Sir John Royden Maddox, FRS (27 November 1925 – 12 April 2009)^[1][2] was a British science writer. He was an editor of Nature for 22 years,^[3] from 1966–1973 and 1980-1995.^[4][5]

Early life and studies[link]

John Royden Maddox was born in Britain on 27 November 1925, at Penllergaer, near Swansea. He was the son of Arthur Jack Maddox, a furnaceman at an aluminium plant. He was educated at Gowerton Boys’ County School. From there, aged 15, he won a state scholarship to Christ Church, Oxford, where he read chemistry, and King’s College, London, where he became a physicist.

Career[link]

From 1949-55 Maddox lectured in theoretical physics at the University of Manchester.

He then became the science correspondent at the Manchester Guardian, a post he held until 1964.

From 1964 to 1966 he was the coordinator of the Nuffield Science Teaching Project; after which he was appointed editor of Nature, a role he held from 1966 to 1973 (and 1980-95).

He was director of the Nuffield Foundation from 1975-79.

From 1980 to 1985 he was again editor of Nature. In 1990, he publicly investigated homeopathy claims.^[6]

Personal life[link]

Maddox lived in London, and spent time at his cottage near Brecon in south Wales, where he and his wife, Brenda Maddox, were involved in the local community. They had two children, Bronwen and Bruno Maddox.

The Sheldrake editorial 1981[link]

When the book A New Science of Life by British biologist Rupert Sheldrake was published in 1981, proposing the theory of morphic resonance instead of DNA as the basis for shapes and behavior in nature, Maddox denounced it fiercely in an editorial titled "A book for burning?"^[7] He elaborated in a 1994 BBC documentary on Sheldrake's theory: "I was so offended by it, that I said that while it's wrong that books should be burned, in practice, if book burning were allowed, this book would be a candidate (...) I think it's dangerous that people should be allowed by our liberal societies to put that kind of nonsense into currency. It's unnecessary to introduce magic into the explanation from [sic] physical and biological phenomenon when in fact there is every likelihood that the continuation of research as it is now practiced will indeed fill all the gaps that Sheldrake draws attention to. You see, Sheldrake's is not a scientific theory. Sheldrake is putting forward magic instead of science, and that can be condemned, in exactly the language that the popes used to condemn Galileo, and for the same reasons: it is heresy".^[8]

The AIDS Editorial 1983[link]

Maddox penned an editorial in April 1983 entitled "No Need for Panic about AIDS" that voiced the then-common thinking that "male homosexuals should be persuaded to change their ways" of "pathetic promiscuity" and described AIDS as a "perhaps non-existent condition".^[9]

Honours / Affiliations[link]

In 1995 Maddox was knighted. In 2000 he was made an honorary Fellow of the Royal Society. He was a Distinguished Supporter of the British Humanist Association, and a trustee of Sense About Science.

Bibliography[link]

• Beyond the Energy Crisis
• Revolution in Biology
• The Doomsday Syndrome
• What Remains to Be Discovered: Mapping the Secrets of the Universe, the Origins of Life, and the Future of the Human Race. ISBN 0-684-82292-X (hardcover, 1998), ISBN 0-684-86300-6 (paperback, 1999)

References[link]

External links[link]

Wikiquote has a collection of quotations related to: John Maddox

• John Maddox interview (1997)

John Maddox Roberts (born June 25, 1947 in Ohio) is an author who has written many science fiction and fantasy novels, including his successful historical fiction, such as the SPQR series and Hannibal's Children.

He published his first book in 1977, The Strayed Sheep of Charum.^[1]

In 1989, Roberts published his first mystery The King's Gambit, set in ancient Rome. The book was nominated for the Edgar Award as best mystery of year.^[1]
. The King's Gambit is the first in Maddox's SPQR series of mysteries.

Personal[link]

He has lived in various places in the United States as well as in Scotland, England and Mexico. He was in the US Army 1967-70, and did a tour in Vietnam. After he returned, he became a Green Beret.^[2]

He lives with his wife in Estancia, New Mexico.^[3]

Bibliography[link]

Cingulum series[link]

• The Cingulum (1985)
• Cloak Of Illusion
• The Sword, The Jewel, and The Mirror (1988)

Act Of God series[link]

• Act Of God (1985) (with Eric Kotani)
• The Island Worlds (1987) (with Eric Kotani)
• Between The Stars (1988) (with Eric Kotani)
• Delta Pavonis (1990) (with Eric Kotani)

Conan series[link]

• Conan the Valorous (1985)
• Conan the Champion (1987)
• Conan the Marauder (1988)
• Conan the Bold (1989)
• Conan the Rogue (1991)
• Conan and the Manhunters (1994)
• Conan and the Treasure of Python (1994)
• Conan and the Amazon (1995)

Dragonlance series[link]

Dragonlance Universe

• Murder In Tarsis (1996)

Falconer Series[link]

An action series telling the story of a Crusader returning to Europe to seek vengeance on his father's killers (each written under the pen name of Mark Ramsay)

• The Falcon Strikes
• The Black Pope
• The Bloody Cross (1982)
• The King's Treasure (1983)

Gabe Treloar series[link]

• A Typical American Town (1994)
• Ghosts of Saigon (1996)
• Desperate Highways (1997)

Space Angel series[link]

• Space Angel (1979)
• Spacer: Window of the Mind (1988)

[edit] SPQR series

Mystery series set in Ancient Rome

• SPQR (1990) (also SPQR I: The King's Gambit)
• The Catiline Conspiracy (1991)
• The Sacrilege (1992)
• The Temple Of The Muses (1999)
• Saturnalia (1999)
• Nobody Loves A Centurion (2001)
• The Tribune's Curse (2003)
• The River God's Vengeance (2004)
• The Princess and the Pirates (2005)
• A Point of Law (2006)
• Under Vesuvius (2007)
• Oracle of the Dead (December 9, 2008)
• The Year of Confusion (February 16, 2010)

Stormlands series[link]

• The Islander (1990)
• The Black Shields (1991)
• The Poisoned Lands (1992)
• The Steel Kings (1993)
• Queens of Land and Sea (1994)

Hannibal series[link]

• Hannibal's Children (2002)
• The Seven Hills (2005)

Individual novels[link]

• Cestus Dei (1983)
• The Strayed Sheep Of Charun (1977)
• King Of The Wood (1983)
• The Enigma Variations (1989)
• Delta Pavonis (with Eric Kotani) (1990)
• Legacy of Prometheus (2000)
• Total Recall 2070: Machine Dreams (2000)

Notes[link]

1. ^ ^{a b} [1]
2. ^ John Maddox Roberts online Forum retrieved 31 August 2010
3. ^ [2] retrieved 31 August 2010

External links[link]

• John Maddox Roberts at the Internet Speculative Fiction Database

This article about an American science fiction writer is a stub. You can help Wikipedia by expanding it. v t e

Eric Church
Eric Church
Background information
Birth name	Kenneth Eric Church
Born	(1977-05-03) May 3, 1977 (age 35)
Origin	Granite Falls, North Carolina, United States
Genres	Country, Southern rock
Occupations	Singer-songwriter
Instruments	Vocals, guitar, piano
Years active	2005–present
Labels	Capitol Records Nashville, EMI Nashville
Associated acts	Terri Clark, Jay Joyce
Website	www.ericchurch.com

Kenneth Eric Church (born May 3, 1977) is an American country music singer-songwriter. Signed to Capitol Records in 2006, his debut album Sinners Like Me produced four singles on the Billboard country chart, including the Top 20 hits "How 'Bout You", "Two Pink Lines", and "Guys Like Me". His second album, 2009's Carolina, produced three more singles: "Smoke a Little Smoke" and his first Top 10 hits, "Love Your Love the Most" and "Hell on the Heart". 2011's Chief, his first #1 album, includes the singles "Homeboy" and "Drink in My Hand", which became his first #1 single in January 2012.

Biography[link]

Early life[link]

Eric Church was born and raised in Granite Falls, North Carolina. At thirteen, he bought a guitar and began writing songs of his own. By his senior year of high school, he had found a gig at a local bar, which occupied most of his time. He played many Jimmy Buffett cover songs and a few of his own original songs in some dive bars. Some of these places were so rough that he got into a few altercations from the stage. For a few years, the band played often in bars and restaurants throughout North Carolina.^[1] The band "Mountain Boys" consisted of his college roommate (Mark Snow), brother, and a fellow guitarist.^[2]

Before moving to Nashville, Eric Church graduated from South Caldwell High School and then Appalachian State University with a degree in marketing. Upon graduation, Church became engaged. The future bride's father attempted to persuade Eric into a corporate career, which he rejected as an aspiring musician. He broke the engagment and headed to Nashville with his father's financial backing. His father also provided the opportunity to make contacts, and more importantly, time to focus on developing his songwriting ability .^[1]

Music career[link]

[edit] 2006-2007: Sinners Like Me

Arthur Buenahora Jr. signed him to a publishing deal with Sony/ATV Tree Music Publishing. Terri Clark took "The World Needs a Drink", which he co-wrote with Casey Beathard, into the country Top 30.^[2]

He started recording with different producers. Capitol Nashville showed an interest and watched him perform but they were yet to be convinced enough to offer a recording contract.^[3] Autumn House-Tallant told HitQuarters that they didn't think the music was interesting enough.^[3] The record company's attitude changed after he started working with producer Jay Joyce. The strong sound and direction the two forged together finally convinced Capitol Nashville that he was ready.^[3] His first single, "How 'Bout You" peaked at #14 on Hot Country Songs and led off his debut album Sinners Like Me. In April 2006, he performed on the Grand Ole Opry for the first time.^[4]

The album's other two singles, "Two Pink Lines" and "Guys Like Me", both reached the Top 20 as well.^[2] The fourth single, the title track, peaked at #51. An additional track from the album, "Lightning", was made into a music video despite not being released as a single. Church wrote the song shortly after moving to Nashville, inspired by the movie The Green Mile.^[4] Following the album's success, Church toured with Brad Paisley and Rascal Flatts.^[4]

[edit] 2008-2010: Carolina

In 2008, Eric Church released a fifth single, "His Kind of Money (My Kind of Love)" to country radio. It debuted on the Billboard Hot Country Songs chart at #55 in early 2008, and reached its peak of #46 in August. Originally slated as the lead single to an upcoming second album, "His Kind of Money" was instead included as a bonus track on albums sold at Best Buy.

Following this song was "Love Your Love the Most", which debuted in late 2008 and was the first single from his second album Carolina, released on March 24, 2009.^[2] As with his debut album, Carolina was produced by Jay Joyce, and is entirely composed of songs that he co-wrote. "Love Your Love the Most" brought Church to the top 10 for the first time, peaking at #10 in September 2009. The album's second single, "Hell on the Heart", debuted in October 2009 and would also hit the top 10 in May 2010. The third single from "Carolina" was "Smoke A Little Smoke".

In June 2010 he moved to Capitol Nashville's new imprint EMI Records Nashville, becoming their second artist. On January 14, 2011, he released a four song EP entitled "Caldwell County".

[edit] 2011-2012: Chief

Eric Church released "Homeboy" to country radio in early 2011. The album Chief was released July 26, 2011, debuting at #1 on both Top Country Albums and the Billboard 200.^[5] The album sold 145,000 copies in its first week.^[5] On November 30, 2011, Chief was announced as a nominee for the 2012 Grammy Awards for Best Country Album. In January 2012 "Drink in My Hand" became his first #1 single. In February 2012, "Springsteen" was released as the third single from Chief, and has since become a Top 10 country hit, as well as his first Top 20 single on the Billboard Hot 100.

Personal life[link]

On January 8, 2008, Church married music publisher Katherine Blasingame in Blowing Rock, North Carolina. On October 3, 2011, they welcomed son Boone McCoy Church.^[6][7] Their home (along with Eric's "mancave"), located in Nashville, was featured in an episode of CMT "Cribs".^[8]

Tour[link]

• Me & My Gang Tour 2006 with Rascal Flatts & Gary Allan (Eric was kicked off for playing too long & Taylor Swift took his spot)
• Roadside Bars and Pink Guitars with Miranda Lambert (Select Dates)
• CMT Revolution Tour 2010 with Miranda Lambert & Josh Kelley
• My Kinda Party Tour 2011 with Jason Aldean & The JaneDear Girls (Spring Leg)
• Locked & Loaded Tour 2011 with Toby Keith
• Blood, Sweat and Beers Tour 2012 with Brantley Gilbert (First Headlining Tour)

Discography[link]

Studio albums[link]

Extended plays[link]

Singles[link]

Music videos[link]

Awards and nominations[link]

Notes[link]

References[link]

External links[link]

• Official Site
• Eric Church on Myspace
• Buy Erick Church Concert Tickets Online

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (November 2009)

Dr. John
Dr. John at the 2007 New Orleans Jazz & Heritage Festival
Background information
Birth name	Malcolm John Rebennack, Jr.
Also known as	Dr. John Creaux Mac Rebennack
Born	(1940-11-21) November 21, 1940 (age 71)
Origin	New Orleans, Louisiana, United States
Genres	Blues, rock, New Orleans rhythm and blues
Occupations	Vocalist, musician
Instruments	Vocals, piano, keyboards, guitar
Years active	1950s–present
Labels	Atco, Blue Note, Nonesuch, GRP, Trip, United Artists
Associated acts	John Mayall's Bluesbreakers, Ringo Starr & His All-Starr Band, Van Morrison, Dan Auerbach, Curious George (TV series), Eric Clapton, Bob Seger, Joe Walsh
Website	http://www.nitetripper.com/

Malcolm John "Mac" Rebennack, Jr. (born November 21, 1940), better known by the stage name Dr. John (also Dr. John Creaux, or Dr. John the Night Tripper), is an American singer-songwriter, pianist and guitarist, whose music combines blues, pop, jazz as well as zydeco, boogie woogie and rock and roll.^[1]

Active as a session musician since the late 1950s, he came to wider prominence in the early 1970s with a wildly theatrical stage show inspired by medicine shows, Mardi Gras costumes and voodoo ceremonies. Rebennack has recorded over 20 albums and in 1973 scored a top-20 hit with the jaunty funk-flavored "Right Place Wrong Time", still perhaps his best-known song.

The winner of five Grammy Awards, Rebennack was inducted into the Rock and Roll Hall of Fame by singer John Legend on Monday, March 14, 2011.^[2]

Early life and career[link]

Born in New Orleans, Louisiana, United States, Dr. John's Acadian ancestry traces back to the imperial territory of Alsace-Lorraine. He claims that his lineage took root in New Orleans sometime in the early 1800s. Growing up in the Third Ward, Dr. John found early musical inspiration in the minstrel tunes sung by his grandfather and a number of aunts, uncles, and cousins who played piano. He did not take music lessons before his teens, he only endured a short stint in choir before getting kicked out.^[3] His father, the owner of an appliance store and record shop, exposed him as a young boy to prominent jazz musicians like King Oliver and Louis Armstrong. Throughout his adolescence his father's connections enabled him access to the recording rooms of burgeoning rock artists such as Little Richard and Guitar Slim. From these exposures he advanced into clubs and onto the stage with varying local artists, most notably, Professor Longhair. ^[4]

Dr. John met Professor Longhair when he was about 13 or 14 years old, the start to a period in his life that would mark rapid growth as a musician and the beginnings of his entry into professional music. He describes his initial impression of Professor Longhair with note, not only of his musical prowess, but of his style: "I was also fascinated that he was sitting out there in a turtleneck shirt with a beautiful gold chain with a watch hangin’ on it, and an Army fatigue cap on his head. And I thought, Wow, I never seen nobody dressed like this guy. Just everything about the man was totally hip. And he had gloves on him, too, beautiful silk gloves. I’ll never forget this^[5]."

At age 16 he was hired by Johnny Vincent as a producer at Ace Records. There, he worked with artists like James Booker and Earl King, his musical experience expanding notably. He struggled through intermittent years of high school, eventually focusing entirely on music. Thereafter an entry into heavy narcotics use would fuel his desire to get out of New Orleans and move to California where his character, Dr. John, was born.^[6]

In late 1950s New Orleans, Dr. John originally concentrated on guitar and he gigged with local bands including Mac Rebennack and the Skyliners, (Paul Staele/Dennis "Bootsie" Cuquet, drums; Earl Stanley, bass; Charlie Miller, trumpet; Charlie Maduell, sax; Roland "Stone" LeBlanc, vocals), Frankie Ford and the Thunderbirds, and Jerry Byrne and the Loafers. He had a regional hit with a Bo Diddley-influenced instrumental called "Storm Warning" on Rex Records in 1959. During these days he was an A&R man producing, with Charlie Miller, monophonic singles on 45s for Johnny Vincent and Joe Corona for such local labels as ACE, RON, RIC and others. For these sessions he oversaw A&R and the rhythm section while Miller wrote the horn arrangements and headed up the horns. It was a productive team until Miller decided to move to New York and to study music formally.

Rebennack's career as a guitarist came to an end when his left ring finger was injured by a gunshot while he was defending singer/keyboardist Ronnie Barron, his bandmate, Jesuit High School classmate, and longtime friend. After the injury, Rebennack concentrated on bass guitar before making piano his main instrument; pianist Professor Longhair was an important influence on Rebennack's piano-playing style.

He moved to Los Angeles in 1963 where he became a "first call" session musician on the booming Los Angeles studio scene in the 1960s and 1970s, providing backing for Sonny & Cher (and some of the incidental music for Cher's first film, Chastity), and for Canned Heat on their albums Living the Blues (1968) Future Blues (1970), and Freak Out! for Frank Zappa and the Mothers of Invention (1966); along with many other acts.

HANDCUFFED[link]

Dr. John grew up with full exposure to the realities of New Orleans. Prostitutes, pimps, thieves and addicts all marked the same nightlife scene that contributed to his development as a musician.^[7] He was introduced to marijuana at a young age, among other drugs, ultimately gaining an addiction to heroin in his teen years. He recalls being "loaded" the first time while at high school, identifying the high he would chase for all of his life. Not so fondly, Dr. John looks back on the shortsighted moneymaking schemes he would devise through his teens and twenties, all to pay only for the next dose of heroin. He sold narcotics, ran a whorehouse, and even opened a business offering abortions (illegal at the time) during the 1950s. Drug-induced nightclub furies throughout Louisiana and into Florida would result in frequent shootouts and bouts with the police, and he picked up a list of arrests that finally led to prison time in Texas. His sentence ended in 1965 and he left for Los Angeles.

His characteristic, nameless genre of jazzy funk, emphasized with a flair of psychedelic rock, was a direct image of his drug habit throughout his hoodoo albums of the 1960s and up through the 1970s. He failed to heed the warnings of friends and paid no attention to his mother's concern; through the 1980s he continued his habit, failing to beat addiction after numerous stays at rehabilitation. Finally, after experiencing cardiac problems in New York, Dr. John exited his final rehabilitation stint, sober, in December, 1989. He went on to struggle with psychiatric problems through the 1990s, but, today, is sober and mentally stable with the help of medication.^[8]

TRYING TO ESCAPE THE HANDCUFFS (NO WAY)[link]

Dr. John was always fascinated with New Orleans voodoo, and in Los Angeles he developed the idea of the Dr. John persona for his old friend Ronnie Barron. He imagined it as an interesting stage show and an emblem to their New Orleans heritage. "Well, there was a guy the name of Dr. John, a hoodoo guy in New Orleans. He was competition to Marie Laveau. He was like her opposite. I actually got a clipping from the Times Picayune newspaper about how my great-great-great-grandpa Wayne was busted with this guy for runnin’ a voodoo operation in a whorehouse in 1860. I decided I would produce the record with this as a concept." Of course, he would assume the role of Dr. John himself, which he claims, came apprehensively.^[9]

He recalls reading about the original Doctor John in his youth, a purported Senegalese prince who came to New Orleans from Haiti, a medicinal and spiritual healer. The Doctor was a free man of color who lived on Bayou Road and claimed to have fifteen wives and over fifty children. He maintained a fascination with reptiles and kept an assortment of snakes and lizards, along with embalmed scorpions and animal and human skulls. His specialization was healing, and as such, in selling Gris-Gris, voodoo amulets that protected the wearer from harm. Gris Gris, would, of course, become of the name of Dr. John, the musician's famed debut album, his own form of "voodoo medicine."^[10]

1968-1971: HANDCUFFED AGAIN[link]

Beginning in the late 1960s, Rebennack gained fame as a solo artist after adopting the persona of "Dr. John, The Night Tripper". Dr. John's act combined New Orleans-style rhythm and blues with psychedelic rock and elaborate stage shows that bordered on voodoo religious ceremonies, including elaborate costumes and headdress (reflecting and presumably inspired by Screamin' Jay Hawkins's stage act). The name "Dr. John" came from a legendary Louisiana voodoo practitioner of the early 19th century.^[11] On the earliest Dr. John records, the artist billing was "Dr. John, The Night Tripper", while the songwriting credits billed him as "Dr. John Creaux". Within a few years the "Night Tripper" subtitle was dropped, and Rebennack resumed using his real name for writing and producing/arranging credits.

Gris-Gris, his 1968 debut album combining voodoo rhythms and chants with the New Orleans music tradition, was ranked 143rd on Rolling Stone's "The 500 Greatest Albums of All Time" list. Three more albums, 1969's Babylon, 1970's Remedies, and 1971's The Sun, Moon, And Herbs were released in the same vein of Gris-Gris, but none of them have enjoyed the popularity of his first album.

During early-to-mid-1969, Dr. John toured extensively, backed by supporting musicians Richard "Didymus" Washington (congas), Richard Crooks (drums), David Leonard Johnson (bass), Gary Carino (guitar), and singers Eleanor Barooshian, Jeanette Jacobs from The Cake, and Sherry Graddie. A second lineup formed later in the year for an extensive tour of the East Coast with Crooks and Johnson joined by Doug Hastings (guitar) and Don MacAllister (mandolin). Also in 1969, Dr. John contributed to the Music from Free Creek "supersession" project, playing on three tracks with Eric Clapton. Washington and Crooks also contributed to the project.

By the time The Sun, Moon, and Herbs was released, he had gained a notable cult following, including artists such as Eric Clapton and Mick Jagger, who both took part in the sessions for that album. This album would serve as a transition from his Night Tripper voodoo, psychedelic persona to one more closely associated with traditional New Orleans R&B and funk. His next album, Dr. John's Gumbo, proved to be a landmark recording which is one of his most popular to this day; with drummer Fred Staehle serving as the band's backbone.

[edit] 1972-1974: Gumbo, In the Right Place, and Desitively Bonnaroo

Along with Gris-Gris, Dr. John is perhaps best known for his recordings during 1972-1974. 1972's Dr. John's Gumbo, an album covering several New Orleans R&B standards with only one original, is considered a cornerstone in New Orleans music. In his 1994 autobiography, Under a Hoodoo Moon, Dr. John writes, "In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar." The lead single from the album, "Iko Iko", broke into the Billboard top 40 singles chart. In 2003, Dr. John's Gumbo was ranked number 402 on Rolling Stone magazine's list of the 500 greatest albums of all time. It also earned a place on Offbeat magazine's 1999 listing of the Top 100 Louisiana CDs.

With Gumbo, Dr. John expanded his career beyond the psychedelic voodoo music and theatrics that had driven his career since he took on the Dr. John persona, although it has always remained an integral part of his music and identity. It wasn't until 1998's Anutha Zone that he would again concentrate on this aspect of his music wholly for a full album. "After we cut the new record", he wrote, "I decided I'd had enough of the mighty-coo-de-fiyo hoodoo show, so I dumped the Gris-Gris routine we had been touring with since 1967 and worked up a new act—a Mardi Gras revue featuring the New Orleans standards we had covered in Gumbo."

In early 1973 Thomas Jefferson Kaye produced an album featuring a collaboration with Dr. John, Mike Bloomfield and John Paul Hammond. This album, Triumvirate, was recorded in Columbia Studios, San Francisco, and Village Recorders, Los Angeles.

In 1973, with Allen Toussaint producing and The Meters backing, Dr. John released the seminal New Orleans funk album, In the Right Place. In the same way that Gris-Gris introduced the world to the voodoo-influenced side of his music, and in the manner that Dr. John's Gumbo began his career-long reputation as an esteemed interpreter of New Orleans standards, In the Right Place established Dr. John as one of the main ambassadors of New Orleans funk. In describing the album, Dr. John states, "The album had more of a straight-ahead dance feel than ones I had done in the past, although it was still anchored solid in R&B." It rose to #24 on the Billboard album charts, while the single "Right Place Wrong Time" landed at #9 on the Billboard Hot 100 singles chart. A second single, "Such a Night", peaked at #42. Still in heavy rotation on most classic rock stations, "Right Place Wrong Time" remains his single most recognized song. Artists such as Bob Dylan, Bette Midler, and Doug Sahm contributed single lines to the lyrics, which lists several instances of ironic bad luck and failure.

Dr. John attempted to capitalize on In the Right Place's successful formula, again collaborating with Allen Toussaint and The Meters for his next album, Desitively Bonnaroo, released in 1974. Although similar in feel to In the Right Place, it failed to catch hold in the mainstream like its predecessor. It would be his last pure funk album until 1994 with Television, although like his voodoo and traditional New Orleans R&B influences, funk has continued to heavily influence most of his work to the present day, especially in his concerts. While Dr. John stated in an interview during 1990s that he'd like to work with Toussaint again for a full album, this has yet to come to fruition.

In the mid-1970s Dr. John began an almost twenty-year-long collaboration with the R&R Hall of Fame/Songwriters Hall of Fame writer Doc Pomus to create songs for Dr. John's releases City Lights and Tango Palace and for B.B. King's Stuart Levine-produced There Must Be a Better World Somewhere, which won a Grammy for Best Ethnic or Traditional Recording in 1982. Dr. John also recorded "I'm On a Roll", the last song written with Pomus prior to Pomus' death in 1991, for the now out-of-print Rhino/Forward Records 1995 tribute to Pomus titled Til the Night Is Gone: A Tribute to Doc Pomus that also included covers of Pomus-penned songs by Bob Dylan, John Hiatt, Shawn Colvin, Brian Wilson, the Band, Los Lobos, Dion, Rosanne Cash, Solomon Burke and Lou Reed. According to Doc Pomus' daughter, Dr. John and her father were very close friends as well as writing partners; Dr. John delivered one of a number of eulogies and performed with singer Jimmy Scott at Pomus' funeral on March 17, 1991, in New York City.

On Thanksgiving Day 1976 he performed at the farewell concert for the Band, which was filmed and released as The Last Waltz. In 1979, he collaborated with the legendary Professor Longhair on Fess's (another nickname for Henry Byrd) last recording Crawfish Fiesta as a guitarist and co-producer. The album was awarded the first W.C. Handy Blues Album of the Year in 1980, and was released shortly after Longhair's death in January, 1980.

Later work[link]

Dr. John at the 2006 Jazz à Vienne festival, in Vienne, France.

By the mid-1970s, Rebennack began focusing on a blend of music that touched on blues, New Orleans R&B, Tin Pan Alley standards and more.

In 1975 Dr. John's manager, Richard Flanzer, hired legendary producer Bob Ezrin. Hollywood Be Thy Name was recorded live at Cherokee Studios in Los Angeles, California. The studio was transformed into a New Orleans nightclub for the sessions.

In 1981 and 1983 Dr. John recorded two solo piano albums for the Baltimore-based Clean Cuts label. In these two recordings Dr. John plays many of his own compositions in boogie-woogie.

He has also been a prominent session musician throughout his career, playing piano on the Rolling Stones' 1972 song "Let It Loose", as well as backing Carly Simon and James Taylor in their duet of "Mockingbird" in 1974 and Neil Diamond on 1976's Beautiful Noise. He also contributed the song "More and More" to Simon's Playing Possum album. He played on three songs on Maria Muldaur's 1973 solo debut album, including his composition "Three Dollar Bill". He sang on four songs and played piano on two songs on Muldaur's 1992 Louisiana Love Call. He was co-producer on Van Morrison's 1977 album A Period of Transition and also played keyboards and guitar. He contributed three songs as writer or co-writer ("Washer Woman", "The Ties That Bind", and "That's My Home") and also played guitar and keyboards on Levon Helm's 1977 release, Levon Helm and the RCO Allstars. He performed on the March 19, 1977 episode of NBC's Saturday Night Live. He played keyboards on the highly successful 1979 solo debut album by Rickie Lee Jones and has toured with Willy DeVille and contributed to his Return to Magenta (1978), Victory Mixture (1990), Backstreets of Desire (1992), and Big Easy Fantasy (1995) albums. His music has been featured in many films including "Such a Night" in Colors in 1988. In 1992 Dr. John released the album Goin' Back to New Orleans which included many classic songs from New Orleans and many great New Orleans based musicians like Aaron Neville, the Neville brothers, Al Hirt and Pete Fountain backed up Dr. John on this album. He performed as the first American artist at the Franco Follies festival in 1992.

Dr. John has also done vocals for Popeyes Chicken & Biscuits' "Luv dat chicken..." jingle, as well as the theme song ("My Opinionation") for the early-1990s television sitcom Blossom. A version of "Do You Know What It Means To Miss New Orleans" with Harry Connick, Jr. was released on Connick's album 20 and VHS Singin' & Swingin' in 1990. Dr. John's longtime confidant and personal manager, Paul Howrilla was responsible for moving Dr. John from Los Angeles, California to New York, New York and securing the "crossover" work, as well as modifying Dr. John's image from the 1970's to the 1990's. Paul Howrilla was the brains behind the scenes, as Dr. John would attest. They remain very close friends to the present day.

His movie credits include Martin Scorsese's documentary The Last Waltz (in which he joins the Band for a performance of his song "Such a Night"), the 1978 Beatles-inspired musical "Sgt. Pepper's Lonely Hearts Club Band", and Blues Brothers 2000 (in which he joins the fictional band the Louisiana Gator Boys to perform the songs "How Blue Can You Get" and "New Orleans"). His version of the Donovan song "Season of the Witch" was also featured in this movie and on the soundtrack.

He also wrote and performed the score for the film version of John Steinbeck's "Cannery Row" released in 1982. In 1993, his hit song "Right Place Wrong Time" was used extensively in the movie Dazed and Confused.

Dr. John has also been featured in several video and audio blues and New Orleans piano lessons published by Homespun Tapes. In addition to the instructional value, there is historical context about many other blues artists. Other documentary film scores include the New Orleans dialect film Yeah You Rite! (1985) and American Tongues in 1987.

Between July and September 1989 Dr. John toured in the first Ringo Starr & His All-Starr Band, alongside Levon Helm, Rick Danko, Nils Lofgren, Jim Keltner, Joe Walsh, Billy Preston and Clarence Clemons. The tour produced the 1990 live album Ringo Starr and His All-Starr Band.

Dr.John at the Liri Blues Festival, Italy.

In 1997, he appeared on the charity single version of Lou Reed's "Perfect Day". In the same year, he played piano on the Spiritualized song "Cop Shoot Cop...", from their critically acclaimed album Ladies and Gentlemen We Are Floating in Space. Frontman Jason Pierce, a fan of John's music, reciprocated by guesting on John's 1998 album Anutha Zone along with drummer Damon Reece and guitarist Thighpaulsandra.

He recorded the live album Trippin' Live with drummer Herman Ernest, David Barard, bass, Tommy Moran, guitar, trumpeter Charlie Miller, tenor Red Tyler, and baritone sax Ronnie Cuber.

In September 2005 he performed Fats Domino's "Walkin' to New Orleans", to close the Shelter from the Storm: A Concert for the Gulf Coast telethon. This was for the relief of Hurricane Katrina victims; following the devastation of his hometown of New Orleans.

In November 2005, he released a four-song EP, Sippiana Hericane, to benefit New Orleans Musicians Clinic, Salvation Army, and the Jazz Foundation of America. On February 5, 2006, he joined fellow New Orleans native Aaron Neville, Detroit resident Aretha Franklin and a 150-member choir for the national anthem at Super Bowl XL as part of a pre-game tribute to New Orleans. On February 8, 2006, he joined Allen Toussaint, Bonnie Raitt, The Edge, and Irma Thomas to perform "We Can Can" as the closing performance at the Grammy Awards of 2006.

On May 12, 2006, Dr. John recorded a live session at Abbey Road Studios for Live from Abbey Road. His performance was aired alongside those of LeAnn Rimes and Massive Attack on the Sundance Channel in the USA and Channel 4 in the UK.

Dr. John performing at Le Poisson Rouge, New York City, 2011.

On July 30, 2006, Dr. John performed a solo piano benefit for New Orleans composer and arranger Wardell Quezergue (King Floyd's "Groove Me") at a New Orleans Musicians Relief Fund benefit at the Black Orchid Theatre in Chicago.^[12] Special guest Mike Mills of R.E.M. was in attendance, along with an all-star funk band.

Dr. John performed the theme music to the Fox drama K-Ville. He also performed and co-produced the theme song for the PBS children's show Curious George.

In 2007, Dr. John accepted an invitation to contribute to Goin' Home: A Tribute to Fats Domino. He contributed his version of Domino's "Don't Leave Me This Way".

In January 2008, Mac Rebennack, Dr. John, was inducted into The Louisiana Music Hall of Fame. Later, in February, he performed at All-Star Saturday Night, part of the NBA All-Star Weekend hosted by New Orleans.

In the 2009 Disney film The Princess and the Frog, Dr. John sings the opening tune, "Down in New Orleans".

He reigned as King of the Krewe du Vieux for the 2010 New Orleans Mardi Gras season.

Dr. John played keyboards and had a major role in shaping Gregg Allman's 2011 album Low Country Blues which was produced by T-Bone Burnett.^[13]

In 2011 he collaborated with Hugh Laurie on the song "After You've Gone" on his album Let Them Talk.

In 2011 Dr. John, Allen Toussaint and The Meters performed Desitively Bonnaroo at the Bonnaroo Music & Arts Festival in Manchester, Tennessee as part of the festival's tenth year celebration. The name of the festival was inspired by the album.

In 2012, he released Locked Down, a collaboration with Dan Auerbach of The Black Keys, who produces and plays guitar.^[11] The album received very positive reviews for its raw, Afrobeat-influenced sound. The Los Angeles Times said it showed Dr. John "exiting a period of relative creative stagnation by creating something magical, the embodiment of everything he’s done but pushed in a clear new direction."^[14]

Cover versions[link]

Dr. John's song "I Walk On Gilded Splinters" was covered in 1969 by Marsha Hunt and produced by Tony Visconti; also in June 1969 by Cher on her 3614 Jackson Highway album, and was released as a single; and in July 1970 by Johnny Jenkins, whose supporting musicians included slide guitarist Duane Allman and drummers Butch Trucks and Jai Johanny Johanson; Allman also performed on Ton Ton Macoute, the album that contained it. Allman Brothers bass guitarist Berry Oakley also appeared on other tracks on the album). "I Walk on Gilded Splinters" was also covered in the 1970s by Humble Pie on their album Performance Rockin' the Fillmore, and is track 3 on Paul Weller's 1995 album Stanley Road. Widespread Panic and The Allman Brothers Band also perform this song regularly.

Discography[link]

As leader[link]

• Gris-Gris (1968) (Atco, SD 33-234)
• Babylon (1969)
• Remedies (1970) (Atco, SD 33-316)
• The Sun, Moon & Herbs (1971) (Atco, SD 33-362)
• Dr. John's Gumbo (1972)
• In the Right Place (1973) (Atco, SD 7018)
• Desitively Bonnaroo (1974) (Atco, SD 7043)
• Hollywood Be Thy Name (1975) (UA-LA552G)
• City Lights (1978)
• Tango Palace (1979) (Horizon, SP-740)
• Dr. John Plays Mac Rebennack Vol. 1 (1981)
• Dr. John Plays Mac Rebennack Vol. 2 (The Brightest Smile in Town) (1983)
• In a Sentimental Mood (1989)
• ZuZu Man (1989) (Trip Records TLP-9518)
• Bluesianna Triangle , w/ Art Blakey and David 'Fathead' Newman (1990) (Windham Hill)
• Goin' Back to New Orleans (1992)
• Television (1994)
• Afterglow (1995)
• Trippin' Live
• Anutha Zone (1998)
• Duke Elegant (1999) (Parlophone, 7243 5 23220 2 2)
• Creole Moon (2001)
• All By Hisself, Live At The Lonestar (2003) (Skinji Brim) recorded live Dec. 22 & 23, 1986
• N'Awlinz: Dis Dat or d'Udda (2004)
• Sippiana Hericane (2005)
• Mercernary (2006) (Blue Note 54541)
• The City That Care Forgot (2008)
• Tribal (2010)
• Locked Down (2012)

With Bluesiana Triangle[link]

• Bluesiana Triangle (Windham Hill, 1990)
• Bluesiana Triangle II (Windham Hill, 1991)

Other contributions[link]

• Levon Helm and the RCO Allstars, Levon Helm (Edsel, 1977).
• Ringo Starr and His All-Starr Band, Ringo Starr (EMI, 1990), Rykodisc RALP-10190 (CD: Rykodisc RCD-10190)
• Boogie to Heaven Gayle Wynters, featuring Dr. John and Roger Kellaway (VWC Records, 1995)^[15]
• Perfect Day BBC corporate film and charity release in 1997 - featuring, amongst others, Dr John ("Perfect Day")
• Jools Holland's Big Band Rhythm & Blues - "The Hand That Changed Its Mind" (Rhino, 2002)^[16]
• Goin' Home: A Tribute to Fats Domino (Vanguard, 2007)^[17]
• Let Them Talk (Warner Bros. Records, 2011)^[18]
• My Kind of Christmas, Christina Aguilera (RCA, 2000)^[19]
• Use Me, David Bromberg (Appleseed, 2011)^[20]

Dr. John in popular culture[link]

• Dr. John was featured in the third episode of the HBO series Treme, as well as three episodes of the second season, playing himself in all of them.^[21]
• Dr. John was the inspiration for Jim Henson's Muppets character, Dr. Teeth.^[22]

Recognition[link]

Grammy Awards[link]

• 1989 Best Jazz Vocal Performance, Duo Or Group - Makin' Whoopee
• 1992 Best Traditional Blues Album - Goin' Back To New Orleans
• 1996 Best Rock Instrumental Performance - SRV Shuffle
• 2000 Best Pop Collaboration With Vocals - Is You Is, Or Is You Ain't (My Baby)
• 2008 Best Contemporary Blues Album - City that Care Forgot

Rock and Roll Hall of Fame[link]

• 2011 Rock and Roll Hall of Fame Inductee ^[23]

References[link]

Further reading[link]

• Under a Hoodoo Moon: the Life of Dr. John the Night Tripper by Dr. John (Mac Rebennack) and Jack Rummel, New York: St. Martin's Press, 1994. ISBN 0-312-10567-3

External links[link]

Wikimedia Commons has media related to: Dr. John

• Official website
• Allmusic

John Lennon MBE
Lennon rehearses "Give Peace a Chance" in Montreal, Canada, in 1969
Background information
Birth name	John Winston Lennon
Born	(1940-10-09)9 October 1940 Liverpool, England, UK
Died	8 December 1980(1980-12-08) (aged 40) New York, New York, US
Genres	Rock, pop
Occupations	Musician, singer-songwriter, record producer, artist, writer
Instruments	Vocals, guitar, piano, harmonica, harmonium, electronic organ, six-string bass
Years active	1957–75, 1980
Labels	Parlophone, Capitol, Apple, EMI, Geffen, Polydor
Associated acts	The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, Yoko Ono
Website	www.johnlennon.com
Notable instruments
Rickenbacker 325 Epiphone Casino Gibson J-160E

Lennon's signature

John Winston Ono Lennon, MBE (9 October 1940 – 8 December 1980) was an English musician and singer-songwriter who rose to worldwide fame as one of the founder members of The Beatles, one of the most commercially successful and critically acclaimed acts in the history of popular music. Together with Paul McCartney, he formed one of the most celebrated songwriting partnerships of the 20th century.

Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine, and iconic songs such as "Give Peace a Chance" and "Imagine". After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to devote time to raising his infant son Sean, but re-emerged with Ono in 1980 with the new album Double Fantasy. He was murdered three weeks after its release.

Lennon revealed a rebellious nature and acerbic wit in his music, writing, drawings, on film, and in interviews. Controversial through his political and peace activism, he moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while some of his songs were adopted as anthems by the anti-war movement.

As of 2012 Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 25 number-one singles on the US Hot 100 chart. In 2002 a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, Rolling Stone ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.

History[link]

1940–57: Early years[link]

Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth.^[1] He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill.^[2] His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother,^[3] but the cheques stopped when he went absent without leave in February 1944.^[4][5] When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea.^[6] After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946 Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him.^[7] Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her.^[8] It would be 20 years before he had contact with his father again.^[9]

251 Menlove Avenue, the home of George and Mimi Smith, where Lennon lived for most of his childhood and adolescence

Throughout the rest of his childhood and adolescence he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton.^[10] His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles.^[11] Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, learning how to play "Ain't That a Shame" by Fats Domino.^[12]

In September 1980 he talked about his family and his rebellious nature:

Part of me would like to be accepted by all facets of society and not be this loudmouthed lunatic musician. But I cannot be what I am not. Because of my attitude, all the other boys' parents ... instinctively recognised what I was, which was a troublemaker, meaning I did not conform and I would influence their kids, which I did ... I did my best to disrupt every friend's home ... Partly, maybe, it was out of envy that I didn't have this so-called home, but I really did ... There were five women who were my family. Five strong, intelligent women. Five sisters. Those women were fantastic ... that was my first feminist education ... One happened to be my mother ... she just couldn't deal with life. She had a husband who ran away to sea and the war was on and she couldn't cope with me, and when I was four-and-a-half, I ended up living with her elder sister ... the fact that I wasn't with my parents made me see that parents are not gods.^[13]

He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas.^[14] During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby.^[15] After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16."^[16] He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).^[17]

Lennon was raised as an Anglican and attended Dovedale Primary School.^[18] From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad."^[19] He often drew comical cartoons which appeared in his own self-made school magazine called The Daily Howl,^[20] but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."^[21]

His mother bought him his first guitar in 1956, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations.^[22] As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it".^[23] On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.^[24]

Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened.^[25] Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class.^[26] He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."^[27]

1957–70: The Quarrymen to The Beatles[link]

1957–65: Formation, commercial break-out, and touring years[link]

Lennon playing with The Beatles in 1964 at the height of Beatlemania

The Beatles evolved from Lennon's first band, the Quarrymen. Named after Quarry Bank High School, the group was established by him in September 1956 when he was 15, and began as a skiffle group.^[28] By the summer of 1957 the Quarrymen played a "spirited set of songs" made up of half skiffle, and half rock and roll.^[29] Lennon first met Paul McCartney at the Quarrymen's second performance, held in Woolton on 6 July at the St. Peter's Church garden fête, after which McCartney was asked to join the band.^[30]

McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon.^[31] According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble";^[32] although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road.^[33][34] During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.^[35]

George Harrison joined the band as lead guitarist,^[36] even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played "Raunchy" for Lennon.^[37] Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist.^[38] Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them.^[39] Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead.^[40] After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg,^[41] and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.^[42]

Brian Epstein, The Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage.^[43] Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me".^[44] McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours on 11 February 1963,^[45] a day when Lennon was suffering the effects of a cold,^[46] which is evident in the vocal on the last song to be recorded that day, Twist and Shout.^[47] The Lennon–McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant".^[45] In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".^[48]

The Beatles achieved mainstream success in the UK during the beginning of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery."^[49] After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, In His Own Write and A Spaniard in the Works.^[50] The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.^[51]

Lennon grew concerned that fans attending Beatles' concerts were unable to hear the music above the screaming of fans, and that the band's musicianship was beginning to suffer as a result.^[52] Lennon's "Help!" expressed his own feelings in 1965: "I meant it ... It was me singing 'help'".^[53] He had put on weight (he would later refer to this as his "Fat Elvis" period),^[54] and felt he was subconsciously seeking change.^[55] The following January he was unknowingly introduced to LSD when a dentist, hosting a dinner party attended by Lennon, Harrison and their wives, spiked the guests' coffee with the drug.^[56] When they wanted to leave, their host revealed what they had taken, and strongly advised them not to leave the house because of the likely effects. Later, in an elevator at a nightclub, they all believed it was on fire: "We were all screaming ... hot and hysterical."^[56] A few months later in March, during an interview with Evening Standard reporter Maureen Cleave, Lennon remarked, "Christianity will go. It will vanish and shrink ... We're more popular than Jesus now—I don't know which will go first, rock and roll or Christianity."^[57] The comment went virtually unnoticed in England but caused great offence in the US when quoted by a magazine there five months later. The furore that followed—burning of Beatles' records, Ku Klux Klan activity, and threats against Lennon—contributed to the band's decision to stop touring.^[58]

1966–70: Studio years, break-up and solo work[link]

Deprived of the routine of live performances after their final commercial concert on 29 August 1966, Lennon felt lost and considered leaving the band.^[59] Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year."^[60] According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity".^[61] 1967 saw the release of "Strawberry Fields Forever", hailed by TIME magazine for its "astonishing inventiveness",^[62] and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon–McCartney's early years.

In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales,^[63] and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared".^[64] They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road.^[65]

The anti-war, black comedy How I Won the War, featuring Lennon's only appearance in a non–Beatles' full-length film, was shown in cinemas in October 1967.^[66] McCartney organised the group's first post-Epstein project,^[67] the self-written, -produced and -directed television film Magical Mystery Tour, released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Lewis Carroll-inspired "I am the Walrus", was a success.^[68][69] With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure",^[70] but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple's chief executive by Lennon, Harrison and Starr,^[71] but McCartney never signed the management contract.^[72]

	"Give Peace a Chance" noicon Sample of "Give Peace a Chance", recorded in 1969 during Lennon and Ono's second Bed-In for Peace. As described by biographer Bill Harry, Lennon wanted to "write a peace anthem that would take over from the song 'We Shall Overcome'—and he succeeded ... it became the main anti-Vietnam protest song."[73]
Problems listening to this file? See media help.

At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film.^[74] Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon,^[75] eight of which were deemed indecent and most of which were banned and confiscated.^[76] Lennon's creative focus continued to move beyond The Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: Unfinished Music No.1: Two Virgins^[77] (known more for its cover than for its music), Unfinished Music No.2: Life with the Lions and Wedding Album. In 1969 they formed The Plastic Ono Band, releasing Live Peace in Toronto 1969. In protest at Britain's involvement in the Nigerian Civil War,^[78] Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced.^[79] Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969),^[80] "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin^[81]) and "Instant Karma!".

Lennon left the group in September 1969,^[82] and agreed not to inform the media while the band renegotiated their recording contract, but he was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!"^[83] He later wrote, "I started the band. I disbanded it. It's as simple as that."^[84] In later interviews with Rolling Stone magazine, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record."^[85] He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"^[86]

1970–80: Solo career[link]

1970–72: Initial solo success and activism[link]

Advertisement for "Imagine" from Billboard, 18 September 1971.

In 1970, Lennon and Ono went through primal therapy with Dr. Arthur Janov in Los Angeles, California. Designed to release emotional pain from early childhood, the therapy entailed two half-days a week with Janov for four months; he had wanted to treat the couple for longer, but they felt no need to continue and returned to London.^[87] Lennon's emotional debut solo album, John Lennon/Plastic Ono Band (1970), was received with high praise. Critic Greil Marcus remarked, "John's singing in the last verse of 'God' may be the finest in all of rock."^[88] The album featured the songs "Mother", in which Lennon confronted his feelings of childhood rejection,^[89] and the Dylanesque "Working Class Hero", a bitter attack against the bourgeois social system which, due to the lyric "you're still fucking peasants", fell foul of broadcasters.^[90][91] The same year, Tariq Ali's revolutionary political views, expressed when he interviewed Lennon, inspired the singer to write "Power to the People". Lennon also became involved with Ali during a protest against Oz magazine's prosecution for alleged obscenity. Lennon denounced the proceedings as "disgusting fascism", and he and Ono (as Elastic Oz Band) released the single "God Save Us/Do the Oz" and joined marches in support of the magazine.^[92]

	"Imagine" noicon Sample of "Imagine", Lennon's "most famous post-Beatles' track."[93] Like "Give Peace a Chance", the song became an anti-war anthem, but its lyrics offended religious groups. Lennon's explanation was, "If you can imagine a world at peace, with no denominations of religion—not without religion, but without this 'my God is bigger than your God' thing—then it can be true."[94]
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With Lennon's next album, Imagine (1971), critical response was more guarded. Rolling Stone reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant".^[95] The album's title track would become an anthem for anti-war movements,^[96] while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from Ram that Lennon felt, and McCartney later confirmed,^[97] were directed at him and Ono. However, Lennon softened his stance in the mid-1970s and said he had written "How Do You Sleep?" about himself.^[98] He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and The Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".^[99]

Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)".^[100] To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT".^[101] The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.^[102]

Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, Some Time in New York City was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card,^[103] the album was poorly received—unlistenable, according to one critic.^[104] "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on The Dick Cavett Show. Many radio stations refused to broadcast the song because of the word "nigger".^[105] Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility.^[106] Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.^[107]

1973–75: "Lost weekend"[link]

Publicity photo of John Lennon and host Tom Snyder from the television program Tomorrow. Done in 1975, this was the last television interview Lennon gave before his death in 1980.

While Lennon was recording Mind Games (1973), he and Ono decided to separate. The ensuing 18-month period apart, which he later called his "lost weekend",^[108] was spent in Los Angeles and New York in the company of May Pang. Mind Games, credited to the "Plastic U.F.Ono Band", was released in November 1973. Lennon also contributed "I'm the Greatest", to Starr's album Ringo (1973), released the same month. (an alternate take, from the same 1973 Ringo sessions, with Lennon providing a guide vocal, appears on John Lennon Anthology).

In early 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson made headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation "towel" on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers.^[109] Lennon decided to produce Nilsson's album Pussy Cats and Pang rented a Los Angeles beach house for all the musicians^[110] but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than 30 years. Pang supplied the recording for its eventual inclusion on The Very Best of Mick Jagger (2007).^[111]

Settled back in New York, Lennon recorded the album Walls and Bridges. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano.^[112] A second single from the album, "#9 Dream", followed before the end of the year. Starr's Goodnight Vienna (1974) again saw assistance from Lennon, who wrote the title track and played piano.^[113] On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There", which he introduced as "a song by an old estranged fiancee of mine called Paul".^[114]

Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording.^[115] The same month, Elton John topped the charts with his cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals (Lennon is credited on the single under the moniker of "Dr. Winston O'Boogie"). He and Ono were reunited shortly afterwards. Lennon released Rock 'n' Roll (1975), an album of cover songs, in February. "Stand by Me", taken from the album and a US and UK hit, became his last single for five years.^[116] He made what would be his final stage appearance in the ATV special A Salute to Lew Grade, recorded on 18 April and televised in June.^[117] Playing acoustic guitar, and backed by an eight-piece band, Lennon performed two songs from Rock 'n' Roll ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine".^[117]

1975–80: Retirement and return[link]

With the birth of his second son Sean on 9 October 1975, Lennon took on the role of househusband, beginning what would be a five-year hiatus from the music industry during which he gave all his attention to his family.^[13] Within the month, he fulfilled his contractual obligation to EMI/Capitol for one more album by releasing Shaved Fish, a compilation album of previously recorded tracks.^[13] He devoted himself to Sean, rising at 6 am daily to plan and prepare his meals and to spend time with him.^[118] He wrote "Cookin' (In the Kitchen of Love)" for Starr's Ringo's Rotogravure (1976), performing on the track in June in what would be his last recording session until 1980.^[119] He formally announced his break from music in Tokyo in 1977, saying, "we have basically decided, without any great decision, to be with our baby as much as we can until we feel we can take time off to indulge ourselves in creating things outside of the family."^[120] During his career break he created several series of drawings, and drafted a book containing a mix of autobiographical material and what he termed "mad stuff",^[121] all of which would be published posthumously.

He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album Double Fantasy, which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June,^[122] that reflected Lennon's fulfilment in his new-found stable family life.^[123] Sufficient additional material was recorded for a planned follow-up album Milk and Honey (released posthumously in 1984).^[124] Released jointly with Ono, Double Fantasy was not well received, drawing comments such as Melody Maker's "indulgent sterility ... a godawful yawn".^[125]

8 December 1980: Death[link]

At around 10:50 pm on 8 December 1980, as Lennon and Ono returned to their New York apartment in The Dakota, Mark David Chapman shot Lennon in the back four times at the entrance to the building. Lennon was taken to the emergency room of the nearby Roosevelt Hospital and was pronounced dead on arrival at 11:07 pm.^[126] Earlier that evening, Lennon had autographed a copy of Double Fantasy for Chapman.^[127]

Ono issued a statement the next day, saying "There is no funeral for John", ending it with the words, "John loved and prayed for the human race. Please pray the same for him."^[128] His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created.^[129] Chapman pleaded guilty to second-degree murder and was sentenced to 20 years to life; as of 2011, he remains in prison, having been denied parole six times.^[130][131]

Personal relationships[link]

Cynthia Lennon[link]

Lennon and Cynthia Powell met in 1957 as fellow students at the Liverpool College of Art.^[132] Although being scared of Lennon's attitude and appearance, she heard that he was obsessed with French actress Brigitte Bardot, so she dyed her hair blonde. Lennon asked her out, but when she said that she was engaged, he screamed out, "I didn't ask you to fuckin' marry me, did I?"^[133] She often accompanied him to Quarrymen gigs and travelled to Hamburg with McCartney's girlfriend at the time to visit him.^[134] Lennon, jealous by nature, eventually grew possessive and often terrified Powell with his anger and physical violence.^[135] Lennon later said that until he met Ono, he had never questioned his chauvinistic attitude to women. The Beatles' song "Getting Better", he said, told his own story, "I used to be cruel to my woman, and physically—any woman. I was a hitter. I couldn't express myself and I hit. I fought men and I hit women. That is why I am always on about peace".^[13]

Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married."^[136] The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on.^[137] Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.^[138]