This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2011)

Kaifi Azmi (Hindi: कैफ़ी आज़मी; Urdu: کیفی اعظمی; January 14, 1919 - May 10, 2002) was an Indian Urdu poet. He is considered to be one of the greatest Urdu poets of 20th century. Together with Pirzada Qasim, Jon Eliya and many others he participated in many memorable mushairas of 20th century.

Early life[link]

Kaifi Azmi was born in a village Mizwaa(n) in Azamgarh, Uttar Pradesh, India.

Family[link]

Kaifi Azmi is married to Shaukhat Azmi. They have a daughter, Shabana Azmi (An Indian Actress of film, television and theatre) and Baba Azmi (Indian Cinematographer).

Career[link]

Writings[link]

At age eleven, Azmi wrote his first ghazal Itna To Zindagi Mein Kisi Ki Khalal Pade and somehow managed to get himself invited to a mushaira and over there, he recited a ghazal, rather a couplet of the ghazal which was very much appreciated by the president of the mushaira, Mani Jaisi, but most of the people, including his father, thought he recited his elder brother's ghazal. When his elder brother denied it, his father and his clerk decided to test his poetic talent. They gave him one of the lines of a couplet and asked him to write a ghazal in the same meter and rhyme. Azmi accepted the challenge and completed a ghazal. This particular ghazal was to become a rage in undivided India and it was immortalized as it was sung by legendary ghazal singer, Begum Akhtar.

Azmi abandoned his studies of Persian and Urdu during the Quit India agitations in 1942 and shortly thereafter became a full time Marxist when he accepted membership of the Communist Party of India in 1943.

During this period, the leading progressive writers of Lucknow noticed him. They were very impressed by his leadership qualities. They also saw in him a budding poet and extended all possible encouragement towards him. Consequently, Azmi started to win great acclaim as a poet and became a member of Progressive Writers' Movement of India.

At the age of twenty-four, he started activities in the textile mill areas of Kanpur. As a full time worker, he left his life of comfort, though he was the son of a zamindar. He was asked to shift his base to Bombay, work amongst the workers and start party work with a lot of zeal and enthusiasm and at the same time would attend mushairas in different parts of India. In Bombay, he joined Ali Sardar Jafri in writing for the party’s paper, Qaumi Jung.

In 1947, he visited Hyderabad to participate in a mushaira. There he met, fell in love with and married a woman named Shaukat Azmi. She later became a renowned actress in theatre and films. They had two children together, Shabana Azmi (b. 1950), a renowned actress of Indian cinema and Baba Azmi, a noted cameraman.

Poetry[link]

Like most of the Urdu poets, Azmi began as a ghazal writer, cramming his poetry with the repeated themes of love and romance in a style that was replete with clichés and metaphors. However, his association with the Progressive Writers' Movement and Communist Party made him embark on the path of socially conscious poetry.

In his poetry, he highlights the exploitation of the subaltern masses and through them he conveys a message of the creation of a just social order by dismantling the existing one. Yet, his poetry cannot be called plain propaganda. It has its own merits; intensity of emotions, in particular, and the spirit of sympathy and compassion towards the disadvantaged section of society, are the hallmark of his poetry. His poems are also notable for their rich imagery and in this respect, his contribution to Urdu poetry can hardly be overstated.

Azmi's first collection of poems, Jhankar was published in 1943. His important works including anthologies of poetry, were Aakhir-e-Shab, Sarmaya, Awaara Sajde, Kaifiyaat, Nai Gulistan, an anthology of articles he wrote for Urdu Blitz, Meri Awaaz Suno, a selection of his film lyrics, and the script of Heer Ranjha in Devanagari.

His best known poems are Aurat, Makaan,Daaera,Saanp, and Bahuroopni.

Films[link]

Azmi's work in films includes working as a lyricist, writer and actor. Azmi wrote his first lyrics for the film Buzdil, directed by Shaheed Latif, in 1952. His early work as a writer was mainly for Nanubhai Vakil's films like Yahudi Ki Beti (1956), Parvin (1957), Miss Punjab Mail (1958) and Id Ka Chand (1958).

While directors like Khwaja Ahmad Abbas and Bimal Roy strove to create the “New Cinema”, writers like Sahir Ludhianvi, Jan Nisar Akhtar, Majrooh Sultanpuri, and Kaifi changed the tenor and vocabulary of the Hindi film song, creating a fresh new wave in Hindi film lyrics that lasted many years. ^[1]

His greatest feat as a writer was Chetan Anand's Heer Raanjha (1970) wherein the entire dialogue of the film was in verse. It was a tremendous achievement and one of the greatest feats of Hindi film writing. Azmi also won great critical accolades for the script, dialogues and lyrics of M.S. Sathyu's Garam Hawa (1973), based on a story by Ismat Chughtai. Azmi also wrote the dialogues for Shyam Benegal's Manthan (1976) and Sathyu's Kanneshwara Rama (1977).

As a lyricist and songwriter, though he wrote for numerous films, he will always be remembered for Guru Dutt's Kaagaz Ke Phool (1959) and Chetan Anand's Haqeeqat (1964), India's greatest war film. Some notables films for which he wrote lyrics include Kohra (1964), Anupama (1966), Uski Kahani (1966), Saat Hindustani (1969), Shola Aur Shabnam, Parwana (1971), Bawarchi (1972), Pakeezah (1972), Hanste Zakhm (1973), Arth (1982) and Razia Sultan (1983). He also played a memorable role of Naseem's grandfather in Naseem (1995).

Azmi died on May 10, 2002 at around the age of eighty-three. He was survived by his wife, daughter and son.

His autobiography is included in a collection of his works, Aaj Ke Prashid Shayar: Kaifi Azmi.

In Media[link]

Azmi was the subject of a documentary film called Kaifi Azmi (1979), directed by Raman Kumar. In 1997, he recited his own poems for Kaifiyaat, an audio book on his collected works.

Kaifi Aur Mein, a play based on his life, his works and the memoir of his wife, Shaukat Azmi - Yadon Ki Rahguzar (Down Memory Lane), was written and performed by Javed Akhtar and Shabana Azmi, and performed in India as well as abroad in 2006.^[2] Another play, directed by Rani Balbir, Waqt Ne Kiya Kya Hasin Sitam, based Kaifi Azmi’s life and writings was staged in 2005, and received rave reviews.^[3]

Awards[link]

He was the recipient of Padma Shri one of the Indian Government's highest civilian awards. Besides he was awarded the Uttar Pradesh Urdu Academy Award and the Sahitya Akademi Award for Urdu for his collection Awaara Sajde, Special Award of Maharashtra Urdu Academy, Soviet Land Nehru Award, Lotus Award from the Afro-Asian Writers' Association, and President’s Award for national integration. In 1998, Government of Maharashtra conferred the Jyaneshwara Award on him. He was also honoured with the prestigious Sahitya Akademi Fellowship for lifetime achievement.^[1]

In 2000, he was conferred the first Millennium Award by the Government of Delhi and the Delhi Urdu Academy. He has also been honoured with a doctorate from Vishva Bharati University, Santiniketan. ^[4]

Sahitya Akademi Award[link]

• 1975: Sahitya Akademi Award: Awara Sajde ^[2]
• 2002: Sahitya Akademi Fellowship (Immortals of Literature)

National Film Awards[link]

• 1970: National Film Award for Best Lyrics: Saat Hindustani

Filmfare Awards[link]

• 1975:Filmfare Best Dialogue Award: Garam Hawa
• 1975:Filmfare Best Screenplay Award: Garam Hawa (with Shama Zaidi)
• 1975:Filmfare Best Story Award: Garam Hawa (with Ismat Chughtai)

Famous verses[link]

• Aaj ki raat bahut garam hawa chalti hai

Aaj ki raat na neend aayegi
Hum sub uthen, main bhi uthun, tum bhi utho
Koi khidki isi deewar mein khul jayegi
- Makaan

• Tu jo bejaan khilonon se behel jaati hai

Tapti saanson ki haraarat se pighal jaati hai
Paaon jis raah mein rakhti hai fisal jaati hai
Banke seemaab har ik zarf mein dhal jaati hai
Zist ke aahni saanche main dhalna hai tujhe
uth meri jaan mere saath hi chalna hai tujhe…
- Aurat (Woman)

• Waqt Ni Kiya Kya Haseen Sitam

Tum rahe na tum,Hum Rahe na Hum.
- Film Kaagaz Ke Phool 1959

• Tum Itna Jo Muskura Rahe Ho

Kya gum hai jisko Chupa rahe Ho.
- Film Arth (1982)

• <poem> zindagi bhar mujhe nafrat si rahi asko se

Meri khwabo ko tum asko me dubote keu ho? Jo meri tarha jia karte hai kab marte hai Thak gaya hu mujhe solene do rote keu ho? Soke bhi jagte rahte hai janbaz suno.

keu sazai ho chandan ke chita mere liey mai koi jism nahi jalao ge mujhe rakh ke saath bikhar jaunga dunia me thokar jahan khaogey waha paogey mujhe</poem>

Select bibliography[link]

• Kaifi Azmi- Fan Aur Shaqsiyat (Urdu), Mayar Publications, 2004.
• Kaifiyaat:Kulliyat-e-Kaifi Azmi(URDU)), Educational Publishing House,2003.ISBN 8187667788.
• Zehr-e-Ishq (Hindi), Vani Prakashan, 2003.
• Heer Ranjha (Hindi), Vani Prakshan 2003.
• Steel Man was Here, Penguin, 2002.
• Kaifi Azmi- Selected Poems and Life Sketch, Rajpal Publishers, 2002. ISBN 81-7028-395-7.
• Aaj Ke Prashid Shayar: Kaifi Azmi-Chuni Hui Shayari (Hindi), Rajpal & Sons, 2002.ISBN 8170285429.
• Meri Awaz Suno (Hindi), Rajkamal Prakashan, 2002.
• Nai Gulistan Vol.1 (Hindi), Rajkamal Prakashan, 2001.
• Nai Gulistan Vol.2 (Hindi), Rajkamal Prakashan, 2001.
• Doosra Banwas (Hindi), Diamond Pocket Books Pvt. Ltd. ISBN 81-288-0982-2.
• Awara Sajde (Hindi), Lokbharti Prakashan, 1995.
• Sarmaya (Urdu), Mayar Publications, 1994.

[5]

Articles on Kaifi Azmi[link]

• Kaifi Azmi: Symbol of resistance - Ranjit Hoskote.The Hindu, Sunday, 19 May 2002.^[6]
• Kaifi Azmi: A poet and a gentleman. The Times Of India, 10 May 2002.^[7]
• Kaifi Azmi: the last comrade-poet - Tarique Omum. The Milli Gazette. ^[8]

References[link]

• Constructing a Narrative of Love: Early Romantic Poems of Kaifi Azmi. Mazhar Hussain, Social Scientist, Vol. 31, No. 3/4 (Mar. - Apr., 2003), pp. 57–73.^[9]
• Encyclopaedia of Hindi Cinema - by Govind Nihalani, Saibal Chatterjee, Gulzar. pp 293. Popular Prakashan, 2003.
• Kaifi Azmi Biography
• Kaifi Azmi - The Library of Congress
• A Profile
• Kaifi Azmi: The End of an Era - Meera Kabir.^[10]

This biography needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2007)

External links[link]

• BAZME-KAIFI In Remember of Kaifi Azmi-> ( In Sarai Mir Mushayaras and Neshists are Being Handled In remember of Kaifi Azmi.)
• Kaifi Azmi at Kavita Kosh (Hindi)
• Kaifi Azmi at the Internet Movie Database
• Recordings of Kaifi Azmi at Library of Congress
• [11] Kaifi Aur Main, a tribute site by IPTA.
• A collection of verses and mushaira recordings by Kaifi Azmi
• Poetry of Kaifi Azmi
• Songs by Kaifi Azmi
• Urdu poet Kaifi Azmi dead
• Yeh Nayan Dare Dare ( Kohraa 1964 - Hemant Kumar - Kaifi Azmi )
• Now,Read Kaifi in Hindi on urdu.blogspot.com

Jagjit Singh
Jagjit Singh performing at Jaidev Hall, Bhubaneswar, on 7 September 2011
Background information
Birth name	Jagmohan Singh
Born	(1941-02-08)8 February 1941 Sri Ganganagar, Bikaner State, India
Died	10 October 2011(2011-10-10) (aged 70) Mumbai, Maharashtra, India
Genres	Ghazal, Classical, Devotional, Folk
Occupations	Composer, Singer, Music Director, Activist, Entrepreneur
Instruments	Vocals, Harmonium, Tanpura, Piano
Years active	1965–2011
Labels	EMI, HMV, Saregama, Universal Music, Sony BMG Music Entertainment, Polydor, TIPS, Venus, T-Series, Magna Sound, Big Music, Times Music

Jagjit Singh, born Jagmohan Singh); (8 February 1941 – 10 October 2011) was a prominent Indian Ghazal singer, songwriter and musician. Known as "the Ghazal King", he gained acclaim together with his wife, another renowned Indian Ghazal singer Chitra Singh in the 1970s and 1980s. Their combination album comprising music from the films, Arth and Saath Saath is the HMV's largest selling combination album of all time.^{[citation needed]} Sajda (An Offering, 1991), Jagjit Singh's magnum opus double album with Lata Mangeshkar holds the same record in non-film category.^{[citation needed]} He had sung in numerous languages. He was awarded the Padma Bhushan by the government of India in 2003.

Singh is credited for the revival and popularity of ghazal, an Indian classical art form, by choosing poetry that was relevant to the masses and composing them in a way that laid more emphasis on the meaning of words and melody evoked by them. In terms of Indian Classical music, his style of composing and Gayaki (singing) is considered as Bol-pradhan, one that lays emphasis on words. He highlighted this in his music for films such as Prem Geet (1981), Arth and Saath Saath (1982), and TV serials Mirza Ghalib (1988) and Kahkashan (1991). Jagjit Singh is considered to be the most successful ghazal singer and composer of all time in terms of both critical acclaim and commercial success. With a career spanning over five decades and a repertoire comprising over 80 albums,^[1] the range and breadth of his work has been regarded as genre-defining. He is the only composer and singer to have composed and recorded songs written by Prime Minister - Atal Behari Vajpayee - also a critically acclaimed poet - in two albums, Nayi Disha (1999) and Samvedna (2002).

Singh's 1987 album, Beyond Time, was the first digitally recorded release in India.^{[citation needed]} He was regarded as one of India's most influential artistes. Together with sitar legend Ravi Shankar and other leading figures of Indian classical music and literature, Singh voiced his concerns over politicisation of arts and culture in India and lack of support experienced by the practitioners of India's traditional art forms, particularly folk artists and musicians. He also lent active support to several philanthropic endeavors such as the library at St. Mary's School, Mumbai, Bombay Hospital, CRY, Save the Children and ALMA.

Early life and career[link]

Jagjit Singh was born on 8 February 1941 in Sri Ganganagar, Rajasthan, India. His birth name was Jagmohan but this was changed to Jagjit after his parents sought the advice of a member of the Sikh Namdhari sect.^[2] His parents were themselves Sikhs, called Amar Singh and Bachan Kaur, and had several other children, with sources variously reporting the number between six and eleven.^[3][4]

Educated initially at Khalsa High School and Sri Ganganagar Government College, Singh obtained an arts degree from DAV College at Jalandhar and then a post-graduate degree in history from Kurukshetra University in Haryana. Throughout this time, and as a consequence of a natural talent that was spotted by his father, Singh learned music both in Sikh temples and from musicians such as Pandit Chaganlal Sharma and Ustad Jamaal Khan, both of whom were trained in classical Indian music. He performed on radio and on stage, as well as composing some material, although he subsequently claimed that his father, who was a government employee, had hoped that he would become an engineer.^[5] On another occasion his memory was that his father aspired for him to become a bureaucrat, and that his siblings also were encouraged musically.^[3]

In March 1965, and without the knowledge of his family,^[5] Singh moved to Mumbai, where there were many opportunities for music artists because of the Bollywood film industry. He obtained work initially as a singer of advertising jingles and later progressed to playback singing.^[2] In the same year he persuaded the record company HMV to produce an EP, and he also altered his Sikh image by abandoning his turban, shaving and cutting his hair.^[5] His first film role was in Dharati Na Chhoru, a Gujarati production by Suresh Amin.^{[citation needed]}

Fame[link]

Singh was still struggling to make a living in 1967 when he met the Bengali-born Chitra Dutta.^[5] She was also a jingle singer, and was unhappily married with a daughter. She subsequently divorced and then married Singh in December 1969.^[3] Following the birth of their son, Vivek, the couple performed as a singing duo but it was not until the 1976^{[clarification needed]} release of an album entitled The Unforgettables that they found significant, and surprising, success. In the interval, the primary difficulty for them had been that the ghazal music genre was dominated by Muslim artists,^[5] and especially those from Pakistan.^[6]

The Unforgettables, which was the couple's first LP,^[3] was an unconventional recording and it turned them into stars. The song Baat Niklegi from the album achieved great popularity for Singh and his wife.^[4] The Independent described it in 2011 as "ground-breaking ... it became a transformative, before-and-after milestone in the history of Indian popular and ghazal music. It remains that." Using modern arrangements, it consists of ten tracks that include two on which they sang as a duo and the remainder equally split between Jagjit and Chitra singing the lead. The Independent further noted that "This format of solo and duet performances from the first commercially successful husband-and-wife team in Indian popular music proved astonishingly successful."^[2] Jagjit explained that "I was determined to polish up the genre and make it more acceptable to modern tastes, so chose simple poems and set them to simple tunes. I also introduced western instrumentation to make them livelier." Thereafter, the couple worked both on solo and joint musical projects and performed concerts worldwide. There was also success from involvement with the film industry and they amassed a considerable wealth,^[5] while Jagjit became known as "the Ghazal king".^[6]

Jagjit Singh's work in film^[7] encompassed playback singing for productions such as Arth, Saath Saath and Premgeet. He also composed all of the songs for the latter, as well as for the TV serial Mirza Ghalib that was based on the life of the eponymous poet, Mirza Ghalib.^{[citation needed]}

Among their subsequent duo recordings of the 1970s were Shiv Kumar Batalvi – Birha da Sultan (1978), Live in Concert at Wembley (1979) and Come Alive (1979). Of those released in the 1980s, Ecstasies (1984) has been described as "one of their finest".^[2] The joint projects ceased in 1990 when their eighteen year-old son, Vivek, was killed in a road accident. Chitra felt unable to sing following these events. Monica, Chitra's daughter from her first marriage, committed suicide in 2009.^[2][5]

Although Jagjit continued to work and to have success after Chitra withdrew from public life he, too, was affected by the death of Vivek. The Guardian notes that he "suffered from deep depression and his anguish was often evident in his live performances." Aside from occupying himself with solo projects, which he performed in several languages,^[6] he also collaborated with Lata Mangeshkar on an album entitled Sajda, an Urdu word meaning "prostration".^[2][5]

On 10 May 2007, in the presence of numerous political and diplomatic luminaries at an event held in the Central Hall of the Parliament of India, Jagjit Singh rendered Bahadur Shah Zafar's famous ghazal Lagta nahin hai dil mera to commemorate the 150th anniversary of the Indian Rebellion of 1857.^[4][8]

Death[link]

Singh toured the UK in 2011 and was due to perform with Ghulam Ali in Mumbai^[5] but suffered a cerebral hemorrhage on 23 September 2011. He was in a coma for over two weeks and died on 10 October 2011 at Lilavati Hospital, in Mumbai. He was cremated the following day at Chandanwadi Crematorium in Mumbai.^[9][10]

A number of tributes have been paid to Singh after his death,^{[11][12][13][14][15]} and some tried to encash his popularity which was criticised by his wife.^[16]

Awards[link]

• In 2003, Singh was awarded the Padma Bhushan, India's third highest civilian award, by the Government of India^[5]
• In 1998, Jagjit Singh was awarded Sahitya Academy Award, a literary honor in India. He was awarded this literary honor for popularizing the work of Mirza Ghalib.
• Sangeet Natak Academy Award
• Sahitya Kala Academy Award by Rajasthan Government in 1998
• Ghalib Academy by Delhi Government in 2005
• Dayavati Modi Award
• Lata Mangeshkar Samman in 1998 by Madhya Pradesh Government
• D. Litt. by Kurukshetra University, Haryana in 2003
• Teacher's Lifetime Achievement Award in 2006

Film scores[link]

Discography[link]

References[link]

External links[link]

• Jagjit Singh on BBC
• 'Ghazal King' Jagjit Singh dies, BBC
• Jagjit Singh at Internet Movie Database

Wikimedia Commons has media related to: Jagjit Singh

Akhtari Bai Faizabadi or Begum Akhtar (October 7, 1914–October 30, 1974) was a well known Indian singer of Ghazal, Dadra and Thumri.

She received the Sangeet Natak Akademi Award for vocal music, and was awarded Padma Shri and Padma Bhushan (posthumously) by Govt. of India. She was given the title of Mallika-e-Ghazal (Queen of Ghazals).^[3]

Early life[link]

Begum Akhtar was born in Bada Darwaza, Town Bhadarsa, Bharatkund, Faizabad District, Uttar Pradesh. Her father Asghar Hussain, a young lawyer who fell in love with her mother Mushtari and made her his second wife, subsequently disowned her and his twin daughters Zohra and Bibbi (Akhtar).^[4]

Career[link]

Akhtar was barely seven when she was captivated by the music of Chandra Bai, an artist attached to a touring theatre group. However at her uncle's insistence she was sent to train under Ustad Imdad Khan, the great sarangi exponent from Patna, and later under Ata Mohammed Khan of Patiala. Later, she travelled to Calcutta with her mother and learnt music from classical stalwarts like Mohammad Khan, Abdul Waheed Khan of Lahore, and finally she became the disciple of Ustad Jhande Khan.

Her first public performance was at the age of fifteen. The famous poetess, Sarojini Naidu, appreciated her singing during a concert which was organised in the aid of victims of a Bihar earthquake of 1934. This encouraged her to continue singing ghazals with more enthusiasm. She cut her first disc for the Megaphone Record Company, at that time. A number of gramophone records were released carrying her ghazals, dadras, thumris, etc.

Begum Akhtar's good looks and sensitive voice made her an ideal candidate for a film career in her early years. When she heard great musicians like Gauhar Jan and Malak Jan, however, she decided to forsake the glamour of the film world for a career in Indian classical music. Her supreme artistry in light classical music had its moorings in the tradition of pure classicism. She chose her repertoire in primarily classical modes: a variety of raags, ranging from simple to complex. After the advent of talkie era in India, Beghum Akhtar acted in a few Hindi movies in thirties. East India Film Company of Calcutta approached her to act in "King for a Day" (alias Ek Din Ka Badshah) and Nal Damayanti in 1933.

Like others of that era, she sang her songs herself in all her films. She continued acting in the following years. Subsequently Beghum Akhtar moved back to Lucknow where she was approached by the famous producer-director Mehboob Khan, as a result of which she acted in "Roti" which was released in 1942 and whose music was composed by maestro Anil Biswas.^[5] "Roti" contained six of her ghazals but unfortunately due to some trouble between producer and director, Mehboob Khan subsequently deleted 3-4 ghazals from the film. All the ghazals are available on Megaphone gramophone records. Beghum Akhtar, meanwhile, left Bombay and returned to Lucknow.

In 1945, Akhtaribai married a barrister, Ishtiaq Ahmed Abbasi, and became known as Begum Akhtar. However, after marriage, due to her husband's restrictions, she could not sing for almost five years and subsequently, she fell ill, that is when her return to music was prescribed as a befitting remedy, and in 1949 she returned to the recording studios.^[6] She sang three ghazals and a dadra at Lucknow Radio Station. She wept afterwards and returned to singing in concerts, a practice that lasted until her death.

Her voice matured with time, adding richness and depth. She sang ghazals and other light classical pieces, singing them in her inimitable style. She has nearly four hundred songs to her credit. She was a regular performer on All India Radio. She usually composed her own ghazals and most of her compositions were raag based.

Death[link]

During her last concert in Ahmedabad she raised the pitch of her voice as she felt that her singing had not been as good as she had wanted it to be and she felt unwell. The additional demand and stress that she put herself under resulted in her falling ill and was rushed to the hospital.

She died on October 30, 1974 in the arms of Nilam Gamadia, her friend, who invited her to Ahmedabad, which has become her final performance.

Discography[link]

Bollywood career[link]

• Naseeb Ka Chakkar | -

1. Kalyug Hai Jabse Aaya Maya Ne...

• Roti | Anna Sahab Mainkar

1. Wo Hans Rahe Hain Aah Kiye Jaa...
2. Ulajh Gaye Nayanwa Chhute Nahin...
3. Char Dino Ki Jawani Matwale...
4. Ai Prem Teri Balihari Ho...
5. Phir Fasle Bahaar Aayi Hai...
6. Rehne Laga Hai Dil Me Andhera...

• Panna Dai | Gyan Dutt

1. Hamen Yaad Teri Sataane Lagi...
2. Main Raja Ko Apne Rijha Ke Rahungi...

• Dana Pani | Mohan Junior

1. Ishq Mujhe Aur Kuchh To Yaad Nahi...

• Ehsaan

1. (1954 - hame.n dil me.n basaa bhi lo).

Filmography[link]

• Mumtaz Beghum(1934)
• Jawaani Ka Nasha(1935)
• King for a Day (1933, director : Raaj Hans)
• Ameena (1934, director : -)
• Roop Kumari (1934, director : Madan)
• Naseeb Ka Chakkar (1936, director : Pesi Karani)
• AnaarBala (1940, director : A M Khan)
• Roti (1942 film) (1942, director : Maadhav Kaale)
• Jalsaghar (1958; director: Satyajit Ray)

Gallery[link]

• Bg stamp.jpg

  Stamp released by the Govt of India in memory of Begum Akhtar

• B&W Begum Akhtar.png

Awards and recognition[link]

• 1968: Padma Shri^{[citation needed]}
• 1972: Sangeet Natak Akademi Award^{[citation needed]}
• 1975: Padma Bhushan (posthumously)^{[citation needed]}

Further reading[link]

• In Memory of Begum Akhtar, by Shahid Ali Agha. U.S. Inter Culture Associates, 1979.
• Great Masters of Hindustani Music, by Susheela Misra. Published by Hem Publishers, 1981. Chapter 26.
• Begum Akhtar: The Queen of Ghazal, by Sutapa Mukherjee. Rupa & Co, 2005, ISBN 81-7167-985-4.
• Begum Akhtar: The Story of My Ammi, by Shanti Hiranand. Published by Viva Books, 2005. ISBN 81-309-0172-2.
• Ae Mohabbat… Reminiscing Begum Akhtar, by Jyoti Sabharwal & Rita Ganguly, 2008, ISBN 978-81-904559-3-0.^[7]
• Begum Akhtar: Love’s Own Voice, by S. Kalidas . 2009.

References[link]

'* Zikr us Parivash Ka': Begum Akhtar in Lucknow, by Saleem Kidwai in Shaam e Awadh: Writings on Awadh, edited: Veena Oldenberg, Penguin Book, 2007, New Delhi.

External links[link]

• Biography of Beghum Akhtar
• An Article of Beghum Akhtar
• Beghum Akhtar -interesting insights
• Short biography
• Begum Akhtar Resource website
• Begum Akhtar's Thumri and Ghazals in Bengali by Parag Ray (Vocalist based in Canada/India)

Video links

• Begum Akhtar videos
• Parag Ray - A Revival of Bangla Thumris(Album is Based on Begum Akhtar's Songs translated in Bengali)

Shabana Azmi
Shabana Azmi at the World Economic Forum in Davos, Switzerland, 2006
Born	(1950-09-18) 18 September 1950 (age 61) Hyderabad, Hyderabad State, India (now in Andhra Pradesh, India)
Occupation	Actress
Years active	1972–present
Spouse	Javed Akhtar

Shabana Azmi (Hindi: शबाना आज़मी, Urdu: شبانہ اعظمی; born 18 September 1950) is an Indian actress of film, television and theatre. An alumna of the Film and Television Institute of India of Pune, she made her film debut in 1974 and soon became one of the leading actresses of parallel cinema, an Indian New Wave movement known for its serious content and neo-realism.^[1][2] Regarded as one of the finest actresses in India, Azmi's performances in films in a variety of genres have generally earned her praise and awards, which include a record of five wins of the National Film Award for Best Actress and several international honours.^[1][3] She has also received four Filmfare Awards.

Azmi has appeared in over 120 Hindi films in both mainstream and independent cinema, and since 1988 she has acted in several foreign projects. In addition to acting, Azmi is a social and women's rights activist, a Goodwill Ambassador of the United Nations Population Fund (UNPFA), and a member of the Rajya Sabha, the upper house of the Indian parliament.^[4] She is married to Indian poet and screenwriter Javed Akhtar.^[5]

Early life and background[link]

Shabana Azmi was born in a Muslim family. Her parents are Kaifi Azmi (an Indian poet) and Shaukat Azmi (a veteran Indian People's Theatre Association stage actress),^[4] both of whom were members of the Communist Party of India. Her brother, Baba Azmi, is a cinematographer. Her parents had an active social life, and their home was always thriving with people and activities of the communist party. It was not unusual for her to wake up in the morning and find members of the communist party sleeping about, from a previous night's communist social that ran late. Early in childhood, the environment in her home was inculcated into her a respect for family ties, social and human values; and her parents always supported her to develop a passion for intellectual stimulation and growth.^[6][7][8]

Azmi did her schooling at the premier girl's school, Queen Mary School, Mumbai. She completed a graduate degree in Psychology from St. Xavier’s College, Mumbai, and followed it with a course in acting at the Film and Television Institute of India (FTII), Pune.^[4] She described the reason she decided to attend the film institute, saying, "I had had the privilege of watching Jaya Bhaduri in a (Diploma) film, Suman, and I was completely enchanted by her performance because it was unlike the other performances I had seen. I really marvelled at that and said, 'My god, if by going to the Film Institute I can achieve that, that's what I want to do.'" Azmi eventually topped the list of successful candidates of 1972.^[9]

Career[link]

Azmi graduated from the FTII in 1973 and went on to sign on Khwaja Ahmad Abbas' Faasla and began work on Kanti Lal Rathod's Parinay as well. Her first release, however, was Shyam Benegal's directorial debut Ankur (1974). Belonging to the arthouse genre of neo-realistic films, Ankur is based on a true story which occurred in Hyderabad. Azmi played Lakshmi, a married servant and villager who drifts into an affair with a college student who visits the countryside. Azmi was not the original choice for the film, and several leading actresses of that time refused to do it. The film went on to become a major critical success, and Azmi won the National Film Award for Best Actress for her performances. Upperstall.com described her work in the film as "an outstanding psychologically penetrating performance very different from those seen normally till then in mainstream Hindi cinema", and famous independent filmmaker Satyajit Ray commented, "In Ankur she may not have fitted immediately into her rustic surroundings, but her poise and personality are never in doubt. In two high pitched scenes, she pulls out the stops to firmly establish herself as one of our finest dramatic actresses".^[10]

She went on to receive the National Film Award consecutively for three years from 1983 to 1985 for her roles in movies, Arth, Khandhar and Paar. Another film Godmother (1999) earned her another National Film Award, taking her tally to five.

Azmi’s acting has been characterized by a real-life depiction of the roles played by her. In Mandi, she acted as a madam of a whorehouse. For this role, she put on weight and even chewed betel. Real life portrayals continued in almost all her movies. These included the role of a woman named Jamini resigned to her destiny in Khandhar, and a typical urban Indian wife, homemaker and mother in Masoom.

She also acted in experimental and parallel Indian cinema. Deepa Mehta’s 1996 film Fire depicts her as a lonely woman, Radha, in love with her sister-in-law. The on-screen depiction of lesbianism (perhaps the first in Indian cinema) drew severe protests and threats from many social groups as well as by the Indian authorities. Her role as Radha brought her international recognition with the Silver Hugo Award for Best Actress at the 32nd Chicago Film Festival and Jury Award for Best Actress at Outfest, Los Angeles.^[4]

Some of her notable films include Shyam Benegal's Nishant (1975), Junoon (1978), Susman (1986), and Antarnaad (1992); Satyajit Ray’s Shatranj Ke Khiladi; Mrinal Sen’s Khandhar, Genesis, Ek Din Achanak; Saeed Mirza’s Albert Pinto Ko Gussa Kyon Aata Hai; Sai Paranjpye’s Sparsh and Disha; Gautam Ghose’s Paar; Aparna Sen’s Picnic and Sati ; Mahesh Bhatt’s Arth; Vinay Shukla’s Godmother. Her other films include the commercially successful Manmohan Desai's Amar Akbar Anthony, and Parvarish and Prakash Mehra’s Jwalamukhi. Azmi starred in Hollywood productions such as John Schlesinger’s Madame Sousatzka (1988) and Roland Joffe’s City of Joy (1992).

Azmi debuted on the small screen in a soap opera titled Anupama. She portrayed a modern Indian woman who, while endorsing traditional Indian ethos and values, negotiated more freedom for herself. She had also participated in many stage plays, and notable among them include M. S. Sathyu’s Safed Kundali (1980), based on The Caucasian Chalk Circle; and Feroz Abbas Khan's Tumhari Amrita along with actor Farooq Sheikh, which ran for five years. She toured Singapore on an assignment with the Singapore Repertory Theatre Company, acting in Ingmar Bergman’s adaptation of Ibsen’s A Doll's House, which was directed by Rey Buono. Pointing out the differences in all these media, she once remarked that theatre was really the actor’s medium; the stage was actor’s space; cinema was the director’s medium; and television was a writer’s medium.^{[citation needed]}

Personal life[link]

In the initial stage of her career, she was linked to film director Shekhar Kapur.^{[citation needed]} She married Javed Akhtar, a lyricist, poet and Bollywood scriptwriter^[5] on 9 December 1984, making her a member of the Akhtar-Azmi film family.^[11] It was Akhtar’s second marriage, the first being with Bollywood scriptwriter, Honey Irani.^[12] Indian actresses Farah Naaz and Tabu are her nieces.

Social activism[link]

Shabana Azmi has been a committed social activist, active in supporting child survival and fighting AIDS and injustice in real life.^[13][14] Azmi has voiced her opinion on a variety of issues. Initially, her activism drew skepticism and was dubbed by some as a publicity gimmick. However, she proved her critics wrong and used her celebrity status to emerge as a high-profile social activist.

She had participated in several plays and demonstrations denouncing communalism. In 1989, along with Swami Agnivesh and Asghar Ali Engineer, she undertook a four-day march for communal harmony from New Delhi to Meerut. Among the social groups whose causes she has advocated are slum dwellers, displaced Kashmiri Pandit migrants and victims of the earthquake at Latur (Maharashtra, India). The 1993 Mumbai riots appalled her and she emerged as a forceful critic of religious extremism. After the 11 September 2001 attacks, she opposed the advice of the grand mufti of Jama Masjid calling upon the Muslims of India to join the people of Afghanistan in their fight by retorting that the leader go there alone.^[15]

She has campaigned against ostracism of victims of AIDS.^[13] A small film clip issued by the Government of India depicts an HIV positive child cuddled in her arms and saying: "She does not need your rejection, she needs your love". In a Bengali film named Meghla Aakash she played the role of a physician treating AIDS patients.

She has also given her voice to an HIV/AIDS education animated software tutorial created by the nonprofit organization TeachAIDS.^[16]

Since 1989, she has been a member of the National Integration Council headed by the Prime Minister of India; a member of National AIDS Commission (of India); and was nominated (in 1997) as a member of the Rajya Sabha, the upper house of the Indian parliament. In 1998, the United Nations Population Fund appointed her as its Goodwill Ambassador for India.^[13]

Selected filmography[link]

She has acted in more than one hundred Hindi films, both in the mainstream as well as in parallel cinema. Several of her films have received attention in the international arena, including at the Norwegian Film Institute, the Smithsonian Institution and the American Film Institute. She has appeared in a number of foreign films, most of which have won international acclaim, including John Schlesinger’s Madame Sousatzka, Nicholas Klotz’s Bengali Night, Roland Joffe’s City of Joy, Channel 4’s Immaculate Conception, Blake Edwards' Son of the Pink Panther, and Ismail Merchant’s In Custody.

• Ankur (1974) - Laxmi
• Nishant (1976) - Sushila
• Fakira (1976) Geeta / Neeta C I D Police Inspector
• Shatranj Ke Khiladi (1977) - Khurshid
• Amar Akbar Anthony (1977) - Laxmi
• Junoon (1978) - Firdaus
• Swami (1978) -
• Sparsh (1980) - Kavita
• Arth (1982) - Mrs. Pooja Inder Malhotra
• Masoom (1983) - Indu D. Malhotra
• Mandi (1983) - Rukmini Bai
• Shart (1986)- Kiran Dutt
• The Bengali Night (1988) - Mrs. Sen
• Madame Sousatzka (1988) - Sushila
• City of Joy (1992) - Kamla Pal
• In Custody (1993) - Imtiaz Begum
• Son of the Pink Panther (1993) - Queen
• Fire (1996) - Radha
• Saaz (1997) - Bansidhar (Bansi) Vrundavan
• Side Streets (1998) - Mrs. Chandra Bipin Raj
• Earth (1998) - voice of older Lenny
• Godmother (1999) - Rambhi
• Makdee (2002) - Makdee
• Tehzeeb (2003) - Rukhsana Jamal
• Morning Raga (2004) - Swarnlatha
• 15 Park Avenue (2005) - Anjali "Anju" Mathur
• Waterborne (2005) - Heera Bhatti
• Umrao Jaan (2006) - Khannum Jaan
• Honeymoon Travels Pvt. Ltd. (2007) - Nahid
• Loins of Punjab Presents (2007) - Rita Kapoor
• Sorry Bhai! (2008) - Mother Gayatri
• It's a Wonderful Afterlife (2010) - Mrs. Sethi

Awards and honors[link]

National Awards[link]

Azmi has received the National Film Award for Best Actress five times, making her the overall most-awarded actor in the function:^[4]

• 1975 - National Film Award for Best Actress, Ankur
• 1983 - National Film Award for Best Actress, Arth
• 1984 - National Film Award for Best Actress, Khandhar
• 1985 - National Film Award for Best Actress, Paar
• 1999 - National Film Award for Best Actress, Godmother

Filmfare Awards[link]

Winner:

• 1978 - Filmfare Best Actress Award for Swami
• 1984 - Filmfare Best Actress Award for Arth
• 1985 - Filmfare Best Actress Award for Bhavna
• 2006 - Filmfare Lifetime Achievement Award

Nominated:

• 1975 - Filmfare Best Actress Award for Ankur
• 1981 - Filmfare Best Actress Award for Thodisi Bewafaii
• 1984 - Filmfare Best Actress Award for Masoom
• 1984 - Filmfare Best Actress Award for Avtaar
• 1984 - Filmfare Best Actress Award for Mandi
• 1985 - Filmfare Best Actress Award for Sparsh
• 2003 - Filmfare Best Villain Award for Makdee
• 2004 - Filmfare Best Supporting Actress Award for Tehzeeb

International awards[link]

• 1993: Best Actress award for Libaas in North Korea
• 1994: Best Actress award for Gautam Ghose’s Patang at the Taormina Arte Festival in Italy
• 1996: Silver Hugo Award for Best Actress for Fire at the Chicago International Film Festival^[4]
• 1996: Outstanding Actress in a Feature Film, for Fire in L.A. Outfest^[4]

Other awards[link]

• Azmi won the award for Best Actress (Hindi) at the Bengal Film Journalists' Association Awards (BFJA) for Ankur in 1975, Paar in 1984, Ek Pal in 1987, and Godmother in 1999. She won the Best Supporting Actress (Hindi) award for Tehzeeb in 2003.^[17]
• 1998: Star Screen Award Best Supporting Actress for Mrityudand.
• 2004: Zee Cine Award Best Actor in a Supporting Role- Female for Tehzeeb.
• 2005: Star Screen Awards - Best Performance in an Indian Film in English for Morning Raga

Honours and recognitions[link]

• 1988: Awarded the Padma Shri from the Government of India.
• 1988: Yash Bhartiya Award by the Government of Uttar Pradesh for highlighting women’s issues in her work as an actress and activist.
• 1994: Rajiv Gandhi Award for "Excellence of Secularism"
• 1999: Mumbai Academy of the Moving Image, Significant Contribution to Indian Cinema.^[18]
• 2002: Martin Luther King Professorship award by the University of Michigan conferred on her in recognition of her contribution to arts, culture and society.
• 2006: Gandhi International Peace Award, awarded by Gandhi Foundation, London.^[19]
• 2007: She was conferred with an Honorary Doctorate in Art by Chancellor of the University Brandan Foster by the Leeds Metropolitan University in Yorkshire^[20]
• 2009: She was honoured with the World Economic Forum’s Crystal Award ^[21]
• 2012: Awarded the Padma Bhushan by the Government of India.

Notes[link]

References[link]

• India’s 50 Most Illustrious Women (ISBN 81-88086-19-3) by Indra Gupta
• Holt, Julia; Phalke, Shubhra; Basic Skills Agency. Shabana Azmi. London : Basic Skills Agency, 1995. ISBN 1-85990-022-4.

External links[link]

Wikimedia Commons has media related to: Shabana Azmi

• Shabana Azmi at the Internet Movie Database
• Shabana Azmi NGO in India
• One on One - Shabana Azmi - interview on Al Jazeera English (video, 25 mins)
• Time: Shabana Azmi
• Indian American Arts Council
• Article from the Village Voice
• EveryOne campaign brand ambassador: Shabana Azmi
• Shabana Azmi on Twitter