Name	Hindi-Urdu
Imageheader	Script
Nativename	हिन्दुस्तानी, ''Hindustānī''
Familycolor	Indo-European
States	India and Pakistan. Also various other countries due to South Asian immigration
Region	South Asia
Speakers	Native: 240 million (1991–1997)Second language: 165 million (1999)Total: 490 million (2006)
Fam2	Indo-Iranian
Fam3	Indo-Aryan
Fam4	Central zone
Fam5	Western Hindi
Fam6	Khariboli
Stand1	Standard Hindi
Stand2	Standard Urdu
Dia1	Dakhni
Script	Devanagari script, Perso-Arabic script
Nation	(as Hindi and Urdu) (as Urdu)
Agency	Central Hindi Directorate (Hindi, India), National Language Authority, (Urdu, Pakistan); National Council for Promotion of Urdu language (Urdu, India)
Iso1	hi,ur|iso2hin,urd
Lc1	hin|ld1Hindi
Lc2	urd|ld2Urdu
Notice	IPA }}

Hindi-Urdu (हिंदी उर्दू, ) is an Indo-Aryan language and the lingua franca of North India and Pakistan. It is also known as Hindi, Urdu, Hindustani (हिन्दुस्तानी, ہندوستانی, '''', , literally: 'of Hindustan'), Hindavi, and Rekhta. It derives primarily from the Khariboli dialect of Delhi, western Uttar Pradesh and southern Uttarakhand region, and incorporates a large vocabulary from Arabic, Persian, Sanskrit and Turkic. It is a pluricentric language, with two official forms, Standard Hindi and Standard Urdu, which are standardized registers of it. However, colloquial Hindi and Urdu are all but indistinguishable, and even the official standards are nearly identical in grammar, though they differ in literary conventions and in academic and technical vocabulary, with Urdu retaining stronger Persian, Central Asian and Arabic influences, and Hindi relying more heavily on Sanskrit. Before the Partition of British India, the terms Hindustani, Urdu and Hindi were synonymous; all covered what would be called Urdu and Hindi today. The term 'Hindustani' is also used for several divergent dialects of the Hindi languages spoken outside of the Subcontinent, including Fijian Hindustani and the Caribbean Hindustani of Suriname and Trinidad.

History

Hindustani emerged from the Middle Indo-Aryan ''apabhramsha'' vernaculars of North India in the 7th-13th centuries CE. Amir Khusro, who lived in the 13th century CE during the Delhi Sultanate period in North India, used the Hindustani lingua franca in his writings and referred to the language as ''Hindavi''. The Delhi Sultanate, which comprised several Turkic and Afghan dynasties that ruled from Delhi, was succeeded by the Mughal Empire in 1526.

Although, the Mughals were of Timurid (''Gurkānī'') Turko-Mongol descent, they were Persianized, and Persian had gradually become the state language of the Mughal empire after Babur. Towards the end of the Mughal period, with the fragmentation of the empire and the elite system, Urdu came to gradually replace Persian as the lingua franca among the educated elite upper class particularly in Northern India, though Persian still retained much of its pre-eminence. For socio-political reasons, though essentially a variant of Khariboli with Persian vocabulary the emerging prestige dialect became known as ''Urdu'' (properly ''zabān-e Urdu-e mo'alla'' "language of the court").

The term ''Hindustani'' ("of ''Hindustan''") was the name given to a variant of Khariboli, the local dialect at the Mughal capital, Delhi, and nearby cities. As an emerging common dialect, Hindustani absorbed large numbers of Persian, Arabic, and Turkic words, and as Mughal conquests grew it spread as a lingua franca across much of northern India. Written in the Perso-Arabic Script, it remained the primary lingua franca of northern India for the next four centuries (although it varied significantly in vocabulary depending on the local language) and achieved the status of a literary language, alongside Persian, in Muslim courts. Its development was centered on the poets of the Mughal courts of north Indian cities such as Delhi, Lucknow, Lahore, and Agra. In time it came to be called Urdu (''zabān-e Urdu'' , ज़बान-ए उर्दू, "language of the camp" in Persian, derived from Turkic ''Ordū'' "camp", cognate with English ''horde''), due to its origin as the common speech of the Mughal army. The more highly Persianized version later established as a language of the court was called Rekhta, or "mixed". John Fletcher Hurst in his book published in 1891 mentions that the Hindustani or Camp language or Language of the Camps of Moughal courts at Delhi is not regarded by philogists as distinct language but only as a dialect of Hindi with admixture of Persian. He continued: "But it has all the magnitude and importance of separate language. It is linguistic result of Mohammedan invasions of eleventh & twelfth centuries and is spoken (except in rural Bengal ) by many Hindus in North India and by Musalman population in all parts of India". Next to English it is the official language of British Government of India. It is commonly written in Arabic or Persian characters. It is spoken by approximately 10 crore people.

When the British colonized India from the late 18th through to the late 19th century, they used the words 'Hindustani' and 'Urdu' interchangeably. They developed it as the language of administration of British India, further preparing it to be the official language of modern India and Pakistan. However, with independence, use of the word 'Hindustani' declined, being largely replaced by 'Hindi' and 'Urdu', or 'Hindi-Urdu' when either of those was too specific. More recently, the word 'Hindustani' has been used for the colloquial language of Bollywood films, which are popular in both India and Pakistan and which cannot be unambiguously identified as either Hindi or Urdu.

Modern Standard Urdu

Urdu is the national language of Pakistan and an officially recognized regional language of India. It is also an official language in the Indian states of Andhra Pradesh, Jammu and Kashmir, National Capital Territory of Delhi, Uttar Pradesh and Bihar which have significant Muslim populations in India.

Modern Standard Hindi

Standard Hindi, the official language of India, is based on the Khariboli dialect of the Delhi region and differs from Urdu in that it is usually written in the indigenous Devanagari script of India and exhibits less Persian influence than Urdu. Many scholars today employ a Sanskritized form of Hindi developed primarily in Varanasi, the Hindu holy city, which is based on the Eastern Hindi dialect of that region and thus a separate language from official Standard Hindi. It has a literature of 500 years, with prose, poetry, religion & philosophy, under the Bahmani Kings and later on Khutab Shahi Adil Shahi etc. It is a living language, still prevalent all over the Deccan Plateau. Note that the term "Hindustani" has generally fallen out of common usage in modern India, except to refer to a style of Indian classical music prevalent in northern India. The term used to refer to the language is "Hindi", regardless of the mix of Persian or Sanskrit words used by the speaker. One could conceive of a wide spectrum of dialects, with the highly Persianized Urdu at one end of the spectrum and a heavily Sanskrit-based dialect, spoken in the region around Varanasi, at the other end of the spectrum. In common usage in India, the term "Hindi" includes all these dialects except those at the Urdu end of the spectrum. Thus, the different meanings of the word "Hindi" include, among others: #standardized Hindi as taught in schools throughout India, #formal or official Hindi advocated by Purushottam Das Tandon and as instituted by the post-independence Indian government, heavily influenced by Sanskrit, #the vernacular dialects of Hindustani/Hindi-Urdu as spoken throughout India, #the neutralized form of the language used in popular television and films, or #the more formal neutralized form of the language used in broadcast and print news reports.

Bazaar Hindustani

In a specific sense, "Hindustani" may be used to refer to the dialects and varieties used in common speech, in contrast with the standardized Hindi and Urdu. This meaning is reflected in the use of the term "bazaar Hindustani", in other words, the "language of the street or the marketplace", as opposed to the perceived refinement of formal Hindi, Urdu, or even Sanskrit. Thus, the Webster's New World Dictionary defines the term Hindustani as ''the principal dialect of Hindi/Urdu, used as a trade language throughout north India and Pakistan.''

Hindi and Urdu

While, at the spoken level, Urdu and Hindi are considered registers of a single language, they differ vastly in literary and formal vocabulary; where literary Urdu draws heavily on Persian and Arabic, literary Hindi draws heavily on Sanskrit and to a lesser extent Prakrit. The grammar and base vocabulary (most pronouns, verbs, adpositions, etc.) of both Urdu and Hindi, however, are the same and derive from a Prakritic base, and both have a heavy Persian influence.

The associated registers of Urdu and Hindi are known as "Hindustani". It is perhaps the lingua franca of the west and north of the Indian subcontinent, though it is understood fairly well in other regions also, especially in the urban areas. A common vernacular sharing characteristics with Urdu, Sanskritized Hindi, and regional Hindi, Hindustani is more commonly used as a vernacular than highly Arabicized/Persianized Urdu or highly Sanskritized Hindi.

This can be seen in the popular culture of Bollywood or, more generally, the vernacular of Pakistanis and Indians which generally employs a lexicon common to both "Urdu" and "Hindi" speakers. Minor subtleties in region will also affect the 'brand' of Hindustani, sometimes pushing the Hindustani closer to Urdu or to Hindi. One might reasonably assume that the language spoken in Lucknow, Uttar Pradesh (known for its beautiful usage of Urdu) and Varanasi (a holy city for Hindus and thus using highly Sanskritized Hindi) is somewhat different.

Hindustani, if both Hindi and Urdu are counted, is the third or second most widely spoken language in the world after Mandarin and possibly English.

Names

The identity, and therefore the names, of Hindustani have long been tied up with the identities and aspirations of the people of India and Pakistan. The name "Hindustani" itself is linked in the minds of many people with the British colonial administration, and may not be preferred for that reason.

Amir Khusro ca. 1300 CE referred to this language of his writings as ''Dahlavi'' ('of Delhi') or ''Hindavi'' (हिन्दवी, ہندوی 'of Hindustan'). During this period, the language was used by Sufis in promulgating their message across the Indian subcontinent. After the advent of the Mughals in India, Hindustani acquired more Persian loanwords. ''Rekhta'' ('mixture') and ''Hindi'' (of 'Hindustan') became popular names for the same language until the 18th century. The name ''Urdu'' appeared around 1780. During the British Raj, the term ''Hindustani'' was used by British officials, from the country's former name ''Hindustan''. In 1796, John Borthwick Gilchrist published a "A Grammar of the Hindoostanee Language". Upon partition, India and Pakistan established national standards which they called ''Hindi'' and ''Urdu,'' respectively, and attempted to make distinct, with the result that "Hindustani" commonly came to be seen as a mixture of Hindi and Urdu. More recently, Hindu nationalists have used the term ''Hindvi,'' derived from older ''Hindavi,'' as the name for the unified language.

Literature

Official status

Urdu, the original standardized register of Hindustani, is the national language of Pakistan, where it shares official language status with English. Although English is used in most elite circles, and Punjabi has a plurality of native speakers, Urdu is the lingua franca and is expected to prevail. Urdu is also one of the official languages of India, and in the Indian states of Andhra Pradesh, Bihar, Delhi, Jammu and Kashmir, and Uttar Pradesh, Urdu has official language status. While the government school system in most other states emphasises Modern Standard Hindi, at universities in cities such as Lucknow, Aligarh and Hyderabad, Urdu is spoken and learned and is regarded as a language of prestige.

Hindi, the other standardized register of Hindustani, is declared by the Constitution of India as the "official language (rājabhāshā) of the Union" (Art. 343(1)) (In this context, 'Union' means the Federal Government and not the entire country - India has 23 official languages). At the same time, however, the definitive text of Federal laws is officially the English text and proceedings in the higher appellate courts must be conducted in English. At the state level, Hindi is an official language in ten out of the 28 Indian states and three Union Territories (namely Uttar Pradesh, Bihar, Jharkhand, Uttarakhand, Madhya Pradesh, Rajasthan, Chhattisgarh, Himachal Pradesh, Arunanchal Pradesh, and Haryana and UTs are Delhi, Chandigarh, Andaman and Nicobar Islands). In the remaining states Hindi is not an official language. In the state of Tamil Nadu studying Hindi is not compulsory in the state curriculum. However an option to take the same as second or third language does exist. In many other states, studying Hindi is usually compulsory in the school curriculum as a third language (the first two languages being the state's official language and English), though the intensiveness of Hindi in the curriculum varies.

Hindustani was the official language of the British Raj up until the partition of India in 1947; the term was a synonym for Urdu.

Hindustani outside South Asia

Besides being the lingua franca of South Asia of India and Pakistan, Hindustani is spoken among people of the South Asian diaspora and their descendants in North America, Europe, Africa, and the Middle East.

Hindustani was also spoken widely in Burma during British rule as the main language of the administration. Many older Burmese, particularly the Anglo-Indians and Anglo-Burmese of the country, still speak the language although it has had no official status in the country since military rule.

"Hindustani" as a term for other Hindi languages

Outside of the subcontinent, the name ''Hindustani'' is frequently used in the sense of "Indian", and may be applied to any of several other Hindi languages.

Fijian Hindustani, for example, descends not from Hindustani proper, but from one of the eastern Hindi languages called Awadhi. It has a strong Bhojpuri influence that differentiate it from the Awadhi spoken on the Indian subcontinent, though not to the extent of hindering mutual understanding. It is spoken by nearly the entire Indo-Fijian community, 38.1% of Fiji's population, regardless of ancestry.

Similarly, Caribbean Hindustani is actually Bhojpuri as spoken in Suriname, Guyana, Trinidad and Tobago, and Belize. ''Sarnami Hindustani'' is the second most spoken language in Suriname after Dutch. This is due to the emigration of East Indians (known locally as Hindoestanen in Suriname) from the Indian states of Bihar and Uttar Pradesh in North India. Ethnic Indians form 37% of the population in Suriname, the largest ethnic group there. Ethnic Indians also make up around 45% of Guyana's population, but unlike in Suriname they have mostly switched from Bhojpuri to the local Creole language. In South Africa, Kenya and other parts of Africa, older descendants of 18th century sugar cane workers also speak a variety of Bhojpuri as their second language.

Phonology

Grammar

Writing system

Contemporarily, Hindustani is primarily written in the Devanagari script or the Perso-Arabic script. However, the Kaithi script was the historical popular script for the language. Hindi, one standardized register of Hindustani, utilizes the Devanagari script while Urdu, the other standardized register of Hindustani utilizes the Perso-Arabic script, with Nasta`liq being the preferred calligraphic style for Urdu.

Perso-Arabic script used to write Hindustani (Urdu):

''be'' ''pe'' ''te'' ''se'' ''jīm'' ''che'' khe ''dāl'' ''zāl'' ''re'' ''ze'' ''zhe'' ''sīn'' ''shīn'' ''su'ād'' ''zu'ād'' ''to'e'' ''zo'e'' ''‘ain'' ''ghain'' ''fe'' ''qāf'' ''kāf'' ''gāf'' ''lām'' ''mīm'' ''nūn'' ''vā'o'' ''do chashmī he'' ''hamza'' ''ye'' ''bari ye''

Letter !! Name of letter !! Transcription !! International Phonetic Alphabet	IPA
	''alif''	-
	|	b
	|	p
	|	t
	|
	|	s
	|	j
	|	ch
	|	h
	|	kh
	|	d
	|
	|	dh
	|	r
	|
	|	z
	|	zh
	|	s
	|	sh
	|	ṣ
	|	z̤
	|	t
	|	ẓ
	|	'	-
	|	gh
	|	f
	|	q
	|	k
	|	g
	|	l
	|	m
	|	n
	|	v, o, or ū	, , or
	|	h
	|	h
	|	'
	|	y, i	or
	|	ai or e	, or

Devanagari script used to write Hindustani (Hindi):

!	!	!	!	!	!	!	!	!	!
!	!	!	!	!	!	!
!	!	!	!	!	!
!	!	!	!	!	!	!
!	!	!	!	!
!	!	!	!	!	!
!	!	!	!
!	!	!	!

Because of Anglicization and international use of the Roman script, Hindustani is also sometimes written in the Roman alphabet. This adaptation is called Roman Urdu. As the Bollywood film industry is a great supporter of Roman Script, Roman Urdu is gaining popularity especially among the youth, who use the Internet or are "cyber-citizens."

Sample text

Following is a sample text, Article 1 of the Universal Declaration of Human Rights, in the two official registers of Hindustani, Hindi and Urdu. As this is a formal legal text, differences in formal vocabulary are maximized.

Formal Hindi

: 1 —

Nastaliq transcription:

Transcription (IPA): :.

Gloss (word-to-word): :Article 1 — ''All'' human-beings to dignity and rights' matter in from-birth freedom acquired is. Them to reason and conscience's endowment acquired is and always them to brotherhood's spirit with behaviour to do should.

Translation (grammatical): :Article 1 — All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.

Formal Urdu:

Devanagari transcription: : 1:

Transcription :.

Gloss :Article 1: All humans free[,] and rights and dignity's consideration from equal born are. To them conscience and intellect endowed is. Therefore, they one another's with brotherhood's treatment do must.

Translation :Article 1: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience. Therefore, they should act towards one another in a spirit of brotherhood.

Hindustani and Bollywood

The Indian film industry, Bollywood, located in Mumbai (Bombay), Maharashtra, uses dialects of Hindi-Urdu, Awadhi, Rajasthani, Bhojpuri, Punjabi, and quite often Bambaiya Hindi (along with many English words) for the dialogues and songs in the movies produced. These movies are full of songs and dances—songs, some of them in the Urdu ''Shayari'' style.

Generally the name of the movie is shown in three scripts Roman script, Devanagari (used for Hindi) and Perso-Arabic (script of Urdu). Many lyrics are in Urdu for songs. Movies based on Delhi Sultanate period or on the Mughal Empire are full of Urdu words. Movies like ''Mughal-e-Azam'' have used purely Urdu dialogues. Hindu mythological movies generally contain more Sanskrit vocabulary which does not exist in Urdu.

Urdu films and Lollywood

The Pakistani film industry, centred historically in Lahore has seen a rise in Punjabi movies lately. Urdu languages have seen a surge throughout Pakistan specifically Karachi, with new age films and to a lesser extent in Islamabad and Lahore.

See also

''Alphabetically arranged''

Hindustani (Hindi-Urdu) word etymology

Languages of India

Languages of Pakistan

List of Hindi authors

List of Urdu writers

Mutually intelligible languages

Persian and Urdu

Footnotes

Bibliography

Asher, R. E. (1994). Hindi. In Asher (Ed.) (pp. 1547–1549).

Asher, R. E. (Ed.). (1994). ''The Encyclopedia of language and linguistics''. Oxford: Pergamon Press. ISBN 0-08-035943-4.

Bailey, Thomas G. (1950). ''Teach yourself Hindustani''. London: English Universities Press.

Chatterji, Suniti K. (1960). ''Indo-Aryan and Hindi'' (rev. 2nd ed.). Calcutta: Firma K.L. Mukhopadhyay.

Dua, Hans R. (1992). Hindi-Urdu as a pluricentric language. In M. G. Clyne (Ed.), ''Pluricentric languages: Differing norms in different nations''. Berlin: Mouton de Gruyter. ISBN 3-11-012855-1.

Dua, Hans R. (1994a). Hindustani. In Asher (Ed.) (pp. 1554).

Dua, Hans R. (1994b). Urdu. In Asher (Ed.) (pp. 4863–4864).

Rai, Amrit. (1984). ''A house divided: The origin and development of Hindi-Hindustani''. Delhi: Oxford University Press. ISBN 0-19-561643-X.

External links

Shakespear, John. A Dictionary, Hindustani and English. 3rd ed., much enl. London: Printed for the author by J.L. Cox and Son: Sold by Parbury, Allen, & Co., 1834.

Janmaanas Ek Hindi Manch(Hindi Language Forum)

Encyclopedia Britannica, 11th Edition: Hindostani

Hindi, Urdu, Hindustani, ''khaRî bolî''

Hindi-Urdu FAQ

Hindustani as an anxiety between Hindi-Urdu Commitment

Hindi? Urdu? Hindustani? Hindi-Urdu?

History of Hindustani

Hindi/Urdu-English-Kalasha-Khowar-Nuristani-Pashtu Comparative Word List

Ethnologue Report for Hindustani

GRN Report for Hindustani

Hindustani Poetry

Hindi-Urdu online resources

Biggest Hindustani-Indian poetry forum

Hindi-Urdu Wikitravel Hindi-Urdu Phrasebook

National Language Authority (Urdu), Pakistan (muqtadera qaumi zaban)

The poisonous potency of script: Hindi and Urdu, ''ROBERT D. KING''

Category:Dialects of Hindi Category:Dialects of Hindustani Category:Hindi Category:Urdu Category:Indo-Aryan languages Category:Languages of India Category:Languages of Pakistan Category:Languages of Fiji Category:Languages of Suriname Category:Languages of the Caribbean

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name	Bear Grylls
birth name	Edward Michael Grylls
birth date	June 07, 1974
birth place	United Kingdom
residence	A barge moored by Battersea Bridge on the River Thames, England An island on Llŷn Peninsula, Abersoch, North Wales
occupation	Chief ScoutAdventurerExplorerAuthorMotivational speakerTelevision presenter
spouse	Shara Cannings Knight
children	Jesse, Marmaduke, and Huckleberry
parents	Sir Michael GryllsLady Grylls (née Sarah Ford)
website	BearGrylls.com
footnotes	}}

Bear Grylls (born Edward Michael Grylls, 7 June 1974) is an English adventurer, writer and television presenter. He is best known for his television series ''Man vs. Wild'', known as ''Born Survivor'' in the United Kingdom. He was the youngest Briton to climb Mount Everest, doing so at age 23. In July 2009, Grylls was appointed the youngest ever Chief Scout at the age of 35.

Personal life

Grylls grew up in Donaghadee, Northern Ireland and Bembridge on the Isle of Wight. He is the son of the late Conservative party politician Sir Michael Grylls and Lady Grylls (née Sarah Ford). His maternal grandparents were Patricia Ford, an Ulster Unionist Party MP and Neville Ford who played first-class cricket. He has one sibling—an elder sister, Lara Fawcett, a cardio-tennis coach who originally gave him the nickname 'Bear' when he was a week old.

Grylls was educated at Eaton House, Ludgrove School, Eton College, where he helped start its first mountaineering club, and Birkbeck, University of London, where he graduated with a degree, obtained part-time, in Hispanic studies in 2002. From an early age, he learned to climb as well as sail from his father, who was a member of the prestigious Royal Yacht Squadron. As a teenager, he learned to skydive and also earned a second dan black belt in Shotokan karate. He now practices Yoga and Ninjutsu. He also became involved in Scouting, beginning at age eight, as a Cub Scout. He speaks English, Spanish, and French. Grylls is a Christian, describing his faith as the "backbone" in his life.

Although Grylls was christened 'Edward' he has legally changed his forename to 'Bear'. Grylls married Shara Grylls (née Cannings Knight) in 2000. They have three sons: Jesse, Marmaduke, and Huckleberry (born 15 January 2009 via natural childbirth on his houseboat).

Military service

After leaving school, Grylls considered joining the Indian Army and spent a few months hiking in the Himalayan mountains of Sikkim and West Bengal, Assam. He then briefly attended the University of the West of England where he was a member of the Officer Training Corps. In March 1997, he joined the British Army and after passing on his second attempt United Kingdom Special Forces Selection (where he claims he was one of four to have passed out of his group of 180), from 1994-1997, he served in the part-time United Kingdom Special Forces Reserve, with 21 Regiment Special Air Service, 21 SAS(R), as a trooper, survival instructor and Patrol Medic.

In 1996, he suffered a freefall parachuting accident in Zambia. His canopy ripped at , partially opening, causing him to fall and land on his parachute pack on his back, which partially crushed three vertebrae. Grylls later said: "I should have cut the main parachute and gone to the reserve but thought there was time to resolve the problem". According to his surgeon, Grylls came "within a whisker" of being paralysed for life and at first it was questionable whether he would ever walk again. Grylls spent the next 18 months in and out of military rehabilitation at Headley Court before being discharged and directing his efforts into trying to get well enough to fulfil his childhood dream of climbing Mount Everest.

In 2004, Grylls was awarded the honorary rank of Lieutenant Commander in the Royal Naval Reserve.

Everest

On 16 May 1998, Grylls achieved his childhood dream (an ambition since his father gave him a picture of Everest when he was eight) and entered the ''Guinness Book of Records'', as the youngest Briton, at 23, to summit Mount Everest, just eighteen months after injuring his back. However, James Allen, an Australian/British climber who ascended Everest in 1995 with an Australian team, but who has dual citizenship, beat him to the summit at age 22. The feat has since been surpassed by Jake Meyer and, at age 19, by Rob Gauntlett.

To prepare for climbing at such high altitudes in the Himalayas, in 1997, Grylls became the youngest Briton to climb Ama Dablam, a peak described by Sir Edmund Hillary as "unclimbable". Grylls' Everest expedition involved nearly four months on the mountain's southeast face. On his first reconnaissance climb he fell into a deep crevasse and was knocked unconscious. The following weeks of acclimatisation involved climbs up and down the south face, negotiating the Khumbu Icefall (a frozen river), the Western Cwm glacier, and a wall of ice called the Lhotse face, before he made the ascent with the ex-SAS soldier Neil Laughton.

Other expeditions

Circumnavigation of the UK

In 2000, Grylls, led the first team to circumnavigate the UK on a personal watercraft or jet ski, taking about 30 days, to raise money for the Royal National Lifeboat Institution (RNLI). He also rowed naked for 22 miles in a homemade bathtub along the Thames to raise funds for a friend who lost his legs in a climbing accident.

Crossing the North Atlantic

Three years later, he led a team of five, including his childhood friend, SAS colleague, and Mount Everest climbing partner Mick Crosthwaite, on the first unassisted crossing of the north Atlantic Arctic Ocean, in an open rigid inflatable boat. Suffering weeks of frozen spray and icebergs, battling force 8 gale winds, hypothermia, and storms in an eleven-metre-long boat through some of the most treacherous stretches of water in the world including the Labrador Sea, the Denmark Strait, and the stretch made famous by ''The Perfect Storm'', Grylls and his team were just barely able to finish the journey from Halifax, Nova Scotia to John o' Groats, Scotland.

Paramotoring over Angel Falls

In 2005, Grylls led the first team ever to attempt to paramotor over the remote jungle plateau of the Angel Falls in Venezuela, the world's highest waterfall. The team was attempting to reach the highest, most remote tepuis.

Dinner party at altitude

In 2005, alongside the balloonist and mountaineer David Hempleman-Adams and Lieutenant Commander Alan Veal, leader of the Royal Navy Freefall Parachute Display Team, Grylls created a world record for the highest open-air formal dinner party, which they did under a hot-air balloon at , dressed in full mess dress and oxygen masks. To train for the event, he made over 200 parachute jumps. This was in aid of The Duke of Edinburgh's Award and The Prince's Trust.

Paramotoring over the Himalayas

In 2007, Grylls claimed to have broken a new world record by flying a Parajet paramotor over the Himalayas, higher than Mount Everest. Grylls took off from , 8 miles south of the mountain. Grylls reported looking down on the summit during his ascent and coping with temperatures of . He endured dangerously low oxygen levels and eventually reached , almost higher than the previous record of . The feat was filmed for Discovery Channel worldwide as well as Channel 4 in the UK.

While Grylls initially planned to cross over Everest itself, the permit was only to fly to the south of Everest, and he did not traverse Everest out of risk of violating Chinese airspace.

Journey Antarctica 2008

In 2008, Bear lead a team of four to climb one of the most remote unclimbed peaks in the world in Antarctica. This was raising funds for Global Angels kids charity and awareness for the potential of alternative energies. During this mission the team also aimed to explore the coast of Antarctica by inflatable boat and jetski, part powered by bioethanol, and then to travel across some of the vast ice desert by wind-powered kite-ski and electric powered paramotor. However, the expedition was cut short after Grylls suffered a broken shoulder while kite skiing across a stretch of ice. Travelling at speeds up to 50 km/h (30 mph), a ski caught on the ice, launching him in the air and breaking his shoulder when he came down. He had to be medically evacuated.

Longest indoor freefall

Grylls, along with the double amputee Al Hodgson and the Scotsman Freddy MacDonald, set a Guinness world record in 2008 for the longest continuous indoor freefall. The previous record was 1 hr 36 mins by a US team. Grylls, Hodgson, and MacDonald, using a vertical wind tunnel in Milton Keynes, broke the record by a few seconds. The attempt was in support of the charity Global Angels.

Northwest Passage expedition

In August 2010 Grylls lead a team of five to take an ice-breaking rigid-inflatable boat (RIB) through of the ice strewn Northwest Passage. The expedition intended to raise awareness of the effects of global warming and to raise money for children's charity Global Angels.

Media

Grylls entered television work with an appearance in an advertisement for Sure deodorant, featuring his ascent of Mount Everest. Bear was also used by the UK Ministry of Defence to head the Army's anti-drugs TV campaign, and featured in the first ever major advertising campaign for the world renowned shop: Harrods. Grylls has been a guest on television programs, including ''Friday Night with Jonathan Ross'', ''The Oprah Winfrey Show'', ''Late Night with Conan O'Brien'', ''The Tonight Show with Jay Leno'', ''Attack of the Show'', ''The Late Show with David Letterman'', ''Jimmy Kimmel Live!'' and ''Harry Hill's TV Burp''. Grylls recorded two advertisements for Post's Trail Mix Crunch Cereal, which aired in the US from January 2009. He also appeared as a distinguished instructor in Dos Equis' Most Interesting Academy in a webisode named "Survival in the Modern Era". He appeared in a five-part web series that demonstrates urban survival techniques and features Grylls going from bush to bash. He also has marketed the Alpha Course, a course on the basics of the Christian faith. Warner Bros. had asked Grylls to appear in its remake of the film ''Clash of the Titans''

Grylls is a bestselling author. Grylls' first book, titled ''Facing Up'', went into the UK top 10 best-seller list, and was launched in the USA entitled ''The Kid Who Climbed Everest''. About his expedition and achievements climbing to the summit of Mount Everest. Grylls' second book ''Facing the Frozen Ocean'' was shortlisted for the William Hill Sports Book of the Year Award 2004. His third book was written to accompany the series ''Born Survivor: Bear Grylls''. (Released in America in April 2008 to the ''Man vs. Wild'' Discovery television show) It features survival skills learned from some of the world's most hostile places. This book reached the ''Sunday Times'' Top 10 best-seller list. His also wrote an extreme guide to outdoor pursuits, titled ''Bear Grylls Outdoor Adventures.''

He has a series of children's adventure survival books titled: ''Mission Survival: Gold of the Gods'', ''Mission Survival: Way of the Wolf'', ''Mission Survival: Sands of the Scorpion'' and ''Mission Survival: Tracks of the Tiger''.

''Escape to the Legion''

Grylls filmed a four-part TV show in 2005, called ''Escape to the Legion'', which followed Grylls and eleven other "recruits" as they took part in a shortened re-creation of the French Foreign Legion's basic desert training in the Sahara. The show was broadcast in the UK on Channel 4, and in the USA on the Military Channel. In 2008, it was repeated in the UK on the History Channel.

''Born Survivor / Man vs. Wild''

Grylls hosts a series titled ''Born Survivor: Bear Grylls'' for the British Channel 4 and broadcast as ''Man vs. Wild'' in Australia, New Zealand, Canada and the U.S.A., and as ''Ultimate Survival'' on the Discovery Channel in Europe, Asia, and Africa. The series features Grylls dropped into inhospitable places, showing viewers how to survive. Man Vs Wild debuted in 2006 and went on to become the number one cable show in all of America and now reaches a global audience of over 1.2 billion viewers. The second season premièred in the US on 15 June 2007, the third in November 2007, and the fourth in May 2008.

The show has featured stunts including Grylls climbing cliffs, parachuting from helicopters, balloons, and planes, paragliding, ice climbing, running through a forest fire, wading rapids, eating snakes, wrapping his urine-soaked t-shirt around his head to help stave off the desert heat, drinking urine saved in a rattlesnake skin, drinking fecal liquid from elephant dung, eating deer droppings, wrestling alligators, field dressing a camel carcass and drinking water from it, eating various "creepy crawlies" [insects], utilizing the corpse of a sheep as a sleeping bag and flotation device, free climbing waterfalls and using a bird guano/water enema for hydration. Grylls also regales the viewer with tales of adventurers stranded or killed in the wilderness.

In some of the earlier episodes, ''Man vs. Wild / Born Survivor'' was criticized by some sources for misleading viewers about some of the situations in which Grylls finds himself. Discovery and Channel 4 television subsequently pledged production and editing transparency and clarification related to the criticism.

''Worst Case Scenario''

Grylls' latest project is titled ''Worst Case Scenario'' and airs on Discovery in the USA. It is based on the popular books of the same name.

Chief Scout

On 17 May 2009, The Scout Association announced Grylls would be appointed Chief Scout following the end of Peter Duncan's five year term in July 2009. He was officially made Chief Scout at Gilwell 24 on 11 July 2009 in a handover event featuring Peter Duncan in front of a crowd of over 3,000 Explorer Scouts. He is the tenth person to hold the position and the youngest Chief Scout since the role was created for Robert Baden-Powell in 1920.

Charities

Many of Grylls' expeditions and stunts have raised money for charitable organisations. Grylls is an ambassador for The Prince's Trust, an organisation which provides training, financial, and practical support to young people in the United Kingdom. He is also vice president for The JoLt Trust, a small charity that takes disabled, disadvantaged, abused or neglected young people on challenging month-long expeditions.

Global Angels, a UK charity which seeks to aid children around the world, were the beneficiaries of his 2007 accomplishment of taking a powered para-glider higher than Mount Everest. Grylls's held the highest ever dinner party at in aid of The Duke of Edinburgh's Award Scheme, and launched the 50th anniversary of the Awards. His successfully circumnavigating Britain on jet skis raised money for the Royal National Lifeboat Institution. Grylls' Everest climb was in aid of SSAFA Forces Help, a British-based charitable organization set up to help former, and serving members of the British Armed Forces, and their families and dependents. His 2003 Arctic expedition detailed in the book ''Facing the Frozen Ocean'' was in aid of The Prince's Trust. His 2005 attempt to para-motor over the Angel Falls was in aid of the charity Hope and Homes for Children. In August 2010, Grylls continued his fund-raising work for Global Angels by undertaking an expedition through the Northwest Passage in a rigid inflatable boat. Many of his expeditions also support environmental causes such as his Antarctica expedition and his circumnavigation of Britain which tested a pioneering new fuel made from rubbish.

In 2011, Grylls was in New Zealand during the February 2011 Christchurch earthquake. Following the incident, he appeared on New Zealand advertisements encouraging people to donate money to help rebuild the city.

Other work

Outside of TV, Grylls works as a motivational speaker, giving speeches worldwide to corporations, churches, schools, and other organizations. He is also a spokesperson for and owner of a Juice Plus franchise. Grylls has his own outdoor survival clothing range produced by British manufacturer Craghoppers as well as a knife manufactured by Gerber.

See also

Ranulph Fiennes, British adventurer and a hero of Grylls' growing up

Bruce Parry, British adventurer and TV presenter

Les Hiddins, Australian survival expert and TV presenter

Les Stroud, Canadian survival expert and TV presenter

Ray Mears, English survival expert and TV presenter

References

External links

North West Passage Fundraising Page

Video for North West Passage

Journey Details for North West Passage

Official Born Survivor website

BearGrylls.com official website

Video of Bear Grylls confirming that he will be the new Chief Scout for the UK

Video from the Gilwell 24 event showing the investiture of Bear Grylls as Chief Scout for the UK, by the previous incumbant Blue peter presenter Peter Duncan

Adventurer Bear Grylls' battle with back pain and high cholesterol

Category:English Christians Category:Living people Category:1974 births Category:Old Etonians Category:Old Ludgrovians Category:Alumni of Birkbeck, University of London Category:English explorers Category:English mountain climbers Category:English non-fiction writers Category:English motivational speakers Category:English television presenters Category:British karateka Category:English people of Northern Ireland descent Category:British summiters of Mount Everest Category:Special Air Service soldiers Category:Artists' Rifles soldiers Category:The Scout Association Category:Survivalists

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name	Mohammed Rafi
background	solo_singer
birth name	Mohammed Haji Ali Mohammed Rafi
born	24 December 1924 Kotla Sultan Singh, Punjab, British India
died	31 July 1980 (aged 55) Bombay, Maharashtra, India
origin	India
instrument	Vocalist
genre	Hindustani Classical Music, Indian classical, ghazal, playback singing, qawwali. thumri
occupation	Playback Singer, sang in Hindi, Punjabi, and various other regional languages, also recorded songs in English, Scottish, Spanish and French
years active	1941–1980 }}

Mohammad Rafi (}}; 24 December 1924 – 31 July 1980), was an Indian playback singer whose career spanned four decades. He won a National Award and 6 Filmfare Awards. In 1967, he was honoured with the Padma Shri by the Government of India.

Rafi claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980; according to the available figures, Rafi has sung 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980. His singing career spanned about 40 years, and his songs ranged from classical numbers to patriotic songs, sad lamentations to highly romantic numbers, qawwalis to ghazals and bhajans, and from slow melancholic tunes to fast and melodious fun filled songs. He had a strong command of Hindi and Urdu and a powerful range that could accommodate this variety. Primarily noted for his Hindi-Urdu songs, he also sang in other Indian languages including Konkani, Bhojpuri, Oriya, Punjabi, Bengali, Marathi, Sindhi, Kannada, Gujarati, Telugu, Maghi, Maithili and Assamese. He also recorded a few English, Persian, Spanish and Dutch songs.

An article in ''Times of India'', published on 24 July 2010 sums up his voice as, "''If there are 101 ways of saying "I love you" in a song, Mohammed Rafi knew them all. The awkwardness of puppy love, the friskiness of teen romance, the philosophy of unrequited love and the anguish of heartbreak - he could explore every crevice of ardour. It wasn't just love, his voice could capture the navras of life - a failed poet's melancholy, a fiery unionist's vim, a debt-ridden farmer's despair, really anybody at all. Rafi, whose career spanned nearly four decades, was a singer for every season and every reason.''"

Early years and background

Mohammed Rafi was born the second youngest of six sons of Hajji Ali Mohammad at Kotla Sultan Singh, a village near Amritsar in Punjab (British India). Rafi, whose nickname was Pheeko, started singing by imitating chants of a fakir in his village. Rafi's father moved to Lahore in the Nineteen Twenties and owned a men's salon in Noor Mohalla in Bhatti Gate Lahore. It was his elder brother (Mohammad Deen's) friend Abdul Hameed who later became his brother in law, who spotted the talent in Rafi in Lahore and encouraged him to sing. Abdul Hameed later convinced the family elders to let him move to Bombay and he accompanied Mohammad Rafi to Bombay in 1944. Rafi learnt classical music from Ustad Bade Ghulam Ali Khan, Ustad Abdul Wahid Khan, Pandit Jiwanlal Matto and Firoze Nizami.

Rafi's first public performance came at the age of 13, when he was allowed to sing at a concert in Lahore featuring K. L. Saigal. In 1941, Rafi, under Shyam Sunder, made his debut in Lahore as a playback singer in the duet "Soniye nee, Heeriye nee" with Zeenat Begum in the Punjabi film ''Gul Baloch'' (the film was released in 1944). In that same year, Rafi was invited by All India Radio Lahore station to sing for them. He made his professional debut in the Shyam Sunder-directed 1941 film Gul Baloch and the Bombay film, Gaon Ki Gauri, the following year.

Advent in Bombay

In 1944, Rafi moved to Bombay (now Mumbai),The brother in laws to be took up a ten-by-ten-feet room in the crowded downtown Bhendi Bazar area. Here poet Tanvir Naqvi introduced him to some of film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer. Shyam Sunder was in Bombay and again provided an opportunity to Rafi – who got to sing a duet with GM Durrani, ‘Aji dil ho qaabu mein to dildar ki aisi taisi…’, for Gaon Ki Gori, which became Rafi’s first recorded song in a Hindi film. Many other songs followed. Rafi also did brief roles in movies like Laila-Majnu (1945) and Jugnu. In Laila-Majnu, he was seen singing ''Tera Jalwa'' as a part of the chorus.

In 1948, after the assassination of Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created the song ‘Suno suno ae duniyawalon, Bapuji ki amar kahani…’. He was invited by the Indian Prime Minister, Jawaharlal Nehru, to sing at the latter's house. In 1948, Rafi received a silver medal from Nehru on the Indian Independence Day. In 1949, Rafi was given solo songs by music directors such as Naushad, (''Chandni Raat'', ''Dillagi'' and ''Dulari'') Shyam Sunder (''Bazaar'') and Husnalal Bhagatram (''Meena Bazaar'').

Rafi's first song with Naushad was "Hindustan ke hum hain" with Shyam Kumar, Alauddin and others, from A. R. Kardar's ''Pehle Aap'' (1944). Around the same time, Rafi recorded another song for the 1945 film ''Gaon ki Gori'', "Aji dil ho kaaboo mein". He considered this song his first Hindi language song.

Rafi also appeared in two movies. In 1945, Rafi appeared on the screen for the song "Tera Jalwa Jis Ne Dekha" in the film ''Laila Majnu''. He sang a number of songs for Naushad as part of the chorus, including "Mere sapnon ki rani, Roohi Roohi" with K. L. Saigal from the film ''Shahjahan'' (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's ''Anmol Ghadi'' (1946) and a duet with Noor Jehan in the 1947 film ''Jugnu'', "Yahan Badla Wafa Ka". Following the Partition of India, Rafi decided to stay in India and had his family flown to Bombay. Whereas Noor Jahan migrated to Pakistan and made a pair with playback singer Ahmed Rushdi.

Rafi was highly influence by the singers of that time like K. L Saigal, Talat Mehmood and, most notably, by G. M. Durrani - on whose style he based his singing. He sung with his idol in some of the songs such as "''Humko Hanste Dekh Zamana Jalta Hai'' (Hum Sab Chor Hain, 1956) and "''Khabar Kisi ko Nahiin, woh kidhar Dekhte'' (Beqasoor, 1950), etc.

Recording career

He associated with many music directors of his time, most notably Naushad. In the late 1950s and 1960s, Rafi worked with other composers of the era such as O. P. Nayyar, Shankar Jaikishan and S.D. Burman.

; Association with Naushad

As per Naushad, Rafi came to him with a letter of recommendation from Naushad's father. Rafi’s first song for Naushad was "Hindustan ke hum hain" ("We belong to Hindustan") for the film ''Pehle Aap'' in 1944. The first song for the duo was the soundtrack of the movie ''Anmol Ghadi'' (1946). Before Rafi, Naushad’s favorite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording. He was annoyed and hired Rafi to sing all the songs of the movie ''Baiju Bawra''.

In 1949 when "Suhani Raat Dhal Chuki".

Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Hindi Cinema. Songs from ''Baiju Bawra'' (1952) like "O duniya ke rakhwale" and "Man tarpat Hari darshan ko aaj" furthered Rafi's credentials. Rafi ended up singing a total of 149 songs (81 of them solo) for Naushad.

In the 1960 film ''Mughal-E-Azam'', Mohammed Rafi sang the song "Ae Mohabbat Zindabad", composed by Naushad, with a chorus of 100 singers.

; Association with S D Burman S. D. Burman patronized Rafi as the singing voice of Dev Anand and Guru Dutt. Rafi worked with Burman in movies like ''Pyaasa'' (1957), ''Kaagaz Ke Phool'' (1959), ''Tere Ghar ke Saamne'' (1962), ''Guide'' (1965), ''Aradhana'' (1969), and ''Abhimaan'' (1973). S. D. Burman was also another music director besides Naushad who used Rafi prolifically to sing for most of his songs.

; Association with Shankar-Jaikishan

Rafi and Shankar Jaikishan was a partnership in the Hindi film industry. Under Shankar-Jaikishan, Rafi produced some of his songs for actors like Shammi Kapoor and Rajendra Kumar. Out of six Filmfare awards, Rafi won three for S-J songs, viz., "Teri pyari pyari soorat ko", "Baharon phool barsao", and "Dil ke jharokhe mein". The song "Yahoo! Chahe koi mujhe junglee kahe" was sung by Rafi, only to be matched a fast-paced orchestra and a composition by Shankar Jaikishan. S-J made Rafi give playback for Kishore Kumar in the film ''Shararat'' ("Ajab hai daastan teri yeh zindagi"). Rafi sang a total of 341 numbers (216 solo) for Shankar-Jaikishan. Among the films of this combination, are ''Basant Bahar'', ''Professor'', ''Junglee'', ''Suraj'', ''Brahmachari'', ''An Evening in Paris'', ''Dil Tera Deewana'', ''Yakeen'', ''Prince'', ''Love in Tokyo'', ''Beti Bete'', ''Dil Ek Mandir'', ''Dil Apna Aur Preet Parai'', ''Gaban'' and ''Jab Pyar Kisi Se Hota Hai''.

; Association with Ravi

Rafi got his first Filmfare Award for the title song of ''Chaudhvin Ka Chand'' (1960), composed by Ravi. He got National Award for the song "Babul Ki Duaen Leti Ja" from the film ''Neel Kamal'' (1968), also composed by Ravi. Rafi actually wept during the recording of this song. He, himself, admitted this in his interview to BBC in 1977.

Ravi and Rafi produced several other songs, in the films ''China Town'' (1962), ''Kaajal'' (1965), and ''Do Badan'' (1966).

; Association with Madan Mohan

Madan Mohan was another composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in ''Ankhen'' (1950), "Hum ishq mein barbad hain barbad rahenge". They teamed up to produce many songs including "Teri Aankhon ke Siva", "Yeh Duniya Yeh Mehfil" and "Tum Jo Mil Gaye Ho".

; Association with O. P. Nayyar

Rafi and O. P. Nayyar created music in the 1950s and 1960s. O. P. Nayyar was once quoted as saying "If there had been no Mohd. Rafi, there would have been no O. P. Nayyar". He and Rafi created many songs together including "Yeh hai Bombay meri jaan". He got Rafi to sing for singer-actor Kishore Kumar – "Man mora baawara" for the movie ''Raagini''. Later, Rafi sang for Kishore Kumar in movies such as ''Baaghi'', ''Shehzaada'' and ''Shararat''. O. P. Nayyar used Rafi and Asha Bhosle for most of his songs. The team created many songs in early 1950s and 1960s for movies such as ''Naya Daur'' (1957), ''Tumsa Nahin Dekha'' (1957), and ''Kashmir Ki Kali'' (1964). Rafi sang a total of 197 numbers (56 solo) for Nayyar. The song "Jawaaniyan yeh mast mast" and the title song "Yun to humne lakh hansee dekhe hain, tumsa nahin dekha" of the film ''Tumsa Nahin Dekha''. They were followed by songs like "Taareef karoon kya uski jisne tumhe banaya" from ''Kashmir ki Kali''.

Rafi and OP had a fallout during the recording for movie "Sawan ki Ghata", as disclosed by OP during one of his interviews. In the interview, he says, "Throughout my career, I have been famous for my punctuality. Rafi had given me a time for recording a song from Saawan Ki Ghata. The musicians were all set. Rafi came late for that recording and said, “Sorry, I was stuck up in Shankar- Jaikishan’s recording.” I said, “You had given me the time by your choice. So I gather, you have time for Shankar- Jaikishan and not for O.P. Nayyar. Now onwards, O.P.Nayyar will not have time for Rafi.” I cancelled the recording in front of shell shocked musicians and told the accountant to charge the expenses for the cancelled session to my account! After three years, Rafi came to my house crying like a baby. I also broke down. Both of us touched each other’s feet. I said, “Rafi, by coming here today you proved that you are much greater than O.P. You could overcome your ego. I could not!” He often used to sing – Yuun To Humne Laakh Sangeetkaar Dekhe Hai, O.P.Nayyar Sa Nahi Dekha! (I have seen many a composer but never one like O.P.Nayyar!) He also used to tell me, “Your music could turn a eunuch into a he-man!”

; Association with Laxmikant-Pyarelal

The composer duo Laxmikant-Pyarelal (L-P) also patronized Rafi as one of their singers, right from their very first film, ''Parasmani'' (1963). Both Rafi and L-P won the Filmfare Awards for the song "Chahoonga main tujhe saanjh savere" from ''Dosti'' (1964). Rafi rendered the maximum number of songs for the music director duo Laxmikant-Pyarelal: a total of 369 numbers (186 solo) for L-P.

Once, when composer Nisar Bazmi (who had migrated to Pakistan) didn’t have enough money to pay him, Rafi charged a fee of one rupee and sang for him. He also helped producers financially. As Laxmikant (of the Laxmikant-Pyarelal duo) once observed – “He always gave without thinking of the returns”.

Between 1950 and 1970, Rafi was the most sought after singer in Bollywood. He sang for many male stars in Hindi films. In 1965, he was honoured by the Government of India with the Padma Sri award. Rafi recorded two Hindi songs in English on 7" release in 1968. He also sang a song in Creole while on his visit to Mauritius in the late 1960s. Rafi recorded two English albums as well. One of them is ''Pop Hits''. In Bollywood, yodeling is generally associated with Kishore Kumar but Rafi introduced yodeling in Indian film as playback singing. Rafi yodeled in some of his old songs, such as "Hello sweety seventeen" (duet with Asha Bhosle), "O Chale ho kaha", "Dilke Aine main", and "Unse Rippy Tippy Ho gayee" (duet with Geeta Dutt).

; Association with his Contemporary Singers

Rafi associated with several of his contemporaries, singing duets with them and sometimes for them (as in case of Kishore Kumar who was also an actor).

Rafi sang the maximum number of duets with Asha Bhonsle (female), Manna Dey (male) and Lata Mangeshkar (female).

For the song “Man mora bawra” in the film ''Ragini'', Kishore Kumar requested Rafi to sing this song for him because this song was a semi classical and Kishore Kumar said that "Rafi Sahab can sing this song better than me". Rafi sang the song. The song “Ajab hay dastan teri aey zindagi” was first given to Kishore Kumar to sing and he sung the first half of ''antara'' but in the second half, he faced some trouble and after many retakes, he was unable to give the effect that Shankar Jaikishan wanted, and finally the song was given to Rafi to sing.

In the song "Humko Tumse Ho Gaya Hai Pyaar Kya Karein" (Amar, Akbar, Anthony), Mohd Rafi sang with Kishore Kumar, Lata Mangeshkar and Mukesh - all in one song. This was probably the only time that all of them rendered their voices for one song.

Controversies

Royalty issue

In 1962-1963, the popular female playback singer Lata Mangeshkar raised the issue of playback singers' share in the royalties. Recognizing Rafi's position as the leading male playback singer, she wanted him to back her in demanding a half-share from the 5 percent song royalty that the film's producer conceded to select composers. Lata's contention was that, there was no way producers and music directors could deny this singing duo, one-half share in that 5 percent song royalty to the composer. Rafi's stated that his claim on the film's maker ended with his being paid his agreed fee for the song. After that, if the film proved a hit, good luck to the movie's maker, he was welcome to keep the Gramco (HMV) royalty he earned from it.

Lata viewed his stand as a stumbling block on the royalty issue and this subsequently led to differences between the two. During the recording of "Tasveer Teri Dil Mein" (''Maya'', 1961), Lata argued with Rafi over a certain passage of the song. Rafi felt belittled, as music director Salil Chowdhury sided with Lata. The situation worsened when Lata Mangeshkar declared that she would no longer sing with Rafi. Rafi stated that he was only so keen to sing with Lata as she was with him. Later, at the insistence of S. D. Burman, the two decided to reconcile and sing duets.

Guiness World Records

During his last years, Rafi was involved in a controversy over Lata Mangeshkar's introduction in to the Guinness Book of World Records. In a letter dated June 11, 1977 to the Guinness Book of World Records, Rafi had challenged the claim that Lata Mangeshkar has recorded the maximum number of songs ("not less than 25,000" according to Guinness). After receiving a reply from Guinness, in a letter dated November 20, 1979, he wrote: "I am disappointed that my request for a reassessment vis-a-vis Ms Mangeshkar's reported world record has gone unheeded.".

In an interview to BBC recorded in Nov 1977, Rafi claimed to have sung 25,000 to 26,000 songs till then. After Rafi's death, in its 1984 edition, the ''Guinness Book of Word Records'' gave Lata Mangeshkar's name for the "Most Recordings" but also stated: "Mohammad Rafi (d 1 Aug 1980) claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980.". According to the available figures, Rafi has sung 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980. The Guinness Book entries for both Rafi and Lata were later removed in 1991.

Early 1970s

In early 1970s, Rafi recorded fewer songs due his ill health and Hajj pilgrimage. At the same period Kishore Kumar's popularity increased due to the songs he sang for the film ''Aradhana''. The music for ''Aradhana'' was composed by S. D. Burman, and he had used Rafi as the male playback voice for the first two recorded duets, "Baaghon Mein Bahaar Hai" and "Gunguna Rahen Hain Bhanwre". After these two recordings, S. D. Burman fell ill and his son and assistant, R. D. Burman, took over the recordings. R. D. Burman got Kishore Kumar to sing the solos "Roop Tera Mastana" and "Mere Sapnon Ki Rani".

During 1971-1973, Rafi's musical output decreased; however, he did sing several songs. Some of Rafi's songs of the early 1970s were with music directors like Laxmikant Pyarelal, Madan Mohan, R. D. Burman and S. D. Burman. These include "Tum mujhe Yun Bhula na Paoge" (a signature song of Rafi in 1971) from Pagla Kahin Ka, "Yeh Duniya Yeh Mehfil" from ''Heer Ranjha'' (1970), "Jhilmil Sitaron ka" from ''Jeevan Mrityu'' (a duet with Lata Mangeshkar, 1970), "Gulabi Aankhen" from ''The Train'' (1970), "Yeh Jo Chilman Hain" and "Itna to Yaad Hain Mujhe" from ''Mehboob Ki Mehndi'' (1971), "Mera mann tera pyasa" Gambler, "Chalo Dildar Chalo" from 1972 released Pakeezah, "Chura Liya Hain Tumne" from ''Yaadon Ki Baarat'' (a duet with Asha Bhosle, 1973), "Na tu Zameen Ke liye" from 1973 released Dilip Kumar movie Dastan, "Tum Jo Mil Gaye Ho" from Hanste Zakhm (1973), "teri bindiya re", from Abhimaan(1973) and "Aaj mausam bada beimaan hai" from Loafer (1973).

Later years

Rafi made an comeback as a top leading singer in the mid-1970s. In 1974, he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna.

In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie ''Hum Kisi Se Kum Nahin'', composed by R. D. Burman. Rafi sang for Rishi Kapoor in films like ''Amar Akbar Anthony'' (1977), ''Sargam'' (1979) and ''Karz'' (1980). The qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977) was a superhit. Rafi's notable renderings in the late 1970s and early 80s include ''Laila Majnu'' (1976), ''Apnapan'' (1978), ''Qurbani'', ''Dostana'' (1980), ''The Burning Train'' (1980), ''Naseeb'' (1981), ''Abdullah'' (1980), ''Shaan'' (1980), ''Asha'' (1980), ''Aap To Aise Na The'' (1980), ''Zamane Ko Dikhana Hai'' (1982).

Death

On Thursday, 31 July 1980, Rafi died at 10:50 p.m., following a heart attack. His last song was "Shaam phir kyun udaas hai dost" (''Aas Paas''), which he had recorded with Laxmikant-Pyarelal few hours before his death.

Rafi was buried at the Juhu Muslim cemetery. It was one of the biggest funeral processions Mumbai had ever witnessed, with over 10,000 people attending.

In 2010, his tomb was demolished to make space for new burials. Fans of Mohammed Rafi who arrive twice a year at his tomb, on 24 December and 31 July, to mark his birth and death anniversary, use the coconut tree nearest to his grave as a marker.

The Government of India announced a two-day public holiday on his death, honouring him.

Legacy

Rafi's song from the film ''Gumnaam'' (1965), "Jaan Pehechan Ho", was used on the soundtrack of ''Ghost World'' (2001). The film opens with the lead character dancing around in her bedroom to a video of ''Gumnaam''.

His "Aaj Mausam Bada Beiman Hai" is featured in the 2001 film ''Monsoon Wedding''. His song "Mera Man Tera Pyasa" (''Gambler'', 1970) has been used as one of the soundtracks in the Jim Carrey-Kate Winslet starrer ''Eternal Sunshine of the Spotless Mind'' (2004). This song is played in the background in Kate Winslet's character's home while the lead pair are having a drink - ''at approx 00.11.14 runtime''.

Several of Rafi's unreleased songs will be used for an upcoming film titled ''Sorry Madam''.

A documentary about Rafi’s life is under production by The Films Division of India.

In the summer of 2008, the City of Birmingham Symphony Orchestra released a double CD entitled ''Rafi Resurrected'' comprising 16 songs by Rafi. Bollywood playback singer Sonu Nigam provided the vocals for this project and toured with the CBSO in July 2008 at venues including the English National Opera in London, Manchester's Apollo Theatre and Symphony Hall, Birmingham.

The Padma Shri Mohammed Rafi Chowk in the Bandra suburb of Mumbai and Pune (extending MG Road) is named after Rafi.

In June 2010, Rafi was voted the most popular playback singer in the OUTLOOK Music Poll, conducted by Outlook Magazine, along with Lata Mangeshkar. The same Poll voted "Man re, tu kahe na Dheer Dhare" (''Chitralekha'', 1964), sung by Rafi as the #1 song. Three songs tied up for the #2 place and two of them were sung by Rafi. The songs were "Tere Mere Sapne Ab Ek Rang Hain" (''Guide'', 1965) and "Din Dhal Jaye, hai raat na jaye" (''Guide'', 1965). This poll was published in Outlook Magazine, the jury of which included many people in the Indian music industry; Abhijeet, Adesh Srivastava, Alisha Chinai, Anu Malik, Ehsaan, Gulzar, Hariharan, Himesh Reshammiya, Jatin, Javed Akhtar, Kailash Kher, Kavita Krishnamurthy, Khayyam, Kumar Sanu, Lalit, Loy, Mahalaxmi Iyer, Mahendra Kapoor, Manna Dey, Prasoon Joshi, Rajesh Roshan, Sadhna Sargam, Sameer, Sandesh Shandilya, Shaan, Shankar, Shantanu Moitra, Shreya Ghoshal, Sonu Nigam and Talat Aziz.

In an article in ''Times of India'', Rafi is described as "a versatile singer, who could render classical, rock and roll, indeed any kind of song with ease, he was Hindi film's favourite male voice through the 1950s and 1960s". Music director Rajesh Roshan, who composed some of the songs with Rafi, remembers him as "a warm-hearted simple person with no ego".

There has been appeals to the Government of India to honour the singer, posthumously, with Bharat Ratna (India's Highest Civilian Award)

Classical and playback singer Manna Dey, who was also a contemporary of Rafi, credits Rafi as "the best singer of them all". He said, "Rafi and I could sing everything, and he was such a gentleman. He was a better singer than me, and I will say this - that no one came even close to him! He deserved everything he got! We had a great understanding and it was never about one-upmanship".

There were reports that a man, sentenced to be hanged, was asked what his last wish was. The man asks that he be allowed to listen to “''O duniya ke rakhwale, sun dard bare mere naale; jeewan apna wapas lele, jeewan dene wale''“ - a song sung by Rafi.

Veteran actor Shammi Kapoor said, "I am incomplete without Mohammad Rafi. I used to often go for the recoding of my song, which was sung by Mohammad Rafi, only because I used to like telling him how I would perform on this song on screen so that he can sing it that way. Even he liked my involvement".

On 22 September 2007, a shrine to Rafi designed by artist Tasawar Bashir was unveiled on Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi will attain sainthood as a result.

Singers like Shabbir Kumar, Mohammed Aziz, and more recently, Sonu Nigam, who made a name by adopting his style, perhaps owe their entire careers to Rafi.

After his death, seven Hindi movies were dedicated to Mohd Rafi; ''Allah Rakha'', ''Mard'', ''Coolie'', ''Desh-Premee'', ''Naseeb'', ''Aas-Paas'' and ''Heeralal-Pannalal''.

As per newspaper reports, over 9000 musical tributes were organized in July 2011 commemorating the singer's 31st death anniversary.

List of Songs

See List of Songs by Mohammed Rafi

Personal life

Rafi and Abdul Hameed married two sisters in Bombay in late forties. Rafi had an earlier marriage with her cousin that took place in his ancestral village that could not be continued due to the migration of his in laws and wife to Lahore Pakistan after partition. Rafi had one son from his earlier marriage and three sons and three daughters from his second marriage with Bilquis in Bombay. He was a teetotaller, a religious and humble person. He was very much a family man, following a recording-room to home to recording-room itenerary. He never attended filmy parties, did not smoke or drink. He used to perform his riyaz (musical practise) from 3 AM to 7 AM without fail. His only indulgences were playing carom and badminton and flying kites.

Awards

; Honorary 1948 - Rafi received a silver medal from the Indian Prime Minister Jawaharlal Nehru, on the first anniversary of the Indian Independence Day.

1967 - Honoured with the Padma Shri by the Government of India.

1974 - Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974).

2001 - Rafi was honored with the "best singer of the millennium" by Hero Honda and ''Stardust'' magazine in Mumbai on Jan 7, 2001. Rafi won with 70% of the votes.

Rafi has a record number of Filmfare Award nominations (23). In the earlier years, Filmare used to have only one Best Singer Award (no distinction between a male or female singer). Rafi won it six times.

; National Film Awards Winner:

! Year	! Song	! Film	! Music director	! Lyricist
1968	"Baabul Ki Duayein Leti Jaa"	''Neel Kamal''	Ravi Sharma	Sahir Ludhyanvi
1977	"Kya Hua Tera Wada"	''Hum Kisi Se Kum Nahin''	Rahul Dev Burman	Majrooh Sultanpuri

; Filmfare Awards Winner:

! Year	! Song	! Film	! Music director	! Lyricist
1960	"Chaudhvin Ka Chand Ho"	''Chaudhvin Ka Chand''	Bombay Ravi	Shakeel Badayuni
1961	"Teri Pyaari Pyaari Surat Ko"		Shankar Jaikishan	Shailendra
1964	"Chahunga Main Tujhe"	''Dosti''	Laxmikant-Pyarelal	Majrooh Sultanpuri
1966	"Baharo Phool Barsao"	''Suraj''	Shankar Jaikishan	Shailendra
1968	"Dil Ke Jharoke Mein"		Shankar Jaikishan	Shailendra
1977	"Kya Hua Tera Wada"	''Hum Kisi Se Kum Nahin''	Rahul Dev Burman	Majrooh Sultanpuri

Nominated:

! Year	! Song	! Film	! Music director	! Lyricist
1961	"Husnwale Tera Jawab Nahin"		Bombay Ravi	Shakeel Badayuni
1962	"Aye Gulbadan Aye Gulbadan"		Shankar Jaikishan	Shailendra
1963	"Mere Mehboob Tujhe"	''Mere Mehboob''	Naushad	Shakeel Badayuni
1965	"Chhoo Lene Do Nazuk Hothon Ko"	''Kaajal''	Bombay Ravi	Sahir Ludhianvi
1968	"Mein Gaaon Tum Sojaao"		Shankar Jaikishan	Shailendra
1969	"Badi Mastani Hai"	''Jeene Ki Raah''	Laxmikant-Pyarelal	Anand Bakshi
1970	"Khilona Jaan Kar"	''Khilona''	Laxmikant-Pyarelal	Anand Bakshi
1973	"Hum Ko To Jaan Se Pyaari"	''Naina''	Shankar Jaikishan	Hasrat Jaipuri
1974	"Achha Hi Huva Dil Toot Gaya"	''Maa Bahen Aur Biwi''	Sharda	Qamar Jalalabadi, Vedpal Varma
1977	"Pardah Hai Pardah"	''Amar Akbar Anthony''	Laxmikant-Pyarelal	Anand Bakshi
1978	"Aadmi Musaafir Hai"	''Apnapan''	Laxmikant-Pyarelal	Anand Bakshi
1979	"Chalo Re Doli Uthao Kahaar"	''Jaani Dushman''	Laxmikant-Pyarelal	Varma Malik
1980	"Mere Dost Kissa Yeh"		Laxmikant-Pyarelal	Anand Bakshi
1980	"Dard-e-dil Dard-e-jigar"		Laxmikant-Pyarelal	Anand Bakshi
1980	"Maine Poocha Chand Se"	''Abdullah''	Rahul Dev Burman	Anand Bakshi

;Bengal Film Journalists' Association Awards

Winner

! Year	! Film	! Music director	! Lyricist
1957		O. P. Nayyar	Majrooh Sultanpuri
1965	''Dosti''	Laxmikant Pyarelal	Majrooh Sultanpuri
1966		Shankar Jaikishan	Hasrat Jaipuri

;Sur Sringar Award

Winner

! Year	! Film	! Music director	! Lyricist
1964			Sahir Ludhyanvi

References

External links

Mohammad Rafi at the Internet Movie Database

Category:1924 births Category:1980 deaths Category:Bollywood playback singers Category:Indian film singers Category:Indian Muslims Category:People from Amritsar Category:Indian male singers Category:Filmfare Awards winners Category:Deaths from myocardial infarction Category:Recipients of the Padma Shri Category:Punjabi people Category:Indian musicians Category:Indian singers Category:People from Mumbai Category:Konkani-language singers Category:Marathi-language singers

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name	Lata Mangeshkar
background	solo_singer
born	September 28, 1929Indore, Central India Agency, British India
instrument	Vocals
genre	Film music (playback singing)
occupation	Singer
years active	1942–present }}

Lata Mangeshkar (; born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India. Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Bollywood movies and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, and Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.

Mangeshkar was featured in the ''Guinness Book of World Records'' from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974 (30,000 songs between 1948 and 1987, according to the 1987 edition). Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.

Early life

Lata Mangeshkar was born in Sikh Mohalla, Indore, in the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Gomantak Maratha Samaj family from Goa, was a classical singer and theater actor. Her mother Shevanti (Shudhamati) who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, ''BhaawBandhan''. Lata is the eldest child of her parents. Meena, Asha, Usha and Hridayanath are her siblings in sequence.

Mangeshkar took her first music lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (''Sangeet Natak'' in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school. Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.

Singing career

Early career in the 1940s

In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them.

Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie ''Kiti Hasaal'' (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie ''Pahili Mangalaa-gaur'' (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar. Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, ''Gajaabhaau'' (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan Bhendibazaarwale. She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie ''Aap Ki Seva Mein'' (1946), which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles Vinayak's first Hindi-language movie, ''Badi Maa'' (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, ''Subhadra'' (1946).

Following the partition of India in 1947, Ustad Amanat Ali Khan Bhendibazaarwale migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.

After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie ''Shaheed'' (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin." An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie ''Majboor'' (1948).

Initially, Mangeshkar is said to have imitated Noor Jehan, but later she developed her own style of singing. Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.

“Aayega Aanewaala,” a song in the movie ''Mahal'' (1949) was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.

1950s

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.

Mangeshkar sang many raga-based songs for Naushad in movies such as ''Baiju Bawra'' (1952), ''Mughal-E-Azam'' (1960), and ''Kohinoor'' (1960). ''Ae Chorre Ki Jaat Badi Bewafa'', a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for ''Aag'', ''Aah'' (1953), ''Shree 420'' (1955), and ''Chori Chori'' (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in ''Sazaa'' (1951), ''House No. 44'' (1955), and ''Devdas'' (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.

Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from ''Madhumati'' (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.

1960s

Mangeshkar's song "Pyar Kiya To Darna Kya" from ''Mughal-E-Azam'' (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from ''Dil Apna Aur Preet Parai'' (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.

In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from ''Bees Saal Baad'', composed by Hemant Kumar.

On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, the People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.

In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film ''Chhote Nawaab'' and later for his films such as ''Bhoot Bangla'' (1965), ''Pati Patni'' (1966), ''Baharon ke Sapne'' (1967) and ''Abhilasha'' (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from ''Guide'' (1965), and "Hothon Pe Aisi Baat" from ''Jewel Thief'' (1967).

During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from ''Anpadh'' (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from ''Woh Kaun Thi?'' (1964), "Woh Chup Rahen To" from ''Jahan Ara'' (1964), and "Tu Jahan Jahan Chalega" from ''Mera Saaya'' (1966).

The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career.

She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name ''Anandghan''). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.

In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.

1970s

In 1972, Meena Kumari's last film, ''Pakeezah'' released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from ''Prem Pujari'' (1970), "Khilte Hain Gul Yahaan" from ''Sharmeelee'' (1971), and "Piya Bina" from ''Abhimaan'' (1973).

Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricst Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films ''Amar Prem'' (1972), ''Caravan'' (1971), ''Kati Patang''(1971), and ''Aandhi'' (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.

In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film ''Parichay'', composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film ''Nellu'', composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film ''Kora Kagaz'', composed by Kalyanji-Anandji.

From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, ''Chala Vaahi Des'', composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of ''abhangs'' of Sant Tukaram composed by Shrinivas Khale.

In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).

1980s onwards

From 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.

In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie ''Lekin...''. She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including ''Maine Pyar Kiya'' (1989) and ''Hum Aapke Hain Kaun'' (1994).

Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including ''Chandni'' (1989), ''Lamhe'' (1991), ''Darr'' (1993), ''Yeh Dillagi'' (1994), ''Dilwale Dulhaniya Le Jayenge'' (1995), ''Dil To Pagal Hai'' (1997) and later on ''Mohabbatein'' (2000), ''Mujhse Dosti Karoge'' (2002) and ''Veer Zaara'' (2004).

A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (''Dil Se''), "Khamoshiyan Gungunane Lagin" (''One Two Ka Four''), "Ek Tu Hi Bharosa" (''Pukar''), "Pyaara Sa Gaon" (''Zubeidaa''), "Lukka chuppi" (''Rang de Basanti'') and "O Paalanhaare" (''Lagaan''). She made an appearance in the film ''Pukar'' singing this song.

In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.

In 1999, Mangeshkar was nominated as a member of Rajya Sabha. However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi. She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.

In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief. Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film ''Lajja''; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.

Lata Mangeshkar's song "Wada Na Tod" is in the film ''Eternal Sunshine of the Spotless Mind'' (2004) and on the film's soundtrack.

On June 21, 2007, she released an album ''Saadgi'', featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.

Non-singing career

Music direction

Lata Mangeshkar composed music for the first time in 1955 for Marathi movie ''Ram Ram Pavhane''. Later in 1960s, she composed music for following Marathi movies under the pseudonym of ''Anand Ghan''.

1960 - ''Ram Ram Pavhana''

1963 - ''Maratha Tituka Melvava''

1963 - ''Mohityanchi Manjula''

1965 - ''Sadhi Manase''

1969 - ''Tambadi Mati''

She won Maharashtra State Government's Best Music Director Award for the film ''Sadhi Manase''. The song "Airanichya Deva Tula" from the same film received best song award.

Production

Lata Mangeshkar has produced four films:

1953 - ''Vaadal'' (Marathi)

1953 - ''Jhaanjhar'' (Hindi), co-produced with C. Ramchandra

1955 - ''Kanchan'' (Hindi)

1990 - ''Lekin'' (Hindi)

Awards and recognitions

Lata Mangeshkar has won several awards and honors, including Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997), NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.

In 1984, the State Government of Madhya Pradesh instituted the ''Lata Mangeshkar Award'' in honuor of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.

In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs. After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.

Although the entry has not been printed in Guinness editions since 1991, reputable sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000. However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by other sources, who stated that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250. Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.

See also

Playback singer

Asha Bhosle

List of Indian playback singers

Bollywood songs

References

Further reading

. A collection of articles written by Lata Mangeshkar since 1952. . . A collection of articles written by Lata Mangeshkar since 1952.

External links

Category:1929 births Category:Indian female singers Category:Indian film singers Category:Recipients of the Bharat Ratna Category:Recipients of the Padma Vibhushan Category:Recipients of the Padma Bhushan Category:Living people Category:Bollywood playback singers Category:Marathi people Category:Kollywood playback singers Category:People from Indore Category:Marathi playback singers Category:Telugu playback singers Category:Kannada playback singers Category:Hindi-language singers Category:Marathi-language singers Category:Bengali-language singers Category:Gujarati-language singers Category:Tamil-language singers Category:English-language singers Category:Dadasaheb Phalke Award recipients Category:Recipients of the Maharashtra Bhushan Award Category:Malayalam playback singers

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region	Islamic Scholar
era	Modern era
color	#B0C4DE
name	Maulana Tariq Jameel
birth date	1953
native town	TulambahMian Channnu
school tradition	Muslim, Muslim
notable ideas	Basic principles and practices of Islam and Global brotherhood
associations	Member of the Tablighi Jamaat }}

Tariq Jameel (}})(born 1953) is an Islamic scholar from Pakistan. His native town is Tulambah near Mian Channu. His father was an agriculturist who belonged to the Muslim Rajputs community.

Tariq Jameel was born and raised in Mian Channu. In his childhood he lived a relatively modest life but religion was not a major part of his life and his family in particular. It wasn't until he pursued his M.B.B.S. in Lahore that his focus shifted towards Islam. After completing his Higher Secondary School education (a.k.a F.Sc in some regions of Pakistan) in pre-medical (equivalent to A 'levels') from Government College University Lahore, he took admission in King Edward Medical College in Lahore. He intended to do his M.B.B.S., but he soon switched to Islamic education. He then went on to receive Islamic education from Jamia Arabia, Raiwind (near Lahore), Pakistan where he studied Quran, Hadith, Sharia, Tasawwuf, logic and Fiqh.

Transition towards Islam

His proclivity towards Islam grew during hostel life in Lahore and can mainly be attributed to the group members of Tablighi Jamaat who he became friends with during his college life.

Rise to prominence

Due to his sermons, Tariq Jameel commands respect from Muslims all over the world. He has a simple style of elaborating the purpose of human life and its creation and often uses scientific examples to support his argument. He has delivered lectures to all types of communities in the society with the attendees being doctors, engineers, professors, businessmen, landlords, government officials, TV/film artists, ministers/politicians and sports celebrities. His untiring efforts brought real Islamic values in the lives of some of the greatest Pakistani cricketing legends such as Saeed Anwar, Inzamam-ul-Haq, Mohammad Yousuf, Saqlain Mushtaq, Mushtaq Ahmed and Saleem Malik. He has also been the main paradigm for Junaid Jamshed since his volte-face towards Islam. Tariq Jameel is also a student of the late Mufti Yousuf Ludhianvi another renowned scholar.

Islamic teachings

Tariq Jameel’s lectures incorporate a wide range of issues of Islam and social concern. He especially emphasizes on self-purification, avoidance of violent ways, observance of Allah’ orders and to follow the Prophet Muhammad’s sunnah. He is a staunch critic of moral degeneration, indecent practices and shamelessness that have established its stronghold among young generation of Muslims.

See also

Tablighi Jamaat

Haji Abdulwahab

Junaid Jamshed

External links

Maulana Tariq Jameel (Also Molana Tariq Jamil) Urdu MP3 Islamic Lectures Bayans

Checkout the latest Video Bian of Maulana Tariq Jamil Sahib in Attock City, 10th May, 2010

Latest Lectures of Maulana Tariq Jameel from in HQ MP3 Format

A complete list of ''all'' of Maulana Tariq Jamils speeches. ''Over 1250 Lectures''

Tariq Jamil Web Site

References

Category:1953 births Category:Living people Category:Islamic studies scholars Category:Muslim scholars of Islam Category:Muslim scholars Category:Pakistani scholars Category:Ravians Category:People from Khanewal District

ur:طارق جمیل