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Germany
Germany (), officially the Federal Republic of Germany (, ), is a country in Western Europe. It is bordered to the north by the North Sea, Denmark, and the Baltic Sea; to the east by Poland and the Czech Republic; to the south by Austria and Switzerland; and to the west by France, Luxembourg, Belgium, and the Netherlands. The territory of Germany covers 357.021 km2 and is influenced by a temperate seasonal climate. With 81.8 million inhabitants, it is the most populous member state of the European Union, and home to the third-largest number of international migrants worldwide.
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Library of Congress
The Library of Congress is the research library of the United States Congress, de facto national library of the United States, and the oldest federal cultural institution in the United States. Located in three buildings in Washington, D.C., it is the largest library in the world by shelf space and number of books. The head of the Library is the Librarian of Congress, currently James H. Billington.
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Mexico
Mexico, (pronounced ; ), officially known as the United Mexican States (), is a federal constitutional republic in North America. It is bordered on the north by the United States; on the south and west by the Pacific Ocean; on the southeast by Guatemala, Belize, and the Caribbean Sea; and on the east by the Gulf of Mexico. Covering almost 2 million square kilometres (over 760,000 sq mi), Mexico is the fifth-largest country in the Americas by total area and the 14th largest independent nation in the world. With an estimated population of 111 million, it is the 11th most populous country and the most populous Hispanophone country on Earth. Mexico is a federation comprising thirty-one states and a Federal District, the capital city.
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Akira Kurosawa
was a Japanese director, producer, screenwriter and editor. Widely regarded as one of the most important and influential filmmakers in the history of cinema, in a career spanning 57 years, Kurosawa directed 30 films. Kurosawa entered the Japanese film industry in 1936, following a brief, unsuccessful career as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during the Second World War with the popular action film Sanshiro Sugata (a.k.a. Judo Saga, 1943).
http://wn.com/Akira_Kurosawa -
Albert Dekker
Albert Dekker (December 20, 1905 – May 5, 1968) was an American character actor and politician best known for his roles in Dr. Cyclops, The Killers, Kiss Me Deadly, and The Wild Bunch. He is sometimes credited as Albert Van Dekker or Albert van Dekker.
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Alex Cord
Alex Cord (May 3, 1933) is an American actor who is perhaps best known for portraying the role of Archangel on the television series Airwolf.
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Alfonso Arau
Alfonso Arau (born January 11, 1932) is a Mexican actor and director.
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Arthur Penn
http://wn.com/Arthur_Penn -
Aurora Clavel
Aurora Clavel (born 1936) is a Mexican film and television actress who is noted for her roles in the movies Tarahumara (1965) and Once upon a Scroundel (1973), as well as in numerous telenovelas.
http://wn.com/Aurora_Clavel -
Ben Johnson (actor)
Ben "Son" Johnson, Jr. (June 13, 1918 – April 8, 1996) was an American motion picture actor who was mainly cast in Westerns. He was also a rodeo cowboy, stuntman, and rancher.
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Bo Hopkins
Bo Hopkins (born February 2, 1942 in Greenville, South Carolina) is an American actor.
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Burt Lancaster
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Charles Bronson
Charles Bronson (November 3, 1921 – August 30, 2003) was an American actor best known for his "tough guy" image, who starred in such classic films as Once Upon a Time in the West, The Magnificent Seven, The Dirty Dozen, The Great Escape, Mr. Majestyk, The Mechanic, and the popular Death Wish series. He was most often cast in the role of a police officer or gunfighter, often in revenge plot lines.
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Charlton Heston
Charlton Heston (October 4, 1923 – April 5, 2008) was an American actor of film, theatre and television.
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David Weddle
http://wn.com/David_Weddle -
Dub Taylor
Walter Clarence Taylor, Jr. (February 26, 1907 – October 3, 1994), better known as Dub Taylor, was a prolific American actor who worked extensively in Westerns, but also in comedy from the 1940s into the 1990s.
http://wn.com/Dub_Taylor -
Edmond O'Brien
'''Edmond O'Brien' (September 10, 1915 – May 9, 1985) was an American film actor who is perhaps best remembered for his role in D.O.A. (1950). He also co-starred with Richard Rust in the NBC legal drama Sam Benedict'', which aired during the 1962-1963 television season.
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Elsa Cárdenas
http://wn.com/Elsa_Cárdenas -
Emilio Fernández
http://wn.com/Emilio_Fernández -
Fernando Wagner
http://wn.com/Fernando_Wagner -
George Peppard
actor
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Gregory Peck
Gregory Peck (April 5, 1916 – June 12, 2003) was an American actor.
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Henry Fonda
Henry Jaynes Fonda (May 16, 1905 – August 12, 1982) was an American film and stage actor.
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James Pike
James Albert Pike (February 14, 1913 - September 1969) was an American Episcopal bishop, prolific writer, and one of the first mainline religious figures to appear regularly on television.
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Jerry Fielding
Jerry Fielding (June 17, 1922 – February 17, 1980) was an American radio, record, film and television composer, conductor, and musical director.
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Jerry Maguire
Jerry Maguire is a 1996 American romantic comedy-drama film starring Tom Cruise. It was written, co-produced, and directed by Cameron Crowe. The film released in North American theaters on December 13, 1996, distributed by Gracie Films and TriStar Pictures.
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Jim Brown
James Nathaniel "Jim" Brown (born February 17, 1936) is an American former professional football player who has also made his mark as an actor. He is best known for his exceptional and record-setting nine-year career as a running back for the NFL Cleveland Browns from 1957 to 1965. In 2002, he was named by The Sporting News as the greatest professional football player ever. He is considered to be one of the greatest professional athletes the U.S. has ever produced.
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Joe Don Baker
Joe Don Baker (born February 12, 1936) is an American film actor, perhaps best known for his roles as a Mafia hitman in Charley Varrick, real-life Tennessee sheriff Buford Pusser in Walking Tall, James Bond villain Brad Whitaker in The Living Daylights, and CIA agent Jack Wade in the James Bond films GoldenEye and Tomorrow Never Dies.
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Jorge Russek
Jorge Russek (January 4, 1932 – July 30, 1998) was a Mexican actor, he died of a heart attack on July 30, 1998.
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L. Q. Jones
L.Q. Jones (born August 19, 1927) is an American character actor and film director, known for his work in the films of Sam Peckinpah.
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Lee Marvin
Lee Marvin (February 19, 1924 – August 29, 1987) was an American film actor. Known for his gravelly voice, white hair and 6' 2" stature, Marvin at first did supporting roles, mostly villains, soldiers and other hardboiled characters, but after winning an Academy Award for Best Actor for his dual roles in Cat Ballou (1965), he landed more heroic and sympathetic leading roles.
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Lucien Ballard
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Mario Adorf
Mario Adorf (born 8 September 1930) is an Italian-German film and stage actor, best known for his lead role in the 1978 film The Tin Drum.
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Mexican Revolution
http://wn.com/Mexican_Revolution -
Michael Sragow
Michael Sragow (born 26 June 1952 in New Jersey) is a film critic and columnist who has written for The Baltimore Sun, The New Times, The New Yorker (where he worked with Pauline Kael), The Atlantic and salon.com. Sragow also edited James Agee's film essays (for the book Agee on Film), and has written or contributed to several other cinema-related books.
http://wn.com/Michael_Sragow -
Richard Boone
http://wn.com/Richard_Boone -
Richard Harris
http://wn.com/Richard_Harris -
Robert Blake (actor)
Robert Blake (b. September 18, 1933) is an American actor who starred in the film In Cold Blood and the U.S. television series Baretta. In 2005, he was tried and acquitted for the 2001 murder of his wife, but on November 18, 2005, Blake was found liable in a California civil court for her wrongful death.
http://wn.com/Robert_Blake_(actor) -
Robert Culp
http://wn.com/Robert_Culp -
Robert Mitchum
http://wn.com/Robert_Mitchum -
Robert Ryan
Robert Bushnell Ryan (November 11, 1909 – July 11, 1973) was an American actor who often played hardened cops and ruthless villains.
http://wn.com/Robert_Ryan -
Roger Ebert
Roger Joseph Ebert (; born June 18, 1942) is an American film critic and screenwriter. Forbes has described him as "the most powerful pundit in America".
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Sam Peckinpah
http://wn.com/Sam_Peckinpah -
Sammy Davis, Jr.
http://wn.com/Sammy_Davis_Jr -
Sidney Lumet
Sidney Lumet (, loo-MET; born June 25, 1924) is an American film director, with over 50 films to his name, including 12 Angry Men (1957), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982), all of which earned him Academy Award nominations for Best Director.
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Stanley Kubrick
http://wn.com/Stanley_Kubrick -
Sterling Hayden
http://wn.com/Sterling_Hayden -
Strother Martin
Strother Martin (March 26, 1919 – August 1, 1980) was an American actor in numerous films and television programs. Martin is perhaps best known as the prison "captain" in the 1967 film Cool Hand Luke, where he uttered the line, "What we've got here is...failure to communicate."
http://wn.com/Strother_Martin -
Van Heflin
Emmett Evan "Van" Heflin, Jr. (December 13, 1910 – July 23, 1971) was an American film and theatre actor. He played mostly character parts over the course of his film career, but during the 1940s had a string of roles as a leading man. He won the Academy Award for Best Supporting Actor for his performance in Johnny Eager (1942).
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Vietnam War
http://wn.com/Vietnam_War -
Vincent Canby
http://wn.com/Vincent_Canby -
Walon Green
Walon Green (born December 15, 1936) is an American documentary film director and screenwriter for both TV and films. He is currently the showrunner/executive producer for the USA Network television series, .
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Warren Oates
http://wn.com/Warren_Oates -
William Goldman
William Goldman (born August 12, 1931) is an American novelist, playwright, and screenwriter. He lives in New York City.
http://wn.com/William_Goldman -
William Holden
actor
http://wn.com/William_Holden
Wild Bunch, The (1969)
"Wild Bunch, The (1969)" Actors
- William Holden
- Ernest Borgnine
- Robert Ryan
- Edmond O'brien
- Warren Oates
- Jaime Sánchez
- Ben Johnson
- Emilio Fernández
- Strother Martin
- L.q. Jones
- Albert Dekker
- Bo Hopkins
- Dub Taylor
- Paul Harper
- Jorge Russek
"Wild Bunch, The (1969)" Director
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The Wild Bunch - Final Shootout
- Order: Reorder
- Duration: 4:35
- Published: 20 Dec 2006
- Updated: 09 Oct 2012
The famous shootout from Sam Peckinpah's great 1969 film "The Wild Bunch". Obviously, this will have spoilers, so I'd advise that people who haven't seen the film should avoid watching it.
http://wn.com/The_Wild_Bunch_Final_Shootout
The Wild Bunch (1969) - Puta!!!
- Order: Reorder
- Duration: 3:14
- Published: 29 Feb 2012
- Updated: 09 Oct 2012
Famous "Puta!" scene from the iconic '1969 film, The Wild Bunch by Sam Peckinpah. To skip sentiments watch from 2:15 Jaime Sánchez as Angel and Sonia Amelio as his unfaithful fiancée Teresa, who rejected him in favor of elderly Gen. Mapache, and eventually punishment came after her.
http://wn.com/The_Wild_Bunch_1969_Puta!!!
The Wild Bunch (S. Peckinpah) - Trailer
- Order: Reorder
- Duration: 2:47
- Published: 22 Mar 2007
- Updated: 31 Aug 2012
The Wild Bunch (1969) Sam Peckinpah
http://wn.com/The_Wild_Bunch_S_Peckinpah_Trailer
Secuencias inolvidables: The Wild Bunch - Grupo salvaje (Sam Peckinpah, 1969) - HD
- Order: Reorder
- Duration: 3:44
- Published: 13 Feb 2010
- Updated: 15 Oct 2012
William Holden (Pike), Ernest Borgnine (Dutch), Edmond O'Brien (Freddie Sykes), Ben Johnson (Tector) y Emilio Fernández (General Mapache) obsesiondecine.com
http://wn.com/Secuencias_inolvidables_The_Wild_Bunch_Grupo_salvaje_Sam_Peckinpah,_1969_HD
The Wild Bunch - Movie Trailer
- Order: Reorder
- Duration: 2:54
- Published: 28 Aug 2008
- Updated: 11 Aug 2012
Sam Peckinpah's elegiac revisionist Western masterpiece, ruthlessly takes apart the myths of the West with its sad farewell to the end of an era. Released in 1969, discord over Vietnam, in the wake of the controversial "Bonnie and Clyde" (1967) and the brutal "spaghetti westerns" of Sergio Leone, "The Wild Bunch" polarized critics and audiences over its ferocious bloodshed, with the revolutionary direction & editing of Peckinpah genius. Both Lyric & brutal, "The wild Bunch" is one the greatest films ever made. Starring: William Holden, Ernest Borgnine, Robert Ryan, Warren Oates and many more.
http://wn.com/The_Wild_Bunch_Movie_Trailer
The Wild Bunch (Trailer)
- Order: Reorder
- Duration: 2:53
- Published: 22 Jan 2007
- Updated: 07 Oct 2012
This Is trailer of The Wild Bunch. Tribute to one of my top 5 films of all time.
http://wn.com/The_Wild_Bunch_Trailer
The Wild Bunch (1969) - William Holden - Opening Sequence
- Order: Reorder
- Duration: 1:41
- Published: 13 Mar 2012
- Updated: 29 Sep 2012
La Golondrina The Wild Bunch Directors Cut 1969
- Order: Reorder
- Duration: 2:22
- Published: 22 Dec 2009
- Updated: 10 Oct 2012
La Golondrina The Wild Bunch Directors Cut 1969 ♣ www.nndb.com ♣en.wikipedia.org
http://wn.com/La_Golondrina_The_Wild_Bunch_Directors_Cut_1969
The Wild Bunch
- Order: Reorder
- Duration: 144:48
- Published: 04 Oct 2011
- Updated: 15 Oct 2012
The master of the American western, Sam Peckinpah, directs a stellar cast in this movie that breathed new life into the genre and broke ground in the realistic portrayal of screen violence. This explosive adventure drama is about the last of the legendary lawless breed who lived to kill -- and killed to live. Receiving two Academy Award nominations, this bitter, brutal story of magnificent losers in a dying West remains one of the screen's all-time classics. Starring Oscar-winner WILLIAM HOLDEN ("Network"), Oscar and Golden Globe-winner ERNEST BORGNINE ("Marty"), Oscar-nominee ROBERT RYAN ("Crossfire"), and Oscar and Golden Globe-winner EDMOND O'BRIEN ("Seven Days in May"). Recently selected by the prestigious American Film Institute as one of the 100 greatest American Films of all time. Inducted into the Library of Congress National Film Registry. "An extraordinary accomplishment.... A highly personal vision of what man is and how he relates to his world," says the LA Herald-Examiner. MPAA Rating: R (c) 1969 Warner Bros. Entertainment Inc. All Rights Reserved.
http://wn.com/The_Wild_Bunch
The Wild Bunch (1969) killcount
- Order: Reorder
- Duration: 4:52
- Published: 10 Oct 2011
- Updated: 06 Oct 2012
"If they move...kill 'em" Well they moved. This time I count the kills of all four leads in Sam Peckinpah's western masterpiece The Wild Bunch. Enjoy!
http://wn.com/The_Wild_Bunch_1969_killcount
Jerry Fielding - The Wild Bunch (1969)
- Order: Reorder
- Duration: 6:14
- Published: 01 Jul 2011
- Updated: 03 Oct 2012
Portrait of American robber Pike Bishop, the diehard gang leader. Music Notes: This montage features three tracks ("Give It To Him" at 00:17, "Assault On The Train And Escape" at 01:04 and at 02:36, "Main Title" at 05:29) from Jerry Fielding's "The Wild Bunch".
http://wn.com/Jerry_Fielding_The_Wild_Bunch_1969
The Wild Bunch (1969) : A film review by mrgamer990
- Order: Reorder
- Duration: 9:07
- Published: 25 Apr 2012
- Updated: 26 Aug 2012
My review of a film i consider to be one of the greatest, most violent, gritty, and one most powerful westerns of the 20th century, and one of the all-time best films i have ever seen. plz comment and subscribe.
http://wn.com/The_Wild_Bunch_1969_A_film_review_by_mrgamer990
The Wild Bunch (1969) trailer
- Order: Reorder
- Duration: 2:54
- Published: 27 May 2012
- Updated: 10 Aug 2012
thegreatestmoviesever.blogspot.com
http://wn.com/The_Wild_Bunch_1969_trailer
7. The Wild Bunch (1969) Western Movies: Myth, Ideology, and Genre
- Order: Reorder
- Duration: 57:34
- Published: 23 Jun 2012
- Updated: 03 Oct 2012
Professor Slotkin's April 14, 2008 lecture on the film, The Wild Bunch (1969). Western Movies: Myth, Ideology, and Genre. "Wesleyan University Lectures"
http://wn.com/7_The_Wild_Bunch_1969_Western_Movies_Myth,_Ideology,_and_Genre
The Wild Bunch (1969) German full movie
- Order: Reorder
- Duration: 6:51
- Published: 13 Oct 2012
- Updated: 13 Oct 2012
Watch The Wild Bunch (1969) at : hqrips.com full movie part 1. The Wild Bunch (1969) available in German full movie The Wild Bunch (1969) watch online stream hd part 1 full movie now.
http://wn.com/The_Wild_Bunch_1969_German_full_movie
The Wild Bunch (1969) Sam Peckinpah William Holden "The Wild West" extended TRAILER
- Order: Reorder
- Duration: 2:53
- Published: 10 Oct 2012
- Updated: 11 Oct 2012
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them. www.imdb.com
http://wn.com/The_Wild_Bunch_1969_Sam_Peckinpah_William_Holden_The_Wild_West_extended_TRAILER
The Wild Bunch (1969) Portuguese full movie
- Order: Reorder
- Duration: 6:51
- Published: 14 Oct 2012
- Updated: 14 Oct 2012
Watch The Wild Bunch (1969) at : hqrips.com full movie part 1. The Wild Bunch (1969) available in Portuguese full movie The Wild Bunch (1969) watch online stream hd part 1 full movie now.
http://wn.com/The_Wild_Bunch_1969_Portuguese_full_movie
The Wild Bunch (1969) Japanese full movie
- Order: Reorder
- Duration: 6:51
- Published: 13 Oct 2012
- Updated: 13 Oct 2012
Watch The Wild Bunch (1969) at : hqrips.com full movie part 1. The Wild Bunch (1969) available in Japanese full movie The Wild Bunch (1969) watch online stream hd part 1 full movie now.
http://wn.com/The_Wild_Bunch_1969_Japanese_full_movie
The Wild Bunch (1969) Russian full movie
- Order: Reorder
- Duration: 6:51
- Published: 14 Oct 2012
- Updated: 14 Oct 2012
Watch The Wild Bunch (1969) at : hqrips.com full movie part 1. The Wild Bunch (1969) available in Russian full movie The Wild Bunch (1969) watch online stream hd part 1 full movie now.
http://wn.com/The_Wild_Bunch_1969_Russian_full_movie
The Wild Bunch - La Horde Sauvage - 1969
- Order: Reorder
- Duration: 2:47
- Published: 04 Jan 2012
- Updated: 10 Aug 2012
Trailer - Bande Annonce
http://wn.com/The_Wild_Bunch_La_Horde_Sauvage_1969
Robert Ryan - Hurt
- Order: Reorder
- Duration: 3:38
- Published: 09 Aug 2011
- Updated: 03 Oct 2012
Film: The Wild Bunch (1969) - Director: Sam Penckinpah - Song: Johnny Cash I hurt myself today To see if I still feel I focus on the pain The only thing that's real The needle tears a hole The old familiar sting Try to kill it all away But I remember everything What have I become My sweetest friend Everyone I know goes away In the end And you could have it all My empire of dirt I will let you down I will make you hurt I wear this crown of thorns Upon my liar's chair Full of broken thoughts I cannot repair Beneath the stains of time The feelings disappear You are someone else I am still right here Chorus If I could start again A million miles away I would keep myself I would find a way
http://wn.com/Robert_Ryan_Hurt
Jerry Fielding - The Wild Bunch ( 1969 ) Main Title
- Order: Reorder
- Duration: 5:47
- Published: 14 Apr 2009
- Updated: 16 Aug 2012
Dalla Colonna Sonora del film Omonimo interpretato da : William Holden , Ernest Borgnine, Ben Johnson , Warren Oates , Jaime Sanchez , Robert Ryan . Diretto da : Sam Peckinpah .
http://wn.com/Jerry_Fielding_The_Wild_Bunch_1969_Main_Title
The Wild Bunch (1969) HD trailer
- Order: Reorder
- Duration: 2:57
- Published: 11 Dec 2009
- Updated: 13 Aug 2012
The Wild Bunch (1969) trailer
http://wn.com/The_Wild_Bunch_1969_HD_trailer
Photo: AP / Predrag Vuckovic
14 Oct 2012
Update: Extreme athlete Felix Baumgartner has landed on Earth after a jump from the stratosphere in what could be the world's first supersonic skydive. Baumgartner landed in eastern New Mexico desert...
Photo: AP / Shakil Adil
15 Oct 2012
ISLAMABAD — Pakistan airlifted a 14-year-old activist who was shot and seriously wounded by the Taliban to the United Kingdom for treatment today, a move that will give her access to the...
Photo: WN / Aruna Mirasdar
15 Oct 2012
PUNE: Profiles of all secondary schools in the state will now be available at the click of a mouse. A project to this effect has been undertaken by the state Rashtriya Madhyamik Shiksha Abhiyan, a...
Classic movie review: 'The Wild Bunch' (1969)
06 Oct 2012
The Examiner
Related topics Classic MoviesTCMTurner Classic MoviesessentialsSam Peckinpah Rating for The Wild Bunch 4 Advertisement Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. -Dylan Thomas They are ruthless. They are desperate....(size: 8.6Kb)
The Washington Post
AUSTIN, Texas — For the kicking team, the best kickoffs are the ones that sail deep into the end zone or all the way through it, leaving no chance for a return for a touchdown. No. 14 Texas is challenging that notion, daring teams to bring it out and punishing ball carriers when they do....(size: 4.2Kb)
Texas playing 'Wild Bunch' special teams
13 Sep 2012
CUP: Wild Bunch Preps For Atlanta
27 Aug 2012
Fox News
Greg Biffle, Matt Kenseth, Jimmie Johnson and Dale Earnhardt Jr. are in the Chase for the Sprint Cup. Several other drivers will lock themselves in this week in Atlanta. Then there is the Wild Bunch. And Kevin Harvick. At least six drivers – and potentially more – remain in the hunt for wild-card...(size: 3.4Kb)
A Wild Bunch of drinkers: Century-old photos of Utah bars include rare shot of Butch ...
11 Aug 2012
The Daily Mail
An incredible image has...(size: 0.2Kb)
IMDb
While Sony tries to play it safe, by greenlighting $100 million reboots of previous Columbia and MGM genre hits, including "Total Recall", "RoboCop", "Carrie" and...(size: 1.1Kb)
The Examiner
Related topics Ernest Borgnine dead at 95 Advertisement Another day and age away from cookie cut out modern millennial casting, just before, after and during the Golden Age of Hollywood, more real people with talent and character crashed the dream factory party with or without looks. Back then in a...(size: 7.0Kb)
Wild Bunch Benelux goes on buying spree
23 May 2012
Screen Daily
Mid way through the market, company boss Pim Hermeling has confirmed a raft of market and festival acquisitions. The company has taken Benelux rights on Elle s’en va, the Emmanuelle Bercot road movie starring Catherine Deneuve. (The film is on Elle Driver’s Cannes slate. Also from Elle Driver,...(size: 4.9Kb)
Screen Daily
EXCLUSIVE: Wild Bunch’s slate also includes a number of other genre titles plus Jean-Luc Godard’s Goodbye To Language 3D. Isabelle Fuhrman is set to star alongside Isabelle Huppert, Janet McTeer, Michael Nyqvist and Antje Traue in David Green Green’s upcoming horror picture Suspiria. Green’s remake...(size: 9.6Kb)
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David Gordon Green will direct the Dario Argento remake and Crime Scene Pictures will produce with First Sun and Memo Films. CAA represents US rights. Subscriber only content You must be a paid subscriber to Screen International to read this article and receive complete, unrestricted access to...(size: 4.1Kb)
This article is about the 1969 Western film. For other uses, see Wild Bunch (disambiguation).
| The Wild Bunch | |
|---|---|
| File:The Wild Bunch.JPG Theatrical release poster |
|
| Directed by | Sam Peckinpah |
| Produced by | Phil Feldman |
| Screenplay by | Sam Peckinpah Walon Green |
| Story by | Walon Green Roy N. Sickner |
| Starring | William Holden Ernest Borgnine Robert Ryan Edmond O'Brien Warren Oates Jaime Sánchez Ben Johnson |
| Music by | Jerry Fielding |
| Cinematography | Lucien Ballard |
| Editing by | Lou Lombardo |
| Studio | Warner Bros.-Seven Arts |
| Distributed by | Warner Bros.-Seven Arts |
| Release date(s) |
|
| Running time | 143 minutes |
| Country | United States |
| Language | English |
| Budget | $6 million |
| Box office | $10,500,000[1] |
The Wild Bunch is a 1969 American Western film directed by Sam Peckinpah[2] about an aging outlaw gang on the Texas-Mexico border, trying to exist in the changing "modern" world of 1913. The film was controversial because of its graphic violence and its portrayal of crude men attempting to survive by any available means.
It stars William Holden, Robert Ryan, Ernest Borgnine, Ben Johnson and Warren Oates. The screenplay was by Peckinpah and Walon Green.
The Wild Bunch is noted for intricate, multi-angle editing, using normal and slow motion images, a revolutionary cinema technique in 1969. The writing of Green, Peckinpah, and Roy N. Sickner was nominated for a best-screenplay Academy Award; Jerry Fielding's music was nominated for Best Original Score; Peckinpah was nominated for an Outstanding Directorial Achievement award by the Directors Guild of America; and cinematographer Lucien Ballard won the National Society of Film Critics Award for Best Cinematography.[3]
In 1999, the U.S. National Film Registry selected it for preservation in the Library of Congress as culturally, historically, and aesthetically significant. The film was ranked 80th in the American Film Institute's 100 best American films, and the 69th most thrilling film.[4] In 2008, the AFI revealed its "10 Top 10" of the best ten films in ten genres: The Wild Bunch ranked as the sixth-best Western.[5][6]
Contents |
Plot[link]
In 1913 Texas, Pike Bishop (William Holden), the leader of a gang of aging outlaws, is seeking retirement with one final score, namely the robbery of a railroad office containing a cache of silver. They are ambushed by Pike's former partner, Deke Thornton (Robert Ryan), and a posse of bounty hunters hired and deputized by the railroad. Thornton has been released from a Yuma prison to help track down his former comrades in return for a full pardon. A bloody shootout kills several of the gang. The town's citizens were not warned, so many are killed in the crossfire.
Pike rides off with Dutch Engstrom (Ernest Borgnine), brothers Lyle (Warren Oates) and Tector Gorch (Ben Johnson), and Angel (Jaime Sánchez), the only survivors. They are disappointed when the loot from the robbery turns out to be a decoy instead of silver. The men reunite with old-timer Freddie Sykes (Edmond O'Brien), and head for Mexico.
Pike's men cross the Rio Grande and take refuge that night in a village where Angel was born, and where the Mexican Revolution has taken its toll. The townsfolk are ruled by a self-styled bandido warlord named Mapache (Emilio Fernández), a general in the Mexican Federal Army, who has been stealing to feed his troops.
In the town of Agua Verde (Spanish for "green water"), a den of debauchery, Pike's gang makes contact with the general. A jealous Angel spots a former lover in Mapache's arms and shoots her dead, angering Mapache. Pike defuses the situation and offers to work for Mapache. Their task is to steal a weapons shipment from a U.S. Army train so that Mapache can resupply his troops – and appease Mohr (Fernando Wagner), his German military adviser, who wishes to obtain samples of America's armament.
Angel gives up his share of the gold Mapache has paid them to Pike in return for sending one crate of the stolen rifles and ammunition to a band of rebels opposed to Mapache. The holdup goes as planned until Deke's posse turns up on the very train the gang has robbed. They give chase, only to be foiled again by an explosive booby trap which blows up a trestle and sends the entire posse down a river.
Pike and his men, knowing they risk being double crossed by Mapache, devise a way of bringing him the stolen weapons – including a Browning M1917 machine gun – without his double-crossing them. Mapache does, however, learn of Angel's "embezzling" of a crate of guns and has him captured and tortured.
Sykes is wounded and forced into hiding after another encounter with Deke's posse. The rest of Pike's gang returns to Agua Verde for shelter. Pike tries to persuade Mapache to release Angel, who is barely alive. The general appears to comply, much to the happiness of the gang, however, as they watch, the general cuts his throat instead. Pike and the gang angrily gun him down in front of hundreds of Mapache's men. For a moment, the Federales are so shocked that they fail to return fire, causing Dutch to laugh in surprise. Pike calmly takes aim at the German officer and kills him, too. This results in a violent, bloody showdown in which Pike and his men, along with the majority of the German and Mexican troops present, are killed.
Deke finally catches up. He allows the remaining members of the posse to take the bullet-riddled bodies of the gang members back and collect the reward, while electing to stay behind. Sykes arrives with several Mexican rebels, who have killed off what's left of the posse along the way. He asks Deke to come along and join the revolution. Deke smiles and rides off with them.
Cast[link]
- William Holden as Pike Bishop
- Ernest Borgnine as Dutch Engstrom
- Robert Ryan as Deke Thornton
- Edmond O'Brien as Freddie Sykes
- Warren Oates as Lyle Gorch
- Jaime Sánchez as Angel
- Ben Johnson as Tector Gorch
- Emilio Fernández as General Mapache
- Strother Martin as Coffer
- L. Q. Jones as T.C.
- Albert Dekker as Pat Harrigan
- Bo Hopkins as Clarence 'Crazy' Lee
- Jorge Russek as Major Zamorra
- Alfonso Arau as Lieutenant Herrera
- Dub Taylor as Preacher
- Rayford Barnes as Buck
- Paul Harper as Ross
- Chano Urueta as Don José
- Elsa Cárdenas as Elsa
- Bill Hart as Jess
- Stephen Ferry as Sergeant McHale
- Fernando Wagner as Commander Mohr
- Jorge Rado as Ernst
- Aurora Clavel as Aurora
Casting[link]
Director Sam Peckinpah considered many actors for the Pike Bishop role; Lee Marvin, Burt Lancaster, James Stewart, Charlton Heston, Gregory Peck, Sterling Hayden, Richard Boone and Robert Mitchum were all considered before William Holden was cast. Marvin actually accepted the role but pulled out after he was offered a larger pay deal to star in Paint Your Wagon (1969).[7][8]
Sam Peckinpah's first two choices for the role of Deke Thornton were Richard Harris (who had co-starred in Major Dundee) and Brian Keith (who had worked with Peckinpah on The Westerner (1960) and The Deadly Companions (1961)). Harris was never formally approached, but Keith was, and turned the part down. Robert Ryan was ultimately cast in the part after Peckinpah saw him in the World War II action movie The Dirty Dozen (1967). Other actors considered for the role were Glenn Ford, Arthur Kennedy, Henry Fonda, Ben Johnson (later cast as Tector Gorch) and Van Heflin.
Mario Adorf was considered for the part of Mapache; the role went to Emilio Fernández, the Mexican film director and actor and friend of Peckinpah.[7] Among those considered to play Dutch Engstrom were Steve McQueen, George Peppard, Jim Brown, Alex Cord, Robert Culp, Sammy Davis, Jr., Charles Bronson and Richard Jaeckel. Ernest Borgnine was cast based on his performance in The Dirty Dozen.[9]
Robert Blake was the original choice to play Angel, but he asked for too much money. Peckinpah had seen Jaime Sánchez in the Broadway production of Sidney Lumet's The Pawnbroker, was impressed and demanded he be cast as Angel.[10] Albert Dekker, a stage actor, was cast as Harrigan, the railroad detective. He died months after filming; The Wild Bunch was his final film. Bo Hopkins played the part of Clarence "Crazy" Lee; he was cast after Peckinpah saw him on television.
Production[link]
In 1967, Warner Bros.-Seven Arts producers Kenneth Hyman and Phil Feldman were interested in having Sam Peckinpah rewrite and direct an adventure film called The Diamond Story. A professional outcast due to the production difficulties of his previous film Major Dundee (1965) and his firing from the set of The Cincinnati Kid (1965), Peckinpah's stock had improved following his critically acclaimed work on the television film Noon Wine (1966). An alternative screenplay available at the studio was The Wild Bunch, written by Roy Sickner and Walon Green. At the time, William Goldman's screenplay Butch Cassidy and the Sundance Kid had recently been purchased by 20th Century Fox. It was quickly decided that The Wild Bunch, which had several similarities to Goldman's work, would be produced in order to beat Butch Cassidy to the theaters.[11][12][13][14]
By the fall of 1967, Peckinpah was rewriting the screenplay and preparing for production. Filmed on location in Mexico, Peckinpah's epic work was inspired by his hunger to return to films, the violence seen in Arthur Penn's Bonnie and Clyde, America's growing frustration with the Vietnam War and what he perceived to be the utter lack of reality seen in Westerns up to that time. He set out to make a film which portrayed not only the vicious violence of the period, but the crude men attempting to survive the era. Multiple scenes attempted in Major Dundee, including slow motion action sequences (inspired by Akira Kurosawa's work in Seven Samurai), characters leaving a village as if in a funeral procession and the use of inexperienced locals as extras, would be perfected in The Wild Bunch.[15]
The film was shot with the anamorphic process. Peckinpah and his cinematographer, Lucien Ballard, also made use of telephoto lenses, that allowed for objects and people in both the background and foreground to be compressed in perspective. The effect is best seen in the shots where the Bunch makes "the walk" to Mapache's headquarters to free Angel. As they walk forward, a constant flow of people pass between them and the camera, most of them are as sharply focused as the Bunch. The editing of the film is notable in that shots from multiple angles would be spliced together in rapid succession, often at different speeds, placing greater emphasis on the chaotic nature of the action and the gunfights.[citation needed]
Lou Lombardo, having previously worked with Peckinpah on Noon Wine, was personally hired by the director to edit The Wild Bunch. Peckinpah had wanted an editor who would be loyal to him. Lombardo's youth was also a plus, as he wasn't bound by traditional conventions. One of Lombardo's first contributions was to show Peckinpah an episode of the TV series Felony Squad he edited in 1967. The episode, entitled "My Mommy Got Lost", included a slow motion sequence where Joe Don Baker is shot by the police. The scene mixed slow motion with normal speed. Peckinpah was reportedly thrilled and told Lombardo: "Let's try some of that when we get down to Mexico!" The director would film the major shootouts with six cameras, operating at various film rates, including 24 frames per second, 30 frames per second, 60 frames per second, 90 frames per second, and 120 frames per second. When the scenes were eventually cut together, the action would shift from slow to fast to slower still, giving time an elastic quality never before seen in motion pictures up to that time.[16][17]
By the time filming wrapped, Peckinpah had shot 333,000 feet (101,000 m) of film with 1,288 camera setups. Lombardo and Peckinpah remained in Mexico for six months editing the picture. After initial cuts, the opening gunfight sequence ran 21 minutes. Cutting frames from specific scenes and intercutting others, they were able to fine-cut the opening robbery down to five minutes. The creative montage became the model for the rest of the film and would forever change the way movies were made.[18]
Peckinpah stated that one of his goals for this movie was to give the audience "some idea of what it is to be gunned down". A memorable incident occurred, to that end, as Peckinpah's crew were consulting him on the "gunfire" effects to be used in the film. Not satisfied with the results from the squibs his crew had brought for him, Peckinpah became exasperated; he finally hollered: "That's not what I want! That's not what I want!" He then grabbed a real revolver and fired it into a nearby wall. The gun empty, Peckinpah barked at his stunned crew: "THAT'S the effect I want!!" He also had the gunfire sound effects changed for the film. Before, all gunshots in Warner Brothers movies sounded identical, regardless of the type of weapon being fired. Peckinpah insisted on each different type of firearm having its own specific sound effect when fired.[citation needed]
Themes[link]
Critics of The Wild Bunch noted the theme of the end of the outlaw gunfighter era. Pike Bishop says: We've got to start thinking beyond our guns. Those days are closing fast. The Bunch live by an anachronistic code of honor without a place in twentieth century modern society. When they inspect General Mapache's new automobile, they perceive it marks the end of horse travel, a symbol also in Peckinpah's Ride the High Country (1962) and The Ballad of Cable Hogue (1970).[19]
The violence that was much criticized by critics in 1969 remains controversial. Director Peckinpah noted it was allegoric of the American war in Vietnam, whose violence was nightly televised to American homes at supper time. He tried showing the gun violence commonplace to the historic western frontier period, rebelling against sanitized, bloodless television Westerns and films glamorizing gun fights and murder. "The point of the film is to take this façade of movie violence and open it up, get people involved in it so that they are starting to go in the Hollywood television predictable reaction syndrome, and then twist it so that it's not fun anymore, just a wave of sickness in the gut ... It's ugly, brutalizing, and bloody awful; it's not fun and games and cowboys and Indians. It's a terrible, ugly thing, and yet there's a certain response that you get from it, an excitement, because we're all violent people." Peckinpah used violence as catharsis, believing his audience would be purged of violence, by witnessing it explicitly on screen. He later admitted to being mistaken, that the audience came to enjoy rather than be horrified by his films' violence, something that troubled him.[20]
Betrayal is the secondary theme of The Wild Bunch. The characters suffer from their knowledge of having betrayed a friend and left him to his fate, thus violating their own honor code when it suits them ("10,000 dollars cuts an awful lot of family ties." However, Pike Bishop says, "When you side with a man, you stay with him, and if you can't do that you're like some animal."[21] Such complex oppositional ideas lead to the film's violent conclusion, as the remaining men find their abandonment of Angel intolerable. Pike Bishop remembers his betrayals, most notably when he deserts Deke Thornton (in flashback) when the law catches up to them; and when he abandons Crazy Lee at the bank after the robbery (ostensibly to guard the hostages).
Note that in the era of the film's release, there was a man named Bishop Pike, an Episcopal bishop who very publicly opposed the Vietnam War and was featured in mass media as such.
Reception[link]
Vincent Canby began his review by calling the film "very beautiful and the first truly interesting American-made Western in years. It's also so full of violence –of an intensity that can hardly be supported by the story – that it's going to prompt a lot of people who do not know the real effect of movie violence (as I do not) to write automatic condemnations of it."[22] He said "although the movie's conventional and poetic action sequences are extraordinarily good and its landscapes beautifully photographed..., it is most interesting in its almost jolly account of chaos, corruption, and defeat"; among the actors, he commented particularly on William Holden: "After years of giving bored performances in boring movies, Holden comes back gallantly in The Wild Bunch. He looks older and tired, but he has style, both as a man and as a movie character who persists in doing what he's always done, not because he really wants the money but because there's simply nothing else to do." Time also liked Holden's performance, describing it as his best since Stalag 17 (a 1953 film that earned Holden an Oscar), said Robert Ryan gave "the screen performance of his career" and concluded that "The Wild Bunch contains faults and mistakes" (such as flashbacks "introduced with surprising clumsiness"), but "its accomplishments are more than sufficient to confirm that Peckinpah, along with Stanley Kubrick and Arthur Penn, belongs with the best of the newer generation of American film makers."[23]
In a 2002 retrospective, Roger Ebert, who "saw the original version at the world premiere in 1969, during the golden age of the junket, when Warner Bros. screened five of its new films in the Bahamas for 450 critics and reporters", said that back then he had publicly declared the film a masterpiece during the junket's press conference, prompted by comments from "a reporter from the Reader's Digest [who] got up to ask 'Why was this film ever made?'" [24] He compared the film to Pulp Fiction: "praised and condemned with equal vehemence."
The film was not a financial success. Produced on a budget of $6 million, it grossed $10,500,000 at the box office.[1] Yet, the film was the 14th highest grossing of 1969. The film holds a 97% "Fresh" rating on Rotten Tomatoes based on reviews from 38 critics.[25] The film also ranks at number 94 in Empire magazines list of the 500 Greatest Films of All Time.[26]
Documentary[link]
Sam Peckinpah and the making of The Wild Bunch were the subjects of the documentary The Wild Bunch: An Album in Montage (1996) that was directed edited by Paul Seydor; the documentary was occasioned by the discovery of 72 minutes of silent, black and white film footage of Peckinpah and company on location in northern Mexico during the filming of The Wild Bunch. Michael Sragow wrote in 2000 that the documentary was "a wonderful introduction to Peckinpah’s radically detailed historical film about American outlaws in revolutionary Mexico — a masterpiece that’s part bullet-driven ballet, part requiem for Old West friendship and part existential explosion. Seydor’s movie is also a poetic flight on the myriad possibilities of movie directing."[27] Seydor and his co-producer Nick Redman were nominated in 1997 for the Academy Award for Best Documentary (Short Subject).[28]
Awards, honors, and nominations[link]
Following its release, Peckinpah was one of ten directors receiving a nomination for the Directors Guild of America Award for Outstanding Directing – Feature Film. The film received two Academy Award nominations, for Best Original Screenplay (Walon Green, Roy N. Sickner, Sam Peckinpah) and Best Original Music Score (Jerry Fielding) At the 42nd Academy Awards ceremony, both awards went to crew members of Butch Cassidy and the Sundance Kid (screen writer William Goldman and composer Burt Bacharach).
Decades later, the American Film Institute placed the film in several of its "100 Years" lists:
- AFI's 100 Years…100 Movies - #80
- AFI's 100 Years…100 Thrills - #69
- AFI's 100 Years…100 Movies (10th Anniversary Edition) - #79
- AFI's 10 Top 10 - #6 Western
In 1999, the U.S. National Film Registry selected it for preservation in the Library of Congress as culturally, historically, and aesthetically significant.[29]
Versions[link]
In 1993, Warner Bros. resubmitted the film to the MPAA ratings board prior to an expected re-release. To the studio's surprise, the originally R-rated film was given an NC-17, delaying the release until the decision was appealed.[30] The controversy was linked to 10 extra minutes added to the film, although none of this footage contained graphic violence. Warner Bros. trimmed some footage to decrease the running time to ensure additional daily screenings.[31] When the restored film finally made it to the screen in March 1995, one reviewer noted:
By restoring 10 minutes to the film, the complex story now fits together in a seamless way, filling in those gaps found in the previous theatrical release, and proving that Peckinpah was firing on all cylinders for this, his grandest achievement.... And the one overwhelming feature that the director's cut makes unforgettable are the many faces of the children, whether playing, singing, or cowering, much of the reaction to what happens on-screen is through the eyes, both innocent and imitative, of all the children.[32]
Today, almost all of the versions of the film include the missing scenes. Warner Bros. released a newly restored version in a two-disc special edition on January 10, 2006. It includes an audio commentary by Peckinpah scholars, two documentaries concerning the making of the film and never-before-seen outtakes.
There have been several versions of the film:
- The original, 1969 European release is 145 minutes long, with an intermission (per distributor's request, before the train robbery).
- The original, 1969 American release is 143 minutes long.
- The second, 1969 American release is 135 minutes long, shortened to allow more screenings.
- The 1995 re-release is 145 minutes long, identical to the 1969 European release, the version labeled "The Original Director's Cut", available in home video.
Remake[link]
On January 19, 2011, it was announced by Warner Bros. that The Wild Bunch would be remade.[33]
References[link]
- ^ a b "Box Office Information for The Wild Bunch". Worldwide Box Office. http://www.worldwideboxoffice.com/movie.cgi?title=The%20Wild%20Bunch&year=1969. Retrieved February 26, 2012.
- ^ Variety film review; June 18, 1969, p. 6.
- ^ "Internet Movie Database, Awards for The Wild Bunch". imdb.com. http://www.imdb.com/title/tt0065214/awards. Retrieved 2007-11-16.
- ^ "American Film Institute". afi.com. http://connect.afi.com/site/PageServer?pagename=100YearsList. Retrieved 2007-11-13.
- ^ American Film Institute (2008-06-17). "AFI Crowns Top 10 Films in 10 Classic Genres". ComingSoon.net. http://www.comingsoon.net/news/movienews.php?id=46072. Retrieved 2008-06-18.
- ^ "Top Western". American Film Institute. http://www.afi.com/10top10/western.html. Retrieved 2008-06-18.
- ^ a b "Internet Movie Database, Trivia for The Wild Bunch". imdb.com. http://www.imdb.com/title/tt0065214/trivia. Retrieved 2007-11-16.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 319. ISBN 0-8021-3776-8.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 320. ISBN 0-8021-3776-8.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 321. ISBN 0-8021-3776-8.
- ^ Carroll, E. Jean (March 1982). "Last of the Desperadoes: Dueling with Sam Peckinpah". Rocky Mountain Magazine
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 257–263. ISBN 0-8021-3776-8.
- ^ Simmons, Garner (1982). Peckinpah, A Portrait in Montage. University of Texas Press. pp. 73–81. ISBN 0-292-76493-6.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 307–309. ISBN 0-8021-3776-8.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 310–331. ISBN 0-8021-3776-8.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 333–334. ISBN 0-8021-3776-8.
- ^ "Internet Movie Database Felony Squad "My Mommy Got Lost"". imdb.com. http://www.imdb.com/title/tt0578770/. Retrieved 2007-11-24.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 354–355. ISBN 0-8021-3776-8.
- ^ Simmons, Garner (1982). Peckinpah, A Portrait in Montage. University of Texas Press. pp. 82. ISBN 0-292-76493-6.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 334. ISBN 0-8021-3776-8.
- ^ Dukore, Bernard Frank (1999). Sam Peckinpah's Feature Films. University of Illinois Press. p. 163. ISBN 0-252-06802-5. http://books.google.com/books?id=NjLdMBBPQUcC&pg=PA163.
- ^ Canby, Vincent (June 26, 1969). "The Wild Bunch (1969)". The New York Times. http://movies.nytimes.com/movie/review?res=EE05E7DF1730E774BC4E51DFB0668382679EDE. Retrieved 2010-04-13.
- ^ "New Movies: Man and Myth". Time. June 20, 1969. http://www.time.com/time/printout/0,8816,844896,00.html. Retrieved 2010-04-13.
- ^ Ebert, Roger (September 29, 2002). "The Wild Bunch (1969)". Chicago Sun-Times. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F20020929%2FREVIEWS08%2F209290304%2F1023. Retrieved 2010-04-13.
- ^ Wild Bunch] at Rotten Tomatoes published by Flixster
- ^ "The 500 Greatest Movies Of All Time". Empire. Bauer Media Group. Archived from the original on August 17, 2011. http://www.empireonline.com/500/82.asp. Retrieved August 17, 2011.
- ^ Sragow, Michael (October 20, 2000). "The Wild Bunch". Salon.com. http://www.salon.com/2000/10/20/wild_bunch/.
- ^ "Internet Movie Database, The Wild Bunch: An Album in Montage". imdb.com. http://www.imdb.com/title/tt0118167/. Retrieved 2007-11-09.
- ^ "Librarian of Congress Names 25 More Films to National Film Registry" (Press release). Library of Congress. November 16, 1999. http://www.loc.gov/film/nfr99.html. Retrieved 2010-04-13.
- ^ "Entertainment Weekly". ew.com. 1994-10-21. http://www.ew.com/ew/article/0,,304153,00.html. Retrieved 2007-11-13.
- ^ Powell, George (1995-03-03). "'The Wild Bunch' made perfect at last". The San Francisco Examiner (sfgate.com). http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/1995/03/03/DD28702.DTL&type=printable. Retrieved 2007-11-13.
- ^ Stack, Peter (1995-03-03). "'Wild Bunch' Rides Again: Director's cut of '69 classic". San Francisco Chronicle (sfgate.com). http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/1995/03/03/DD28702.DTL&type=printable. Retrieved 2010-04-13.
- ^ Kit, Borys. "EXCLUSIVE: 'Lethal Weapon,' 'Wild Bunch' Reboots Revived After Warner Bros. Exec Shuffle". The Hollywood Reporter. http://www.hollywoodreporter.com/blogs/heat-vision/lethal-weapon-wild-bunch-reboots-73493.
External links[link]
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