A cappella (Italian for "in the manner of the church" or "in the manner of the chapel",^[1] also see gospel music and choir) music is specifically solo or group singing without instrumental sound, or a piece intended to be performed in this way. It contrasts with cantata, which is accompanied singing. A cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato style. In the 19th century a renewed interest in Renaissance polyphony coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists led to the term coming to mean unaccompanied vocal music.^[2] Today, a cappella also includes sample/loop "vocal only" productions by producers like Jimmy Spice Curry, Teddy Riley, Björk, Imogen Heap, Wyclef Jean and others.

Religious traditions[link]

A cappella music originally was, and still often is, used in religious music, especially church music as well as anasheed and zemirot. Gregorian chant is an example of a cappella singing, as is the majority of secular vocal music from the Renaissance. The madrigal, up until its development in the early Baroque into an instrumentally-accompanied form, is also usually in a cappella form. Jewish and Christian music were originally a cappella, and this tradition has existed continuously in both of these religions as well as in Islam.

Christian[link]

This section's factual accuracy is disputed. Please help to ensure that disputed facts are reliably sourced. See the relevant discussion on the talk page.

The polyphony of Christian a cappella music began to develop in Europe around the late 15th century. The early a cappella polyphonies may have had an accompanying instrument, although this instrument would merely double the singers' parts and was not independent. By the 16th century, a cappella polyphony had further developed, but gradually, the cantata began to take the place of a cappella forms.^[3] 16th century a cappella polyphony, nonetheless, continued to influence church composers throughout this period and to the present day. Such is seen in the life of Palestrina becoming a major influence on Bach, most notably in the aforementioned Mass in B Minor.

Eastern Orthodox Christianity[link]

In Eastern Europe, the music performed in the Eastern Orthodox cathedrals and monasteries is exclusively sung without music. Bishop Kallistos Ware says, "The service is sung, even though there may be no choir... In the Orthodox Church today, as in the early Church, singing is unaccompanied and instrumental music is not found."^[4] Liturgies and masses composed by famous composers such as Peter Tchaikovsky, Sergei Rachmaninoff, Alexander Arkhangelsky, and Mykola Leontovych are fine examples of this,

Opposition to instruments in worship[link]

Present-day Christian religious bodies known for conducting their worship services without musical accompaniment include some Presbyterian churches devoted to the regulative principle of worship, Old Regular Baptists, Primitive Baptists, Plymouth Brethren, Churches of Christ, the Old German Baptist Brethren, the Eastern Orthodox Christian Church and the Amish, Old Order Mennonites and Conservative Mennonites. Certain high church services and other musical events in liturgical churches (such as the Roman Catholic Mass and the Lutheran Divine Service) may be a cappella, a practice remaining from apostolic times. Many Mennonites also conduct some or all of their services without instruments. Sacred Harp, a type of religious folk music, is an a cappella style of religious singing, but is more often sung at singing conventions than at church services.

Opponents of musical instruments in the Christian worship believe that such opposition is supported by the New Testament and Church history. The New Testament verses typically referenced are Matthew 26:30; Acts 16:25; Romans 15:9; 1 Corinthians 14:15; Ephesians 5:19; Colossians 3:16; Hebrews 2:12, 13:15; James 5:13, which reveal a command for all Christians to sing.^[5]

There is no reference to instrumental music in the worship of the New Testament or the worship of churches for the first six centuries.^[6] That being said, the reason for such absence is highly debated, though several reasons have been put forth throughout church history.^{[nb 1]} The absence of instrumental music in New Testament worship is significant given the abundance of Old Testament references and commands. After several hundred years of Tabernacle worship without instrumental music, King David introduced musical instruments into Temple worship based upon a commandment from God. God commanded who was to sing, who was to play, and what instruments were to be used, as seen in 2 Chronicles 29:25–29.

Unlike the Israelite worship assembly, which was only able to look on during Temple worship as the Levitical Priest sang, played, and offered animal sacrifices, in the New Testament, all Christians are commanded to sing praises to God. This leaves those opposed to instrumental music in worship with the understanding that if God wanted instrumental music in New Testament worship, he would have commanded not just singing, but singing and playing like he did in the Old Testament. Though God commanded instruments to be used in Temple worship, and the daily life of Israel, the first recorded example of a musical instrument in Roman Catholic worship was an organ introduced by Pope Vitalian into a cathedral in Rome around 670.^{[7][nb 2]} Thus, over time, the expression "a cappella" (Italian for "in the manner of the chapel") came to mean exclusively vocal music in contradistinction to the spreading use of the organ in cathedrals.

Instruments have divided Christendom since their introduction into worship. They were considered a Catholic innovation, not widely practiced until the 18th century, and were opposed vigorously in worship by a number of Protestant Reformers, including Martin Luther (1483–1546),^[8] John Calvin (1509–1564)^[9] and John Wesley (1703–1791).^[10][11] The fact that Christendom has periodically grafted instrumental music into the worship service probably obscures, for contemporary adherents, the long, general and conscientious teaching of a cappella. In Sir Walter Scott's The Heart of Midlothian, for example, the heroine, Jeanie Deans, a Scottish Presbyterian, writes to her father about the church situation she has found in England (bold added):

The folk here are civil, and, like the barbarians unto the holy apostle, have shown me much kindness; and there are a sort of chosen people in the land, for they have some kirks without organs that are like ours, and are called meeting-houses, where the minister preaches without a gown.^[12]

Acceptance of instruments in worship[link]

An alternate viewpoint is that limiting praise to the unaccompanied chant of the early church is not commanded in scripture, and that the churches in any age are free to offer their songs with or without musical instruments.

Since the New Testament never counters this instrumental language with any negative judgment on instruments, opposition to instruments instead comes from an interpretation of history. It is striking that there is no written opposition to musical instruments in any setting in the 1st century and a half of the churches (including scripture).^[13] Toward the end of the 2nd century, however, Christians began condemning the actual instruments themselves.^[14] Those who oppose instruments today believe that emerging opposition of these Church Fathers demonstrates a better understanding of God's desire, but there are significant differences between the teachings of the Church Fathers and Christian opposition to instruments today.

• Modern Christians typically believe it is acceptable to play instruments or to attend weddings, funerals, banquets, etc., where instruments are heard. The Church Fathers made no exceptions.^[15] Since the New Testament never condemns instruments themselves, much less in any of these settings, it is conceded that “the church Fathers go beyond the New Testament in pronouncing a negative judgment on musical instruments.”^[16]
• Written opposition to instruments in worship began near the turn of the 5th century.^[17] Modern opponents of instruments do not make the same assessment of instruments as these writers,^[18] who argued that God had allowed David the “evil” of using musical instruments in praise.^[19] Contrary to their teaching, the Old Testament scripture shows that God specifically asked for instruments rather than merely tolerating an evil.^[20]

Since “a cappella” singing brought a new polyphony with instrumental accompaniment, it is not surprising that Protestant reformers who opposed the instruments (such as Calvin and Zwingli) also opposed the polyphony.^[21] While Zwingli was burning organs in Switzerland – Luther called him a fanatic – the Church of England was burning books of polyphony.^[22]

Jewish[link]

While services in the Temple in Jerusalem included musical instruments (2 Chronicles 29:25–27), traditional Jewish religious services in the Synagogue, both before and after the destruction of the Temple, did not include musical instruments^[23] given the practice of scriptural cantillation.^[24] The use of musical instruments is traditionally forbidden on the Sabbath out of concern that players would be tempted to repair their instruments, which is forbidden on those days. (This prohibition has been relaxed in many Reform and some Conservative congregations.) Similarly, when Jewish families and larger groups sing traditional Sabbath songs known as zemirot outside the context of formal religious services, they usually do so a cappella, and Bar and Bat Mitzvah celebrations on the Sabbath sometimes feature entertainment by a cappella ensembles. During the Three Weeks use of musical instruments is traditionally prohibited. Many Jews consider a portion of the 49-day period of the counting of the omer between Passover and Shavuot to be a time of semi-mourning and instrumental music is not allowed during that time.^[25] This has led to a tradition of a cappella singing sometimes known as sefirah music.^[26]

The popularization of the Jewish chant may be found in the writings of the Jewish philosopher Philo, born 20 BCE. Weaving together Jewish and Greek thought, Philo promoted praise without instruments, and taught that "silent singing" (without even vocal chords) was better still.^[27] This view parted with the Jewish scriptures, where Israel offered praise with instruments by God's own command (e.g.: 2 Chronicles 29:25). The shofar or keren (horn) is the only temple instrument still being used today in the synagogue,^[28] and it is only used from Rosh Chodesh Elul through the end of Yom Kippur. The shofar is used by itself, without any vocal accompaniment, and is limited to a very strictly defined set of sounds and specific places in the synagogue service.^{[citation needed]}

Muslim[link]

Many Muslim musicians also perform a form of a cappella music called nasheed or Tawasheeh. Some well known composers in the western world include Kamal Uddin, Labbayk, Abdullah Rolle, Naseeha amongst others. Some Nasheed singers avoid instruments in background due to the opinion of certain scholars that their use is prohibited.

In the United States[link]

Peter Christian Lutkin, dean of the Northwestern University School of Music, helped popularize a cappella music in the United States by founding the Northwestern A Cappella Choir in 1906. The A Cappella Choir was "the first permanent organization of its kind in America."^[29][30]

A strong and prominent a cappella tradition was begun in the midwest part of the United States in 1911 by F. Melius Christiansen, a music faculty member at St. Olaf College in Northfield, Minnesota. The St. Olaf College Choir was established as an outgrowth of the local St. John's Lutheran Church, where Christiansen was organist and the choir was composed at least partially of students from the nearby St. Olaf campus. The success of the ensemble was emulated by other regional conductors, and a rich tradition of a cappella choral music was born in the region at colleges like Concordia College (Moorhead, Minnesota), Augustana College (Rock Island, Illinois), Wartburg College (Waverly, Iowa), Luther College (Decorah, Iowa), Gustavus Adolphus College (St. Peter, Minnesota), Augustana College (Sioux Falls, South Dakota), and Augsburg College (Minneapolis, Minnesota). The choirs typically range from 40 to 80 singers and are recognized for their efforts to perfect blend, intonation, phrasing and pitch in a large choral setting.

Major movements in modern a cappella over the past century include Barbershop and doo wop. The Barbershop Harmony Society, Sweet Adelines International, and Harmony Inc. host educational events including Harmony University, Directors University, and the International Educational Symposium, and international contests and conventions, recognizing international champion choruses and quartets.

In the 1950s several recording groups, notably The Hi-Los and the Four Freshmen, introduced complex jazz harmonies to a cappella performances. The King's Singers are credited with promoting interest in small-group a cappella performances in the 1960s. In 1983 an a cappella group known as The Flying Pickets had a Christmas 'number one' in the UK with a cover of Yazoo's (known in the US as Yaz) "Only You". A cappella music attained renewed prominence from the late 1980s onward, spurred by the success of Top 40 recordings by artists such as The Manhattan Transfer, Bobby McFerrin, Huey Lewis and the News, All-4-One, The Nylons, Backstreet Boys and Boyz II Men.^{[citation needed]}

Recording artists[link]

Contemporary a cappella includes many vocal groups and bands who add vocal percussion or beatboxing to create a pop/rock sound, in some cases very similar to bands with instruments. Examples of such professional groups include The House Jacks, Rockapella, Mosaic (vocal band), M-pact, and InsideOut. There also remains a strong a cappella presence within Christian music, as some denominations purposefully do not use instruments during worship. Examples of such groups are Take 6, Glad and Acappella. Arrangements of popular music for small a cappella ensembles typically include one voice singing the lead melody, one singing a rhythmic bass line, and the remaining voices contributing chordal or polyphonic accompaniment.

A cappella can also describe the practice of using just the vocal track(s) from a multitrack, instrumental recording to be remixed or put onto vinyl records for DJs. Artists sometimes release the vocal tracks of their popular songs so that fans can remix them. One such example is the a cappella release of Jay-Z's Black Album, which Danger Mouse mixed with The Beatles' White Album to create The Grey Album.

A cappella's growth is not limited to live performance, with hundreds of recorded a cappella albums produced over the past decade. As of December 2006, the Recorded A Cappella Review Board (RARB) had reviewed over 660 a cappella albums since 1994, and its popular discussion forum had over 900 users and 19,000 articles.

A cappella exists in Japan, with groups such as the Gospellers performing. In USA in July 1943, as a result of the American Federation of Musicians boycott of US recording studios, the a cappella vocal group The Song Spinners had a best-seller with "Comin' In On A Wing And A Prayer". A South-Korean group named Dong Bang Shin Ki (DBSK) or Tong Vfang Xien Qi (TVXQ) was formed in 2003, and currently holds the world record for the biggest fanclub.^{[citation needed]}

Recording artist Brandy Norwood included a song on her 2008 album Human titled "A Capella (Something's Missing)". Brandy uses her voice for background music in this song, showing her capabilities of using her voice as an instrument. No instruments are used, except for maybe an electric guitar, though fans are claiming it to be her synthesized voice.^{[citation needed]}

In 2010, American dance recording artist Kelis released a song called "Acapella" as the first single from her album Flesh Tone. The song is not actually performed a cappella, but rather, explains that before her son was born, her life was without music.

Composer Dinesh Subasinghe became the first Sri Lankan to write a cappella pieces for SATB choirs. He wrote "The Princes of the Lost Tribe" and "Ancient Queen of Somawathee" for Menaka De Shabandu and Bridget Halpe's choirs, respectively, based on historical incidents in ancient Sri Lanka.^[31][32][33]

In Australia, there is a growing trend bringing people back to singing thanks to TV shows like Glee. As a result, a cappella singing is once again growing, with a handful of internationally acclaimed groups (The Idea Of North, Suade, Coco's Lunch, Akasa), and a growing local scene. In 2010, the Australian a cappella Quartet The Idea of North was nominated for an ARIA for their seventh studio album, "Feels Like Spring",^[34] bringing a cappella music back into pop culture. Like the USA, Australia has an a cappella association (Vocal Australia) who organizes events, education and resources for the vocal music community.

Musical theater[link]

A cappella has been used as the sole orchestration for original works of Musical Theater that have had commercial runs Off-Broadway (theaters in New York City with 99 to 500 seats) only three times. The first was Avenue X which opened on 28 January 1994 and ran for 77 performances. It was produced by Playwrights Horizons with book by John Jiler, music and lyrics by Ray Leslee. The musical style of the show's score was primarily Doo-Wop as the plot revolved around Doo-Wop group singers of the 1960s.^[35][36]

In 2001, The Kinsey Sicks, produced and starred in the critically acclaimed off-Broadway hit, "DRAGAPELLA! Starring the Kinsey Sicks" at New York's legendary Studio 54. That production received a nomination for a Lucille Lortel award as Best Musical and a Drama Desk nomination for Best Lyrics. It was directed by Glenn Casale with original music and lyrics by Ben Schatz.^[37]

The third a cappella musical to appear Off-Broadway, In Transit, premiered 5 October 2010 and was produced by Primary Stages with book, music, and lyrics by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan, and Sara Wordsworth. Set primarily in the New York City subway system its score features an eclectic mix of musical genres (including jazz, hip hop, Latin, rock, and country). In Transit incorporates vocal beat boxing into its contemporary a cappella arrangements through the use of a subway beat boxer character. Beat boxer and actor Chesney Snow performed this role for the 2010 Primary Stages production.^[38] According to the show's website, it is scheduled to reopen for an open-ended commercial run in the Fall of 2011.^[39] In 2011 the production received four Lucille Lortel Award nominations including Outstanding Musical, Outer Critics Circle and Drama League nominations, as well as five Drama Desk nominations including Outstanding Musical and won for Outstanding Ensemble Performance.

No show with a cappella orchestrations has ever run on Broadway.

Barbershop style[link]

Barbershop music is one of the few uniquely American art forms. The earliest reports of this style of a cappella music involved African Americans. The earliest documented quartets all began in barbershops. In 1938, the first formal men's barbershop organization was formed, known as the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (S.P.E.B.S.Q.S.A), and in 2004 rebranded itself and officially changed its public name to the Barbershop Harmony Society (BHS). Today the BHS has over 30,000 members in 800 chapters across the United States, and the barbershop style has spread around the world with organizations in many other countries. The Barbershop Harmony Society provides a highly organized competition structure for a cappella quartets and choruses singing in the barbershop style.

In 1945, the first formal women's barbershop organization, Sweet Adelines, was formed. In 1953 Sweet Adelines became an international organization, although it didn't change its name to Sweet Adelines International until 1991. The membership of nearly 25,000 women, all singing in English, includes choruses in most of the fifty United States as well as in Australia, Canada, England, Finland, Germany, Ireland, Japan, New Zealand, Scotland, Sweden, Wales and the Netherlands. Headquartered in Tulsa, Oklahoma, the organization encompasses more than 1,200 registered quartets and 600 choruses.

In 1959, a second women's barbershop organization started as a break off from Sweet Adelines due to ideological differences. Based on democratic principles which continue to this day, Harmony, Inc. is smaller than its counterpart, but has an atmosphere of friendship and competition. With about 2,500 members in the United States and Canada, Harmony, Inc. uses the same rules in contest that the Barbershop Harmony Society uses. Harmony, Inc. is registered in Providence, Rhode Island.

In Europe[link]

A list of European a cappella groups:

• The Flying Pickets (Great Britain)
• Bjelleklang (Norway)
• Canal'do (Belgium)
• Klapa Fa Lindjo (Croatia)
• Klapa Šufit (Croatia)
• Rajaton (Finland)
• Bolyki Brothers (Hungary)
• Fool Moon (Hungary)
• The Real Group (Sweden)
• SONO (Denmark)
• Van Canto (Germany)
• Wise Guys (Germany)
• Viva Voce (Germany)
• Maybebop (Germany)
• Basta (Germany)
• Rock4 (Netherlands)
• The Polyphonics (Ireland)
• Close Harmony Friends^[40] (Slovakia)
• The King's Singers (England)
• Voces8 (England)
• The Swingle Singers (England)
• Fragile (Slovakia)^[41]
• Pikkardiyska Tertsiya (Ukraine)
• Cosmos (Latvia)
• Latvian Voices (Latvia)
• Pow woW (France)
• Montezuma's Revenge (Netherlands)
• Witloof Bay (Belgium)
• 4TET (Czech Republic)
• Vozes da Rádio (Portugal)
• Acapella Sens(Roumania)^[42]
• Neri per Caso (Italy)
• Alti & Bassi (Italy)
• Out of The Blue (Oxford University) (England)

Collegiate types[link]

It is not clear exactly where collegiate a cappella began. The Rensselyrics of Rensselaer Polytechnic Institute (formerly known as the RPI Glee Club), established in 1873 is perhaps the oldest known collegiate a cappella group.^[43] However the longest continuously-singing group is probably The Whiffenpoofs of Yale University,^[44] which was formed in 1909 and once included Cole Porter as a member.^[44] Collegiate a cappella groups grew throughout the 20th century. Some notable historical groups formed along the way include Colgate University's The Colgate 13 (1942), Dartmouth College's Aires (1946), Cornell University's Cayuga's Waiters (1949) and The Hangovers (1968), the Columbia University Kingsmen (1949), the Jabberwocks of Brown University (1949), and the University of Rochester YellowJackets (1956). All-women a cappella groups followed shortly, frequently as a parody of the men's groups: the Smiffenpoofs of Smith College (1936), The Shwiffs of Connecticut College (The She-Whiffenpoofs, 1944), and The Chattertocks of Brown University (1951). A cappella groups exploded in popularity beginning in the 1990s, fueled in part by a change in style popularized by the Tufts University Beelzebubs and the Boston University Dear Abbeys. The new style used voices to emulate modern rock instruments, including vocal percussion/"beatboxing". Some larger universities now have multiple groups. Groups often join one another in on-campus concerts, such as the Georgetown Chimes' Cherry Tree Massacre, a 3-weekend a cappella festival held each February since 1975, where over a hundred collegiate groups have appeared, as well as International Quartet Champions The Boston Common and the contemporary commercial a cappella group Rockapella. Co-ed groups have produced many up-and-coming and major artists, including John Legend, an alumnus of the Counterparts at the University of Pennsylvania, and Sara Bareilles, an alumna of Awaken A Cappella at University of California, Los Angeles. Mira Sorvino is an alumna of the Veritones of Harvard College where she had the solo on Only You by Yaz.

A cappella is gaining popularity among South Asians with the emergence of primarily Hindi-English College groups. The first South Asian a cappella group was Penn Masala, founded in 1996 at the University of Pennsylvania. Other groups include: Northwestern University's Brown Sugar, Chai-Town from the University of Illinois, Raagapella from Stanford University, Andaaz from the University of California, Irvine, and Maize Mirchi from University of Michigan. Co-ed South Asian a cappella groups are also gaining in popularity. The first co-ed south Asian a capella was Anokha, from the University of Maryland, formed in 2001. Also, Dil se, another co-ed a cappella from UC Berkeley, hosts the "Anahat" competition at the University of California, Berkeley annually. Maize Mirchi, the co-ed a cappella group from the University of Michigan hosts "Sa Re Ga Ma Pella", an annual South Asian a cappella invitational with various groups from the Midwest. Other co-ed groups include RAAG (Rutgers Asian A cappella Group) from Rutgers University, Naya Zamaana from UCLA, UW Awaaz from the University of Washington and Dhamakapella from Case Western Reserve University.

Jewish-interest groups such as the University of Chicago's Shircago and Yale University's Magevet are also gaining popularity across the U.S.

Increased interest in modern a cappella (particularly collegiate a cappella) can be seen in the growth of awards such as the Contemporary A Cappella Recording Awards (overseen by the Contemporary A Cappella Society) and competitions such as the International Championship of Collegiate A Cappella for college groups and the Harmony Sweepstakes for all groups. In December 2009, a new television competition series called The Sing-Off aired on NBC. The show featured eight a cappella groups from the United States and Puerto Rico vying for the prize of $100,000 and a recording contract with Epic Records/Sony Music. The show was judged by Ben Folds, Shawn Stockman, and Nicole Scherzinger and was won by an all-male group from Puerto Rico called Nota. The show returned for a second and third season, won by Committed and Pentatonix, respectively.

Each year, hundreds of Collegiate a cappella groups submit their strongest songs in a competition to be on The Best of College A Cappella (BOCA), an album compilation of tracks from the best college a cappella groups around the world. The album is produced by Varsity Vocals, which also produces the International Championship of Collegiate A Cappella. A group chosen to be on the BOCA album earns much credibility among the a cappella community.^{[citation needed]}

Along with BOCA, Collegiate a cappella groups may submit their tracks to Voices Only, a two-disc series released at the beginning of each school year. This album is known internationally for its award winning sound and prestigious title. Some featured groups on the album series include the USC SoCal VoCals, Tufts Beelzebubs, Berklee Pitch Slapped, BYU Noteworthy and Oregon On the Rocks. A Voices Only album has been released every year since 2005.^{[citation needed]}

Another successful a cappella group is Straight No Chaser (SNC), which is actually two separate but related groups, one of which is an a cappella, collegiate group from Indiana University in the USA. The other SNC group consists of 10 former members of the IU's SNC who reunited 10 years after their college years.

Emulating instruments[link]

In addition to singing words, some a cappella singers also emulate instrumentation by reproducing the melody with their vocal cords. One of the earliest 20th century practitioners of this method was The Mills Brothers whose early recordings of the 1930s clearly stated on the label that all instrumentation was done vocally. More recently, "Twilight Zone" by 2 Unlimited was sung a cappella to the instrumentation on the comedy television series Tompkins Square. Another famous example of emulating instrumentation instead of singing the words is the theme song for The New Addams Family series on Fox Family Channel (now ABC Family). Groups such as Vocal Sampling and Undivided emulate Latin rhythms a cappella. In the 1960s, the Swingle Singers used their voices to emulate musical instruments to Baroque and Classical music. Vocal artist Bobby McFerrin is famous for his instrumental emulation.

The Swingle Singers used nonsense words to sound like instruments, but have been known to produce non-verbal versions of musical instruments. Like the other groups, examples of their music can be found on YouTube. Beatboxing is a form of a cappella music popular in the hip-hop community, where rap is often performed a cappella also. Petra Haden used a four-track recorder to produce an a cappella version of The Who Sell Out including the instruments and fake advertisements on her album Petra Haden Sings: The Who Sell Out in 2005. Haden has also released a cappella versions of Journey's "Don't Stop Believin'", The Beach Boys' "God Only Knows" and Michael Jackson's "Thriller". In 2009, Toyota commissioned Haden to perform three songs for television commercials for the third-generation Toyota Prius, including an a cappella version of the Bellamy Brothers 1970s song "Let Your Love Flow".^{[citation needed]}

Christian rock group Relient K recorded the song "Plead the Fifth" a cappella on its album Five Score and Seven Years Ago. The group recorded lead singer Matt Thiessen making drum noises and played them with electronic drums to make the song.

The German metal band van Canto uses vocal noises to imitate guitars on covers of well-known rock and metal songs (such as "Master of Puppets" by Metallica) as well as original compositions. Although they are generally classified as a cappella metal, the band also includes a drummer, and use amplifiers on some songs to distort the voice to sound more like a real guitar.

See also[link]

• Barbershop music – four-part a cappella (in close harmony)
• Collegiate a cappella
• List of collegiate a cappella groups
• List of collegiate a cappella groups in the UK
• List of professional a cappella groups
• Sweet Adelines International

Notes[link]

1. ^ The absence of instrumental music is rooted in various hermeneutic principles restricting the appropriateness of worship. Such views are the regulative principle of worship, Sola scriptura, the history of hymn in "Christianity". The Hebrew writer spent a great deal of time contrasting Old Testament and New Testament worship, which brings forth a theological understanding. In short, all of the Old Testament and its practices have been replaced by New Testament and teachings of Jesus.
2. ^ McKinnon maintained that the organ was the first instrument to be introduced into worship service and the next was the trumpet. He noted accounts of an organ being sent from Byzantium to Pippin in 757, and another to Charlemagne in 812. See McKinnon (1965), The Church Fathers and Musical Instruments (PhD Dissertation, Columbia University) p265

References[link]

External links[link]

• Contemporary A Cappella Society of America (CASA)
• Harmony Sweepstakes A Cappella Festival
• A Cappella News
• Primarily A Cappella
• The Recorded A Cappella Review Board (RARB)
• In Transit the Musical
• Melbourne A Cappella Festival

Samuel "Sam" Tsui (Born May 2, 1989^[2]) is a musician and Internet celebrity who rose to fame on YouTube. He is best known for covering and performing songs by popular artists such as Adele and Bruno Mars, as well as original medleys and mashups. Tsui graduated from Yale University in 2011.

Background[link]

According to his profile on The Duke's Men of Yale's official website, Tsui is from Blue Bell, Pennsylvania.^[3] Tsui grew up a street away from Kurt Schneider, his producer and accompanist, with whom he attended Wissahickon High School.^[4][5] He was active in high school musicals, including Joseph and the Amazing Technicolor Dreamcoat, Urinetown, and Miss Saigon. Tsui attended Yale University, where he was a member of Davenport College and The Duke's Men of Yale, an all-male a cappella group. He graduated Magna Cum Laude with a major in classical Greek in 2011. Sam is proficient in the C++ programming language, as stated in an interview on March 5.^[3][6][7].

Career[link]

Collaborations between Sam Tsui and Kurt Hugo Schneider began in high school with an electronic keyboard, primitive recording equipment, and GarageBand. Both attended Yale University, and there a musical partnership developed.^[6] They have produced videos ranging from covers and original medleys to the College Musical online series. As of February 2012, the YouTube channel "KurtHugoSchneider" has garnered over 350 million total views and a million subscribers.^[8] The most viewed video is Just a Dream, with more than forty million views.^[8] His videos have been described by Time as a combination of Glee and Attack of the Clones.^[9]

In December 2010, Tsui made a collaboration with fellow YouTube singer Christina Grimmie, singing Just A Dream. On February 3, 2011, Tsui was featured on Britney Spears' official website, along with his cover of Hold It Against Me.^[10] In March 2011, Tsui, and lyrics from his song "Start Again", were also mentioned in the book "Seeker" by Andy Frankham-Allen published in print format by Hirst Publishing, and in all digital formats by Untreed Reads Publishing.^[11] In November 2011, he had made a mashup base on two songs, "It Will Rain" by Bruno Mars, and "Set Fire to the Rain" by Adele (singer), which have more than 450,000 views.

Sam Tsui was mentioned three times by Tom Hanks when he addressed the class of Yale 2011.^[12]

College Musical[link]

Starting in 2009, Tsui and Schneider have produced a series of episodes of College Musical, a comedy web series parodying the High School Musical film series, with original songs composed by Schneider.^[6] Four episodes have been released, with Tsui playing the lead role of Cooper. Following the popularity of the series, it was announced that a film, currently in production, would be made based on the series.^[6][8]

Television appearances[link]

In November 2009, Tsui appeared on The Bonnie Hunt Show where he was interviewed and performed Whitney Houston's "I Wanna Dance with Somebody (Who Loves Me)". He also appeared on The Oprah Winfrey Show on February 22, 2010 along with his producer, Kurt Schneider.^[7][13] The pair was interviewed, and Tsui performed a medley of Michael Jackson's songs. Tsui also appeared on ABC World News on October 28, 2009, singing The Jackson 5's "I'll Be There".^[14] In November 2009, Tsui appeared on It's On with Alexa Chung, singing Journey's "Don't Stop Believin'" for the cast of American television series Glee.^[15][16] On December 2, 2010, Tsui gave an interview on The Ellen DeGeneres Show and performed a mashup of Katy Perry's "Firework" and Bruno Mars' "Grenade" with Schneider.^[17][18]

The Sing-Off[link]

Tsui is currently a Behind-The-Scenes host on NBC's a cappella competition show, The Sing-Off Season 3. He has since gone on to record a "Judges Medley" consisting of Sara Bareilles' "Love Song", Ben Folds' "Gone" and Shawn Stockman's (Boyz II Men) "On Bended Knee" which is free to view on both NBC's website and Tsui's independent YouTube channel, TheSamTsui.

Discography[link]

[edit] The Covers

A digital album, The Covers was released to the iTunes Store on February 9, 2010 by Sh-K-Boom Records.^[5][19]

[edit] DJ Got Us Falling in Love

On October 10, 2010, a mini album was released by Mud Hut Digital. It contains three covers:^[20]

Singles[link]

Tsui has also released twenty-three singles digitally: two original songs under NoodleHouse Records and nineteen covers under Mud Hut Digital.^[21][22]

"Call Me Maybe" (Carly Rae Jepsen cover)

References[link]

External links[link]

• Kurt Schneider's channel on YouTube
• Sam Tsui's channel on YouTube
• Sam Tsui on Facebook
• Sam Tsui at Music-covers

Mike Tompkins (born November 29, 1948) is a U.S. politician who was the Natural Law Party vice presidential candidate during the 1992 and 1996 presidential elections.

Education and career[link]

Born in Boston, Massachusetts, ^[1] he graduated from Harvard University in 1970 and completed his post-graduate studies at Maharishi European Research University (MERU) in Seelisberg, Switzerland in 1984, where he received a doctorate in the Science of Creative Intelligence.^[2] He became an associate director of the Institute of Science, Technology and Public Policy, a nonprofit organization affiliated with the Maharishi Mahesh Yogi that defines itself as a "progressive policy think tank."^[3]

Political campaigns[link]

In 1992, Tompkins joined John Hagelin as the first national candidates for the Natural Law Party. Hagelin, a quantum physicist, was the director of the Institute of Science, Technology and Public Policy and director of the physics department at the Maharishi University of Management in Fairfield, Iowa. Hagelin and Tompkins received ballot placement in 32 states and their campaign qualifed for federal matching funds.^[4]

In 1996, Hagelin and Tompkins ran again as the presidential and vice presidential candidates on the Natural Law Party. During a campaign stop at the University of Houston, Tompkins defended the party’s place in the U.S. political landscape by stating, "The Natural Law Party was founded as an alternative to the Republicans and Democrats, and an answer to the great many issues and great many solutions that were not being brought to the public. We are building this party as a permanent part of the American political landscape. We want to win and influence debate…(America has) the least democratic society. We have made a political system that excludes new voices, new people and new ideas."^[5]

Hagelin and Tomkins received 39,000 votes, or 0.04% of the total voter input, in 1992. In 1996, they were on the ballot in 44 states and received 110,000 votes, or 0.1% of the total voter input. In 2000, Hagelin ran for president again on the Natural Law Party, but Tompkins was replaced as the vice presidential candidate by Internet entrepreneur Nat Goldhaber.

References[link]

Stevie Wonder
Stevie Wonder at a conference in Salvador, Brazil, in July 2006
Background information
Birth name	Stevland Hardaway Judkins
Also known as	Stevland Hardaway Morris, Little Stevie Wonder, Eivets Rednow
Born	(1950-05-13) May 13, 1950 (age 62) Saginaw, Michigan, United States
Origin	Detroit, Michigan, United States
Genres	Soul, pop, R&B, funk, jazz
Occupations	Singer-songwriter, multi-instrumentalist, record producer, activist
Instruments	Vocals, synthesizer, piano, keyboards, harmonica, clavinet, drums, bass guitar, congas, bongos, melodica, keytar, accordion
Years active	1961–present
Labels	Tamla, Motown
Website	www.steviewonder.net

Stevland Hardaway Morris (born May 13, 1950 as Stevland Hardaway Judkins),^[1] known by his stage name Stevie Wonder, is an American singer, songwriter, and multi-instrumentalist, a child prodigy who developed into one of the most creative musical figures of the late 20th century.^[2] Blind since shortly after birth,^[3] Wonder signed with Motown's Tamla label at the age of eleven,^[2] and continues to perform and record for Motown to this day.

Among Wonder's best known works are singles such as "Superstition", "Sir Duke", "I Wish" and "I Just Called to Say I Love You". Well known albums also include Talking Book, Innervisions and Songs in the Key of Life.^[2] He has recorded more than thirty U.S. top ten hits and received twenty-two Grammy Awards, the most ever awarded to a male solo artist. Wonder is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King, Jr.'s birthday a holiday in the United States.^[4] In 2009, Wonder was named a United Nations Messenger of Peace.^[5] In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's fiftieth anniversary, with Wonder at number five.

Early life[link]

Stevie Wonder was born in Saginaw, Michigan, in 1950, the third of six children to Calvin Judkins and Lula Mae Hardaway. Owing to his being born six weeks premature, the blood vessels at the back of his eyes had not yet reached the front and their aborted growth caused the retinas to detach.^[3] The medical term for this condition is retinopathy of prematurity, or ROP, and it was exacerbated by the oxygen pumped into his incubator.^[6]

When Stevie Wonder was four, his mother left his father and moved herself and her children to Detroit. She changed her name back to Lula Hardaway and later changed her son's surname to Morris, partly because of relatives. Morris has remained Stevie Wonder's legal surname ever since. He began playing instruments at an early age, including piano, harmonica, drums and bass. During childhood he was active in his church choir.

Discovery and early Motown recordings[link]

Ronnie White of The Miracles gives credit to his brother Gerald White for persistently nagging him to come to his friend's house in 1961 to check out Stevie Wonder.^[7] Afterward, White brought Wonder and his mother to Motown. Impressed by the young musician, Motown CEO Berry Gordy signed Wonder to Motown's Tamla label with the name Little Stevie Wonder.^[1] Before signing, producer Clarence Paul gave Wonder his trademark name after stating "we can't keep calling him the eighth wonder of the world". He then recorded the regional Detroit single, "I Call It Pretty Music, But the Old People Call It the Blues", which was released on Tamla in late 1961. Wonder released his first two albums, The Jazz Soul of Little Stevie and Tribute to Uncle Ray, in 1962, to little success.

Music career[link]

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (June 2011)

Early success: 1963–1971[link]

By age 13, Wonder had a major hit, "Fingertips (Pt. 2)", a 1963 single taken from a live recording of a Motor Town Revue performance, issued on the album Recorded Live: The 12 Year Old Genius. The song, featuring Wonder on vocals, bongos, and harmonica, and a young Marvin Gaye on drums, was a #1 hit on the Billboard Hot 100 and R&B charts, making him the youngest artist to top the former in its history and launching him into the public consciousness.

In 1964, Stevie Wonder made his film debut in Muscle Beach Party as himself, credited as "Little Stevie Wonder". He returned in the sequel released five months later, Bikini Beach. He performed on-screen in both films, singing "Happy Street," and "Happy Feelin' (Dance and Shout)," respectively.

Dropping the "Little" from his name, Wonder went on to have a number of other hits during the mid-1960s, including "Uptight (Everything's Alright)",^[8] "With a Child's Heart", and "Blowin' in the Wind", a Bob Dylan cover, co-sung by his mentor, producer Clarence Paul. He also began to work in the Motown songwriting department, composing songs both for himself and his label mates, including "Tears of a Clown", a number one hit performed by Smokey Robinson & the Miracles.

In 1968 he recorded an album of instrumental soul/jazz tracks, mostly harmonica solos, under the pseudonym (and title) Eivets Rednow, which is "Stevie Wonder" spelled backwards. The album failed to get much attention, and its only single, a cover of "Alfie", only reached number 66 on the U.S. Pop charts and number 11 on the U.S. Adult Contemporary charts. Nonetheless, he managed to score several hits between 1968 and 1970 such as "I Was Made to Love Her";^[8] "For Once in My Life" and "Signed, Sealed, Delivered I'm Yours". In September 1970, at the age of 20, Wonder married Syreeta Wright, a songwriter and former Motown secretary. Wright and Wonder co-wrote the songs on the next album, Where I'm Coming From, which did not succeed in the charts. Reaching his twenty-first birthday on May 13, 1971, he allowed his Motown contract to expire.^[9]

In 1970, Wonder co-wrote, and played numerous instruments on the hit "It's a Shame" for fellow Motown act The Spinners. His contribution was meant to be a showcase of his talent and thus a weapon in his ongoing negotiations with Gordy about creative autonomy.^[10]

Classic period: 1972–1976[link]

Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown.^{[citation needed]} Eventually the label agreed to his demands for full creative control and the rights to his own songs. The 120-page contract was a precedent at Motown and gave Wonder a much higher royalty rate.^[11] Wonder returned to Motown in March 1972 with Music of My Mind. Unlike most previous albums on Motown, which usually consisted of a collection of singles, B-sides and covers, Music of My Mind was a full-length artistic statement with songs flowing together thematically.^[11] Wonder's lyrics dealt with social, political, and mystical themes as well as standard romantic ones, while musically Wonder began exploring overdubbing and recording most of the instrumental parts himself.^[11] Music of My Mind marked the beginning of a long collaboration with Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil).^[12][13]

	"Superstition" (reduced quality) noicon from Talking Book by Stevie Wonder, Motown 1972-10-27. Sample from Stevie Wonder Song Review: A Greatest Hits Collection, Motown, 1996-12-10
Problems listening to this file? See media help.

Released in late 1972, Talking Book featured the No. 1 hit "Superstition",^[14] which is one of the most distinctive and famous examples of the sound of the Hohner clavinet keyboard.^[15] The song features a rocking groove that garnered Wonder an additional audience on rock radio stations.^{[citation needed]} Talking Book also featured "You Are the Sunshine of My Life", which also peaked at No. 1. During the same time as the album's release, Stevie Wonder began touring with the Rolling Stones to alleviate the negative effects from pigeon-holing as a result of being an R&B artist in America.^[7] Wonder's touring with The Rolling Stones was also a factor behind the success of both "Superstition" and "You Are the Sunshine of My Life".^[11][16] Between them, the two songs won three Grammy Awards.^[17] On an episode of the children's television show Sesame Street that aired in April 1973,^[18] Wonder and his band performed "Superstition", as well as an original song called "Sesame Street Song", which demonstrated his abilities with the "talk box".

Innervisions, released in 1973, featured "Higher Ground" (#4 on the pop charts) as well as the trenchant "Living for the City" (#8).^[14] Both songs reached No. 1 on the R&B charts. Popular ballads such as "Golden Lady" and "All in Love Is Fair" were also present, in a mixture of moods that nevertheless held together as a unified whole.^[19] Innervisions generated three more Grammy Awards, including Album of the Year.^[17] The album is ranked #23 on Rolling Stone Magazine's 500 Greatest Albums of All Time.^[20] Wonder had become the most influential and acclaimed black musician of the early 1970s.^[11]

On August 6, 1973, Wonder was in a serious automobile accident while on tour in North Carolina, when a car in which he was riding hit the back of a truck.^[11][21] This left him in a coma for four days and resulted in a partial loss of his sense of smell and a temporary loss of sense of taste.^[22] Despite the setback, Wonder re-appeared in concert at Madison Square Garden in March 1974 with a performance that highlighted both up-tempo material and long, building improvisations on mid-tempo songs such as "Living for the City".^[11] The album Fulfillingness' First Finale appeared in July 1974 and set two hits high on the pop charts: the #1 "You Haven't Done Nothin'" and the Top Ten "Boogie On Reggae Woman". The Album of the Year was again one of three Grammys won.^[17]

The same year Wonder took part in a Los Angeles jam session which would become known by the bootleg album A Toot and a Snore in '74.^[23][24] He also co-wrote and produced the Syreeta Wright album Stevie Wonder Presents: Syreeta.^[25][26]

On October 4, 1975, Wonder performed at the historical "Wonder Dream Concert" in Kingston, Jamaica, a benefit for the Jamaican Institute for the Blind.^[27]

By 1975, in his 25th year, Stevie Wonder had won two consecutive Grammy Awards: in 1974 for Innervisions and in 1975 for Fulfillingness' First Finale.^{[citation needed]} In 1975 he featured on the album It's My Pleasure by Billy Preston, playing harmonica on two tracks.^{[not relevant]}

The double album-with-extra-EP Songs in the Key of Life, was released in September 1976. Sprawling in style, unlimited in ambition, and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement and one of the most recognizable and accomplished albums in pop music history.^[11][14][28] The album became the first of an American artist to debut straight at #1 in the Billboard charts, where it remained for 14 non-consecutive weeks.^[29] Two tracks, became #1 Pop/R&B hits "I Wish" and "Sir Duke". The baby-celebratory "Isn't She Lovely?" was written about his newborn daughter Aisha, while songs such as "Love's in Need of Love Today" (which years later Wonder would perform at the post-September 11, 2001 America: A Tribute to Heroes telethon) and "Village Ghetto Land" reflected a far more pensive mood. Songs in the Key of Life won Album of the Year and two other Grammys.^[17] The album ranks 56th on Rolling Stone Magazine's 500 Greatest Albums of All Time.^[20]

After such a concentrated and sustained level of creativity, Wonder stopped recording for three years, releasing only the 3 LP Looking Back, an anthology of his first Motown period. The albums Wonder released during this period were very influential on the music world: the 1983 Rolling Stone Record Guide said they "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade";^[14] Rolling Stone magazine's 2003 list of the 500 Greatest Albums of All Time included four of the five albums, with three in the top 90.^[20]

Commercial period: 1979–1990[link]

It was in Wonder's next phase that he began to commercially reap the rewards of his legendary classic period. The 1980s saw Wonder scoring his biggest hits and reaching an unprecedented level of fame evidenced by increased album sales, charity participation, high-profile collaborations, political impact, and television appearances.

When Wonder did return, it was with the soundtrack album Journey through the Secret Life of Plants (1979), featured in the film The Secret Life of Plants. Mostly instrumental, the album was composed using the Computer Music Melodian, an early sampler. Wonder toured briefly in support of the album, and used a Fairlight CMI sampler on stage.^[30] In this year Wonder also wrote and produced the dance hit "Let's Get Serious", performed by Jermaine Jackson and (ranked by Billboard as the #1 R&B single of 1980).

Hotter than July (1980) became Wonder's first platinum-selling single album, and its single "Happy Birthday" was a successful vehicle for his campaign to establish Dr. Martin Luther King's birthday as a national holiday. The album also included "Master Blaster (Jammin')", "I Ain't Gonna Stand for It", and the sentimental ballad, "Lately".

In 1982, Wonder released a retrospective of his 1970s work with Stevie Wonder's Original Musiquarium, which included four new songs: the ten-minute funk classic "Do I Do" (which featured Dizzy Gillespie), "That Girl" (one of the year's biggest singles to chart on the R&B side), "Front Line", a narrative about a soldier in the Vietnam War that Stevie Wonder wrote and sang in the 1st person, and "Ribbon in the Sky", one of his many classic compositions. Wonder also gained a #1 hit that year in collaboration with Paul McCartney in their paean to racial harmony, "Ebony and Ivory".

In 1983, Wonder performed the song "Stay Gold", the theme to Francis Ford Coppola's film adaptation of S.E. Hinton's novel The Outsiders. Wonder wrote the lyrics.

In 1983, Wonder scheduled an album to be entitled "People Work, Human Play." The album never surfaced and instead 1984 saw the release of Wonder's soundtrack album for The Woman in Red. The lead single, "I Just Called to Say I Love You", was a #1 pop and R&B hit in both the United States and the United Kingdom, where it was placed 13th in the list of best-selling singles in the UK published in 2002. It went on to win an Academy Award for "Best Song" in 1985. The album also featured a guest appearance by Dionne Warwick, singing the duet "It's You" with Stevie and a few songs of her own. The following year's In Square Circle featured the #1 pop hit "Part-Time Lover". The album also has a Top 10 Hit with "Go Home." It also featured the ballad "Overjoyed" which was originally written for Journey Through the Secret Life of Plants, but didn't make the album. He performed "Overjoyed" on Saturday Night Live when he was the host. He was also featured in Chaka Khan's cover of Prince's "I Feel For You", alongside Melle Mel, playing his signature harmonica. In roughly the same period he was also featured on harmonica on Eurythmics' single, "There Must Be an Angel (Playing with My Heart)" and Elton John's "I Guess That's Why They Call It The Blues".

By 1985, Stevie Wonder was an American icon,^{[citation needed]} the subject of good-humored jokes about blindness and affectionately impersonated by Eddie Murphy on Saturday Night Live.^{[citation needed]} Wonder sometimes joined in the jokes himself such as in The Motown Revue with Smokey Robinson. He was in a featured duet with Bruce Springsteen on the all-star charity single for African Famine Relief, "We Are the World", and he was part of another charity single the following year (1986), the AIDS-inspired "That's What Friends Are For". He also played the harmonica on the album Dreamland Express by John Denver in the song "If Ever", a song Wonder co-wrote with Stephanie Andrews. He also wrote the track "I Do Love You" for The Beach Boys' 1985 self-titled album. Stevie Wonder also played the harmonica on a track called "Can't Help Lovin' That Man" from "Showboat" on "The Broadway Album" by Barbra Streisand.

In 1986, Stevie Wonder appeared on The Cosby Show, as himself, in the episode "A Touch of Wonder".

In 1987, Wonder appeared on Michael Jackson's Bad album on the duet "Just Good Friends". Michael Jackson also sang a duet with him titled "Get It" on Wonder's 1987 album Characters. This was a minor hit single, as were "Skeletons" and "You Will Know". In the fall of 1988, Wonder duetted with Julio Iglesias on the hit single "My Love", which appeared on Iglesias' album Non Stop.^{[citation needed]}

Later career: 1991–2001[link]

Stevie Wonder at the Grammy Awards of 1990

After 1987's Characters LP, Wonder continued to release new material, but at a slower pace. He recorded a soundtrack album for Spike Lee's film Jungle Fever in 1991. From this album, singles and videos were released for "Gotta Have You" and "These Three Words". The B-side to the "Gotta Have You" single was "Feeding Off The Love Of The Land", which was played during the end credits of the movie Jungle Fever but was not included on the soundtrack. A piano and vocal version of "Feeding Off The Love Of The Land" was also released on the Nobody's Child: Romanian Angel Appeal compilation. It is rumored that "Feeding Off The Love Of The Land" was originally intended for release on Fulfillingness' First Finale Volume Two, a project that has never been confirmed as completed.

Conversation Peace and the live album Natural Wonder were also released in the 1990s. The former received its European launch at a high-profile March 1995 press conference in Paris, where Stevie mentioned how the tearing down of The Wall between East and West Berlin and the desire for a united Europe had played a significant part in the inspiration behind the album.^[31]

In 1994, Wonder made a guest appearance on the KISS cover album KISS My Ass: Classic KISS Regrooved, playing harmonica and supplying background vocals for the song "Deuce", performed by Lenny Kravitz.

In 1996, Stevie Wonder's Songs in the Key of Life was selected as a documentary subject for the Classic Albums documentary series. This series dedicates 60 minutes to one groundbreaking record per feature. The same year, he performed John Lennon's song "Imagine" in the closing ceremony of the Atlanta Olympic Games.^[32] The same year, Wonder performed in a remix of "Seasons of Love" from the Jonathan Larson musical Rent.^[33]

In 1997, Wonder collaborated with Babyface for a song about abuse (domestic violence) called "How Come, How Long" which was nominated for an award.^{[citation needed]}

In December 1999, Wonder announced that he was interested in pursuing an intraocular retinal prosthesis to partially restore his sight.^[34] That same year, Wonder was featured on harmonica in the Sting song "Brand New Day".^[35]

In 2000, Stevie Wonder contributed two new songs to the soundtrack for Spike Lee's Bamboozled album ("Misrepresented People" and "Some Years Ago").^[36]

Current career: 2002–present[link]

This section may contain an excessive amount of intricate detail that may only interest a specific audience. Please help relocate any relevant information, and remove excessive detail that may be against Wikipedia inclusion policy. (June 2011)

In March 2002, Wonder performed at the opening ceremonies of the 2002 Winter Paralympics in Salt Lake City.^[37]

On July 2, 2005, Wonder performed in the Live 8 concert in Philadelphia.^[38]

Wonder's first new album in ten years, A Time to Love, was released on October 18, 2005, after having been pushed back from first a May, and then a June release. The album was released electronically on September 27, 2005, exclusively on Apple's iTunes Music Store. The first single, "So What the Fuss", was released in April. A second single, "From the Bottom of My Heart" was a hit on adult-contemporary R&B radio. The album also featured a duet with India.Arie on the title track "A Time to Love".

Wonder performed at the pre-game show for Super Bowl XL in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying Aretha Franklin during "The Star Spangled Banner".

Stevie Wonder at a conference in Salvador, Brazil, in July 2006

In March 2006, Wonder received new national exposure on the top-rated American Idol television program. Wonder performed "My Love Is on Fire" (from A Time To Love) live on the show itself. In June 2006, Stevie Wonder made a guest appearance on Busta Rhymes' new album, The Big Bang on the track "Been through the Storm". He sings the refrain and plays the piano on the Dr. Dre and Sha Money XL produced track. He appeared again on the last track of Snoop Dogg's new album Tha Blue Carpet Treatment, "Conversations". The song is a remake of "Have a Talk with God" from Songs in the Key of Life.

In 2006, Wonder staged a duet with Andrea Bocelli on the latter's album Amore, offering harmonica and additional vocals on "Canzoni Stonate". Stevie Wonder also performed at Washington, D.C.'s 2006 "A Capitol Fourth" celebration.

On August 2, 2007, Stevie Wonder announced the A Wonder Summer's Night 13 concert tour—his first U.S. tour in over ten years. This tour was inspired by the recent passing of his mother, as he stated at the conclusion of the tour on December 9 at the Jobing.com Arena in Glendale, Arizona.

Wonder performs during the final day of the 2008 Democratic National Convention in Denver, Colorado.

On August 28, 2008, Wonder performed at the Democratic National Convention at Invesco Field at Mile High in Denver, Colorado. Songs included a previously unreleased song, "Fear Can't Put Dreams to Sleep," and "Signed, Sealed, Delivered I'm Yours".^[39]

On September 8, 2008, Wonder started the European leg of his Wonder Summer's Night Tour, the first time he had toured Europe in over a decade. His opening show was at the National Indoor Arena in Birmingham. During the tour, Wonder played eight UK gigs; four at The O2 Arena in London, two in Birmingham and two at the M.E.N. Arena in Manchester. Stevie Wonder's other stops in the tour's European leg also found him performing in Holland (Rotterdam), Sweden (Stockholm), Germany (Cologne, Mannheim and Munich), Norway (Hamar), France (Paris), Italy (Milan) and Denmark (Aalborg). Wonder also toured Australia (Perth, Adelaide, Melbourne, Sydney and Brisbane) and New Zealand (Christchurch, Auckland and New Plymouth) in October and November.^[40]

By June 2008, Wonder was working on two projects simultaneously: a new album titled The Gospel Inspired By Lula which will deal with the various spiritual and cultural crises facing the world, and Through The Eyes Of Wonder, an album which Wonder has described as a performance piece that will reflect his experience as a blind man. Wonder was also keeping the door open for a collaboration with Tony Bennett and Quincy Jones concerning a rumored jazz album.^[41] If Wonder was to join forces with Bennett, it would not be for the first time; Their rendition of "For Once in My Life" earned them a Grammy for best pop collaboration with vocals in 2006.^[17] Wonder's harmonica playing can be heard on the 2009 Grammy-nominated "Never Give You Up" featuring CJ Hilton and Raphael Saadiq.^[42]

Wonder is presented the Gershwin Award for Lifetime Achievement by United States president Barack Obama.

Wonder performed on January 18, 2009 at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial. On Inauguration Day, January 20, 2009, Wonder performed the song "Brand New Day" with musician Sting. He performed his new song "All About the Love Again" and, with other musical artists, "Signed, Sealed & Delivered". On February 23, 2009, Wonder became the second recipient of the Library of Congress's Gershwin Prize for pop music, honored by President Barack Obama at the White House.^[43]

On July 7, 2009, Wonder performed "Never Dreamed You'd Leave In Summer" and "They Won't Go When I Go" at the Staples Center for Michael Jackson's memorial service.^[44] On October 29, 2009, Wonder performed at the 25th anniversary concert for the Rock and Roll Hall of Fame. Among songs with B.B. King, Wonder performed Michael Jackson's 'The Way You Make Me Feel', during which he became distraught and was unable to continue until he regained his composure.

Wonder at the October 16, 2011 Martin Luther King, Jr. Memorial dedication concert

On January 22, 2010, Wonder performed Bridge Over Troubled Water for the Hope for Haiti Now: A Global Benefit for Earthquake Relief event to help victims of the earthquake in Port-au-Prince on January 12, 2010.

On March 6, 2010, Wonder was awarded the Commander of the Arts and Letters by French Culture Minister Frédéric Mitterrand. Wonder had been due to receive this award in 1981, but scheduling problems prevented this from happening. A lifetime achievement award was also given to Wonder on the same day, at France's biggest music awards.^[45]

His 2010 tour included a two-hour set at the Bonnaroo Music Festival in Manchester, Tennessee,^[46] a stop at London's "Hard Rock Calling" in Hyde Park, and appearances at England's Glastonbury Festival, Rotterdam's North Sea Jazz Festival, and a concert in Bergen, Norway and a concert in Dublin, Ireland at the O2 Arena on June 24.

In February 2011, the Apollo Theater announced that Stevie Wonder will be the next in line for the Apollo Legends Hall of Fame. The theater said that the singer will be inducted into the New York City institution's Hall of Fame in five months.^[47]

On June 25, 2011, Wonder performed at the opening ceremony of the 2011 Special Olympics World Summer Games in Athens, Greece.^[48] On January 28, 2012, Wonder and Christina Aguilera gave a musical tribute at Etta James' funeral. Wonder played "Shelter in the Rain" and The Lord's Prayer while while Aguilera sang "At Last."^[49]

Wonder performed at the February 19, 2012 memorial service for Whitney Houston at the New Hope Baptist Church in Newark, New Jersey. He changed some of the lyrics of his song Ribbon in the Sky in dedication to Ms. Houston.^[50]

Legacy[link]

A prominent figure in popular music during the latter half of the 20th century, Wonder has recorded more than thirty U.S. top ten hits and won twenty-two Grammy Awards^[17] (the most ever won by a solo artist) as well as a Lifetime Achievement Award. He has also won an Academy Award for Best Song,^[51] and been inducted into both the Rock and Roll^[52] and Songwriters^[53] halls of fame. He has also been awarded the Polar Music Prize.^[54] American music magazine Rolling Stone named him the ninth greatest singer of all time.^[55][56] In June 2009 he became the fourth artist to receive the Montreal Jazz Festival Spirit Award.^[57] Stevie Wonder was voted into the Michigan Rock and Roll Legends online Hall of Fame in 2005.^[58] His hit recording of "Superstition" was selected as a Legendary Michigan Song in 2010.^[59]

He has ten U.S. number-one hits on the pop charts as well as 20 R&B number one hits, and album sales totaling more than 100 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bass guitar, bongos, organ, melodica, and clavinet. In his childhood, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocal ability. Wonder was the first Motown artist and second African American musician to win an Academy Award for Best Original Song for his 1984 hit single "I Just Called to Say I Love You" from the movie The Woman in Red.^{[citation needed]}

Classic period[link]

Wonder's "classic period" is generally agreed to consist of the concept albums^[60] he created in the early- to mid-1970s, peaking in 1976.^[61] Some observers see in 1971's Where I'm Coming From certain indications of the beginning of the classic period, such as its new funky keyboard style which Wonder used throughout the classic period.^[61] Some determine Wonder's first "classic" album to be 1972's Music of My Mind, on which he attained personal control of production, and on which he programmed a series of songs integrated with one another to make a concept album.^[61] Others skip over early 1972 and determine the beginning of the classic period to be Talking Book in late 1972,^[62] the album in which Wonder "hit his stride".^[61]

Impact[link]

Wonder's songs are renowned for being quite difficult to sing. He has a very developed sense of harmony and uses many extended chords utilizing extensions such as ninths, elevenths, thirteenths, diminished fifths, etc. in his compositions. Many of his melodies make abrupt, unpredictable changes. Many of his vocal melodies are also melismatic, meaning that a syllable is sung over several notes. Some of his best known and most frequently covered songs are played in keys which are more often found in jazz than in pop and rock. For example, "Superstition", "Higher Ground" and "I Wish" are in the key of E flat minor, and feature distinctive riffs in the E flat minor pentatonic scale (i.e. largely on the black notes of the keyboard).^{[citation needed]}

Wonder played a large role in bringing synthesizers to the forefront of popular music. He developed many new textures and sounds never heard before.^{[citation needed]} In 1981, Wonder became the first owner of an E-mu Emulator.^[63]

Songs sampled by other musicians[link]

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Wonder has recorded with Jon Gibson, a Christian Soul musician, on a remake of his own song, "Have a Talk With God" (from the 1989 album Body & Soul), covered by Gibson in which Wonder plays harmonica.^[64] The two men met in the early 1980s through a shared music agent (Bill Wolfer).^[65]

Red Hot Chili Peppers covered "Higher Ground" in 1989 on their Mother's Milk album. Stevie Ray Vaughan & Double Trouble covered "Superstition" and Wonder made a cameo appearance in the official music video for the song.^{[citation needed]}

De La Soul sampled "Hey Love" in their song "Talkin' Bout Hey Love" on their 1991 album De La Soul Is Dead.

"Don't You Worry 'bout a Thing" was rendered by English band Incognito in 1992 and John Legend covered this song for the 2005 film, Hitch. George Michael and Mary J. Blige covered "As" in the late 1990s. In 1999, Salomé de Bahia made a Brazilian version of "Another Star". Tupac Shakur sampled "That Girl" for his hit song "So Many Tears".^{[citation needed]}

"Pastime Paradise" would become an interpolation for Coolio's "Gangsta's Paradise" while Will Smith would use "I Wish" as the basis for the theme song to his movie, Wild Wild West. The elements of "Love's In Need of Love Today" were used by 50 Cent in the song "Ryder Music", and Warren G sampled "Village Ghetto Land" for his song "Ghetto Village".^{[citation needed]}

Mary Mary did a cover of his song "You Will Know" on their 2002 album, Incredible. Australian soul artist Guy Sebastian recorded a cover of "I Wish" on his Beautiful Life album. In 2003, Raven-Symoné recorded a cover of "Superstition" for the soundtrack to Disney's The Haunted Mansion. In 2005, Canadian singer Dave Moffatt, from the group The Moffatts, sang the song "Overjoyed" from the In Square Circle album on Canadian Idol. Clay Aiken performed "Isn't She Lovely?" in the episode "My Life in Four Cameras" of Scrubs.^{[citation needed]}

Personal life[link]

Wonder has been married twice: to Motown singer Syreeta Wright from 1970 until their divorce in 1972; and since 2001, to fashion designer Kai Millard Morris.^[66] He has seven children from his two marriages and several relationships.^[66]

Stevie met Yolanda Simmons when she applied for a job as his secretary for his publishing company.^[67] Simmons bore Wonder a daughter on February 2, 1975: Aisha Morris.^[68][69]) According to Stevie, the name Aisha is "African for strength and intelligence".^[67] After she was born, Stevie said "she was the one thing that I needed in my life and in my music for a long time.^[67] It was this in mind, she was the inspiration for his hit single "Isn't She Lovely." Aisha Morris is a singer who has toured with her father and accompanied him on recordings, including his 2005 album, A Time 2 Love. Wonder has two sons with Kai Millard Morris; the older is named Kailand and he occasionally performs as a drummer on stage with his father. The younger son, Mandla Kadjay Carl Stevland Morris, was born May 13, 2005, his father's 55th birthday.^[66] In May 2006, Wonder's mother died in Los Angeles, at the age of 76. During his September 8, 2008 UK concert in Birmingham, he spoke of his decision to begin touring again following his loss. "I want to take all the pain that I feel and celebrate and turn it around."^[70]

Wonder's Taxi Productions owns Los Angeles radio station KJLH.

Charting discography[link]

Top 40 singles[link]

U.S. and UK albums[link]

Awards and recognition[link]

Grammy Awards[link]

Wonder has won 22 Grammy Awards:^[17] as well as a Grammy Lifetime Achievement Award which he was presented in 1996.^[74]

• From 1965 to 1980 a self-produced artist received one GRAMMY Award as an artist and an additional one as a producer in the Record of the Year and Album of the Year categories

Other awards and recognition[link]

• 1983: inducted to the Songwriters Hall of Fame.^[53]
• 1984: received an Academy Award for Best Song for "I Just Called to Say I Love You" from the movie The Woman in Red.^[51]
• 1989: inducted to the Rock and Roll Hall of Fame.^[52]
• 1999: received the Polar Music Prize^[54] and Kennedy Center Honors.^[76]
• 2002: received the George and Ira Gershwin Lifetime Achievement Award at UCLA's Spring Sing.^[77] The same year, Wonder received the Sammy Cahn Lifetime Achievement Award from the Songwriters Hall of Fame.^[78]
• 2004: received the Billboard Century Award.^[79] Also in 2004, Rolling Stone Magazine ranked him #15 on their list of the 100 Greatest Rock and Roll Artists of All Time.^[80]
• 2006: was inducted, as one of the first inductees, into the Michigan Walk of Fame.^[81] The same year, Wonder received a Lifetime Achievement Award from the National Civil Rights Museum in Memphis.^[82]
• 2008: Ranked at number five on "The Billboard Hot 100 Top All-Time Artists", making him as the third most successful male artist in the history of Billboard Hot 100 chart.^[83]
• 2009: Recipient of the second Gershwin Prize For Popular Song.^[84]
• 2009: Recipient of the Montreal Jazz Festival Spirit Award.^[57] This special award underlines a popular artist’s extraordinary contribution to the musical world. The Montreal Jazz Festival Spirit Award is in bronze.
• 2009: Named a Messenger of Peace by the United Nations.^[5]

See also[link]

	Book: Stevie Wonder
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• Best selling music artists
• List of number-one hits (United States)
• List of Billboard Hot 100 chart achievements and milestones
• List of artists who reached number one on the Hot 100 (U.S.)

References[link]