Coordinates	38°37′38″N90°11′52″N
background	non_vocal_instrumentalist
birth name	Lester William Polsfuss
born	June 09, 1915Waukesha, Wisconsin, United States
died	August 12, 2009White Plains, New York, United States
genre	Jazz, country, blues, rock and roll
occupation	Innovator, Inventor, Musician, Songwriter
instrument	Guitar, Banjo, Harmonica
years active	1928–2009
website	lespaulonline.com
notable instruments	Gibson Les Paul }}

Lester William Polsfuss (June 9, 1915 – August 12, 2009)—known as Les Paul—was an American jazz and country guitarist, songwriter and inventor. He was a pioneer in the development of the solid-body electric guitar which made the sound of rock and roll possible. He is credited with many recording innovations. Although he was not the first to use the technique, his early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing effects and multitrack recording were among the first to attract widespread attention.

His innovative talents extended into his playing style, including licks, trills, chording sequences, fretting techniques and timing, which set him apart from his contemporaries and inspired many guitarists of the present day. He recorded with his wife Mary Ford in the 1950s, and they sold millions of records.

Among his many honors, Paul is one of a handful of artists with a permanent, stand-alone exhibit in the Rock and Roll Hall of Fame. He is prominently named by the music museum on its website as an "architect" and a "key inductee" along with Sam Phillips and Alan Freed.

Biography

Early life

Les Paul was born Lester William Polsfuss outside Milwaukee, in Waukesha, Wisconsin, to George and Evelyn (1888–1989) (née Stutz) Polsfus. His family was of German ancestry. Paul's mother was related to the founders of Milwaukee's Valentin Blatz Brewing Company and the makers of the Stutz automobile. His parents divorced when he was a child. The Prussia family name was first simplified by his mother to Polfuss before he took his stage name of Les Paul. He also used the nicknames Red Hot Red and Rhubarb Red.

While living in Wisconsin, he first became interested in music at age eight when he began playing the harmonica. After an attempt at learning the banjo, he began to play the guitar. It was during this time that he invented a neck-worn harmonica holder, which allowed him to play the harmonica hands-free while accompanying himself on the guitar. Paul's device is still manufactured using his basic design. By age thirteen, Paul was performing semi-professionally as a country-music singer, guitarist and harmonica player. While playing at the Waukesha area drive-ins and roadhouses, Paul began his first experiment with sound. Wanting to make himself heard by more people at the local venues, he wired a phonograph needle to a radio speaker, using that to amplify his acoustic guitar. At age seventeen, Paul played with Rube Tronson's Texas Cowboys, and soon after he dropped out of high school to join Wolverton's Radio Band in St. Louis, Missouri, on KMOX.

Early career

Paul migrated to Chicago in 1934, where he continued to perform on radio. His first two records were released in 1936. One was credited to "Rhubarb Red", Paul's hillbilly ''alter ego'', and the other was as an accompanist for blues-artist Georgia White. It was during this time that he began playing jazz and adopted his stage name.

Paul's jazz-guitar style was strongly influenced by the music of Django Reinhardt, whom he greatly admired. Following World War II, Paul sought out and befriended Reinhardt. After Reinhardt's death in 1953, Paul furnished his headstone. One of Paul's prize possessions was a Selmer Maccaferri acoustic guitar given to him by Reinhardt's widow.

Paul formed a trio in 1937 with singer/rhythm guitarist Jim Atkins (older half-brother of guitarist Chet Atkins) and bassist/percussionist Ernie "Darius" Newton. They left Chicago for New York in 1939, landing a featured spot with ''Fred Waring's Pennsylvanians'' radio show. Chet Atkins later wrote that his brother, home on a family visit, presented the younger Atkins with an expensive Gibson archtop guitar that had been given to Jim Atkins by Les Paul. Chet recalled that it was the first professional-quality instrument he ever owned.

Paul was dissatisfied with acoustic-electric guitars and began experimenting at his apartment in Queens, NY with a few designs of his own. Famously, he created several versions of "The Log", which was nothing more than a length of common 4x4 lumber with a bridge, guitar neck and pickup attached. For the sake of appearance, he attached the body of an Epiphone hollow-body guitar, sawn lengthwise with The Log in the middle. This solved his two main problems: feedback, as the acoustic body no longer resonated with the amplified sound, and sustain, as the energy of the strings was not dissipated in generating sound through the guitar body. These instruments were constantly being improved and modified over the years, and Paul continued to use them in his recordings long after the development of his eponymous Gibson model.

While experimenting in his apartment in 1940, Paul nearly succumbed to electrocution. During two years of recuperation, he relocated to Hollywood, supporting himself by producing radio music and forming a new trio. He was drafted into the US Army shortly after the beginning of World War II, where he served in the Armed Forces Network, backing such artists as Bing Crosby, the Andrews Sisters, and performing in his own right. As a last-minute replacement for Oscar Moore, Paul played with Nat King Cole and other artists in the inaugural Jazz at the Philharmonic concert in Los Angeles, California, on July 2, 1944. The recording, still available as Jazz at the Philharmonic- the first concert- shows Paul at the top of his game, both in his solid four to the bar comping in the style of Freddie Green and for the originality of his solo lines. Paul's solo on 'Blues' is an astonishing tour de force and represents a memorable contest between himself and Nat 'King' Cole. Much later in his career, Paul declared that he had been the victor and that this had been conceded by Cole. His solo on Body and Soul is a fine demonstration both of his admiration for and emulation of the playing of Django Reinhardt, as well as his development of some very original lines.

Also that year, Paul's trio appeared on Bing Crosby's radio show. Crosby went on to sponsor Paul's recording experiments. The two also recorded together several times, including a 1945 number-one hit, "It's Been a Long, Long Time." In addition to backing Crosby, The Andrews Sisters and other artists, Paul's trio also recorded a few albums of their own on the Decca label in the late 1940s.

In January 1948, Paul shattered his right arm and elbow in a near-fatal automobile accident on an icy Route 66 just west of Davenport, Oklahoma. Mary Ford was driving the Buick convertible, which rolled several times down a creekbed; they were on their way back from Wisconsin to Los Angeles after performing at the opening of a restaurant owned by Paul's father. Doctors at Oklahoma City's Wesley Presbyterian Hospital told him that they could not rebuild his elbow so that he would regain movement; his arm would remain permanently in whatever position they placed it in. Their other option was amputation. Paul instructed surgeons, brought in from Los Angeles, to set his arm at an angle—just under 90 degrees—that would allow him to cradle and pick the guitar. It took him nearly a year and a half to recover.

Guitar builder

Paul's innovative guitar, "The Log", built after-hours in the Epiphone guitar factory in 1940, a 4" × 4" chunk of pine with strings and a pickup, was one of the first solid-body electric guitars. Paul Tutmarc of Audiovox Manufacturing Co. built a solid body electric bass in 1935 and Adolph Rickenbacker had marketed a solid-body guitar in the 1930s and Paul A. Bigsby had built one for Merle Travis in 1948 and Leo Fender also independently created his own in 1949. Although Paul approached the Gibson Guitar Corporation with his idea of a solid body electric guitar, they showed no interest until Fender began marketing its Esquire which later became known as the Telecaster models.

The arrangement persisted until 1961, when declining sales prompted Gibson to change the design without Paul's knowledge, creating a much thinner, lighter and more aggressive-looking instrument with two cutaway "horns" instead of one. Paul said he first saw the "new" Gibson Les Paul in a music-store window, and disliked it. Although his contract required him to pose with the guitar, he said it was not "his" instrument and asked Gibson to remove his name from the headstock. Others claimed that Paul ended his endorsement contract with Gibson during his divorce to avoid having his wife get his endorsement money. Gibson renamed the guitar "Gibson SG", which stands for "Solid Guitar", and it also became one of the company's best sellers.

The original Gibson Les Paul-guitar design regained popularity when Eric Clapton began playing the instrument a few years later, although he also played an SG and an ES-335. Paul resumed his relationship with Gibson and endorsed the original Gibson Les Paul guitar from that point onwards. His personal Gibson Les Pauls were much modified by him—Paul always used his own self-wound pickups and customized methods of switching between pickups on his guitars. To this day, various models of Gibson Les Paul guitars are used all over the world by both novice and professional guitarists. A less-expensive version of the Gibson Les Paul guitar is also manufactured for Gibson's lower-priced Epiphone brand.

On January 30, 1962, the US Patent and Trademark Office issued Paul a patent, Patent No. 3,018,680, for an "Electrical Music Instrument."

Multitrack-recording innovations

Paul had never been happy with the way his records sounded. During a post-recording session talk with Bing Crosby, the crooner suggested Paul try building his own recording studio so he might be able to get the sound he wanted. At first Paul discounted the idea only to give it a few more minutes thought before deciding Crosby was right. Paul started his own studio in the garage of his home on Hollywood's North Curson Street. The studio drew many other famous vocalists and musicians who wanted the benefit of Paul's expertise. The home and studio are still standing, but both had been moved to Pasadena at some point after Paul no longer owned the home.

In 1948, Les Paul was given one of the first Ampex Model 200A reel-to-reel audio tape recording decks by Crosby and went on to use Ampex's eight track "Sel-Sync" machines for Multitrack recording. Capitol Records released a recording that had begun as an experiment in Paul's garage, entitled "Lover (When You're Near Me)", which featured Paul playing eight different parts on electric guitar, some of them recorded at half-speed, hence "double-fast" when played back at normal speed for the master. ("Brazil", similarly recorded, was the B-side.) This was the first time that Les Paul used multitracking in a recording (Paul had been shopping his multitracking technique, unsuccessfully, since the '30s. Much to his dismay, Sidney Bechet used it in 1941 to play half a dozen instruments on "Sheik of Araby"). These recordings were made not with magnetic tape, but with acetate discs. Paul would record a track onto a disk, then record himself playing another part with the first. He built the multitrack recording with overlaid tracks, rather than parallel ones as he did later. By the time he had a result he was satisfied with, he had discarded some five hundred recording disks.

Paul even built his own disc-cutter assembly, based on automobile parts. He favored the flywheel from a Cadillac for its weight and flatness. Even in these early days, he used the acetate-disk setup to record parts at different speeds and with delay, resulting in his signature sound with echoes and birdsong-like guitar riffs. When he later began using magnetic tape, the major change was that he could take his recording rig on tour with him, even making episodes for his fifteen-minute radio show in his hotel room. He later worked with Ross Snyder in the design of the first eight-track recording deck (built for him by Ampex for his home studio.)

Electronics engineer Jack Mullin had been assigned to a U.S. Army Signal Corps unit stationed in France during World War II. On a mission in Germany near the end of the war, he acquired and later shipped home a German Magnetophon (tape recorder) and fifty reels of I.G. Farben plastic recording tape. Back in the U.S., Mullin rebuilt and developed the machine with the intention of selling it to the film industry, and held a series of demonstrations which quickly became the talk of the American audio industry.

Within a short time, Crosby had hired Mullin to record and produce his radio shows and master his studio recordings on tape, and he invested US$50,000 in a Northern California electronics firm, Ampex. With Crosby's backing, Mullin and Ampex created the Ampex Model 200, the world's first commercially produced reel-to-reel audio tape recorder. Crosby gave Les Paul the second Model 200 to be produced. Using this machine, Paul placed an additional playback head, located before the conventional erase/record/playback heads. This allowed Paul to play along with a previously recorded track, both of which were mixed together on to a new track. This was a mono tape recorder with just one track across the entire width of quarter-inch tape; thus, the recording was "destructive" in the sense that the original recording was permanently replaced with the new, mixed recording.

Paul's re-invention of the Ampex 200 inspired Ampex to develop two-track and three-track recorders, which allowed him to record as many tracks on one tape without erasing previous takes. These machines were the backbone of professional recording, radio and television studios in the 1950s and early 1960s. In 1954, Paul continued to develop this technology by commissioning Ampex to build the first 8-track (multitrack) tape recorder, at his own expense. His design became known as "Sel-Sync" (Selective Synchronization), in which specially modified electronics could either record or play back from the record head, which was not optimized for playback but which had acceptable sound quality for musicians to listen to for the purposes of recording an "overdub" (OD) in sync with the original recording. This is the core technology behind multitrack recording.

Les Paul & Mary Ford

Paul met country-western singer Colleen Summers in 1945. They began working together in 1948, at which time she adopted the stage name Mary Ford. They were married in 1949. The couple's hits included "How High the Moon", "Bye Bye Blues", "Song in Blue", "Don'cha Hear Them Bells", "The World Is Waiting for the Sunrise", and "Vaya con Dios". These songs featured Ford harmonizing with herself.

Like Crosby, Paul and Ford used the now-ubiquitous recording technique known as close miking, where the microphone is less than from the singer's mouth. This produces a more-intimate, less-reverberant sound than is heard when a singer is or more from the microphone. When implemented using a cardioid-patterned microphone, it emphasizes low-frequency sounds in the voice due to a cardioid microphone's proximity effect and can give a more relaxed feel because the performer isn't working so hard. The result is a singing style which diverged strongly from unamplified theater-style singing, as might be heard in musical comedies of the 1930s and 1940s.

Radio and television programs

Paul had hosted a fifteen-minute radio program, ''The Les Paul Show'', on NBC radio in 1950, featuring his trio (himself, Ford and rhythm player Eddie Stapleton) and his electronics, recorded from their home and with gentle humor between Paul and Ford bridging musical selections, some of which had already been successful on records, some of which anticipated the couple's recordings, and many of which presented re-interpretations of such jazz and pop selections as "In the Mood", "Little Rock Getaway", "Brazil" and "Tiger Rag". Over ten of these shows survive among old-time radio collectors today.

The show also appeared on television a few years later with the same format, but excluding the trio and retitled ''The Les Paul & Mary Ford Show'' (also known as ''Les Paul & Mary Ford at Home'') with "Vaya Con Dios" as a theme song. Sponsored by Warner Lambert's Listerine mouthwash, it was widely syndicated during 1954–1955, and was only five minutes (one or two songs) long on film, therefore used as a brief interlude or fill-in in programming schedules. Since Paul created the entire show himself, including audio and video, he maintained the original recordings and was in the process of restoring them to current quality standards up until his death.

During his radio shows, Paul introduced the fictional "Les Paulverizer" device, which multiplies anything fed into it, like a guitar sound or a voice. Paul has stated that the idea was to explain to the audience how his single guitar could be multiplied to become a group of guitars. The device even became the subject of comedy, with Ford multiplying herself and her vacuum cleaner with it so she could finish the housework faster.

Later career

In 1965, Paul went into semi-retirement, although he did return to the studio occasionally. He and Ford had divorced in December 1962, as she could no longer cope with the traveling lifestyle their act required of them. Paul's most-recognizable recordings from then through the mid-1970s were an album for London Records/Phase 4 Stereo, ''Les Paul Now'' (1968), on which he updated some of his earlier hits; and, backed by some of Nashville's celebrated studio musicians, a meld of jazz and country improvisation with fellow guitar virtuoso Chet Atkins, ''Chester and Lester'' (1976), for RCA Victor.

By the late 1980s, Paul had returned to active live performance, continuing into his 80s even though he often found it painful to play the guitar because of arthritis in his hands. In 2006, at age 90, he won two Grammys at the 48th Annual Grammy Awards for his album ''Les Paul & Friends: American Made World Played''. He also performed every Monday night, accompanied by a trio which included guitarist Lou Pallo, bassist Paul Nowinksi (and later, Nicki Parrott) and pianist John Colianni, originally at Fat Tuesdays, and later at the Iridium Jazz Club on Broadway in the Times Square area of New York City.

Composer Richard Stein (1909–1992) sued Paul for plagiarism, charging that Paul's "Johnny (Is the Boy for Me)" was taken from Stein's 1937 song "Sanie cu zurgălăi" (Romanian for "Sledge with Bells"). A 2000 cover version of "Johnny" by Belgian musical group Vaya Con Dios that credited Paul prompted another action by the Romanian Musical Performing and Mechanical Rights Society.

For many years Les Paul would sometimes surprise radio hosts Steve King and Johnnie Putman with a call to the "Life After Dark Show" on WGN (AM) in Chicago. These calls would take place in the wee hours of Tuesday Morning following his show at the Iridium Jazz Club. Steve and Johnnie continue to honor Les on Tuesday Mornings at 2:35 AM with their segment "A Little More Les" drawing from around 30 hours of recorded conversations with Les.

Death

On August 12, 2009, Paul died of complications from pneumonia at White Plains Hospital in White Plains, New York. His family and friends were by his side. Paul is survived by his four children and his companion Arlene Palmer. His attorney told the media Paul had been "in and out of the hospital" because of illness. His last concert took place a few weeks before his death.

Upon learning of his death many artists and popular musicians paid tribute by publicly expressing their sorrow. After learning of Paul's death, former Guns N' Roses guitarist Slash called him "vibrant and full of positive energy.", while Richie Sambora, lead guitarist of Bon Jovi, referred to him as "revolutionary in the music business". U2 guitarist The Edge said, "His legacy as a musician and inventor will live on and his influence on rock and roll will never be forgotten."

On August 21, 2009, he was buried near Milwaukee in Waukesha, Wisconsin at Prairie Home Cemetery which indicated that his plot would be in an area where visitors can easily view it. Like his funeral in New York on August 19, the burial was private, but earlier in the day a public memorial viewing of the closed casket was held in Milwaukee at Discovery World with 1,500 attendees who were offered free admission to the Les Paul House of Sound exhibit for the day.

Awards and honors

Paul was initiated into the Gamma Delta chapter of the Tau Kappa Epsilon fraternity at the University of Miami in 1952. He has earned the Presidential award from the Tau Kappa Epsilon fraternity.

In 1979, Paul and Ford's 1951 recording of "How High the Moon" was inducted into the Grammy Hall of Fame. Paul received a Grammy Trustees Award for his lifetime achievements in 1983.

In 1988, Paul was inducted into the Rock and Roll Hall of Fame by Jeff Beck, who said, "I've copied more licks from Les Paul than I'd like to admit." In 1991, the Mix Foundation established an annual award in his name; the Les Paul Award which honors "individuals or institutions that have set the highest standards of excellence in the creative application of audio technology". In 2005, he was inducted into the National Inventors Hall of Fame for his development of the solid-body electric guitar. In 2006, Paul was inducted into the National Association of Broadcasters Hall of Fame. He was named an honorary member of the Audio Engineering Society. In 2007, he was awarded the National Medal of Arts.

A one-hour biographical documentary film ''The Wizard of Waukesha'' was shown at the Los Angeles International Film Exposition (FILMEX) March 4–21, 1980, and later on PBS television. A biographical, feature-length documentary titled ''Chasing Sound: Les Paul at 90'' made its world première on May 9, 2007, at the Downer Theater in Milwaukee, Wisconsin. Paul appeared at the event and spoke briefly to the enthusiastic crowd. The film is distributed by Koch Entertainment and was broadcast on PBS on July 11, 2007, as part of its American Masters series and was broadcast on October 17, 2008, on BBC Four as part of its Guitar Night. The première coincided with the final part of a three-part documentary by the BBC broadcast on BBC ONE ''The Story of the Guitar''.

In June 2008, an exhibit showcasing his legacy and featuring items from his personal collection opened at Discovery World in Milwaukee. The exhibit was facilitated by a group of local musicians under the name Partnership for the Arts and Creative Excellence (PACE). Paul played a concert in Milwaukee to coincide with the opening of the exhibit.

Paul's hometown of Waukesha is planning a permanent exhibit to be called "The Les Paul experience."

In July 2005, a 90th-birthday tribute concert was held at Carnegie Hall in New York City. After performances by Steve Miller, Peter Frampton, Jose Feliciano and a number of other contemporary guitarists and vocalists, Paul was presented with a commemorative guitar from the Gibson Guitar Corporation.

On November 15, 2008, he received the American Music Masters award through the Rock and Roll Hall of Fame at a tribute concert at the State Theater in Cleveland, Ohio. Among the many guest performers were Duane Eddy, Eric Carmen, Lonnie Mack, Jennifer Batten, Jeff "Skunk" Baxter, Dennis Coffey, James Burton, Billy Gibbons, Lenny Kaye, Steve Lukather, Barbara Lynn, Katy Moffatt, Alannah Myles, Richie Sambora, The Ventures and Slash.

In February 2009, only months prior to his death, Les Paul sat down with Scott Vollweiler of Broken Records Magazine, in which would be one of Les Paul's final interviews. His candid answers were direct and emotional. Broken Records Magazine had planned to run that cover feature the following month but due to delays was held until the summer. 3 days before the release, Les Paul died. The issue would be his final cover feature of his storied career.

In August, 2009, Paul was named one of the ten best electric guitar players of all-time by ''Time'' magazine.

On June 9, 2010, which would have been Les Paul's 95th birthday, a tribute concert featuring Jeff Beck, Imelda May, Gary U.S. Bonds and Brian Setzer among others, was held at the Iridium Jazz Club where Les Paul played nearly every week almost to the end of his life. The concert was released on the live album Rock 'n' Roll Party (Honoring Les Paul) in 2011.

On June 9–10, 2011 Google celebrated what would have been Paul's 96th birthday with a Google doodle of an interactive guitar.

Personal life

Paul married Virginia Webb in 1938. They had two children, Gene (Lester Jr.), born in 1941 and named after actor-songwriter Gene Lockhart, and Russell (Rusty), born 1944, before divorcing in 1949. Later that year, Paul and Mary Ford (born Iris Colleen Summers) were married. They adopted a girl, Colleen, in 1958 and their son Robert (Bobby) was born the following year. They had also lost a child, who was born prematurely and died only four days old. Les Paul and Mary Ford divorced in 1963.

Paul was the instructor of rock guitarist Steve Miller of the Steve Miller Band, to whom Paul gave his first guitar lesson. Miller's father was best man at Paul's 1949 wedding to Mary Ford.

Paul resided for many years in Mahwah, New Jersey.

Discography

Hit singles

Year	Single	Chart positions
		! style="width:35px;"	! style="width:35px;"	! style="width:35px;"	! style="width:35px;"
1945		1
1946		4
		21
	22
	11
		9
	21
	18
	6
		23
	2		7
	1	2
	12
	18
	2
	7
	5
	10
		2
	13
	14
	15
	14
	5
	15
	8
	7
		5
	10
	21
style="text-align:left;"	1			7
	15
	25
	13
		11
	6
	10
	19
		7
	38
	96
		91
	49
	91
1957		35
1958		32
		37
	105

Albums

''Feedback'' (1944)—compilation

''Les Paul Trio'' (1946)—compilation

''Hawaiian Paradise'' (1949)

''The New Sound'' (1950)

''Les Paul's New Sound, Volume 2'' (1951)

''Bye Bye Blues!'' (1952)

''Gallopin' Guitars'' (1952)—compilation

''The Hit Makers!'' (1953)

''Les and Mary'' (1955)

''Time to Dream'' (1957)

''Lover's Luau'' (1959)

''The Hits of Les and Mary'' (1960)—compilation

''Bouquet of Roses'' (1962)

''Warm and Wonderful'' (1962)

''Swingin' South'' (1963)

''Fabulous Les Paul and Mary Ford'' (1965)

''Les Paul Now!'' (1968)

''Guitar Tapestry''

''Lover''

''The Guitar Artistry of Les Paul'' (1971)

''The World is Still Waiting for the Sunrise'' (1974)—compilation

''The Best of Les Paul with Mary Ford'' (1974)—compilation

''Chester and Lester'' (1976)—with Chet Atkins

''Guitar Monsters'' (1977)—with Chet Atkins

''Les Paul and Mary Ford'' (1978)—compilation

''Multi Trackin' '' (1979)

''All-Time Greatest Hits'' (1983)—compilation

''The Very Best of Les Paul with Mary Ford'

''Famille Nombreuse'' (1992)—compilation

''The World Is Waiting'' (1992)—compilation

''The Best of the Capitol Masters: Selections From "The Legend and the Legacy" Box Set'' (1992)—compilation

''All-Time Greatest Hits'' (1992)—compilation

''Their All-Time Greatest Hits'' (1995)—compilation

''Les Paul: The Legend and the Legacy'' (1996; a four-CD box set chronicling his years with Capitol Records)

''16 Most Requested Songs'' (1996)—compilation

''The Complete Decca Trios—Plus (1936–1947)'' (1997)—compilation

''California Melodies'' (2003)

''Les Paul – The Legendary Fred Waring Broadcasts (2004)

''Les Paul & Friends: American Made World Played'' (2005)

''Les Paul And Friends: A Tribute To A Legend'' (2008)

Singles

"It's Been a Long, Long Time"—Bing Crosby & The Les Paul Trio (1945), #1 on Billboard Pop singles chart, 1 week, December 8

"Rumors Are Flying"—Andrews Sisters & Les Paul (1946)

"Guitar Boogie" (1947)

"Lover (When You're Near Me)" (1948)

"Brazil" (1948)

"What Is This Thing Called Love?" (1948)

"Nola" (1950)

"Goofus" (1950)

"Little Rock 69 Getaway" (1950/1951)

"Tennessee Waltz"—Les Paul & Mary Ford (1950/1951), #1, Cashbox

"Mockingbird Hill"—Les Paul & Mary Ford (1951), #1, Cashbox

"How High The Moon"—Les Paul & Mary Ford (1951), #1, Billboard Pop singles chart, 9 weeks, April 21 – June 16; #1, Cashbox, 2 weeks; #2, R&B; chart

"I Wish I Had Never Seen Sunshine"—Les Paul & Mary Ford (1951)

"The World Is Waiting for the Sunrise"—Les Paul & Mary Ford (1951), #2, Billboard; #3, Cashbox

"Just One More Chance"—Les Paul & Mary Ford (1951)

"Jazz Me Blues" (1951)

"Josephine" (1951)

"Whispering" (1951)

"Jingle Bells" (1951)

"Tiger Rag"—Les Paul & Mary Ford (1952), #2, Billboard; #8, Cashbox

"I'm Confessin' (That I Love You)"—Les Paul & Mary Ford (1952)

"Carioca" (1952)

"In the Good Old Summertime"—Les Paul & Mary Ford (1952)

"Smoke Rings"—Les Paul & Mary Ford (1952)

"Meet Mister Callaghan" (1952), #5, Billboard

"Take Me In Your Arms And Hold Me"—Les Paul & Mary Ford (1952)

"Lady of Spain" (1952)

"My Baby's Coming Home"—Les Paul & Mary Ford (1952)

"Bye Bye Blues"—Les Paul & Mary Ford (1953)

"I'm Sitting On Top Of The World"—Les Paul & Mary Ford (1953)

"Sleep" (Fred Waring's theme song) (1953)

"Vaya Con Dios"—Les Paul & Mary Ford (1953), #1, Billboard Pop singles chart, 11 weeks, August 8 – October 3, November 7–14; #1, Cashbox, 5 weeks

"Johnny (Is The Boy For Me)"—Les Paul & Mary Ford (1953), #15, Billboard; #25, Cashbox

"Don'cha Hear Them Bells"—Les Paul & Mary Ford (1953), #13, Billboard; #32, Cashbox

"The Kangaroo" (1953), #25, Billboard; #23, Cashbox

"I Really Don't Want To Know"—Les Paul & Mary Ford (1954)

"I'm A Fool To Care"—Les Paul & Mary Ford (1954)

"Whither Thou Goest"—Les Paul & Mary Ford (1954)

"Mandolino"—Les Paul & Mary Ford (1954), #19, Billboard

"Song in Blue"—Les Paul & Mary Ford (1954), #17, Cashbox

"Hummingbird"—Les Paul & Mary Ford (1955)

"Amukiriki (The Lord Willing)"—Les Paul & Mary Ford (1955)

"Magic Melody"—Les Paul & Mary Ford (1955)

"Texas Lady"—Les Paul & Mary Ford (1956)

"Moritat" (Theme from "Three Penny Opera") (1956)

"Nuevo Laredo"—Les Paul & Mary Ford (1956)

"Cinco Robles (Five Oaks)"—Les Paul & Mary Ford (1957)

"Put A Ring On My Finger"—Les Paul & Mary Ford (1958)

"Jura (I Swear I Love You)"—Les Paul & Mary Ford (1961)

"Love Sneakin' Up On You"-Les Paul, Joss Stone & Sting (2005)

Compositions

Les Paul was also a prolific composer. Some of the songs he wrote were "Song in Blue", "Cryin'", "Hip-billy Boogie", "Suspicion", "Mandolino", "Magic Melody", "Don'cha Hear Them Bells", "The Kangaroo", "Big-Eyed Gal", "All I Need is You", "Mammy's Boogie", and "Walkin' and Whistlin' Blues".

See also

Ampex

Discovery World

Gibson Les Paul

Gibson SG

List of Rock and Roll Hall of Fame inductees

Mary Ford

References

External links

History of Les Paul

Les Paul: Chasing Sound (may require subscription) PBS Documentary on the life of Les Paul, including extended interviews with Paul.

Remembering Les Paul Photos and extended interviews with Les on WGN Chicago's Steve & Johnnie early morning show

Staff writer (August 13, 2009). "Les Paul", obituary at ''The Daily Telegraph'' (Accessed August 24, 2009)

"Les Paul, 'The Wizard of Waukesha'", a biography (undated) at the Wisconsin Historical Society's official website

''Les Paul – Discovery World 2005'' video (requires Adobe Flash) at Discovery World's (museum) official website

''The Les Paul Show'', archive of Paul's NBC radio show at the Internet Archive's official website (includes MP3 files (free) of eleven of their radio shows including their audition show)

lespaulfoundation.org, Les Paul Foundation website (includes Legacy, Foundation & Community websites)

"Les Paul: Legacy of a Guitar Hero" at LIFE

''The Wizard of Waukesha'' (1980) at Allmovie's official website

''Les Paul – 'Miles of Music''', two video interviews of and performances by Paul (5–6 minutes each; requires Adobe Flash) with Bob Miles on ''Miles of Music'' (milesofmusic.tv), a Public-access television cable TV program

CLASSIC TRACKS: Les Paul & Mary Ford 'How High The Moon'

Photo Library from performances at Iridium

Les Paul's final interview

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Mary Ford (July 7, 1924–September 30, 1977), born Iris Colleen Summers, was an American vocalist and guitarist, comprising half of the husband-and-wife musical team Les Paul and Mary Ford. Between 1950 and 1954, the couple had 16 top-ten hits. In 1951 alone they sold six million records.

Early life

Born Iris Summers in El Monte, California, Ford came from a musical family. Her father was a Nazarene minister. Her parents left Missouri, traveling cross-country while singing gospel music and preaching at revival meetings across America. They eventually settled in Southern California, where they were heard over Pasadena's first Christian radio station. Her sisters and brothers were all musicians; Esther, Carol, Eva, Fletcher, jazz organist Bruce and film composer Bob Summers.

In the early 1940s Ford found work as a country music performer with Gene Autry and Jimmy Wakely. She appeared with Wakely in the PRC film ''I'm from Arkansas'' (1944) as a member of the Sunshine Girls trio. In 1945, Autry introduced her to guitarist Les Paul, and the two teamed in 1946. For billing purposes, Paul selected "Mary Ford" from a telephone directory so her name would be almost as short as his. With Paul she became one of the early practitioners of multi-tracking. Patti Page and Jane Turzy were other 1950s vocalists who used multi-tracking.

Radio and television

After their marriage on December 29, 1949, the couple appeared together on their NBC radio program, ''The Les Paul Show'' (1949–50), and they had a series of hit records for Capitol Records in the early 1950s, including "Tiger Rag", "Vaya con Dios" (11 weeks at #1), "How High the Moon" (nine weeks at #1), "Bye Bye Blues" and "The World Is Waiting for the Sunrise". These songs featured Mary harmonizing with herself, giving the vocals a very novel sound. Paul and Ford also used the now-ubiquitous recording technique known as close miking, where the microphone is less than six inches from the singer's mouth. This produces a more intimate, less reverberant sound than when the singer is a foot or more from the microphone. It also emphasizes low-frequency sounds in the voice. The result was a singing style that diverged strongly from earlier styles, such as vocals in musical comedies of the 1930s and 1940s.

In 1952, their innovative sound was satirized by Stan Freberg in his recording of "The World Is Waiting for the Sunrise" (Capitol, F 2279).

In 1953, the couple began their television series, ''The Les Paul and Mary Ford at Home Show''. In 1955, they gave a concert at Carnegie Hall, and the following year they performed for President Dwight Eisenhower at the White House. In 1961, they appeared on NBC's ''Five Star Jubilee''.

Crescendo

They faded from the charts in the late 1950s, and in 1962, Ford and Paul had a bitter divorce, ending their professional association. Living in Monrovia, California, she married an old friend from high school, Donald Hatfield, and she occasionally performed with her sisters and brother. Bassist Red Wootten, who married Mary's sister Eva Summers, wrote his memories of playing at the Crescendo in Los Angeles with Mary, her sister Carol and her brother, Bob Summers: :My brother, Buddy Wootten, also a bassist, called me from Atlanta to tell me he had just finished working the Fox Theater with Les Paul and Mary Ford. Mary also told me this later. This was while I was holding forth with Woody Herman Orchestra. So, later when I had married her sister (Eva), we worked with her other sister and Bob Summers (her brother) on guitar (sounds like Les Paul too) and Mary's other sister Carol. The gig was the Crescendo club right in the middle of Sunset Strip. A very hip joint!

:Mary used a drummer added to Bob, Mary and myself on electric bass. We did almost all the Les Paul-Mary Ford recordings but with more heavy end on the bass. Les having used guitar on his bass tracks with Mary earlier. On all their recordings (as good as they were), I always missed that deep dark sound... Mary (bless her heart) recorded a few of my compositions (never released), but she did an excellent job as always. Mary divorced Les Paul and later married her old school friend from Monrovia, California, namely Don Hatfield, who owned a large construction company in California. He is still with us, and I see him occasionally. Doing great, but he misses Mary.

:Bob Summers, my brother-in-law, has come into his own over the years too. Bob and I worked a lot on MGM records with the Mike Curb scene, early 1960s. He also was chief arranger for the Mike Curb Congregation, and they recorded some of my material, great too! Also Bob and I worked at Capitol Records for Ken Nelson and Cliffie Stone, passed recently. Too many country artists to even name nearly all of them: Hank Thompson, Wynn Stewart, Rose Maddox and others. Roy Lanham did one of his better albums at the Sound House, Merced, in El Monte (my old stamping grounds) and Mary Ford's home place, 9840 Kale Street. Bruce Summers (who is no longer with us), a piano man whom I played with a few times; a real swinger too.

In Downey, California, Mary's sister Esther Williams played the organ in The Village Restaurant. Esther's daughter, Esther Colleen "Suzee" Williams, recalled one amusing incident at the restaurant in the years after Mary Ford and Les Paul had split up: :There was one singer that came in to sing with my mom. His name was Lou Monica. Well, Mary asked him to learn the song "Donkey Serenade." It's not an easy song to sing. However, Mr. Monica agreed, and after a couple of weeks he said he was ready. As he began to sing, the doors of the club opened wide, and in came Mary, dressed in black with a black gaucho hat, on top of a donkey! Mr. Monica never skipped a beat.

Mary Ford died of complications from diabetes in Arcadia, California at the age of 53. She is buried at Forest Lawn-Covina Hills in Covina, California. Although her year of birth has been variously reported (1924, 1925, 1928), the year 1924 is engraved on her tombstone.

Documentary film

Along with interviews, performance footage of the couple is featured in the musical documentary ''Chasing Sound: Les Paul at 90'', directed by John Paulson (''Johnny Mathis Live'', ''An Evening with Chita Rivera''). Distributed by Koch Entertainment, ''Chasing Sound'' premiered May 9, 2007 at the Downer Theater in Milwaukee, Wisconsin, followed by the television premiere July 11, 2007 on PBS as part of its ''American Masters'' series.

Discography

Hit singles

"Vaya con Dios"

"Tennessee Waltz"

"Mockin' Bird Hill"

"How High the Moon"

"The World Is Waiting for the Sunrise"

"Whispering"

"My Baby's Coming Home"

"Lady of Spain"

"Bye Bye Blues"

"I'm Sitting on Top of the World"

Albums

''Hawaiian Paradise''

''The Hit Makers!''

''The New Sound''

''Les Paul's New Sound with Mary Ford, Vol. 2'' - Capitol Records SM-286 (originally released 1951), A Capitol Monophonic Re-issue

::A01 In The Good Old Summer Time [2:06] ::A02 I'm Confessin' (That I Love You)[2:45] ::A03 Three Little Words [1:53] ::A04 The Lonesome Road [2:50] ::A05 Carioca [2:20] ::B01 I Can't Give You Anything But Love [1:54] ::B02 Just One More Chance [1:50] ::B03 Don'Cha Hear Them Bells [1:55] ::B04 The Moon Of Manakoora [2:45] ::B05 Chicken Reel [2:05]

''Bye Bye Blues!''

''Les and Mary''

''Time to Dream''

''Lover's Luau''

''Warm and Wonderful''

''Bouquet of Roses''

''Swingin' South''

''Fabulous Les Paul & Mary Ford''

References

Watch

"Chasing Sound" trailer (10 minutes)

Listen to

Internet Archive: ''The Les Paul Show'' (11 episodes)

Sounds like Les Paul/Mary Ford, but it's actually Mary Ford's sisters (Carol, Eva) and brother (Bob)

External links

Mary Ford at IMDb.com

Les Paul Online

Visit with Les and Mary (Reeve Audio)

Find a Grave: Mary Ford

Category:1924 births Category:1977 deaths Category:American guitarists Category:American singers Category:Challenge Records artists Category:Deaths from diabetes Category:People from Arcadia, California

cy:Mary Ford de:Mary Ford es:Mary Ford fr:Mary Ford pt:Mary Ford ru:Мэри Форд sv:Mary Ford

Coordinates	38°37′38″N90°11′52″N
name	Jimmy Page
background	non_vocal_instrumentalist
birth name	James Patrick Page
born	January 09, 1944Heston, Middlesex, England
instrument	Guitar, mandolin, dulcimer, theremin, bass, banjo, harmonica, dobro, sitar, keyboards, tambourine, tamboura, hurdy gurdy, pedal steel guitar
genre	Hard rock, heavy metal, blues rock, rock and roll, folk rock
occupation	Musician, songwriter, producer
years active	1957–present
label	Swan Song, Atlantic, Geffen, Fontana, Mercury
associated acts	The Yardbirds, Led Zeppelin, The Honeydrippers, The Firm, Coverdale and Page, Page and Plant, Herman's Hermits, XYZ, Joe Cocker, The Edge, Jack White, Donovan, The Black Crowes
website
notable instruments	}}

James Patrick "Jimmy" Page, OBE (born 9 January 1944) is an English multi-instrumentalist, songwriter, and record producer. He began his career as a studio session guitarist in London and was subsequently a member of The Yardbirds from 1966 to 1968, after which he founded the English rock band Led Zeppelin.

Jimmy Page is viewed by critics and fans alike as one of the most influential and important guitarists and songwriters in rock music. ''Rolling Stone'' magazine has described him as "the pontiff of power riffing & probably the most digitally sampled artist in pop today after James Brown." In 2010, Jimmy Page was ranked No.2 in Gibson's list of "Top 50 Guitarists of All Time" and, in 2007, No.4 on ''Classic Rock Magazine'''s "100 Wildest Guitar Heroes". Page was ranked ninth in ''Rolling Stone'' magazine's list of the "100 Greatest Guitarists of All Time" in 2003. He has been inducted into the Rock and Roll Hall of Fame twice; once as a member of The Yardbirds (1992), and once as a member of Led Zeppelin (1995).

Early years

Jimmy Page was born to parents James and Patricia Page in the West London suburb of Heston, which today forms part of the London Borough of Hounslow. His father was an industrial personnel manager and his mother was a doctor's secretary. In 1952 they moved to Feltham, and later again to Miles Road, Epsom in Surrey, which is where Page came across his first guitar. "I don't know whether [the guitar] was left behind by the people [in the house] before [us], or whether it was a friend of the family's — nobody seemed to know why it was there." First playing the instrument at the age of twelve years, he took a few lessons in nearby Kingston, but was largely self-taught:

When I grew up there weren't many other guitarists ... There was one other guitarist in my school who actually showed me the first chords that I learned, and I went on from there. I was bored so I taught myself the guitar from listening to records. So obviously it was a very personal thing.

Among Page's early influences were rockabilly guitarists Scotty Moore and James Burton, who both played on recordings made by Elvis Presley. Hearing the Elvis Presley song "Baby Let's Play House" is cited by Page as being his inspiration to take up playing the guitar. Although he appears on BBC1 in 1957 with another guitar, Page states that his first guitar was a second-hand 1959 Futurama Grazioso, which was later replaced by a Telecaster.

Page's musical tastes included skiffle (a popular English music genre of the time) and acoustic folk playing, particularly that of Bert Jansch and John Renbourn, and the blues sounds of Elmore James, B.B. King, Willie Dixon, Otis Rush, Buddy Guy, Freddie King and Hubert Sumlin. "Basically, that was the start: a mixture between rock and blues."

At the age of 13, Page appeared on Huw Wheldon's ''All Your Own'' talent quest programme in a skiffle quartet, one performance of which aired on BBC TV in 1957. The group played "Mama Don't Want To Skiffle Anymore" and another very American-flavoured song, "In Them Ol' Cottonfields Back Home". Televised Contest. When asked by Wheldon what he wanted to do after schooling, Page said, "I want to do biological research" to find a cure for "cancer, if it isn't discovered by then".

In an interview with ''Guitar Player'' magazine, Page stated that "there was a lot of busking in the early days, but as they say, I had to come to grips with it, and it was a good schooling." Page would take a guitar to school each day and have it confiscated and handed back to him at 4:00 P.M. Although he had an interview for a job as a laboratory assistant, he ultimately chose to leave Danetree Secondary School, West Ewell, to pursue music instead.

Initially, Page had difficulty finding other musicians with whom he could play on a regular basis. "It wasn't as though there was an abundance. I used to play in many groups... anyone who could get a gig together, really." Following stints backing recitals by Beat poet Royston Ellis at the Mermaid Theatre between 1960–61, and singer Red E. Lewis, he was asked by singer Neil Christian to join his band, The Crusaders, after Christian had seen a fifteen-year-old Page playing in a local hall. Page toured with Christian for approximately two years and later played on several of his records, including the November 1962 single, "The Road to Love".

During his stint with Christian, Page fell seriously ill with glandular fever (infectious mononucleosis) and couldn't continue touring. While recovering, he decided to put his musical career on hold and concentrate on his other love, painting, and enrolled at Sutton Art College in Surrey. As he explained in 1975:

Session musician

While still a student, Page would often perform on stage at The Marquee with bands such as Cyril Davies' All Stars, Alexis Korner's Blues Incorporated and with guitarists Jeff Beck and Eric Clapton. He was spotted one night by John Gibb of Brian Howard & The Silhouettes, who asked him to help record a number of singles for Columbia Graphophone Company, including "The Worrying Kind". Mike Leander of Decca Records first offered Page regular studio work. His first session for the label was the recording "Diamonds" by Jet Harris and Tony Meehan, which went to Number 1 on the singles chart in early 1963.

After brief stints with Carter-Lewis and the Southerners, Mike Hurst and the Method, and Mickey Finn and the Blue Men, Page committed himself to full-time session work. As a session guitarist he was known as 'Little Jim' so there was no confusion with other noted British session guitarist Big Jim Sullivan. Page was mainly called in to sessions as "insurance" in instances when a replacement or second guitarist was required by the recording artist. "It was usually myself and a drummer", he explained, "though they never mention the drummer these days, just me ... Anyone needing a guitarist either went to Big Jim [Sullivan] or myself." He has also stated that "In the initial stages they just said, play what you want, cos at that time I couldn't read music or anything."

Page was the favoured session guitarist of producer Shel Talmy. As a result, he secured session work on songs for The Who and The Kinks. Page is credited with playing acoustic twelve string guitar on two tracks on The Kinks' debut album "I'm a Lover Not a Fighter" and "I've Been Driving On Bald Mountain" and possibly on the b-side "I Gotta Move". He played six-string rhythm guitar on the sessions for The Who's first single "I Can't Explain" (although Pete Townshend was reluctant to allow Page's contribution on the final recording, Page also played lead guitar on the B-side "Bald Headed Woman"). Page's studio output in 1964 included Marianne Faithfull's "As Tears Go By", The Nashville Teens' "Tobacco Road", The Rolling Stones' "Heart of Stone" (released on ''Metamorphosis''), Van Morrison & Them's "Baby Please Don't Go" and "Here Comes the Night", Dave Berry's "The Crying Game" and "My Baby Left Me", Brenda Lee's "Is It True," and Petula Clark's "Downtown".

In 1965 Page was hired by Rolling Stones manager Andrew Loog Oldham to act as house producer and A&R; man for the newly-formed Immediate Records label, which also allowed him to play on and/or produce tracks by John Mayall, Nico, Chris Farlowe, Twice as Much and Eric Clapton. Page also formed a brief songwriting partnership with then romantic interest, Jackie DeShannon. He also composed and recorded songs for the John Williams album ''The Maureeny Wishful Album'' with Big Jim Sullivan. Page worked as session musician on Donovan Leitch's ''Sunshine Superman'' (1966) and the Johnny Hallyday albums ''Jeune Homme'' (1968) and ''Je Suis Né Dans La Rue'' (1969), the Al Stewart album ''Love Chronicles'' (1969), and played guitar on five tracks of Joe Cocker's debut album, ''With a Little Help from My Friends''.

When questioned about which songs he played on, especially ones where there exists some controversy as to what his exact role was, Page often points out that it is hard to remember exactly what he did given the enormous number of sessions he was playing at the time. In a radio interview he explained that "I was doing three sessions a day, fifteen sessions a week. Sometimes I would be playing with a group, sometimes I could be doing film music, it could be a folk session ... I was able to fit all these different roles."

Although Page recorded with many notable musicians, many of these early tracks are only available as bootleg recordings, several of which were released by the Led Zeppelin fan club in the late 1970s. One of the rarest of these is the early jam session featuring Jimmy Page playing with Rolling Stones guitarist Keith Richards, featuring a cover of "Little Queen of Spades" by Robert Johnson. Several songs which featured Page's involvement were compiled on the twin album release, ''Jimmy Page: Session Man''.

Page decided to leave studio work when the increasing influence of Stax Records on popular music led to the greater incorporation of brass and orchestral arrangements into recordings at the expense of guitars. However, he has stated that his time as a session player served as extremely good schooling for his development as a musician:

The Yardbirds

In late 1964, Page was approached about the possibility of replacing Eric Clapton in The Yardbirds, but he declined the offer out of loyalty to his friend. In February 1965 Clapton quit the Yardbirds, and Page was formally offered Clapton's spot, but because he was unwilling to give up his lucrative career as a session musician, and because he was still worried about his health under touring conditions, he suggested his friend, Jeff Beck. On 16 May 1966, drummer Keith Moon, bass player John Paul Jones, keyboardist Nicky Hopkins, Jeff Beck and Page recorded "Beck's Bolero" in London's IBC Studios. The experience gave Page an idea to form a new supergroup featuring Beck, along with The Who's John Entwistle on bass and Keith Moon on drums. However, the lack of a quality vocalist and contractual problems prevented the project from getting off the ground. During this time, Moon suggested the name "Lead Zeppelin" for the first time, after Entwistle commented that the proceedings would take to the air like a lead balloon.

Within weeks, Page attended a Yardbirds concert at Oxford. After the show he went backstage where Paul Samwell-Smith announced that he was leaving the group. Page offered to replace Samwell-Smith and this was accepted by the group. He initially played electric bass with the Yardbirds before finally switching to twin lead guitar with Beck when Chris Dreja moved to bass. The musical potential of the line-up was scuttled, however, by interpersonal conflicts caused by constant touring and a lack of commercial success, although they released one single, "Happenings Ten Years Time Ago". (While Page and Jeff Beck played together in The Yardbirds, the trio of Page, Beck and Clapton never played in the original group at the same time. The three guitarists did appear on stage together at the ARMS charity concerts in 1983.)

After Beck's departure, the Yardbirds remained a quartet. They recorded one album with Page on lead guitar, ''Little Games''. The album received indifferent reviews and was not a commercial success, peaking at only number 80 on the Billboard Music Charts. Though their studio sound was fairly commercial at the time, the band's live performances were just the opposite, becoming heavier and more experimental. These concerts featured musical aspects that Page would later perfect with Led Zeppelin, most notably performances of "Dazed and Confused".

After the departure of Keith Relf and Jim McCarty in 1968, Page reconfigured the group with a new line-up to fulfill unfinished tour dates in Scandinavia. As he said:

To this end, Page recruited vocalist Robert Plant and drummer John Bonham, and he was also contacted by John Paul Jones who asked to join. During the Scandinavian tour the new group appeared as "The New Yardbirds", but soon recalled the old joke by Keith Moon and John Entwistle. Page stuck with that name to use for his new band. Peter Grant changed it to "Led Zeppelin", to avoid a mispronunciation of ''"Leed Zeppelin."''

Led Zeppelin

Page has explained that he had a very specific idea in mind as to what he wanted Led Zeppelin to be, from the very beginning:

Post-Led Zeppelin career

Led Zeppelin broke up in 1980 following the death of drummer John Bonham at Page's home, The Old Mill House at Clewer in Berkshire. For some time Page refused to touch a guitar out of sadness for the loss of his friend Bonham, but he eventually made a return to the stage at a Jeff Beck show in March 1981 at the Hammersmith Odeon. Also in 1981 Page joined with Yes bassist Chris Squire and drummer Alan White to form a supergroup called XYZ (for ex-Yes-Zeppelin). They rehearsed several times, but the project was shelved. Demos of these sessions have turned up on bootleg and they reveal that some of the material emerged on later projects, notably The Firm's "Fortune Hunter" and Yes songs "Mind Drive" and "Can You Imagine?". Page would later join Yes on stage in 1984 at Westfalenhalle in Dortmund, Germany, playing "I'm Down".

In 1982 Page collaborated with director Michael Winner to record the ''Death Wish II'' soundtrack. This, and several subsequent Page recordings including ''Death Wish III'' soundtrack (1985), were recorded and produced at his own recording studio, The Sol in Cookham, which he had purchased from Gus Dudgeon in the early 1980s.

In 1983 Page appeared with the A.R.M.S. (Action Research for Multiple Sclerosis) charity series of concerts which honoured Small Faces bass player Ronnie Lane, who suffered from the disease. For the first shows at the Royal Albert Hall in London, Page's set consisted of songs from the ''Death Wish II'' soundtrack (with Steve Winwood on vocals) and an instrumental version of "Stairway to Heaven". A four-city tour of the United States followed, with Paul Rodgers of Bad Company replacing Winwood as vocalist. During the US tour, Page and Rodgers also performed "Midnight Moonlight" which would later be recorded for The Firm's first album. All of the shows featured an on stage jam of "Layla" that reunited Page with Yardbirds guitarists Beck and Eric Clapton. According to the book ''Hammer of the Gods'', it was reportedly around this time that Page told friends that he'd just given up heroin after seven years of use. On 13 December 1983, Page joined Robert Plant on-stage for one encore at the Hammersmith Odeon in London.

Page next linked up with Roy Harper for the 1984 album (''Whatever Happened to Jugula?'') and occasional concerts, performing a predominantly acoustic set at folk festivals under various guises such as the MacGregors, and Themselves. Also in 1984 Page recorded with former Led Zeppelin vocalist Robert Plant as The Honeydrippers on the album''The Honeydrippers: Volume 1'', and with John Paul Jones on the film soundtrack ''Scream for Help''.

Page subsequently collaborated with Paul Rodgers to record two albums under the name The Firm. The first album, released in 1985, was the self-titled ''The Firm''. Popular songs included "Radioactive" and "Satisfaction Guaranteed". The album peaked at number 17 on the ''Billboard'' pop albums chart and went gold in the US. It was followed by ''Mean Business'' in 1986. The band toured in support of both albums but soon split up.

Various other projects followed, such as session work for Graham Nash, Stephen Stills and The Rolling Stones (on their 1986 single "One Hit (to the Body)"). In 1986, Page reunited temporarily with his ex-Yardbirds band members to play on several tracks of the Box of Frogs album ''Strange Land''. Page released a solo album entitled ''Outrider'' in 1988 which featured contributions from Robert Plant, with Page contributing in turn to Plant's solo album ''Now and Zen'', which was released the same year. Page also embarked on a collaboration with David Coverdale in 1993 entitled Coverdale Page.

Throughout these years Page also reunited with the other former members of Led Zeppelin to perform live on a few occasions, most notably in 1985 for the Live Aid concert with both Phil Collins and Tony Thompson filling drum duties. However, the band members considered this performance to be sub-standard, with Page having been let down by a poorly tuned Les Paul. Page, Plant and Jones, as well as John Bonham's son Jason, performed at the Atlantic Records 40th Anniversary show on 14 May 1988, closing the 12-hour show. In 1990, a Knebworth concert to aid the Nordoff-Robbins Music Therapy Centre and the British School for Performing Arts and Technology saw Plant unexpectedly joined by Page to perform "Misty Mountain Hop", "Wearing and Tearing" and "Rock and Roll". Page also performed with the band's former members at various private family functions.

In 1994, Page reunited with Plant for the penultimate performance in ''MTV'''s "Unplugged" series. The 90-minute special, dubbed ''Unledded'', premiered to the highest ratings in MTV's history. In October of the same year, the session was released as the CD ''No Quarter: Jimmy Page and Robert Plant Unledded'', and in 2004 as the DVD ''No Quarter Unledded''. Following a highly successful mid-90s tour to support ''No Quarter'', Page and Plant recorded 1998's ''Walking into Clarksdale''.

Since 1990, Page has been heavily involved in remastering the entire Led Zeppelin back catalogue and is currently participating in various charity concerts and charity work, particularly the ''Action for Brazil's Children Trust'' (ABC Trust), founded by his wife Jimena Gomez-Paratcha in 1998. In the same year, Page played guitar for rap singer/producer Puff Daddy's song "Come with Me", which heavily samples Led Zeppelin's "Kashmir" and was included in the soundtrack of ''Godzilla''. The two later performed the song on ''Saturday Night Live''.

In October 1999, Page teamed up with The Black Crowes for a two-night performance of material from the Led Zeppelin catalogue and old blues and rock standards. The concert was recorded and released as a double live album, ''Live at the Greek'' in 2000. In 2001 he made an appearance on stage with Limp Bizkit frontman Fred Durst and Wes Scantlin of Puddle of Mudd at the MTV Europe Video Music Awards in Frankfurt, where they performed a version of Led Zeppelin's "Thank You".

In 2005, Page was appointed Officer of the Order of the British Empire (OBE) in recognition of his Brazilian charity work for Task Brazil and Action For Brazil's Children's Trust, made an honorary citizen of Rio de Janeiro later that year, and was awarded a Grammy award.

In November 2006, Led Zeppelin was inducted into the UK Music Hall of Fame. The television broadcasting of the event consisted of an introduction to the band by various famous admirers (including Roger Taylor, Slash, Joe Perry, Steven Tyler, Jack White and Tony Iommi), a presentation of an award to Jimmy Page, and then a short speech by the guitarist. After this, rock group Wolfmother played a tribute to Led Zeppelin, playing the song "Communication Breakdown".

In 2006, Page attended the induction of Led Zeppelin to the UK Music Hall of Fame. During an interview for the BBC for said event, he expressed plans to record new material in 2007, saying "It's an album that I really need to get out of my system... there's a good album in there and it's ready to come out" and "Also there will be some Zeppelin things on the horizon".

On 10 December 2007, the surviving members of Led Zeppelin, as well as John Bonham's son, Jason Bonham played a charity concert at the O2 Arena London.

For the 2008 Olympics, Jimmy Page, David Beckham and Leona Lewis represented Britain during the closing ceremonies on 24 August 2008. Beckham rode a double-decker bus into the stadium, and Page and Lewis performed "Whole Lotta Love".

In 2008 Page co-produced a documentary film directed by Davis Guggenheim entitled ''It Might Get Loud''. The film examines the history of the electric guitar, focusing on the careers and styles of Page, The Edge, and Jack White. The film premiered on 5 September 2008 at the Toronto Film Festival. Page also participated in the 3 part BBC documentary ''London Calling: The making of the Olympic handover ceremony'' on 4 March 2009. On 4 April 2009, Page inducted Jeff Beck into the Rock and Roll Hall of Fame. Page has announced his 2010 solo tour while talking to the Sky News on 16 December 2009.

On 7 June 2008, Page and John Paul Jones appeared with the Foo Fighters to close out the band's concert at Wembley Stadium, performing "Rock and Roll" and "Ramble On."

In January 2010, Jimmy Page announced he is publishing an autobiography through Genesis Publications, in a hand-crafted, limited edition of 2,500 copies. Page has also been honoured with a first-ever Global Peace Award by the United Nations' Pathways to Peace organisation after confirming reports that he would be among the headliners at a planned Show of Peace Concert in Beijing, China on 10 October 2010.

On 13 July 2011, Page made an unannounced appearance with The Black Crowes at the Shepherd's Bush Empire in London.

Legacy and influence

Page's past experiences both in the studio and with the Yardbirds were very influential in contributing to the success of Led Zeppelin in the 1970s. As a producer, composer, and guitarist he helped make Led Zeppelin a prototype for countless future rock bands, and was one of the major driving forces behind the rock sound of that era, influencing a host of other guitarists. Allmusic states that "just about every rock guitarist from the late '60s/early '70s to the present day has been influenced by Page's work with Led Zeppelin". For example, Dictators bassist Andy Shernoff states that Jimmy Page's sped up, downstroke guitar riff in "Communication Breakdown", an influential song that contained elements of protopunk, was an inspiration for The Ramones guitarist Johnny Ramone's downstroke guitar style. Ramone, who has described Page as "probably the greatest guitarist who ever lived", stated in the documentary ''"Ramones:The True Story"'' that he improved at his down-stroke picking style by playing the song over and over again for the bulk of his early career. Brian May of Queen, who was also influenced by Page, has said "I don't think anyone has epitomised riff writing better than Jimmy Page – he's one of the great brains of rock music". Tom Scholz of Boston was heavily influenced by Jimmy Page and credits the dual guitar harmonies in Led Zeppelin's "How Many More Times" as the inspiration for Boston's distinctive sound. Page's guitar solo from the song "Heartbreaker" has been credited by Eddie Van Halen as being the inspiration for his two-hand tapping technique after he had seen Led Zeppelin perform in 1971. Similarly, Steve Vai has also commented about the song in a September 1998 ''Guitar World'' interview: "This one [Heartbreaker] had the biggest impact on me as a youth. It was defiant, bold, and edgier than hell. It really is the definitive rock guitar solo."

Many other rock guitarists were also influenced by Jimmy Page, such as Ace Frehley, Joe Satriani, John Frusciante, James Hetfield, Kirk Hammett, Zakk Wylde, Yngwie Malmsteen, Ritchie Blackmore, Tony Iommi, Joe Perry, Richie Sambora, Angus Young, Slash, Dave Mustaine, Mike McCready, Jerry Cantrell, Stone Gossard, Mick Mars, Paul Stanley, Alex Lifeson, and Dan Hawkins.

Page has been described by ''Uncut'' as the "rock's greatest and most mysterious guitar hero". According to ''msnbc.com'' Jimmy Page "played some of the most fundamental and memorable guitar in rock history—from the heaviest crunch to the most delicate acoustic finger picking." Page's solo in the famous epic "Stairway to Heaven" has been voted by readers of ''Guitar World'' and ''Total Guitar'' as the greatest guitar solo of all time, and he was named 'Guitarist of the Year' five times during the 1970s in ''Creem'' magazine's annual reader poll. ''Guitar World'' wrote: "Truly a guitar god, Jimmy Page is one of the most captivating soloists the rock world has ever known." In 1996 ''Mojo Magazine'' ranked him number 7 on their list of "100 Greatest Guitarists Of All Time". In 2002 he was voted the second greatest guitarist of all time in a ''Total Guitar'' magazine reader poll. In 2003, ''Rolling Stone'' magazine named him number nine on their list of the "100 greatest guitarists of all time". In 2007, ''Classic Rock Magazine'' ranked him #4 on their list of the "100 Wildest Guitar Heroes". ''Gigwise.com'', an online music magazine, ranked Page #2 on their list of the "50 greatest guitarists ever" in 2008. In August 2009, ''Time Magazine'' ranked him the 6th greatest electric-guitar player of all time. In 2010, Jimmy Page was ranked #2 on Gibson's "Top 50 Guitarists of All Time".

David Fricke, a senior editor at ''Rolling Stone'' magazine, described Jimmy Page in 1988 as "probably the most digitally sampled artist in pop today after James Brown." Roger Daltrey of The Who has been a longtime fan of Page and expressed his desire to form a supergroup with Page in 2010 saying: "I’d love to do something, I’d love to do an album with Jimmy Page." Keith Richards of The Rolling Stones has described Jimmy Page as "one of the best guitar players I've ever known." Jimmy Page was the first inductee onto the British Walk of Fame in August 2004. Page was awarded "Living Legend Award" at ''Classic Rock Magazine'' Roll of Honour 2007. In June 2008, he was awarded an honorary doctorate by the University of Surrey for his services to the music industry. Page was inducted into ''Mojo'' Hall Of Fame at the magazine's award ceremony on 11 June 2010.

In August 2010, Auburn University graduate student Justin Havird named a new species of fish "Lepidocephalichthys zeppelini" after Led Zeppelin, because the fish's pectoral fin reminded him of the double-neck guitar used by Jimmy Page.

Equipment and recording techniques

Guitars

For the recording of most of Led Zeppelin material from Led Zeppelin's second album onwards, Page used a Gibson Les Paul guitar (sold to him by Joe Walsh) with Marshall amplification. A Harmony Sovereign H-1260 was used in-studio on ''Led Zeppelin III'' and ''Led Zeppelin IV'' and on-stage from 5 March 1971 to 28 June 1972. During the studio sessions for ''Led Zeppelin'', and later for recording the guitar solo in "Stairway to Heaven", he used a Fender Telecaster (a gift from Jeff Beck). He also used a Danelectro 3021, tuned to DADGAD, most notably on live performances of "Kashmir".

Page also plays his guitar with a cello bow, as on the live versions of the songs "Dazed and Confused" and "How Many More Times". This was a technique he developed during his session days. On MTV's ''Led Zeppelin Rockumentary'', Page said that he obtained the idea of playing the guitar with a bow from David McCallum, Sr. who was also a session musician. Page used his Fender Telecaster and later his Gibson Les Paul for his bow solos.

Notable guitars

1959 Fender Telecaster (given to Page by Jeff Beck and repainted with a psychedelic dragon design by Page) played with the Yardbirds. Used to record the first Led Zeppelin album and used on the early tours during 1968–1969. In 1972, it was used for recording the "Stairway to Heaven" solo.

1959 Gibson Les Paul Standard (No. 1) (Given as a gift to Page by Joe Walsh) modified with a shaved neck and the addition of a push/pull pot to put the humbuckers out of phase while the toggle is in the middle position. English luthier Roger Giffin re-produced an exact replica of this guitar for Page in 1991 (nicknamed No. 3, Jimmy had a deal with Gibson that he would receive the first guitar from the 26 custom guitars that were designed). Giffin's work was later copied for Gibson's original run of Jimmy Page Signature model Les Pauls in the mid-1990s. This guitar was also used by Gibson as the model for the company's second run of Page signature models in 2004. Produced by Gibson and aged by luthier Tom Murphy, this second generation of Page tribute models was limited to 25 guitars signed by Page himself; and only 150 guitars in total for the aged model issue.

1959 Gibson Les Paul Standard (No. 2) with a shaved down neck to match the profile on his No.1; He added four push/pull pots to coil split the humbuckers as well as phase and series switches which were added under the pick guard after the break-up of Led Zeppelin.

1971 Gibson EDS-1275 (used for playing "Stairway to Heaven", "The Song Remains the Same", "The Rain Song", "Celebration Day" during live concerts and the Knebworth, "Tangerine" at the 1975 Earls Court shows, and "Sick Again" throughout the 1977 North American tour)

1959 Danelectro 59-DC (tuned to DADGAD and used live for "White Summer", "Black Mountain Side", "Kashmir" and "Midnight Moonlight" with The Firm).

Danelectro 3021 (tuned to open G and used on the ''Outrider'' tour for "In My Time Of Dying". This one has a smaller pickguard, as opposed to the large "seal" pickguard on his first Danelectro.

1967 Vox 12-String used during the recording for the Yardbirds Little Games album and for on-stage appearances.

1960 Black Gibson Les Paul Custom (with Bigsby Tremolo) – stolen in 1970. An ad was placed by Page for the recovery of this highly modified instrument but the guitar was never recovered. In 2008 the Gibson Custom Shop produced a limited run of 25 re-creations of the guitar, each with a Bigsby Tremolo and a new custom 6-way toggle switch.

Due to the fact the guitar was too heavy, one of Jimmy Page's Les Paul Custom Black Beauty guitars is now owned by Dan Hawkins of The Darkness.

1969 Gibson Les Paul Standard (seen in "The Song Remains The Same" during the theremin/solo section of "Whole Lotta Love" and for "Kashmir" at the O2 reunion concert. This guitar was later fitted with a Parsons-White B-string bender and used extensively by Page from the mid-to-late 1980s onward, including the Outrider tour, and the Page/Plant "Unledded" special on MTV.

1964 Lake Placid Blue Fender Stratocaster (Used during recording sessions for ''In Through the Out Door'' at Earls Court 1975 and in 1979 at Knebworth for ''In the Evening'').

1966 Cream Fender Telecaster (Used on ''Physical Graffiti'' and on All My Love during the Tour Over Europe 1980).

1953 Brown Fender Telecaster featuring a Parsons and White B-string bender, and neck salvaged from the "Dragon Telecaster". Seen primarily during the 1980s The Firm and Outrider era. Also used at Knebworth in 1979, notably on "Ten Years Gone" and "Hot Dog".

1965 Fender Electric XII (12-String) used to record Thank You and Stairway to Heaven.

Strings

Ernie Ball electric guitar strings

Signature models

Gibson released Jimmy Page Signature Les Paul which was discontinued in 1999, then released another version in 2004, which has also been discontinued. The 2004 version included 25 guitars signed by Page, 150 aged by a former Gibson employee (an acknowledged ageing 'master'), and 840 'unlimited' production guitars. The Jimmy Page Signature EDS-1275 has been produced by Gibson. Recently, Gibson reproduced Page's 1960 Les Paul Black Beauty, the one stolen from him in 1970, with modern modifications. This guitar was sold in 2008 with a run of 25, again signed by Page, plus an additional 500 unsigned guitars.

In December 2009, Gibson released the 'Jimmy Page "Number Two" Les Paul'. This is a re-creation of Page's famous number 2 Les Paul used by him since about 1974 until present. The model includes the same pick-up switching setup as devised by Page, shaved-down neck profile, Burstbucker pick-up at neck and 'Pagebucker' at the bridge. A total of 325 were made in three finishes: 25 Aged by Gibson's Tom Murphy, signed and played by Page ($26,000), 100 aged ($16,000) and 200 with VOS finish ($12,000).

Amplifiers and effects

He usually recorded in studio with a Vox AC30, Fender, and Orange amplification. The first Led Zeppelin album and the solo on "Stairway to Heaven" were played on a Fender Telecaster through a Supro amplifier.

Page used a limited number of effects, including a Maestro Echoplex, a Dunlop Cry Baby, and an MXR phaser and Blue Box (distortion/octaver). Page also played a theremin.

Music production techniques

Jimmy Page is credited for the innovations in sound recording he brought to the studio during the years he was a member of Led Zeppelin, many of which he had initially developed as a session musician:

This apprenticeship ... became a part of [learning] how things were recorded. I started to learn microphone placements and things like that, what did and what didn't work. I certainly knew what did and didn't work with drummers because they put drummers in these little sound booths that had no sound deflection at all, and the drums would just sound awful. The reality of it is the drum is a musical instrument, it relies on having a bright room and a live room ... And so bit by bit I was learning really how ''not'' to record.

He developed a reputation for employing effects in new ways and trying out different methods of using microphones and amplification. During the late 1960s, most British music producers placed microphones directly in front of amplifiers and drums, resulting in the sometimes "tinny" sound of the recordings of the era. Page commented to ''Guitar World'' magazine that he felt the drum sounds of the day in particular "sounded like cardboard boxes." Instead, Page was a fan of 1950s recording techniques, Sun Studios being a particular favourite. In the same ''Guitar World'' interview, Page remarked, "Recording used to be a science", and "[engineers] used to have a maxim: distance equals depth." Taking this maxim to heart, Page developed the idea of placing an additional microphone some distance from the amplifier (as much as twenty feet) and then recording the balance between the two. By adopting this technique, Page became one of the first British producers to record a band's "ambient sound" – the distance of a note's time-lag from one end of the room to the other.

For the recording of several Led Zeppelin tracks, such as "Whole Lotta Love" and "You Shook Me", Page additionally utilised "reverse echo" – a technique which he claims to have invented himself while with The Yardbirds (he had originally developed the method when recording the 1967 single "Ten Little Indians"). This production technique involved hearing the echo before the main sound instead of after it, achieved by turning the tape over and employing the echo on a spare track, then turning the tape back over again to get the echo preceding the signal.

Page has stated that, as producer, he deliberately changed the audio engineers on Led Zeppelin albums, from Glyn Johns for the first album, to Eddie Kramer for ''Led Zeppelin II'', to Andy Johns for ''Led Zeppelin III'' and later albums. He explained that "I consciously kept changing engineers because I didn't want people to think that they were responsible for our sound. I wanted people to know it was me."

John Paul Jones acknowledged that Page's production techniques were a key component of the success of Led Zeppelin:

In an interview that Page himself gave to ''Guitar World'' magazine in 1993, he remarked on his work as a producer:

Personal life

Page had relationships with a number of rock groupies in the 1970s, including Pamela Des Barres, Bebe Buell and Lori Maddox. French model Charlotte Martin was Page's partner from 1970 to about 1982 or 1983. Page called her 'My Lady'. Together they have a daughter, Scarlet Page (born in 1971), who is a photographer.

From 1986 to 1995 Page was married to Patricia Ecker, a model and waitress. They have a son, James Patrick Page III (born April 1988). Page later married Jimena Gómez-Paratcha, whom he met in Brazil on the No Quarter tour. He adopted her oldest daughter Jana (born 1994), and they have two children together: Zofia Jade (born 1997) and Ashen Josan (born 1999).

In 1972 Page bought, from Richard Harris, the home which William Burges (1827–1881) designed for himself in London, The Tower House. "I had an interest going back to my teens in the pre-Raphaelite movement and the architecture of Burges", he said. "What a wonderful world to discover." The reputation of Burges rests on his extravagant designs and his contribution to the Gothic revival in architecture in the nineteenth century.

From 1980 to 2004 Page owned The Mill House, Mill Lane, Windsor, which was formerly the home of actor Michael Caine. Fellow Led Zeppelin band member John Bonham died at the house in 1980.

From the early 1970s to the early 1990s, Page owned the Boleskine House, the former residence of occultist Aleister Crowley. Sections of Page's fantasy sequence in the film ''The Song Remains the Same'' were filmed at night on the mountain side directly behind Boleskine House.

According to ''The Sunday Times'' Rich List, Page's assets are worth £75 million as of 2009. He resides in West Sussex.

Recreational drug use

Page has acknowledged heavy recreational drug use throughout the 1970s. In an interview with ''Guitar World'' magazine in 2003, he stated, "I can't speak for the [other members of the band], but for me drugs were an integral part of the whole thing, right from the beginning, right to the end." After the band's 1973 concert tour of the United States, Page told Nick Kent, "Oh, everyone went over the top a few times. I know I did and, to be honest with you, I don't really remember much of what happened."

In 1975, Page began to use heroin, a fact attributed to Richard Cole, who stated that Page (in addition to himself) was taking the drug during the recording sessions of the album ''Presence'' in that year, and that Page admitted to him shortly afterwards that he was addicted to the drug.

By Led Zeppelin's 1977 tour of the United States, Page's heroin addiction was beginning to hamper his guitar playing performances. By this time the guitarist had lost a noticeable amount of weight. His onstage appearance was not the only obvious change; his addiction caused Page to become so inward and isolated it altered the dynamic between him and Plant considerably. During the recording sessions for ''In Through the Out Door'' in 1978, Page's diminished influence on the album (relative to bassist John Paul Jones) is partly attributed to his heroin addiction, which resulted in his absence from the studio for long periods of time.

Page reportedly kicked his heroin habit in the early 1980s. In a 1988 interview with ''Musician'' magazine, Page took offence when the interviewer noted that heroin had been associated with his name, and insisted "Do I look as if I'm a smack addict? Well, I'm not. Thank you very much."

In an interview he gave to ''Q magazine'' in 2003, Page responded to a question as to whether he regrets getting so involved in heroin and cocaine:

Interest in the occult

The appearance of four symbols on the jacket of Led Zeppelin's fourth album has been linked to Page's interest in the occult. The four symbols represented each member of the band. Page's own so-called "Zoso" symbol originated in 'Ars Magica Arteficii' (1557) by Gerolamo Cardano, an old alchemical grimoire, where it has been identified as a sigil consisting of zodiac signs. The sigil is reproduced in "Dictionary of Occult, Hermetic and Alchemical Sigils" by Fred Gettings.

During tours and performances after the release of the fourth album, Page often had the "Zoso" symbol embroidered on his clothes, along with zodiac symbols. These were visible most notably on his "Dragon Suit", which included the signs for Capricorn, Scorpio and Cancer which are Page's Sun, Ascendant, and Moon signs, respectively.

The artwork inside the album cover of ''Led Zeppelin IV'' is from a painting by William Holman Hunt, influenced by the traditional Rider/Waite Tarot card design for the card called "The Hermit". Page transforms into this character during his fantasy sequence in Led Zeppelin's concert film ''The Song Remains the Same''.

In the early 1970s Page owned an occult bookshop and publishing house, "The Equinox Booksellers and Publishers" in Kensington High Street, London, eventually closing it as the increasing success of Led Zeppelin resulted in his having insufficient time to devote to it. The company published a facsimile of English occultist's Aleister Crowley's 1904 edition of ''The Goetia''. Page has maintained a strong interest in Crowley for many years. In 1978, he explained:

Page was commissioned to write the soundtrack music for the film ''Lucifer Rising'' by another occultist and Crowley admirer, underground movie director Kenneth Anger. Page ultimately produced 23 minutes of music which Anger felt was insufficient because the film ran for 28 minutes and Anger wanted the film to have a full soundtrack. Anger claimed Page took three years to deliver the music, and the final product was only 23 minutes of droning. The director also slammed the guitarist in the press by calling him a "dabbler" in the occult and an addict, and being too strung out on drugs to complete the project. Page countered that he had fulfilled all his obligations, even going so far as to lend Anger his own film editing equipment to help him finish the project.

Although Page collected works by Crowley, he has never described himself as a Thelemite nor was he ever initiated into the O.T.O. The Equinox Bookstore and Boleskine House were both sold off during the 1980s, as Page settled into family life and participated in charity work.

Discography

Single

"She Just Satisfies"/"Keep Moving" (February 1965)

Albums

Pre-Led Zeppelin (1963–1969)

Many pre-Led Zeppelin session recordings have been released on various labels and compilation packages, including:

''Blues Anytime 1, 2, 3'' series on Immediate Records featuring the Immediate All-Stars, mid 1960s

''No Introduction Necessary'' (1968), Recordings feat. John Paul Jones, Albert Lee, Nicky Hopkins, Clem Cattini and Keith de Groot

''Jimmy Page and Friends – Wailing Sounds'' (2006). Includes ''Lord Sutch & Heavy Friends'' album (1970) + six tracks from the 1968 sessions for Keith De Groot's debut album.

''Guitar Boogie'' (1971) Jimmy Page, Jeff Beck, Eric Clapton compilation album from the recordings on the ''Blues Anytime'' series on Immediate Records.

''Special Early Works'' (1972), 1965 session recordings with Sonny Boy Williamson

''Smoke and Fire'' (1984), session recordings with Jeff Beck, Noel Redding and Nicky Hopkins

''Jimmy Page: Session Man Vol. 1'' (1989)

''Jimmy Page: Session Man Vol. 2'' (1990)

''Jimmy's Back Pages...The Early Years'' (1992)

''Jimmy Page and His Heavy Friends: Hip Young Guitar Slinger'' (2000, double cd)

''This Guitar Kills: More 60s Groups & Sessions – remastered by Jimmy Page'' (2007, the 2003 ed. is not remastered) (double cd)

''Jimmy Page and Friends'' (2006, double cd)

Please note that there are several duplicates amongst all these albums.

Post-Led Zeppelin

References

Published sources

Mylett, Howard (1984) ''Jimmy Page: Tangents Within a Framework'', London: Omnibus Press, ISBN 0-7119-0265-8.

Welch, Chris (1985) ''Power & Glory: Robert Plant & Jimmy Page'', London: Zomba Books, ISBN 0-946391-74-2.

External links

Official Jimmy Page site

Official Led Zeppelin site

ASCAP titles

Jimmy Page by Jimmy Page – Genesis Publications Limited Edition Book

Category:English blues guitarists Category:English heavy metal guitarists Category:English rock guitarists Category:English session musicians Category:English songwriters Category:TVT Records artists Category:Grammy Award winners Category:Kerrang! Awards winners Category:Lead guitarists Category:Led Zeppelin members Category:Officers of the Order of the British Empire Category:Pedal steel guitarists Category:People from Heston Category:Musicians from London Category:People from Windsor, Berkshire Category:Slide guitarists Category:The Yardbirds members Category:Atlantic Records artists Category:Skiffle Category:1944 births Category:Living people Category:British rhythm and blues boom musicians

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Coordinates	38°37′38″N90°11′52″N
background	solo_singer
birth name	Geoffrey Arnold Beck
born	June 24, 1944Wallington, England
instrument	Guitar, bass, talk box, vocals, trumpet, drums, flute, contrabass
genre	Blues rock, jazz fusion, instrumental rock, hard rock, electronica, progressive rock
occupation	Musician, songwriter, actor
years active	1964-present
label	EMI, Epic (punch)
associated acts	The Yardbirds, The Jeff Beck Group, The Honeydrippers, Beck, Bogert & Appice, Stevie Ray Vaughan, Big Town Playboys, Upp, Eric Clapton, Duff McKagan
website
notable instruments	Fender Jeff Beck Signature Model StratocasterJeff Beck 1954 Les Paul Oxblood }}

Geoffrey Arnold "Jeff" Beck (born 24 June 1944) is an English rock guitarist. He is one of three noted guitarists, to have played with The Yardbirds. (Eric Clapton and Jimmy Page are the other two.) Beck also formed The Jeff Beck Group and Beck, Bogert & Appice.

Much of Beck's recorded output has been instrumental, with a focus on innovative sound and his releases have spanned genres ranging from blues-rock, heavy metal, jazz fusion and most recently, an additional blend of guitar-rock and electronica. Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained a broad following or the sustained commercial success of many of his collaborators and bandmates. Beck appears on albums by Mick Jagger, Kate Bush, Roger Waters, Stevie Wonder, Les Paul, Zucchero, Cyndi Lauper, Brian May and ZZ Top. In 1988, he made a cameo appearance in the movie ''Twins''.

He was ranked 14th in ''Rolling Stone's'' list of the "100 Greatest Guitarists of All Time" and the magazine has described him as "one of the most influential lead guitarists in rock". He was also ranked second greatest rock guitarist of all time in Digital Dream Door, a site that ranks movies and music. MSNBC has called him a "guitarist's guitarist". Beck has earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times. He has been inducted into the Rock and Roll Hall of Fame twice: as a member of The Yardbirds (1992) and as a solo artist (2009).

Biography

Early life

}} Beck was born in 1944 to Arnold and Ethel Beck at 206 Demesne Road, Wallington, England. As a ten year old Beck sang in a church choir. As a teenager he learned to play a borrowed guitar and made several attempts to build his own instrument, first by gluing and bolting together cigar boxes for the body and an unsanded fence-post for the neck with model aircraft control-lines and frets simply painted on. When fabricating a neck for his next try he attempted to use measurements for a bass guitar.

Beck has cited Les Paul as the first electric guitar player who impressed him. Cliff Gallup, lead guitarist with Gene Vincent and the Blue Caps was an early musical influence, followed by B.B. King and Steve Cropper.

Upon leaving school he attended Wimbledon College of Art, after which he was briefly employed as a painter and decorator, a groundsman on a golf course and a car paint-sprayer. Beck's sister introduced him to Jimmy Page when both were teenagers.

Early career

Beck began his career in the 1960s. He joined "The Rumbles" a Croydon band in 1963 for a short period as lead guitarist, playing Gene Vincent and Buddy Holly songs, displaying a talent for mimicking guitar styles. His first appearance on vinyl was as a session guitarist on a 1964 Parlophone single by The Fitz and Startz entitled 'I'm Not Running Away' c/w 'So Sweet'.

In March 1965 Beck was recruited by The Yardbirds to replace Eric Clapton on the recommendation of fellow session man Jimmy Page, who had been their initial choice. The Yardbirds recorded most of their Top 40 hit songs during Beck's time with the band, which was short (but significant), allowing him only one full album, ''Yardbirds'' which became known as ''Roger the Engineer'', released in 1966. From September to November 1966 he shared lead guitar duties with Page, who initially joined as bass player in June of that year.

In February 1967, after recording the one-off "Beck's Bolero" (with Jimmy Page, John Paul Jones, Nicky Hopkins and Keith Moon) and two solo hit singles in the UK, "Hi Ho Silver Lining" and "Tallyman", Beck formed The Jeff Beck Group, which featured Rod Stewart on vocals, Ronnie Wood on bass, Nicky Hopkins on piano and, after a series of drummers, eventually Micky Waller.

The group produced two albums for Columbia Records (Epic in the US): ''Truth'' (August 1968) and ''Beck-Ola'' (July 1969). ''Truth'', released five months before the first Led Zeppelin album, features "You Shook Me", a song written and first recorded by Willie Dixon that was also covered on the Led Zeppelin debut. It sold well (reaching number 15 on the ''Billboard'' charts). ''Beck-Ola'', while well-received, saw drummer Micky Waller replaced by Tony Newman, and was less successful both commercially and critically. Resentment, coupled with touring incidents, led the group to dissolve in July 1969.

Nick Mason recalls in his autobiography that during 1967 Pink Floyd had wanted to recruit Beck to be their guitarist after the departure of Syd Barrett but "None of us had the nerve to ask him".

After the break-up of his group Beck took part in the ''Music From Free Creek'' "super session" project, billed as "A.N. Other" and contributed lead guitar on four songs, including one co-written by him. Next he teamed up with bassist Tim Bogert and drummer Carmine Appice, the rhythm section of Vanilla Fudge in September 1969, when Bogert and Appice came to England to resolve contractual issues, but when Beck fractured his skull in a car accident near Maidstone in December the plan was postponed for two-and-a-half years, during which time Bogert and Appice formed Cactus. Beck later remarked on the 1960s period of his life: "Everyone thinks of the 1960s as something they really weren't. It was the frustration period of my life. The electronic equipment just wasn't up to the sounds I had in my head.''

In 1970, when Beck had regained his health, he set about forming a band with drummer Cozy Powell. Beck, Powell and producer Mickie Most flew to the US and recorded several tracks at Motown Studios with Motown session men, but the results remained unreleased. By April 1971 Beck had completed the line-up of this new group with guitarist/vocalist Bobby Tench, keyboard player Max Middleton and bassist Clive Chaman. The new band performed as the "Jeff Beck Group" but had a substantially different sound from the first line-up. ''Rough and Ready'' (October 1971), the first album they recorded, on which Beck wrote or co-wrote six of the album's seven tracks (the exception being written by Middleton), included elements of soul, rhythm-and-blues and jazz, foreshadowing the direction Beck's music would take later in the decade.

A second album ''Jeff Beck Group'' (July 1972) was recorded at TMI studios in Memphis, Tennessee with the same personnel. Beck employed Steve Cropper as producer and the album displayed a strong soul influence, five of the nine tracks being covers of songs by American artists. One, "I Got To Have A Song", was the first of four Stevie Wonder compositions covered by Beck. Shortly after the release of the ''Jeff Beck Group'' album the band was dissolved and Beck's management put out the statement that: "The fusion of the musical styles of the various members has been successful within the terms of individual musicians, but they didn't feel it had led to the creation of a new musical style with the strength they had originally sought."

Beck then started collaborating with bassist Tim Bogert and drummer Carmine Appice, who became available following the demise of Cactus but continued touring as Jeff Beck Group in August 1972, to fulfil contractual obligations with his promoter, with a line-up including Bogert, Appice, Max Middleton and vocalist Kim Milford. After six appearances Milford was replaced by Bobby Tench, who was flown in from the UK for the ''Arie Crown Theatre'' Chicago performance and the rest of the tour, which concluded at the Paramount North West Theatre, Seattle. After the tour Tench and Middleton left the band and the power trio Beck, Bogert & Appice appeared: Appice took on the role of vocalist with Bogert and Beck contributing occasionally. They were included on the bill for ''Rock at The Oval'' in September 1972, still as the "Jeff Beck Group", which marked the start of a tour schedule of UK, the Netherlands and Germany. Another US tour began in October 1972, starting at the Hollywood Sportatorium Florida and concluding on 11 November 1972 at The Warehouse, New Orleans. In April 1973 the album ''Beck, Bogert & Appice'' was released (on Epic Records). While critics acknowledged the band's instrumental prowess the album was not commercially well received except for its cover of Stevie Wonder's hit "Superstition".

On 3 July 1973 Beck joined David Bowie on-stage to perform "The Jean Genie"/"Love Me Do" and "Around and Around". The show was recorded and filmed but none of the released editions included Beck. During October 1973 Beck recorded tracks for Michael Fennelly's album ''Lane Changer'' and attended sessions with Hummingbird, a band derived from The Jeff Beck Group, but did not to contribute to their eponymous first album

Early in January 1974 the band played at the Rainbow Theatre, as part of a European tour. The concert was broadcast in full on the US show ''Rock Around the World'' in September of the same year. This last recorded work by the band previewed material intended for a second studio album, included on the bootleg ''At Last Rainbow''. The tracks ''Blues Deluxe'' and ''BBA Boogie'' from this concert were later included on the Jeff Beck compilation ''Beckology'' (1991). Beck, Bogert & Appice dissolved in April 1974 before their second studio album (produced by Jimmy Miller) was finished. Their live album ''Beck, Bogert & Appice Live in Japan'', recorded during their 1973 tour of Japan, was not released until February 1975 by Epic/Sony.

After a few months Beck entered Underhill Studio and met with the group Upp, whom he recruited as backing band for his appearance on the BBC TV programme ''Guitar Workshop'' in August 1974. Beck produced and played on their self-titled debut album and their second album ''This Way Upp'', though his contributions to the second album went uncredited. In October Beck began to record instrumentals at AIR Studios with Max Middleton, bassist Phil Chen and drummer Richard Bailey, using George Martin as producer and arranger. ''Blow by Blow'' (March 1975) evolved from these sessions and showcased Beck's technical prowess in jazz-rock. The album reached number four in the charts and is Beck's most commercially-successful release. Beck, fastidious about overdubs and often dissatisfied with his solos, often returned to AIR Studios until he was satisfied. A couple of months after the sessions had finished Martin received a telephone call from Beck, who wanted to record a solo section again. Bemused, Martin replied: "I'm sorry, Jeff, but the record is in the shops!"

Beck put together a live band for a US tour, preceded by a small and unannounced gig at The Newlands Tavern in Peckham, London. He toured through April and May 1975, mostly supporting the Mahavishnu Orchestra, retaining Max Middleton on keyboards but with the new rhythm section of Wilbur Bascomb (bass) and noted session drummer Bernard "Pretty" Purdie. In a May 1975 show in Cleveland, Ohio (Music Hall), he became frustrated with an early version of a "talk box" he used on his arrangement of The Beatles "She's A Woman," and after breaking a string, tossed his legendary Yardbirds-era Stratocaster off the stage. He did the same with the talk box and finished the show playing a Les Paul and without the box. During this tour he performed at Yuya Uchida's "World Rock Festival," playing a total of eight songs with Purdie. In addition he performed a guitar and drum instrumental with Johnny Yoshinaga and, at the end of the festival, joined in a live jam with bassist Felix Pappalardi of Mountain and vocalist Akira "Joe" Yamanaka from the Flower Travellin' Band. Only his set with Purdie was recorded and released.

He returned to the studio and recorded ''Wired'' (1976), which paired the drummer and composer Narada Michael Walden and keyboardist Jan Hammer. The album used a jazz-rock fusion style which sounded similar to the work of his two collaborators. To promote the album, Beck joined forces with the Jan Hammer Group, playing a show supporting Alvin Lee at The Roundhouse in May 1976, before embarking on a seven-month long world tour. This resulted in the live album ''Jeff Beck with The Jan Hammer Group - Live'' (1977).

At this point, Beck was a tax exile and took up residency in the US, remaining there until his return to the UK in the autumn of 1977. In the spring of 1978, he began rehearsing with bassist Stanley Clarke and drummer Gerry Brown towards a projected appearance at the Knebworth Festival, but this was cancelled after Brown dropped out. Beck toured Japan for three weeks in November 1978 with an ad-hoc group consisting of Clarke and newcomers Tony Hymas (keyboards) and Simon Phillips (drums) from Jack Bruce's band. Work then began on a new studio album at The Who's Ramport Studios in London and continued sporadically throughout 1979, resulting in ''There and Back'' in June 1980. It featured three tracks composed and recorded with Jan Hammer, while five were written with Hymas. Stanley Clarke was replaced by Mo Foster on bass, both on the album and the subsequent tours. Its release was followed by extensive touring in the USA, Japan and the UK.

1980s

In 1981 Beck made a series of historic live appearances with his Yardbirds predecessor Eric Clapton at the Amnesty International-sponsored benefit concerts dubbed ''The Secret Policeman's Other Ball'' shows. He appeared with Clapton on "Crossroads", "Further On Up The Road", and his own arrangement of Stevie Wonder's "Cause We've Ended As Lovers". Beck also featured prominently in an all-star band finale performance of "I Shall Be Released" with Clapton, Sting, Phil Collins, Donovan and Bob Geldof. Beck's contributions were seen and heard in the resulting album and film, both of which achieved worldwide success in 1982. Another benefit show, the ARMS Concert for Multiple Sclerosis featured a jam with Beck, Eric Clapton and Jimmy Page. They performed "Tulsa Time" and "Layla". This is the only time all of the Yardbirds lead guitarists appeared on stage together.

In 1985 Beck released ''Flash'', featurng a variety of vocalists, but most notably former bandmate Rod Stewart on a rendition of Curtis Mayfield's "People Get Ready".

After a four year break, Jeff made a return to instrumental music with the album ''Jeff Beck's Guitar Shop'' (1989), the first album to feature Beck as a fingerstyle guitarist, leaving the plectrum playing style. It was only his 3rd album to be released in the 1980s. Much of Beck's sparse and sporadic recording schedule was due in part to a long battle with noise-induced tinnitus.

1990s

In the 1990s, Beck had a higher musical output. He is featured on lead guitar on Roger Waters' 1992 concept album ''Amused to Death'', and on Kate Bush's 1993 album ''The Red Shoes''.

He recorded the instrumental soundtrack album Frankie's House (1992), as well as Crazy Legs (1993), a tribute album to 50's rockabilly group Gene Vincent and the Blue Caps and their influential guitarist Cliff Gallup.

Beck rehearsed with Guns N' Roses for their concert in Paris in 1992, but did not play in the actual concert due to ear damage caused by a Matt Sorum cymbal crash, causing Beck to become temporarily deaf. The Yardbirds were inducted into the Rock and Roll Hall of Fame in 1992. In Beck's acceptance speech he humorously noted that:

}} He accompanied Paul Rodgers of Bad Company on the album ''Muddy Water Blues: A Tribute to Muddy Waters'' in 1993. Jeff's next release would not be until 1999, his first foray into guitar based electronica, ''Who Else!'' The album also marked Beck's first collaboration with a female musician, Jennifer Batten, in touring, writing, and recording as well as the first time he had worked with another guitarist on his own material since playing in The Yardbirds. Beck continued to work with Batten through the post-release tour of ''You Had It Coming'' in 2001.

2000s

Jeff Beck won his third Grammy Award, this one for 'Best Rock Instrumental Performance' for the track "Dirty Mind" from ''You Had It Coming'' (2001).

The song "Plan B," from the 2003 release ''Jeff,'' earned Beck his fourth Grammy Award for Best Rock Instrumental Performance, and was proof that the new electro-guitar style he used for the two earlier albums would continue to dominate. Jeff Beck was the opening act for B.B. King in the summer of 2003 and appeared at Eric Clapton's Crossroads Guitar Festival in 2004.

In 2007, he accompanied Kelly Clarkson for her cover of Patty Griffin's "Up to the Mountain (MLK Song)", during the Idol Gives Back episode of ''American Idol''. The performance was recorded live and afterwards was immediately released for sale. In the same year, he appeared once again at Clapton's Crossroads Guitar Festival, performing with Vinnie Colaiuta, Jason Rebello, and the then 21-year-old bassist Tal Wilkenfeld.

Beck announced a world tour in early 2009 and remained faithful to the same lineup of musicians as in his tour two years before, playing and recording at Ronnie Scott's in London to a sold out audience. Beck played on the song "Black Cloud" on the 2009 Morrissey album ''Years of Refusal'' and later that year, Harvey Goldsmith became Beck's Manager.

Beck was inducted into the Rock and Roll Hall of Fame on 4 April 2009, as a solo artist. The award was presented by Jimmy Page. On 4 July 2009, David Gilmour joined Beck onstage at the Albert Hall. Beck and Gilmour traded solos on "Jerusalem" and closed the show with "Hi Ho Silver Lining".

Beck's latest album, ''Emotion & Commotion'', was released in April 2010. It features a mixture of original songs and covers such as "Over the Rainbow" and "Nessun Dorma". Joss Stone provides some of the guest vocals. Two tracks from ''Emotion & Commotion'' won Grammys in 2011: "Nessun Dorms" won the Best Pop Instrumental Performance and "Hammerhead" won the Best Rock Instrumental Performance".

Beck's 2010 World Tour band features Grammy winning musician Narada Michael Walden on drums, Rhonda Smith on bass and Jason Rebello on keyboards. Beck collaborated on "Imagine" for the 2010 Herbie Hancock album, ''The Imagine Project'' along with Seal, P!nk, India.Arie, Konono N°1, Oumou Sangare and others. He has also released a live album titled Live and Exclusive from the Grammy Museum on October 25, 2010.

In 2011, Beck received two honorary degrees from British universities. On 18 July 2011, he was honoured with a fellowship from University of the Arts London in recognition of his "outstanding contribution to the field of Music". He was also presented with an honorary doctorate from University of Sussex by Sanjeev Bhaskar, the university's chancellor for “an outstanding musical career and celebrated the relationship between the university and the Brighton Institute of Modern Music (BIMM)" on 21 July 2011.

Influences

One of the most influential guitarists in the history of rock music, Jeff Beck has cited his major influences as Les Paul, The Shadows, Cliff Gallup, Ravi Shankar, Roy Buchanan, Chet Atkins, Django Reinhardt, Steve Cropper and Lonnie Mack. Of John McLaughlin, he said: "he has given us so many different facets of the guitar and introduced thousands of us to world music, by blending Indian music with jazz and classical. I'd say he was the best guitarist alive."

While Beck was not the first rock guitarist to experiment with electronic distortion, he nonetheless helped to redefine the sound and role of the electric guitar in rock music. Beck's work with The Yardbirds and The Jeff Beck Group's 1968 album ''Truth'' were seminal influences on heavy metal music, which emerged in full force in the early 1970s.

Technique and equipment

Beck stopped regular use of a pick (plectrum) in the 1980s. He produces a wide variety of sounds by using his fingers and the vibrato bar on his signature Fender Stratocaster, although he frequently uses a wah-wah pedal both live and in the studio. As Eric Clapton once said, "With Jeff, it’s all in his hands". Along with Fender Stratocasters, Beck occasionally plays Fender Telecaster and Gibson Les Paul models as well. His amplifiers are primarily Fender and Marshall. In his earlier days with the Yardbirds, Beck also used a 1954 Fender Esquire guitar (now owned by Seymour W. Duncan, and housed in the Cleveland Rock and Roll Hall of Fame) through Vox AC30s. He has also played through a variety of fuzz pedals and echo-units along with this set-up and has used the Pro Co RAT distortion pedal.

He is noted for changes of musical style and direction throughout his career. Ritchie Blackmore once praised this aspect of Jeff in an interview to Martin K. Webb, when the interviewer asked him what he means by "chance music", he replied:

During the ARMS Charity Concerts in 1983 Beck used his battered Fender Esquire along with a 1954 Fender Stratocaster and a Jackson Soloist. On the Crazy Legs (1993) he played a Gretsch Duo Jet, his signature Fender Stratocaster and various other guitars. Recently Fender created a Custom Shop Tribute series version of his beat-up Fender Esquire as well as his Artist Signature series Stratocaster.

Personal life

Beck has been married to Sandra Cash since 2005. Beck describes himself as a vegetarian. He has an interest in classic Ford hot rods, performing much of the work on the exteriors and engines of the cars by himself.

Discography

See also

List of rock instrumentals

Bibliography

Carson, Annette. ''Jeff Beck: Crazy Fingers''. Backbeat books (2002). ISBN 0-87930-632-7

Horjt, Chris and Hinman, Doug. ''Jeff's book : A chronology of Jeff Beck's career 1965-1980 : from the Yardbirds to Jazz-Rock''. Rock 'n' Roll Research Press, (2000). ISBN 0-9641005-3-3

Foster, Mo.''17 watts?: The Birth of British Rock Guitar''. Sanctuary (1997 and 2000). ISBN 978-1-86074-267-5

References

External links

Press conference and master class by Jeff Beck in Moscow 2010

Jeff Beck Official Site

''Rock 'n' Roll Hall of Fame: Jeff Beck'' FuseTV

Jeff Beck at Epic Records

Jeff Beck 1954 Les Paul Oxblood

Jeff Beck unofficial website

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Coordinates	38°37′38″N90°11′52″N
name	Imelda May
background	solo_singer
birth name	Imelda Mary Clabby
birth date	July 10, 1974
origin	Dublin, Ireland
spouse	Darrell Higham (2002-present)
instrument	Vocals, bodhrán, guitar
genre	Rockabilly, blues, jazz
occupation	Singer, songwriter-composer
years active	2003–present
label	Foot Tapping, Ambassador (Universal Ireland)), Decca
website	}}

Imelda Mary Higham, Clabby (born 10 July 1974), known as Imelda May, is an Irish vocalist and musician. She began her career in music at 16 and released her debut album in 2005. She also plays the bodhrán and guitar. She won the Best Female Artist of the Year award at the 2009 Meteor Awards.

Early life and career

May was born in Dublin on 10 July 1974 in an area known as The Liberties. She is the youngest of five siblings, with sisters Edel Foy and Maria O'Reilly, and brothers Brendan Clabby and Fintan Clabby. Her early musical influences were Folk and Rock & Roll, especially the music of Buddy Holly, Eddie Cochran and Gene Vincent. By the age of nine, she was a fan of Rockabilly and Blues, particularly Elmore James and Billie Holiday. At fourteen, she sang in an advertisement for Findus Fish Fingers. However, her career began at age 16 when she began touring the Dublin club circuit and she was occasionally barred from her own shows at Dublin's Bruxelles club for being underage. "I was getting tips from the best musicians in Dublin," May said. "One of them said, 'your voice is great, but it needs to roughen.'" It was around this time, when driving a tearful Imelda to a gig after a boyfriend break-up her father asked her, "Is your heart broken? Excellent. Now you can sing the blues." After moving to the UK in 1998, May began singing with Blue Harlem and Mike Sanchez.

Professional career

May began her professional career in 2003, forming her band and releasing ''No Turning Back'' (Foot Tapping Records) under her maiden name, Imelda Clabby. Specializing in rockabilly music, the album was later re-recorded and re-issued by Foot Tapping Records under her married name in 2005.

In 2007, she joined a recording contract with Ambassador Records (a subsidiary of Foot Tapping Records), and recorded her second album. ''Love Tattoo'' reached No. 1 in Ireland and received wide critical acclaim. It caught the attention of Jools Holland, whom she later supported on tour, which led him to request that she appear on his well-known music show ''Later... with Jools Holland''. She was well received in the United Kingdom, performing to an audience that included Jeff Beck, Elbow, and Roots Manuva. Her first two singles, ''Johnny Got a Boom-Boom'' and ''Big Bad Handsome Man'', were released on 23 January 2009. She performed on Ireland's most popular television show, ''The Late Late Show''. She won Female Artist of the Year at the 2009 Meteor Awards. May has also toured the United States including, most recently, a tour with Jamie Cullum. On 14 August 2009, she appeared on RTÉ's ''Other Voices'' singing ''Johnny Got a Boom Boom'' and an unplugged version of ''Big Bad Handsome Man.'' thumb|250px|May at the Azkena Rock Festival, Spain, 2010 }}

On 31 January 2010, she performed at the 52nd Grammy Awards with Jeff Beck in tribute to Les Paul. After some promotional performances at festivals, such as the Eurosonic Festival in Groningen, Netherlands, she released her third studio album, ''Mayhem'', in Ireland on September 3, 2010 — again reaching No. 1 in the Irish Album Charts — and in the United Kingdom on 4 October 2010. On July 18, 2011, May made her network television debut on ''The Tonight Show with Jay Leno'', performing "Mayhem," in promotion of the album's recent release in the U.S. and later appeared on ''Conan'' on August 8.

Imelda May has recently contributed a cover of Buddy Holly's "I'm Looking For Someone To Love" for the upcoming tribute album, Listen to Me: Buddy Holly to be released on September 6, 2011.

Performances with other artists

May has shared the stage with Wanda Jackson, Alison Moyet, Lou Reed, David Gilmore, Sharon Corr, The Supremes, Brian Setzer, The Dubliners, Madeleine Peyroux, Matt Bianco, Elvis Costello, Jools Holland, Jeff Beck and Meat Loaf . She has worked with producers Tony Visconti and Peter Asher. She also sings in The Candy Box Burlesque Club in Birmingham. She has appeared alongside The World Famous Palookaville! Burlesque Orchestra at every Candy Box show since it started in February 2006.

May has sung for the Flashmonkey burlesque band, a popular night at Cafe De Paris in London, also featuring trumpeter/composer Eacott.

In 2009, she recorded the official Children In Need single alongside Cara Dillon, Terry Wogan, Hayley Westenra, and others at Abbey Road Studios. In 2010, she participated on ''Emotion & Commotion'' by Jeff Beck, singing on the track ''Lilac Wine'' and also on the Japanese CD bonus track ''Poor Boy.'' On 11 November 2010, she appeared as a guest on BBC2's comedy panel music show, ''Never Mind The Buzzcocks''.

In 2010, she performed with Meat Loaf as part of the UK leg of his Hang Cool Tour. During 2011, she and her band toured with Jeff Beck.

In August 2011 she performed on Jay Leno, Conan O’Brien and the Craig Ferguson show

Personal life

May is married to her guitarist and band member, Darrel Higham. She is a vegetarian.

Discography

Studio albums

Year	Album details	Peak chart positions
		! style="width:30px;"	! style="width:30px;"
2005		* Released: 2002 as Imelda Clabby, re-released in 2005 as Imelda May.	* Label: Foot Tapping Records	* Formats: CD	—	—
2008		* Released: October 20, 2008	Universal Records>Universal	* Formats: CD, Download	1	58
2010	style="text-align:left;"	* Released: October 4, 2010	* Label: Universal	* Formats: CD, Download	1	7

Singles

Year	Single	Chart positions
!style="width:4em"	!style="width:4em"
	"Johnny Got a Boom Boom"
"Big Bad Handsome Man"
	style="text-align:left;"

Band members

Imelda May – vocals, bodhrán

Al Gare – double bass, bass guitar

Steve Rushton – drums

Darrel Higham – guitar

Dave Priseman – trumpet, flugelhorn, percussion, guitar

Awards and nominations

style="background:#B0C4DE;"	Year	Organisation	Nominated work	Award	Result
	2009 Meteor Awards		Imelda May	Best Irish Female
	RTÉ Radio 1	rowspan="2"	Album of the Year
	Choice Music Prize	Choice Music Prize

References

External links

Imelda May Album Review

No Turning Back (Imelda Clabby) Review

Blue Harlem (featuring Imelda May) Reviews

Music On-Air Interview

Liberation Frequency interview

Category:1974 births Category:Living people Category:Irish female singers Category:Irish jazz singers Category:Music from Dublin (city) Category:People from Dublin (city) Category:Irish musicians Category:Rockabilly musicians

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