Martin Sharp
http://www.berkeleyeditions.com.au/content/martin-sharp
1942 -
Regarded as this country's most prominent
Pop artist, Martin Sharp has made significant contributions to
Australian culture since the early 60s, with his posters and record covers in particular receiving international recognition.
Martin Sharp began his career at art school contributing to the magazine 'The
Arty Wild Oat' along with fellow artists
Garry Shead and
John Firth-Smith.
Martin's contributions were noticed by
Richard Neville, Editor of the
University of NSW "Thuranka" and by
Richard Walsh, Editor of
Sydney University magazine "
Honi Soit". Both editors wanted to publish their own magazine and asked
Sharp and Shead to become contributors.
Australian "
Oz" magazine hit the streets on
April Fool's Day,
1963. The popularity of "Oz" magazine continued to increase during the years it was published and gained Martin Sharp sufficient following to prompt his first one man exhibition at the Clune
Galleries in
Sydney in
1965.
After overturning convictions for printing an obscene publication in 1966, Sharp left Sydney for
London's pop art scene where he and
Neville established '
London Oz'. As well as being Oz art director and cartoonist, Sharp designed
album covers and posters for
Jimi Hendrix and
Bob Dylan and wrote lyrics for band
Cream. In
1969 Sharp returned to
Australia and was instrumental in setting up the
Yellow House, a multimedia art space. He also became involved with the
Nimrod Theatre at this time. In
1973 Sharp,
Richard Liney and
Tim Lewis began redecorating the entrance towers and face at
Luna Park.
Recurring themes in Sharp's work include entertainer
Tiny Tim and
Arthur Stace's copperplate writing of the word '
Eternity'.
Two of Martin's most compelling paintings are "works in progress"; '
Pentecost' and '
Courage My Friend'. Whereas 'Courage My Friend' is bright with simple direct composition, 'Pentecost' is a more complex work "Appropriating images from
Matisse -- the table and the
leopard skin rug and the colour red;
Magritte -- the cloud bird;
Van Gogh -- the chair;
Antoine De Saint Exupery -- the star and the landscape with the
Southern Cross and Australia by Sharp and the heart ash as the eye of the dove by a dear friend, the late Edda
Walker". The flames are from 'Pentecost' as in the tongues of the holy spirit.
Like much of Martin's work, this painting has to do with ideas, the intellect, refined composition and colour. What else would one expect from an artist whose influences are the "
History of Art",
Vincent Van Gogh, Tiny Tim, icons of contemporary culture, the
Bible, other great books, songs and more songs and whose landscape is that of the imagination?
Collections
National Gallery of Australia
Art Gallery of
New South Wales
Victoria and Albert Museum, London
Berkeley Edtions
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Fine Art Limited Editions appreciate in value as the artist's career escalates, so the sooner you acquire a limited edition the more you can enjoy the sophistication it brings to your home, the beauty of the artwork and the potential growth in its value.
Fine Art Limited Editions appreciate in value as the artist's career escalates, so the sooner you acquire a limited edition the more you can enjoy the sophistication it brings to your home, the beauty of the artwork and the potential growth in its value.
Berkeley Editions publish Fine Art Limited Editions for the local and international markets and they are featured in leading galleries, institutions, and major corporate collections all around the world.
We also acquire and commission artwork for private and corporate collections. Specialised knowledge and personal service are the keys to our highly prized reputation and we look forward to being of assistance to you.
Australian Artists *
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Kerrie Lester * Bob Marchant *
Helen Norton *
Margaret Olley AC, AO *
Kevin Pearsh *
Clifton Pugh AO *
Craig Ruddy * Martin Sharp OA * Garry Shead *
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- published: 07 Feb 2013
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