Name	Qawwali
Bgcolor	#B8860B
Color	black
Stylistic origins	Persian and Indian subcontinent traditional music
Cultural origins	13th century India and Pakistan
Instruments	vocals, harmonium, tabla, dholak, sarangi, clapping
Other topics	}}

Qawwali (Nastaʿlīq: ; Gurmukhī: ਕ਼ੱਵਾਲੀ; Devanāgarī: क़व्वाली; Eastern Nagari: ক়ব্বালী) is a form of Sufi devotional music popular in South Asia, particularly in the Punjab and Sindh regions of Pakistan, Hyderabad, Delhi and other parts of India. It is a musical tradition that stretches back more than 700 years.

Originally performed mainly at Sufi shrines or dargahs throughout South Asia, it has also gained mainstream popularity. Qawwali music received international exposure through the work of the late Pakistani singer Nusrat Fateh Ali Khan, largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals. Other famous Qawwali singers include Pakistan's Sabri Brothers, Bahauddin Qutbuddin and Aziz Mian.

==Origins== The roots of Qawwali can be traced back to 8th century Persia (today's Iran and Afghanistan). During the first major migration from Persia, in the 11th century, the musical tradition of Sema migrated to South Asia, Turkey and Uzbekistan. Amir Khusro Dehelvi of the Chisti order of Sufis is credited with fusing the Persian and Indian musical traditions to create Qawwali as we know it today in the late 13th century in India. The word ''Sama'' is often still used in Central Asia and Turkey to refer to forms very similar to Qawwali, and in India, Pakistan and Bangladesh, the formal name used for a session of Qawwali is ''Mehfil-e-Sama''.

Qaul (Arabic: قَوْل) is an "utterance (of the prophet)", Qawwāl is someone who often repeats (sings) a Qaul, Qawwāli is what a Qawwāl sings.

Song content

The songs which constitute the qawwali repertoire are mostly in Urdu and Punjabi (almost equally divided between the two), although there are several songs in Persian, Brajbhasha and Siraiki. There is also qawwali in some regional languages (e.g., Chhote Babu Qawwal sings in Bengali), but the regional language tradition is relatively obscure. Also, the sound of the regional language qawwali can be totally different from that of mainstream qawwali. This is certainly true of Chhote Babu Qawwal, whose sound is much closer to Baul music than to the qawwali of Nusrat Fateh Ali Khan, for example.

The poetry is implicitly understood to be spiritual in its meaning, even though the lyrics can sometimes sound wildly secular, or outright hedonistic. The central themes of qawwali are love, devotion and longing (of man for the Divine).

Qawwalis are classified by their content into several categories:

A hamd (حمد), Arabic for praise, is a song in praise of Allah. Traditionally, a qawwali performance starts with a hamd.

A naat (نعت), Arabic for description, is a song in praise of the Prophet Muhammad. The opening hamd is traditionally followed by a naat.

A manqabat (مناقب), Arabic for characteristics, is a song in praise of either Imam Ali or one of the Sufi saints. Manqabats in praise of Ali are sung at both Sunni and Shi'a gatherings. If one is sung, it will follow right after the naat. There is usually at least one manqabat in a traditional programme.

A marsiya (مرثية), Arabic for lamentation for a dead person, is a lamentation over the death of much of Imam Husayn's family in the Battle of Karbala. This would typically be sung only at a Shi'a concert.

A ghazal (غزل), Arabic for love song, is a song that sounds secular on the face of it. There are two extended metaphors that run through ghazals -- the joys of drinking and the agony of separation from the beloved. These songs feature exquisite poetry, and can certainly be taken at face value, and enjoyed at that level. In fact, in Pakistan and India, ghazal is also a separate, distinct musical genre in which many of the same songs are performed in a different musical style, and in a secular context. In the context of that genre, the songs are usually taken at face value, and no deeper meaning is necessarily implied. But in the context of qawwali, these songs of intoxication and yearning use secular metaphors to poignantly express the soul's longing for union with the Divine, and its joy in loving the Divine. In the songs of intoxication, "wine" represents "knowledge of the Divine", the "cupbearer" (saaqi) is God or a spiritual guide, the "tavern" is the metaphorical place where the soul may (or may not) be fortunate enough to attain spiritual enlightenment. (The "tavern" is emphatically not a conventional house of worship. Rather, it is taken to be the ''spiritual context'' within which the soul exists.) Intoxication is attaining spiritual knowledge, or being filled with the joy of loving the Divine. In the songs of yearning, the soul, having been abandoned in this world by that cruel and cavalier lover, God, sings of the agony of separation, and the depth of its yearning for reunion.

A kafi is a poem in Punjabi, Seraiki or Sindhi, which is in the unique style of poets such as Shah Hussain, Bulleh Shah and Sachal Sarmast. Two of the more well-known Kafis include ''Ni Main Jana Jogi De Naal'' and ''Mera Piya Ghar Aaya''.

A munadjaat (مناجاة), Arabic for a conversation in the night, is a song where the singer displays his thanks to Allah through a variety of linguistic techniques. It is often sung in Persian, with Mawlana Jalāl-ad-Dīn Rumi credited as its inventor.

Composition of a qawwali party

A group of qawwali musicians, called a ''party'' (or Humnawa in Urdu), typically consists of eight or nine men including a lead singer, one or two side singers, one or two harmoniums (which may be played by the lead singer, side singer or someone else), and percussion. If there is only one percussionist, he plays the tabla and dholak, usually the tabla with the dominant hand and the dholak with the other one (i.e. a left-handed percussionist would play the tabla with his left hand). Often there will be two percussionists, in which case one might play the tabla and the other the dholak. There is also a chorus of four or five men who repeat key verses, and who aid and abet percussion by hand-clapping.

The performers sit cross-legged on the ground in two rows — the lead singer, side singers and harmonium players in the front row, and the chorus and percussionists in the back row.

Before the fairly recent introduction of the harmonium, qawwalis were usually accompanied by the sarangi. The sarangi had to be retuned between songs; the harmonium didn't, and was soon preferred.

Women used to be excluded from traditional Muslim music, since they are traditionally prohibited from singing in the presence of men. These traditions have changed, however, as is evident by the popularity (and acceptance) of female singers such as Abida Parveen. However, qawwali has remained an exclusively male business. There are still no mainstream female qawwals. Although Abida Parveen performs many songs that are in the traditional qawwali repertoire, she does not perform them in the traditional qawwali style. Typically missing is the chorus which repeats key verses, as well as the handclapping.

Musical structure

Songs are usually between 15 to 30 minutes long. However, the longest commercially released qawwali runs slightly over 115 minutes (Hashr Ke Roz Yeh Poochhunga by Aziz Mian Qawwal). The qawwali maestro Nusrat Fateh Ali Khan has at least two songs that are more than 60 minutes long.

Qawwalis tend to begin gently and build steadily to a very high energy level in order to induce hypnotic states both among the musicians and within the audience. Songs are usually arranged as follows:

# They start with an instrumental prelude where the main melody is played on the harmonium, accompanied by the tabla, and which may include improvised variations of the melody. # Then comes the alap, a long tonal improvised melody during which the singers intone different long notes, in the raga of the song to be played. # The lead singer begins to sing some preamble verses which are typically not part of the main song, although thematically related to it. These are sung unrhythmically, improvised following the raga, and accompanied only by the harmonium. After the lead singer sings a verse, one of the side singers will repeat the verse, perhaps with his own improvisation. A few or many verses will be sung in this way, leading into the main song. # As the main song begins, the tabla, dholak and clapping begin. All members join in the singing of the verses that constitute the refrain. The lyrics of the main verses are never improvised; in fact, these are often traditional songs sung by many groups, especially within the same lineage. However, the tunes are subtly improvised within the framework of the main melody. As the song proceeds, the lead singer or one of the side singers may break out into an alap. Nusrat Fateh Ali Khan also popularized the interjection of sargam singing at this point. The song usually builds in tempo and passion, with each singer trying to outdo the other in terms of vocal acrobatics. Some singers may do long periods of sargam improvisation, especially alternating improvisations with a student singer. The songs usually end suddenly.

The singing style of qawwali is different from Western singing styles in many ways. For example, in words beginning with an "m", Western singers are apt to stress the vowel following the "m" rather than the "m" itself, whereas in qawwali, the "m" will usually be held, producing a muted tone. Also in qawwali, there is no distinction between what is known as the chest voice and the neck voice (the different areas that sound will resonate in depending on the frequency sung). Rather, qawwals sing very loudly and forcefully, which allows them to extend their chest voice to much higher frequencies than those used in Western singing, even though this usually causes a more noisy or strained sound than would be acceptable in the West.

Traditional sequence of a Chishtiya Sufi order qawwali performance

Instrumental: This is supposed to be the announcement of the arrival of Moinuddin Chishti, as Sufi believes their saints are free of time-space. Also that Nabi, Siddiq, Shaheed, and Saleh category of faithfuls are never dead, just gone into some other state from where they visit whenever they are mentioned, especially if there is a function in their honor.

Hamd

Naat

Manqabat Ali

Manqabats in praise of Sufi saints

Manqabat Shaikh: Praise of the Shaikh/Pir if the performance is at an Urs celebration

Rang or Badhawa: If it is an Urs performance, then it is usually Rang, a poem by Amir Khusro. The audience is often asked to stand when the Rang is sung. If it is the Shaikh's birthday, it is usually the Badhawa.

Qawwals of the past

Aziz Mian

Badar Ali Khan, aka Badar Miandad

Bahauddin Qutbuddin

Fateh Ali Khan

Mubarak Ali Khan

Munshi Raziuddin

Nusrat Fateh Ali Khan

Sabri Brothers

Current qawwals

Faiz Ali Faiz

Fareed Ayaz

Rizwan Muazzam Qawwali

Rahat Nusrat Fateh Ali Khan

Waheed and Naveed Chishti

Warsi Brothers

Ateeq Hussain Khan

See also

Filmi qawwali

Islamic music

Music of India

Music of Pakistan

Religious ecstasy

Sema

References

External links

BBC Radio 3 Audio (45 minutes): The Nizamuddin shrine in Delhi. Accessed November 25, 2010.

BBC Radio 3 Audio (45 minutes): A mahfil Sufi gathering in Karachi. Accessed November 25, 2010.

''Origin and History of the Qawwali'', Adam Nayyar, Lok Virsa Research Centre, Islamabad. 1988.

QAWWALI PAGE Islamic Devotional Music by David Courtney, Ph.D.

Documentary: Music of Pakistan (52 min.)

Category:Indian styles of music Category:Islam in India Category:Islam in Pakistan Category:Islamic music Category:Pakistani culture Category:Pakistani styles of music Category:Religious music * Category:Sufism in Pakistan

de:Qawwali es:Qawwali fa:قوالی fr:Qawwalî gu:કવ્વાલી hi:कव्वाली it:Qawwali ne:कव्वाली ja:カッワーリー pl:Qawwali pt:Qawwali ru:Каввали simple:Qawwali fi:Qawwali ta:கவ்வாலி te:ఖవ్వాలి tr:Kavvali ur:قوالی

name	Boney Kapoor
birth place	Meerut (India)
birth date	November 11, 1955
children	Arjun Kapoor, Anshula Kapoor, Jahnavi Kapoor, Khushi Kapoor
occupation	Film producer
spouse	Mona Shourie Kapoor (1988 - 1996) Sridevi (1996-current) }}

Boney Kapoor (real name: Achal Kapoor) (born November 11, 1955 in Meerut, India) is an Indian film producer. He is the son of the late Surinder Kapoor who was also a film producer. His brothers are actors Anil Kapoor and Sanjay Kapoor. His Sister Reena is married to Sandeep Marwah. He was married to Mona Shourie Kapoor with whom he has two children, Arjun Kapoor and Anshula. He left his wife for Indian actress Sridevi. They got married on 2 June 1996. The couple have two daughters: Jhanvi and Khushi. Mona Kapoor continued to stay in Boney Kapoor's parents home for 10 years after the divorce to give her children a sense of family.

Boney Kapoor has produced many films that star his brothers, Anil and Sanjay. He is also on the board of directors of Sahara One Media and Entertainment Limited of Sahara India Pariwar.

Producer Filmography

''Milenge Milenge'' (2010)

''Wanted'' (2009)

''No Entry'' (2005)

''Bewafaa'' (2005)

''Kyun...! Ho Gaya Na'' (2004)

''Khushi'' (2003) (producer)

''Shakti'' (2002)

''Company'' (2002)

''Koi Mere Dil Se Poochhe'' (2002)

''Hamara Dil Aapke Paas Hai'' (2000) (executive producer)

''Pukar'' (2000)

''Sirf Tum'' (1999)

''Judaai'' (1997) (co-producer)

''Loafer'' (1996)

''Prem'' (1995)

''Roop Ki Rani Choron Ka Raja'' (1993)

''Drohi'' (1992)

''Antam'' (1992) (producer) ... aka ''Anth'' (India: Hindi title: dubbed version)

''Raat'' (1992) (producer) ... aka ''Raatri'' (India: Telugu title: dubbed version)

''Mr. India'' (1987)

''Woh 7 Din'' (1983) (executive producer) ... aka ''Those Seven Days''

''Hum Paanch'' (1980) (executive producer) ... aka ''We Five''

References

External links

http://popcorn.oneindia.in/artist-biography/1240/4/boney-kapoor.html

Category:Living people Category:Indian film producers Category:1953 births

it:Boney Kapoor nl:Boney Kapoor zh:博尼·卡浦爾

name	Salman Khan
birth name	Abdul Rashid Salim Salman Khan
birth place	Indore, Madhya Pradesh, India
birth date	December 27, 1965
occupation	Film actor, television presenter and philanthropist
yearsactive	1988–present
residence	Bandra, Mumbai
othername	Sallu
parents	Salim KhanSalma Khan
relatives	Arbaaz Khan (brother)Sohail Khan (brother)Helen Richardson (step-mother) }}

Salman Khan (pronunciation : ; born Abdul Rashid Salim Salman Khan on 27 December 1965) is an Indian film actor. He has starred in more than 80 Hindi films.

Khan, who made his acting debut with a minor role in the drama ''Biwi Ho To Aisi'' (1988), had his first commercial success with the blockbuster ''Maine Pyar Kiya'' (1989), for which he won a Filmfare Award for Best Male Debut. He went on to star in some successful Hindi films of those times, such as ''Saajan'' (1991), ''Hum Aapke Hain Koun..!'' (1994), ''Karan Arjun'' (1995), ''Judwaa'' (1997), ''Pyar Kiya To Darna Kya'' (1998) and ''Biwi No.1'' (1999), having appeared in the highest earning films of seven separate years during his career.

In 1999, Khan won a Filmfare Award for Best Supporting Actor for his extended appearance in ''Kuch Kuch Hota Hai'' (1998), and since then has starred in several critical and commercial successes, including ''Hum Dil De Chuke Sanam'' (1999), ''Tere Naam'' (2003), ''Mujhse Shaadi Karogi'' (2004), ''No Entry'' (2005), ''Partner'' (2007), ''Wanted'' (2009), ''Dabangg'' (2010), ''Ready'' (2011) and ''Bodyguard'' (2011), which has become the second highest-grossing Bollywood film of all-time. Khan has thus established himself as one of the most successful actors of Hindi cinema.

Early life

Khan is the eldest son of screenwriter Salim Khan and his first wife Salma (''née'' Sushila Charak). His paternal grandfather was a Muslim from Afghanistan who came to India and settled in Madhya Pradesh, whereas his mother is a Marathi Hindu. Khan himself had once said that he is "half Muslim and half Hindu". His stepmother is Helen, a former actress, who has co-starred with him in a few films. He has two brothers, Arbaaz Khan and Sohail Khan, and two sisters, Alvira and Arpita. Alvira is married to actor/director Atul Agnihotri. Khan finished his schooling through St. Stanislaus High School in Bandra, Mumbai, as did his younger brothers Arbaaz and Sohail. Earlier, he studied at The Scindia School, Gwalior for a few years along with younger brother Arbaaz.

Career

1980s

Salman Khan made his acting debut with a supporting role in the 1988 film ''Biwi Ho To Aisi''. His first leading role in a Bollywood movie was in Sooraj R. Barjatya's romantic family drama ''Maine Pyar Kiya'' (1989), one of India's highest grossing films. It earned him a Filmfare Award for Best Male Debut, as well as his first nomination for a Best Actor at Filmfare.

1990s

1990 saw one film release starring Khan, ''Baaghi: A Rebel for Love''. The film was a box office success, followed by four hit films in 1991, ''Patthar Ke Phool'', ''Sanam Bewafa'', ''Kurbaan'' and ''Saajan''. Despite these early successes, nearly all of his 1992–1993 releases resulted in box office failures. In 1995 he starred in Rakesh Roshan's ''Karan Arjun'' alongside Shahrukh Khan.

In 1996, Khan performed in two movies, Sanjay Leela Bhansali's directional debut ''Khamoshi: The Musical'', a box office failure, but critically acclaimed; and Raj Kanwar's action hit ''Jeet''. He had two releases in 1997: ''Judwaa'' and ''Auzaar''. The former was a comedy directed by David Dhawan where he played a dual role of twins separated at birth.

Khan worked in five different films in 1998, his first release being the comedy ''Pyaar Kiya To Darna Kya'' opposite Kajol, one of the biggest commercial successes of that year. This was followed by the moderately successful drama ''Jab Pyaar Kisise Hota Hai''. and ''Hum Dil De Chuke Sanam'', which earned another Best Actor nomination at the Filmfare.

2000s

In 2000, Khan acted in films including ''Har Dil Jo Pyar Karega'' ''. ''Chori Chori Chupke Chupke'' addressed the issue of surrogate childbirth; Khan played the role of a rich industrialist, who hires a surrogate mother after his wife becomes infertile. Critics noted his turn towards a more serious role, which reportedly had more substance in comparison to his previous roles. In 2002 he starred in the delayed release ''Hum Tumhare Hain Sanam''.

For ''Tere Naam'', (2003) Taran Adarsh said of him, "Salman Khan is exceptional in a role that fits him to the T. He breathes fire in sequences that demand uneasiness. But beneath the tough exterior lies a vulnerable person and this facet in particular comes to the fore in the latter reels. His emotional outbursts are splendid..." He subsequently continued his success at the box office, with comedies like ''Mujhse Shaadi Karogi'' (2004) and ''No Entry'' ''(2005)''. He next appeared in the Hollywood movie, ''Marigold: An Adventure in India'' which told the love story of an Indian man and an American woman. Khan starred in three films throughout 2008, all of which underperformed.

Khan hosted the second season of ''10 Ka Dum'' in year 2009 which turned out to be even more successful than his first season as host of the game show in year 2008. The show got very high TRPs for Sony Entertainment Television and according to reports, the show helped Sony TV regain its third position in the Indian television ratings.

Khan's first film of 2009, ''Wanted'' directed by choreographer turned director Prabhu Deva. In the same year, he appeared in two other films, ''Main Aurr Mrs Khanna'' and ''London Dreams''. While ''London Dreams'' doing average business, only due to the uninspiring music, but ''Main Aurr Mrs Khanna'' made 21 crores through DTH Premiere.

2010s

Khan's first release of 2010 was Anil Sharma's commercially and critically unsuccessful film ''Veer''. His next release, ''Dabangg'', was produced by his brother Arbaaz Khan, and released on 10 September 2010. It made a record opening at the box office and Box Office India declared it an all-time blockbuster. For his performance in ''Dabangg'', Khan received a Star Screen Award for Best Actor and a Stardust Award for Star of the Year – Male and was nominated for his sixth Filmfare Award for Best Actor. Anupama Chopra from NDTV wrote about his performance, "It's the role of a lifetime and Salman Khan bites into it like a starving man devours a feast. He inhabits it fully, strutting and swaggering and even, spoofing himself."

Khan's first release of 2011 was ''Ready'' which released on 3 June. The film broke several box office records and is currently the fourth highest-grossing Bollywood film of all time. He next appeared in ''Bodyguard''. Upon release, the film Became a Blockbuster at the box office, with Khan's performance receiving favourable comments from critics and is currently the second highest-grossing Bollywood film of all time.

Personal life

In 2004, he was voted seventh-best-looking man in the world and the best looking man in India by ''People'' magazine, US. Khan has been involved in several charities during his career.

On 11 October 2007, Khan accepted an offer from Madame Tussauds wax museum in London to have a wax replica made of himself. His life-size wax figure was installed there on 15 January 2008, making him the fourth Indian actor to have been replicated as a wax statue in the museum.

Khan has been the subject of several controversies, including certain legal troubles. On 28 September 2002, Khan was arrested for rash and negligent driving. His car had run into a bakery in Mumbai; one person who was sleeping on the pavement outside the bakery died and three others were injured in the mishap. Charges of culpable homicide were laid against him, but later dropped, and he was found not guilty. On 17 February 2006, Khan was sentenced to one year in prison for hunting the Chinkara, an endangered species. The sentence was stayed by a higher court during appeal. On 10 April 2006, he was handed a five year jail term and remanded to Jodhpur jail until 13 April when he was granted bail.

On September 2010, Khan was reported to have claimed during an interview to a Pakistani channel that the 26/11 attacks were hyped because the "elite" were targeted. During the interview the actor had said - "''It was the elite that was targeted this time. Five star hotels and all. So they panicked. Then they got up and spoke about it. My question is why not before. Attacks have happened in trains and small towns too, but no one talked about it so much."'' Khan also said that Pakistan was not to be blamed for it, and that the Indian security forces had failed. Khan's comments had drawn strong reactions from Deputy Chief Minister of Maharashtra Chagan Bhujbal, Shiv Sena, BJP and other political parties. The comments were also condemned by Ujwal Nikam, Special Prosecutor in the 26/11 trial. Khan later apologised for his comments.

His relationship with actress Aishwarya Rai was a well publicised topic in the Indian media. After their break-up in March 2002, Rai accused him of harassing her. She claimed that Khan had not been able to come to terms with their break-up and was hounding her; her parents lodged a complaint against him. In 2005, news outlets released what was said to be an illicit copy of a mobile phone call recorded in 2001 by the Mumbai police. It appeared to be a call in which he threatened Rai, in an effort to force her to appear at social events held by Mumbai crime figures. The call featured boasts of connections to organised crime and derogatory comments about other actors. However, the alleged tape was tested in the government's Forensic lab in Chandigarh, which concluded that it was fake.

After years of speculations, actress Katrina Kaif admitted in an 2011 interview for a magazine that she was in a serious relationship with Salman Khan for several years, which ended in 2010.

In August 2011 he admitted he suffers from trigeminal neuralgia, a facial nerve disorder commonly known as the suicide disease. In an interview he said that he has been quietly suffering it for the past seven years, but now the pain’s become unbearable. It has even affected his voice, making it much harsher.

Non film work

Khan has started an NGO called 'Being Human' which will sell T-shirts and other products online and in stores. A portion of the sales will go to a worthy cause supporting the underprivileged. In April 2012, he became the brand ambassador for the travel website, Yatra.com, which also made him a shareholder..He has also endorsed the History Channel, Suzuki motorcycles, and Mountain Dew with whom he ended the contract in December 2010.

In January 2012, Khan has offered to pay for releasing around 400 prisoners from around 63 prisons in the state of Uttar Pradesh via his NGO. The prisoners had completed their term but due to economical reasons, they were unable to pay a legal fine for their charges.

Awards and nominations

Filmography

Actor

! Year	! Title	! Role	Other notes
1988	''Biwi Ho To Aisi''	Vicky Bhandari
1989	''Maine Pyar Kiya''	Prem Choudhary	Filmfare Award for Best Male Debut Nominated—Filmfare Award for Best Actor
1990	''Baaghi: A Rebel for Love''	Saajan Sood
1991	''Sanam Bewafa''	Salman Khan
1991	''Patthar Ke Phool''	Inspector Suraj
1991		Akash Singh
1991		Prithvi
1991	''Saajan''	Akash Varma
1992		Vicky/Suryavanshi Vikram Singh
1992	''Ek Ladka Ek Ladki''	Raja
1992	''Jaagruti''	Jugnu
1992	''Nishchaiy''	Rohan Yadav/Vasudev Gujral
1993	''Chandra Mukhi''	Raja Rai
1993	''Dil Tera Aashiq''	Vijay
1994	''Andaz Apna Apna''	Prem Bhopali
1994	''Hum Aapke Hain Koun..!''	Prem
1994	''Chaand Kaa Tukdaa''	Shyam Malhotra
1994	''Sangdil Sanam''	Kishan
1995	''Karan Arjun''	Karan Singh/Ajay	Nominated—Filmfare Award for Best Actor
1995	''Veergati''	Ajay
1996	''Majhdhaar''	Gopal
1996	''Khamoshi: The Musical''	Raj
1996		Raju	Nominated—Filmfare Award for Best Supporting Actor
1996	''Dushman Duniya Ka''		Special appearance
1997	''Judwaa''	Raja/Prem Malhotra
1997	''Auzaar''	Inspector Suraj Prakash
1997		Captain Jeet Sharma	Incomplete film
1997	''Deewana Mastana''	Prem Kumar	Special appearance
1998		Suraj Khanna	Nominated—Filmfare Award for Best Actor
1998	''Jab Pyaar Kisise Hota Hai''	Suraj Dhanrajgir
1998			Special appearance
1998		Raju
1998	''Kuch Kuch Hota Hai''	Aman Mehra	Extended guest appearanceFilmfare Award for Best Supporting Actor
1999	''Jaanam Samjha Karo''	Rahul
1999	''Biwi No.1''	Prem	Nominated—Filmfare Award for Best Performance in a Comic Role
1999	''Sirf Tum''	Prem	Special appearance
1999	''Hum Dil De Chuke Sanam''	Sameer Rafillini	Nominated—Filmfare Award for Best Actor
1999		Hero
1999	''Hum Saath-Saath Hain: We Stand United''	Prem
2000	''Dulhan Hum Le Jayenge''	Raja Oberoi
2000	''Chal Mere Bhai''	Prem Oberoi
2000	''Har Dil Jo Pyar Karega''	Raj/Romi
2000	''Dhaai Akshar Prem Ke''		Special appearance
2000		Prem Kapoor
2001	''Chori Chori Chupke Chupke''	Raj Malhotra
2002	''Tumko Na Bhool Paayenge''	Veer Singh Thakur/Ali
2002	''Hum Tumhare Hain Sanam''	Suraj
2002	''Yeh Hai Jalwa''	Raj 'Raju' Saxena/Raj Mittal
2003	''Love at Times Square''		Special appearance
2003			Special appearance
2003	''Tere Naam''	Radhe Mohan	Nominated—Filmfare Award for Best Actor
2003		Alok Raj	Special appearanceNominated—Filmfare Award for Best Supporting Actor
2004	''Garv: Pride and Honour''	Inspector Arjun Ranavat
2004	''Mujhse Shaadi Karogi''	Sameer Malhotra
2004	''Phir Milenge''	Rohit Manchanda	Extended guest appearance
2004	''Dil Ne Jise Apna Kahaa''	Rishabh
2005	''Lucky: No Time for Love''	Aditya
2005	''Maine Pyaar Kyun Kiya?''	Dr. Samir Malhotra
2005	''No Entry''	Prem	Nominated—Filmfare Award for Best Performance in a Comic Role
2005	''Kyon Ki''	Anand
2006	''Saawan... The Love Season''	Sameer Sam	Extended guest appearance
2006	''Shaadi Karke Phas Gaya Yaar''	Ayaan
2006	''Jaan-E-Mann''	Suhaan Kapoor
2006		Avinash Kapoor
2007	''Salaam-e-Ishq: A Tribute To Love''	Rahul
2007		Prem Love Guru
2007	''Marigold: An Adventure in India''	Prem	English language film
2007	''Om Shanti Om''	Himself	Special appearance in song "Deewangi Deewangi"
2007	''Saawariya''	Imaan	Extended guest appearance
2008	''God Tussi Great Ho''	Arun Prajapati
2008		Chetan Bhagat	Special appearance
2008		Balkar Singh/Jassvinder Singh
2008	''Yuvvraaj''	Deven Yuvvraaj
2009		Radhe/Rajveer Shikhawat
2009	''Main Aurr Mrs Khanna''	Samir Khanna
2009	''London Dreams''	Mannu (Manjit Khosla)
2009	''Ajab Prem Ki Ghazab Kahani''	Himself	Special appearance
2010		Veer
2010	''Prem Kaa Game''	The Sutradhaar (Narrator)	Special appearance
2010	''Dabangg''	Inspector Chulbul Pandey(Robinhood Pandey)	Nominated—Filmfare Award for Best Actor
2010	''Tees Maar Khan''	Himself	Special appearance in song "Wallah Re Wallah"
2010	''Isi Life Mein''	Himself	Special appearance
2011		Prem Kapoor
2011		Lovely Singh	Nominated—Filmfare Award for Best Actor
2011	''Tell Me O Kkhuda''		Cameo
2011	''Do Aur Do Paanch''		Extended guest appearance
2012	''Ek Tha Tiger''		Filming
2012	''Ishkq In Paris''		Special appearance
2012	''Dabangg 2''	Inspector Chulbul Pandey(Robinhood Pandey)	Filming
2013	''Andaz Apna Apna 3D''	Prem (voice)	Animated Film

Television presenter

''10 Ka Dum'' (Seasons 1 & 2)

''Bigg Boss'' (Seasons 4 & 5)

Writer

''Baaghi: A Rebel for Love'' (1990)

''Veer'' (2010)

Producer

''Chillar Party'' (2011)

See also

List of Indian Actors

List of people from Madhya Pradesh

References

Further reading

External links

Category:1965 births Category:Filmfare Awards winners Category:Indian actors Category:Indian film actors Category:Indian television presenters Category:People from Indore Category:Hindi film actors Category:Living people Category:Scindia School alumni Category:Bigg Boss Category:Indian people of Afghan descent

ar:سلمان خان az:Salman Xan bn:সলমান খান bg:Салман Хан ca:Salman Khan da:Salman Khan de:Salman Khan es:Salman Khan (actor) fr:Salman Khan gu:સલમાન ખાન hi:सलमान ख़ान id:Salman Khan it:Salman Khan he:סלמן ח'אן jv:Salman Khan kn:ಸಲ್ಮಾನ್‌ ಖಾನ್‌ kk:Салман Хан hu:Szalmán Hán ml:സൽമാൻ ഖാൻ mr:सलमान खान ms:Salman Khan no:Salman Khan ps:سلمان خان pl:Salman Khan ru:Хан, Салман si:සල්මන් ඛාන් fi:Salman Khan sv:Salman Khan ta:சல்மான் கான் te:సల్మాన్ ఖాన్ th:ซัลมาน ข่าน tg:Салмонхон uk:Салман Кхан ur:سلمان خان zh:沙萊曼·罕

name	Nusrat Fateh Ali Khan
background	solo_singer
birth name	Pervez Fateh Ali Khan
birth date	October 13, 1948
Birth place	Faisalabad, Punjab, Pakistan
death date	August 16, 1997
Death place	London, England
instrument	Vocals, harmonium
genre	Qawwali, Ghazal, Fusion
occupation	Musician
years active	1965–1997
label	Real World, OSA, EMI, Virgin Records
notable instruments	}}

Nusrat Fateh Ali Khan ( (Shahmukhī)}}) (October 13, 1948 – August 16, 1997), a world-renowned Pakistani musician, was primarily a singer of Qawwali, the devotional music of the Sufis (a mystical tradition within Islam). Considered one of the greatest singers ever recorded, he possessed a six-octave vocal range and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Sufi music to international audiences. He was popularly known as "Shahenshah-e-Qawwali", meaning "The King of Kings of Qawwali".

Born in Faisalabad, Pakistan, Khan had his first public performance at age of 16, at his father's chelum. He officially became the head of the family qawwali party in 1971, and was signed by Oriental Star Agencies (OSA), Birmingham, U.K., in the early 1980s. In subsequent years, Khan released movie scores and albums for various labels in Pakistan, Europe, Japan and the U.S. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist in the process. He toured extensively, performing in over 40 countries.

Biography

Early life and career

Khan was born on October 13, 1948 in the city of Lyallpur (now Faisalabad), Pakistan. He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and Qawwal. Khan's family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Lyallpur. Initially, his father did not want Khan to follow the family's vocation. He had his heart set on Khan choosing a much more respectable career path and becoming a doctor, because he felt Qawwali artists had low social status. However, Khan showed such an aptitude for, and interest in, Qawwali that his father finally relented. Khan began by learning to play tabla alongside his father before progressing to learn ''Raag Vidya'' and ''Bol Bandish''. He then went on to learn to sing within the classical framework of khayal. Khan's training with his father was cut short when his father died in 1964, leaving Khan's paternal uncles, Mubarak Ali Khan and Salamat Ali Khan, to complete his training. His first performance was at a traditional graveside ceremony for his father, known as chehlum, which took place forty days after his father's death.

In 1971, after the death of Mubarak Ali Khan, Khan became the official leader of the family Qawwali party and the party became known as ''Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party''. Khan's first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organised by Radio Pakistan, known as ''Jashn-e-Baharan''. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Braj Bhasha and Hindi. His first major hit in Pakistan was the song ''Haq Ali Ali'', which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Khan's ''sargam'' improvisations.

In 1979, Khan married his first cousin, Naheed (the daughter of Fateh Ali Khan's brother, ''Salamat Ali Khan''); they had one daughter, Nida.

Early in his career, Khan was signed up by Oriental Star Agencies in the U.K. to their Star Cassette Label. OSA sponsored regular concert tours by Khan to the U.K. from the early '80s onwards, and released much of this live material on cassette, CD, videotape and DVD.

Later career

In the 1992–93 academic year, Khan was a Visiting Artist in the Ethnomusicology department at the University of Washington, Seattle.

Khan teamed with Peter Gabriel on the soundtrack to ''The Last Temptation of Christ'' in 1985, with Canadian musician Michael Brook on the albums ''Mustt Mustt'' (1990) and ''Night Song'' (1996), and with Pearl Jam lead singer Eddie Vedder in 1995 on two songs for the soundtrack to ''Dead Man Walking''. One of these songs ("The Long Road") was re-used on the soundtrack for ''Eat Pray Love'' in 2010. Khan also contributed to the soundtrack of ''Natural Born Killers''. He composed the music for the 1994 film ''Bandit Queen'' in collaboration with Roger White.

Peter Gabriel's Real World label later released five albums of Khan's traditional Qawwali, together with some of his experimental work which included the albums ''Mustt Mustt'' and ''Star Rise''. Khan provided vocals for ''The Prayer Cycle'', which was put together by Jonathan Elias, but died before the vocals could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. Khan also collabrated with Michael Brook to create music for the song "Sweet Pain" used in the movie ''Any Given Sunday''. He also performed traditional Qawwali before international audiences at several WOMAD world music festivals and the single "Dam Mast Qalandar" was remixed by electronic trip hop group Massive Attack in 1998.

His album ''Intoxicated Spirit'' was nominated for a Grammy award in 1997 for best traditional folk album.

Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he recorded a song each for two Bollywood films, ''Aur Pyaar Ho Gaya'' (in which he also sang the song onscreen) and ''Kachche Dhaage''. He sang the title song of the film ''Dhadkan''. He also sang "Saya bhi saath jab chhod jaye" for Sunny Deol's movie ''Dillagi''. The song was released in 1999, two years after Khan's death.

Khan contributed the song "Gurus of Peace" to the album ''Vande Mataram'', composed by A. R. Rahman, and released to celebrate the 50th anniversary of India's independence. Rahman, who was a big fan of Khan could not do further songs with him. As a tribute, Rahman later released an album titled ''Gurus of Peace'', which featured "Allah Hoo" by Khan. Rahman's 2007 song "Tere Bina" was also done as a tribute to Khan.

After his death, the song "Solemn Prayer", on which Khan provided vocals, was used on the Peter Gabriel song "Signal to Noise" (on the album ''Up''), and on the soundtrack to the Martin Scorsese film ''Gangs of New York''.

According to the ''Guinness Book of World Records'', Khan Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums as of 2001.

Death

Khan was taken ill with kidney and liver failure on August 11, 1997 in London, England, while on the way to Los Angeles in order to receive a kidney transplant. He died of a sudden cardiac arrest at Cromwell Hospital, London, on Saturday, August 16, 1997, aged 48. His body was returned to Faisalabad, Pakistan, and his funeral was attended by the public.

Composition of Nusrat's qawwali party

The composition of Khan's ensemble, called a "party" (or "Humnawa" in Urdu), changed over its 26 years. Listed below is a snapshot of the party, circa 1983:

#Mujahid Mubarak Ali Khan: Khan's first cousin, vocals #Farrukh Fateh Ali Khan: Khan's brother, vocals and lead harmonium #Rehmat Ali: vocals and second harmonium #Maqsood Hussain: vocals #Rahat Nusrat Fateh Ali Khan: Khan's nephew and pupil, vocals #Dildar Hussain: percussion #Majawar Abbas: mandolin and guitar/chorus, handclapping #Mohammed Iqbal Naqvi: secretary of the party, chorus, handclapping #Asad Ali: chorus, handclapping. Khan's cousin #Ghulam Farid: chorus, handclapping #Kaukab Ali: chorus, handclapping

The one significant member of the party who does not appear on this list is Atta Fareed. For many years, he alternated with Rehmat Ali on vocals and second harmonium. He is easily identifiable in videos since he plays the harmonium left-handed.

This snapshot is non-representative in one respect: harmoniums were usually the only instruments. Only rarely were instruments like mandolin or guitar used.

Awards and titles

Khan is widely considered to be the most important qawwal in history. In 1987, Khan received the President of Pakistan’s Award for Pride of Performance for his contribution to Pakistani music. In 1995 he received the UNESCO Music Prize. In 1996 he was awarded Grand Prix des Amériques at Montreal World Film Festival for exceptional contribution to the art of cinema. In 2005, Khan was awarded the "Legends" award at the UK Asian Music Awards. ''Time'' magazine's issue of November 6, 2006, "60 Years of Asian Heroes", lists him as one of the top 12 artists and thinkers in the last 60 years. He also appeared on NPR's 50 Great Voices list in 2010. In August 2010 he was included in CNN's list of the twenty most iconic musicians from the past fifty years.

Many honorary titles were bestowed upon Khan during his 25-year music career. He was given the title of Ustad after performing classical music at a function in Lahore on his father's death anniversary.

Tributes, legacy and influence

Alexandra A. Seno of ''Asiaweek'' wrote:

Nusrat Fateh Ali Khan's voice was otherworldly. For 25 years, his mystical songs transfixed millions. It was not long enough ... He performed qawali, which means wise or philosophical utterance, as nobody else of his generation did. His vocal range, talent for improvisation and sheer intensity were unsurpassed.

Jeff Buckley cited Khan as a major influence, saying of him "He's my Elvis", and performing the first few minutes of Khan's hit "Yeh Jo Halka Halka Suroor Hai" (including vocals) at live concerts. Many other artists have also cited Khan as an influence, such as A. R. Rahman, Sheila Chandra, and Alim Qasimov.

Paul Williams picked a concert performance by Khan for inclusion in his 2000 book ''The 20th Century's Greatest Hits: a 'top-40' list'', in which he devotes a chapter each to what he considers the top 40 artistic achievements of the 20th century in any field (including art, movies, music, fiction, non-fiction, science-fiction).

In 2008, Khan was listed in 14th position in UGO's list of the best singers of all time.

In 2004, a tribute band called (Brooklyn Qawwali Party) (formerly Brook's Qawwali Party) was formed in New York City by percussionist Brook Martinez to perform the music of Khan. The 13-piece group still performs mostly instrumental jazz versions of Khan's qawwalis, using the instruments conventionally associated with jazz rather than those associated with qawwali.

Films

Documentaries

''Nusrat Fateh Ali Khan: le dernier prophète'' (1996). Directed by Jérôme de Missolz.

''Nusrat has Left the Building... But When?'' (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Khan's early career.)

''A Voice from Heaven'' (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an introduction to Khan's life and work.)

''Samandar Main Samandar'' (2007). A documentary aired on Geo TV detailing Khan's career.

''The King of Qawalli'' (2009). A short film aired on Dawn News about Khan's life and career.

Concert films

''The JVC Video Anthology of World Music and Dance'' (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu`inuddin Chishti. Filmed in Tokyo, Japan, September 20, 1987, for Asian Traditional Performing Arts).

''Nusrat! Live at Meany'' (1998). Produced by the University of Washington. (87-minute recording of a January 23, 1993 concert at Meany Hall, University of Washington in Seattle, during Khan's residency at the Ethnomusicology Program there.)

Live in Concert in the U.K. (DVD, vols. 1–17) [OSA]; recorded between 1983 and 1993; first thirteen listed below:

*Live in Concert in UK (DVD vol. 1)

*Live in Concert (DVD vol. 2)

*Live in Concert (DVD vol. 3)

*Live in UK (DVD vol. 4)

*Live in UK (DVD vol. 5)

*Live in Concert (DVD vol. 6)

*Live in UK (DVD vol. 7)

*Live in UK (DVD vol. 8)

*Live in UK (DVD vol. 9)

*Live in UK (DVD vol. 10)

*Live in UK (DVD vol. 11)

*Digbeth Birmingham 12 November 1983 (DVD vol. 12)

*Digbeth 30 October 1983 (DVD vol. 13)

Akhiyan Udeek Diyan (DVD) [Nupur Audio]

Je Tun Rab Nu Manauna (DVD) [Nupur Audio]

Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Nupur Audio]

Rang-e-Nusrat (DVD, vols. 1–11) [Music Today]; recorded between 1983 and 1993 (same material as the OSA DVDs)

VHS videotapes, vols. 1–21 [OSA]; recorded between 1983 and 1993 (same material as the OSA DVDs)

*Luxor Cinema Birmingham (VHS vol. 1, 1979)

*Digbeth Birmingham (VHS vol. 2, 1983)

*St. Francis Hall Birmingham (VHS vol. 3, 1983)

*Royal Oak Birmingham (VHS vol. 4, 1983)

*Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5)

*Private Mehfil (VHS vol. 6, 1983)

*Natraj Cinema Leicester (VHS vol. 7, 1983)

*Live In Southall (VHS vol. 8)

*Live In Bradford (VHS vol. 9, 1983)

*Live In Birmingham (VHS vol. 10, 1985)

*Allah Ditta Hall (VHS vol. 11, 1985)

*Harrow Leisure Centre (VHS vol. 12)

*University Of Aston (VHS vol. 13, 1988)

*Aston University (VHS vol. 14, 1988)

*WOMAD Festival Bracknell (VHS vol. 15, 1988)

*Live In Paris (VHS vol. 16, 1988)

*Poplar Civic Centre London (VHS vol. 17)

*Imperial Hotel Birmingham (VHS vol. 18, 1985)

*Slough Gurdawara (SHABADS) (VHS vol. 19)

*Imran Khan Cancer Appeal (VHS vol. 20)

*Town Hall Birmingham (VHS vol. 21, 1993)

See also

List of Pakistani musicians

Nusrat Fateh Ali Khan albums

References

Additional reading

Baud, Pierre-Alain. ''Nusrat Fateh Ali Khan, The Messenger of Qawwali''. Editions Demi-Lune, 2008. (A biography of Nusrat)

External links

Article with brief 1993 interview (edwebproject.org)

NPR Audio Report: Nusrat Fateh Ali Khan: The Voice Of Pakistan

Category:1948 births Category:1997 deaths Category:People from Faisalabad Category:Pakistani male singers Category:Pakistani Shi'a Muslims Category:Pakistani qawwali singers Category:Pakistani music educators Category:Performers of Sufi music Category:Punjabi artists Category:Punjabi people Category:Real World artists Category:Nigar Award winners Category:Harmonium players Category:Pakistani film score composers

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