''Batman'' is a 1989
superhero film based on the
DC Comics character of the same name, directed by
Tim Burton. The film stars
Michael Keaton in the title role, as well as
Jack Nicholson,
Kim Basinger,
Robert Wuhl and
Jack Palance. The film, in which Batman deals with the rise of a costumed criminal known as "
The Joker", is the first installment of
Warner Bros.'
''Batman'' film series.
After Burton was hired as director, Steve Englehart and Julie Hickson wrote film treatments before Sam Hamm wrote the first screenplay. ''Batman'' was not greenlit until after the success of Burton's ''Beetlejuice'' (1988). Numerous A-list actors were considered for the role of Batman. Nicholson accepted the role of the Joker under strict conditions that dictated a high salary, a portion of the box office profits, and his shooting schedule.
Filming took place at Pinewood Studios from October 1988 to January 1989. The budget escalated from $30 million to $48 million, while the 1988 Writers Guild of America strike forced Hamm to drop out. Uncredited rewrites were performed by Warren Skaaren, Charles McKeown and Jonathan Gems. ''Batman'' was a critical and financial success, earning over $400 million in box office totals. The film received several Saturn Award nominations and a Golden Globe nomination, and won an Academy Award. It also inspired the Emmy Award-winning ''Batman: The Animated Series'', paving the way for the DC Animated Universe, and has influenced Hollywood's modern marketing and development techniques of the superhero film genre.
Plot
As a child, billionaire Bruce Wayne (
Michael Keaton) saw his parents murdered by a mugger. He vows to avenge their deaths in a lifelong battle against crime as the costumed vigilante
Batman while concealing his secret identity behind his playboy image. By the time he begins his career as
Gotham City's protector, the city is controlled by crime boss Carl Grissom (
Jack Palance). Despite the best efforts of newly-elected district attorney
Harvey Dent (
Billy Dee Williams) and police commissioner
James Gordon (
Pat Hingle), the
police department remains corrupt. Reporter Alexander Knox (
Robert Wuhl) and photo-journalist
Vicki Vale (
Kim Basinger) begin investigating the rumors of a shadowy crimefighter dressed as a bat terrorizing Gotham's criminals by night.
Vicki and Knox attend a benefit at Wayne Manor, where Bruce is taken by Vicki's charms. That same night, Grissom's second in command, Jack Napier (Jack Nicholson), is sent to raid the Axis Chemicals factory. After the police receive a tip-off and arrive to arrest him, Napier realizes he has been set up by his boss, angered by his affair with Grissom's mistress. In the midst of the shoot-out, Batman arrives and takes out Napier's henchmen. Napier fires at Batman, who deflects the bullet off his steel gauntlet and sends it ricocheting back into Napier's face. Reeling from the pain, Napier topples over a platform rail but manages to grab a lower rail with one hand. Batman tries to pull Napier to safety, but loses his grip, and the criminal falls into a large vat of chemicals. Shortly thereafter, he emerges from an adjacent reservoir, his skin bleached white, his hair dyed green and his lips dyed red. Following a botched attempt at plastic surgery, Napier is left with a permanent rictus grin, giving him the appearance of a clown. Driven insane by his reflection, he fashions himself as "the Joker", kills Grissom and takes over his empire.
The Joker holds the city at his mercy by chemically altering everyday hygiene products, causing those using a certain combination of products to laugh to death — leaving them with a post-mortem grin resembling his own. Batman attempts to track down the Joker, who has become obsessed with Vicki, and soon realizes that his foe is the very mugger who murdered his parents. Meanwhile, Bruce's butler and confidante Alfred Pennyworth (Michael Gough) lets Vicki into the Batcave, and she and Bruce promise they will try to work out their feelings for each other once the Joker is defeated.
Batman destroys the factory the Joker used to make the poisoned products. The Joker retaliates by holding a parade through Gotham, luring its citizens on to its streets by dispensing money, intending to kill them with lethal gas. Batman foils his plan, but the Joker kidnaps Vicki and takes her to the top of a cathedral church. Batman fights the Joker to save Vicki, and both realize that they are indirectly responsible for each other's transformations. As the Joker is about to escape, Batman ties his leg to a gargoyle with a grappling hook; the Joker falls to his death when the statue breaks loose of its moorings. Commissioner Gordon unveils the Bat-Signal along with a note from Batman read by Harvey Dent, promising to defend Gotham whenever crime strikes again.
Production
Development
After the financial success of ''
Pee-wee's Big Adventure'' (1985), Warner Bros. hired Tim Burton to direct ''Batman''. Burton had then-girlfriend
Julie Hickson write a new 30-page
film treatment, feeling the previous script by
Tom Mankiewicz was
campy. The success of ''
The Dark Knight Returns'' and ''
The Killing Joke'' rekindled Warner Bros.' interest in a film adaptation. Burton was initially not a comic book fan, but he was impressed by the dark and serious tone found in both ''The Dark Knight Returns'' and ''The Killing Joke''. Warner Bros. enlisted the aid of
Steve Englehart to write a new treatment in March 1986. It included the Joker and
Rupert Thorne as the main villains, with a
cameo appearance by the
Penguin.
Silver St. Cloud and
Dick Grayson were key supporting roles. It followed the similar storyline from Englehart's own ''Strange Apparitions'' (ISBN 1-56389-500-5). Warner Bros. was impressed, but Englehart felt there were too many characters. He removed the Penguin and Dick Grayson in his second treatment, finishing in May 1986.
Burton approached Sam Hamm, a comic book fan, to write the screenplay. Hamm decided not to use an origin story, feeling that flashbacks would be more suitable and that "unlocking the mystery" would become part of the storyline. He reasoned, "You totally destroy your credibility if you show the literal process by which Bruce Wayne becomes Batman." Hamm replaced Silver St. Cloud with Vicki Vale and Rupert Thorne with his own creation, Carl Grissom. He completed his script in October 1986, which demoted Dick Grayson to a cameo rather than a supporting character. One scene in Hamm's script had a young James Gordon on duty the night of the murder of Bruce Wayne's parents. When Hamm's script was rewritten, the scene was deleted.
Warner Bros. was less willing to move forward on development, despite their enthusiasm for Hamm's script, which Batman co-creator Bob Kane greeted with positive feedback. Hamm's script was then bootlegged at various comic book stores in the United States. ''Batman'' was finally given the greenlight to commence pre-production in April 1988, after the success of Burton's ''Beetlejuice'' (1988). When comic book fans found out about Burton directing the film with Michael Keaton starring in the lead role, controversy arose over the tone and direction ''Batman'' was going in. Hamm explained, "they hear Tim Burton's name and they think of ''Pee-wee's Big Adventure''. They hear Keaton's name and they think of any number of Michael Keaton comedies. You think of the 1960s version of Batman, and it was the complete opposite of our film. We tried to market it with a typical dark and serious tone, but the fans didn't believe us." To combat negative reports on the film's production, Batman co-creator Bob Kane was hired as creative consultant.
Casting
Mel Gibson,
Kevin Costner,
Charlie Sheen,
Pierce Brosnan,
Tom Selleck and
Bill Murray were all considered for Batman. Tim Burton was pressured to cast an obvious action movie star. Producer Jon Peters favored Keaton, arguing he had the right "edgy, tormented quality." Having directed Keaton in ''
Beetlejuice'', Burton agreed.
Keaton's casting caused a controversy among comic book fans, with 50,000 protest letters sent to Warner Bros. offices. Bob Kane, Sam Hamm and Michael Uslan also heavily questioned the casting, while Adam West felt himself to be a better choice. Burton acknowledged, "Obviously there was a negative response from the comic book people. I think they thought we were going to make it like the 1960s TV series, and make it campy, because they thought of Michael Keaton from ''Mr. Mom'' and ''Night Shift'' and stuff like that." Keaton studied ''The Dark Knight Returns'' for inspiration.
Tim Curry, Willem Dafoe, David Bowie and James Woods were considered for the Joker. Robin Williams lobbied hard for the part. Jack Nicholson was producer Michael Uslan's and Bob Kane's choice since 1980. Peters approached Nicholson as far back as 1986, during filming of ''The Witches of Eastwick''. Nicholson had what was known as an "off-the-clock" agreement. His contract specified the number of hours he was entitled to have off each day, from the time he left the set to the time he reported back for filming, as well as being off for Los Angeles Lakers home games. Nicholson demanded to have all of his scenes shot in a three-week block, but the schedule lapsed into 106 days. He received a $6 million salary, as well as a large percentage of the box office gross. The fee is reported to be as high as $50 million.
Sean Young was originally cast as Vicki Vale, but was injured in a horse-riding accident prior to commencement of filming. Burton suggested replacing Young with Michelle Pfeiffer but Keaton, who was in a relationship with Pfeiffer, believed it would be too awkward. She went on to portray Catwoman in ''Batman Returns''. Young's departure necessitated an urgent search for an actress who, besides being right for the part, could commit to the film at very short notice. Peters suggested Kim Basinger: she was able to join the production immediately and was cast. As a fan of Michael Gough's work in various Hammer Film Productions, Burton cast Gough as Bruce Wayne's butler, Alfred Pennyworth. Robert Wuhl was cast as reporter Alexander Knox. His character was originally supposed to die by the Joker's poison gas in the climax, but the filmmakers "liked [my] character so much," Wuhl said "that they decided to let me live." Tim Burton chose Billy Dee Williams as Harvey Dent because he wanted to include the villain Two-Face in a future film using the concept of an African-American Two-Face for the black and white concept, but Tommy Lee Jones was later cast in the role for ''Batman Forever'' which disappointed Williams. Nicholson convinced the filmmakers to cast Tracey Walter as the Joker's henchman, Bob; in real life, Nicholson and Walter are close friends. The rest of the cast included Pat Hingle as Commissioner Gordon, Jack Palance as Carl Grissom, Jerry Hall as Alicia Hunt, Lee Wallace as Mayor Borg, and William Hootkins as Lt. Max Eckhardt.
Filming
The filmmakers considered filming ''Batman'' entirely on the Warner Bros.
backlot in
Burbank, California, but media interest in the film made them change the location. It was shot at
Pinewood Studios in
England from October 1988 to January 1989. 18
sound stages were used, almost the entirety of Pinewood's 95-acre backlot. Locations included
Knebworth House and
Hatfield House doubling for
Wayne Manor, plus
Acton Lane Power Station and
Little Barford Power Station. The original production budget escalated from $30 million to $48 million. Filming was highly secretive. The unit
publicist was offered and refused
£10,000 for the first pictures of Jack Nicholson as the Joker. The police were later called in when two reels of footage (about 20 minutes' worth) were stolen. With various problems during filming, Burton called it "torture. The worst period of my life!"
Hamm was not allowed to perform rewrites during the 1988 Writers Guild of America strike. Jonathan Gems, Warren Skaaren and Charles McKeown rewrote the script during filming. Hamm criticized the rewrites, but blamed the changes on Warner Bros. Burton explained, "I don't understand why that became such a problem. We started out with a script that everyone liked, although we recognized it needed a little work." Dick Grayson appeared in the shooting script but was deleted, as the filmmakers felt he was irrelevant to the plot. Bob Kane supported this decision.
Originally in the climax, the Joker was to kill Vicki Vale, sending Batman into a vengeful fury. Jon Peters reworked the climax without telling Burton and commissioned production designer Anton Furst to create a model of the cathedral. This cost $100,000 when the film was already well over budget. Burton disliked the idea, having no clue how the scene would end: "Here were Jack Nicholson and Kim Basinger walking up this cathedral, and halfway up Jack turns around and says, 'Why am I walking up all these stairs? Where am I going?' 'We'll talk about it when you get to the top!' I had to tell him that I didn't know."
Design
Burton was impressed with
Anton Furst's designs in ''
The Company of Wolves'', and previously failed to hire Furst as production designer for ''Beetlejuice''. Furst had been too committed on ''
High Spirits'', a choice he later regretted. Furst enjoyed working with Burton. "I don't think I've ever felt so naturally in tune with a director," he felt. "Conceptually, spiritually, visually, or artistically. There was never any problem because we never fought over anything. Texture, attitude and feelings are what [Burton] is a master at."
Furst and the
art department deliberately mixed clashing architectural styles to "make Gotham City the ugliest and bleakest
metropolis imaginable." Furst continued, "we imagined what New York City might have become without a planning commission. A city run by crime, with a riot of architectural styles. An essay in ugliness. As if hell erupted through the pavement and kept on going.'" The 1985 film ''
Brazil'' by
Terry Gilliam was also a notable influence upon the film's production design, as both Burton and Furst studied it as a reference.
Derek Meddings served as the
visual effects supervisor, while
Keith Short helped construct the newly-created
1989 Batmobile, adding two
Browning machine guns. On designing the Batmobile, Furst explained, "We looked at jet aircraft components, we looked at war machines, we looked at all sorts of things. In the end, we went into pure expressionism, taking the
Salt Flat Racers of the 30s and the
Sting Ray macho machines of the 50s." The car was built upon a
Chevrolet Impala when previous development with a
Jaguar and
Ford Mustang failed.
Costume designer Bob Ringwood turned down the chance to work on ''Licence to Kill'' in favor of ''Batman''. Ringwood found it difficult designing the Batsuit because "the image of Batman in the comics is this huge, big six-foot-four hunk with a dimpled chin. Michael Keaton is a guy with average build," He stated. "The problem was to make somebody who was average-sized and ordinary looking into this bigger-than-life creature." Burton commented, "Michael is a bit claustrophobic, which made it worse for him. The costume put him in a dark, Batman-like mood though, so he was able to use it to his advantage." Burton's idea was to use an all-black suit, and was met with positive feedback by Bob Kane. Jon Peters wanted to use a Nike product placement with the Batsuit. Ringwood studied over 200 comic book issues for inspiration. 28 sculpted latex designs were created; 25 different cape looks and 6 different heads were made, accumulating a total cost of $250,000. Comic book fans initially expressed negative feedback against the Batsuit. Burton opted not to use tights, spandex or underpants as seen in the comic book, feeling it was not intimidating. Prosthetic makeup designer Nick Dudman used acrylic-based makeup paint called PAX for Nicholson's chalk-white face. Part of Nicholson's contract was approval over the makeup designer.
Music
Burton hired
Danny Elfman, his collaborator on ''Pee-wee's Big Adventure'' and ''Beetlejuice'', to compose the music score. For inspiration Elfman was given ''The Dark Knight Returns''. Elfman was worried, as he never had worked on a production this large in budget and scale. In addition, producer Jon Peters was skeptical of hiring Elfman, but was later convinced when he heard the opening number. Peters and Peter Guber wanted
Prince to write music for the Joker and
Michael Jackson to do the romance songs. Elfman would then combine the style of Prince and Jackson's songs together for the entire film score.
Burton protested the ideas, citing "my movies aren't commercial like ''Top Gun''." Elfman enlisted the help of Oingo Boingo lead guitarist Steve Bartek and Shirley Walker to arrange the compositions for the orchestra. Elfman later was displeased with the audio mixing of his film score. "''Batman'' was done in England by technicians who didn't care, and the non-caring showed," he stated. "I'm not putting down England because they've done gorgeous dubs there, but this particular crew elected not to." ''Batman'' was one of the first films to spawn two soundtracks. One of them featured songs written by Prince while the other showcased Elfman's score. Both were successful, and compilations of Elfman's opening credits were used in the title sequence theme for ''Batman: The Animated Series'', also composed by Shirley Walker.
Themes
When discussing the central
theme of ''Batman'', director Tim Burton explained, "the whole film and mythology of the character is a complete duel of the freaks. It's a fight between two disturbed people." He continued, "The Joker is such a great character because there's a complete freedom to him. Any character who operates on the outside of society and is deemed a freak and an outcast then has the freedom to do what they want... They are the darker sides of freedom. Insanity is in some scary way the most freedom you can have, because you're not bound by the laws of society."
Burton saw Bruce Wayne as two people at one time and a symbol of America. Bruce has pretense of appearing to be one image, while hiding the reality from the world. Burton biographer Ken Hanke wrote that Bruce Wayne, struggling with his alter-ego as Batman, is depicted as an antihero. Hanke felt that Batman has to push the boundaries of civil justice to deal with certain criminals, such as the Joker. Kim Newman theorized that "Burton and the writers saw Batman and the Joker as a dramatic antithesis, and the film deals with their intertwined origins and fates to an even greater extent."
A visual motif is present in the scene of Batman's first major act of vigilantism at Axis Chemicals. He is carefully framed so that the single word AXIS, in gigantic red neon letters, looms over him. This parallels his actions and those of the totalitarian governments of World War II. The dangers inherent in these actions include the transformation of Jack Napier into the Joker. ''Batman'' also conveys trademarks found in 1930s pulp magazines, notably the design of Gotham City stylized with Art Deco design. Richard Corliss, writing for ''Time'', observed that Gotham's design was a reference to films such as ''Metropolis'' (1927) and ''The Cabinet of Dr. Caligari'' (1920). "Gotham City, despite being shot on a studio backlot," he continued, "is literally another character in the script. It has the demeaning presence of German Expressionism and fascist architecture, staring down at the citizens." Hanke further addressed the notions of ''Batman'' being a period piece. "The citizens, cops, people and the black-and-white television looks like it takes place in 1939." However, Hanke later said. "Had the filmmakers made Vicki Vale a femme fatale rather than a damsel in distress, this could have made ''Batman'' as a homage and tribute to classic film noir. Portions of the climax pay homage to ''Vertigo''.
Marketing
Production designer Anton Furst designed the poster, which he called "evocative but ubiquitous. Only featuring the Bat-Symbol. Not too much and not too little." Earlier designs "had the word 'Batman' spelled in ''
RoboCop'' or ''
Conan the Barbarian''-type font." Jon Peters unified all the film's
tie-ins, even turning down $6 million from
General Motors to build the
Batmobile because the car company would not relinquish creative control.
During production, Peters read in ''The Wall Street Journal'' that comic book fans were unsatisfied with the casting of Michael Keaton. In response, Peters rushed the first film trailer that played in thousands of theaters during Christmas. It was simply an assemblage of scenes without music, but happened to create enormous anticipation for the film. DC Comics allowed screenwriter Sam Hamm to write his own comic book miniseries. Hamm's stories were collected in the graphic novel ''Batman: Blind Justice'' (ISBN 978-1563890475). Denys Cowan and Dick Giordano illustrated the artwork. ''Blind Justice'' tells the story of Bruce Wayne trying to solve a series of murders connected to Wayne Enterprises. It also marks the first appearance of Henri Ducard, who was later used in the rebooted ''Batman Begins'', albeit as an alias for the more notable Ra's al Ghul.
In the months pre-dating ''Batman''s release in June 1989, a popular culture phenomenon rose known as "Batmania". Over $750 million worth of merchandise was sold. Cult filmmaker and comic book writer Kevin Smith remembered, "That summer was huge. You couldn't turn around without seeing the Bat-Signal somewhere. People were cutting it into their fucking heads. It was just the summer of Batman and if you were a comic book fan it was pretty hot." Hachette Book Group USA published a novelization, written by Craig Shaw Gardner. It remained on the ''New York Times'' Best Seller list throughout June 1989. Burton admitted he was annoyed by the publicity. David Handelman of ''The New York Observer'' categorized ''Batman'' as a high concept film. He believed "it is less movie than a corporate behemoth."
Reception
Box office
''Batman'' opened on June 23, 1989, grossing $43.6 million in 2,194 theaters during its opening weekend. This broke the opening weekend record, set by ''
Ghostbusters II'' one week earlier, with $29.4 million. ''Batman'' would eventually gross $251.2 million in North America and $160.15 million internationally, totaling $411.35 million. ''Batman'' was the first film to earn $100 million in its first ten days of release, and was the highest grossing
film based on a DC comic book, until 2008's ''
The Dark Knight''. The film is 58th highest ever in North American ranks. Although ''
Indiana Jones and the Last Crusade'' made the most money worldwide in 1989, ''Batman'' was able to beat ''The Last Crusade'' in
North America, and made a further $150 million in
home video sales.
Critical reaction
''Batman'' was criticized in some quarters for being "too dark". Many observed that Burton was more interested in the Joker than Batman in terms of characterization and screentime. Comic book fans reacted negatively over the Joker murdering
Thomas and
Martha Wayne; in the comic book,
Joe Chill is responsible. Writer Sam Hamm, who is a comic book fan, said it was Burton's idea to have the Joker murder Wayne's parents. "The Writer's Strike was going on," Hamm said, "and Tim had the other writers do that. I also hold innocent to Alfred letting Vicki Vale into the
Batcave. Fans were ticked off with that, and I agree. That would have been Alfred's last day of employment at
Wayne Manor."
The songs written by Prince were criticized for being "too out of place". While Burton has stated he had no problem with the Prince songs, he was less enthusiastic with their use in the film. On the film, Burton remarked, "I liked parts of it, but the whole movie is mainly boring to me. It's OK, but it was more of a cultural phenomenon than a great movie." Nonetheless, the film received generally favorable reviews from critics. Based on 52 reviews collected by Rotten Tomatoes, 71% of reviewers have enjoyed ''Batman''. By comparison, Metacritic has collected an average score of 66, based on 17 reviews.
Burton biographer Alison McMahan wrote, "fans of the ''Batman'' franchise complained when they heard of Michael Keaton's casting. However, no one complained when they saw his performance." James Berardinelli called the film entertaining, with the highlight being the production design. However, he concluded, "the best thing that can be said about ''Batman'' is that it led to ''Batman Returns'', which was a far superior effort." ''Variety'' felt "Jack Nicholson stole every scene" but still greeted the film with positive feedback. Roger Ebert was highly impressed with the production design, but claimed "''Batman'' is a triumph of design over story, style over substance, a great-looking movie with a plot you can't care much about." His reviewing partner, Gene Siskel, disagreed, however, describing the film as having a 'refreshingly adult' approach with performances, direction and set design that 'draws you into a psychological world'. Jonathan Rosenbaum of the ''Chicago Reader'' called it "watchable enough".
Legacy
Anton Furst and
Peter Young won the
Academy Award for Best Art Direction, while Nicholson was nominated for the
Golden Globe Award for Best Actor (Musical or Comedy). The
British Academy of Film and Television Arts nominated ''Batman'' in six categories (
Production Design,
Visual Effects,
Costume Design,
Makeup,
Sound and
Actor in a Supporting Role for Nicholson), but it won none of the categories. Nicholson, Basinger, the make-up department and
costume designer Bob Ringwood all received nominations at the
Saturn Awards. The film was nominated the
Saturn Award for Best Fantasy Film and the
Hugo Award for Best Dramatic Presentation.
The success of ''Batman'' prompted Warner Bros. Animation to create the Emmy Award-winning ''Batman: The Animated Series'', as a result beginning the long-running DC Animated Universe. Series co-creator Bruce Timm stated the television show's Art Deco design was inspired from the film. Timm commented, "our show would never have gotten made if it hadn't been for that first ''Batman'' movie." ''Batman'' initiated the original ''Batman'' film series and helped establish the modern day superhero film genre. Burton joked, "ever since I did ''Batman'', it was like the first dark comic book movie. Now everyone wants to do a dark and serious superhero movie. I guess I'm the one responsible for that trend."
Producers Michael Uslan and Benjamin Melniker filed a breach of contract lawsuit in Los Angeles County Superior Court on March 26, 1992. Uslan and Melniker claimed to be "the victims of a sinister campaign of fraud and coercion that has cheated them out of continuing involvement in the production of ''Batman'' and its sequels. We were denied proper credits, and deprived of any financial rewards for our indispensable creative contribution to the success of ''Batman''." A superior court judge rejected the lawsuit. Total revenues of ''Batman'' have topped $2 billion, with Uslan claiming to have "not seen a penny more than that since our net profit participation has proved worthless." Warner Bros. offered the pair an out-of-court pay-off, a sum described by Uslan and Melniker's attorney as "two popcorns and two Cokes".
Reflecting on the twentieth anniversary of its release in a retrospective article on Salon.com, film commentator Scott Mendelson noted that continuing impact that ''Batman'' has had on the motion film industry, including the increasing importance of opening weekend box office receipts; the narrowing window between a film's debut and its video release that caused the demise of second-run movie theaters; the accelerated acquisition of pre-existing, pre-sold properties for film adaptation that can be readily leveraged for merchandizing tie-ins; the primacy of the MPAA PG-13 as the target rating for film producers; and more off-beat, non-traditional casting opportunities for genre films.
The film also received recognition from the American Film Institute. Batman was anointed the 46th greatest movie hero on AFI's ''100 Years... 100 Heroes and Villains''. The Joker was anointed the 45th greatest movie villain on the same list. In 2008, ''Batman'' was selected by Empire Magazine as number 458 of ''The 500 Greatest Movies of All Time''.
;American Film Institute Lists
AFI's 100 Years...100 Movies - Nominated
AFI's 100 Years...100 Thrills - Nominated
AFI's 100 Years...100 Heroes and Villains:
*The Joker - #45 Villain
*Batman - #46 Hero
AFI's 100 Years...100 Movie Quotes:
"Have you ever danced with the Devil in the pale moonlight?" - Nominated
AFI's 100 Years of Film Scores - Nominated
AFI's 10 Top 10 - Nominated Fantasy Film
Home video
Many versions of the film have been released. Included are
VHS,
Laserdisc, single disc
DVD, Special Edition DVD and an anthology set. The ''Batman: The Motion Picture Anthology'' released in 2005 included 2-Disc Special Edition DVDs of the Tim Burton/
Joel Schumacher Batman films. This anthology set was re-released on
Blu-ray on March 10, 2009.
On May 19, 2009 a 20th anniversary stand-alone edition was released. This stand-alone version contains exactly the same special features as its anthology set (both DVD and Blu-ray) counterparts. There are two differences: This version includes a 50-page booklet guide to the film, and a slight variation in packaging from normal Blu-ray cases (Warner Bros. *Digibook*) They both include a digital copy of the film.
References
Further reading
External links
Script review of ''The Batman'' ''IGN'' reviews Tom Mankiewicz's unproduced script
Behind-the-scenes photos
Screenshots
Category:1989 films
Category:American films
Category:English-language films
Category:Batman films
Category:Neo-noir
Category:PolyGram Filmed Entertainment films
Category:Pinewood Studios films
Category:Warner Bros. films
Category:Films directed by Tim Burton
Category:Films whose art director won the Best Art Direction Academy Award
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