This article relies largely or entirely upon a single source. Please help improve this article by introducing citations to additional sources. Discussion about the problems with the sole source used may be found on the talk page. (January 2012)

Jeff Glor (born July 12, 1975)^[1] is an American broadcast journalist. He anchors the Sunday edition of CBS Evening News and serves as a special correspondent for CBS This Morning. He also frequently fills in co-hosting CBS This Morning Saturday.

He was the news anchor of CBS News' The Early Show until January 2012. Prior to The Early Show, he served as anchor of the Saturday edition of the CBS Evening News and was a national correspondent for all CBS News broadcasts. Previously, he was a national correspondent for The Early Show from April 2007 until February 2009. In January 2010, Glor was one of the first journalists on the ground in Haiti following that country’s devastating earthquake.

He has reported from Iraq, where he was embedded with U.S. soldiers and conducted a one-on-one interview with Gen. David Petraeus. Glor traveled to China in August 2008 to cover the Beijing Olympic Games and to Vancouver, Canada, in February 2010 to cover the Winter Games. In 2008, Glor was a lead member of the CBS News team that covered Pope Benedict XVI's historic visits to Washington, D.C. and New York City. He served as The Early Show's primary campaign correspondent during the 2008 presidential election. In July 2011, Glor was in Norway to cover the twin terror attacks in and near Oslo.

In October 2011, he won an Emmy for his Sunday Morning report on the aging steel town of Braddock, Pennsylvania. Also at CBS, he created and produces the blog "Author Talk". A video version was launched late in 2011.^[2]

Prior to joining CBS News, Glor served as the weekend evening news anchor and a weekday reporter for WHDH-TV Boston from 2003 through 2007. Before that, he was co-anchor of WSTM-TV Syracuse's 5 p.m. newscast and a reporter for the 11 p.m. newscast (2000–03), as well as the morning news anchor (1997–2000). During that time, Glor's newscast rose to become the No. 1 morning program in the market. He began his journalism career in 1997 as a part-time writer at WSTM, while attending college.^[3]

Encomiums[link]

In Central New York, Glor was named "Best Male News Anchor" by the Syracuse New Times, and one of the 40 most promising professionals under the age of 40. He served as a contributing researcher and writer on The Legal Handbook for N.Y. State Journalists.^{[citation needed]}

Personal[link]

Glor was born in Tonawanda, New York. He graduated magna cum laude from Syracuse University in 1997 with dual degrees in journalism, from the S.I. Newhouse School of Public Communications, and economics. At Syracuse, Glor was awarded the Henry J. Wolff prize, given to the Newhouse student "most proficient in journalism".^[4]

A fan of the Buffalo Bills, on August 30, 2011 he interviewed former Bills head coach Marv Levy on The Early Show.^[5]

Family[link]

Glor and his wife Nicole (née Glab) live in New York and have a son.

References[link]

External links[link]

• Story about Glor's new job description effective January 9, 2012 (with photo) in the New York Post

Tom Chiarella is Visiting Professor of Creative Writing^[1] at DePauw University and writer-at-large and fiction editor of Esquire Magazine.^[2]

Born Rochester NY (1961), he received a BA in Studio Art/Writing at St. Lawrence University, 1983, and an MFA in Fiction Writing from the University of Alabama (1987).

Chiarella has written on movies, television, sports, culture, masculinity, food and culinary arts, self-improvement, drug addiction, architecture and sexuality. He's authored in-depth profiles and/or cover stories on actors Halle Berry, Charlize Theron, Daniel Craig, Ben Affleck, Ryan Gosling, Liam Neeson, Clive Owen, Brooklyn Decker, Carmen Electra, athletes (New England Patriots Quarterback) Tom Brady, (NBA player) Gilbert Arenas, (PGA Golfer) John Daly (for which he won a feature writing award from the Golf Writers Association of America), (retired NFL Lineman) Kyle Turley and media figures (Billy Bush). Alongside the dozens articles in Esquire since 1996, his magazine work appeared in The New Yorker, Golf Digest, Links, O: The Oprah Magazine, The London Observer, Men's Style (Australia), Forbes.com, Fashion (Canada), Washington Golf Monthly, Links, Travel & Leisure Golf, Indianapolis Monthly, Indy Men's Magazine, Hemispheres, and has been syndicated internationally in 21 countries. He periodically writes an on-line column for Esquire.com called "Advice About Women." Twice a finalist for the National Magazine Award, he won in 2009 as part of an Esquire writing team for The Esquire Almanac of Steak, his contribution being a feature called "Butcher," the memoir of his stint as butcher for Kincaid's Meats in Indianapolis, IN. Selected for Best American Magazine Writing twice (2004 & 2009), named by Sport Illustrated.com as the "best golf writer you never heard of," Chiarella's work has further been cited in Best American Essays, Best American Travel Writing and Best American Sports Writing.

In 2005, he held the post of as Fiction Editor of Esquire, publishing the works of Stephen King, Daniel Woodrell, Ralph Lombreglia, Chris Adrian, James Lee Burke, Gary Shytengart and others. He returned to writing for the magazine full-time in 2009.

A periodic guest on radio talk shows around the world, Chiarella has made television appearances on "E: Hollywood True Story" and "The TV Guide 2011 Preview of the Oscars." In 2008, he worked as a consultant for NBC on the development of a television show based on his life, tentatively titled "It's Tom, in Indiana" (not picked up for pilot). In summer of 2011, he worked as a Consulting Producer in the development of the new Rosie O'Donnell show, returning to Esquire at the close of that summer.

He currently lives in Greencastle, IN.

Published works[link]

• Foley's Luck (hardcover), Knopf, 1992.
• Writing Dialogue (Paperback), F & W Publications, January 1996, ISBN 978-1-884910-32-6
• Thursday's Game (Paperback), Emmis Books, 2004.

References[link]

This article about a fiction writer from the United States is a stub. You can help Wikipedia by expanding it. v t e

Natalie Wood
Natalie Wood in 1965
Born	Natalia Nikolaevna Zacharenko July 20, 1938 San Francisco, California, United States
Died	November 29, 1981(1981-11-29) (aged 43) Santa Catalina Island, California, United States
Other names	Natasha Gurdin Natalie Wood Wagner
Occupation	Actress
Years active	1943–1981
Spouse	Robert Wagner (m. 1957–1962) «start: (1957)–end+1: (1963)»"Marriage: Robert Wagner to Natalie Wood" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Natalie_Wood) Richard Gregson (m. 1969–1972) «start: (1969)–end+1: (1973)»"Marriage: Richard Gregson to Natalie Wood" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Natalie_Wood) Robert Wagner (m. 1972–1981) «start: (1972)–end+1: (1982)»"Marriage: Robert Wagner to Natalie Wood" Location: (linkback:http://en-wiki.pop.wn.com/index.php/Natalie_Wood)(her death)
Children	Natasha Gregson (b. 1970) Courtney Wagner (b. 1974)
Relatives	Lana Wood (sister)

Natalie Wood (born Natalia Nikolaevna Zakharenko; Russian: Наталья Николаевна Захаренко;^[1] July 20, 1938 – November 29, 1981) was an American film and television actress best known for her screen roles in Miracle on 34th Street, Splendor in the Grass, Rebel Without a Cause, and West Side Story. After first working in films as a child, Wood became a successful Hollywood star as a young adult, receiving three Academy Award nominations before she was 25 years old.

Wood began acting in movies at the age of four and at age eight was given a co-starring role in the classic Christmas film Miracle on 34th Street.^[2] As a teenager, her performance in Rebel Without a Cause (1955) earned her a nomination for the Academy Award for Best Supporting Actress. She starred in the musical films West Side Story (1961) and Gypsy (1962), and received Academy Award for Best Actress nominations for her performances in Splendor in the Grass (1961) and Love with the Proper Stranger (1963).

Her career continued with films such as Bob & Carol & Ted & Alice (1969). After this she took a break from acting and had two children, appearing in only two theatrical films during the 1970s. She was married to actor Robert Wagner twice, and to producer Richard Gregson in between the marriages to Wagner. She had one daughter by each: Natasha Gregson and Courtney Wagner. Her younger sister, Lana Wood, is also an actress.

Wood starred in several television productions, including a remake of the film From Here to Eternity (1979) for which she won a Golden Globe Award. During her career, from child actress to adult star, her films represented a "coming of age" for both her and Hollywood films in general.^[3]

At age 43, Wood drowned near Santa Catalina Island, California at the time her last film, Brainstorm (1983), was in production with co-star Christopher Walken. Her death was declared an accident. Although the Los Angeles County Sheriff's Department reopened the case in late 2011 based on new witness statements, no evidence to contradict that original conclusion was found.^[4]

Early years[link]

Wood was born Natalia Nikolaevna Zacharenko in San Francisco to Russian immigrant parents Nikolai Stepanovich Zakharenko and Maria Stepanovna (née Zudilova; 1912–1998). As an adult, she stated, "I'm very Russian, you know."^[5] She spoke both Russian and English.^[6] Her father was born in Vladivostok and he, his mother, and two brothers, immigrated to Montreal, Quebec, and later to San Francisco. There, he worked as a day laborer and carpenter.^[7][8] Her paternal grandfather Stepan worked in a chocolate factory in Russia and was killed in street fighting between Red and White Russian soldiers in 1918.^[7] Natalie's mother originally came from Barnaul, southern Siberia, but grew up in the Chinese city of Harbin.^[7] She described her family by weaving mysterious tales of being either gypsies or landowning aristocrats.^[9] In her youth, her mother dreamed of becoming an actress or ballet dancer. She was raised as a Russian Orthodox Christian and remained in the church.

Biographer Warren Harris writes that under the family's "needy circumstances", her mother may have transferred those ambitions to her middle daughter, Natalie. Her mother would take Natalie to the movies as often as she could: "Natalie's only professional training was watching Hollywood child stars from her mother's lap," notes Harris.^[10] Wood would later recall this time period:

My mother used to tell me that the cameraman who pointed his lens out at the audience at the end of the Paramount newsreel was taking my picture. I'd pose and smile like he was going to make me famous or something. I believed everything my mother told me.^[10]

Shortly after Wood's birth in San Francisco, her family moved to nearby Sonoma County, and lived in Santa Rosa, California, where Wood was noticed during a film shoot in downtown Santa Rosa. Her mother soon moved the family to Los Angeles and pursued a career for her daughter. Wood's younger sister, Svetlana Zacharenko — now known as Lana Wood — also became an actress and later a Bond girl. She and Lana have an older half sister, Olga Viriapaeff. Though Natalie had been born "Natalia Zacharenko", her father later changed the family name to "Gurdin" and Natalie was often known as "Natasha", the diminutive of Natalia. The studio executives at RKO Radio Pictures later changed her name to "Natalie Wood", a name she never liked.

Child actress[link]

Wood made her film début a few weeks before turning five during a fifteen-second scene in the 1943 film Happy Land. Despite the brief part, she attracted the notice of the director, Irving Pichel, who remained in contact with Wood's family for two years when another role came up. The director telephoned Wood's mother and asked her to bring her daughter to Los Angeles for a screen test. Wood's mother became so excited at the possibilities, she overreacted and "packed the whole family off to Los Angeles to live," writes Harris. Wood's father opposed the idea, but his wife's "overpowering ambition to make Natalie a star" took priority.^[11] According to Wood's sister, Lana Wood, Pichel "discovered her and wanted to adopt her."^[12]

Wood, then seven years old, got the part and played a German orphan opposite Orson Welles and Claudette Colbert in Tomorrow Is Forever. Welles later said that Wood was a born professional, "so good, she was terrifying."^[13] After Wood acted in another film directed by Pichel, her mother signed her up with 20th Century Fox studio for her first major role, the 1947 Christmas classic Miracle on 34th Street; the film made her one of the top child stars in Hollywood. Within a few months after the film's release, Wood was so popular that Macy's invited her to appear in the store's annual Thanksgiving Day parade.^[11]

Film historian John C. Tibbetts writes that for the next few years following her success in Miracle, Wood played roles as a daughter in a series of family films: Fred MacMurray's daughter in Father Was a Fullback and Dear Brat, Margaret Sullavan's daughter in No Sad Songs for Me; James Stewart's daughter in The Jackpot; Joan Blondell's neglected daughter in The Blue Veil; and daughter of Bette Davis' character in The Star.^[3] In all, Wood appeared in over 20 films as a child.

Because she was a minor, Wood's formal education took place on the studio lots wherever she was contracted. California law required that until age 18, actors had to spend at least three hours per day in the classroom, notes Harris. "She was a straight A student," and one of the few child actors to excel at arithmetic. Director Joseph L. Mankiewicz, who directed her in The Ghost and Mrs. Muir (1947), said that "In all my years in the business, I never met a smarter moppet."^[11] Wood remembered that period in her life:

I always felt guilty when I knew the crew was sitting around waiting for me to finish my three hours. As soon as the teacher let us go, I ran to the set as fast as I could.^[11]

As a child actress, Wood received media attention. By age nine, she had been named the "most exciting juvenile motion picture star of the year" by Parents. At age twelve, Wood was judged Child Star of the Year by the Children's Day National Council of New York.

Teen stardom[link]

With James Dean in Rebel Without a Cause (1955)

In the 1953-1954 television season, Wood played Ann Morrison, the teenage daughter in the ABC situation comedy, The Pride of the Family, with Paul Hartman cast as her father, Albie Morrison; Fay Wray, as her mother, Catherine; and Robert Hyatt, as her brother, Junior Morrison.^[14]

Wood successfully made the transition from child star to ingenue at age 16 when she co-starred with James Dean and Sal Mineo in Rebel Without a Cause, Nicholas Ray's film about teenage rebellion. She was nominated for an Academy Award for Best Supporting Actress. She followed this with a small but crucial role in John Ford's western The Searchers which starred John Wayne and also featured Wood's sister, Lana, who played a younger version of her character in the film's earlier scenes.

Wood graduated in 1956 from Van Nuys High School.^[6]

Signed to Warner Brothers, Wood was kept busy during the remainder of the decade in many 'girlfriend' roles that she found unsatisfying. The studio cast her in two films opposite Tab Hunter, hoping to turn the duo into a box office draw that never materialized. Among the other films made at this time were 1958's Kings Go Forth and Marjorie Morningstar. As Marjorie Morningstar, Wood played the role of a young Jewish girl in New York City who has to deal with the social and religious expectations of her family, as she tries to forge her own path and separate identity.

However, she had her detractors. The film critic Pauline Kael referred to her as "clever little Natalie Wood" the "most machine-tooled of Hollywood ingenues.^[3]

Adult career[link]

Wood's characters in Rebel Without a Cause, The Searchers (a classic western directed by John Ford) and Marjorie Morningstar began to show her range of acting style widening considerably, observes Tibbetts.^[3] Her former "childlike sweetness" was now being combined with a noticeable "restlessness that was characteristic of the youth of the 1950s." After Wood appeared in the box office flop All the Fine Young Cannibals, her career was salvaged by her casting in director Elia Kazan's Splendor in the Grass (1961) opposite Warren Beatty, which earned Wood Best Actress Nominations at the Academy Awards, Golden Globes and BAFTA Awards.

[edit] Splendor in the Grass (1961)

Wood's career was in a transition period, having until then been cast primarily in roles as a child or teenager. She was now hoping to be cast in adult roles. Biographer Suzanne Finstad notes that a "turning point" in her life as an actress took place upon seeing the film A Streetcar Named Desire: "She was transformed, in awe of director Elia Kazan and of Vivien Leigh's performance... [who] became a role model for Natalie."^[15] "Her roles raised the possibility that one's sensitivity could mark a person as a kind of victim," noted Tibbetts.^[3]

In 1961, after a "series of bad films, her career was already in decline," notes Rathgeb.^[16] Kazan himself writes that the "sages" of the film community declared her as "washed up" as an actress, although he still wanted to interview her for his next film:

When I saw her, I detected behind the well-mannered 'young wife' front a desperate twinkle in her eyes... I talked with her more quietly then and more personally. I wanted to find out what human material was there, what her inner life was... Then she told me she was being psychoanalyzed. That did it. Poor R.J., I said to myself. I liked Bob Wagner, I still do.^[17]

Kazan cast Wood as the female lead in Splendor in the Grass, and her career rebounded. He felt that despite her earlier, innocent roles, she had the talent and maturity to go beyond. In the film, Warren Beatty's character was deprived of sexual love with Natalie, and as a result turns to a prostitute; Natalie likewise couldn't handle the issue, but ended up in a mental institution. Kazan writes that he cast her in the role partly because he saw in Wood's personality a "true-blue quality with a wanton side that is held down by social pressure," adding that "she clings to things with her eyes," a quality he found especially "appealing."^[3]

Finstad feels that despite Wood's never receiving training in Method acting techniques, "working with Kazan brought her to the greatest emotional heights of her career. The experience was exhilarating but wrenching for Natalie, who faced her demons on Splendor."^[18] She adds that a scene in the film, as a result of "Kazan's wizardry ... produced a hysteria in Natalie that may be her most powerful moment as an actress."^[19] Actor Gary Lockwood, who also acted in the film, felt that "Kazan and Natalie were a terrific marriage, because you had this beautiful girl, and you had somebody that could get things out of her." Kazan's favorite scene in the movie was the last one, when Wood goes back to see her lost first love, Bud (Beatty). "It's terribly touching to me. I still like it when I see it," writes Kazan.^[20]

[edit] West Side Story (1961)

In 1961 Wood played Maria in the Jerome Robbins and Robert Wise musical West Side Story which was a major box office and critical success.

Tibbetts notes similarities in her role in this film and the earlier Rebel Without a Cause. Here, she also plays the role of a restless adolescent which reflected the "restlessness of American youth in the 1950s," expressed by youth gangs and juvenile delinquency, along with early Rock and Roll. Both films, he observes, were "modern allegories based on the 'Romeo and Juliet' theme, including private restlessness and public alienation. Where in Rebel she falls in love with the character played by James Dean, whose gang-like friends and violent temper alienated him from his family, in West Side Story she also enters into a romance with a gang member and his threatening world of outcasts, also alienated from their families and the law.^[3]

Although the singing parts were sung by Marni Nixon, West Side Story is still regarded as one of Wood's best films. Wood did sing when she starred in the 1962 film, Gypsy. She co-starred in the slapstick comedy The Great Race (1965), with Jack Lemmon, Tony Curtis, and Peter Falk. Her ability to speak Russian was an asset given to her character "Maggie DuBois", justifying the character to record the progress of the race across Siberia, and entering the race at the beginning as a contestant. Wood then received her third Academy Award nomination and another Golden Globe award in 1964 for Love with the Proper Stranger, opposite Steve McQueen.

Although many of Wood's films were commercially profitable, her acting was criticized at times. In 1966 she won the Harvard Lampoon Worst Actress of the Year Award. She was the first performer in the award's history to accept it in person and the Harvard Crimson wrote she was "quite a good sport."^[21] Director Sydney Pollack was quoted as saying about Wood, "When she was right for the part, there was no one better. She was a damn good actress." Other notable films starring Wood were Inside Daisy Clover (1965) and This Property Is Condemned (1966), both of which co-starred Robert Redford and brought subsequent Golden Globe nominations for Best Actress. In both films, which were set during the Great Depression, Wood played small-town teens with big dreams. After the release of the films, Wood suffered emotionally and sought professional therapy.^[22] During this time, she turned down the Faye Dunaway role in Bonnie and Clyde because she did not want to be separated from her analyst.^[22]

After three years away from acting, Wood played a swinger in Bob & Carol & Ted & Alice (1969), a comedy about sexual liberation. The film was one of the top ten box-office hits of the year, and Wood received ten percent of the film's profits.^[22] According to Tibbets, this was the first film in which "the saving leavening of humor was brought to bear upon the many painful dilemmas portrayed in her adult films."^[3]

After becoming pregnant with her first child, Natasha Gregson, in 1970, Wood went into semi-retirement and acted in only four more theatrical films during the remainder of her life. She made a very brief cameo appearance as herself in The Candidate (1972), reuniting her for a third time with Robert Redford. She also reunited on the screen with Robert Wagner in the television movie of the week The Affair (1973) and with Laurence Olivier and husband Wagner in an adaptation of Cat on a Hot Tin Roof (1976) broadcast as a special by NBC. She made cameo appearances on Wagner's prime-time detective series Switch in 1978 as "Bubble Bath Girl" and Hart to Hart in 1979 as "Movie Star." During the last two years of her life, Wood began to work more frequently as her daughters reached school age.

Wood in 1981

Film roles Wood turned down during her career hiatus went to Ali MacGraw in Goodbye, Columbus; Mia Farrow in The Great Gatsby; and Faye Dunaway in The Towering Inferno.^[22] Later, Wood chose to star in misfires like the disaster film Meteor (1979) with Sean Connery and the sex comedy The Last Married Couple in America (1980), although her own performance in the latter was praised, and considered reminiscent of her performance in Bob & Carol & Ted & Alice. It was also in Last Married Couple that Wood broke ground by being an actress with a clean, middle class image, yet using the 'F' word in a frank, marital discussion with her husband (George Segal). She found more success in television, receiving high ratings and critical acclaim in 1979 for The Cracker Factory and especially the miniseries film Here to Eternity with Kim Basinger and William Devane. Wood's performance in the latter won her a Golden Globe Award for Best Actress in 1980. Later that year, she starred in The Memory of Eva Ryker which proved to be her last completed production.

At the time of her death, Wood was filming the science fiction film Brainstorm (1983), co-starring Christopher Walken and directed by Douglas Trumbull. She was also scheduled to star in a theatrical production of Anastasia with Wendy Hiller and in a film called Country of the Heart, playing a terminally ill writer who has an affair with a teenager, to be played by Timothy Hutton.^[22] Due to her untimely death, both of the latter projects were canceled and the ending of Brainstorm had to be re-written. A stand-in and sound-alikes were used to replace Wood for some of her critical scenes. The film was released posthumously on September 30, 1983, and was dedicated to her in the closing credits.

Wood appeared in 56 films for cinema and television. Following her death, Time magazine noted that although critical praise for Wood had been sparse throughout her career, "she always had work."^[23]

Personal life[link]

Marriages[link]

Natalie Wood's two marriages to actor Robert Wagner were highly publicized. Wood said she had had a crush on Wagner since she was a child,^[2] and on her 18th birthday she went on a studio-arranged date with the 26-year-old actor. They married a year later on December 28, 1957, a marriage which met with great protest from Wood's mother. In an article in February 2009, Wagner recalled their early romance:

I saw Natalie around town but she never seemed interested. She was making Rebel Without a Cause and hanging out with James Dean; I was with an older crowd. The first time I remember really talking to her was at a fashion show in 1956. She was beautiful, but still gave no hint about the mad crush she had on me. I later found out she had signed with my agent simply because he was my agent. A month later, I invited Natalie to a premiere on what turned out to be her 18th birthday. At dinner, we both sensed things were different. I sent her flowers and the dates continued. I remember the instant I fell in love with her. One night on board a small boat I owned, she looked at me with love, her dark brown eyes lit by a table lantern. That moment changed my life.^[24]

A year after their wedding, Wood expressed her feelings in a letter to her new husband:

"You are my husband, my child, my strength, my weakness, my lover, my life."^[25]

Wood and Wagner separated in June 1961 and divorced in April 1962.

On May 30, 1969, Wood married British producer Richard Gregson. The couple dated for two and a half years prior to their marriage, while Gregson waited for his divorce to be finalized.^[22] They had a daughter, Natasha Gregson (born September 29, 1970). They separated in August 1971 after Wood overheard an inappropriate telephone conversation between her secretary and Gregson.^[22] The split also marked a brief estrangement between Wood and her family, when mother Maria and sister Lana told her to reconcile with Gregson for the sake of her newborn child. She filed for divorce, and it was finalized in April 1972.

In early 1972, Wood resumed her relationship with Wagner. The couple remarried on July 16, 1972, just five months after reconciling and only three months after she divorced Gregson. Their daughter, Courtney Wagner, was born on March 9, 1974. They remained married until Wood's death seven years later on November 29, 1981.

Other relationships[link]

Biographer Suzanne Finstad writes that Wood had a relationship with director Nicholas Ray, director of Rebel Without a Cause, when she was 16 and he was 43.^[22] During her teens, Wood went on studio-arranged dates with older men, including actors Tab Hunter and Nick Adams,^[22] and dated actor Raymond Burr, when she was 17 and he was 38.^[26] Wood also dated actors Michael Caine, Steve McQueen, Tony Curtis, Warren Beatty, Dennis Hopper, singer Elvis Presley, director Henry Jaglom, and politician Jerry Brown.^[22][27]

Among her celebrity friends were fellow child performers Margaret O'Brien, Carol Lynley and Stefanie Powers.^[22][28][29]

Death[link]

Natalie Wood's Star on the Hollywood Walk of Fame

Wood died by accidental drowning while on a weekend trip to Santa Catalina Island with her husband, Robert Wagner, actor Christopher Walken, and the boat's captain, Dennis Davern. Many facts surrounding her drowning are unknown, as no one saw how she entered the water. Los Angeles County coroner Thomas Noguchi ruled her death an accident by drowning and hypothermia following his investigation.^[30] According to the autopsy report, Wood had dozens of bruises on her body, including injuries to her face and arms. The autopsy found that her blood alcohol level was .14, and an examining doctor stated that it was higher when she went overboard. They also found two types of medication in her bloodstream: Cyclivine, a sea-sickness pill, and Darvon, a painkiller, which they believed caused a "much more drunken state" when combined with alcohol.^[31] The case was reopened in late 2011 based on new witness statements, and after nearly two months of further investigation, no new evidence to contradict the original conclusion and cause of death was found.^[4]

Natalie Wood was buried in Westwood Village Memorial Park Cemetery. Scores of international media and photographers as well as the public tried to attend Wood's funeral at Westwood Village Memorial Park Cemetery; however, all were required to remain outside the Westwood Village Memorial Park Cemetery walls. Among the celebrity attendees were Frank Sinatra, Elizabeth Taylor, Fred Astaire, Rock Hudson, David Niven, Gregory Peck, Gene Kelly, Elia Kazan and Sir Laurence Olivier. Olivier, who had worked with Wood and Wagner in their 1976 television production of Cat on a Hot Tin Roof, flew from London to Los Angeles to attend the service.^[32]

Filmography[link]

Film[link]

Television[link]

Other awards[link]

Bibliography[link]

• Finstad, Suzanne (2001). Natasha: The Biography of Natalie Wood (Biography). Three Rivers Press. ISBN 978-0-60-980957-0. http://books.google.com/?id=wU0uhbkAK2AC&dq=isbn=9780609809570. Retrieved 2010-07-24. 
• Frascella, Lawrence and Al Weisel. Live Fast, Die Young: The Wild Ride of Making Rebel Without a Cause. Touchstone, 2005. ISBN 0-7432-6082-1.
• Lambert, Gavin (2004). Natalie Wood: A Life (Biography). London: Faber and Faber. ISBN 978-0-57-122197-4. http://books.google.com/?id=9nqgPwAACAAJ&dq=isbn=9780571221974. Retrieved 2010-07-24. 
• Harris, Warren G. (1988). Hollywood's Star-Crossed Lovers "Natalie and R.J." (Biography) (First ed.). Doubleday. ISBN 978-0-38-523691-1. http://books.google.com/books?id=iW-fQAAACAAJ&dq=isbn=0385236913&cd=1. Retrieved 2010-07-24. 
• Nickens, Christopher. Natalie Wood: A Biography in Photographs. Doubleday, 1986. ISBN 0-385-23307-8.
• Noguchi, Thomas T. Coroner. Simon & Schuster (October 1983). ISBN 0671467727.
• Rulli, Marti and Dennis Davern. Goodbye Natalie Goodbye Splendour. Medallion, 2009. ISBN 1597776394.
• Tibetts, John C. and James M. Welsh (eds.). American Classic Screen Profiles, Scarecrow Press, 2010. ISBN 0810876760.
• Wood, Lana. Natalie: A Memoir by Her Sister. Putnam Pub Group, 1984. ISBN 0-399-12903-0.

References[link]

External links[link]

Wikimedia Commons has media related to: Natalie Wood

• Natalie Wood at the Internet Movie Database

• Natalie Wood Style and Beauty
• Natalie Wood at Who2

Marvin Daniel Levy (born August 3, 1925) is a former American and Canadian football coach, front office executive and author.

He is a former professional football coach, in the CFL as head coach of the Montreal Alouettes (1973–1977), and in the NFL as head coach of the Kansas City Chiefs (1978–1982) and the Buffalo Bills (1986–1997), coaching the Bills to four consecutive American Football Conference Championships. He was elected to the Pro Football Hall of Fame in 2001.