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0:59
Amazing Bottom Slap!
A special thanks to the girls from Pearl London.
Please visit our website for more slow mo...
published: 17 Jun 2011
Author: photography-factory.co.uk
Amazing Bottom Slap!
A special thanks to the girls from Pearl London.
Please visit our website for more slow motion film tests http://www.photography-factory.co.uk
No harm done, Lola giggled a little and said it was all normal for her and that she had suffered much worse in the name of art or curiosity. We learned a lot from the results, but...there is one strange thing. Everyone who was there that day is still finding tiny little bits of red glitter turning up everywhere in their daily life, at home, in the car, on clothes, even on other people we meet? etc We are all sure we have never seen red glitter before but now the stuff keeps catching our eye and making us smile. Now even after many days we are still finding it on objects that are 60 miles away from the shoot and have never been near the studio??? I think we opened a portal in time and space with that spank..... Please do comment if you find some yourself...
On analysing the film we noticed a few things, one that we should have seen that pimple on her butt before shooting and filmed from the other side..... we could of course remove it in post, but as these are experiments we though we would leave it in as a permanent reminder. Notes to selves, Next time: get the biggest monitor possible when using the phantom under big lights. Also maybe to not be shy... and look at what you are about to film in every tiny detail (no mater how distracting) before saying action. If you are being picky Lola could also be a little higher in the frame, we argued this at the time as that is a trade off; because then she would look elevated and we felt that looked a little unnatural. Also when Eva's arm comes in, it would look quite short and you would not be able to follow the swing though, it would appear in frame later, which kills that little bit of anticipation and lengthens the gap between the shadow coming across and being able to see the GBH (Glitter Bad hand) swinging in.
If you liked this film, please take a good look at our other experiments here or at our website: http://www.photography-factory.co.uk where we will also post stills and a fully detailed technical breakdown, as well as unedited versions when we have a moment.
In this test we were using a Vision Research Phantom HD slow motion camera shooting to a 120 gig ram stack at 1000frames per second, the lens was a 35mm Carl Zeiss Planar T* wide open.
If you are inspired by this or any or our videos please leave a good comment.
If you are an agency minion do not rip us off, you can if you like get some slow motion viral photography at low cost made by us! info@photography-factory.co.uk please get in contact we are a lot of fun to work with. At photography-factory are are very experienced in slow motion, quite reasonable, and (just about) make our livings from creative film and photography. Plus we need some more money to pay for better tests...
No babes, hot or otherwise were harmed* in the making of this film.
We really hope someone see this and likes what we have done enough to tell his/her company to use some of our raw talent... and pay us some raw cash.
Virals should be fun.
78:24
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. Th...
published: 22 Sep 2009
Author: Victoria and Albert Museum
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. The purpose of the lecture is to celebrate the legacy of the Museum’s founding director, and explore its implications for museums, culture and society today.
The lecture, entitled 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum' was delivered by Professor Sir Christopher Frayling. He presented new research on the “chamber of horrors” (a contemporary nickname for one of the V&A;'s earliest galleries, 'Decorations on False Principles', that opened in 1852) and the myths and realities of its reception, then opened up a wider debate on design education and museums from the nineteenth century to the present day.
Transcript:
Mark Jones: The annual Henry Cole lecture has been initiated to celebrate Henry Cole's legacy and to explore the contribution that culture can make to education and society today. It has also been launched to celebrate the opening of the Sackler Centre for arts education, including the Hochhauser Auditorium in which we sit tonight. There could be no one better than Professor Sir Christopher Frayling to give the inaugural Henry Cole Lecture. Christopher is a rare being: an intellectual who is a great communicator; a theorist who has a firm grip on the practical realities of life: a writer who truly and instinctively understands the words of making design and visual communication. As an enormously successful and respected Rector of the Royal College of Art, as Chairman of the Arts Council, and as a member and chair of boards too numerous to mention - but not forgetting the Royal Mint Advisory Committee which has recently been responsible for redesigning the coinage (personal interest) and as by far the longest-serving Trustee of the V&A;, he brings together culture, education and public service in a way which Henry Cole would have approved and admired. So it's more than fitting that he should be giving this first Henry Cole Lecture, 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum'.
CHRISTOPHER FRAYLING:
Thank you very much indeed Mark and thank you very much for inviting me to give this first Henry Cole Lecture. Just how much of an honour it is for me will I hope become clear as the lecture progresses.
Mark, Chairpeople, ladies and gentlemen:
Hidden away in the garden of the South Kensington Museum - now the Madejski Garden of the V&A; - there is a small and easily overlooked commemorative plaque that doesn't have a museum number. It reads: 'In Memory of Jim Died 1879 Aged 15 Years, Faithful Dog of Sir Henry Cole of this Museum'. Jim had in fact died on 30 January 1879. He was with Henry Cole in his heyday, as the king of South Kensington - its museums and colleges - and saw him through to retirement from the public service and beyond. And next to this inscription there's another one dedicated to Jim's successor, Tycho, and dated 1885. The dogs are actually buried in the garden. Now we know from Henry Cole's diary that between 1864 and 1879 Jim, who was a cairn terrier, was often to be seen in public at his master's side. In 1864 they were together inspecting the new memorial to the Great Exhibition of 1851 just behind the Albert Hall - a statue of Prince Albert by Joseph Durham on a lofty plinth covered in statistics about the income, expenditure and visitor numbers to the Great Exhibition: 6,039,195 to be exact. Cole had been a tireless champion of Prince Albert and according to the Princess Royal (later Empress of Prussia) there was a family saying in Buckingham Palace at the time, invented by Albert himself, that when things needed doing 'when we want steam we must get Cole'. We may therefore assume that when looking at the memorial, Cole was interested in the inscription, the statistics and the likeness of Prince Albert, while Jim was more interested in the possibilities of the plinth. In early 1866 - these are five studies of Jim, an etching by Henry Cole himself of 1864. In early 1866, first thing in the morning, soon after the workmen's bell had rung, Henry and Jim would set forth together from Cole's newly constructed official residence in the Museum (where he moved in July 1863) to tour the building sites of South Kensington - a name which was first invented by Cole when he re-named the museum The South Kensington Museum to describe the new developments happening around Brompton Church. According to 'The Builder' magazine, these two well-known figures would 'be seen clambering over bricks, mortar and girders up ladders and about scaffolding'. Several buildings in the South Kensington Renaissance Revival style were springing up all around them: The Natural History Museum, The College of Science, the extension to this Museum. And on the morning the Bethnal Green Museum opened - 24 June 1872 - Jim showed a healthy distaste for his master's well-known predilection for pomp and
71:16
Swing Trading - 2 parte
Webminario realizado en asocio con Forexpros el día 23 de marzo de 2010 donde se dieron la...
published: 25 Mar 2010
Author: Gilberto Bolaño Mendoza
Swing Trading - 2 parte
Webminario realizado en asocio con Forexpros el día 23 de marzo de 2010 donde se dieron las pautas teóricas para poner en marcha esta excelente técnica llamada Swing Trading. http://blog.tradeandoenlinea.com/
65:39
Webminario Swing Trading
Webminario realizado en asocio con Forexpros el día 17 de febrero de 2010 donde se dieron ...
published: 25 Feb 2010
Author: Gilberto Bolaño Mendoza
Webminario Swing Trading
Webminario realizado en asocio con Forexpros el día 17 de febrero de 2010 donde se dieron las pautas teóricas para poner en marcha esta excelente técnica llamada Swing Trading. http://blog.tradeandoenlinea.com/
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