Hades
Hades with Cerberus (Heraklion Archaeological Museum)
King of the underworld God of the Dead and Riches
Abode	Underworld
Symbol	Cerberus, Drinking horn, scepter, Cypress, Narcissus, key
Consort	Persephone
Parents	Cronus and Rhea
Siblings	Poseidon, Demeter, Hestia, Hera, Zeus, Chiron
Children	Macaria, Melinoe and Zagreus
Roman equivalent	Dis Pater, Orcus

Hades ( /ˈheɪdiːz/; from Greek ᾍδης (older form Ἀϝίδης), Hadēs, originally Ἅιδης, Haidēs or Άΐδης, Aidēs (Doric Ἀΐδας Aidas), meaning "the unseen"^[1]) was the ancient Greek god of the underworld. The genitive ᾍδου, Haidou, was an elision to denote locality: "[the house/dominion] of Hades". Eventually, the nominative came to designate the abode of the dead. In Greek mythology, Hades is the oldest male child of Cronus and Rhea. According to myth, he and his brothers Zeus and Poseidon defeated the Titans and claimed rulership over the cosmos, ruling the underworld, air, and sea, respectively; the solid earth, long the province of Gaia, was available to all three concurrently.

Hades was also called "Plouton" (Greek: Πλούτων, gen.: Πλούτωνος, meaning "Rich One"), a name which the Romans Latinized as Pluto.^[2] The Romans would associate Hades/Pluto with their own chthonic gods, Dis Pater and Orcus. The corresponding Etruscan god was Aita. Symbols associated with him are the Helm of Darkness,^{[citation needed]} the bident^{[citation needed]} and the three-headed dog, Cerberus. The term hades in Christian theology (and in New Testament Greek) is parallel to Hebrew sheol (שאול, grave or dirt-pit), and refers to the abode of the dead. The Christian concept of hell is more akin to and communicated by the Greek concept of Tartarus, a deep, gloomy part of hades used as a dungeon of torment and suffering.

God of the underworld[link]

In Greek mythology, Hades (the "unseen"), the god of the underworld, was a son of the Titans, Cronus and Rhea. He had three sisters, Demeter, Hestia, and Hera, as well as two brothers, Zeus, the youngest of the three, and Poseidon, collectively comprising the original six Olympian gods. Upon reaching adulthood, Zeus managed to force his father to disgorge his siblings. After their release the six younger gods, along with allies they managed to gather, challenged the elder gods for power in the Titanomachy, a divine war. The war lasted for ten years and ended with the victory of the younger gods. Following their victory, according to a single famous passage in the Iliad (xv.187–93), Hades and his two brothers, Poseidon and Zeus, drew lots^[3] for realms to rule. Zeus got the sky, Poseidon got the seas, and Hades received the underworld,^[4] the unseen realm to which the dead go upon leaving the world as well as any and all things beneath the earth.

Hades obtained his wife and queen, Persephone, through trickery and violent abduction. The myth, particularly as represented in the Homeric Hymn to Demeter, connected the Eleusinian Mysteries with the Olympian pantheon. Helios told the grieving Demeter that Hades was not unworthy as a consort for Persephone:

"Aidoneus, the Ruler of Many, is no unfitting husband among the deathless gods for your child, being your own brother and born of the same stock: also, for honor, he has that third share which he received when division was made at the first, and is appointed lord of those among whom he dwells."

— Homeric Hymn to Demeter

Despite modern connotations of death as evil, Hades was actually more altruistically inclined in mythology. Hades was often portrayed as passive rather than evil; his role was often maintaining relative balance. Hades ruled the dead, assisted by others over whom he had complete authority. He strictly forbade his subjects to leave his domain and would become quite enraged when anyone tried to leave, or if someone tried to steal the souls from his realm. His wrath was equally terrible for anyone who tried to cheat death or otherwise crossed him, as Sisyphus and Pirithous found out to their sorrow. Besides Heracles, the only other living people who ventured to the Underworld were all heroes: Odysseus, Aeneas (accompanied by the Sibyl), Orpheus, Theseus with Pirithous, and, in a late romance, Psyche. None of them were pleased with what they witnessed in the realm of the dead. In particular, the Greek war hero Achilles, whom Odysseus conjured with a blood libation, said:

"O shining Odysseus, never try to console me for dying.
I would rather follow the plow as thrall to another
man, one with no land allotted to him and not much to live on,
than be a king over all the perished dead."

— Achilles' soul to Odysseus. Homer, Odyssey 11.488-491

Cult[link]

Hades, god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reticent to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed into use. Since precious minerals come from under the earth (i.e., the "underworld" ruled by Hades), he was considered to have control of these as well, and was referred to as Πλούτων (Plouton, related to the word for "wealth"), hence the Roman name Pluto. Sophocles explained referring to Hades as "the rich one" with these words: "the gloomy Hades enriches himself with our sighs and our tears." In addition, he was called Clymenus ("notorious"), Polydegmon ("who receives many"), and perhaps Eubuleus ("good counsel" or "well-intentioned"),^[5] all of them euphemisms for a name that was unsafe to pronounce, which evolved into epithets.

Hades and Cerberus, in Meyers Konversationslexikon, 1888

Although he was an Olympian,^{[citation needed]} he spent most of the time in his dark realm. Formidable in battle, he proved his ferocity in the famous Titanomachy, the battle of the Olympians versus the Titans, which established the rule of Zeus.

Feared and loathed, Hades embodied the inexorable finality of death: "Why do we loathe Hades more than any god, if not because he is so adamantine and unyielding?" The rhetorical question is Agamemnon's ^[6]. He was not, however, an evil god, for although he was stern, cruel, and unpitying, he was still just. Hades ruled the Underworld and was therefore most often associated with death and feared by men, but he was not Death itself — the actual embodiment of Death was Thanatos.

When the Greeks propitiated Hades, they banged their hands on the ground to be sure he would hear them.^[7] Black animals, such as sheep, were sacrificed to him, and the very vehemence of the rejection of human sacrifice expressed in myth suggests an unspoken memory of some distant past.^{[citation needed]} The blood from all chthonic sacrifices including those to propitiate Hades dripped into a pit or cleft in the ground. The person who offered the sacrifice had to avert his face.^[8]

One ancient source says that he possessed the Cap of invisibility. His chariot, drawn by four black horses, made for a fearsome and impressive sight. His other ordinary attributes were the Narcissus and Cypress plants, the Key of Hades and Cerberus, the three-headed dog. He sat on an ebony throne.^{[citation needed]}

The philosopher Heraclitus, unifying opposites, declared that Hades and Dionysus, the very essence of indestructible life zoë, are the same god.^[9] Amongst other evidence Karl Kerenyi notes that the grieving goddess Demeter refused to drink wine, which is the gift of Dionysus, after Persephone's abduction, because of this association, and suggests that Hades may in fact have been a 'cover name' for the underworld Dionysus.^[10] Furthermore he suggests that this dual identity may have been familiar to those who came into contact with the Mysteries ^[11]. One of the epithets of Dionysus was "Chthonios", meaning "the subterranean".^[12]

Artistic representations[link]

Hades is rarely represented in classical arts, save in depictions of the Rape of Persephone.^[13][14]

Persephone[link]

Persephone and Hades: tondo of an Attic red-figured kylix, ca. 440–430 BC

The consort of Hades was Persephone, represented by the Greeks as the beautiful daughter of Demeter.^[15]

Persephone did not submit to Hades willingly, but was abducted by him while picking flowers in the fields of Nysa. In protest of his act, Demeter cast a curse on the land and there was a great famine; though, one by one, the gods came to request she lift it, lest mankind perish, she asserted that the earth would remain barren until she saw her daughter again. Finally, Zeus intervened; via Hermes, he requested that Hades return Persephone. Hades complied,

"But he on his part secretly gave her sweet pomegranate seed to eat, taking care for himself that she might not remain continually with grave, dark-robed Demeter."^[16]

Demeter questioned Persephone on her return to light and air:

"...but if you have tasted food, you must go back again beneath the secret places of the earth, there to dwell a third part of the seasons every year: yet for the two parts you shall be with me and the other deathless gods."^[16]

This bound her to Hades and the Underworld, much to the dismay of Demeter. It is not clear whether Persephone was accomplice to the ploy. Zeus proposed a compromise, to which all parties agreed: of the year, Persephone would spend one third with her husband.^[17]

It is during this time that winter casts on the earth "an aspect of sadness and mourning."^[18]

Theseus and Pirithous[link]

Theseus and Pirithous pledged to kidnap and marry daughters of Zeus. Theseus chose Helen and together they kidnapped her and decided to hold onto her until she was old enough to marry. Pirithous chose Persephone. They left Helen with Theseus' mother, Aethra and traveled to the Underworld. Hades knew of their plan to capture his wife, so he pretended to offer them hospitality and set a feast; as soon as the pair sat down, snakes coiled around their feet and held them there. Theseus was eventually rescued by Heracles but Pirithous remained trapped as punishment for daring to seek the wife of a god for his own.

Heracles[link]

Heracles' final labour was to capture Cerberus. First, Heracles went to Eleusis to be initiated into the Eleusinian Mysteries. He did this to absolve himself of guilt for killing the centaurs and to learn how to enter and exit the underworld alive. He found the entrance to the underworld at Taenarum. Athena and Hermes helped him through and back from Hades. Heracles asked Hades for permission to take Cerberus. Hades agreed as long as Heracles didn't harm Cerberus. When Heracles dragged the dog out of Hades, he passed through the cavern Acherusia.

Minthe[link]

According to Ovid,^{[citation needed]} Hades pursued and would have won the nymph Minthe, associated with the river Cocytus, had not Persephone turned Minthe into the plant called mint.

Realm of Hades[link]

In older Greek myths, the realm of Hades is the misty and gloomy^[19] abode of the dead (also called Erebus), where all mortals go. Later Greek philosophy introduced the idea that all mortals are judged after death and are either rewarded or cursed. Very few mortals could leave his realm once they entered: the exceptions, Heracles, Theseus, are heroic. Even Odysseus in his Nekyia (Odyssey, xi) calls up the spirits of the departed, rather than descend to them.

There were several sections of the realm of Hades, including Elysium, the Asphodel Meadows, and Tartarus. Greek mythographers were not perfectly consistent about the geography of the afterlife. A contrasting myth of the afterlife concerns the Garden of the Hesperides, often identified with the Isles of the Blessed, where the blessed heroes may dwell.

Aeneas's journey to Hades through the entrance at Cumae mapped by Andrea de Jorio, 1825

In Roman mythology, the entrance to the Underworld located at Avernus, a crater near Cumae, was the route Aeneas used to descend to the realm of the dead.^[20] By synecdoche, "Avernus" could be substituted for the underworld as a whole. The di inferi were a collective of underworld divinities.

For Hellenes, the deceased entered the underworld by crossing the Acheron, ferried across by Charon (kair'-on), who charged an obolus, a small coin for passage placed in the mouth of the deceased by pious relatives. Paupers and the friendless gathered for a hundred years on the near shore according to Book VI of Vergil's Aeneid. Greeks offered propitiatory libations to prevent the deceased from returning to the upper world to "haunt" those who had not given them a proper burial. The far side of the river was guarded by Cerberus, the three-headed dog defeated by Heracles (Roman Hercules). Passing beyond Cerberus, the shades of the departed entered the land of the dead to be judged.

The five rivers of the realm of Hades, and their symbolic meanings, are Acheron (the river of sorrow, or woe), Cocytus (lamentation), Phlegethon (fire), Lethe (oblivion), and Styx (hate), the river upon which even the gods swore and in which Achilles was dipped to render him invincible. The Styx forms the boundary between the upper and lower worlds. See also Eridanos.

The first region of Hades comprises the Fields of Asphodel, described in Odyssey xi, where the shades of heroes wander despondently among lesser spirits, who twitter around them like bats. Only libations of blood offered to them in the world of the living can reawaken in them for a time the sensations of humanity.

Beyond lay Erebus, which could be taken for a euphonym of Hades, whose own name was dread. There were two pools, that of Lethe, where the common souls flocked to erase all memory, and the pool of Mnemosyne ("memory"), where the initiates of the Mysteries drank instead. In the forecourt of the palace of Hades and Persephone sit the three judges of the Underworld: Minos, Rhadamanthus, and Aeacus. There at the trivium sacred to Hecate, where three roads meet, souls are judged, returned to the Fields of Asphodel if they are neither virtuous nor evil, sent by the road to Tartarus if they are impious or evil, or sent to Elysium (Islands of the Blessed) with the "blameless" heroes.

In the Sibylline oracles, a curious hodgepodge of Greco-Roman and Judaeo-Christian elements, Hades again appears as the abode of the dead, and by way of folk etymology, it even derives Hades from the name Adam (the first man), saying it is because he was the first to enter there.^[21]

Charon the ferryman[link]

In ancient Greece it was customary to place a coin in or on the mouth of the dead since the dead were required to pay a fare to Charon, the ferryman of Hades.^[22]

Judeo-Christian Hades[link]

Hades is the standard translation for Sheol in the Septuagint, Josephus, Philo of Alexandria, and other Jewish works written in Greek.

In the Greek version of an obscure Judaeo-Christian work known as 3 Baruch (never considered canonical by any known group), "Hades" is described as a dark, serpent-like monster or dragon who drinks a cubit of water from the sea every day, and is 200 plethra (20,200 English feet, or nearly four miles) in length.

Like other first-century Jews literate in Greek, early Christians used the Greek word Hades to translate the Hebrew word Sheol. Thus, in Acts 2:27, the Hebrew phrase in Psalm 16:10 appears in the form: "you will not abandon my soul to Hades." Death and Hades are repeatedly associated in the Book of Revelation.^[23]

The New Testament uses the Greek word Hades to refer to the temporary abode of the dead (e.g. Acts 2:31; Revelation 20:13).^[24] Only one passage describes hades as a place of torment, the story of Lazarus and Dives (Luke 16:19-31). Here, Jesus depicts a wicked man suffering fiery torment in hades, which is contrasted with the bosom of Abraham, and explains that it is impossible to cross over from one location to the other. Some scholars believe that this parable reflects the intertestamental Jewish view of hades (or sheol) as containing separate divisions for the wicked and righteous.^[24][25] In Revelation 20:13-14 hades is itself thrown into the "lake of fire" after being emptied of the dead.

In Latin, Hades could be translated as Purgatorium (Purgatory in English use) after about 1200 A.D.,^[26] but no modern English translations relates Hades to Purgatory.

Genealogy of the Olympians in Greek mythology[link]

See also[link]

	Greek mythology portal
	Hellenismos portal

Notes[link]

External links[link]

Wikimedia Commons has media related to: Hades

Maps of the Underworld (Greek mythology)

• Color map
• Ancient map

The God Hades

• Discourse to the Greeks Concerning Hades by Flavius Josephus
• Theoi Project, Hades references in classical literature and ancient art
• Greek Mythology Link, Hades

v t e Underworlds Aztec mythology Mictlan Buddhism Naraka Chinese mythology Diyu Persian mythology Duzakh Christianity Purgatory Limbo Hell Ancient Egyptian religion Duat Germanic and Norse paganism Hel Niflheim Greek mythology Hades Tartarus Hinduism Naraka Patala Islam Barzakh Jahannam Jainism Naraka Judaism Gehenna Sheol Shinto Yomi Turkic-Mongolian Erlik

This article relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (May 2010)

Turmion Kätilöt
Myötätuulirock 2011
Background information
Origin	Kuopio, Finland
Genres	Industrial metal, extreme metal, EBM
Years active	2003–present
Labels	Osasto-A Records
Website	http://turmionkatilot.com/
Members
MC Raaka Pee Spellgoth Bobby Undertaker RunQ DQ Master Bates

Spellgoth and MC Raaka Pee

Turmion Kätilöt (Literally ”Midwives of Ruin" or ”Midwives of Perdition”) is a Finnish industrial metal band founded in 2003 by MC Raaka Pee and DJ Vastapallo, who until the latter's departure, were the only studio lineup. The live line-up adds Spellgoth (Trollheim's Grott, Horna), Master Bates, RunQ (Tarot, Eternal Tears of Sorrow) and DQ.

Biography[link]

The band had a recording contract with Spinefarm Records (specifically Ranka Recordings), and their second full-length album, Pirun nyrkki, was released on March 29, 2006. Shortly after a dispute over income developed between the band and Spinefarm, with the band filing a lawsuit against the label. During the ongoing case, a new album, U.S.C.H.!, was released for free download^{[citation needed]} on 11 June 2008. A new single, Minä määrään ("I Rule"), was also released for free before the album, on May 21.

On March 9 the group posted a statement on their website, clarifying the arguments between the band and their former record company Spinefarm Records had been settled, but stated that the terms of the agreement meant they could not discuss the matter further. U.S.C.H.! was released physically on 20 May 2009 including 2 bonus tracks.

Trivia[link]

Mistä veri pakenee has also featured a local band known as Killzone, for the album release.

The songs Verta ja lihaa and Paha ihminen are featured on a popular flash animation series on the Internet known as Bunnykill. Another of the band's songs, Rautaketju is featured on the flash animation Successful troll is successful.^[1][2]

Members[link]

• MC Raaka Pee (Petja Turunen) - Lead Vocals
• Spellgoth - Lead Vocals (live)
• Master Bates - Backing Vocals, Bass Guitar
• Bobby Undertaker - Guitars^[3]
• RunQ (Janne Tolsa) - Keyboards, Programming
• DQ - Drums, Percussion

Former Members[link]

• DJ Vastapallo - Guitars^[4]
• Plastinen - Session Vocals

Discography[link]

Singles

• Teurastaja (2003)
• Verta ja lihaa (2005)
• Pirun nyrkki (2006)
• Minä Määrään (2008)
• Ihmisixsixsix (2010, digital release)

EPs

• Niuva 20 (2005)

Albums

• Hoitovirhe (2004)
• Pirun nyrkki (2006)
• U.S.C.H! (2008)
• Perstechnique (2011)

Wikimedia Commons has media related to: Turmion Kätilöt

References[link]

1. ↑ Bunnykill
2. ↑ [1]
3. ↑ tk news
4. ↑ TURMION KÄTILÖT changes guitarist

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (October 2010)

Josh Gabriel
Josh Gabriel (front) as Gabriel & Dresden at Coachella Festival, Indio, California. April 20, 2006.
Background information
Birth name	Josh Gabriel
Origin	San Francisco, CA
Genres	Progressive trance Electronica
Occupations	DJ, Producer, Remixer
Years active	1988–present
Labels	Organized Nature Different Pieces, Vandit
Associated acts	Gabriel & Dresden, Motorcycle, Andain, Bigtop, Copywrite (rapper)
Notable instruments
iMac G5, Logic Pro, Ableton Live [1]

Josh Gabriel is an electronic dance music DJ and producer, formerly of Gabriel & Dresden with Dave Dresden.

History[link]

Early Years (1988-2000)[link]

In 1988-89, a 20 year old exchange student from California Institute of the Arts, was living in The Hague in The Netherlands and studying at the Institute of Sonology. Josh Gabriel had already been working with digital music since his high-school days, achieving mastery of the DX7 and TX816 by the age of 17. With an Apple Macintosh Plus, operating system 3, and the earliest of music applications like Mark of the Unicorn’s “Composer” and “Performer”, Josh was already at the bleeding edge. In Holland, Gabriel’s inventor spirit took shape as he wrote a computer application to control samples on an Akai S900 in real-time with a joystick. And the inception for what later became Mixman had been born. Along with electronics whiz Jan Pannis, (Stockhausen’s tech-man) Gabriel and Pannis built an apparatus which converted beams of light coming up off the floor into a Midi Control device and the 20 year old Gabriel dressed in black, wearing white gloves performed his real-time beat-trigger device in the clubs of Amsterdam.

By 1993 Gabriel was doing high-end digital sound editing, design and production in Los Angeles, and finally found a business partner and the journey that was to become Mixman began. Mixman had always been conceived as a hardware device, the “Walkman”, the “Discman”, the “Mixman”… and several proto-types were built. The path to hardware was longer than software and in late 1995 early 1996 the first Mixman application was released to the public. Spin Control, included 8 songs from the San Francisco underground Dance Music scene, that were remixable with only a PC, enough RAM and a proper sound card.

Gabriel's patents for loop-based music remixing are the backbone of industry standard music making software applications used in virtually every producers studio today. By 1999, Mixman had evolved and grown and merged with a larger dot.com. Expanding briefly to the Mac platform and deepening it’s relationship with Record Labels and MTV as well as starting work with Mattel on a controller (eventually became the DM2) -- things looked good. But as happened with many dot.coms the ride got bumpy. In late 2000 Gabriel decided he had had his fill of the corporate life, and decided he wanted to return to “music”. In 2002 Mixman sprung free of the dot.com shackles and returned to independence.

Gabriel & Dresden (2001-2008)[link]

Before he attended music school in Holland and Los Angeles and started experimenting with synthesizers and computers in the early 1980s. At the same time Dave Dresden was a club deejay in a suburb of New York City as well as a renowned US dance music journalist. He became the Music Director of grooveradio.com and met Pete Tong, who asked him to help find music for the Essential Selection.^[2] They met at a party being hosted by grooveradio.com at the Miami Winter Music Conference in March 2001. Josh gave Leon Alexander a record, the record was "Wave 3", which Dave then gave to Pete Tong, and he played it on the Essential Selection and also used it for his compilation that same year. Pete gave Dave the opportunity to do a spec mix of New Order and Dave asked Josh to work on it with him. The two joined forces in 2001 and made a name for themselves by creating numerous remixes. In 2002 Gabriel & Dresden released their first single "Lament" (Saw Recordings) in the United States. The duo released numerous singles and number one Billboard hits like "Tracking Treasure Down" and "Dangerous Power"; They also released one self-titled studio album together, Gabriel & Dresden. Josh played the electric bass on Armin van Buuren's single "Zocalo" in which both Dave & Josh produced the sounds.

The duo won the 2007 and 2008 IDMA award for "America's Best DJ". He has achieved 16 Billboard Dance Chart #1 hits as "Gabriel & Dresden", composed music that has appeared on Fox, HBO, NBC and CBS TV shows. Gabriel & Dresden have their own record label, Organized Nature. Gabriel has also invented a new pro-audio web application that will be available to the public in Winter 2009.^{[dated info]}

Post-Dresden Period (2008-Present)[link]

The duo finished their last tour with two appearances at the WMC in Miami. They played an incredible 5+ hour set at the Pawn Shop on March 28, 2008 and a closing 1 hour set at the Beatport/Remix Hotel Pool Party at the National Hotel on March 30, 2008 (with visuals provided by VJ Psyberpixie). Josh Gabriel will now be touring solo and focusing more on his solo album due out later in 2008.

"Summit", released in 2007, is the first single from his debut solo album "Eight". Other tracks, "Crosstalk" was originally found in the Toolroom Knights, Vol. 2 compilation mixed by Gabriel & Dresden as well as "Azora" which was found in Renaissance The Master Series Vol. 10 compilation mixed by Dave Seaman. The follow-up single called "Tone Program" was released on September 4, 2008 on Josh Gabriel's new label, "Different Pieces" with a remix by Style of Eye.

Josh Gabriel's debut album is called "Eight" and was released on October 8, 2008 through "Different Pieces". "Eight" refers to the eight different analog synths he used on the album. The title also refers to the date August 8, 2008 (08-08-08), when he finished mastering the album.

Josh is currently finishing up Andain's new album and is also working with vocalist/song writer Meredith Call on a project called "Winter Kills" with the first single "Deep Down" due out in early 2009. Both albums are set for release in 2010. Also his music production will feature on Copywrite (rapper) new album "The Life And Times Of Peter Nelson" in the track known as "Serotonin".

On December 31, 2010, Dave Dresden announced via a photo post on his Facebook page showing himself at a table preparing set lists with Josh that the duo are back together and performing their first reunited set on NYE 2010 in Los Angeles. Fan response was eccentric with "welcome back!". After that the pair proceeded with a reunion tour with their first show in San Francisco, CA on March 4, 2011.

Discography[link]

For discography as Gabriel & Dresden, see Gabriel & Dresden discography.

Albums[link]

• 1996 Mixman: Remixable Hip-Hop · House · Acid Jazz · Underground (Compilation album)
• 2008 Eight (Studio album)
• 2011 Winter Kills

Singles/EPs[link]

• 2002 Wave 3
• 2005 Alive
• 2006 Tracking Treasure Down
• 2007 Summit
• 2008 Tone Program
• 2009 Rubber
• 2009 Wood
• 2009 Winter Kills - Deep Down
• 2009 Entropy
• 2010 Winter Kills - My Friend

Remixes[link]

• 2002 Andain - Summer Calling (Josh Gabriel Mix)
• 2003 Andain - Beautiful Things (Josh Gabriel Mix)
• 2004 RND() - Nova Santori (Josh Gabriel Mix)
• Layo & Bushwacka! - Let The Good Times Roll (Josh Gabriel Unauthorized Dub)
• 2008 Francis Preve - Caboose (Josh Gabriel Remix)
• 2008 Stel - New Life (Josh Gabriel Remix)
• 2009 Andain - Promises (Josh Gabriel Remix)
• 2009 Winter kills - Deep down
• 2010 BT - Every Other Way (Josh Gabriel Remix)

Co-productions[link]

• Andain - Summer Calling
• Andain - Beautiful Things
• Tiësto - Walking On Clouds
• Armin van Buuren - Zocalo
• Markus Schulz - Without You Near
• (As Winter Kills (with Meredith Call)) Armin Van Buuren - Take a Moment

Awards and nominations[link]

For awards as Gabriel & Dresden, see Gabriel & Dresden Awards / Nominations.

• Nominated WMC Best Progressive / Trance - Beautiful Things - Andain

References[link]

1. ↑ Notable Instruments
2. ↑ Dave Pearce Interview

• Trance Addict
• Discogs

1. REDIRECT Anaïs Mitchell  

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