Cholo () is an ethnic slur created by Hispanic criollos in the 16th century, and it has been applied to individuals of mixed or pure American Indian ancestry, or other racially mixed origin. The precise usage of "cholo" has varied widely in different times and places.

Historical usage

The term's use is first recorded in a Peruvian book published in 1609 and 1616, the ''Comentarios Reales de los Incas'' by Inca Garcilaso de la Vega. He writes (in Spanish) "The child of a Black male and an Indian female, or of an Indian male and Black female, they call ''mulato'' and ''mulata''. The children of these they call ''cholo.'' Cholo is a word from the Windward Islands; it means ''dog,'' not of the purebred variety, but of very disreputable origin; and the Spaniards use it for insult and vituperation".

In Colonial Mexico, the terms ''cholo'' and ''coyote'' co-existed, indicating mixed Mestizo and Amerindian ancestry. Under the ''casta'' system of colonial Latin America, ''cholo'' originally applied to the children resulting from the union of a Mestizo and an Amerindian; that is, someone of three quarters Amerindian and one quarter Spanish ancestry. Other terms (mestizo, castizo, etc.) were used to denote other ratios of smaller or greater Spanish-to-Amerindian ancestry.

The word "xolotl" (pronounced "cholotl") is an Aztec word which refers to a humanoid creature with dog features. It is from this meaning that the word "cholo" developed its negative connotation, taking on a similar meaning to "mutt" as applied to humans.

''Cholo'' as an English-language term dates at least to 1851 when it was used by Herman Melville in Moby Dick referring to a Spanish speaking sailor, possibly derived from the Windward Islands reference mentioned above. Isela Alexsandra Garcia of the University of California at Berkeley writes that the term can be traced to Mexico, where in the early part of the last century it referred to "culturally marginal" mestizos and Native American origin.

An article in the ''Los Angeles Express'' of April 2, 1907, headlined "Cleaning Up the Filthy Cholo Courts Has Begun in Earnest," uses the terms ''cholos'' and ''Mexicans'' interchangeably. The term ''cholo courts'' was defined in ''The Journal of San Diego History'' as "sometimes little more than instant slums as shanties were strewn almost randomly around city lots in order to create cheap horizontal tenements."

Modern usage

United States

In modern usage in the United States, the term "cholo" usually indicates a person of Mexican or Mexican-American descent who is associated with a particular Southwestern gangster culture. The term is used in Caló slang, but it in turn has infiltrated into mainstream American English use, specifically in association with American youth movements such as the "lowrider" subculture, or the hip hop scene in general. The word is sometimes associated with Hispanic gang culture, especially in popular media, but the origin and history of the modern usage is somewhat complex.

Racial and cultural status, along with social class are reflected in the term cholo itself, which was adopted in California in the 1960s by youth following the pachuco tradition, as a label for that identity (Cuellar 1982). In 1571, Fray Alonso de Molina, in his Nahuatl vocabulary (Vocabulario en Lengua Castellana y Mexicana Y Mexicana y Castellana), defined the word xolo as slave, servant, or waiter. The Porrúa Dictionary defines cholo, as used in the Americas, as a civilized Native American or a half-breed or mestizo of a European father and Native American mother. The word has historically been used along the borderland as a derogatory term to mean lower class Mexican migrants, and in the rest of Latin America to mean an acculturating Indian or peasant.

Despite, or because of, its long history of denigrating semantics, the term Cholo was turned on its head and used as a symbol of pride in the context of the ethnic power movements of the 1960s.

Fashion stereotypes

A cholo is stereotypically male, depicted as wearing loose fitting khaki pants or shorts, with white knee-high socks, creased jeans, so-called ''"wifebeater"'' white tee shirts, and button-front shirts, commonly plaid and flannel. Cholos are known for starching and pressing their pants and shirts. Cholos often wear military-style webbed belts. Cholos in the 1990s and 2000s frequently have their hair buzzed very short, though some continue to have the more traditional slicked-back hair, sometimes held in place by a hairnet or a bandana.

Footwear may include traditional athletic shoes, such as Converse, Nike Cortez, Stan Smith brand Adidas, slip-on house shoes or Huarache sandals. Popular "Cholo" brands include Dickies, Ben Davis, Joker, Lowrider, and Bighouse.

Some cholos, particularly older cholos, or cholos wishing to adopt a more refined look, wear formal wear inspired by zoot suit fashion, including dress shirts with suspenders, and fedora hats, but may still retain cholo elements such as a bandana or hair net. Cholos are not traditionally found in rural areas. In South Texas, cholos are sometimes referred to as chucs or chukes. This term is short for pachucos. Tejano cholos typically make heavy use of starch on their pants but so do traditional Tejanos.

This designation may also be associated with black ink tattoos, commonly involving calligraphy and art. A cholo might also stereotypically own a lowrider. Another staple of cholo fashion is long hair tied into braids as depicted by actor Danny Trejo.

"Cholas" and "Cholitas" are females who adopt similar fashions. Cholas may wear clothing that is very similar to Cholos, such as Dickies pants or baggy jeans, tank-tops or t-shirts, as well as halter-tops or blouses. Cholas in the 1980s and 1990s often curled their hair and teased it upward, with hair gel or hairspray (the so-called "Scare-do"), and often wore black or dark lipstick and bright eyeshadow, often with penciled-in eyebrows. However, they adopted a more classic look as fashion styles changed in the late 90s. In the past, some cholas were the sisters or girlfriends of cholos, but in recent years, increasingly form gangs or cliques in their own right. However, individuals who dress in the cholo style aren't necessarily associated with gang culture. Some teens will dress in this style during a passing phase in high school. More recently, chola fashion has received mainstream attention in urban and popular fashion. Singers such as Fergie and Gwen Stefani have cited the chola look as a fashion influence. Tattoo artist and glamor model Kat Von D has also mentioned that her style of make-up was influenced by the chola look.

Cholo image in media

There is a reference to "The Cholo" in ''Assault on Precinct 13'', although it is used to refer specifically to a blood oath instead of a Mexican person. LA punk rock band The Dickies recorded "I'm A Chollo" for their 1979 album "Dawn of the Dickies". In the 2004 film ''Napoleon Dynamite'', Nano and Arturo De Silva play characters simply referred to as "Cholo No. 1" and "Cholo No. 2". In the videogame ''Grand Theft Auto: Vice City Stories'', there is a street gang called the Cholos who resemble the stereotypical gangster image of a Cholo. The term gained even further notoriety in 2007 in the United States with the song "Lean Like a Cholo" by Down AKA Kilo. Fergie's music videos "London Bridge" and "Glamorous" feature backup dancers dressed as cholas. Gwen Stefani adopted the chola image in her music videos "Luxurious" and "Hollaback Girl".

The 2009 film La Mission, starring Benjamin Bratt, is an authentic representation of the style, language, cars and music associated with the Cholo culture. The 2009 Movie Bring It On: Fight To The Finish, starring Christina Milian, featured a group of cholos who dressed in the cholo style. The word is also mentioned in a few lines of the Lady Gaga song ''Born This Way''.

Peru, Bolivia and Ecuador

In modern-day Peru and Bolivia, "cholo" is a widely used term which generally refers to people with various amounts of Amerindian racial ancestry. Among Peruvians, the term mestizo is not commonly used as part of the language or as a descriptor. In other Latin American countries, it is used for those of various proportions of Caucasian European to Amerindian ancestry.

The term "cholo" is becoming an element badge and unifier of the current Peru progressively. According to several specialists in the topic, it has evolved and acquired a character of gentile for the vast majority of inhabitants of the South American country. The Peruvians are identified themselves without complex, as "cholos". In recent years, extensive migration into larger urban centers and diffusion of cultural values beyond the cities into rural areas of Peru has resulted in shifting of meaning of "cholo" to include vast numbers of people. A good example of Peruvian usage is the case of Presidential candidate Alejandro Toledo. He was commonly referred to as ''el cholo'' in the election race.

This category now encompasses

1) All of those of exclusively Native American ancestry;

2) Those with predominantly indigenous ancestry, independently of their social status

3) Those with any noticeable amount of Amerindian heritage further categorized by socioeconomic status.

4) A small number of African descent. Little is known or understood about this particular group, found to inhabit the Bolivian Altiplano.

The latter group may escape to such categorization based on a more "European" Caucasian appearance or a wealthier social status ("cholo con plata"). This categorization as "cholo" is independent of migratory status in relation to the rural or interior regions of the country, whether they live in urban areas and cities, whether they have taken up urban European cultural practices, and whether they are bilingual or monolingual (in Spanish or a native language such as Quechua or Aymara). This category of cholo is also independent of whether a new migrant into large urban centers identifies solely with the urban cultural norms or not. In that latter context, the usage may occur as a derogatory term when used by the upper economic strata or those of predominant white European appearance. It must be noted however that such pejorative use of the term does not conform to the generally accepted definition of cholo by the greater proportion of the mixed and native Amerindians which together comprise approximately 82% of the population. The term mestizo is not used in Peru except in remote areas by the purely Amerindian and it is only of historical interest. The term 'Indio' is reserved for the ethnic groups living in the Amazon basin or 'Selva'. The term 'Negro' (Spanish pronunciation, not American) or 'Zambo' is used for those of noticeable Black heritage, generally without pejorative meaning. See additional information on usage of these terms in more detail in Ricardo Palma's "Tradiciones Peruanas".."

In Ecuador, "Cholo" is also used to denote a greater affinity for Amerindian than Spanish heritage for mixed-race people.

Cholos in Ecuador reside typically in communities whose members are mestizos whose ancestry is both Spanish and Amerindian — often greater Spanish than Amerindian. Yet apart from their apparent Spanish descent and monolingualism in Spanish, their garb, culture and customs, their traditional occupations and many times their surnames are more typical of highland Quichua Amerindians than of Spaniards. This circumstance is in contrast to the evolution of mestizo identity and life throughout the rest of Latin America, where the emphasis has always been placed solely on the Spanish side. In Ecuador as well as in Peru and Bolivia a select elite group of persons with more Caucasian "European" mores and habits, including a more white-appearing physiognomy have traditionally monopolized the social discourse and handed down labels and tags of racial and social status to the lower classes. Because of the obvious reason is to maintain their status of dominance in the realm of culture and economy, the discourse on these an other concepts by such groups is suspect of being biased towards that end.

A widely known example of the former are the "Cholas Cuencanas", from the colonial city of Cuenca in the southern region of that country.

When not specifically referring to the above-mentioned mixed Caucasoid-Amerindian communities, the term 'cholo' generally may convey the same connotations of Amerindian ancestry in various proportions than Spanish. Most of the population would not qualify as purely Caucasian but instead of a mixed-race person as it does in other Andean countries.

The term as used in Ecuador is supposedly a neutral term to designate the human groups described above. It may be used, however, following the colonial Spanish manner of speech as a pejorative term to disparage someone as being a member of the "lower class", a designation historically associated and usually reserved to maintain in check the social status of those of greater Amerindian admixture.

Mexico

The cholo gangs came to Mexico from the U.S. in the 1980s. The first Mexican cholo groups came about in the 1990s, and were called by various names, such as “barrios,” “clickas” and “gangas,” and typically seen as American Hispanics, not as Mexicans because of their dress and appearance, which has never been traditional to Mexico. Many of these groups were formed by youths who had spent time in the United States and who returned with a different identity picked up in U.S. street life. Most cholos are youths between 13 and 25 years old who generally do not finish school beyond the eighth grade. These groups mimic the organization of gangs found in the United States, especially California. Cholos have their own style of dress and speech. They are known for hand signals, tattoos and graffiti. Groups of cholos control various territories in the city. Most of the violence among these groups is over territory. Some of the better known cholo gangs in Neza are “41 Streeet,” “DK13,” “Cobras 13,” “Los Sur 13,” “Cobras 38,” “Los Mexican,” “Los de la 33,” “La 14” and the “Sur Kings.”

The former municipal president, Luis Sánchez, states that this kind of activity is waning and claims only two cholo groups are true active gangs. The rest are imitations of the lifestyle as a type of counterculture. He also states that no more than 500 youths belong to the gangs which have been identified by the authorities. Other sources state that this is not true and more than 100 groups operate in the city with many more members.

Chile and Argentina

In Chile, the term is used almost exclusively to refer to Peruvian and Bolivian immigrants of Amerindian appearance and Chilean people of Amerindian ancestry or appearance. Sometimes it can be used as an insult. It may also be applied to anyone of unmixed Amerindian ancestry or predominantly Amerindian appearance, except if the person is a fellow Argentinian.

In Argentina 'Cholo' and 'Chola' are also commonly used as nicknames, not only for those who would be considered 'cholos', but also for Caucasians, such as the case of Argentine former football player Cholo Simeone.

See also

Aymara ethnic group

Caboclo

Mixed Race Day

Naco (slang)

References

Category:Pejorative terms for people Category:Spanish words and phrases Category:Latin American caste system Category:Multiracial affairs Category:Social class subcultures

de:Cholo es:Cholo fr:Cholo ja:チョロ pl:Cholo

Name	Soulja Boy
Background	solo_singer
Birth name	DeAndre Cortez Way
Alias	Soulja Boy Tell 'Em
Born	July 28, 1990 Chicago, Illinois
Origin	Atlanta, Georgia, United States
Occupation	Rapper
Genre	Hip hop
Years active	2007–present
Label	Stacks on Deck/Interscope
Associated acts	Arab, Mr. Collipark
Website	}}

DeAndre Cortez Way (born July 28, 1990), better known by his stage name Soulja Boy Tell 'Em, or simply Soulja Boy, is an American rapper, record producer, actor, entrepreneur, and internet personality.

In September 2007, his single "Crank That (Soulja Boy)" reached number one on the Billboard Hot 100. The single was initially self-published on the internet, and it later became a number-one hit in the United States for seven non-consecutive weeks starting in September 2007.On August 17 Way was listed at #18 on the Forbes list of Hip-Hop Cash Kings of 2010 earning $7 million for that year.

Way has currently released three studio albums and one independent album: his debut studio album ''Souljaboytellem.com'' (2007) was certified platinum by the RIAA. However, his next two albums, ''iSouljaBoyTellem'' (2008) and ''The DeAndre Way'' (2010) did not match the commercial success of his debut, the latter only selling 80,000 copies, despite the success of several singles across both albums, such as "Kiss Me Thru the Phone" and "Turn My Swag On" (''iSouljaBoyTellem'') and "Pretty Boy Swag" (''The DeAndre Way''), the latter later being certified gold by the RIAA.

Early life

DeAndre Way was born in Chicago and moved to Atlanta at age six, where he became interested in rap music.

Career beginnings

At age 14, he moved to Batesville, Mississippi, with his father, who provided a recording studio for Way to explore his musical ambitions. Way founded his record label "Stacks on Deck Entertainment" in 2004. While Way was signed under Interscope and Collipark Music, he claimed that his label had distribution deals with Interscope, Universal Records, and Koch. In November 2005, Way posted his songs on the website SoundClick. Following positive reviews on the site, he then established his own web pages on YouTube and MySpace. In March 2007, he recorded "Crank That" and released his first independent album ''Unsigned & Still Major: Da Album Before da Album'', followed by a low-budget video filmed demonstrating the "Crank That" dance. By the end of May 2007, "Crank That (Soulja Boy)" received its first airplay and Way met with Mr. Collipark to sign a deal with Interscope Records.

Music career

2007-08: souljaboytellem.com

On August 12, 2007, the song appeared on the Emmy-award winning HBO series ''Entourage'', and by September 1, it topped the Billboard Hot 100 and Hot RingMasters charts. Way's major label debut album ''Souljaboytellem.com'', which was reportedly recorded using just the demo version of FL Studio, was released in the United States on October 2, peaking at #4 on both the Billboard 200 and Top R&B;/Hip-Hop Albums charts.

For the 50th Grammy Awards, Way was nominated for a Grammy Award for Best Rap Song with "Crank That (Soulja Boy)". He lost to Kanye West's and T-Pain's "Good Life".

''Souljaboytellem.com'' received a favorable review from Allmusic, but received mainly negative reviews from other sources such as ''Entertainment Weekly''. Several reviewers credited Soulja Boy with spearheading a new trend in hip-hop, while speculating he will likely be a one-hit wonder.

2008-09: iSouljaBoyTellem

The follow-up to ''souljaboytellem.com'', ''iSouljaBoyTellem'', was released on December 16, 2008, to negative critical reception. The first single from the album, "Bird Walk", peaked at number 40 on the ''Billboard'' Hot R&B;/Hip-Hop Songs chart and the top 20 on the Hot Rap Tracks chart it was performed on the first ''YouTube Live'' on November 22, 2008, with an introduction from MC Hammer. "Kiss Me Thru the Phone", with Sammie, followed, peaking at #3 on the Hot 100 and #1 on the Hot Rap Tracks charts. Chris Brown was originally Way's first choice to sing the hook, but respectfully turned down the offer. Way then tried to do it on his own with Auto-Tune but he found it unacceptable. It sold over 2,000,000 digital copies in the United States, becoming his second song to reach the two million mark in downloads.

On January 26, 2009 Way released his third single "Turn My Swag On". it topped the US Rap Charts and peaked at #19 on the Hot 100. it has so far sold over 1,000,000 digital downloads in the US. It became Soulja Boy's third song to sell 1 million or more downloads.

2009-2010: The DeAndre Way

''The DeAndre Way'' is Way's third studio album, Way has stated that the album is intended to be his most personal and successful album thus far. When speaking on possible collaborations, he stated he wished to work with artists such as Jay-Z, Lil Wayne, and Kanye West, Eminem, among others. The lead single from the album, "POW", was released in January 2009 but failed to garner success and was dubbed a promo single. On October 30, 2009 Way released three mixtapes ''Paranormal Activity'', ''Dat Piff'' & ''Cortez''. Then it was announced on February 18, 2010 that the first single from the album was gone be "All Black Everything" but it was cancelled & was just put on his promotional mixtape ''Legendary''. The album was titled "The DeAndre Way" but was changed in early 2010 to ''Dre'' with a commercial video snippet for "Do It Big" as the first single but it was cancelled as well. However it was reverted back to ''The DeAndre Way'' in July 2010.

But on June 8, 2010, the official lead single from the album was "Pretty Boy Swag". The single has reached number thirty-four on the Billboard Hot 100, number six on the Billboard Hot R&B;/Hip-Hop Songs chart and number five on the Billboard Rap Songs chart. The album's second single was due to be "Digital" but it was just used on his promotional mixtape ''Best Rapper''. Then it was announced that "Speakers Going Hammer" was gone be the second single, but "Blowing Me Kisses" was released on August 31, 2010 as the second single instead. On October 13 Soulja Boy performed "Pretty Boy Swag" & a snippet of his third single "Speakers Going Hammer". On October 19, 2010 Way finally released "Speakers Going Hammer" on iTunes the single peaked at #48 on the ''Hot R&B; & Hip Hop tracks'' Billboard. ''The DeAndre Way'' was released on November 30, 2010 it has so far has only sold 70,000 copies making this Way's lowest selling album. Soulja Boy was to be part of the Summerbeatz tour held in Australia alongside Flo Rida, Jay Sean and Travie McCoy in November 2010, but in lieu of his current album release date Soulja Boy had declined the offer & just embarked on his Who They Want tour.

2011-present: Mixtapes and Respect My Hustle

On January 22, Way released his first mixtape of 2011 ''Smooky'' which cover featured a cartoon version of Way on a bicycle doing a 360. Then On March 17, 2011 Way released the mixtape ''1up'' which cover was based on the Naruto anime Way stated "If I was in a video game, this mixtape would advance me to the next level with an extra life. Power up with the new offering". On April 20, 2011 Way released his mixtape ''Juice'' which cover was based on the ''Juice'' the movie Way stated he would also released a mini movie of his own to go along with the mixtape Way stated that he was headed to greatness with the mixtape. In September 2011, Way confirmed he is working on a new album, called ''Respect My Hustle'', which will be released in October.

Personal life

Legal issues

On December 9, 2007, Way was sued by William Lyons (a.k.a. Souljah Boy of Mo Thugs Family) who created the stage name "Souljah Boy" in 1996.

On October 7, 2009, Way was arrested on one count of obstruction, a misdemeanor, for running from police when he'd been ordered to stop. The rapper was released on $550 bond.

In May 2011, Way and his labels were sued by a local Pennsylvania promoter for failing to make promised payments in connection with a rescheduled concert.

Victim of robbery and assault

On December 30, 2008, Way was robbed and assaulted in his home. Initial reports indicated that the robbers were six masked men with AK-47s and pistols but on December 31, 2008, video clips surfaced on the Internet of two masked men claiming sole credit for the crime. Soulja Boy described the incident to MTV News a month later: He had come home very late at night after attending an album release party and was recording songs with friends when the robbers came in pointing their guns.

Family tragedies

On March 22, 2011, Way's little brother Deion Jenkins was killed in a car crash on Sunday night. Then on March 24, 2011 Way's older brother threatened to committ suicide.

Controversies

Way's music has been banned from some school dances for sexual and violent content or innuendo. However, he has denied these claims. In the original YouTube video for "Shootout", Soulja Boy demonstrates his dance while holding a handgun in each hand and pretending to shoot into the audience.

Nas

On February 25, 2008, Way said in an interview that "Nas killed hip hop and his own career". Way later apologized for his comments.

Ice-T

In June 2008, on DJ Cisco's ''Urban Legend'' mixtape, Ice-T told Way to "eat a dick" and criticized Way for "killing hip-hop" and his song "Crank That" for being "garbage" compared to the works of other hip-hop artists such as Rakim, Das EFX, Big Daddy Kane and Ice Cube. The two then traded videos back and forth over the Internet. Rapper Kanye West defended Way by arguing that the younger artist created a new, original work for hip-hop, thus keeping the authentic meaning of the music. The feud was parodied in a 2010 episode of The Boondocks.

Charles Hamilton

On December 9, 2008, Charles Hamilton commented in a interview by saying that Way was making it harder for new artists to be signed. Way responded by saying "X out the Sonic and fuck with Mario, you might want to got damn eat a mushroom." Charles Hamilton responded with the diss song "Im You Last Year With Talent". Then the diss song "Word Aight".

Bow Wow

On February 2, 2009, Way challenged Bow Wow to a race in their Lamborghinis and claimed Bow Wow's Lamborghini was a rental. On February 4, 2009 Bow Wow proved that he owned his Lamborghini and said "its halloween in Bankhead for you everyday nigga..you scared..you all nervous and shit". Way responded on twitter by saying "HE FUCKED UP!!!! IM BOUT TO SHITTTT ON THIS NIGGA!! LOL!!!!!". On February 7, 2009 both artist sent diss songs to each other such as Way's "Fuck Bow Wow" & Bow Wow's "What I Think About You". Later that day during a phone conversation both rappers settled their differences.

Fabolous

On December 28, 2010, Fabolous during a radio interview commented on the claim that Way does cocaine, saying "pretty boy swag but never coke my nose though", a reference to Way's song "Pretty Boy Swag. "Soulja Boy went on a tirade on Twitter in response, saying "I ignore dis foo like 5x before this. fuck that. If you send some niggaz to spray me @myfabolouslife at least I die I real nigga fuck you boy." 50 Cent also took to Twitter to say, "leave him the f*** alone before somebody get hurt." Way and Fabolous ended their beef on a radio interview.

"Let's Be Real"

In September 2011, Soulja Boy released the song "Let's Be Real". One of the lines of the song went: ''"Fuck the FBI and the army troops ... fighting for what? Be your own man ... I'll be flying through the clouds with green like I'm Peter Pan."'' After the song was released, Soulja Boy was highly criticized by the military members and their families, especially in regards to the timing relative to the 10th anniversary of the September 11 Attacks. Soulja Boy apologized, "When I expressed my frustration with the US Army, not only did my words come out wrong, I was wrong to even speak them." He adds, "So, I write this to give my sincerest apology to all members of the United States military services, as well as their families that were offended by my most recent lyrics." Representatives for Soulja Boy have indicated that the song has been pulled from his upcoming album, ''Respect My Hustle,'' and will not be available for sale. They are also attempting to remove the video from the internet.

Discography

;Studio albums

''Souljaboytellem.com'' (2007)

''iSouljaBoyTellem'' (2008)

''The DeAndre Way'' (2010)

''Respect My Hustle'' (2011)

Tours

''Americas Most Wanted'' (2009)

''Who They Want'' (2011)

Filmography

Film
! Year	! Film	! Role	! Notes
2007	''YouTube Live''	Himself	Small Role
2008	''What's at Stake?'''	Himself	Small Role
2009	''School Gyrls''	Himself	Cameo
2010	''Malice N Wonderland''	Soulja	Small Role
2011	''TBA''	''TBA''
Television
! Year	! Title	! Role	! Notes
	''The Ellen DeGeneres Show''	Himself
''Last Call with Carson Daly''	Himself
	''Live with Regis''	Himself	Minor appearance
''Access Granted''	Himself	For his music video for "Bird Walk"
	''When I Was 17''	Himself
''The Mo'Nique Show''	Himself
''Late Night with Jimmy Fallon''	Himself
''Lopez Tonight''	Himself
''The Tonight Show with Jay Leno''	Himself

Awards and nominations

BET Awards

*2007: Best New Artist (Nominated)

*2008: Viewer's Choice Award: "Crank That (Soulja Boy)" (Nominated)

*2009: Viewer's Choice Award: "Kiss Me Thru the Phone" (Nominated)

BET Hip-Hop Awards

*'2007: Best Hip-Hop Dance (Won)'

Grammy Awards

*2008: Best Rap Song: "Crank That (Soulja Boy)" (Nominated)

Ozone Awards

*'2007: Patiently Waiting: Mississippi (Won)'

*2008: Best Breakthrough Artist (Nominated)

*2008: TJ's DJ's Tastemaker Award (Nominated)

Nickelodeon Kids' Choice Awards

*2007: Favorite Male Singer (Nominated)

Teen Choice Awards

*2009: Choice Music: Rap Artist (Nominated)

*2009: Choice Music: R&B; Track for "Kiss Me Thru the Phone" (Nominated)

*2009: Choice Music: Hook Up for "Kiss Me Thru the Phone"

*2009: Choice Music: Artist (Nominated)

See also

List of artists who reached number one in the United States

References

External links

Official website

Category:1990 births Category:Living people Category:Actors from Mississippi Category:African American actors Category:African American rappers Category:African-American businesspeople Category:African American film actors Category:American film actors Category:American film producers Category:American hip hop record producers Category:American Internet personalities Category:American music industry executives Category:American music video directors Category:American pop musicians Category:American record producers Category:Businesspeople from Mississippi Category:Hip hop musicians Category:Hip hop singers Category:Interscope Records artists Category:People from Panola County, Mississippi Category:Rappers from Atlanta, Georgia Category:Rappers from Chicago, Illinois Category:Rappers from Mississippi

ar:سولجا بوي تل إم da:Soulja Boy de:Soulja Boy es:Soulja Boy fr:Soulja Boy Tell 'Em ko:솔자 보이 hr:Soulja Boy is:Soulja Boy it:Soulja Boy nl:Soulja Boy ja:ソウルジャ・ボーイ・テレム no:Soulja Boy pl:Soulja Boy Tell 'Em pt:Soulja Boy ro:Soulja Boy Tell 'Em ru:Soulja Boy simple:Soulja Boy Tell 'Em fi:Soulja Boy sv:Soulja Boy Tell 'Em th:โซลจา บอย เทลล์'เอ็ม tr:Soulja Boy

Name	Sleepy Brown (Patrick Brown)
Background	solo_singer
Birth name	Patrick Brown
Birth date	January 24, 1970
Origin	Savannah, Georgia
Genre	R&B;
Occupation	Singer
Years active	1995–present
Label	Purple Ribbon Records
Associated acts	Organized Noize, OutKast
Website
Notable instruments	}}

Patrick "Sleepy" Brown (born January 24, 1970 in Savannah, Georgia) is an R&B; singer-songwriter, and record producer. He is one-third of the successful Atlanta-based production team of Organized Noize, which has created hits for acts such as OutKast, Goodie Mob, and TLC. TLC's "Waterfalls", penned by Brown and Organized Noize's Rico Wade and Ray Murray, was a #1 hit single on ''Billboard's'' Hot 100 in the summer of 1995.

Career

Born January 24, 1970 In his early days, Brown was fascinated with music and often used to carry around an old four-track machine and small keyboard everywhere he went. That earnestness appealed to Wade and Murray when they first met Brown around 1990. A talented keyboardist and advocate for live instrumentation, Brown developed into a multi-instrumentalist, mastering various types of synthesizers and electric pianos; however, his inclination for using samplers and drum machines always kept him rooted in hip hop. A personal milestone for Brown, however, was the opportunity to work with funk legend Curtis Mayfield in 1996, on his final album ''New World Order''. In the early 2000s, Brown gradually ascended from behind the studio boards into the artist spotlight.

Besides his production work, Brown also records as an artist himself, both for his own recordings (including his 2004 single "I Can't Wait" from the ''Barbershop 2: Back in Business'' film soundtrack), and on songs with collaborators such as Beyoncé and Big Boi (on the latter's U.S. #1 and UK #7 hit "The Way You Move").

2006: "Margarita" (feat. Big Boi & Pharrell) (U.S. #108)

;Featured singles

2002: "Saturday (Oooh Oooh!)" (Ludacris featuring Sleepy Brown) (U.S. #22, U.S. R&B; #10, U.S. Rap #5, UK #5)

2002: "Land of a Million Drums" (OutKast featuring Killer Mike and Sleepy Brown) (U.S. R&B; #116, UK #46)

2003: "The Way You Move" (OutKast featuring Sleepy Brown) (U.S. #1, U.S. R&B; #2, U.S. Rap #1, UK #7)

2005: "The Otherside" (Bubba Sparxxx featuring Petey Pablo and Sleepy Brown)

2006: "Morris Brown" (OutKast featuring Scar and Sleepy Brown) (U.S. #95, U.S. R&B; #102, UK #43)

Select guest appearances

(excluding songs with the Dungeon Family)

2Pac - "Hennessy" (Red Spyda Remix) (with E.D.I.)

Beyoncé Knowles - "Hip-Hop Star" (with Big Boi)

Bow Wow - "Crazy" (with Da Brat)

Da Backwudz - "Mama Always Told Me"

Earth Wind & Fire - "This Is How I Feel" (with Big Boi and Kelly Rowland)

Field Mob - "Nothing 2 Lose" (with Slimm Calhoun)

Freeway - "Some Say Yes"

Freeway - "Some Say Yes" (remix) (with Fabolous)

Jayo Felony - "So Into You"

Jay-Z - "Poppin Tags" (with Killer Mike, Twista, Big Boi and Debra Killings)

Kurupt - "Starstruck" (with Cool Breeze, Big Rube and Big Gipp)

Ludacris - "Blueberry Yum Yum"

Ludacris - "Saturday (Oooh Oooh!)"

Murphy Lee - "Luv Me Baby" (with Jazze Pha)

Prozack Turner - "American Giant"

Prozack Turner - "El Chepa"

Sly & The Family Stone - "Runnin Away" (with Big Boi and Killer Mike)

Styles P - "Watch Ya Self"

T.I. - "We Pimpin'"

UGK - "Swishas and Erb"

UGK - "Shattered Dreams"

Stacie Orrico - "Knock 'Em Out"

With Dungeon Family

Big Boi - "808" (with Bun B, Big Gee and G-Rock)

Big Gipp - "Steppin Out"

Bubba Sparxxx - "All the Same" (with Backbone)

Bubba Sparxxx - "Back in the Mud"

Bubba Sparxxx - "That Man" (with Duddy Ken)

Bubba Sparxxx - "The Otherside" (with Petey Pablo)

Cool Breeze - "Weeestpointin

Goodie Mob - "Play Yo Flute" (with Kurupt)

Goodie Mob - "Cutty Buddy"

Goodie Mob - "Soul Food"

Joi - "It's Your Life"

Killer Mike - "A.D.I.D.A.S." (with Big Boi)

Outkast - "Bowtie" (with Jazze Pha)

Outkast - "In Your Dreams" (with Killer Mike)

Outkast - "Land of a Million Drums" (with Killer Mike)

Outkast - "Morris Brown" (with Scar)

Outkast - "So Fresh, So Clean" (Remix) (with Snoop Dogg)

Outkast - "Spottieottiedopaliscious"

Outkast - "The Way You Move"

Outkast - "Tough Guy" (with UGK)

Roscoe - "Head to Toe"

Slimm Calhoun - "How Much Can I"

Filmography

''Idlewild'' (2006) - Syncopated Church Orchestra

References

External links

Official website

Dungeon Family Official Site

"Margarita" Music Video

Sleepy Brown Interview: September 2006 with Crave Online

Sleepy Brown interview with Luke Davis (The Situation)

Category:1970 births Category:American rhythm and blues musicians Category:African American musicians Category:Songwriters from Georgia (U.S. state) Category:Dungeon Family Category:Hip hop record producers Category:People from Atlanta, Georgia Category:Living people

de:Sleepy Brown es:Sleepy Brown