CBS Columbia Square
CBS Columbia Square in April 2007
Location:	6121 Sunset Boulevard, Hollywood, Los Angeles, California
Coordinates:	34°05′54″N 118°19′23″W / 34.098293°N 118.323087°W / 34.098293; -118.323087Coordinates: 34°05′54″N 118°19′23″W / 34.098293°N 118.323087°W / 34.098293; -118.323087
Built:	1938
Architect:	William Lescaze
Architectural style(s):	International Modernism
Los Angeles Historic-Cultural Monument
Official name: CBS Columbia Square Studios
Designated:	March 10, 2009
Reference #:	947
Location of CBS Columbia Square in Los Angeles

CBS Columbia Square, located at 6121 Sunset Boulevard in Hollywood, Los Angeles, California, was the home of CBS's Los Angeles radio and television operations from 1938 until 2007. The building housed the CBS Radio Network's West Coast facilities, as well as CBS' original Los Angeles radio stations, KNX and KCBS-FM. KNXT-TV, Channel 2 (now KCBS-TV) moved into the complex in 1960, and the CBS Television Network's West Coast operations were based there until it moved to the larger CBS Television City in November 1952. After its purchase by CBS in 2002, KCAL-TV moved to the Square from studios adjacent to CBS' then-corporate sibling Paramount Pictures. Between 2004 and 2007 all of these operations moved to other facilities in the Los Angeles area.

Architecture and dedication[link]

Columbia Square was built for KNX and as the Columbia Broadcasting System's West Coast operations headquarters on the site of the Nestor Film Company, Hollywood's first movie studio. The Christie Film Company eventually took over operation of Nestor Studios and filmed comedies on the site, originally the location of an early Hollywood roadhouse. Prior to moving to Columbia Square, KNX had been situated at several Hollywood locations.

Columbia Square was designed by Swiss-born architect William Lescaze^[1] in the style of International Modernism and built over a year at a cost of two million dollars — more money than had ever been spent on a broadcasting facility.

Lescaze's sweeping streamline motifs, porthole windows and glass brick were true to Modernist design, though CBS President William Paley insisted the Square's form follow function. In his dedicatory speech, he remarked, "It is because we believe these new Hollywood headquarters, reflecting many innovations of design and acoustics and control, will improve the art of broadcasting that we have built them and are dedicating them here tonight."

Columbia Square opened on April 30, 1938 with a full day of special broadcasts culminating in the star-studded evening special, "A Salute to Columbia Square" featuring Bob Hope, Al Jolson and Cecil B. DeMille. Crowds thronged Sunset Boulevard and a blimp bathed in searchlights hovered overhead as the program was carried coast-to-coast on the Columbia Broadcasting System, beamed to Europe via short wave, and carried across Canada on the CBC. On that premiere broadcast, Hope joked that Columbia Square looked like "the Taj Mahal with a permanent wave." Jolson quipped, "It looks like Flash Gordon's bathroom."

The Square's original configuration included eight studios. Studios 1 to 4 were to the left of the main entrance. Upstairs were Studios 5 and 6 as well as Studio 7. At the back of the forecourt was the large auditorium referred to as the "Columbia Playhouse" and it seated an audience of 1050. In 1940 to the east of the auditorium were constructed two new audience theatres which were called "Studio B" and "Studio C" with each seating approximately 350 people. Shows such as Jack Benny's Lucky Strike Program and The Adventures of Ozzie and Harriet emanated from Studio B. Lucille Ball's My Favorite Husband, Blondie^{[disambiguation needed ]}, and Dr. Christian are a few of the shows that used Studio C. When B and C were built, the Columbia Playhouse then took the letter designation of "Studio A". Studio A was home to "The Silver Theatre", "The Swan Show starring George Burns and Gracie Allen", "The Lady Esther Screen Guild Players" and countless others. The complex included Brittingham's Radio Center Restaurant, a men's clothing store, and a branch of the Bank of America. Tours of the studios cost 40 cents and passed by a glass-windowed control room housing Columbia's West Coast master control.

"Columbia Square was one of the glories of radio. It was somewhat sacred to those in the industry. There was nothing comparable to its splendor in New York" says writer-producer Norman Corwin whose most famous broadcast, On a Note of Triumph, originated from the Square on VE Day, 1945.

In early 2009, CBS Columbia Square Studios were designated as a historic-cultural monument by Los Angeles Cultural Heritage Commission and the City Council.

Programs[link]

Columbia Square became home to some of the best-known comedies of radio's golden age. Jack Benny, Burns and Allen, Edgar Bergen, Red Skelton, Eve Arden "(Our Miss Brooks)," "Blondie," Jack Oakie and Steve Allen sparked to the airways from the Square.

Dramas included "Suspense," "Gunsmoke," "Dr. Christian," "The Whistler," "Yours Truly, Johnny Dollar," "The CBS Radio Workshop" (author Aldous Huxley introduced a production of "Brave New World") and "Columbia Presents Corwin" (dramas produced by Norman Corwin.)

Musical acts performing at Columbia Square included Eddie Cantor, Rosemary Clooney, Bing Crosby and Gene Autry. Composer Bernard Hermann frequently scored and conducted Columbia Square broadcasts. Through the facilities of KNX, the Columbia network broadcast big band music from nearby ballrooms including the Hollywood Palladium and the Earl Caroll Theater.

In the 2005 KNX broadcast, "A Salute to Columbia Square," announcer George Walsh recalled crowds jamming the Square's forecourt for tickets to live broadcasts. (Ushers would sometimes walk down Sunset Blvd. to NBC's studios at Vine Street to urge audience members to watch a Columbia Square broadcast instead.) After their on-air appearances, actors would dash to the Radio Actors Telephone Exchange in the Square's lobby to check with their agents about their next bookings.

Bob Crane was a top-rated KNX deejay at Columbia Square in the 1960s. James Dean was an usher. The pilot for I Love Lucy was filmed on the Square's stages in TV's early years. Some of the Square's once-luxurious radio theaters were converted to recording studios for Columbia Records where Bob Dylan and Barbra Streisand, among many top stars, recorded albums.

Today[link]

KNX moved into new studios in the Miracle Mile neighborhood on L.A.'s Wilshire Boulevard which it shares with CBS Radio stations KFWB, KTWV, and KRTH. KNX, the last radio station to operate in Hollywood, moved after 67 years of operation at the Square just after 11:00 p.m. on August 12, 2005 following a farewell broadcast from its Columbia Square studios.^[2] On April 21, 2007, KCBS-TV and KCAL-TV left the building and moved their operations to the CBS Studio Center in Studio City, thus ending Columbia Square's status as a broadcast facility, one of a very few remaining in Hollywood.

The Square fell into disrepair during the years in which Laurence Tisch was at the helm of CBS, and asbestos problems have been cited as a reason to demolish the broadcasting venue. Columbia Square was acquired for $15 million by Sungow Corp in 2003. In August 2006, the property was acquired by Las Vegas-based developer Molasky Pacific LLC, for $66 million. It plans to redevelop the 125,000-square-foot (11,600 m²) complex to continue to attract entertainment industry tenants. It is considering options that would include adding some residential units to the office and broadcasting facility. The project is valued at $850-million and is the largest development project in Hollywood, California. Developers plan a major mixed-use project that will take up an entire city block and restore the 105,000-square-foot (9,800 m²) historic CBS building as creative office space. Other proposed elements include a 380,000-square-foot (35,000 m²) office tower, 400 housing units, 12,200 square feet (1,130 m²) of retail and a 125-room boutique style hotel. Groundbreaking is hoped for 2009.

Helmi Hisserich, regional administrator for the City of Los Angeles’ Community Redevelopment Agency, says redevelopment of Columbia Square will provide new housing, office and entertainment uses “while preserving the key historical elements of the property.”

In the fall of 2007, the location was chosen for the site of MTV's Real World: Hollywood, which is a Viacom owned show. (Viacom owned CBS until 2006, when the companies split in two, but National Amusements is still owner of the two firms.)

The National Trust for Historic Preservation and Los Angeles Conservancy have been actively engaged in efforts to preserve the Hollywood landmark.^[3][4]

References[link]

1. ^ Schmitt, F.E. (January 5, 1939). "Design for Broadcasting" (Google books). Engineering News-Record (New York: McGraw-Hill Publishing Company, Inc.) 122 (1): 12–15. http://books.google.com/?id=48ojAAAAMAAJ. Retrieved 2008-12-28. 
2. ^ Video of farewell broadcast
3. ^ http://www.nationaltrust.org/Magazine/archives/arc_news_2005/103105.htm
4. ^ http://www.laconservancy.org/issues/issues_list.php4

See also[link]

• CBS

External links[link]

• CBS corporate website
• CBS Radio website
• Columbia Broadcasting System at the Museum of Broadcast Communications.
• 2005 KNX farewell broadcast, "A Salute to Columbia Square"( audio) from Michael Linder
• KNX 1070 moving from Columbia Square in Hollywood, KCBS 2's Lisa Sigell reports ASF WMV Streaming media

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (December 2009)

Louis Prima
Background information
Birth name	Louis Prima
Also known as	The King of the Swing
Born	(1910-12-07)December 7, 1910 New Orleans, Louisiana, United States
Died	August 24, 1978(1978-08-24) (aged 67) New Orleans, Louisiana, United States
Genres	Jazz Swing Traditional pop
Occupations	Singer, entertainer, trumpeter, bandleader
Instruments	Vocals, trumpet
Years active	1936–1975
Associated acts	Gia Maione, Keely Smith, Sam Butera
Website	Official website

Louis Prima (December 7, 1910^[1] – August 24, 1978) was an American singer, actor, songwriter, and trumpeter. Prima rode the musical trends of his time, starting with his seven-piece New Orleans style jazz band in the 1920s, then successively leading a swing combo in the 1930s, a big band in the 1940s, a Vegas lounge act in the 1950s, and a pop-rock band in the 1960s. In each of his musical endeavors, he incorporated his exuberant personality into his act.^{[citation needed]}

Early life[link]

Prima was from a musical family in New Orleans. His father, Anthony Prima, was the son of Leonardo Di Prima (the original family name was Di Prima), a Sicilian immigrant from Salaparuta, while his mother, Angelina Caravella, had immigrated from Ustica as a baby.^[2]

Louis Prima was the second child of Angelina Caravella and Anthony Prima. His older brother, Leon, was born in 1907. He had two younger sisters Elizabeth and Marguerite. Marguerite passed away when she was only three years old. Leon, Louis, and Elizabeth were all baptized at St. Ann's Parish. They lived in a house at 1812 St. Peter Street in New Orleans, which was mainly populated by Italians, Arabs, Jews and African Americans.^[3]

Louis's mother, Angelina, was a second generation Italian American in New Orleans. She cared much about her children's futures and made sure that each of them played an instrument. Louis was assigned the violin and started out playing at St. Ann's Parish.^[3] He became interested in jazz when he heard it streaming out of clubs from black musicians, including Louis Armstrong. At the time, segregation between blacks and whites was extremely prevalent. However, Italians and African Americans got along famously.^{[citation needed]} Each shared the same economic, social, and political values. They also embodied similar entertainment rituals. Clubs such as Matranga's, Joe Segrettas, Tonti's Social Club, and Lala's Big 25 were all owned and operated by Italians but allowed Blacks and Italians to play.^[3]

Young Louis Prima paid attention to the music streaming out of clubs and watched his older brother Leon play the cornet.^[3] Once Leon caught a break in Texas for a summer, Louis practiced continuously on his worn down cornet. It was also beneficial that his mother was with Leon, so he could play as he wished. He ambitiously formed a band in 1924 with his childhood friends Irving Fazola (clarinet) and Johnny Viviano (drums).^[3] When his mother and Leon returned, they were shocked. His mother was quite upset that he had moved on from the violin, while Leon applauded his performances with his "band" on the street corners.^{[citation needed]}

Louis Prima attended Jesuit High School but transferred to Warren Easton High in the fall of 1926^[3]. At Warren Easton, he played with the "Eastonites", the school band. In 1927, he started up a gig with Frank Federico and played in "The Whip", which was a run down French Quarter Club. The two were enthusiastic musicians and played every chance they got. By the spring of 1928, Prima decided he would drop out at Warren Easton and become a professional musician.^[3]

The Search for Success[link]

After dropping out of high school, Prima desperately wanted to make it big. He had a few unsuccessful gigs including when he joined the Ellis Stratako Orchestra in 1929.^[4] Prima, Federico and saxophonist Dave Winstein drove all the way to Florida for a gig and no one showed up. Luckily they made it to a relative's house where they were given money for gas and a meal. Prima didnt give up. He joined Joseph Cherniavsky's Orchestra in 1929 at Jefferson Parish.^[4] He was quite the performer and stood out. This may have been what made Cherniavsky fire him shortly after.^{[citation needed]} Prima was upset, but knew he would be a success. He got a temporary job playing on Steamship Capital that docked on Canal Street.^[4]

Although the Steamship Capital did not provide him with a break, he met his first wife Louise Polizzi. They married on June 25, 1929.^[4] From 1931-1932 Louis occupied his time by performing in the Avalon Club owned by his brother Leon. His first break was when Lou Forbes hired him for daily afternoon and early evening shows at The Saenger.^[4] He quickly became the most popular musician in the orchestra next to Forbes himself.^{[citation needed]} With success came a very good check, enough to support his taste in fashion, his wife, and new baby

The Big Apple[link]

New York was an extreme attraction for hungry musicians during the Great Depression. It posed numerous risks, but all of the best artists in the nation made it in New York if not anywhere else. Guy Lombardo met Louis Prima while he was performing at club Shim Sham during the Mardi Gras season of 1934^[4]. Lombardo was extremely impressed with Prima's stage performance and energy. He immediately offered him to go to New York. Eager to rise to the top, Louis had made up his mind then and there. The young Prima was on his way to New York by the time he was 23, and nothing was holding him back, not even his family.

Prima’s first gig in New York was supposed to be at a club called Leon and Eddie’s, located on 33 West 52nd street. Eddie Davis, one of the owners of the club did not hire Prima because he thought he was a negro.^[3] This misconception led to Prima’s unemployment for the next six months of his career.^{[citation needed]}

Louis Prima and his New Orleans Gang[link]

In September of 1934, Prima began recording for the Brunswick label.^[4] He recorded "That’s Where the South Begins", "Long About Midnight", "Jamaica Shout", and "Star Dust".^[4] Prima and his New Orleans Gang was a band that consisted of five musicians. Frank Pinero was the pianist, Jack Ryan played bass, Garrett McAdams played guitar, while Pee Wee Russell played clarinet.^[3] The band had their first performance at a club called the “Famous Door” owned and operated by Jack Colt^[4]. Prima’s refreshing stage presence and combination of scat and swing style allowed jazz to reach a new level. His recordings from 1935 were a combination of Dixieland and swing.^[4]

Prima and Russell were a perfect musical match. In May of 1935, the duo recorded "The Lady in Red", a national jukebox hit. They also recorded "Chinatown", "Chasing Shadows" and "Gypsy Tea Room".^[4] Martha Raye also played a role in Louis’s professional and personal life. She was a comedienne with potential to become a singer. The two featured a show at the club that granted Prima his first national debut on "The Fleischman Hour".^[4]

California[link]

By 1935 Louis decided to take his gig out to Los Angeles. His reasons for leaving may have been due to increasing problems with the Italian mob as well as wanting to expand his fame. The mob posed problems because Louis was forced to pay for protection every week and found himself getting too involved in that way of life. He moved to California to get away from that lifestyle and expand his music. During this time there was a movement for big bands and orchestras. Prima hired Louis Masinter on the string bass, a New Orleans native. He also fired McAdams so that he could have Frank Federico, his childhood friend, play the guitar.^[4]

Louis looked for opportunity to open a club almost immediately after arriving in Los Angeles. He opened up “The Famous Door” nightclub at Vine Street and Willoughby. The previous club was the Blue Heaven nightclub owned by Gene Austin. Austin turned over the lease to Louis when he went in to ask him about purchasing the club. This accomplishment had him back on track in no time. Shortly after his club was stabile, he had his first movie appearance in Rhythm on the Range in 1936, which featured a performance with Bing Crosby.

With all of his success, his marriage back in New Orleans had already failed. Louise and Louis were divorced in 1936 because Prima was found cheating on Louise back in 1933, in the French Quarter.^[4] Merely a few months later, he was involved in a new fling with Alma Ross, an actress.^[4]

Louis and Alma were quite serious and after only a few months together he asked her to marry him while he started his tour out in the Midwest. The couple faced problems in Wisconsin and Chicago because they did not meet the marital requirements. Guy Lombardo helped them out by arranging a place in South Bend, Indiana. They wed on July 25th, 1936.^[4] The couple had a few problems, one of the worst was that Louis denied much about his past. He never confessed to Alma that he had a daughter until she found out from a tax return.^[4] Louis also pushed Alma into signing with Paramount in 1937. He continued to travel along the east coast with his band.

Prima stuggled to upgrade to big band style. It was not supported by his mentors in NY or LA. With the help of Guy Lombardo he traveled to Chicago to promote his new format at the Blackhawk in October 1936.^[4] The new format was not successful. The show did not bring out Prima’s performance ability and the music sounded “overly rehearsed”. He lost money and did not pay some of his musicians.^[4]

Reinvented in New York[link]

In 1937, Prima and his smaller gang (Federico, Masinter, Pinero, and Meyer Weinberg on clarinet) returned to the "Famous Door" in New York to perform.^[5] He also appeared at Billy Rose’s Casa Manana club in May of 1938.^[5] He ranked up about a quarter million dollars throughout seven weeks at Casa Manana.^[5] He was booked by William Morris Agency in late 1938. This entailed traveling throughout the east coast. Stops were made in Boston, New York, Baltimore, Washington D.C., Philadelphia, Miami Beach, New Orleans, and St. Louis.^[5] These trips were sometimes made in the course of one night of driving. The crew always traveled by car, since it was the cheapest option.^[5]

WWII[link]

When World War II came around, many men were drafted. Prima did not have to attend the war because of a knee injury so he could continue performing.^[5] Segregation was still very much in existence during the war, but it was not supported by Mrs Eleanor Roosevelt. She heavily encouraged integration and applauded Prima for his efforts. He had grown up in a racially integrated background, and it may have been one of the primary reasons for his success.^{[citation needed]} In 1939 he was under contract to appear in black theatres in New York, Baltimore, Boston and Washington D.C.. It turns out that Mrs. Roosevelt attended his performance in D.C., and formally invited him to the President's birthday celebration.^[5] He was in pictures with the president and political powers of the country, which ultimately boosted his publicity.

By the mid 1940s, things were great for Louie Prima. People were purchasing tickets early in the morning for shows later on that evening. There was a lot of controversy in regards to the Italians, Japanese, and Germans during the middle of World War Two. Louis was extremely noble to record Italian songs, the most famous "Angelina", named after his mother. Others included “Please No Squeeza Da Banana," "Bacci Galupe (Made Love on the Stoop," and "Felicia No Capricia."^[5]

He performed the Italian songs at The Strand in New York. He brought in an incredible $440,000 in six weeks^[5]. In Detroit he could bring in about $38,000 for an afternoon performance. With all of this success, he decided to go back to Chicago to prove himself. He sold out the “Panther Room” and reinvented himself in the windy city.^[5]

Prima had some big hits in the summer of 1945 including, "My Dreams Are Getting Better All the Time" and "Bell-Bottom Trousers".^[5] As his career was growing even more, his marriage with Alma had ultimately failed. They got a divorce when she discovered he had been cheating on her with Jean Harlow, another actress.^[5] Alma was supposed to receive 15000 a year or 7.5% of his earnings. Prima ignored the payments until they piled up to about 60,000 dollars, which forced him to write a settlement check of 45,000 dollars plus $250 per week.^[5]

He quickly met a new wife, Tracelene Barrett, who was a secretary of Prima’s^[5]. She was a sweet and simple girl and he intended to keep her that way when they got married. She would manage his spending at the race track. He even bought a horse and named it Tracelene II.^[5]

With the end of the war, the music industry changed. Most couples were getting married and moving out of the city. Most of the big bands were diminishing, but Louis was able to resist for a few months. In 1947 he played more jazzy versions of music. Under the new contract with RCA Victor, he recorded "Civilization," "You Can’t Tell the Depth of the Well," "Say it with a Slap," “Valencia," and "My Flame Went Out Last Night."^[5] A few months later in November he recorded "Thousand Islands," "Mean To Me," and "Tutti Frutti Pizzicato."^[5] In 1948 Louis and Tracelene had a baby girl.^[5] He continued to work in the northeast, but cut back his orchestra.

Personality[link]

Louis Prima’s personality varied at times. To the record companies and big corporations, he showed little sympathy and was defiant in settling for an adequate salary.^[5] He wanted as much as he could get out of these corporations. For instance, Warner Brothers offered him 60,000 dollars to be in a movie on Helen Morgan’s life. He rejected the offer, and when Warner Brothers increased to 75,000, it still was not enough. He wanted $100,000 and control of his role, which was rejected by Warner Brothers.^[5] He had further disputes with Strand Theatre in New York and Majestic Records. He also did not allow a former songwriter to advertise herself as “formerly featured with Louis Prima’s orchestra”.^[5]

To his family, friends, and fans Prima was a much different person. He was very patient with fans and always autographed or took pictures with them. He also became a fatherly figure for Barbara Belle, a songwriter and secretary for Louis.^[5] On stage, he was a natural performer. He sold himself to the audience by creating shows that were funny, happy, and extremely entertaining.

Fine Taste[link]

Louis Prima was a man with exquisite taste. He shopped at all of the best clothing stores and wore top brand suits. Along with clothing, he spent much of his extra money on horses. He enjoyed gambling because it relaxed him^[5]. He had invested six figures into the horses and all seven of them were housed in Aqueduct, New York. He enjoyed getting out and riding them early in the morning. It was one of the things that relaxed him the most outside of his busy performing life. He knew everything about each of his horses and read all about training them^[5]. Another hobby was boating. He purchased a boat for his third wife Tracelene Barrett for their honeymoon in the Hudson River. ^[5]

Keely Smith[link]

Keely Smith was seventeen years old when Louie Prima laid eyes on her. Her hometown was Norfolk, Virginia. She had a unique voice that separated her from the usual sounds of nightclub singers. In August of 1948, she made a point to stop by the Surf Club in Virginia Beach to visit one of her favorite artists, Louis Prima. To her surprise, he was looking for a new female vocalist to replace Lily Ann Carol. Keely had a bathing suit on and was not allowed into the club until she had proper attire on. Luckily, someone was able to lend her some acceptable clothing and she auditioned. She ended up landing the part and traveling with the band. ^[6]

Louis signed with Columbia records in the fall of 1951 to keep up with the rapid changes in the marketing industry.^[6] Throughout the sixteen month contract his top hits consisted of "Chop Suey, Chow Mein," "Ooh-Dahdily-Dah," and "Chili Sauce".^[6] To manage his expenses, he had to drop his big band and play in low-grade clubs to support his horses. On top of it all, he divorced his third wife Tracelene on June 18, 1953.^[6] Less than a month later he was married to Keely Smith, who was half his age. The couple was perfect, she was open to criticism and he wanted to make her a star.^[6] He had to find the style that fit her correctly, especially since rock ’n’ roll was emerging. Prima was not against rock’n’roll like some other artists such as Frank Sinatra and Jackie Gleason.^[6] He accepted that the kids had "an instinct for the kind of music that’s fun to listen to and dance to."^[6]

A New Act[link]

In 1954 Prima was offered to stay at the The Sahara in Las Vegas to open his new act with Keely Smith.^[6] At the time, Vegas was booming with business and there were endless opportunities for money to be made. The dynamic duo would perform their typical act in the hotel’s Casbar Lounge. This won them over at the lounge, but Prima wanted to impress more. He called up New Orleans legendary saxophonist, Sam Butera. With Butera came his background musicians, "The Witnesses."^[6] They were talented musicians whom Prima tweaked to his liking. The act was a hit, and ultimately led Prima to sign with Capitol records in 1955.^[6]

He released his first album with Capitol records, “The Wildest,” in September of 1956.^[6] Some of the popular songs include “Just a Gigolo” and “I Ain’t Got Nobody.”^[6] In 1957 they released “The Call of the Wildest.” Keely worked with other artists to release the album "I Wish You Love," and received a Grammy in 1958.^[6] Keely also received a Playboy Jazz Award in 1959. She got a number one female vocalist reward in 58/59 from Billboard and Variety.^[6] The duo also redid "Old Black Magic" which was a top 40 hit for two months. It earned the duo a grammy. The couple also had two daughters together.^[6]

Prima decided to relocate his acts to the Desert Inn because he would take in 3 million dollars for producing 12 weeks worth of acts a year for five years.^[6] The couple also had quick appearences on TV shows.

In 1959 Prima signed with Dot Records and they produced 8 albums.^[6]. The top albums were “Wonderland By Night” and “On Stage” in 1961.^[6] The couple was constantly performing and it definitely affected their marriage. To attempt relaxation, the couple set out on a trip on the Atlantic coast but ended up grounded in the Inland Waterway until rescued by the Coast Guard. ^[6]

In January of 1961 Prima was invited by Frank Sinatra to perform in the Inaugural Gala for President John F. Kennedy^[6] They played “Old Black Magic” one of his favorite songs. Shortly after the performance, Keely and Louis were heading closer and closer to divorce. The constant performances and Prima’s sometimes flirtacious attitude was all too much for Smith. She wanted a divorce and after finishing up their contract at the Desert Inn, she filed for divorce at the Eighth Judicial Circuit Court of Nevada in Las Vegas.^[6]

After Keely was out of his life and his performances, Prima tried to prove that he did not need her. In the New York Post there was a suggestion that Keely should rejoin for an act in New York’s Basin Street East nightclub. Prima said, "I have no desire whatsoever to have any dealings with Keely Smith under any conditions. ... There is nothing in the world or no one that could ever make me accept this woman in our act."^[6]

Later years[link]

Prima had a variety of family loss to deal with at the end of his career. His father died the same year as the divorce with Keely.^[6] His mother died in the winter of 1965, for which he partly blamed Keely for.^[6]

He tried making up his own recording company in 1962 called “Prima One Records.” ^[6] He tried to fill Keelys spot with Gia Maione, a waitress who was 21 years old. He did his best to make her famous by producing her first album “This Is … Gia.” It was funded entirely by him, and it was not very successful at all.^[6] This was daunting to Prima because he was always trying to advance himself and his performers. He was also in the middle of making appearances in Las Vegas and promoting the film “Twist All Night.”^[6] By this point, the band was putting out a markedly different and more contemporary sound, with electric organs and synthesizers, even dabbling in progressive rock.

In 1967 Prima's distinctive voice and jazzy delivery landed him a role in Walt Disney's animated feature The Jungle Book, as the raucous orangutan King Louie. He performed the hit song "I Wanna Be Like You" on the soundtrack, leading to the recording of two albums with Phil Harris: The Jungle Book and More Jungle Book, on Disneyland Records. He can also be heard on the soundtrack of another cartoon feature, The Man Called Flintstone.

He suffered a mild heart attack in 1973. In 1975, following headaches and episodes of memory loss, Louis Prima sought medical attention, and found out he had a brain stem tumor. He suffered a cerebral hemorrhage and went into a coma following surgery to remove the tumor. He never recovered, and died three years later, having been moved back to New Orleans. He was buried in Metairie Cemetery in New Orleans; his gray marble crypt is topped by a figure of Gabriel, the trumpeter-angel, sculpted in 1997 by Russian-born sculptor Alexei Kazantsev. The inscription on the crypt's door quote the lyrics from one of his hits: "When the end comes, I know, they'll all say 'just a gigolo' as life goes on without me. Lovingly, your little family..."^[1]

Legacy[link]

This unreferenced section requires citations to ensure verifiability.

In 2010, honoring his lifelong commitment to the music of the city of his birth, and to commemorate the 100th anniversary of that event, Prima was honored by being the annual poster subject of the New Orleans Jazz and Heritage Festival, in a painting created by artist and singer Tony Bennett, under his birth name Anthony Benedetto.

On July 25, 2010 Louis Prima received a star on the Hollywood Walk Of Fame's 50th anniversary on the year of his 100th birthday. His son, Louis Prima Jr, performed a concert in honor of his father, which included all of Louis Prima's hits.

On November 1, 2010 Chicago Review Press released That Old Black Magic: Louis Prima, Keely Smith, and the Golden Age of Las Vegas by Tom Clavin. The book focuses on many aspects of Prima's life, particularly his act and relationship with Keely Smith.

The Prima-Butera arrangements and recordings continued to be copied by younger musicians, including David Lee Roth, who covered his medley of "Just a Gigolo"/"I Ain't Got Nobody" in the 1980s, and Brian Setzer, Big Bad Voodoo Daddy and other nouveau swing bands of the 1990s, covering such Prima standards as "Jump, Jive and Wail". The pop band Smash Mouth mentioned his name in the song "Heave-Ho" (from their album Fush Yu Mang), and covered "I Wanna Be Like You" for the soundtrack album of The Jungle Book. "I Wanna Be Like You" was also covered by Los Lobos, Phish and by Big Bad Voodoo Daddy for the soundtrack of the 1996 movie Swingers. The surviving original members of Bill Haley & His Comets have recorded and performed several of Prima's songs since the mid-1990s, most notably "Buona Sera", which they dedicate to Prima's memory. Alex Harvey and the Sensational Alex Harvey Band also came under the spell of Louis Prima.

Louis Prima wrote the swing classic "Sing Sing Sing" which was covered by Fletcher Henderson and Benny Goodman. In 1940, Glenn Miller and his Orchestra recorded "Be Happy", a song Louis Prima co-wrote. "A Sunday Kind of Love" was another Louis Prima composition that became a standard of the swing and big band era. "Jump Jive an' Wail" was a Louis Prima composition that became another standard, a song which was revived by Brian Setzer.

Prima's original recordings have also featured in many films, including Mad Dog and Glory, Big Night, Anger Management, Mickey Blue Eyes, The Sopranos, Casino, Swingers, Kicking and Screaming, Elf, Swing Kids, Analyze This and Igor, as well as the game Mafia II. Prima's character also plays an important role in the film Big Night; he is the famous celebrity who never appears.

Sam Butera and the Wildest toured with their Prima tribute, between 2000 and 2004, before Butera retired. He died from complications due to pneumonia, on June 3, 2009.

Also in 2008, Louis Prima was posthumously inducted into The Louisiana Music Hall of Fame.

Discography[link]

• The Manuelo Tarantel (1949) Mercury 78 RPM Single 5339
• Breaking It Up! (1953)

With Sam Butera and The Witnesses:

• The Wildest! (1956)
• The Call of the Wildest (1957)
• The Wildest Show at Tahoe (1957)
• Las Vegas Prima Style (1958)
• Strictly Prima (1958)
• Hey Boy! Hey Girl! (1959)
• Louis and Keely! (1959) - First album to be released by Dot Records.
• His Greatest Hits (1960) - First album to feature multi-instrumentalist Morgan Thomas.
• Together (1960)
• Pretty Music Prima Style, Volume 1 (1960)
• On Stage (1960)
• Wonderland by Night (1960)
• Blue Moon (1961)
• Return of the Wildest (1961) - The last record to feature Keely Smith.
• Doin' the Twist (1961)
• The Wildest Comes Home (1962) - Marks Prima's return to Capitol Records.
• Lake Tahoe Prima Style (1962) - The first Capitol LP to feature Gia Maione.
• Prima Show in the Casbar (1963) - The first LP released by Prima One Records.
• Plays Pretty for the People (1964) - Released by Jazz Band, live radio broadcasts from New Year's Eve 1963 and sometime during 1964.
• King of Clubs (1964)
• Let's Fly with Mary Poppins (1965)
• Golden Hits of Louis Prima (1966) - Last recording to feature trombonist Lou Scioneaux.
• On Broadway (1967) - United Artists release, solo release by Prima without Gia Maione and the Witnesses.
• The Jungle Book (1967) - Prima and the Witnesses are featured in a duet with singer Phil Harris on "I Wanna Be Like You".
• More Jungle Book (1969) - Prima and the Witnesses are featured on one track, "Strange Behavior".
• The New Sounds of the Louis Prima Band (1969) - First album to introduce Richie Varola on electric organ, marking the first time the band produced a markedly different, modernized sound.
• Blast Off! (1970)
• The Prima Generation '72 (1972)
• Just a Gigolo (1973)
• Angelina (1973)
• Let's "Hear" it For Robin Hood (1974)- Disneyland Records release, Prima tells the story of Robin Hood through spoken word and song.
• The Wildest '75 (1975) - Prima's last album before slipping into a coma, featuring the single "I'm Leaving You'.

References[link]

• Boulard, Garry; Louis Prima (University of Illinois, 2002)

External links[link]

Wikimedia Commons has media related to: Louis Prima

• Official Louis Prima website
• Louis Prima at the Internet Movie Database
• Louis Prima Discography
• An Introduction to Louis Prima at This is Vintage Now

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2012)

Joan Davis
Davis as she appeared in I Married Joan.
Born	Madonna Josephine Davis (1907-06-29)June 29, 1907 Saint Paul, Minnesota, U.S.
Died	May 22, 1961(1961-05-22) (aged 53) Palm Springs, California, U.S.
Occupation	Actress, Vaudevillian
Spouse	Si Wills (1931–1948)
Children	Beverly Wills

Joan Davis (June 29, 1907 – May 22, 1961) was an American comedic actress whose career spanned vaudeville, film, radio and television. Remembered best for the 1950s television comedy, I Married Joan, Davis had a successful earlier career as a B-movie actress and a leading star of 1940s radio comedy.

Born as Madonna Josephine Davis in Saint Paul, Minnesota, Davis was a performer since childhood. She appeared with her husband Si Wills in vaudeville.^[1]

Career[link]

Films[link]

Davis' first film was a short subject for Educational Pictures called Way Up Thar (1935), featuring a then-unknown Roy Rogers. Educational's distribution company, Twentieth Century-Fox, signed Davis for feature films. Tall and lanky, with a comically flat speaking voice, she became known as one of the few female physical clowns of her time. Perhaps best known for her co-starring turn with Bud Abbott and Lou Costello in Hold That Ghost (1941), she had a reputation for flawless physical comedy. Her pantomime sequence in Beautiful But Broke (1944) was a slapstick construction-site episode.

She co-starred with Eddie Cantor in two features, Show Business (1944) and If You Knew Susie (1948). Cantor and Davis were very close offscreen as well.^{[citation needed]}

[edit] The Sealtest Village Store

Joan Davis entered radio with an August 28, 1941 appearance on The Rudy Vallee Show and became a regular on that show four months later.

Davis then began a series of shows that established her as a top star of radio situation comedy throughout the 1940s. When Vallee left for the Coast Guard in 1943, Davis became the host of his show. With a title change to The Sealtest Village Store, Davis was the owner-operator of the store from July 8, 1943 to June 28, 1945 when she left to do Joanie's Tea Room on CBS from September 3, 1945 to June 23, 1947. Sponsored by Lever Brothers on behalf of Swan Soap, the premise had Davis running a tea shop in the little community of Smallville. The supporting cast featured Verna Felton. Harry von Zell was the announcer, and her head writer was Abe Burrows, formerly the head writer (and co-creator) of Duffy's Tavern and eventually a legendary Broadway playwright.

The tea shop setting continued in Joan Davis Time, a CBS Saturday night series from October 11, 1947 to July 3, 1948. With Lionel Stander as the tea shop manager, the cast also included Hans Conried, Mary Jane Croft, the Choraliers quintet and John Rarig and his Orchestra.

Leave It to Joan ran from on July 4 to August 22, 1949 as a summer replacement for Lux Radio Theater and continued from September 9, 1949 to March 3, 1950. She was also heard on CBS July 3–August 28, 1950. She was a frequent and popular performer on Tallulah Bankhead's legendary radio variety show, The Big Show (1950–52).^[1]

When I Love Lucy premiered in October 1951 on CBS Television and became a top-rated TV series, sponsors wanted more of the same with another actress who wasn't afraid of strenuous physical comedy. I Married Joan premiered in 1952 on NBC, casting Davis as the manic wife of a mild-mannered community judge (Jim Backus) who got her husband into wacky jams with or without the help of a younger sister, played by her real-life daughter, Beverly Wills. The series continued until 1955.^[1]

Death[link]

On May 22, 1961, Davis died of a heart attack at the age of 53.^[2] She was interred in the Holy Cross Cemetery mausoleum in Culver City, California.

On October 24, 1963, Davis' mother, daughter Beverly Wills, and grandchildren were all killed in a house fire in Palm Springs, California.^[3]

For her contribution to the motion picture industry, Joan Davis has a star on the Hollywood Walk of Fame at 1501 Vine Street.

Filmography[link]

Award nominations[link]

See also[link]

• Golden Age of Television
• Let's Join Joanie (Failed pilot with Joan Davis)

Further reading[link]

• Ohmart, Ben. Hold That Joan — The Life, Laughs & Films of Joan Davis. Albany: BearManor Media, 2007. ISBN 1-59393-046-1
• Rapp, Philip. The Television Scripts of Philip Rapp. Albany: BearManor Media, 2006. ISBN 1-59393-070-4.
• Tucker, David C. The Women Who Made Television Funny (2007). ISBN 978-0-7864-2900-4.
• Karol, Michael. Sitcom Queens: Divas of the Small Screen. iUniverse, 2006. pp. 22–24. ISBN 0-595-40251-8.

References[link]

Listen to[link]

• Leave It to Joan (January 20, 1950)

External links[link]

• Joan Davis at the Internet Movie Database
• Joan Davis at Find a Grave
• Literature on Joan Davis

Foy Willing (May 14, 1914 – July 14, 1978) was a singer, songwriter, musician, and bandleader who performed Western music and appeared in Western movies. He formed the Western band Riders Of The Purple Sage.^[1]

Early years[link]

Foy Willingham was born May 14, 1914 in Bosque County, Texas. He began his career while attending high school in Texas by working at a local radio station. In 1933, he traveled to New York City to further his radio career. In 1940 he moved to Oklahoma, and in 1942 to California where he became popular during the Golden Age of Radio.^[2]

Riders of the Purple Sage[link]

In 1942, Willing co-founded Foy Willing and the Riders of the Purple Sage with Iowa musician Al Sloey. The band included Patti Page on vocals, fiddler Johnny Paul, and accordionist Ken Coopern. The band's first hit, "Texas Blues", was written by Willing. They grew in fame and over their ten year career, performed as the musical group backing up Monte Hale and Roy Rogers for Republic Studios.

Willing and his band appeared as performers in many Western movies in the 1940s and early 1950s with Charles Starrett, Monte Hale, and Roy Rogers and Dale Evans. The Willing-led Riders of the Purple Sage disbanded in 1952.^[3]

Later years[link]

During the late 1950s and early 1960s, Foy Willing and the Riders of the Purple Sage occasionally reunited to record and perform, and Willing went on to appear at Western festivals during the 1970s.^[4] Willing also traveled with Gene Autrey during Autrey's North American tour. In 1960, Willing married Sharon Lee.

Willing died on July 24, 1978 in Nashville, Tennessee of a heart attack.^[5]

Discography[link]

• 2007 Tumbling Tumbleweeds (Var;se Sarabande)
• 2005 And the Riders of the Purple Sage (BACM)
• 2005 Timber Trail (Cattle)
• 2005 Trail Herdin' Cowboy
• 2003 Sagebrush Swing (Collectors' Choice Music)
• 1999 Cowboy/New Sound of American Folk (DRG)
• 1998 Collectors Edition (Pickwick)
• 1962 The New Sound of American Folk
• 1958 Cowboy
• 1950 Riders of the Purple Sage^[6]

Filmography[link]

• 1951 Heart of the Rockies
• 1951 Spoilers of the Plains
• 1950 Trail of Robin Hood
• 1950 North of the Great Divide
• 1950 Sunset in the West
• 1950 Trigger, Jr.
• 1950 Twilight in the Sierras
• 1950 Bells of Coronado
• 1949 The Golden Stallion
• 1949 Down Dakota Way
• 1949 Susanna Pass
• 1948 The Far Frontier
• 1948 Grand Canyon Trail
• 1948 The Timber Trail
• 1948 California Firebrand
• 1947 Under Colorado Skies
• 1947 Along the Oregon Trail
• 1947 Last Frontier Uprising
• 1946 Out California Way
• 1945 Saddle Serenade
• 1945 Sing Me a Song of Texas
• 1944 Cyclone Prairie Rangers
• 1944 Cowboy from Lonesome River
• 1944 Swing in the Saddle
• 1944 Twilight on the Prairie
• 1944 Sundown Valley
• 1944 Cowboy Canteen
• 1943 Cowboy in the Clouds^[7]

References[link]

August
Born	(1981-09-13) September 13, 1981 (age 30)[1] Oxnard, California, U.S.[1]
Ethnicity	German American Mexican American
Height	5 ft 2 in (1.57 m)[1]
Weight	112 lb (51 kg)[1]
No. of adult films	301 (per IAFD)
Website
http://www.clubaugust.com/

August (born September 13, 1981)^[1] is the stage name of an American pornographic actress and nude model.

Personal life[link]

August is of German and Mexican descent. She was born in Oxnard, California^[1]. She was a cheerleader in high school and worked at a optician's office.

Career[link]

She entered the adult film industry in 2001 at the age of around 20; since then, she has appeared in over 300 movies.^[1]

Awards[link]

• 2004 AVN Award nominee – Best Sex Scene Coupling (Video)^[2]
• 2008 AVN Award nominee – Best Supporting Actress (Video)^[3]
• 2009 AVN Award nominee – Best Group Sex Scene – Oil Overload^[4]

References[link]

External links[link]

Wikimedia Commons has media related to: August Night

Pornography portal

• Official website
• August on Myspace
• August at the Internet Movie Database
• August at the Internet Adult Film Database
• August at the Adult Film Database

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