name	Pi
director	Darren Aronofsky
producer	Darren AronofskyEric WatsonScott Vogel
screenplay	Darren Aronofsky
story	Darren AronofskySean GulletteEric Watson
starring	Sean GulletteMark MargolisBen ShenkmanSamia Shoaib
music	Clint Mansell
cinematography	Matthew Libatique
editing	Oren Sarch
distributor	Artisan Entertainment
released	July 10, 1998
runtime	83 minutes
country
language	English
budget	$60,000
gross	$3,221,152 }}

''Pi'', also titled , is a 1998 American psychological thriller film written and directed by Darren Aronofsky. It is Aronofsky's directorial debut, and earned him the Directing Award at the 1998 Sundance Film Festival, the Independent Spirit Award for Best First Screenplay and the Gotham Open Palm Award. The title refers to the mathematical constant pi.

Plot

Maximillian "Max" Cohen (Sean Gullette), the story's protagonist and unreliable narrator, is a number theorist who believes that everything in nature can be understood through numbers. He is capable of doing simple arithmetic calculations involving large numbers in his head. Max also suffers from cluster headaches, as well as extreme paranoia, hallucinations, and social anxiety disorder. Other than a woman living next door who sometimes speaks to him, Max's only social interaction is with Sol Robeson (Mark Margolis), his old mathematics mentor.

Max begins making stock predictions based on the calculations of his computer, Euclid. In the middle of printing out his picks, Euclid suddenly crashes after spitting out a seemingly random 216-digit number, as well as a single pick at one-tenth its current value. Disgusted, Max tosses out the printout of the number. The next morning, he checks the financial pages and sees that the pick Euclid made was accurate. He searches desperately for the printout but cannot find it. Sol becomes unnerved when Max mentions the string of numbers, asking if the string was 216 digits long. When Max questions him about the string, Sol indicates that he came across such a number many years ago. He urges Max to slow down and try taking a break.

At a coffee shop, Max meets Lenny Meyer (Ben Shenkman), a Hasidic Jew who coincidentally does mathematical research on the Torah. Lenny demonstrates some simple Gematria, the correspondence of the Hebrew alphabet to numbers, and explains how some people believe that the Torah is a string of numbers that form a code sent by God. Max takes an interest when he realizes that some of the number concepts Lenny discusses are similar to other mathematical concepts, such as the Fibonacci sequence. Max is also met by agents of a Wall Street firm that are interested in his work. One of the agents, Marcy Dawson, offers Max a powerful classified computer chip called "Ming Mecca" in exchange for the results of his work, which Max eventually accepts.

Using the chip, Max has Euclid analyze mathematical patterns in the Torah. Euclid spits out the 216-digit number before crashing again. When his computer refuses to print out the number, Max begins to write it down. Midway through the writing, Max realizes that he knows the pattern, undergoes a sudden epiphany, and passes out. Thereafter, Max appears to become clairvoyant and is able to visualize the stock market patterns he had been searching for. But his headaches also increase in intensity, and he discovers a strange vein-like bulge protruding from his right temple. Max has a falling out with Sol after the latter urges him to quit his work.

Dawson and her agents grab Max on the street, and try to force him to explain the 216-digit number. They had found the original printout and had been trying to use it to manipulate the stock market in their favor, but as a result, caused it to crash. Although Max is held at gunpoint, Lenny drives by and rescues him. However, Lenny and his companions make similar demands on Max to give them the number. They finally reveal their intentions: they believe the number was meant for them to bring about the messianic age, as the number represents the unspeakable name of God. Max refuses, insisting that whatever the source of the number is, it has been revealed to him alone.

Max flees and tries to visit Sol, only to find that he has died. Max searches his house and finds mathematical scribblings similar to his own. On a Go board, with its pieces arranged in an Archimedean spiral, Max finds a piece of paper with the 216-digit number. Driven to the brink of madness, Max experiences another headache and resists the urge to take his painkillers. Believing that the number and the headaches are linked, Max tries to concentrate on the number through the pain. After passing out, Max has a vision of himself standing in a white void and repeating the digits of the number. The vision ends with Max hugging his neighbor, who turns out to be an illusion. Max stands alone in his trashed apartment. Giving up, Max burns the paper with the number, and trepans himself in the right temple with a power drill.

Later, a little girl with a calculator approaches Max in a park asking math problems. Max smiles and reveals that he can no longer perform complex mental calculations. He observes the trees blowing in the breeze, at peace.

Cast

Sean Gullette as Maximillian "Max" Cohen

Mark Margolis as Sol Robeson

Ben Shenkman as Lenny Meyer

Samia Shoaib as Devi

Pamela Hart as Marcy Dawson

Stephen Perlman as Rabbi Cohen

Ajay Naidu as Farrouhk

Kristyn Mae-Anne Lao as Jenna

Lauren Fox as Jenny Robeson

Clint Mansell as Photographer

Production

''Pi'' was written and directed by Darren Aronofsky, and filmed on high-contrast black-and-white reversal film. It was produced on a sufficiently low budget of $60,000, but proved a financial success at the box office ($3,221,152 gross in the U.S.) despite only a limited release to theaters. It has sold steadily on DVD.

Reception

The film was well received upon its release; on Rotten Tomatoes, the film has an 87 percent 'Fresh' rating based on 46 reviews. On Metacritic, the film has a rating of 72 (generally favorable reviews) out of 100 based on 23 reviews. Roger Ebert gave the film three and a half stars out of four, writing: "''Pi'' is a thriller. I am not very thrilled these days by whether the bad guys will get shot or the chase scene will end one way instead of another. You have to make a movie like that pretty skillfully before I care. But I am thrilled when a man risks his mind in the pursuit of a dangerous obsession." James Berardinelli gave the film three stars, writing: "[''Pi''] transports us to a world that is like yet unlike our own, and, in its mysterious familiarity, is eerie, intense, and compelling. Reality is a fragile commodity, but, because the script is well-written and the central character is strongly developed, it's not hard to suspend disbelief....It probably deserves 3.1416 stars, but since my scale doesn't support that, I'll round it off to three."

Themes

Mathematics

''Pi'' features several references to mathematics and mathematical theories. For instance, Max finds the golden spiral occurring everywhere, including the stock market. Max's belief that diverse systems embodying highly nonlinear dynamics share a unifying pattern bears much similarity to results in chaos theory, which provides machinery for describing certain phenomena of nonlinear systems, which might be thought of as patterns.

The film's duration is 1:23:45

The actual number Max discovers is not displayed in its entirety until 54:22. The number displayed on his monitor is:

94143243431512659321054872390486828512913474876027

67195923460238582958304725016523252592969257276553

64363462727184012012643147546329450127847264841075

62234789626728592858295347502772262646456217613984

829519475412398501

Arranged into 50 columns, this is in fact 218 digits, not the 216 digits as described in the film. All the partially displayed digits presented earlier on his monitor and the printout appear to be consistent with this number, with the exception that Sol's number transposes the digits at 62 and 63, exchanging the "23" for "32", and does not contain the regular count of digits per row found in Max's number. Also, in the short clips where Max is seen transcribing digits by hand, some of the sequences shown do not correlate to pieces of the number already shown on his computer screen.

Kabbalah

The 216-letter name of God sought by the characters of the film is known as the Shem ha-Meforash or the Explicit Name. It comes from . Each of these three verses is composed of seventy-two letters in the original Hebrew. If one writes the three verses in boustrophedon form — one above the other, the first from right to left, the second from left to right, and the third from right to left — one gets seventy-two columns of three-letter names of God.

The game of Go

In the film, Max periodically plays Go with his mentor, Sol. This game has historically stimulated the study of mathematics and features a simple set of rules that results in a complex game strategy. The two characters each use the game as a model for their view of the universe; Sol says that the game is a microcosm of an extremely complex and chaotic world, while Max asserts that patterns can be found in the complexity of its variations.

Actors Sean Gullette and Mark Margolis both spent many hours learning the game at the Brooklyn Go Club, and had the help of a Go consultant for the film.

Soundtrack

''Pi'' launched the film scoring career of Clint Mansell.

Notes

References

External links

Category:1998 films Category:1990s thriller films Category:American independent films Category:American thriller films Category:English-language films Category:Hebrew-language films Category:Films directed by Darren Aronofsky Category:Directorial debut films Category:Black-and-white films Category:Films about mathematics Category:Fiction with unreliable narrators Category:Films set in New York City Category:Films shot in New York Category:Films shot in Super 16 Category:Independent films Category:Psychological thriller films Category:Sundance Film Festival award winners Category:Artisan Entertainment films

da:Pi (film) de:Pi (Film) es:Pi (película) fa:پی (فیلم) fr:Π (film) id:Π (film) it:Π - Il teorema del delirio nl:Pi (film) ja:Π (映画) no:Pi (film) pl:Pi (film) pt:Pi (filme) ru:Пи (фильм) sl:Π (film) fi:Pi (elokuva) sv:Pi (film) tr:Pi (film) uk:Пі (фільм)

name	Clint Mansell
background	non_performing_personnel
birth name	Clinton Darryl Mansell
birth date	January 07, 1963
origin	Coventry, England
genre	ClassicalContemporary classicalElectronicAlternative
occupation	Musician, Composer
years active	1981–present
associated acts	Pop Will Eat Itself
website	clintmansell.com
notable instruments	}}

Clinton Darryl "Clint" Mansell, (born 7 January 1963) is an English musician, composer, and former lead singer and guitarist of the band Pop Will Eat Itself.

After the disbanding of Pop Will Eat Itself in 1996, Mansell was introduced to film scoring when his friend, director Darren Aronofsky, hired him to score his debut film, ''π''. Mansell then wrote the score for the next Aronofsky film, ''Requiem for a Dream'', which has been well received. Its main composition "Lux Æterna" has become extremely popular, appearing in a wide variety of advertisements and film trailers.

Mansell's composition for ''The Fountain'' was nominated for Best Original Score at the 64th Annual Golden Globe Awards. His other notable film scores include ''Moon'', ''Smokin' Aces'', ''The Wrestler'', and ''Black Swan''.

Career

Pop career

Mansell was the lead singer and guitarist of the British band Pop Will Eat Itself. When PWEI signed to Nothing Records, Mansell became friends with Trent Reznor, and he also performed back-up vocals on the 1999 album ''The Fragile'' by Nine Inch Nails.

Soundtrack composer

Mansell's score for Darren Aronofsky's ''π'' was followed up by his score for Aronofsky's next film, ''Requiem for a Dream'', which became a cult hit. Since their first collaboration in 1996, Mansell has composed the music to every Aronofsky film.

Other notable achievements include the theme for the film ''The Hole'', the music for the pilot episode of ''CSI: NY'', and the score for Aronofsky's later films ''The Fountain'', which was nominated for Best Original Score in the 64th Annual Golden Globe Awards, and ''The Wrestler''. Mansell has also contributed the score to HBO's Voyeur. The song was also used as the base theme for the song "Throw It Up" by Lil Jon. His most recent work has been on the soundtrack for ''Black Swan'' in 2010.

Mansell has garnered a cult following for his soundtrack work, so much that ''Smokin' Aces'' director Joe Carnahan admits to receiving "blatant threats" when the soundtrack was released without much of Mansell's score for the film.

Film trailers

The trailer for ''The Lord of the Rings: The Two Towers'' contained a rearranged version of the track "Lux Æterna", using a full orchestra and choir. The piece, named "Requiem for a Tower", was recorded especially for the trailer. The orchestration was arranged by Simone Benyacar, Dan Nielsen, and Veigar Margeirsson.

"Lux Æterna" has since become popular, with both the original and the "Requiem for a Tower" version having appeared in a wide variety of advertisements and trailers, including the trailer for the Red Sox–Yankees games in the 2007 Major League Baseball season, and trailers for the films ''Zathura'', ''The Da Vinci Code'', ''Sunshine'', ''Babylon A.D.'' and the TV series ''Lost'' and ''Top Gear''. It was also used on Sky Sports News and as the theme for ''Soccer Saturday'' from 2007-2009. In 2006, the theme was used in EuroSport LIVE trailers. The theme was also used by ''America's Got Talent'' as an introduction of the judges before being changed slightly. The new variant is now a regular piece on the show.

The piece "Death Is the Road to Awe" from the score for ''The Fountain'' was featured in a trailer for the 2007 film ''I Am Legend'', and the trailer for the film ''The Mist'', as well as the trailer for the film ''Frost/Nixon'', and toward the end of 2007 The Final Cut trailer for ''Blade Runner''.

Scoring credits

''Pi'', 1998

''Requiem for a Dream'', 2000

''World Traveler'', 2001

''The Hole'', 2001

''Knockaround Guys'', 2001

''Rain'', 2001

''Abandon'', 2002

''Murder by Numbers'', 2002

''Sonny'', 2002

''The Hire: Ticker'', 2002

''11:14'', 2003

''Suspect Zero'', 2004

''Sahara'', 2005

''Doom'', 2005

''The Fountain'', 2006

''Trust the Man'', 2006

''Smokin' Aces'', 2006

''Wind Chill'', 2007

''In The Wall'', 2007

''Definitely, Maybe'', 2008

''The Wrestler'', 2008

''Blood: The Last Vampire, 2009

''Moon'', 2009

''L'affaire Farewell'', 2009

''The Rebound'', 2010

''Black Swan'', 2010

''Last Night'', 2010

''Faster'', 2010

''United'', 2011

''Mass Effect 3'', 2012 (TBA)

References

External links

Mansell at Yahoo Movies

Mansell at Rotten Tomatoes

Interview focusing on Pop Will Eat Itself

The Wrestler Score review

Two and a Half Questions with Clint Mansell on Headphone Commute (2009)

Category:1963 births Category:British indie rock musicians Category:English film score composers Category:Living people Category:People from Coventry

ar:كلينت مانسيل bg:Клинт Мансел cs:Clint Mansell de:Clint Mansell et:Clint Mansell el:Κλιντ Μάνσελ es:Clint Mansell fa:کلینت منسل fr:Clint Mansell it:Clint Mansell he:קלינט מנסל hu:Clint Mansell nl:Clint Mansell ja:クリント・マンセル pl:Clint Mansell pt:Clint Mansell ru:Мэнселл, Клинт simple:Clint Mansell sk:Clint Mansell fi:Clint Mansell sv:Clint Mansell th:คลินต์ แมนเซลล์ uk:Клінт Менсел