Yatra (film)

Yatra (Devanagari: यात्रा, English: Journey) is a 2006 Indian Hindi drama film directed by Goutam Ghose, the movie featured Rekha, Nana Patekar and Deepti Naval.

Plot

Dasrath Joglekar (Nana Patekar), a celebrated writer, travels to Delhi to receive the prestigious Literary Award. During the journey he meets a young film maker (Nakul Vaid), an ardent fan of Dasrath’s writing and the encounter brings back memories from the past. Both of them travel back in time, remembering characters from Dasrath’s celebrated novel Janaza, reconstructing the true story of the novel's protagonist – Lajvanti (Rekha) from their own perspective. Fact and fiction merge to create a new journey.

After the gala award ceremony in New Delhi, Dasarath begins another journey in his new novel, while the nostalgia of the previous one haunts him. Dasarath disappears from his hotel. Tension mounts in his family and associates.

Memories from the past and passion bring him to Mehendi galli where people flock to enjoy mujra dances. The entire area has changed. Lajvanti alias Lajobai has become Miss Lisa, presenting popular film songs numbers to entertain a new clientele. Dasarath’s sudden appearance is a great surprise for Lajvanti. The character of his novel Janaza comes alive at an unexpected juncture.

Yatra

Yātrā (Sanskrit: यात्रा, 'journey', 'procession'), in Hinduism and other Indian religions, generally means pilgrimage to holy places such as confluences of sacred rivers, places associated with Hindu epics such as the Mahabharata and Ramayana, and other sacred pilgrimage sites. Tīrtha-yātrā refers to a pilgrimage to a holy site, and is generally undertaken in groups. One who goes on a yatra is known as a yatri. As per Vedic Hindu Dharma shastras a Yatri is supposed to do Yatra barefoot. He/she should travel without umbrellas,vehicles etc., to get the benefit of the Yatra. At present these rules are not followed by many pilgrims.

Description

A yatra is a kamya ritual; for a Hindu, the yatra is spiritually desirable but it is not obligatory. One can go on a yatra for a variety of reasons, including festivals, to perform rituals for one's ancestors, or to obtain good karma. To traditional Hindus, the journey itself is as important as the destination, and the hardships of travel serve as an act of devotion in themselves. Visiting a sacred place is believed by the pilgrim to purify the self and bring one closer to the divine.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.