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Richard Marx
Richard Marx in Germany (2005)
Background information
Birth name	Richard Noel Marx [1]
Born	(1963-09-16) September 16, 1963 (age 48)[1] Chicago, IL, United States[1]
Genres	Pop, soft rock, rock, adult contemporary
Occupations	Singer-songwriter, musician, record producer
Instruments	Vocals, keyboards, organ, piano, guitar
Years active	1982 - present
Labels	Capitol Records, EMI, Manhattan Records, Signal 21 Records, Zanzibar Records, Frontiers Records, Xenon Records
Associated acts	Dick Marx, Matt Scannell, Luther Vandross, Keith Urban
Website	Official website

Richard Noel Marx (born September 16, 1963 in Chicago, Illinois) is an American adult contemporary and pop/rock singer, songwriter, musician, and record producer. He had a string of hit singles in the late 1980s and 1990s, including "Endless Summer Nights", "Right Here Waiting", "Now and Forever", and "Hazard". Although most of his major hit songs were slow ballads, many of his songs had a classic rock style, such as "Don't Mean Nothing", "Should've Known Better," "Satisfied," and "Too Late To Say Goodbye". Marx placed himself in the record books by being the first solo artist to have his first seven singles hit the Top 5 on the Billboard Hot 100 singles chart (3, 3, 2, 1, 1, 1, 4). His record sales worldwide exceed 30 million.^[2] Aside from songs that he's written and recorded for himself, he has written, co-written, and produced successful tracks for other artists such as "This I Promise You" by NSYNC and "Dance With My Father" by Luther Vandross. The latter song won several Grammy Awards.^[3] His 14th and latest chart topper, "Long Hot Summer," performed by Keith Urban, gave Marx the distinction of having a song he wrote or co-write top the charts in four different decades.^[4]

Early life[link]

Marx is the only child of Ruth, a former singer, and Dick Marx, a jazz musician and founder of a successful jingle company in the early 1960s. He has three half-siblings from his father's previous marriage.^[5]

Early career[link]

Marx began his career in music at the age of 5, singing commercial jingles written by his father, Dick Marx's list of adverstising hits includes Arm & Hammer. Ken-L Ration^[6] and Nestlé Crunch.

Marx was 17 and living in Highland Park, Illinois when a tape of his songs ended up in the hands of Lionel Richie. Richie said he thought Marx had the talent to make it big, saying "I can't promise you anything, but you should come to L.A." ^[7] So after graduating from North Shore Country Day School, Marx moved to Los Angeles and visited Richie. "He was recording his first solo album (Lionel Richie) and having trouble with the background vocal," Marx recalls. "He tells me, ‘Come try this part.’ It worked and I ended up singing on his album." Marx contributed backing vocals to Richie’s hit "You Are", as well as "Running with the Night" and "All Night Long (All Night)", both on Richie's follow-up album Can't Slow Down.

In those early years, Marx would find any excuse possible to work within the recording industry. His enthusiasm and presence in the studio landed him several jobs as a background singer for artists such as Madonna, Whitney Houston and Luther Vandross, and, eventually, as a songwriter. Marx also had a minor acting role in the television movie Coach Of The Year, which starred Robert Conrad. He was singing for Kenny Rogers in 1984 when he overheard Rogers say he needed a new song. Within days, Marx gave him the demo of "Crazy." Rogers recorded it, along with another of Marx’s songs, "What About Me?", which also featured James Ingram and Kim Carnes. The trio recording hit #1 Adult Contemporary and #15 on the Billboard Hot 100 (while just scraping onto the Country and R&B charts) in late 1984 while "Crazy" hit #1 Country and #5 AC the following year. Soon after, Marx began working with producer David Foster and writing songs for the group Chicago and R&B singer Freddie Jackson.

While working as a songwriter and doing background vocals, Marx continued to pursue his own record deal. His demo tape was rejected by every label in Hollywood until, finally, four years after moving to Los Angeles, the president of EMI/Manhattan Records, Bruce Lundvall, heard Marx's demo and knew he had a star on his hands. He gave Marx a recording contract with the opportunity to write and record whatever he wanted. Marx contacted his good friend Fee Waybill, frontman of The Tubes, and some very talented musicians, including Joe Walsh, and Randy Meisner of the Eagles, and created a ten-track album that led to a very successful career.

Music career[link]

Debut album[link]

Marx's self-titled debut album, released in June 1987, yielded four hit singles and sold nearly four million copies in the US. The debut single, "Don't Mean Nothing", had been released the previous month and climbed to #3 on the Billboard Hot 100 as well as #1 on Billboard's Album Rock charts.^{[citation needed]} Marx became the first new artist played on 117 radio stations nationwide during his initial week on the charts. The next two singles, "Should’ve Known Better" and "Endless Summer Nights" reached #3 and #2, respectively.^{[citation needed]} The fourth single release, "Hold on to the Nights", earned Marx his first #1 Pop single.

With the success of his self-titled album, Marx became the first male artist to reach the Top 3 with four singles from a debut album. He embarked on his first world tour, initially opening for REO Speedwagon, but quickly began headlining his own shows. Marx's first tour kept him on the road for 14 months while the album remained on the charts for more than a year and a half.

In 1988, Marx was nominated for a Grammy Award for 'Best Rock Vocal Performance - Male' for "Don’t Mean Nothing" ^[8]

[edit] Repeat Offender

Repeat Offender, Marx’s second release (May 1989), hit pole position and pushed Prince out of the #1 spot on Billboard's Album chart. It went triple platinum within a few months and eventually sold over 5 million US copies. Repeat Offender was the result of the energy generated from over a year and a half on the road and was written or co-written entirely by Marx. "Some people might think that it would be easier this time around, that I could just kick back." Marx said at the time, "but the truth is, it’s harder, I’ve got more to prove."

The first two singles, "Satisfied" and the platinum-selling "Right Here Waiting," both reached #1, completing a string of three consecutive No. 1 singles. When the third single from Repeat Offender, "Angelia" climbed to #4, Marx became the first solo artist to reach the Top 5 with his first seven singles. Since then, "Right Here Waiting" has been covered numerous times, most notably by Monica and 112 in a 1998 duet.

Another song from the album, "Children of the Night", was written in support of the suburban Los Angeles (Van Nuys)-based organization for runaways. It became the fifth single from Repeat Offender, and all royalties were donated to the charity.

Marx's second world tour began in the spring of 1989 and took him to Australia, Singapore, Malaysia, Japan, Europe, Canada, and the United States, lasting through August 1990. Highlights of that tour included a performance in the prestigious Royal Albert Hall in London and an invitation from Tina Turner to tour Germany.

Marx also had the once-in-a-lifetime opportunity to perform the Beatles’ "Help" at the Berlin Wall in late 1989. Marx also received his second Grammy nomination in 1990 for "Best Pop Vocal Performance - Male" for "Right Here Waiting".^[9]

[edit] Rush Street

Marx went on to release a number of other albums. In 1991 he released his third consecutive multi-platinum album Rush Street. This album saw artists such as Luther Vandross and Billy Joel appear as backing vocalists and guest pianists. The disc's first single, "Keep Coming Back", went to #12 pop as well as #1 on Billboard's Adult Contemporary charts for 4 weeks running. "Hazard", which depicted a man being wrongfully accused of murder in a fictional version of Hazard, Nebraska, went #1 in charts around the world. Two more Top 10 singles were culled from Rush Street with "Take This Heart" (AC #4, Hot 100 #20) and "Chains Around My Heart" (AC #9, Hot 100 #44).^{[citation needed]} In August 2001 Marx admitted that the track "Superstar," from the Rush Street album was about pop star Madonna.^[10]

[edit] Paid Vacation

In early 1994, as Marx and his family permanently left Los Angeles behind and returned to Chicago, Marx released Paid Vacation, and scored his fourth consecutive platinum album. The acoustic ballad "Now and Forever" peaked at #7 on the Hot 100 and spent 11 weeks in the Top 10 (also #12 in the UK) and also held the #1 position on Billboard's Adult Contemporary charts for 11 weeks - at the time just one week short of the all-time record. The follow-up single, "The Way She Loves Me," climbed to #3 on the US AC chart and #20 on the Pop charts.^{[citation needed]}

[edit] Flesh and Bone

1997 saw the release of Flesh and Bone - Marx's final studio album on the Capitol imprint. This album sold 250,000 copies in the United States. "Until I Find You Again" hit #1 in several countries and #3 in the US.^{[citation needed]}

[edit] Greatest Hits

Marx's Greatest Hits compilation was released in November 1997. The 16-track album includes a variety of hit singles from his first five albums plus "Angel’s Lullaby," a song written about his children originally appearing on For Our Children, Too, a compilation CD released in 1996 to benefit the Pediatric AIDS Foundation. Greatest Hits was released in Asia in November 1998 and included two new songs, "Slipping Away" and "Thanks To You," a touching tribute to his mother. Marx’s dedication and support of numerous charities has continued throughout his career.

[edit] Days in Avalon

In 2000, Marx debuted his sixth studio album Days in Avalon. This disc was released on the Signal 21 Records label founded by Marx and former Blood, Sweat & Tears drummer and record producer Bobby Colomby. Its title track, "Days in Avalon", was picked up by Adult Contemporary radio and spent 12 weeks in the chart's Top 30.^{[citation needed]} The album was also quite successful in other parts of the world, particularly Asia and Australia. The label became the vehicle for the release of this disc, and folded shortly thereafter.

[edit] My Own Best Enemy

After signing a new deal with his former label, Manhattan Records, Marx released the 2004 album My Own Best Enemy. It featured the two hit singles "When You're Gone" and "Ready to Fly."

[edit] Duo

In 2008, Marx released Duo with Vertical Horizon's lead singer Matt Scannell. This album features select acoustic versions of Marx and Vertical Horizon's hits, plus one they co-wrote and recorded together, "Always on Your Mind." This disc was not released under any label. It was available through Marx's website, and at concerts featuring Marx and Scannell together.

[edit] Emotional Remains and Sundown

On October 31, 2008, "Emotional Remains" and "Sundown" were released via digital download on Marx's official site. Marx composed the track "Through My Veins" in tribute to his late father, jazz musician and jingle writer Dick Marx, who died in 1997. The track appears on the Emotional Remains disc.

[edit] Stories to Tell

In March 2010, Stories To Tell was released during Marx's solo acoustic concerts. It is his first acoustic album, which featured several songs from several of his previous albums. In November 2010, "Stories to Tell" album was released in Europe supporting Richard Marx's European tour. The European release featured all the songs from the March release and new studio recordings of songs Richard has written with or for other artists, like Josh Groban and Keith Urban. On May 3, 2011, the reissue of Stories to Tell was released in the United States as a three-disc set exclusively through Walmart, which included a best of disc, an acoustic disc of tracks, and a DVD of a live concert performance at the Shepherd's Bush venue in England. The album is also available for purchase on iTunes and Amazon, but without the bonus DVD and album booklet. Everybody was released as a single in Europe and When You Loved Me was released in the US, peaking at #15 on the Adult Contemporary chart.^{[citation needed]}

[edit] The Christmas EP

On November 1, 2011, Marx released The Christmas EP, a five song collection of Christmas songs. "Christmas Spirit," written by Marx and Fee Waybill, was the first single released for radio airplay. Marx plans to record an additional seven tracks to this collection for a full-scale album release at Christmas 2012.^{[citation needed]}

Collaborations[link]

• 1993 – Marx played piano on John Farnham's 1993 song "The Reason Why."

• 1997 – Marx recorded "At the Beginning" with Donna Lewis for the 1997 film Anastasia.

• 1999 – In 1999 Marx built "Renegade Studios," a state of the art recording facility located in his hometown of Chicago, Illinois. Artists such as Philip Sayce, Keith Urban, and Emerson Drive have recorded material at this location.

• 2004 – At the 46th Grammy Awards on February 8, 2004, Marx won a Grammy for Song of the Year for "Dance with My Father," which he wrote with Luther Vandross. On that same night, he played the piano accompanying Celine Dion in performing "Dance With My Father," since Vandross was not present at the ceremony for health reasons.

• 2006 – During Summer 2006, Marx toured with Ringo Starr & His All-Starr Band. Other members of that year's All-Starr Band included Edgar Winter, Sheila E, and Billy Squier.

• 2006 – Marx appeared on the Fox network's TV show "Celebrity Duets" (September 2006). Other singers to take part in the series included Smokey Robinson, Dionne Warwick, Cyndi Lauper, Kenny Loggins, Patti LaBelle, Randy Travis, Jesse McCartney, and Gladys Knight.

• 2007 – In 2007 Marx released a new ballad titled "Your Goodbye" and a new version of his classic love song "Hold On To The Nights" on a Phil Ramone compilation production called New Music From An Old Friend. This compilation was released on the Target label Spotlight.

Musical influences / favorite artists[link]

In addition to his parents, Marx names recording artists like Sam Cooke and Elvis Presley as his biggest musical influences, along with Donny Hathaway, Steven Tyler, Elton John, Kenny Loggins, Peter Gabriel, Daniel Lanois, Annie Lennox, U2, Dave Grusin, and includes John Farnham, Billy Joel, Bryan Adams, Rod Stewart, The Eagles, Luther Vandross, Earth, Wind & Fire, and Gladys Knight in his list of favorites.^[11]

2008-2011[link]

• On June 12, 2008 Marx was part of a PBS television series called "Songwriters In The Round Presents: Legends & Lyrics." In Episode 102 of the first season, Marx appears along with Kenny Loggins, Nathan Lee^{[disambiguation needed ]}, and rock band Three Doors Down. The musical performance has recently^[when?] been released on DVD and Blu-ray Disc through the Legends and Lyrics website. This episode also features an interview with singer/songwriter Diane Warren.^[12][13][14]
• On 6 December 2008 Marx headlined a fundraiser for Cystic Fibrosis research, "Newsapalooza," sponsored by WLS-AM's Roe Conn program, in which Marx both performed several of his hits with his band and accompanied Chicago broadcast news reporters and anchors covering rock hits.^[15]
• On an interview published in Rolling Stone on June 26, 2009, Marx said he was "ashamed" of being linked to a $1.92 million fine against single mother Jammie Thomas-Rasset by the Recording Industry Association of America (RIAA). Rasset had shared 24 songs on the file-sharing website Kazaa in 2005. Marx's "Now and Forever" was one of them.^[16]
• Marx played piano on the song "Here" and produced Matt Scannell's vocals on two tracks for Vertical Horizon's latest album Burning the Days.^[17]
• Richard Marx appeared on a YouTube video "ASK KevJumba 2", singing along with YouTube star KevJumba.^[18]
• On March 27, 2011, Marx sang the National Anthem at the NASCAR race, the 2011 Auto Club 400.
• On May 3, 2011 Richard Marx was invited on stage at the Curran Theater, San Francisco, by Hugh Jackman. It was opening night of Hugh Jackman In Performance. When introducing the mystery guest Hugh Jackman said that the person was instrumental in helping him put the show together and rehearse. That he had been on at least 4 occasions in this person's living room practicing. The mystery guest was revealed to be Richard Marx. They then sang "Right Here Waiting" together with Marx changing the lyrics on the last chorus to "Right here waiting for Hugh".
• In summer 2011, Marx collaborated with comedy internet giants, Rhett and Link, producing a celebrity endorsement for a colon cleansing spa in Sacramento, CA. The ad spot and its "making of" was featured on an episode of Rhett and Link's series on IFC.^[19]

Personal life[link]

On January 8, 1989, Marx married the singer/dancer/actress Cynthia Rhodes.^[1] Rhodes acted and sang in Staying Alive (1982), Flashdance (1983), and most notably in the 1987 blockbuster Dirty Dancing, as well as appearing as the female lead in Marx's first video, "Don't Mean Nothing". Rhodes also briefly sang lead for the second incarnation of the synth-pop band Animotion in the late 1980s. The couple have three sons—Brandon (born 1990), Lucas (born 1992), and Jesse (born 1994)—and reside in Lake Bluff, Illinois, a suburb of Chicago.

Discography[link]

References[link]

External links[link]

Official

• RichardMarx.com (Official Site)
• Official Richard Marx page at MySpace
• Official Richard Marx page at Facebook
• Official Richard Marx page on Twitter
• Richard Marx page at VH1
• Richard Marx Music Page at Yahoo!
• Richard Marx at the Internet Movie Database

Seongha Jeong (정성하) (colloquially: Sungha Jung) (born 2 September 1996) is a South Korean professional acoustic finger-style guitarist who has risen to fame on YouTube and other sites. As of 2012, his channel had over 17 million views, with his videos getting a total of over 454 million views, and also over 726,000 subscribers.^[1]

Seongha typically takes three days to learn and practice a new piece, and video-record it for upload onto YouTube.^[2] His genre selection is rather broad, as he learns and plays many pieces that are playable on guitar, therefore consequently spread across numerous genres.

Seongha has won 13 awards on YouTube, including 6 "#1" awards. Also on YouTube, Seongha has 523 videos with over one million views. Seongha's video with the most views is the one which shows him playing the theme from "Pirates Of The Caribbean".

In 2010, he was featured on Narsha's solo album "Narsha" for the song "I'm in Love" Seongha has composed 18 pieces as of February 2011, two of which are featured in his debut album, "Perfect Blue". He released his second album, "Irony", on 21 September 2011.

In 2011, he performed in the US with Trace Bundy, as well as touring in Scandinavia and Japan.^[1]

See also[link]

• Yuto Miyazawa, Seongha's Japanese electric guitar-playing counterpart
• Trace Bundy, Fellow acoustic guitarist with whom Seongha collaborates
• Ulli Bögershausen, Fellow acoustic guitarist who helped him get his sponsorship with Lakewood Guitars

References[link]

External links[link]

• Official website

Kurt Schneider (7 January 1887 – 27 October 1967) was a German psychiatrist known largely for his writing on the diagnosis and understanding of schizophrenia, as well as personality disorders then known as psychopathic personalities.

Biography[link]

Schneider was born in Crailsheim, Kingdom of Württemberg, and trained in medicine in Berlin and Tübingen. He was drafted for and completed military service in World War I and later obtained a postgraduate qualification in psychiatry. In 1931 he became director of the German Psychiatric Research Institute in Munich, which was previously founded by Emil Kraepelin.

Disgusted by the developing tide of psychiatric eugenics championed by the Nazi Party, Schneider left the institute (when?) and served as an army doctor (for who?) during World War II. After the war, anti-Nazi academics were appointed to serve in, and rebuild Germany's medical institutions and Schneider was given the post of Dean of the Medical School at Heidelberg University. Schneider kept this post until his retirement in 1955.

Contributions to psychiatry[link]

Schneider was concerned with improving the method of diagnosis in psychiatry. He contributed to diagnostic procedures and the definition of disorders in the following areas of psychiatry:

Mood disorders[link]

Schneider coined the terms endogenous depression, derived from Emil Kraepelin's use of the adjective to mean biological in origin, and reactive depression, more usually seen in outpatients, in 1920.^[1]

Psychosis[link]

Like Karl Jaspers, he particularly championed diagnoses based on the form, rather than the content of a sign or symptom. For example, he argued that a delusion should not be diagnosed by the content of the belief, but by the way in which a belief is held.

He was also concerned with differentiating schizophrenia from other forms of psychosis, by listing the psychotic symptoms that are particularly characteristic of schizophrenia. These have become known as Schneiderian First-Rank Symptoms or simply, first-rank symptoms.^[2]

First-Rank Symptoms in schizophrenia[link]

• Audible thoughts (thought echo)
• Voices heard arguing
• Voices heard commenting on one's actions
• Somatic/thought passivity experiences (delusions of control)
• Thought withdrawal
• Thought insertion - Thoughts are ascribed to other people who intrude their thoughts upon the patient
• Thought broadcasting (also called thought diffusion)
• Delusional perception (i.e. taking a normal sensory perception to mean a bizarre situation such as taking seeing an aeroplane as indicating the patient should be the next president)

The reliability of using first-rank symptoms for the diagnosis of schizophrenia has since been questioned,^[3] although the terms might still be used descriptively by mental health professionals who do not use them as diagnostic aids.

A memory device that is frequently used to remember the first rank symptoms is ABCD: Auditory hallucinations, Broadcasting of thought, Controlled thought (delusions of control), Delusional perception.

Psychopathic personalities[link]

Schneider also played a key role in developing concepts of psychopathy, used in a broad sense to mean personality disorder or particularly antisocial personality disorder. He published the influential 'The Psychopathic Personalities' in 1923. This was based in part on his earlier 1921 work 'The Personality and Fate of Registered Prostitutes' where he outlined 12 character types.

Schneider sought to put psychopathy diagnoses on a morally neutral and scientific footing. He defined abnormal personality as a statistical deviation from the norm, vaguely conceptualised. He thought very creative or intelligent people had abnormal personalities by definition, but defined the psychopathic personality as those who suffered from their abnormal personality or caused suffering to society because of it. He did not see these as mental illnesses as such - thus adding to a divide, contrary to Eugene Bleuler for example, between those considered psychotic and those considered psychopathic.

Schneider's unsystematic typology was based on his clinical views. He proposed 10 psychopathic personalities: those showing abnormal mood/activity; the insecure sensitive and insecure anankastic (drifting, feckless); fanatics; self-assertive; emotionally unstable; explosive; callous; weak-willed; asthenic.

Schneider's work in this respect is said to have influenced all future descriptive typologies, including the current classifications of personality disorders in the DSM-IV and ICD-10. Nevertheless, Schneider is considered to not exactly have succeeded in his attempted and claimed production of a value-free non-judgemental diagnostic system.^[4] In fact, Schneider's mixing of the medical and the moral has been described as the most noteworthy aspect of this work, which has been linked back to German reception of Cesare Lombroso's theory of the 'born criminal', redefined by Emil Kraepelin and others (see also Koch) in to psychiatric terms as a 'moral defect'. After World War I it lived on in Schneider's 'gemutolos' (compassionless) psychopaths, or what Karl Birnbaum called 'amoral' psychopaths. It has been described as remarkable that Schneider criticized Kraepelin and others for basing their personality diagnoses on moral judgements, yet appeared to do so himself. For example, Schneider admitted that the 'suffering of society' was a 'totally subjective' and 'teleological’ criterion for defining psychopathic personalities, but said that in 'scientific studies' this could be avoided by operating by the broader statistical category of abnormal personalities, which he believed were always congenital and therefore largely hereditary. The attempt to finesse the problem of value judgments has been described as 'clearly unsatisfactory'.^[5]

See also[link]

• Karl Jaspers
• Schizophrenia

References[link]

1. ^ Schneider, Kurt (1920). "Die Schichtung des emotionalen Lebens und der Aufbau der Depressionszustände". Zeitschrift für die gesamte Neurologie und Psychiatrie 59: 281–86. DOI:10.1007/BF02901090. 
2. ^ Schneider, K. Clinical Psychopathology. New York: Grune and Stratton. 1959.
3. ^ Bertelsen A (2002). "Schizophrenia and related disorders: experience with current diagnostic systems". Psychopathology 35 (2–3): 89–93. DOI:10.1159/000065125. PMID 12145490. 
4. ^ Henning Sass & Alan Felthous (2008) Chapter 1: History and Conceptual Development of Psychopathic Disorders in International Handbook on Psychopathic Disorders and the Law. Edited by Alan Felthous, Henning Sass
5. ^ Richard F. Wetzell (2000) Inventing the criminal: a history of German criminology, 1880-1945 pg 148 & 297