This article relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (December 2008)

"The bed" by Toulouse Lautrec (1893)

A bed ( listen (help·info)) is a piece of furniture used as a place to sleep, relax, or engage in sexual relations.^[1][2]

Most modern beds consist of a mattress on a bed frame, with the mattress resting either on a solid base, often wooden slats, or a sprung base. In North America many beds include a box spring inner-sprung base,^[3] a large mattress-sized box containing wood and springs that provide additional support and suspension for the mattress.

Most beds have a headboard for resting against, with others also having side rails and footboards (or "footers"). "Headboard only" beds often incorporate a "dust ruffle", "bed skirt", or "valance sheet" to hide the bed frame.

For greater head support, most people use a pillow, placed at the top of a mattress. Also used is some form of covering blanket to insulate the sleeper, often bed sheets, a quilt, or a duvet, collectively referred to as bedding. Bedding is the removable non-furniture portion of a sleeping environment. A bed can be thought of as a body, and the bedding its clothing.

Also, some people prefer to dispense with the box spring and bed frame, and replace it with a platform bed style. This is more common in Europe, Australia and Japan.

History[link]

Ancient world[link]

Tutankhamun's gilded bed from the 14th century BC

Early beds were little more than piles of straw or some other natural material (e.g. a heap of palm leaves). An important change was raising them off the ground, to avoid drafts, dirt, and pests. Beds found in a preserved village in northern Scotland which were raised boxes made of stone and likely topped with comfortable fillers, were dated to between 3200 BC and 2200 BC.^[4] Given the increased cost though, it was only available to the wealthy.^[5] The Egyptians had high bedsteads which were ascended by steps, with bolsters or pillows, and curtains to hang round. The elite of Egyptian society such as its pharaohs and queens even had beds made of wood, sometimes gilded. Often there was a head-rest as well, semi-cylindrical and made of stone, wood or metal. Ancient Assyrians, Medes and Persians had beds of a similar kind, and frequently decorated their furniture with inlays or appliques of metal, mother-of-pearl and ivory.

The oldest account of a bed is probably that of Odysseus: a charpoy^[6] woven of rope, plays a role in the Odyssey. A similar bed can be seen at the St Fagans National History Museum in Wales. Odysseus also gives an account of how he crafted the nuptial bed for himself and Penelope, out of an ancient, huge olive tree trunk that used to grow on the spot before the bridal chamber was built. His detailed description finally persuades the doubting Penelope that the shipwrecked, aged man is indeed her long-lost husband. Homer also mentions the inlaying of the woodwork of beds with gold, silver and ivory. The Greek bed had a wooden frame, with a board at the head and bands of hide laced across, upon which skins were placed. At a later period the bedstead was often veneered with expensive woods; sometimes it was of solid ivory veneered with tortoise-shell and with silver feet; often it was of bronze. The pillows and coverings also became more costly and beautiful; the most celebrated places for their manufacture were Miletus, Corinth and Carthage. Folding beds, too, appear in the vase paintings.

Roman mattresses were stuffed with reeds, hay, wool or feathers; the last was used towards the end of the Republic, when custom demanded luxury. Small cushions were placed at the head and sometimes at the back. The bedsteads were high and could only be ascended by the help of steps. They were often arranged for two people, and had a board or railing at the back as well as the raised portion at the head. The counterpanes were sometimes very costly, generally purple embroidered with figures in gold; and rich hangings fell to the ground masking the front. The bedsteads themselves were often of bronze inlaid with silver, and Elagabalus had one of solid silver. In the walls of some of the houses at Pompeii bed niches are found which were probably closed by curtains or sliding partitions. Ancient Romans had various kinds of beds for repose. These included:

• lectus cubicularis, or chamber bed, for normal sleeping
• lectus genialis, the marriage bed, it was much decorated, and was placed in the atrium opposite the door
• lectus discubitorius, or table bed, on which they ate—for they ate while lying on their left sides—there usually being three people to one bed, with the middle place accounted the most honorable position
• lectus lucubratorius, for studying
• and a lectus funebris, or emortualis, on which the dead were carried to the pyre^[7]

Medieval Europe[link]

Bedroom on the Detmold Open-air Museum premises

The ancient Germans lay on the floor on beds of leaves covered with skins, or in a kind of shallow chest filled with leaves and moss. In the early Middle Ages they laid carpets on the floor or on a bench against the wall, placed upon them mattresses stuffed with feathers, wool or hair, and used skins as a covering. Curtains were hung from the ceiling or from an iron arm projecting from the wall.^[8] They appear to have generally lain naked in bed, wrapping themselves in the large linen sheets which were stretched over the cushions.

Southampton Medieval Merchant's House bedroom

In the 13th century luxury increased and bedsteads were made of wood much decorated with inlaid, carved and painted ornamentation. They also used folding beds, which served as couches by day and had cushions covered with silk laid upon leather. At night a linen sheet was spread and pillows placed, while silk-covered skins served as coverlets. The Carolingian manuscripts show metal bedsteads much higher at the head than at the feet, and this shape continued in use until the 13th century in France, many cushions being added to raise the body to a sloping position. In the 12th-century manuscripts, the bedsteads appear much richer, with inlays, carving and painting, and with embroidered coverlets and mattresses in harmony. Curtains were hung above the bed, and a small hanging lamp is often shown.

In the 14th century the woodwork became of less importance, generally being entirely covered by hangings of rich materials. Silk, velvet and even cloth of gold were frequently used. Inventories from the beginning of the 14th century give details of these hangings lined with fur and richly embroidered. It was then that the tester bed made its first appearance, the tester being slung from the ceiling or fastened to the walls, a form which developed later into a room within a room, shut in by double curtains, sometimes even so as to exclude all drafts. The space between bed and wall was called the ruelle, and very intimate friends were received there. The 14th century is also the time when feather beds became highly prized possessions.^[8]

In the 15th century beds became very large, reaching 7–8 feet by 6–7 feet. The mattresses were often filled with pea-shucks, straw or feathers. At this time great personages were in the habit of carrying most of their property about with them, including beds and bed-hangings, and for this reason the bedsteads were for the most part mere frameworks to be covered up; but about the beginning of the 16th century bedsteads were made lighter and more decorative, since the lords remained in the same place for longer periods.

Renaissance and modern Europe[link]

In the 17th century, which has been called "the century of magnificent beds", the style a la duchesse, with tester and curtains only at the head, replaced the more enclosed beds in France, though they lasted much longer in England. Louis XIV had an enormous number of sumptuous beds, as many as 413 being described in the inventories of his palaces. Some of them had embroideries enriched with pearls, and figures on a silver or golden ground. The great bed at Versailles had crimson velvet curtains on which "The Triumph of Venus" was embroidered. So much gold was used that the velvet scarcely showed.

Napoleon I's bed

In the 18th century feather pillows were first used as coverings in Germany, which in the fashions of the bed and the curious etiquette connected with the bedchamber followed France for the most part. The beds were a la duchesse, but in France itself there was great variety both of name and shape. The custom of the "bed of justice" upon which the king of France reclined when he was present in parliament, the princes being seated, the great officials standing, and the lesser officials kneeling, was held to denote the royal power even more than the throne.

Louis XI is credited with its first use, and the custom lasted till the end of the monarchy. In the chambre de parade, where the ceremonial bed was placed, certain persons, such as ambassadors or great lords, whom it was desired to honour, were received in a more intimate fashion than the crowd of courtiers. At Versailles women received their friends in their beds, both before and after childbirth, during periods of mourning, and even directly after marriage—in fact in any circumstances which were thought deserving of congratulation or condolence. During the 17th century this curious custom became general, perhaps to avoid the tiresome details of etiquette. Portable beds were used in high society in France till the end of the Ancien Régime. The earliest of which mention has been found belonged to Charles the Bold. They had curtains over a light framework, and were in their way as fine as the stationary beds.

Iron beds appear in the 18th century; the advertisements recommend them as free from the insects which sometimes infested wooden bedsteads. Elsewhere, there was also the closed bed with sliding or folding shutters, and in England—where beds were commonly quite simple in form—the four poster was the usual citizen's bed until the middle of the 19th century.

Bed sizes[link]

Bed sizes vary considerably around the world, with most countries having their own standards and terminology.

While the "double" size appears to be standard among English speaking countries, based on the imperial measurement of 4 ft 6 in by 6 ft 3 in (137.16 cm x 190.5 cm), the sizes for other bed types tend to vary. The mainland European sizes differ, not merely because of difference based on use of the metric system.

In the mid-1950s the U.S. bedding industry introduced a new size: The King Size.^[9] A king-sized bed differs from the other sizes in implementation, as it is not common to have a king-sized box spring; rather, two smaller box-springs are used under a king-sized mattress. It is a common misconception that on a U.S. "standard" or "eastern king", the box springs are identical in size to a "twin extra-long"; however, "twin extra-long" mattresses next to each other add up to 78 inches wide instead of the 76 inch width that is standard for an "eastern king". Also, more commonly known as a "California King" in the United States of America.

What is referred to as a "single bed" in many parts of the world is known in U.S. terminology as a "twin bed". In some countries, a "twin bed" may also be used to describe one of two single beds in the same room.

Notable beds[link]

The Great Bed of Ware, one of the largest beds in the world

One of the largest beds in the world is the Great Bed of Ware, made in about 1580. It is 3.26 metres (10.7 ft) wide, 3.38 metres (11.1 ft) long. The bed is mentioned by Shakespeare in Twelfth Night. It is now in the Victoria and Albert Museum in London.

In 1882, an Indian Maharajah had a bed made of solid silver. At each corner of the bed there was a life-sized statue of a naked woman holding a fan. When the Maharajah lay on the bed, his weight started a mechanism that made the women wave their fans.

Around 1865, one could acquire a convertible bed in the form of an upright piano, which could provide home entertainment while saving space.^[10]

Types of beds[link]

Lit à la Polonaise (Polish style bed),^[11] Royal Castle in Warsaw, 18th century.

Patent #322,177, on July 14, 1885 issued to Sarah E. Goode for a cabinet bed

Drawing of a candle-lit mourning bed (Trauergerüst) for abbess Franziska Christine von Pfalz-Sulzbach, 1776

Chinese style beds

There are many varieties of beds:

• An adjustable bed is a bed that can be adjusted to a number of different positions
• An air bed uses an air-inflated mattress, sometimes connected to an electric air pump and having variable, firmness controls. The portable version of an air bed can also be rolled up and packed, so is meant for travel or temporary guest use.
• A bassinet is a bed specifically for newborn infants.
• A box-bed is a bed having the form of a large box with wooden roof, sides, and ends, opening in front with two sliding panels or shutters; often used in cottages in Scotland: sometimes also applied to a bed arranged so as to fold up into a box.
• A brass bed, constructed from brass
• A brass plated bed is a cheap bed of iron, a false brass bed, with a thin covering of brass, which with time peels off and the iron is exposed.
• A bunk bed is two or more beds one atop the other.
• A loft bed is similar to a bunk bed, except there isn't a lower bunk. This leave space underneath for storage, other furniture, etc.
• A captain's bed^[12] (also known as a "chest bed" or "cabin bed") is a platform bed with drawers and storage compartments built in underneath.
• A camp bed (also "cot") is a simple, temporary, portable bed used by armies and large organizations in times of crisis.
• A canopy bed is similar to a four poster bed, but the posts usually extend higher and are adorned or draped with cloth, sometimes completely enclosing the bed.
• A curtained bed is a luxury bed with curtains.
• A daybed is a couch that is used as a seat by day and as a bed by night.
• A futon is a traditional style of Japanese bed that is also available in a larger Western style.
• A four poster bed is a bed with four posts, one in each corner, that support a tester.
• A hammock is a piece of suspended fabric.
• A hideaway bed, invented by Sarah E. Goode in response to the needs of apartment-dwellers, folds up into another piece of furniture, such as a shelf or desk, when not in use.
• A hospital bed is specifically designed to facilitate convalescence, traditionally in a hospital or nursing facility, but increasingly in other settings, such as a private residence. Modern hospital beds commonly have wheels to assist in moderate relocation, but they are larger and generally more permanently placed than a gurney. The "hospital bed" is also a common unit of measurement for the capacity of any type of inpatient medical facility, though it is just as common to shorten the term to "bed" in that usage.
• An infant bed (also "crib" or "cot") is a small bed specifically for babies and infants.
• An iron bed, developed in the 1850s, is constructed of iron and steel.
• A kang bed-stove is a Chinese ceramic room heater used as the platform for a bed.
• A Manjaa is a traditional Punjabi bed made of tied ropes bordered by a wooden frame.
• A mourning bed ("illustration") is a formal canopied bed, with the deceased, a wax effigy, or symbols of rank
• A Murphy bed or wallbed is a bed that can hinge into a wall or cabinet to save space.
• A pallet is a thin, lightweight mattress.
• A platform bed is a mattress resting on a solid, flat raised surface, either free-standing or part of the structure of the room.
• A roll-away bed (or "cot") is a bed whose frame folds in half and rolls in order to be more easily stored and moved.
• A rope bed is a pre-modern bed whose wooden frame includes crossing rope to support the typically down-filled single mattress.
• A sofabed is a bed that is stored inside a sofa.
• A state bed developed in Early Modern Europe from a hieratic canopy of state.
• A toddler bed is a small bed for young children.
• A trundle bed or "truckle bed" is a bed usually stored beneath a twin bed also sometimes referred to as a "sleepover bed".
• A vibrating bed is typically a coin-operated novelty found in a vintage motel. For a fee, the mattress vibrates for a duration of time. Alternatively it is a modern bed which vibrates by use of an off-centre motor. It is controlled by electronics for varying time and amplitude settings and is used therapeutically to ease back pains.
• A waterbed is a mattress full of water.

Bed frames[link]

Bed frames, also called bed steads, are made of wood or metal. The frame is made up of head, foot, and side rails. For heavy duty or larger frames (such as for queen- and king-sized beds), the bed frame also includes a center support rail. These rails are assembled to create a box for the mattress or mattress/box spring to sit on.

Types of bed frames include:

• platform – typically used without a box spring
• captain – has drawers beneath the frame to make use of the space between the floor and the bed frame
• waterbed – a heavy-duty frame built specifically to support the weight of the water in the mattress (Mainly used on larger models)

Though not truly parts of a bed frame, headboards, footboards, and bed rails can be included in the definition. Headboards and footboards can be wood or metal. They can be stained, painted, or covered in fabric or leather.

Bed rails are made of wood or metal and are attached to a headboard and footboard. Wooden slats are placed perpendicular to the bed rails to support the mattress/mattress box spring.

Bed rails and frames are often attached to the bed post using knock-down fittings.^[13][14] A knock-down fitting enables the bed to be easily dismantled for removal. Primary knock-down fittings for bed rails are as follows:

• Pin-and-hook fastener. A mortise or slot is cut vertically in the bedpost. Pins are inserted horizontally in the bed post so that the pins perpendicularly intersect the mortise. For example, if one looked in the mortise, one might see part of one horizontal pin at the bottom of the mortise and a part of a second pin toward the top of the mortise. Hooks are installed at the end of the rail. Usually these hooks are part of a plate that is attached to the rail. The hooks then are inserted into the bed post mortise and hook over the pins.

• Plate-and-hook fastener. Instead of pins inserted horizontally into the bedpost, an eye plate (post plate) is installed on the bedpost. The hooks are installed on the rail, either as surface mount or recessed. Depending on the hardware, the bedpost may require a mortise in order to allow the hooks to fasten to the plate. This is also referred to as a keyhole fastener, especially if the connector is more of a "plug" than a "hook".

• Bed bolts ("through-bolts") are a different means of a knock-down connection. A hole is typically drilled through the bedpost. The bolt head is inset and covered with a plug. In the rail, a dowel nut or other type of nut receives the bolt. The springs are made from metal, which are swirled for maximum comfort

Safety rails,^[15] or cot sides, can be added to the sides of a bed (normally a child's bed) to stop anyone falling out of the sides of the bed. A safety rail is normally a piece of wood that attaches to the side rails on one or both sides of the bed. They are made so that they can be easily removed when no longer required.

See also[link]

Design portal

• Bed frame
• Bed sheet
• Co-sleeping
• Headboard (furniture)
• Mattress
• Sleep
• Sleeping bag
• Truck bed

References[link]

1. ^ "Bed". The Free Dictionary By Farlex. http://www.thefreedictionary.com/BEd. Retrieved 2012-16-05. 
2. ^ "Bed". Merriam-Webster. http://www.merriam-webster.com/dictionary/bed. Retrieved 2012-16-05. 
3. ^ "Box spring". inventors.about.com. http://inventors.about.com/od/bstartinventions/a/bed.htm. 
4. ^ "Skara Brae – The Furniture". orkneyjar.com. http://www.orkneyjar.com/history/skarabrae/furniture.htm. 
5. ^ "Beds throughout history". bettersleep.org. http://www.bettersleep.org/Mattressology/bed_in_history.asp. 
6. ^ "?". imagesofafghanistan.com. http://www.imagesofafghanistan.com/images/AsleeponaCharpoy.jpg. ^{[dead link]}
7. ^  This article incorporates text from a publication now in the public domain: Chambers, Ephraim, ed. (1728). "^{article name needed}". Cyclopaedia, or an Universal Dictionary of Arts and Sciences (first ed.). James and John Knapton, et al.  "?". History of Science and Technology. http://digicoll.library.wisc.edu/cgi-bin/HistSciTech/HistSciTech-idx?type=turn&entity=HistSciTech000900240244&isize=L. ^{[dead link]}
8. ^ ^{a b} "Medieval Furniture & Home Decor". furniturestyles.net. http://www.furniturestyles.net/medieval/. Retrieved 26 November 2010. 
9. ^ "Even Beds Go King-Size" Popular Mechanics, December 1954, p.128, bottom of page.
10. ^ Brooklyn Museum. "Decorative Arts: Convertible Bed in Form of Upright Piano". http://www.brooklynmuseum.org/opencollection/objects/1808/Convertible_Bed_in_Form_of_Upright_Piano. Retrieved 2012-03-11. 
11. ^ (English) "Bed (Lit à la Polonaise)". getty.edu. http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=7106. Retrieved 2009-01-26. 
12. ^ "Captain’s bed". Dictionary.com. http://dictionary.reference.com/browse/captains+bed?s=t. Retrieved 2012-26-05. 
13. ^ "Historical Guide: Bed Hardware". whitechapel-ltd.com. http://www.whitechapel-ltd.com/hist/bed_hardware.shtml. 
14. ^ "Bed Rail Fastener Options". home-improvement-and-financing.com. http://www.home-improvement-and-financing.com/bed-rail-fastener.html. 
15. ^ "Picture". srbworld.com. http://www.srbworld.com/productimages/SR-1301-GS-V2/1.jpg. Retrieved 26 November 2010. 

External links[link]

Wikimedia Commons has media related to: Beds

Wikimedia Commons has media related to: Mattresses

Wikimedia Commons has media related to: Great Bed of Ware

Wikiquote has a collection of quotations related to: Beds

Look up bed in Wiktionary, the free dictionary.

• What Size Mattress? from The Better Sleep Council

Amanda Palmer
Palmer playing at the Music Box Theatre, Hollywood, California; December 2008.
Background information
Birth name	Amanda MacKinnon Palmer
Also known as	Amanda Fucking Palmer[1][2]
Born	(1976-04-30) April 30, 1976 (age 36) New York City
Genres	Alternative rock, punk cabaret
Occupations	Artist, performer, musician, songwriter
Instruments	Vocals, keyboard, piano, ukulele
Years active	1989–present
Labels	8ft Records / Formerly Roadrunner Records (until April 2010)[3]
Associated acts	The Dresden Dolls Evelyn Evelyn
Website	Amanda Palmer.net

Amanda MacKinnon Gaiman Palmer^[4] (born April 30, 1976), sometimes known as Amanda Fucking Palmer,^[1][2] is an American performer who first rose to prominence as the lead singer, pianist, and lyricist/composer of the duo The Dresden Dolls.^[5] She has since started a solo career, and is also one half of the duo Evelyn Evelyn.

Biography[link]

Palmer was born in New York City's Mount Sinai Hospital,^[6] and grew up in Lexington, Massachusetts.^[7] She attended Lexington High School, where she was involved in the drama department,^[8] and attended Wesleyan University^[9] where she was a member of the Eclectic Society.^[10] She staged performances based on work by the Legendary Pink Dots, an early influence, and was involved in the Legendary Pink Dots electronic mailing list, Cloud Zero.^{[citation needed]} She then formed the Shadowbox Collective, devoted to street theatre and putting on theatrical shows (such as the 2002 play, Hotel Blanc,^[11] which she directed).

With an interest in the performing arts, both in music and in theatre, Palmer spent time busking as a living statue called "The Eight Foot Bride" in Harvard Square, Cambridge; Edinburgh, Scotland; Australia (where she met Jason Webley);^[12] as well as many other locations. She references this line of work on The Dresden Dolls' self-titled CD, with the song "The Perfect Fit":

"I can paint my face
And stand very, very still
It's not very practical
But it still pays the bills"

as well as on the A is for Accident track "Glass Slipper":

"I give out flowers
To curious strangers
who throw dollars at my feet."

The Dresden Dolls[link]

Amanda Palmer performing with The Dresden Dolls at Kings Arms Tavern in Auckland, New Zealand, September 2006

At a Halloween party in 2000, Palmer met drummer Brian Viglione and afterwards they formed The Dresden Dolls. In an effort to expand the performance experience and interactivity, Palmer began inviting Lexington High School students to perform drama pieces at her live shows. The Dirty Business Brigade, a troupe of seasoned and new artists, performed at many gigs. The invited costumed characters mingled with the crowd before and during the show, and veteran groups sometimes joined in with a choreographed stage act. Life-sized marionettes, coin-operated boys, living statues, and other undergroundlings greeted fans while circus and burlesque drew the audience into the Dolls' music, creating a participatory atmosphere that allowed the audience to experience numerous types of art simultaneously.

After developing a cult following, the band recorded their eponymous debut album, The Dresden Dolls in 2002 with producer Martin Bisi (of Indie, Brooklyn, New York fame). They produced the album before being picked up by Roadrunner Records.

In 2006, The Dresden Dolls Companion,^[13] was published, with words, music & artwork by Amanda Palmer.^[13] In it she has written a history of the album The Dresden Dolls and of the duo, as well as a partial autobiography. The book also contains the lyrics, sheet music, and notes on each song in the album, all written by Palmer, as well as a DVD with a 20 minute interview of Amanda about making the book.

In June 2007, as part of the Dresden Dolls, she toured with the True Colors Tour 2007,^[14] including her debut in New York City's Radio City Music Hall,^[15] and her first review in the New York Times.^[15]

July 2008 saw the release of the second Dresden Dolls book, the Virginia Companion.^[16] It is a follow-up to The Dresden Dolls Companion, featuring the music and lyrics from the Yes, Virginia...(2006) and No, Virginia... (2008) albums.

The Onion Cellar and Cabaret[link]

Palmer conceived the musical/production The Onion Cellar, based on a short story from The Tin Drum by Günter Grass. From December 9, 2006 through January 13, 2007, The Dresden Dolls performed the piece in conjunction with the American Repertory Theater at the Zero Arrow Theatre in Cambridge, Massachusetts. While Palmer was openly frustrated with the direction of the show, fan and critical reviews were very positive.^[17][18]

Palmer, as part of her solo career, returned to the A.R.T. in fall 2010 for a two-month run of Cabaret, starring as the Emcee.^{[citation needed]}

2010 Reunion Tour[link]

In 2010, a reunion tour to selected venues in the United States occurred. It started on Halloween in New York City and ended in San Francisco on New Years Eve.^[19]

Solo career[link]

Palmer (left) as one half of Evelyn Evelyn, with Jason Webley.

Palmer's solo album, Who Killed Amanda Palmer, was released on September 16, 2008.^[20] Ben Folds produced and also played on the album.^[21][22] The title is a play on an expression used by fans during Twin Peaks' original run, "Who killed Laura Palmer?" A companion book of photos of Palmer looking as if she were murdered was released in July 2009 featuring photography by Kyle Cassidy and accompanying writing by Neil Gaiman.

August Strindberg was indirectly referenced in a song by Palmer titled "Strength Through Music," which contains an audio clip of a web cartoon called Strindberg and Helium. The cartoon almost exclusively quotes Strindberg's work.

In July 2007, Palmer played three sold out shows (in Boston, Hoboken, and NYC) in a rare "with band" format. Her backing band was Boston alternative rock group Aberdeen City, who also opened along with Dixie Dirt. In August 2007, Amanda traveled to perform in the Spiegeltent and other venues at the Edinburgh Festival Fringe in Scotland, and also performed on BBC Two's The Edinburgh Show. She collaborated with Australian theater company, The Danger Ensemble; both again appeared at the Spiegeltent in Melbourne and at other venues around Australia in December 2007. In September 2007 Palmer collaborated with Jason Webley to release Evelyn Evelyn's debut EP "Elephant Elephant" via Jason's Eleven Records. In June 2008, Palmer established her solo career with two well-received performances with the Boston Pops.^[23][24][25] In Autumn 2008, she toured Europe with Jason Webley, Zoe Keating and The Danger Ensemble, performing songs mostly from her debut solo album. She did most of the shows with a broken foot she had sustained in Ireland when a car ran over her foot as she stepped out into a street.^[26] In April 2009, she played at the Coachella Valley Music and Arts Festival.^[15]

In 2009, Palmer went back to her alma mater, Lexington High School in Massachusetts to collaborate with her old director and mentor Steven Bogart on a workshop piece for the department's spring production. The play, With The Needle That Sings In Her Heart was inspired by Neutral Milk Hotel's album, In the Aeroplane Over the Sea and The Diary of Anne Frank.^[27] It received an overwhelmingly positive response from the Lexington community and abroad. NPR's Avishay Artsy interviewed the cast in a piece featured on All Things Considered on closing night of the production.^[28] Amanda described this process as "what it's all about" in her blog.^{[citation needed]}

From August to October 2010, she performed in Cabaret at the A.R.T. in Boston, Massachusetts. She played the emcee, collaborating with long-time associates Lance Horne (music director), Steven Mitchell Wright of The Danger Ensemble ("movement master/choreographer"), and Steven Bogart (director, Amanda's high school drama teacher who directed the Lexington High School production of the Neutral Milk Hotel-inspired "With the Needle That Sings In Her Heart").^[29][30][31]

Palmer has increasingly used the ukulele in her career,^[32] including free ninja gigs in public locations, that are open to all ages.^{[citation needed]}

On February 9, 2012, Palmer announced on her blog^[33] that she will begin recording a new solo album in collaboration with The Grand Theft Orchestra, under the name of 'Amanda Palmer & The Grand Theft Orchestra'. Palmer stated that there are "20+ songs" ready to record, and that "almost all of them have never been heard". The album is to be recorded in Melbourne with John Congleton producing.^[33]

Use of the Internet[link]

Palmer is noted for her use of the Internet, regularly using the latest innovations to make new fans and connect with old ones. This includes her forum,^[34] her blog,^[35] use of many free music and social networking sites, fund raising, and direct-to-fan marketing.^[36]

Controversies[link]

Dispute with Roadrunner Records, fans' "ReBellyon"[link]

Photo taken during her 2008 tour promoting Who Killed Amanda Palmer?

After the release of her music video for the song "Leeds United," Palmer sparked controversy with a post in her blog. She claimed Roadrunner Records had wanted to pull certain shots from the video that exposed her stomach, because "...they thought I looked fat." After her fans read about this, they posted pictures of their stomachs online with messages to Roadrunner, lyrics, and words of comfort. They then sent their pictures to the record label, and started a web site.^{[citation needed]} The fans coined a term for the movement: The ReBellyon, and put together a book, "The Belly Book," of over 600 pictures and stories from fans. The book was sold over the internet to fans all over the world.^[37] Pitchfork Magazine^[38] and The Guardian^[39] were among publications reporting on the controversy.

Partly because of the Leeds video controversy,^{[citation needed]} Palmer attempted to disengage from her contract with Roadrunner Records, going as far as composing and performing a song called "Please Drop Me," which asked the label to free her from the contract.^[40][41]

After a long legal battle between Palmer and Roadrunner, and her repetitive pleas to discontinue her contract with Roadrunner, Palmer announced^[3] that Roadrunner Records finally released her from their label. Her appreciation was punctuated with another new song: "Do You Swear to Tell the Truth the Whole Truth and Nothing but the Truth So Help Your Black Ass" as a free download to celebrate her new freedom. She repeated the announcement during an appearance on the Australian music quiz show Spicks and Specks.^[42]

"Oasis" controversy[link]

Palmer's song "Oasis" and its follow-up video sparked more controversy. The song's fictional story deals with an Oasis fan and rape victim who has an abortion. Despite these tragic events, she states that "I've seen better days, but I don't care", and directly after, informs the listener what just happened involving her process of communicating to Oasis through fan mail, first, "I just sent a letter in the mail", then, "Oasis got my letter in the mail", and finally, toward the end of the song, "I just got a letter in the mail."^[43] Palmer received an e-mail while she was in the United Kingdom from her label there explaining that "all" of the TV outlets in the country had refused to play the video due to its "making light of rape, religion, and abortion." Palmer, in response, wrote on her blog "I suggested that I might be allowed to play it if I just slowed it way down and played it in a minor key. Think about it. If they heard the same lyrics against the backdrop of a very sad and liliting [sic] piano, maybe with some tear-jerking strings thrown in for good measure, would they take issue?"^[44]

"I Kissed a Girl" skit[link]

In December 2008, Palmer performed an Anti Proposition 8 agitprop skit at the Henry Fonda Theatre in Los Angeles where a Katy Perry look-alike came onstage and began singing her controversial song "I Kissed a Girl," only to be interrupted, kissed, and fondled by Palmer and comedian Margaret Cho. The skit ended with the two binding and gagging "Perry," who is forced into a mock wedding with Palmer, followed by the raising of an anti Proposition 8 banner. Palmer mentioned, on her blog, the discontent some in the LGBT community had with Perry over her exploitation of their identity in her song "I Kissed a Girl," and said she meant the piece as a protest against Proposition 8.^[45][46]

Personal life[link]

Palmer resides in Boston, Massachusetts.

She has identified as bisexual,^[47] telling afterellen.com in 2007: "I'm bisexual, but it's not the sort of thing I spent a lot of time thinking about," Palmer said. "I've slept with girls; I've slept with guys, so I guess that's what they call it! I'm not anti trying to use language to simplify our lives."^[48] On her blog, Palmer has stated that she had an abortion at age 17. In the same blog post, she stated that she was date raped when she was 20 years old.^[49]

Amanda Palmer and Neil Gaiman (Vienna 2011)

On January 1, 2010, she stated on her Twitter feed that she "might have told [Neil Gaiman] [she]'d marry him but also might have been drunk."^[50] On January 15, 2010, Neil Gaiman and Palmer confirmed their engagement in an announcement made to their respective websites.^[51][52] On November 16, 2010, Amanda Palmer hosted a flash mob wedding (not legally binding) for Gaiman's birthday in New Orleans.^[53] On January 3, 2011, the couple announced, via Twitter, that they had legally married in a private ceremony.^[54] The wedding took place in the parlour of writers Ayelet Waldman and Michael Chabon.^[55]

Palmer practices meditation and wrote an article titled "Melody vs. Meditation"^[56] for the Buddhist publication Shambhala Sun, that described the struggle between songwriting and being able to clear the mind to meditate. Palmer has also mentioned her pescetarianism on her blog.^[57] She has many friends who are fellow musicians, and frequently performs alongside them, either accompanying them in their performances, or featuring them in her live shows.^{[original research?]} These performers include: Jason Webley, Kim Boekbinder, The Jane Austen Argument, Reggie Watts, Tim Minchin, Mikelangelo, Meow Meow and Neil Gaiman.^{[citation needed]}

Awards & honors[link]

• 2012 – Twitter Feed @amandapalmer in the Boston Phoenix's Best 2012 ^[58]
• 2011 – Actress in a local production: Cabaret – Boston's Best, Improper Bostonian^[59]
• 2010 – Artist of the Year – Boston Music Awards^[60][61][62]
• 2010 – Cover of Fake Plastic Trees (Radiohead) named 13th of Paste Magazine's 20 Best Cover Songs of 2010^[63]
• 2009 – No. 100 on After Ellen's Hot 100 of 2009.^[64]
• 2008 – No. 6 on the Best Solo artist list in The Guardian's Readers' Poll of 2008.^[65]
• 2007 – No. 6 on Spinner.com's Women Who Rock Right Now.^[66]
• 2006 – the Boston Globe named her the most stylish woman in Boston.^[67]
• 2006 – listed in Blender Magazine's hottest women of rock.^[68]
• 2005 – Best Female Vocalist in the WFNX/Boston Phoenix Best Music Poll.^[69][70]

Discography[link]

Solo artist[link]

Demos[link]

• Songs from 1989–1995... (1996)
• Summer 1998 Five Song Demo (1997)

Studio albums[link]

• Who Killed Amanda Palmer (2008) No. 77 US^[71]
• Amanda Palmer Goes Down Under (2011)^[72]
• Amanda Palmer & The Grand Theft Orchestra (2012)^[73]

EPs[link]

• Amanda Palmer Performs the Popular Hits of Radiohead on Her Magical Ukulele (2010)^[74][75][76]

Singles[link]

• "Do You Swear to Tell the Truth the Whole Truth and Nothing but the Truth So Help Your Black Ass" (April 6, 2010)
• "Idioteque" (June 10, 2010)
• "Map of Tasmania" (December 2010)^[77]

DVDs[link]

• Who Killed Amanda Palmer: A Collection of Music Videos (2009)

As part of The Dresden Dolls[link]

• The Dresden Dolls EP (2002)
• A Is for Accident (2003)
• The Dresden Dolls (2003, reissued 2004)
• Yes, Virginia... (2006)
• No, Virginia... (2008)

As part of Evelyn Evelyn[link]

• Elephant Elephant (2007)^[78][79]
• Evelyn Evelyn (2010)

Other collaborations[link]

• "Trudy" (with Ad Frank and the Fast Easy Women on In Girl Trouble) (2003)
• "Circus Freak Love Triangle" (with Hierosonic on Pornos and Razorblades) (2005)
• "Warsaw Is Khelm" (with Golem on Fresh Off Boat) (2006)
• "Life", "Eight Days of Hell" and "Witch's Web" (with ...And You Will Know Us by the Trail of Dead on So Divided) (2006)
• "The Lovers" (with Meredith Yayanos on Brainwaves) (2006)
• "Stuck with You" (with Voltaire on Ooky Spooky) (2007)
• "Everybody Hurts" (with Cormac Bride on Stereogum Presents... Drive XV: A Tribute to Automatic For the People) (2007)
• "Black Versus White" (with Apoptygma Berzerk on Rocket Science) (2009)
• Murder By Death/Amanda Palmer Split 7" (2009)
• "Living in Misery" (with Kill Hannah on Wake Up the Sleepers) (2009)
• "János vs Wonderland" (with Tristan Allen on Tristan Allen EP) (2010)
• "The Little Prince" (with Lance Horne on First Things Last) (2011)^[80]
• Nighty Night (with Damian Kulash of OK Go, Neil Gaiman and Ben Folds as 8in8) (2011)^[81][82]
• "Such Great Heights" (with Kim Boekbinder on Such Great Heights single) (2011)^[83][84][85]

Cameo appearances[link]

• "Let Me Borrow That Top" (by Liam Kyle Sullivan aka. "Kelly") (2004) appearing briefly in the mall scene.
• "With the Needle That Sings in Her Heart" (Lexington High School's 2009 Spring Production) appearing as "The Ringmaster"

Bibliography[link]

• Palmer, Amanda (2006). The Dresden Dolls Companion. New York, NY: Eight Foot Music. ISBN 978-1-57560-888-4. 
• Palmer, Amanda; Viglione, Brian (2008). The Dresden Dolls – The Virginia Companion. Cherry Lane Music Company. ISBN 1-60378-079-3. 
• Palmer, Amanda; Gaiman, Neil; Cassidy, Kyle; Hommel, Beth (2009). Who Killed Amanda Palmer: A Collection of Photographic Evidence. New York, NY: Eight Foot Books. ISBN 0-615-23439-9. 
• Palmer, Amanda (2009). Amanda Palmer - Who Killed Amanda Palmer?. Cherry Lane Music Company. p. 112. ISBN 978-1-60378-123-7. "A songbook with the chords and lyrics to the album Who Killed Amanda Palmer" 
• Cynthia, Von Buhler; Palmer, Amanda; Webley, Jason (2011). Evelyn Evelyn (illustrated ed.). Diamond Comic Distributors. p. 144. ISBN 978-1-59582-578-0. 

Notes[link]