Coordinates	3°8′51″N101°41′36″N
Name	Lady Gaga
Alt	Portrait of Lady Gaga
Background	solo_singer
Birth name	Stefani Joanne Angelina Germanotta
Birth date	March 28, 1986
Birth place	New York, New York, U.S.
Instrument	Vocals, piano, keyboards
Genre	Pop, dance
Occupation	Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist
Years active	2005–present
Label	Def Jam, Cherrytree, Streamline, Kon Live, Interscope
Website	}}

Stefani Joanne Angelina Germanotta (; born March 28, 1986), better known by her stage name Lady Gaga, is an American singer and songwriter. Born and raised in New York City, she primarily studied at the Convent of the Sacred Heart and briefly attended New York University's Tisch School of the Arts before withdrawing to focus on her musical career. She began performing in the rock music scene of Manhattan's Lower East Side, and was signed with Streamline Records by the end of 2007. During her employment as a songwriter for the record company, her vocal abilities captured the attention of recording artist Akon, who signed her to his label Kon Live Distribution.

Lady Gaga came to prominence as a recording artist following the release of her debut album ''The Fame'' (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the The Fame Ball Tour, she followed the album with ''The Fame Monster'' (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro". The album's success allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her 2011 album ''Born This Way'' topped the charts of most major markets and generated more international chart-topping singles, including "Born This Way", "Judas" and "The Edge of Glory". Beside her musical career, she involves herself with humanitarian causes and LGBT activism.

Influenced by such acts as David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is recognized for her flamboyant, diverse and outré contributions to the music industry through fashion, performance and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles some of the best selling worldwide. Her achievements include four ''Guinness World Records'', five Grammy Awards and 13 MTV Video Music Awards. Lady Gaga has consecutively appeared on ''Billboard'' magazine's Artists of the Year (scoring the definitive title in 2010), is regularly placed on lists composed by ''Forbes'' magazine and was named one of the most influential people in the world by ''Time'' magazine.

Biography

1986–2004: Early life

Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986 in New York, NY to parents Cynthia (née Bissett) and Joseph Germanotta, an internet entrepreneur. Descending from Italian and more distant French-Canadian roots, Gaga is the elder of two children. Her sister, Natali, a fashion student, was born in 1992. Despite her seemingly affluent upbringing in the family home in Manhattan's Upper West Side, Gaga has stressed that she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."

From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side. She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure": "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak." Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate. Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14. Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in ''Guys and Dolls'' and Philia in ''A Funny Thing Happened on the Way to the Forum''. She also appeared in a very small role as a mischievous classmate in the television drama series ''The Sopranos'' in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows.

When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts. After becoming one of twenty students to gain early admission, she eventually lived in an NYU dorm on 11th Street by the age of 17. CAP21 prepared her for her future career focus in "music, art, sex and celebrity" where, in addition to sharpening her songwriting skills, she composed essays and analytical papers on art, religion, social issues and politics, including a thesis on pop artists Spencer Tunick and Damien Hirst. With CAP21, she also tried out for and won auditions, including the part of an unsuspecting diner customer for MTV's ''Boiling Points'', a prank reality television show. But Gaga felt more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said.

2005–07: Career beginnings

Gaga withdrew from CAP21 at 19, in the second semester of her sophomore year, deciding to focus on her musical career. Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers. Settled in a small apartment on Rivington Street towards the summer of 2005, Gaga recorded a couple of songs with hip-hop singer Grandmaster Melle Mel, for an audio book accompanying the children's book ''The Portal in the Park'', by Cricket Casey. She also began a band called the Stefani Germanotta Band (SGBand) with some friends from NYU – guitarist Calvin Pia, bassist Eli Silverman, drummer Alex Beckham and booking manager Frank Fredericks – in September of that year. The band played a mixture of songs: some self-penned alongside classic rock numbers like Led Zeppelin's "D'yer Mak'er". Playing in bars like the Greenwich Village's The Bitter End and the Lower East Side's the Mercury Lounge, the band developed a small fan base and caught the eye of music producer Joe Vulpis. Soon after arranging time in Vulpis' studio in the months that followed, SGBand were selling their extended plays ''Words'' and ''Red and Blue'' (both 2005) at gigs around New York while becoming a local fixture of the downtown Lower East Side club scene.

SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a musician, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer. While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen. It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga." He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again." ''The New York Post'', however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.

Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses. Joshua Sarubin, the head of A&R; at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months. However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night". Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side.

She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs. Her father, however, did not understand the reason behind her drug intake and could not look at her for several months. "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself." It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film ''Grease'': "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.

During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona. Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts. Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year. The show was critically acclaimed, and their performance received positive reviews. Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.

While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert. Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going." Having served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV. As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls. At Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio. He then convinced Interscope-Geffen-A&M; Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live Distribution, making her his "franchise player."

As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed. The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.". Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album and also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)". Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. Her response: "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."

2008–10: ''The Fame'' and ''The Fame Monster''

By 2008, Gaga had relocated to Los Angeles in order to work extensively with her record label to complete her debut album and set up her own creative team Haus of Gaga, modeled on Andy Warhol's Factory. ''The Fame'' was first released on August 19, 2008 to slow radio play. Gaga supported it by performing around Europe and in small gay clubs around the US in addition to being billed as a supporting artist on the North American leg of New Kids on the Block's reunion concert tour. A sleeper hit, lead single "Just Dance" had preceded the album's release by four months but only hit the summit of the international charts in January 2009, provoking the instant success of the album, earning her first Grammy Award nomination (for Best Dance Recording) and becoming one of the best-selling singles worldwide. Gaga achieved a greater unexpected success when "Poker Face", another sleeper hit, reached number one in most major music markets worldwide in early 2009. The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year.

''The Fame'' itself was nominated for Album of the Year while winning Best Dance/Electronica Album at the same ceremony. Contemporary critics lauded the album, describing it as an exploration of her obsession with fame and the intricacies of a rich and famous lifestyle, noting its combination of genres "from Def Leppard drums and hand claps to metal drums on urban tracks", the inspiration drawn from 1980s synthpop and incorporation of dance music with clear hooks. ''The Fame'' went to number one in Austria, Canada, Germany, Ireland, Switzerland and the UK and appeared in the top five in Australia, the US and 15 other countries. It also stayed atop the Dance/Electronic Albums chart for 106 non-consecutive weeks and, since its release, has sold over 12 million copies worldwide. The album's success spawned many 2009 honors including ''Billboard'' magazine's Rising Star award and the accumulation of 3 of 9 MTV Video Music Awards nominations, winning Best New Artist with the video for her single "Paparazzi" gaining Best Art Direction and Best Special Effects. In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.

While she traveled the globe, she wrote ''The Fame Monster'', an EP of eight songs released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Making Gaga the first artist in digital history to have three singles (alongside "Just Dance" and "Poker Face") to pass the four million mark in digital sales, its lead single "Bad Romance" topped the charts in eighteen countries and reached the top two in the US, Australia and New Zealand while accruing the Grammy Awards for Best Female Pop Vocal Performance and Best Short Form Music Video. The second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number one single; its accompanying music video, although controversial, receiving positive reception from contemporary critics who praised her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna." Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy. Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube. At the 2010 MTV Video Music Awards, Gaga won 8 of her 13 nominations, including Video of the Year for "Bad Romance" (with "Telephone" also nominated), which made her the first female artist to be nominated twice for the award. In addition, ''The Fame Monster'' garnered a total of six nominations at the 53rd Grammy Awards – equating to the amount of Grammy nominations her debut received – winning Best Pop Vocal Album and earning her a second-consecutive nomination for Album of the Year.

The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of ''The Fame Monster'' and months after having finished The Fame Ball Tour. Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist. Concerts performed at Madison Square Garden in New York City were filmed for a HBO television special titled ''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden''. The special accrued one of its five Emmy Award nominations and has since been released on DVD and Blu-ray. Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony. Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage."

Nevertheless, she realized a collaboration with consumer electronic company Beats by Dr. Dre to create a pair of in-ear jewel-encrusted headphones titled Heartbeats. "They are designed to be the first ever fashion accessories that double as the absolute best sonically sounding headphones in the world," she commented. Gaga also partnered with Polaroid in January 2010 as their Creative Director. Excited about "blending the iconic history of Polaroid and instant film with the digital era," Gaga unveiled the first trio of new products called Grey Label: a pair of picture-taking sunglasses, a paperback-sized mobile printing unit and an updated version of the traditional Polaroid camera at the the 2011 Consumer Electronics Show. But her collaboration with past producer Rob Fusari led to her production team, Mermaid Music LLC, being sued in March 2010 when he claimed that he was entitled to a 20% share of the company's earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment, but five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga. In addition to such strife, Gaga was tested borderline positive for lupus, but claimed not to be affected by the symptoms. The revelations caused considerable dismay among fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.

2011–present: ''Born This Way''

Gaga released her second studio album and third major release, ''Born This Way'', on May 23, 2011. Described as a marriage of electronic music with metal, rock 'n' roll, pop and anthemic style melodies with sledge-hammering dance beats and referred to as an album "about what what keeps us up at night and what makes us afraid," Gaga characterized it as "something so much deeper than a wig or lipstick or a fucking meat dress" and, upon hearing it, Akon remarked that she is taking music to the "next level." Upon release, the album received generally positive reviews from music critics, who praised its range of different styles and her vocals. ''Born This Way'' sold 1.108 million copies in its first week in the US, debuted atop the ''Billboard'' 200, and topped the charts in more than 20 other countries. In addition to exceeding 8 million copies in worldwide sales, ''Born This Way'' received 3 Grammy Award nominations, including her third consecutive for Album of the Year.

In the months prior to its unveiling, Gaga released the singles "Born This Way", "Judas" and "The Edge of Glory" alongside promotional single "Hair". The eponymous lead single, first sung live at the 53rd Grammy Awards in a performance that saw Gaga emerge from an egg-like vessel, deals with self-acceptance regardless of race or sexual orientation. The single debuted atop the ''Billboard'' Hot 100, becoming the 19th number-one debut and the 1,000th number-one single in the history of the charts. It sold more than 3 million digital copies in the US by October 2011, becoming her eighth consecutive single to exceed sales of 2 million and, with worldwide sales of 8.2 million copies by November 2011, one of her five best-selling singles worldwide. Critics noted artistic and cultural references and praised the concept of the song's accompanying music video, in which Gaga gives birth to a new race amidst surrealistic images. The video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references but received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it. "Judas" also peaked within the top ten in several major musical markets while "The Edge of Glory", first a commercial success in digital outlets, was later released as a single to critical appreciation accompanied by a video which notably stripped down from her usually "extravagant" efforts. She released "You and I" and "Marry the Night" as the following singles from ''Born This Way''. Although their "crazy and ambitious" videos were praised for their audacity, both songs failed to match the similar international success that its predececors achieved.

Gaga continued her musical endeavors by pairing with veteran artists like Tony Bennett to record a jazz version of "The Lady Is a Tramp". She also recorded a duet with Cher on a "massive" and "beautiful" track, which Gaga "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason." Gaga also lent her vocals to an original duet with Elton John for the animated feature film ''Gnomeo & Juliet''. The song, "Hello, Hello", was released without Gaga's vocals but the duet version features in the film. She also continued her live appearances throughout 2011, performing a one-of-a-kind concert at the Sydney Town Hall on July 13 in promotion of ''Born This Way'' and at the celebration of former US president Bill Clinton's 65th birthday, wearing a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changing the lyrics to "You and I" specifically for the performance. Televised appearances comprised her own Thanksgiving Day television special entitled ''A Very Gaga Thanksgiving'' which was critically lauded, attained 5.749 million American viewers, and spawned the release of her fourth extended play ''A Very Gaga Holiday''. Her second performance on ''Saturday Night Live'' saw her singing a selection of ''Born This Way'' songs alongside appearing in number of sketches with Justin Timberlake and Andy Samberg.

As she enters 2012, songs for a new album are "beginning to flourish" as she works with producer Fernando Garibay while the accompanying tour for ''Born This Way'' materializes. The Born This Way Ball Tour will kick off on April 27, 2012 at the Olympic Stadium in Seoul, South Korea.

Artistry

Influences

Gaga's parents, who exposed her to artists like The Beatles, Stevie Wonder, Bruce Springsteen, Pink Floyd, Led Zeppelin and Elton John, had significant influence on her childhood and, presently, still do. "I am a real family girl. When it comes to love and loyalty, I am very old-fashioned. And I am quite down-to-earth for such an eccentric person," she insists. "I'm quite traditional in the family sense. I've always been that way." According to Gaga, Joanne Germanotta – her aunt who died of lupus aged 19 – lives on through her and inspires all of her music and art. Joanne's date of death is tattooed on Gaga's body and, despite dying 12 years before her birth, Gaga commented, "I really believe I have two hearts. I think I actually carry two souls in my body, and that I'm living out the rest of her life and her goodness – she died a virgin, she died never having experienced all these things that we all get to love and experience in our lives." Another spiritual influence on Gaga has been the Indian physician, public speaker and writer Deepak Chopra. Labeling him a "true inspiration", she stated that "he's always reminded me to work in a life of service to my fans and to fulfill my vision and my destiny" in addition to thinking about Chopra when it comes to her work as a musician: "I want so much for it to go beyond the music for my fans."

Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance. The Queen song "Radio Ga Ga" inspired her stage name: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented. Gaga receives regular comparisons to recording artist Madonna who admits that she sees herself reflected in Gaga. In response to the comparisons, Gaga stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally." Like Madonna, Gaga has continued to reinvent herself and, over the years of her career, has drawn musical inspiration from a diverse mix of artists including Whitney Houston, Britney Spears, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson and Yoko Ono.

Gaga has identified fashion as a major influence and has been stylistically compared to English eccentrics Leigh Bowery and Isabella Blow and to American recording artist Cher. She commented that "as a child, she somehow absorbed Cher's out-there fashion sense and made it her own." She has considered Donatella Versace her muse and the late British fashion designer and close friend Alexander McQueen as an inspiration, admitting that "I miss Lee every time I get dressed" while channeling him in some of her work. Modeled on Andy Warhol's Factory, Gaga has her own creative production team, which she handles personally, called the Haus of Gaga, who create many of her clothes, stage props, and hairdos. Her adoration of fashion came from her mother, who she stated was "always very well kept and beautiful." "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether—performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us." The Global Language Monitor named "Lady Gaga" as the Top Fashion Buzzword with her trademark "no pants" a close third. ''Entertainment Weekly'' put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream." Gaga made her runway debut at Thierry Mugler's Paris fashion show in March 2011 where she wore items from Nicola Formichetti's debut women's wear collection. In June of the same year, she won the Council of Fashion Designers of America Award for Fashion Icon. She has since devoted her time as a fashion columnist for ''V'' magazine, where she has written about her creative process, her studying of the world of pop culture, and her ability to tune into the evolution of pop-culture meme.

Musical style

Continually experimenting with new musical ideas and images, Gaga's musical and performance style is the subject of much analysis and scrutiny from critics. She professes that she is "liberating" herself by constantly reinventing her sound and image, insisting that she has been drawn to such a practice since her childhood. Vocally, Gaga possesses the range of a contralto and exhibits "overwhelming expression, instinctive vocal phrasing, '80s rock reminiscent chest belts and animalistic vocal ticks" while being able to move through 2.4 octaves. Refusing to lip sync, Gaga – whose range is frequently compared to those of Madonna and Gwen Stefani – has manipulated her vocal style over the course of her career yet considers ''Born This Way'' (2011) "much more vocally up to par with what I've always been capable of." In summation of her voice, ''Entertainment Weekly'' wrote, "There's an immense emotional intelligence behind the way she uses her voice. Almost never does she overwhelm a song with her vocal ability, recognizing instead that artistry is to be found in nuance rather than lung power."

Although her early lyrics have been criticized for lacking intellectual stimulation, "[Gaga] does manage to get you moving and grooving at an almost effortless pace." She admits that her songwriting has been misinterpreted; her friend and blogger Perez Hilton articulated her message in a clearer way: "you write really deep intelligent lyrics with shallow concepts." Gaga opined, "Perez is very intelligent and clearly listened to my record from beginning to end, and he is correct." "I love songwriting. It's so funny – I will just jam around in my underwear or I could be washing my dishes. I wrote several songs just at the piano," she confesses. Gaga believes that "all good music can be played at a piano and still sound like a hit." She has covered a wide variety of topics in her songs: while ''The Fame'' (2008) meditates on the lust for stardom, ''The Fame Monster'' (2009) expresses fame's dark side through monster metaphors. ''Born This Way'' (2011) is sung in English, French, German and Spanish and includes common themes in Gaga's controversial songwriting like love, sex, religion, money, drugs, identity, liberation, sexuality, freedom and individualism.

The structure of her music is said to echo classic 1980s pop and 1990s Europop. Her debut album ''The Fame'' (2008) provoked ''The Sunday Times'' to assert "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now" and a critic from ''The Boston Globe'' to comment that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B;-ish beats." The follow-up ''The Fame Monster'' (2009), saw Gaga's taste for pastiche, drawing on "Seventies arena glam, perky ABBA disco and sugary throwbacks like Stacey Q" while ''Born This Way'' (2011) also draws on the records of her childhood and still has the "electro-sleaze beats and Eurodisco chorus chants" of its predecessor but includes genres as diverse as opera, heavy metal, disco, and rock and roll. "There isn't a subtle moment on the album, but even at its nuttiest, the music is full of wide-awake emotional details," wrote ''Rolling Stone'', who concluded: "The more excessive Gaga gets, the more honest she sounds."

Music videos and performances

With constant costume changes, backup dancers, and plenty of provoctative visuals, Gaga's music videos are often described as short films. "Being provocative is not just about getting people's attention. It's about saying something that really affects people in a real way, in a positive way," she professes. Exploring bondage and sadomasochism in addition to highlighting prevalent feminist themes, "the three central themes that shape Lady Gaga's music videos are sex, violence, and power." "Vaudevillian and carnal, Lady Gaga has got the knack of sending rape-like fantasies—in songs and videos that double as catch club hits—to the top of the charts," wrote one critic. "Whether it is physical violence or sexual exploitation, these videos offer vivid depictions of male power over women's bodies," wrote another. While she labels herself "a little bit of a feminist" (she rejects man-hating feminism) and asserts that she is "sexually empowering women," Gaga strives to empower young women to stand up for what they believe in. She also attempts to liberate her fans so they can feel "less alone." "She not only reiterates her assertion of total originality," professed pop critic Ann Powers, "but also finesses it until it's both a philosophical stance about how constructing a persona from pop-cultural sources can be an expression of a person's truth—a la those drag queens Gaga sincerely admires—and a bit of a feminist act." In summation of her videos, ''Rolling Stone'' used the rhetoric: "does anyone look to a Lady Gaga video for restraint?"

Her performances are described as "highly entertaining and innovative"; the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme during The Monster Ball Tour, in which she wore a revealing leather corset and was "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene in England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Her unconventionality continued at the 2011 MTV Video Music Awards: performing in drag as her male alter ego, Jo Calderone, and delivering a lovesick monologue before a performance of her song "You and I". Some have defended her flamboyant and provocative behavior. "Well, she's Lady Gaga," Chris Rock said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?" As Gaga's choreographer and creative director, Laurieann Gibson provided material for her shows and videos for four years. However, the pair parted in November 2011; Gaga replacing her with Gibson's assistant Richard Jackson. Gaga admits to being a perfectionist when it comes to her elaborate shows. "I'm very bossy. I can scream my head off if I see one light fixture out. I'm very detailed – every minute of the show has got to be perfect."

Public image

While ''Rolling Stone'' named Gaga the "Queen of Pop" in 2011, public reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied. Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art. In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since spring 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga." When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.

Contrary to her outré style, the ''New York Post'' described her early look as like "a refugee from ''Jersey Shore''" with "big black hair, heavy eye makeup and tight, revealing clothes." Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, whom she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. In a question posed about the necessary procedure to attach the prosthetics to give the unconventional appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is.

Towards the end of 2008, comparisons were made between the fashions of Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way." When interviewed by Barbara Walters for her annual ABC News special ''10 Most Fascinating People'' in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Gaga's video for "Bad Romance". There have also been similar comparisons made between Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier.

While devout followers call Gaga "Mother Monster", Gaga often refers to her fans as "Little Monsters" which has been tattooed on "the arm that holds my mic" in dedication. Her treatment of her "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in ''The Sunday Times'' asserts that Gaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for ''The Guardian'', Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere."

Philanthropy

Besides her career in music, Gaga has also contributed to various charities. For natural disasters, Gaga has helped various relief efforts. Although declining an invitation to appear on the single "We Are the World 25" to benefit victims of the 2010 Haiti earthquake, she donated the proceeds of her January 24, 2010 concert at New York's Radio City Music Hall to the country's reconstruction relief fund. All profits from her official online store on that day were also donated. Gaga announced that an estimated total of $500,000 was collected for the fund. Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. All revenue from a bracelet she designed in conjunction with the company was donated to relief efforts. As of March 29, 2011, the bracelets raised $1.5 million. However, attorney Alyson Oliver filed a lawsuit against Gaga in Detroit in June 2011, noting that the bracelet was subject to a sales tax and an extra $3.99 shipping charge was added to the price. She also believed that not all proceeds from the bracelets would go to the relief efforts, demanding a public accounting of the campaign and refunds for people who had bought the bracelet. Lady Gaga's spokesperson called the lawsuit "meritless" and "misleading". On June 25, 2011, Gaga performed at MTV Japan's charity show in Makuhari Messe, which benefited the Japanese Red Cross.

Gaga also contributes in the fight against HIV and AIDS, focusing on educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick." The sales of Gaga-endorsed Viva Glam lipstick and lipgloss have raised more than $202 million to fight HIV and AIDS.

As a humanitarian, she has launched her own non-profit organization, the Born This Way Foundation, which focuses on youth empowerment and issues like self-confidence, well-being, anti-bullying, mentoring, and career development. "My mother and I have initiated a passion project. We call it the Born This Way Foundation," Gaga said in a statement about the foundation, which takes its name from the 2011 single and album. "Together we hope to establish a standard of Bravery and Kindness, as well as a community worldwide that protects and nurtures others in the face of bullying and abandonment." The foundation will work with a number of partners, including the John D. and Catherine T. MacArthur Foundation, The California Endowment and the Berkman Center for Internet & Society at Harvard University. She also jumped into the debate surrounding SB 1070, Arizona's recently-enacted anti-immigration law, after premiering her ''Born This Way'' song "Americano" on the Guadalajara stop of The Monster Ball Tour in Mexico, telling the local press that she could not "stand by many of the unjust immigration laws" in the US. A devoted advocate for the LGBT community, Gaga is also an outspoken activist for LGBT rights worldwide.

LGBT advocacy

Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a gay icon. Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase." She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of ''The Fame'', saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team." One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance". In June of the same year, she performed the song again at the San Francisco Pride event.

After ''The Fame'' was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with ''Rolling Stone'', she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." When she appeared as a guest on ''The Ellen DeGeneres Show'' in May 2009, she praised DeGeneres for being "an inspiration for women and for the gay community". She proclaimed that the October 11, 2009 National Equality March rally on the National Mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," similar to her 2009 MTV Video Music Awards acceptance speech for Best New Artist a month earlier. At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.

Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy, David Hall, Katie Miller and Stacy Vasquez), all of whom, under the United States military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality. In addition, Gaga wore a meat dress to the ceremony which was supplemented by boots, a purse and a hat that were all fabricated from the flesh of a dead animal. Partly awarded in recognition of the dress, Vogue.com UK named her one of the Best Dressed people of 2010 while ''Time'' magazine's named the dress the Fashion Statement of 2010, it received divided opinions – evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. She denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community, adding that "If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones."

She later released three videos on YouTube videos urging her fans to contact their Senators in an effort to overturn the policy. In late September 2010 she spoke at the Servicemembers Legal Defense Network's "4the14K" Rally in Deering Oaks Park in Portland, Maine. The name of the rally signified the number – an estimated 14,000 – of service members discharged under the DADT policy at the time. During her remarks, she urged members of the U.S. Senate (and in particular, moderate Republican Senators from Maine, Olympia Snowe and Susan Collins) to vote in favor of legislation that would repeal the DADT policy. Following this event, editors of ''The Advocate'' commented that she had become "the real fierce advocate" for gays and lesbians, one that Barack Obama had promised to be.

Gaga appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticized the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus. She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now". Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."

Discography

''The Fame'' (2008)

''The Fame Monster'' (2009)

''Born This Way'' (2011)

Filmography

''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden'' (2011)

''A Very Gaga Thanksgiving'' (2011)

Concert tours

The Fame Ball Tour (2009)

Fame Kills: Starring Kanye West and Lady Gaga (2009–10) (canceled)

The Monster Ball Tour (2009–11)

The Born This Way Ball Tour (2012–13)

See also

List of awards and nominations received by Lady Gaga

Honorific nicknames in popular music

List of best-selling music artists

References

Further reading

Monster Anthems (2011) by Robert Christgau

External links

Slide show ''Vanity Fair''

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Coordinates	3°8′51″N101°41′36″N
name	Miley Cyrus
background	solo_singer
full name	Miley Ray Cyrus
birth name	Destiny Hope Cyrus
birth date	November 23, 1992
birth place
genre	Pop, pop rock, country pop, dance
occupation	Actress, author, entrepreneur, fashion designer, singer-songwriter, musician, dancer
instrument	Vocals, guitar, piano
years active	2001–present
label	Walt Disney, Hollywood
associated acts	Hannah Montana, Disney's Friends for Change, Billy Ray Cyrus
url	100pxSignature of Miley Cyrus.
notable instruments	}}

Miley Ray Cyrus (born Destiny Hope Cyrus; November 23, 1992) is an American actress and pop singer-songwriter. She achieved wide fame for her role as Miley Stewart/Hannah Montana on the Disney Channel sitcom ''Hannah Montana''. Cyrus recorded music for the soundtracks, ''Hannah Montana'' (2006) and ''Hannah Montana 2/Meet Miley Cyrus'' (2007), released by Walt Disney Records. With the success of the ''Hannah Montana'' franchise she established herself as a teen idol. In 2007, Cyrus signed to Hollywood Records to pursue a solo career. She embarked upon the Best of Both Worlds Tour the same year, in which she performed as both herself and in character as Hannah Montana. The tour was eventually turned into a high-grossing concert film entitled ''Hannah Montana & Miley Cyrus: Best of Both Worlds Concert'' (2008). In July 2008, Cyrus released her first solo album, ''Breakout'' (2008), which was commercially successful.

She began her foray into film by providing the voice of "Penny" in the animated film ''Bolt'' (2008). Cyrus earned a nomination for the Golden Globe Award for Best Original Song for her performance of ''Bolt''s theme song, "I Thought I Lost You". She also reprised her role as Miley Stewart/Hannah Montana in ''Hannah Montana: The Movie'' (2009). The ''Hannah Montana: The Movie'' soundtrack introduced her to new audiences within country and adult contemporary markets.

She began to cultivate an adult image in 2009 with the release of ''The Time of Our Lives'' (2009), an extended play which presented a more mainstream pop sound, and by filming ''The Last Song'' (2010), a coming-of-age drama film. The former included Cyrus's best-selling single, "Party in the U.S.A." (2009). A studio album titled ''Can't Be Tamed'' was released in 2010 and presents a new dance-pop sound. The music video and lyrics of the album's lead single, "Can't Be Tamed", portrays a more sexualized image for the entertainer. Cyrus ranked number thirteen on ''Forbes'' 2010 Celebrity 100. In April 2011, Cyrus was named the 64th hottest woman in the world on ''Maxim'''s Hot 100. In May 2011, Cyrus was also named the 89th sexiest woman in the world on FHM's 100 Sexiest Women in the world.

Early life

Cyrus was born on November 23, 1992 in Nashville, Tennessee to Letitia Jean "Tish" (née Finley) and country singer Billy Ray Cyrus. Her parents named her Destiny Hope because they believed that she would accomplish great things with her life. They gave her the nickname "Smiley", which was later shortened to "Miley", because she smiled so often as a baby. Cyrus suffers from a mild heart condition causing tachycardia which, though not dangerous, is often bothersome.

Against the wishes of her father's record company, Cyrus's parents secretly married a year after Cyrus's birth on December 28, 1993. Tish had two children from a previous relationship: Trace and Brandi. Billy Ray adopted Trace and Brandi when they were young. She has a half-brother, Christopher Cody, Billy Ray's son from a brief relationship, born the same year as Miley; he grew up with his mother in South Carolina. Tish and Billy Ray had two more children, Braison and Noah. Cyrus's godmother is entertainer Dolly Parton. Cyrus was very close to her paternal grandfather, Democratic politician Ronald Ray Cyrus. Cyrus has paid her grandfather several tributes since his death in 2006, including eventually changing her middle name to "Ray". According to Cyrus's father, "A lot of people say Miley changed her name to Miley Ray because of Billy Ray, but that's not true. She did that in honor of my dad, because the two of them just loved each other to pieces."

Cyrus grew up on a farm in Franklin, Tennessee, approximately an hour away from Nashville, and attended Heritage Elementary School. She was raised Christian and was baptized in a Southern Baptist church prior to moving to Hollywood in 2005. She attended church regularly while growing up and wore a purity ring. Several of Cyrus's siblings also eventually entered the entertainment business: Trace became a vocalist and guitarist for the electronic pop band Metro Station, Noah became an actress, and Brandi became a guitarist.

Career

2001–05: Career beginnings

In 2001, when Cyrus was eight, she and her family moved to Toronto, Canada while her father filmed the television series ''Doc''. Cyrus said watching her father film the show inspired her to pursue acting. After Billy Ray took her to see a 2001 Mirvish production of ''Mamma Mia!'' at the Royal Alexandra Theatre, Cyrus grabbed his arm and told him, "This is what I want to do, daddy. I want to be an actress." She began taking singing and acting classes at the Armstrong Acting Studio in Toronto. In her first role, Cyrus played a girl named Kylie on ''Doc''. In 2003, Cyrus was credited under her birth name for her role as "Young Ruthie" in Tim Burton's ''Big Fish''.

At age 11, Cyrus learned about the casting for what became ''Hannah Montana'', a Disney Channel children's television series about a school girl with a secret double life as a teen pop star. Cyrus sent in a tape auditioning for the show's best friend role, but received a call asking her to audition for the lead, "Chloe Stewart". After sending in a new tape and flying to Hollywood for further auditions, Cyrus was told that she was too young and too small for the part. However, her persistence and ability to sing in addition to act led the show's producers to invite her back for further auditions. Cyrus eventually received the lead, renamed "Miley Stewart" after herself, at the age of twelve. During this time, she also auditioned with Taylor Lautner for the feature film ''The Adventures of Sharkboy and Lavagirl in 3-D'' and it came down to her and another actress, but Cyrus started doing ''Hannah Montana'' instead.

As Cyrus's career took off, Tish Cyrus made several critical decisions regarding her daughter's representation. She signed Cyrus with Mitchell Gossett, director of the youth division at Cunningham Escott Slevin Doherty. Gossett, who specializes in creating child stars, had arranged for Cyrus's auditions for Hannah Montana and is credited with "discovering" her. For Cyrus's music career, Tish followed the advice of Dolly Parton, Cyrus's godmother and a singer herself, and signed Cyrus with Jason Morey of Morey Management Group. "Dolly said the Moreys are people you can trust around your daughter," Tish Cyrus recalls, "and she said they have good morals, which is not always the case in this business." According to trade magazine ''The Hollywood Reporter'', Parton's advice was "the best advice [Tish] could [have gotten] on who should rep her daughter." Tish also recruited Billy Ray's business manager to manage her daughter's finances. Tish herself continues to co-manage or produce many of Cyrus's career decisions. For her education, Cyrus enrolled at Options for Youth Charter Schools and studied with a private tutor on the set of her television show.

2006–07: ''Hannah Montana'' and ''Hannah Montana 2: Meet Miley Cyrus''

''Hannah Montana'' became an instant hit and propelled Cyrus to teen idol status, according to ''The Daily Telegraph''. The series premiered on March 26, 2006 to the largest audience ever for a Disney Channel show and soon became one of the highest-rated series on basic cable, elevating Cyrus's wealth and fame along with it. ''Time'' magazine reports that Cyrus's "phenom[enal]" success is due partially to her talent and partially to "Disney learning to use its vast, multimedia holdings" and market Cyrus and ''Hannah Montana'' appropriately. Cyrus eventually became the first artist to have deals in television, film, consumer products, and music within The Walt Disney Company.

Cyrus's first single was "The Best of Both Worlds", the theme song to ''Hannah Montana'', which was released on March 28, 2006. "The Best of Both Worlds" is credited to "Hannah Montana", the pop star Cyrus portrays on the series by the same name. As with other songs credited to Montana, Cyrus typically dressed as the character when performing the song live. Cyrus's first release under her own name was a cover of James Baskett's "Zip-a-Dee-Doo-Dah", released on April 4, 2006 on the fourth edition of ''DisneyMania''. Dressed as Hannah Montana, Cyrus opened for The Cheetah Girls on twenty dates of their The Party's Just Begun Tour, beginning on September 15, 2006. On October 24 of same year, Walt Disney Records released the first ''Hannah Montana'' soundtrack. Of the nine tracks on the soundtrack performed by Cyrus, eight were credited to "Hannah Montana" and one, a duet with her father titled "I Learned from You", was credited to Cyrus as herself. The album peaked at number one on the U.S. ''Billboard'' 200 chart.

The second season of ''Hannah Montana'' premiered on April 23, 2007, and ran until October 12, 2008. Cyrus signed a four-album deal with Disney-owned Hollywood Records and, on June 26, 2007, released a double-disc album. The first disc was the soundtrack to the second season of ''Hannah Montana'', while the second, titled ''Meet Miley Cyrus'', was Cyrus's debut album credited to her own name. The double-disc album peaked at number one on the ''Billboard'' 200 and was later certified three times platinum by the Recording Industry Association of America (RIAA). ''Meet Miley Cyrus'' generated "See You Again", Cyrus's first single to be released under her own name and her first top ten hit on the ''Billboard'' Hot 100. In Fall 2007, Cyrus launched her first tour, the Best of Both Worlds Tour, to promote ''Meet Miley Cyrus'' and the ''Hannah Montana'' soundtracks. With the Jonas Brothers, Aly & AJ, and Everlife as her opening acts, Cyrus toured from October 17, 2007 to January 31, 2008 with stops in the U.S. and Canada. Tickets sold out in minutes and were scalped for up to $2,500 and an average of $214, well above their $26–$65 face value. A Ticketmaster official commented, "Hell hath no fury like the parent of a child throwing a tantrum. People who have been in this business for a long time are watching what's happening, and they say there hasn't been a demand of this level or intensity since The Beatles or Elvis."

2008–09: ''Breakout'', transitions and film career launch

After the end of the ''Best of Both Worlds Tour'' in January 2008, Walt Disney Pictures released ''Hannah Montana & Miley Cyrus: Best of Both Worlds Concert'', a 3D concert film of the tour, on February 1, 2008 for what was expected to be a one-week run. The film earned over $31 million at the box-office and an average of $42,000 per theater, twice the expected total, convincing Disney executives to extend the release for an indefinite run. "We don't want to turn away kids from the theaters who couldn't get into the concerts," said Chuck Viane, Disney's chief of distribution. The film's soundtrack was released by Walt Disney Records/Hollywood Records on March 11, 2008 and peaked at number three on the Billboard 200.

On July 22, 2008, Cyrus released her second studio album under her own name, entitled ''Breakout''. Cyrus said ''Breakout'' was inspired by "what's been going on in my life in the past year." Cyrus co-wrote eight out of twelve songs on the album. "Songwriting is what I really want to do with my life forever, [...] I just hope this record showcases that, more than anything, I'm a writer." The album debuted at #1 on the U.S. ''Billboard'' 200 chart and its lead single, "7 Things", peaked at number 9 on the ''Billboard'' Hot 100. She hosted the 2008 CMT Music Awards with her father in April and the 2008 Teen Choice Awards by herself in August. Cyrus provided the voice of Penny in the 2008 computer-animated film ''Bolt'', which was released on November 21, 2008 to critical acclaim. Cyrus also co-wrote and recorded the song "I Thought I Lost You" as a duet with John Travolta for the film, for which she received a Golden Globe nomination. In September 2009, she participated in the charity single "Just Stand Up!" in support of the anti-cancer campaign ''Stand Up to Cancer'' and in the City of Hope Benefit Concert in support of cancer research and training programs. She also became involved in Disney's Friends for Change, an environmentalist group, for which she recorded the charity single "Send It On" along with several other Disney Channel stars.

Cyrus had already begun transitioning to a more grown-up image in late 2008, when her representatives negotiated a deal for novelist Nicholas Sparks to write the screenplay and novel basis for a film that would serve as a star vehicle for Cyrus by introducing her to audiences older than the young fans she had gained through ''Hannah Montana''. Sparks and co-writer Jeff Van Wie developed ''The Last Song''. It was important to Cyrus that she not be type cast as a singer: "I didn't want to be a singer in another film. I don't want to do that anymore. You have no idea how many musicals show up on my door. I want to do something a little more serious." In March 2009, Cyrus published ''Miles to Go'', a memoir co-written by Hilary Liftin chronicling her life through age sixteen. Cyrus starred as Miley Stewart/Hannah Montana in ''Hannah Montana: The Movie'', released April 10, 2009. Both the film and its soundtrack, which contained twelve songs performed by Cyrus, achieved commercial success. The soundtrack's lead single, "The Climb", became a Top 40 hit in twelve countries and introduced Cyrus to listeners outside her typical teen pop audience. Cyrus had considered ending ''Hannah Montana'' after its third season, which finished production on June 5, 2009, but Disney retained and exercised its option for a fourth season.

Production on ''The Last Song'' lasted from June 15, 2009 to August 18, 2009. In between, Cyrus launched the third ''Hannah Montana'' soundtrack, recorded the extended play ''The Time of Our Lives'', and released the EP's lead single, "Party in the U.S.A." Cyrus said ''The Time of Our Lives'' "is a transitioning album. [...] really to introduce people to what I want my next record to sound like and with time I will be able to do that a little more." "Party in the U.S.A." debuted at number two on the ''Billboard'' Hot 100 for her best-ever ranking on the chart. ''The Time of Our Lives'' was released in conjunction with a clothing line co-designed by Cyrus and Max Azria for Walmart.

From September 14, 2009 to December 29, 2010, Cyrus toured on her Wonder World Tour to promote ''Breakout'' and ''The Time of Our Lives''. On December 7, 2009, Cyrus performed for Queen Elizabeth II and numerous other members of the British Royal Family at the Royal Variety Performance in Blackpool, North West England.

2010–present: ''Can't Be Tamed'', focus on film career and fourth studio album

Production on the fourth and final season of ''Hannah Montana'' began on January 18, 2010. In the aftermath of the 2010 Haiti earthquake, Cyrus appeared on the charity singles "We Are the World: 25 for Haiti" and "Everybody Hurts". Her third studio album, ''Can't Be Tamed'', was released on June 21, 2010. The album's first single is the title track, "Can't Be Tamed". The single was released for sale on May 18, 2010 and entered the ''Billboard'' Hot 100 at number eight. Cyrus's costumes and dances while promoting ''Can't Be Tamed'' were also considerably more provocative than previous performances, arousing media criticism. After releasing the album, Cyrus intends to take a break from the music industry in order to focus on her film career. She commented, "I've not taken, like, acting lessons or anything, but it doesn't mean I don't need to because I'm sure I do [...] I'm probably going to go book an acting coach." Cyrus has also decided to opt out of college for the same reason, saying "I'm a firm believer that you can go back at any age you want, because my Grandma went back to college at 62 [...] For right now, I really want to focus on my career. I've worked hard to get to where I am now, and I want to enjoy it while it lasts."

Cyrus starred in ''The Last Song'', which was released on March 31, 2010, and received generally poor reviews, as did Cyrus's performance. Nonetheless, the film was commercially successful, grossing more than $88 million at the worldwide box office. According to box-office analyst Exhibitor Relations, the film marked "a successful transition to adult roles for Miley Cyrus." The fourth and final season of ''Hannah Montana'' began airing on Disney Channel on July 11, 2010 and was ended on January 16, 2011. Cyrus filmed two more films, ''LOL: Laughing Out Loud'' and ''So Undercover'' in 2010. In ''LOL'', a remake of a 2008 French teen comedy, Cyrus plays "a daughter who is involved with all the wrong kids, doing drugs, failing school, but [...whose] mother has her on this perfect pedestal" and says "[She] just fell in love with the story." Miley's character loses her virginity, smokes cannabis, gets wasted and kisses two girlfriends on the lips. She will also star in ''So Undercover'', an action comedy film. Cyrus will play the part of "a tough, street-smart private eye hired by the FBI to go undercover in a college sorority." She learned street fighting for the role.

Despite her earlier announcement that she'd be focusing more on acting in the future, in February 2011, Cyrus confirmed she had no films lineup and was going to go on tour. On April 29, 2011, Cyrus embarked on her international Gypsy Heart Tour in South America and ended the tour on July 2, 2011 in Australia. Cyrus hosted ''Saturday Night Live'' on March 5, 2011, where she performed in several sketches. She also sang a brief song about her several controversies, such as the bong incident, the photo of her friend and she eating a Twizzler, and the "pole dance" on a hotel pole at the Teen Choice Awards, stating "I'm sorry that I'm not perfect." In March 2011, father Billy Ray Cyrus confirmed on talk show, ''The View'', that Miley had been in talks with producer Dr. Luke on a new album. In July 2011, it was announced that she would record her fourth studio album and she has no plans to sign onto any other film projects. However, it was reported on August 2, 2011 by Contact Music that Cyrus has signed on to star in a comedy in which she plays a woman who broke a promise to God.

Earnings

In 2008, Cyrus earned $25 million, up from her earnings of $18 million in 2007, and was ranked number 35 on ''Forbes'' magazine's "Celebrity 100" list. ''Parade'' magazine reported she was the richest teenage celebrity and that her franchise would be worth approximately $1 billion by the end of the year. In 2009, ''Forbes'' ranked her #29 on the ''Celebrity 100'' and reported she had earned a total of $25 million. Then Cyrus got ranked number thirteen on ''Forbes'' 2010 Celebrity 100 ranking $48 million. From the $48 million she made between June 2009 to June 2010 made her the no. 4 highest earners under 30 and the youngest on the list. between June 2010 and June 2011, Cyrus earned $54 million.

From working on Hannah Montana, Cyrus got paid $15,000 per episode she did on the hit show, making her the 6th highest paid child star on television behind fellow Disney stars Dylan and Cole Sprouse and Keke Palmer with $20,000 for their shows. Also, she is behind friend and Disney star Selena Gomez that makes $25,000 per episode of her show, Nick star Miranda Cosgrove with $180,000 per episode of her show, and one time co-star Angus T. Jones that got paid $250,000 for each episode of his show. Though she had not got paid as much as other Disney stars,when she was 17 she was named #19 on the "Top 20 World's Richest Female Singers Of All Time" list with over $100 million in 5 years active throughout her career, which made her the youngest female artist on the list. In 2011, she was named #1 on the "Top 10 Richest Teens in Hollywood" with $120 million.

Personal life and image

In an interview, friend and actor Tyler Posey stated that he and Cyrus met on the set of the show Doc, and that they shared their first kiss on the show. He then stated that he and Cyrus dated for two years and then broke up when they were 11.

Cyrus told ''Seventeen'' magazine that she and Nick Jonas had dated for two years and "were in love", but were "fighting a lot" by the end. After the break-up, Cyrus says that she initially "rebell[ed] against everything Nick wanted me to be. And then I was like, I've got to be by myself for now, and just figure out who I really am."

In February 2008, Cyrus and her friend opened a YouTube account and began posting videos of what they called ''The Miley and Mandy Show.'' The show, described as a "YouTube hit," is said to be filmed for fun by Cyrus and Jiroux and to be entirely their work, with Cyrus and Jiroux editing the footage together.

With Cyrus's increased success came increased media attention. In a May 2008 interview with ''The Los Angeles Times'', Francois Navarre, the proprietor of the X17 photo agency, said Cyrus's market value had picked up considerably after the ''Vanity Fair'' photo controversy: "She's started to sell more. [...] It used to be $300, and now it's $2,000 for a picture." Estimates for a picture of the then-15 year old's first kiss ranged from $30,000 to $150,000. Navarre noted that Cyrus rarely behaved against her wholesome image or went out without a parent and stated, "She has people waiting for the moment she starts to be less traditional. [...] It's natural. Any teenager. But it's going to come very fast. [...] As soon as her mom lets her go out by herself. It's going to start to be interesting." ''Time'' magazine included her on the 2008 ''Time'' 100, the magazine's list of the 100 most influential people in the world. Her write-up was written by former child star Donny Osmond, who warned, "As an idol to tweens the world over, singer-actress Miley Cyrus, 15, is riding a huge tidal wave at the pinnacle of her career; this is as it should be. I hope she enjoys it. [...] Within three to five years, Miley will have to face adulthood. [...] As she does, she'll want to change her image, and that change will be met with adversity."

Cyrus celebrated her 16th birthday at Disneyland with a charity fundraiser for Youth Service America, a youth volunteer service organization.

At the end of 2009, ''Billboard'' magazine ranked Cyrus the fourth best-selling female artist and the fifth best-selling singer overall.

In June 2009, Cyrus ended her nine-month relationship with model Justin Gaston shortly before flying to Georgia to film ''The Last Song''. While filming later that month, Cyrus began dating her co-star in ''The Last Song'', Australian actor Liam Hemsworth. She later called him her "first serious boyfriend". In August 2010, it was confirmed that her relationship with Hemsworth had ended. Cyrus and Hemsworth were seen together a month later, and were reportedly back together. It was announced in early November that the couple had split again. On March 31, 2011, Miley Cyrus and Liam Hemsworth have reportedly rekindled their relationship. On June 20, Cyrus confirmed in a interview on the DirtTv in Australia that she and Hemsworth are still rocking and still are together.

On October 26, 2010, less than a month before Cyrus's eighteenth birthday, her father Billy Ray Cyrus filed for divorce from her mother in Tennessee, citing irreconcilable differences. In a statement made to ''People'' the next day announcing the split, the couple said, "As you can imagine, this is a very difficult time for our family... We are trying to work through some personal matters. We appreciate your thoughts and prayers." However, on March 18, 2011, Cyrus's father announced on ''The View'' that he had dropped the divorce.

Cyrus is the youngest recording artist ever with four #1 albums in less than 3 years.

In June 2011, Cyrus was named by the Rolling Stones magazine a queen of pop, she was named #8 based on album sales selling 2.027 million copies. also, she was named #7 based on digital tracks selling 14.763 million digital copies, #5 based on youtube views with 784,667,358 views, #12 based on radio airplay with 216 airplay's, #11 based on Billboard hot 100 appearances with 164.2 points, and #9 based on social networking with 14.9 million Facebook likes, and 1.4 million Twitter followers. lastly, she was named #6 based off the gross of her tours with 66.5 million dollars in grossing, #14 based off award wins, in this case the Teen Choice Awards did not count and only mainstream-awards counted such as the Grammy Awards and awards like that in the music category, #14 based on album reviews. out of all the rankings for the categories, she was name on the official "Queen of Pop" list at #8 behind Beyonce, Katy Perry, best friend Taylor Swift, her inspiration Britney Spears and many more. She also beat out Carrie Underwood, Nicki Minaj, Adele, Christina Aguilera, and many more.

Controversies

In December 2007, a brief controversy emerged when photos Cyrus had posted on her private MySpace account, depicting her and a female friend sharing a piece of licorice and "almost kissing", were spread across the internet, prompting rumors of lesbianism. Cyrus comments, "For me, I was like, That's two girls—it's not a big deal. But they got spread around. Like someone copied and pasted and said, Omigod, look at this, and blah blah blah."

In April 2008, several provocative images of Cyrus in her underwear and swimsuit were leaked onto the web by a teenager who hacked Cyrus's Gmail account. Cyrus described the images as "silly, inappropriate shots" and stated, "I am going to make mistakes and I am not perfect. I never intended for any of this to happen and I am truly sorry if I have disappointed anyone." On April 25, 2008, the televised entertainment program ''Entertainment Tonight'' reported that Cyrus, then 15, had posed topless for a photoshoot taken by photographer Annie Leibovitz for ''Vanity Fair.'' On April 29, 2008, ''The New York Times'' clarified that though the pictures left an impression that she was bare-breasted, Cyrus was wrapped in a bedsheet and was actually not topless. Some parents expressed outrage at the nature of the photograph, which a Disney spokesperson described as "a situation [that] was created to deliberately manipulate a 15-year-old in order to sell magazines." Gary Marsh, president of entertainment for Disney Channel Worldwide, was quoted by ''Portfolio'' magazine to have said, “For Miley Cyrus to be a 'good girl' is now a business decision for her. Parents have invested in her a godliness. If she violates that trust, she won't get it back." In response to the Internet circulation of the photo and ensuing media attention, Cyrus released a statement of apology on April 27, 2008: "I took part in a photo shoot that was supposed to be 'artistic' and now, seeing the photographs and reading the story, I feel so embarrassed. I never intended for any of this to happen and I apologize to my fans who I care so deeply about." Leibovitz also released a statement: "I'm sorry that my portrait of Miley has been misinterpreted. The photograph is a simple, classic portrait, shot with very little makeup, and I think it is very beautiful."

In May 2008, Gossett, Cyrus's longtime acting agent, left Cunningham Escott Slevin Doherty for United Talent Agency, partially with the hope of "giving Cyrus the major-agency backing that would support a widening career", according to ''The Hollywood Reporter''. About a year later in June 2009, Cyrus left both Gossett and UTA, which had recently negotiated her deals for ''The Last Song'' and the fourth season of ''Hannah Montana'', and joined the Creative Artists Agency, which had already represented her for music. Nikki Finke, who broke the news, reported, "Is this fair to UTA? Of course not. But I hear the decision was made by Miley's mother Trish Cyrus".

Cyrus's performance of "Party in the U.S.A." at the 2009 Teen Choice Awards incited a media uproar, with some viewers criticizing Cyrus's provocative outfit and inclusion of a brief pole dance as inappropriate for her age, then sixteen, and for her young fans. Conversely, ''Newsday'' reported that her sexualization "has been coming for some time." Ian Drew, senior editor of ''US Weekly'', said, "She already has this risque image, so it really wasn't much of a stretch. That's how Britney [Spears] took off. She was the good girl gone bad, and it looks to be working for Miley as well." Cyrus was also criticized that year for dating Gaston, five years her senior, and for a photo displaying Cyrus and friends making "slant-eyed" expressions, which the Organization of Chinese Americans claimed was offensive to the Asian community. Cyrus apologized for the photo on her website, defending her actions and saying, "In NO way was I making fun of any ethnicity! I was simply making a goofy face."

Later in 2010, TMZ released a video of Cyrus, then 16, giving Adam Shankman, producer of ''The Last Song'', a lap dance at the film's wrap party. Cyrus's father defended her actions, saying Miley was just "having fun" and that "it's what people her age do". Later that year in December, TMZ released a video of Cyrus, which took place five days after her 18th birthday at her Los Angeles home, in which she is seen smoking from a bong. She claimed she was smoking the psychoactive plant ''salvia divinorum'', although this has not been confirmed by anybody but Cyrus herself. Salvia is legal in the state of California, and Cyrus was of legal age at the time the video was shot. Cyrus's father expressed his sadness regarding the matter on Twitter, saying, "Sorry guys. I had no idea. Just saw this stuff for the first time myself. I'm so sad. There is much beyond my control right now".

Filmography

+ Films	! Year	! Title	! Role	Notes
2003	''Big Fish''	Young Ruthie	Film debut
2007	''High School Musical 2''	Girl at pool	Cameo
2008	''Hannah Montana & Miley Cyrus: Best of Both Worlds Concert''		3D Concert film
2008		Penny	Voice-over Role
2009	''Hannah Montana: The Movie''		Based on TV series
2010	''''	Veronica "Ronnie" Miller	Film adaption of book
2010	''Sex and the City 2''	Herself	Cameo
2011		Herself	Cameo
2011	''So Undercover''	Molly	Release: October 28, 2011
2011	''LOL: Laughing Out Loud''	Lola	Remake of French film
Late 2012	''Not Afraid''	Katy Harrison	''Filming''

+ Television	! Year	! Title	! Role	Notes
2001–2003		Kylie	Recurring role
2006–2011	''Hannah Montana''		Lead role
2006-2008	''Disney Channel Games''	Herself / Hannah Montana	Contestant, special performer
2006	''The Suite Life of Zack & Cody''	Miley Stewart / Hannah Montana	"That's So Suite Life of Hannah Montana" (Season 2, Episode 20)
2006–2008	''Disney 365''	Herself	In 9 episodes, 2006–2008.
2007	''''	Celebrity Star (voice)	"Frog Prince" (Season 2, Episode 5)
2007–2008	''''	Yata (voice)	Recurring role
2008	''E! True Hollywood Story''	Herself	TV special Documentary
2009	''''	Miley Stewart / Hannah Montana
2011	''Saturday Night Live''	Herself	Host, March 5 episode.
2011		Herself	Back-to-school special.

Discography

Studio albums

''Meet Miley Cyrus'' (2007)

''Breakout'' (2008)

''Can't Be Tamed'' (2010)

Extended plays

''The Time of Our Lives'' (2009)

Tours

Best of Both Worlds Tour (2007–08)

Wonder World Tour (2009)

Gypsy Heart Tour (2011)

Awards and nominations

List of awards and nominations received by Miley Cyrus

References

Further reading

External links

Miley Cyrus at MTV

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Category:1992 births Category:Actors from Tennessee Category:American child actors Category:American child singers Category:American female singers Category:American film actors Category:21st-century actors Category:American pop singers Category:American singer-songwriters Category:American television actors Category:American voice actors Category:Bubblegum pop Category:Fascination Records artists Category:Hollywood Records artists Category:Living people Category:American pop singer-songwriters Category:Child rock musicians Category:Musicians from Tennessee Category:People from Franklin, Tennessee Category:People from Nashville, Tennessee Category:Southern Baptists

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''The Shadow'' is a collection of serialized dramas, originally in pulp magazines, then on 1930s radio and then in a wide variety of media, that follow the exploits of the title character, a crime-fighting vigilante in the pulps, which carried over to the airwaves as a "wealthy, young man about town" with psychic powers. One of the most famous pulp heroes of the 20th century, The Shadow has been featured in comic books, comic strips, television, video games, and at least five motion pictures. The radio drama is well-remembered for those episodes voiced by Orson Welles.

Introduced as a mysterious radio narrator by David Chrisman, William Sweets, and Harry Engman Charlot for Street and Smith Publications, The Shadow was fully developed and transformed into a pop culture icon by pulp writer Walter B. Gibson.

The Shadow debuted on July 31, 1930, as the mysterious narrator of the Street and Smith radio program ''Detective Story Hour.'' After gaining popularity among the show's listeners, the narrator became the star of ''The Shadow Magazine'' on April 1, 1931, a pulp series created and primarily written by the prolific Gibson.

Over the years, the character evolved. On September 26, 1937, ''The Shadow'' radio drama officially premiered with the story "The Deathhouse Rescue", in which the character had "the power to cloud men's minds so they cannot see him." This was a contrivance for the radio; in the magazine stories, The Shadow did not have the ability to become literally invisible.

Even after decades, the unmistakable introduction from ''The Shadow'' radio program, long-intoned by actor Frank Readick Jr., has earned a place in the American idiom: "Who knows what evil lurks in the hearts of men? The Shadow knows!" These words were accompanied by an ominous laugh and a musical theme, Camille Saint-Saëns' ''Le Rouet d'Omphale'' ("Omphale's Spinning Wheel", composed in 1872). At the end of each episode, The Shadow reminded listeners, "The weed of crime bears bitter fruit. Crime does not pay.... The Shadow knows!"

Publication history

Detective Story Hour

In order to boost the sales of their ''Detective Story Magazine,'' Street and Smith Publications hired David Chrisman of the Ruthrauff & Ryan advertising agency and writer-director William Sweets to adapt the magazine's stories into a radio series. Chrisman and Sweets felt the upcoming series should be narrated by a mysterious storyteller with a sinister voice, and began searching for a suitable name. One of their scriptwriters, Harry Engman Charlot, suggested various possibilities, such as "The Inspector" or "The Sleuth." Charlot then proposed the ideal name for the phantom announcer: "... The Shadow."

Thus, beginning on July 31, 1930, "The Shadow" was the name given to the mysterious narrator of the ''Detective Story Hour''. The narrator was voiced by James LaCurto and, later, Frank Readick. The episodes were drawn from the ''Detective Story Magazine'' issued by Street and Smith, "the nation's oldest and largest publisher of pulp magazines." Although the latter company had hoped the radio broadcasts would boost the declining sales of the ''Detective Story Magazine'', the result was quite different. Listeners found the sinister announcer much more compelling than the unrelated stories. They soon began asking newsdealers for copies of "that ''Shadow'' detective magazine," even though it did not exist.

Development

Recognizing the demand and responding promptly, circulation manager Henry William Ralston of Street & Smith commissioned magician Walter B. Gibson to begin writing stories about "The Shadow." Using the pen name of Maxwell Grant and claiming that the stories were "from The Shadow's private annals as told to" him, Gibson wrote 282 out of 325 tales over the next 20 years: a novel-length story twice a month (1st and 15th). The first story produced was "The Living Shadow", published April 1, 1931.

Gibson initially fashioned the character as a man with villainous characteristics, who used them to battle crime, and in this was the very first superhero in the modern century for modern times complete with a stylized imagery, a stylized name, sidekicks, super villains and a secret identity. Clad in black, The Shadow operated mainly after dark, burglarizing in the name of justice, and terrifying criminals into vulnerability before he or someone else gunned them down. The character was a film noir anti-hero in every sense; Gibson himself claimed the literary inspirations for The Shadow were Bram Stoker's ''Dracula'' and Edward Bulwer-Lytton's ''The House and the Brain''.

Because of the great effort involved in writing two full-length novels every month, several guest writers were hired to write occasional installments in order to lighten Gibson's work load. These guest writers included Lester Dent — who penned the Doc Savage stories — and Theodore Tinsley. In the late 1940s, mystery novelist Bruce Elliott would temporarily replace Gibson as the primary author of the pulp series. Richard Edward Wormser, a reader for Street & Smith, wrote two Shadow stories.

''The Shadow Magazine'' ceased publication with the Summer 1949 issue, but Walter B. Gibson wrote three new "official" stories between 1963 and 1980. The first of these began a new series of nine updated Shadow novels from Belmont Books, starting with ''Return of The Shadow'' under his own by-line. But the remaining eight, ''The Shadow Strikes'', ''Beware Shadow'', ''Cry Shadow'', ''The Shadow's Revenge'', ''Mark of The Shadow'', ''Shadow Go Mad'', ''Night of The Shadow'', and ''The Shadow, Destination: Moon'', were not penned by Gibson but by Dennis Lynds under the "Maxwell Grant" byline. In these last eight novels, The Shadow was given psychic powers, including the radio character's ability "to cloud men's minds" so that he effectively became invisible, and was more of a spymaster than crime fighter.

Publications

''See List of The Shadow stories''

Character development

The character and look of The Shadow gradually evolved over his lengthy fictional existence.

As depicted in the pulps, The Shadow wore a black slouch hat and a black, crimson-lined cloak with an upturned collar over a standard black business suit. In the 1940s comic books, the later comic book series, and the 1994 film starring Alec Baldwin, he wore either the black slouch hat or a wide-brimmed, black fedora and a crimson scarf just below his nose and across his mouth and chin. Both the cloak and scarf covered either a black doubled-breasted trench coat or regular black suit. As seen in some of the later comics series, the hat and scarf would also be worn with either a black Inverness coat or Inverness cape.

But in the radio drama, which debuted in 1937, The Shadow became an invisible avenger who had learned, while "traveling through East Asia," "the mysterious power to cloud men's minds, so they could not see him." This revision of the character was born out of necessity: Time constraints of 1930s radio made it difficult to explain to listeners where The Shadow was hiding and how he was remaining concealed. Thus, the character was given the power to escape human sight. Voice effects were added to suggest The Shadow's seeming omnipresence.

In order to explain this power, The Shadow was described as a master of hypnotism, as explicitly stated in several radio episodes.

Background

In print, The Shadow's real name is Kent Allard, and he was a famed aviator who fought for the French during World War I. He became known by the alias of The Black Eagle, according to ''The Shadow's Shadow,'' 1933, although later stories revised this alias as The Dark Eagle beginning with ''The Shadow Unmasks,'' 1937. After the war, Allard seeks a new challenge and decides to wage war on criminals. Allard fakes his death in the South American jungles, then returns to the United States. Arriving in New York City, he adopts numerous identities to conceal his existence.

One of these identities—indeed, the best known—is Lamont Cranston, a "wealthy young man about town." In the pulps, Cranston is a separate character; Allard frequently disguises himself as Cranston and adopts his identity ("The Shadow Laughs," 1931). While Cranston travels the world, Allard assumes his identity in New York. In their first meeting, Allard/The Shadow threatens Cranston, saying that he has arranged to switch signatures on various documents and other means that will allow him to take over the Lamont Cranston identity entirely unless Cranston agrees to allow Allard to impersonate him when he is abroad. Terrified, Cranston agrees. The two men sometimes meet in order to impersonate each other ("Crime over Miami," 1940). Apparently, the disguise works well because Allard and Cranston bear something of a resemblance to each other ("Dictator of Crime," 1941).

His other disguises include businessman Henry Arnaud, who first appeared in ''Green Eyes,'' Oct. 1932, elderly gentleman Isaac Twambley, who first appeared in ''No Time For Murder,'' and Fritz, who first appeared in ''The Living Shadow,'' Apr. 1931; in this last disguise, he pretends to be a doddering old janitor who works at Police Headquarters in order to listen in on conversations.

The Shadow appears as Henry Arnaud in "Atoms of Death," "Buried Evidence," "Death Jewels," "Death Premium," "Death Ship," "Green Eyes," "House of Silence," "Murder Trail," "Quetzal," "Realm of Doom," "The Black Master," "The Blue Sphinx," "The Case of Congressman Coyd," "The Circle of Death," "The City of Doom," "The Condor," "The Embassy Murders," "The Five Chameleons," "The Ghost Murders," "The Man From Shanghai," "The Plot Master," "The Radium Murders," "The Romanoff Jewels," "The Seven Drops of Blood," "The Shadow Unmasks," "The Shadow's Shadow," and "Wizard of Crime."

The Shadow appears as Isaac Twambley in "No Time for Murder," "Guardians of Death," "Death Has Grey Eyes," "The Stars Promise Death," "Dead Man's Chest, and "The Magigal's Mystery."

The Shadow appears as Fritz in at least 23 Shadow novels: "The Living Shadow," "Hidden Death," "The Ghost Makers," "The Crime Clinic," "Crime Circus," "The Chinese Disks," "The Dark Death," "The Third Skull," "The Black Master," "The Voodoo Master," "The Third Shadow," "The Circle of Death," "The Sledge Hammer Crimes," "The Golden Masks," "The Ghost Murders," "Hills of Death," "The Hand," "The Racket's King," "The Green Hoods," "The Crime Ray," "The Getaway Ring," "Masters of Death," and "The Crystal Skull."

For the first half of The Shadow's tenure in the pulps, his past and identity are ambiguous, supposedly an intentional decision on Gibson's part. In ''The Living Shadow,'' a thug claims to have seen The Shadow's face, and thought he saw "a piece of white that looked like a bandage." In "The Black Master" and "The Shadow's Shadow," the villains both see The Shadow's true face, and they both remark that The Shadow is a man of many faces with no face of his own. It was not until the August 1937 issue, "The Shadow Unmasks," that The Shadow's real name is revealed.

Kent Allard appears as himself in at least twenty-eight Shadow novels: "The Shadow Unmasks," "The Yellow Band," "Death Turrets," "The Sealed Box," "The Crystal Buddha," "Hills of Death," "The Murder Master," "The Golden Pagoda," "Face of Doom," "The Racket's King," "Murder for Sale," "Death Jewels," "The Green Hoods," "Crime Over Boston," "The Dead Who Lived," "Shadow Over Alcatraz," "Double Death," "Silver Skull," "The Prince of Evil," "Masters of Death," "Xitli, God of Fire," "The Green Terror," "The Wasp Returns," "The White Column," "Dictator of Crime," "Crime out of Mind," "Crime Over Casco," and "Dead Man's Chest."

In the radio drama, the Allard secret identity was dropped for simplicity's sake. On the radio, The Shadow was only Lamont Cranston; he had no other aliases or disguises.

Supporting characters

The Shadow has a network of agents who assist him in his war on crime. These include:

Harry Vincent, an operative whose life he saved when Vincent tried to commit suicide.

Moses "Moe" Shrevnitz, aka "Shrevvy," a cab driver who doubles as his chauffeur.

Margo Lane, a socialite created for the radio drama and later introduced into the pulps.

Clyde Burke, a newspaper reporter.

Burbank, a radio operator who maintains contact between The Shadow and his agents.

Cliff Marsland, a wrongly convicted ex-con who infiltrates gangs using his crooked reputation.

Dr. Rupert Sayre, The Shadow's personal physician.

Jericho Druke, a giant, immensely strong black man.

Slade Farrow, who works with The Shadow to rehabilitate criminals.

Miles Crofton, who sometimes pilots The Shadow's autogyro.

Rutledge Mann, a stock-broker who collects information.

Claude Fellows, the only agent of The Shadow ever to be killed, which he was in ''Gangdom's Doom,'' 1931.

Hawkeye, a reformed underworld snoop who trails gangsters and other criminals.

Myra Reldon, a female operative who uses the alias of Ming Dwan when in Chinatown.

Dr. Roy Tam, The Shadow's contact man in New York's Chinatown.

Though initially wanted by the police, The Shadow also works with and through them; notably gleaning information from his many chats with Commissioners Ralph Weston and Wainright Barth (who is also Cranston's uncle), while at the Cobalt Club. Weston believes that Cranston is merely a rich playboy who dabbles in detective work. Another police contact is Detective Joe Cardona, a key character in many Shadow novels.

In contrast to the pulps, ''The Shadow'' radio drama limited the cast of major characters to The Shadow, Commissioner Weston, and Margo Lane, the last of whom was created specifically for the radio series, as it was believed the abundance of agents would make it difficult to distinguish between characters. Clyde Burke and Moe Shrevnitz (identified only as "Shrevvy") made occasional appearances, but not as agents of The Shadow. Shrevvy was merely an acquaintance of Cranston and Lane, and occasionally Cranston's chauffeur.

Enemies

The Shadow also faces a wide variety of enemies, ranging from kingpins and mad scientists to international spies and "super-villains," many of whom were predecessors to the rogues's galleries of comic super-heroes. Among The Shadow's recurring foes are Shiwan Khan (''The Golden Master,'' ''Shiwan Khan Returns,'' and ''The Invincible Shiwan Khan'')--who appears in the feature film portrayed by John Lone--The Voodoo Master (''The Voodoo Master,'' ''The City of Doom,'' and ''Voodoo Trail''), The Prince of Evil (''The Prince of Evil,'' ''The Murder Genius,'' ''The Man Who Died Twice,'' and ''The Devil's Paymaster,'' all written by Theodore Tinsley), and The Wasp (''The Wasp'' and ''The Wasp Returns'').

The series also featured a myriad of one-shot villains, including The Red Envoy, The Death Giver, Gray Fist, The Black Dragon, Silver Skull, The Red Blot, The Black Falcon, The Cobra, Zemba, The Black Master, Five-Face, The Gray Ghost, and Dr. Z.

The Shadow also battles collectives of criminals, such as The Silent Seven, The Hand, The Salamanders, and The Hydra.

Radio program

In early 1930, Street & Smith Publications hired David Chrisman and Bill Sweets to adapt the ''Detective Story Magazine'' to radio format. Chrisman and Sweets felt the program should be introduced by a mysterious storyteller. A young scriptwriter, Harry Charlot, suggested the name of "The Shadow." Thus, "The Shadow" premiered over CBS airwaves on July 31, 1930, as the host of the ''Detective Story Hour'', narrating "tales of mystery and suspense from the pages of the premier detective fiction magazine." The narrator was first voiced by James LaCurto, but became a national sensation when radio veteran Frank Readick, Jr. assumed the role and gave it "a hauntingly sibilant quality that thrilled radio listeners."

Early years

Following a brief tenure as narrator of Street & Smith's ''Detective Story Hour'', "The Shadow" character was used to host segments of ''The Blue Coal Radio Revue'', playing on Sundays at 5:30 p.m. Eastern Standard Time. This marked the beginning of a long association between the radio persona and sponsor Blue Coal.

While functioning as a narrator of ''The Blue Coal Radio Revue'', the character was recycled by Street & Smith in October 1931, to oddly serve as the storyteller of ''Love Story Hour''.

In October 1932, the radio persona temporarily moved to NBC. Frank Readick again played the role of the sinister-voiced host on Mondays and Wednesdays, both at 6:30 p.m., with LaCurto taking occasional turns as the title character.

Readick returned as The Shadow to host a final CBS mystery anthology that fall. The series disappeared from CBS airwaves on March 27, 1935, due to Street & Smith's insistence that the radio storyteller be completely replaced by the master crime-fighter described in Walter B. Gibson's ongoing pulps.

Radio drama

Street & Smith entered into a new broadcasting agreement with Blue Coal in 1937, and that summer Gibson teamed with scriptwriter Edward Hale Bierstadt to develop the new series. As such, The Shadow returned to network airwaves on September 26, 1937, over the new Mutual Broadcasting System. Thus began the "official" radio drama that many Shadow fans know and love, with 22-year-old Orson Welles starring as Lamont Cranston, a "wealthy young man about town." Once ''The Shadow'' joined Mutual as a half-hour series on Sunday evenings, the program did not leave the air until December 26, 1954.

Welles did not speak the signature line of "Who knows what evil lurks in the hearts of men?". Instead, Readick did, using a water glass next to his mouth for the echo effect. The famous catch phrase was accompanied by the strains of an excerpt from Opus 31 of the Camille Saint-Saëns classical composition, ''Le Rouet d'Omphale''.

After Welles departed the show in 1938, Bill Johnstone was chosen to replace him and voiced the character for five seasons. Following Johnstone's departure, The Shadow was portrayed by such actors as Bret Morrison (the longest tenure, with 10 years in two separate runs), John Archer, and Steve Courtleigh.

''The Shadow'' also inspired another radio hit, ''The Whistler'', whose protagonist likewise knows "many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak".

Margo Lane

The radio drama also introduced female characters into The Shadow's realm, most notably Margo Lane (played by Agnes Moorehead, among others) as Cranston's love interest, crime-solving partner and the only person who knows his identity as The Shadow. Four years later, the character was introduced into the pulp novels. Her sudden, unexplained appearance in the pulps annoyed readers and generated a flurry of hate mail printed in ''The Shadow Magazine'''s letters page.

Lane was described as Cranston's "friend and companion" in later episodes, although the exact nature of their relationship was unclear. In the early scripts of the radio drama the character's name was spelled "Margot." The name itself was originally inspired by Margot Stevenson, the Broadway ingénue who would later be chosen to voice Lane opposite Welles' Shadow during "the 1938 Goodrich summer season of the radio drama." In the 1994 film in which Penelope Ann Miller portrayed the character, she is characterized as a telepath.

Comic strip, comic books, and graphic novels

''The Shadow'' has been adapted for the comics quite a few times, the first appearing in 1938 as a syndicated daily newspaper comic strip offered by the Ledger Syndicate. The strip's story continuity was written by Walter B. Gibson, with plot lines adapted from the Shadow pulps, and the strip was illustrated by Vernon Greene. Due to pulp paper shortages and the growing amount of space required for war news from the European and Pacific fronts, the strip was cancelled in 1942. ''The Shadow'' daily was collected decades later in two comic book series from two different publishers (see below) in 1988 and again in 1999.

To both cross-promote ''The Shadow'' and attract a younger audience to their other pulp magazines, Street & Smith published 101 issues of the comic book ''Shadow Comics'' from Vol. 1, #1 - Vol. 9, #5 (March 1940 - Sept. 1949). A Shadow story led off each issue, with the remainder of the stories being strips based on other Street & Smith pulp heroes.

In ''Mad'' #4 (April–May 1953), ''The Shadow'' was spoofed by Harvey Kurtzman and Will Elder. Their character was called the Shadow' (with an apostrophe), which is short for Lamont Shadowskeedeeboomboom. In this satire, Margo Pain gets Shad, as she calls him, into various predicaments, including fights with gangsters and a piano falling on him from above. At the conclusion of the tale, after Margo is tricked into going inside an outhouse surrounded by wired-up dynamite, Shad is seen gleefully pushing down a detonator's plunger.

During the superhero revivial of the 1960s, Archie Comics published an eight-issue series, ''The Shadow'' (Aug. 1964 - Sept. 1965) under the company's Mighty Comics imprint. In the first issue, The Shadow depicted was loosely based on the radio version, but with blonde hair. In issue #2 (Sept. 1964), the character was transformed into a campy, heavily muscled, green and blue costume-wearing superhero by writer Robert Bernstein (Jerry Siegel) and artist John Rosenberger.

During the mid-1970s, DC Comics published a critically acclaimed 12-issue series (Nov. 1973 - Sept. 1975) written by Dennis O'Neil and initially drawn by Michael William Kaluta (#1-4 & 6). Faithful to both the pulp-magazine and radio-drama character, the series guest-starred fellow pulp fiction hero The Avenger in issue #11. The Shadow appeared in DC's ''Batman'' #253 (Nov. 1973), in which Batman teams with an aging Shadow and calls the famous crimefighter his "greatest inspiration". In ''Batman'' #259 (Dec. 1974), Batman again meets The Shadow, and we learn The Shadow saved Bruce Wayne's life when the future Batman was a boy. In 1986, another DC incarnation was created by Howard Chaykin. This four issue mini-series, also collected as a one-shot graphic novel (''Shadow: Blood and Judgement''), brought The Shadow to modern-day New York. The story was continued in a 1987 monthly series by writer Andy Helfer (editor of the mini-series), and primarily artists Bill Sienkiewicz (issues 1-6) and Kyle Baker (issues 8-19 and Annual #2). While initially successful, this version proved unpopular with traditional Shadow fans because it depicted The Shadow using Uzi submachine guns and rocket launchers, as well as featuring a strong strain of black comedy and extreme violence throughout.

In 1988, O'Neil and Kaluta, with inker Russ Heath, returned to The Shadow with the Marvel Comics graphic novel ''The Shadow 1941: Hitler's Astrologer'', set during World War II. This one-shot appeared in both hardcover and trade paperback editions.

The Vernon Greene/Walter Gibson Shadow newspaper comic strip from the early 1940s was finally collected by Malibu Graphics (Malibu Comics) under their Eternity Comics imprint, beginning with the first issue of ''Crime Classics'' dated July, 1988. Each cover was illustrated by Greene and colored by one of Eternity's colorists. A total of 13 issues appeared featuring just the black-and-white daily until the final issue, dated November, 1989. Some of the Shadow storylines were contained in one issue, while others were continued over into the next. When a Shadow story ended, another tale would begin in the same issue. This back-to-back format continued until the final 13th issue, when the strip storylines ended.

Dave Stevens' nostalgic comics series ''The Rocketeer'' contains a great number of pop culture references to the 1930s. Various characters from the Shadow pulps make appearances in the story line published in the ''Rocketeer Adventure Magazine,'' including The Shadow's famous alter ego Lamont Cranston. Two issues were published by Comico Comics in 1988 and 1989, but the third and final installment did not appear until years later, finally appearing in 1995 from Dark Horse Comics. All three issues were then collected by Dark Horse into a slick trade paperback titled ''The Rocketeer: Cliff's New York Adventure'' (ISBN 1-56971-092-9).

From 1989 to 1992, DC published a new series, ''The Shadow Strikes'', written by Gerard Jones and Eduardo Barreto. This series was set in the 1930s and returned The Shadow to his pulp origins. During its run, it featured The Shadow's first team-up with Doc Savage, another very popular hero of the pulp magazine era. Both characters appeared together in a four-issue story that crossed back and forth between each character's DC comic series. "The Shadow Strikes" series often led The Shadow into encounters with well-known celebrities of the 1930s, such as Albert Einstein, Amelia Earhart, Charles Lindbergh, union organizer John L. Lewis, and Chicago gangsters Frank Nitti and Jake Guzik. In issue #7, The Shadow meets a radio announcer named Grover Mills — a character based on the young Orson Welles — who has been impersonating The Shadow on the radio. The character's name is taken from Grover's Mill, New Jersey, the name of the small town where the Martians land in Welles' famous 1938 radio broadcast of ''The War of the Worlds.'' This was wound up at 31 issues and one annual, the longest running Shadow comic since its original publication, after rights holder Conde Nast increased the licensing fee.

During the early-to-mid-1990s, Dark Horse Comics acquired the comics rights to the Shadow. It published the Shadow miniseries ''In The Coils of Leviathan'' (four issues) in 1993, and ''Hell's Heat Wave'' (three issues) in 1995. ''In the Coils of the Leviathan'' was later collected and issued by Dark Horse in 1994 as a trade paperback graphic novel. Both series were written by Joel Goss and Michael Kaluta, and drawn by Gary Gianni. A one-shot Shadow issue ''The Shadow and the Mysterious Three'' was also published by Dark Horse in 1994, again written by Joel Goss and Michael Kaluta, with Stan Manoukian and Vince Roucher taking over the illustration duties but working over Kaluta's layouts. A comics adaptation of the 1994 film ''The Shadow'' was published in two issues by Dark Horse as part of the movie's merchandising campaign. The script was by Goss and Kaluta and once again drawn from cover to cover by Kaluta. It was collected and published in England by Boxtree as a graphic novel tie-in for the film's British release. Emulating DC's earlier team-up, Dark Horse also published a two-issue mini-series in 1995 called ''The Shadow and Doc Savage''. It was written by Steve Vance, and illustrated once again by Manoukian and Roucher. Of special note, both issues' covers were drawn by Rocketeer creator Dave Stevens. The final Dark Horse Shadow team-up was published in 1995. It was a single issue of ''Ghost and the Shadow'', written by Doug Moench, pencilled by H. M. Baker, and inked by Bernard Kolle.

The Shadow made an uncredited cameo appearance in issue #2 of DC's 1996 four issue mini-series ''Kingdom Come''. Those four issues were then collected into a single graphic novel in 1997. The Shadow appears in the nightclub scene standing in the background next to The Question and Rorschach.

The early 1940s Shadow newspaper daily strip was again put back into print, this time by Avalon Communications under their ACG Classix imprint. The Shadow daily began appearing in the first issue of ''Pulp Action'' comics. It carries no monthly date or issue number on the cover, only a 1999 copyright and a "Pulp Action #1" notation at the bottom of the inside cover. Each issue's cover is a colorized, partial comics panel blow-up, taken from one of the reprinted strips. The eighth issue uses for its cover a partial Shadow serial black-and-white movie still, with several hand-drawn alterations added. The first issue of ''Pulp Action'' is devoted entirely to reprinting the Shadow daily, but subsequent issues began offering back-up, non-Shadow stories of various page lengths in every issue. These Shadow strip reprints stopped with ''Pulp Action''s eighth issue, never completing the daily's storylines. That last issue carries a 2000 copyright date.

In August 2011 it was announced that Dynamite Entertainment had licensed the Shadow from Conde Nast and would soon be developing a new comic series for the character.

Films

The character has been adapted for several motion pictures.

''The Shadow Strikes'' (1937)

The film ''The Shadow Strikes'' was released in 1937, starring Rod La Rocque in the title role. Lamont Cranston assumes the secret identity of "The Shadow" in order to thwart an attempted robbery at an attorney's office. Both ''The Shadow Strikes'' (1937) and its sequel, ''International Crime'' (1938), were released by Grand National Pictures.

''International Crime'' (1938)

La Rocque returned the following year in ''International Crime''. In this version, reporter Lamont Cranston is an amateur criminologist and detective who uses the name of "The Shadow" as a radio gimmick. Thomas Jackson portrayed Police Commissioner Weston, and Astrid Allwyn was cast as Phoebe Lane, Cranston's assistant.

''The Shadow'' (1940)

A 15-chapter serial produced by Columbia Studios starring Victor Jory premiered in 1940. The Black Tiger is a criminal mastermind who has been sabotaging rail lines and factories across the United States, and Lamont Cranston must become his shadowy alter ego to uncover the fiend and halt his schemes.

''The Shadow Returns'' (1946)

Low-budget motion picture studio Monogram produced a trio of films in 1946 starring Kane Richmond: ''The Shadow Returns'', ''Behind the Mask'' and ''The Missing Lady''. Richmond's Shadow wore a black face-mask similar to the type worn by the serial hero The Masked Marvel instead of his signature red sash.

''The Shadow'' (1994)

In 1994, the character was adapted once again into a feature film, ''The Shadow,'' starring Alec Baldwin as Lamont Cranston, alongside Penelope Ann Miller as Margo Lane. Cranston, also known as Ying-Ko (literally "Eagle's Beak"), is depicted as a brutal warlord and opium smuggler in 1930s Mongolia who is kidnapped by the agents of a tulku, who reforms him and teaches him to "cloud men's minds" with his psychic power in order to fight crime. His nemesis in the film is adapted from the pulp novel's evil warlord (and for the film, a fellow telepath), Shiwan Khan (John Lone), the last descendant of Genghis Khan; he seeks to finish his ancestors' legacy of conquering the world by first destroying New York City with an atomic bomb. In the end, the Shadow defeats him by telekinetically, stabbing Khan in the forehead with a knife-blade shaped piece of broken mirror shard; this doesn't result in his death, however. One of the Shadow's agents, the administrator of a New York insane asylum, has the shard-damaged part of Khan's frontal lobe surgically removed that controls his telepathic powers, has him declared incuribly insane, and institutionalized for life.

This movie combined the radio, pulp novels, and comic book versions of The Shadow, with the aforementioned ability to cloud minds, described only on radio, along with the huge red-lined black cloak, red scarf, the black trench coat and slouch hat, and the dual .45 semi-automatic pistols with which The Shadow was customarily outfitted. The film also displays Cranston's ability to conjure a false face whenever he is in his Shadow disguise, in keeping with his physical portrayal in the novels and the comics.

Upcoming film

On December 11, 2006, the website SuperHero Hype reported that director Sam Raimi and Michael Uslan will co-produce a new ''Shadow'' film for Columbia Pictures. Siavash Farahani will write the screenplay. Raimi had tried (and failed) to gain the rights in the late 1980s, which resulted in his 1990 feature film, ''Darkman''.

On October 16, 2007, Raimi stated that: "I don't have any news on 'The Shadow' at this time, except that the company that I have with Josh Donen, my producing partner, we've got the rights to 'The Shadow.' I love the character very much and we're trying to work on a story that'll do justice to the character."

On January 29, 2010, it was reported that Sam Raimi was searching for a new project after it was announced that the Spider-Man movie franchise would be rebooted without him. The Shadow was said to be at the top of his list. Recently, it was incorrectly rumoured that David Slade will direct the upcoming film, with a release date of 2012. On Thursday, August 5, 2010, it was reported that Quentin Tarantino - who was attached as a co-writer for the script - had been attached to direct as well., however this would later be denied by an official representative of Tarantino who informed MTV News that "There is no truth to this story"

TV series

Two attempts were made to make a television series based on the character. The first in 1954 was called ''The Shadow'', starring Tom Helmore as Lamont Cranston.

The second attempt in 1958 was called ''The Invisible Avenger'', which compiled the first two unaired episodes and was released theatrically instead. This film was later re-released in 1962 as ''Bourbon Street Shadows'', with additional footage meant to appeal to "adult" audiences. Starring Richard Derr as The Shadow, ''The Invisible Avenger'' centers upon Lamont Cranston investigating the murder of a New Orleans bandleader. The film is notable as the second directorial effort of James Wong Howe (one of the two episodes only).

Influence on superheroes

Characters such as Batman and the Green Hornet resemble Lamont Cranston's alter ego. Both characters operate mostly by night, and the Green Hornet in particular operates outside the law, insinuating himself into criminal plots in order to put an end to the activities of master criminals. But whereas the Shadow carries a real gun, the Green Hornet carries only a lightweight pistol that fires non-lethal gas.

When Bob Kane and Bill Finger first conceived of the "Bat-Man", Finger suggested they pattern the character after pulp mystery men such as the Shadow. Finger then used "Partners of Peril"—a Shadow pulp written by Theodore Tinsley—as the basis for Batman's debut story, "The Case of the Chemical Syndicate." Finger later publicly acknowledged that "my first [Batman] script was a take-off on a Shadow story" and that "Batman was originally written in the style of the pulps." This influence was further evident with Batman showing little remorse over killing or maiming criminals and was not above using firearms.

Alan Moore has credited ''The Shadow'' as one of the key influences for the creation of V, the title character in his DC Comics miniseries ''V for Vendetta'', that later became a big-budget film release in 2005 from Warner Bros..

See also

Condé Nast Publications, owner of The Shadow intellectual property

Doctor Sax

List of The Shadow episodes

Notes

References

Cox, J. Randolph. ''Man of Magic & Mystery, A Guide to the Work of Walter B. Gibson'', Scarecrow Press, 1998. ISBN 0-8108-2192-3. (Comprehensive history and career bibliography of Gibson's works.)

Eisgruber, Jr., Frank. ''Gangland's Doom, The Shadow of the Pulps'', Starmont House, 1985. ISBN 0-930261-74-7.

Gibson, Walter B., Tollin, Anthony. ''The Shadow Scrapbook'', Harcourt Brace Jovanovich, 1979. ISBN 0-15-681475-7. (Comprehensive history of The Shadow in all media forms up through the late 1970s.)

Goulart, Ron. ''Cheap Thrills: An Informal History of the Pulp Magazine'', Arlington House, 1972. ISBN 0-87000-1722-8.

Murray, Will. ''Duende History of the Shadow Magazine'', Odyssey Publications, 1980. ISBN 0-933752-12-0.

Overstreet, Robert. ''The Official Overstreet Comic Book Price Guide, 35th Edition.'', House of Collectibles, 2005. ISBN 0-375-72107-X. (Lists all Shadow comics published to date.)

Sampson, Robert. ''The Night Master'', Pulp Press, 1982. ISBN 0-934498-08-3.

Shimfield, Thomas J. ''Walter B. Gibson and The Shadow''. McFarland & Company, 2003. ISBN 0-7864-1466-9. (Comprehensive Walter Gibson biography with an emphasis on The Shadow.)

Steranko, James. ''Steranko's History of the Comics, Vol. 1'', Supergraphics, 1970. No ISBN.

Steranko, James, (1972), ''Steranko's History of the Comics, Vol. 2'', Supergraphics, 1972. No ISBN.

Steranko, James. ''Unseen Shadows'', Supergraphics, 1978. No ISBN. (Collection of Steranko's detailed black-and-white cover roughs, including alternate/unused versions, done for the Shadow novel reprints from Pyramid Books and Jove/HBJ.)

Van Hise, James. ''The Serial Adventures of the Shadow'', Pioneer Books, 1989. No ISBN.

External links

The Shadow: Master of Darkness (fan site)

The Shadow in Review (fan site)

Category:1930s American radio programs Category:1940s American radio programs Category:1950s American radio programs Category:National Radio Hall of Fame inductees Category:Film serial characters Category:American comic strips Category:1937 radio dramas Category:Fictional characters introduced in 1937 Category:American radio drama Category:Archie Comics superheroes Category:Archie Comics titles Category:Characters in pulp fiction Category:Comic strips started in the 1930s Category:DC Comics superheroes Category:DC Comics titles Category:Fictional socialites Category:Fictional World War I veterans Category:Fictional businesspeople Category:Fictional telepaths Category:Fictional characters who can turn invisible Category:Fictional vigilantes Category:Fictional aviators Category:Film characters Category:Pulp magazines Category:Radio superheroes Category:Street & Smith Category:Wold Newton

de:The Shadow es:La Sombra fr:The Shadow it:The Shadow he:הצל (דמות בדיונית) pt:O Sombra ru:The Shadow fi:The Shadow sv:The Shadow (figur)

Coordinates	3°8′51″N101°41′36″N
name	The Edge
background	solo_singer
birth name	David Howell Evans
birth date	August 08, 1961
Birth place	Barking, Essex, England
origin	County Dublin, Ireland
instrument	Guitar, vocals, keyboards, piano, bass guitar
genre	Rock, post-punk, alternative rock
occupation	Musician, songwriter, activist
years active	1976–present
label	Island (1980–2006)Mercury (2006–present)
associated acts	U2, Passengers
website	U2.com
notable instruments	Gibson ExplorerFender StratocasterGibson Les PaulFender TelecasterGretsch Country GentlemanGretsch White FalconRickenbacker 330/12 }}

David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge), is a musician best known as the guitarist, backing vocalist, and keyboardist of the Irish rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band and has released one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.

The Edge was born in England to a Welsh family, but was raised in Ireland after moving there as an infant. In 1976, at Mount Temple Comprehensive School, he formed U2 with his fellow students and his older brother Dik. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most popular acts in popular music, with successful albums such as 1987's ''The Joshua Tree'' and 1991's ''Achtung Baby''. Over the years, The Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, The Edge has also played keyboards, co-produced their 1993 record ''Zooropa'', and occasionally contributed lyrics. The Edge met his second and current wife, Morleigh Steinberg, through her collaborations with the band.

As a member of U2 and as an individual, The Edge has campaigned for human rights and philanthropic causes. He co-founded Music Rising, a charity to support musicians affected by Hurricane Katrina. He has collaborated with U2 bandmate Bono on several projects, including songs for Roy Orbison and Tina Turner, and the soundtracks to the musical ''Spider-Man: Turn Off the Dark'' and the Royal Shakespeare Company's London stage adaptation of ''A Clockwork Orange''. In 2011, ''Rolling Stone'' magazine placed him at number 38 on its list of "The 100 Greatest Guitarists of All Time".

Personal life

David Howell Evans was born at the Barking Maternity Hospital, Essex, England to Welsh parents Garvin and Gwenda Evans. When he was one, his family moved to County Dublin, Ireland where he attended St Andrew's National School. He received piano and guitar lessons and often performed with his brother Dik Evans before they both answered an advertisement posted by Larry Mullen, Jr. at their school, Mount Temple Comprehensive School, seeking musicians to form a band. The band accepted both of them. This band went through several incarnations before emerging as U2 in March 1978 (Dik Evans left the band just before the name change). U2 began performing in various venues in Ireland and eventually began developing a following. Their debut album, ''Boy'', was released in 1980.

In 1981, leading up to the October tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay. During this period, he became involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. were also involved. Shortly after deciding to remain with the band, he wrote a piece of music that later became "Sunday Bloody Sunday". The Edge married his high school girlfriend Aislinn O'Sullivan on 12 July 1983. The couple had three daughters together: Hollie in 1984, Arran in 1985 and Blue Angel in 1989. The couple separated in 1990, but were unable to get officially divorced because of Irish laws regarding marriage annulment; divorce was legalised in 1995 and the couple were legally divorced in 1996. In 1993, The Edge began dating Morleigh Steinberg, a professional dancer and choreographer employed by the band as a belly dancer during the Zoo TV Tour. They had a daughter, Sian (born 1997), and a son, Levi (born 25 October 1999), before marrying on 22 June 2002.

He appeared in the 2009 music documentary film ''It Might Get Loud''.

The Edge has been criticized for his efforts to build five luxury mansions on a 156 acre plot of land in Malibu, California. The California Coastal Commission voted 8-4 against the plans, with the project described by the commission's executive director, Peter Douglas, as "In 38 years...one of the three worst projects that I've seen in terms of environmental devastation...It's a contradiction in terms – you can't be serious about being an environmentalist and pick this location." The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a $1 million donation from The Edge and a commitment from The Edge to designate 100 acres of the land as open space for public footpaths.

Music style

Guitar playing

As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of VOX AC-30s) that he achieves with extensive use of delay effects and reverb. The feedback delay is often set to a dotted eighth note (3/16 of a measure), and the feedback gain is adjusted until a note played repeats two or three times.

On 1987's ''The Joshua Tree'', The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style,

"I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way."

Many different influences have shaped The Edge's guitar technique. His first guitar was an old acoustic guitar that his mother bought him at a local flea market for only a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument. He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that." The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the ''Achtung Baby'' era onwards, although much of the band's 1980s material made heavy use of echos.

Vocals

The Edge also supplies the backing vocals for U2. U2's 1983 live album and video release, ''Under a Blood Red Sky'' and ''Live at Red Rocks: Under a Blood Red Sky'' are good reference points for his singing (as are the live DVDs from the Elevation Tour, ''U2 Go Home: Live from Slane Castle'' and ''Elevation 2001: Live from Boston''). For example, he sings the chorus to "Sunday Bloody Sunday" (Bono harmonizes on the final 'Sunday'). U2 used this tradeoff technique later in "Bullet the Blue Sky" as well. His backing vocals are sometimes in the form of a repeated cry; examples of songs that use this approach include "Beautiful Day", "New Year's Day" and "Stay (Faraway, So Close!)". Other technique he uses in his backing vocals is the falsetto, for instance in "Stuck in a Moment You Can't Get Out Of", "Sometimes You Can't Make It on Your Own", "A Man and a Woman", "The Wanderer", live versions of "The Fly", and "Window in the Skies".

The Edge sings the lead vocal on "Van Diemen's Land" and "Numb", the first half of the song "Seconds", dual vocals with Bono in "Discotheque", and the bridge in the song "Miracle Drug". He also sings the occasional lead vocal in live renditions of other songs (such as "Sunday Bloody Sunday" during the PopMart Tour and "Party Girl" during the Rotterdam Zoo TV show when it was Bono's birthday). He also does a solo version of the song "Love is Blindness" that is featured in the documentary DVD "From the Sky Down".

Other instruments

He has played piano and keyboards on many of the band's songs, including "I Fall Down", "October", "So Cruel", "New Year's Day", "Running to Stand Still", "Miss Sarajevo", "The Hands that Built America", and "Original of the Species" and others. He plays the organ on "Please". In live versions of "New Year's Day", "The Unforgettable Fire", "Your Blue Room", and "Moment of Surrender", he plays both the piano and guitar parts alternately. In most live versions of "Original of the Species," piano is the only instrument played during the song.

Although The Edge is the band's lead guitarist, he occasionally plays bass guitar, including the live performances of the song "40" where The Edge and bassist Adam Clayton switch instruments.

Solo recordings

In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jay-Z, and Rihanna.

The Edge connected with Brian Eno and Lanois collaborator Michael Brook (the creator of the infinite guitar, which he regularly uses), working with him on the score to the film ''Captive'' (1986). From this soundtrack the song "Heroine", the vocal of which was sung by a young Sinéad O'Connor was released as a single.

He also created the theme song for season one and two of ''The Batman''. He and fellow U2 member, Bono, wrote the lyrics to the theme of the 1995 James Bond film ''GoldenEye''. The Edge, along with fellow bandmate Bono, recently composed a musical adaptation of Spider-Man. On May 25, 2011, a single titled ''Rise Above 1: Reeve Carney Featuring Bono and The Edge'' was released digitally. The music video was released on July 28, 2011.

Musical equipment

The Edge plays electric guitar, acoustic guitar, keyboards, piano, bass guitar (on "40" and "Race Against Time") and lap steel guitar.

Compared to many lead guitarists, The Edge is known for using many more guitars during a show. According to his guitar tech Dallas Schoo, a typical lead guitarist uses four or five different guitars in one night, whereas The Edge takes 45 on the road, and uses 17 to 19 in one 2.5-hour concert. He is estimated to have more than 200 guitars in the studio.

Philanthropy

In 2005, The Edge along with Bob Ezrin and Henry Juszkiewicz co-founded Music Rising, a charity that helped provide replacement instruments for those that were lost in Hurricane Katrina. The instruments were originally only replaced for professional musicians but they soon realized the community churches and schools needed instruments as well. The charity's slogan is "Rebuilding the Gulf Region note by note" and has so far helped over a hundred musicians who were affected by Hurricane Katrina. The Edge also serves on the board of the Angiogenesis Foundation, a 501(c)(3) nonprofit organization dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.

See also

List of people on stamps of Ireland

Timeline of U2

References

;Footnotes

;Bibliography

External links

U2.com, official U2 site

Music Rising

The Edge – Album Credits

A Study of The Edge's Guitar Delay

The Edge: 'It's all about the vision'

Food Bank For New York City public service announcement

Comment on the mathematical analysis of The Edge's guitar sound

Category:Irish male singers Category:Irish rock guitarists Category:Irish people of Welsh descent Category:People from County Dublin Category:People from Dalkey Category:Lead guitarists Category:Slide guitarists Category:Ivor Novello Award winners Category:Golden Globe Award winning musicians Category:Backing vocalists Category:U2 members Category:1961 births Category:Living people Category:Pseudonymous musicians

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