand feet, then broke up into a lot of little fingers that went through the different colours of the spectrum, and disappeared off into space.
CGI of sprite to show what Larry sees through window of plane.
Skeet Vaughn:
But most of the pilots had said they'd never talk to people about this, they were somewhat reluctant to, in the case that they
20:35
With A Side Of Victor
Who needs a side of fries and coleslaw when you got Victor.
-Starring-
Louis Pilloni
Jeff ...
published: 11 May 2012
author: Kenny Luby
With A Side Of Victor
Who needs a side of fries and coleslaw when you got Victor.
-Starring-
Louis Pilloni
Jeff Budro
Matt Kienzle
Chance Gaul
Daniel Luna
AJ Haiby
George Mackenzie
Jackson Shapiera
EG Fratantaro
Stacey Brooke
Erik Lundberg
Simon Pigeon
Jimmy Riha
Pivot
Tug
PeeWee
& Victor Earhart.
A Film by Kenny Luby.
www.KLSometimesFilms.Tumblr.com
Tunes-
Intro & Outro- Silversun Pickups- http://itunes.apple.com/us/artist/silversun-pickups/id74752665
The Land Chapter- Hank Williams III- http://itunes.apple.com/us/artist/hank-williams-iii/id1253457
Mat & Chance Chapter- Gang Starr- http://itunes.apple.com/us/artist/gang-starr/id112111
Jeff & Luna Chapter- Lou Reed- http://itunes.apple.com/us/artist/lou-reed/id167203
Louis Chapter- Arctic Monkeys- http://itunes.apple.com/us/artist/arctic-monkeys/id62820413
12:12
SoundWorks Collection: The Sound and Music of War Horse
From director Steven Spielberg comes “War Horse,” an epic adventure for audiences of all a...
published: 06 Dec 2011
author: Michael Coleman
SoundWorks Collection: The Sound and Music of War Horse
From director Steven Spielberg comes “War Horse,” an epic adventure for audiences of all ages. Set against a sweeping canvas of rural England and Europe during the First World War, “War Horse” begins with the remarkable friendship between a horse named Joey and a young man called Albert, who tames and trains him.
When they are forcefully parted, the film follows the extraordinary journey of the horse as he moves through the war, changing and inspiring the lives of all those he meets—British cavalry, German soldiers, and a French farmer and his granddaughter—before the story reaches its emotional climax in the heart of No Man’s Land.
In the exclusive SoundWorks Collection video we talk with Sound Designer and Re-recording Mixer Gary Rydstrom and Composer John Williams.
Locate a theater to experience War Horse in Dolby Surround 7.1 at www.dolby.com
For more exclusive videos check out www.SoundWorksCollection.com
Join the SoundWorks Collection Vimeo Channel: www.vimeo.com/channels/soundworkscollection
Youtube results:
31:13
Photographers and Copyright - Davis McGrath LLC IP Webinar Series - November 14, 2012
Professional and amateur photographers have a special relationship with copyright law. The...
published: 16 Nov 2012
Photographers and Copyright - Davis McGrath LLC IP Webinar Series - November 14, 2012
Professional and amateur photographers have a special relationship with copyright law. There are special procedures which professionals can use to register groups of their works. In this webinar, we will discuss these special aspects of copyright law which impact photographers.
Come learn from Davis McGrath LLCâs Kevin Thompson during this interactive webinar. Be prepared to ask and get answers to your own questions as well.
Kevin has over thirteen years of experience in counseling clients with regard to their copyright law issues.
Topics covered include:
- What is copyright?
- When does copyright exist?
- What rights are conferred?
- Who is the owner?
- What does âpublicationâ mean?
- Copyright vs. the Right of Publicity
- Registering photographs with the Copyright Office
Davis McGrath LLC applied for 1/2 hour of Illinois MCLE credit for this webinar. To receive credit, please send your name and ARDC number to Kevin Thompson at kthompson@davismcgrath.com, and when you viewed the webinar. Please also send him your questions.
- published: 16 Nov 2012
- views: 21
43:19
The Real Work — New Practices for a New Era in the Arts - Richard Evans
Richard Evans, President of EmcArts
This Cultural Policy Center workshop was recorded on ...
published: 04 Jan 2013
The Real Work — New Practices for a New Era in the Arts - Richard Evans
Richard Evans, President of EmcArts
This Cultural Policy Center workshop was recorded on October 31, 2012. For more information on the Cultural Policy Center, visit http://culturalpolicy.uchicago.edu/.
Mr. Evans will present and facilitate a conversation on the importance of addressing adaptive change in this new era for the arts through innovative strategies to create public value. The conversation will center around a focus on adaptive challenges rather than technical ones, shifting our underlying assumptions, developing new organizational capacities that emphasize innovation and adaptive change, and what EmcArts has learned about innovation in the arts.
Richard Evans says: "Behind the ongoing programmatic and financial stresses being felt by arts organizations at a time of economic contraction lies a vast territory of change in the arts and culture sector as a whole. A 50-year period of arts development tied primarily to growth in the professional arts infrastructure as the measure of success is giving way to a new phase, which will emphasize active participation in the arts, co-mingling of amateur and professional pursuits, and the integration of creative work with wider community interests. This means practitioners of all stripes unlearning a lot of things we have taken for granted, surfacing new assumptions to drive new thinking, and doing things differently across the board. Organizational innovation is challenging in a resource-strapped sector, but is now essential if field leaders are to successfully re-orient themselves to this new era. Fortunately, innovation can be systematized as a new organizational discipline, one that brings our best thinking together across traditional organizational and sector boundaries, and helps us make competitive use of our creative assets. Engaging the future via new and imaginative responses to the hunger for meaning through the arts, organizations across the country are beginning to see that daring to risk a new approach can reveal new pathways to relevance and sustainability."
Richard Evans is the President of EmcArts Inc., the leading provider to the arts and culture sector of learning programs in the areas of innovation and adaptive capacity building. Richard directs EmcArts' programs and strategic partnerships. His recent work emphasizes innovation, organizational change, and effective ways that the arts and culture field can respond to the demands of a new era for the sector. He leads two national Innovation Labs (for the Performing Arts and for Museums) and the community-based New Pathways for the Arts Initiative, a series of locally-based innovation programs, one of which has recently started up in Chicago in partnership with the MacArthur Foundation. Richard is a frequent speaker on the relationship between cultural policy and emerging practices in the arts. For more information on Richard's work in the areas of innovation and adaptive change, visit www.ArtsFwd.org and www.EmcArts.org.
- published: 04 Jan 2013
- views: 45
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Copyright and Fair Use - Davis McGrath LLC IP Webinar Series - February 8, 2012
Here is the recording of the February 8, 2012 webinar on "Copyright and Fair Use."
In thi...
published: 06 Apr 2012
Copyright and Fair Use - Davis McGrath LLC IP Webinar Series - February 8, 2012
Here is the recording of the February 8, 2012 webinar on "Copyright and Fair Use."
In this webinar, we cover:
- What is copyright infringement?
- What are the defenses to copyright infringement?
- What is "Fair Use?"
- Fair Use Cases
- Parody cases
- Case study -- Shepard Fairey v. Associated Press
The slides can be found here -- http://blog.davismcgrath.com/wp-content/uploads/2012/02/2012-02-08-Webinar-slides-Copyright-and-Fair-Use.pdf
We are requesting 1/2 hour of Illinois MCLE credit for this webinar. If you need MCLE credit for viewing the webinar, please send your name and ARDC number to Kevin Thompson at kthompson@davismcgrath.com. Please also send him your questions.
- published: 06 Apr 2012
- views: 51