An electronic book (also e-book, ebook, electronic book, digital book) is a book-length publication in digital form, consisting of text, images, or both, and produced on, published through, and readable on computers or other electronic devices. Sometimes the equivalent of a conventional printed book, e-books can also be born digital. The ''Oxford Dictionary of English'' defines the e-book as "an electronic version of a printed book," but e-books can and do exist without any printed equivalent. E-books are usually read on dedicated hardware devices known as ''e-Readers'' or ''e-book devices''. Personal computers and some cell phones can also be used to read e-books.

History

Among the earliest general e-books were those in ''Project Gutenberg,'' in 1971. One early e-book implementation was the desktop prototype for a proposed notebook computer, the ''Dynabook,'' in the 1970s at PARC: a general-purpose portable personal computer capable of displaying books for reading.

Early e-books were generally written for specialty areas and a limited audience, meant to be read only by small and devoted interest groups. The scope of the subject matter of these e-books included technical manuals for hardware, manufacturing techniques and other subjects. In the 1990s, the general availability of the Internet made transferring electronic files much easier, including e-books.

Numerous e-book formats, view comparison of e-book formats, emerged and proliferated, some supported by major software companies such as Adobe with its PDF format, and others supported by independent and open-source programmers. Multiple readers followed multiple formats, most of them specializing in only one format, and thereby fragmenting the e-book market even more. Due to exclusiveness and limited readerships of e-books, the fractured market of independents and specialty authors lacked consensus regarding a standard for packaging and selling e-books. In 2010 e-books continued to gain in their own underground markets. Many e-book publishers began distributing books that were in the public domain. At the same time, authors with books that were not accepted by publishers offered their works online so they could be seen by others. Unofficial (and occasionally unauthorized) catalogs of books became available over the web, and sites devoted to e-books began disseminating information about e-books to the public.

U.S. Libraries began providing free e-books to the public in 1998 through their web sites and associated services, although the e-books were primarily scholarly, technical or professional in nature, and could not be downloaded. In 2003, libraries began offering free downloadable popular fiction and non-fiction e-books to the public, launching an e-book lending model that worked much more successfully for public libraries. The number of library e-book distributors and lending models continued to increase over the next few years. In 2010, a Public Library Funding and Technology Access Study found that 66% of public libraries in the U.S. were offering e-books, and a large movement in the library industry began seriously examining the issues related to lending e-books, acknowledging a tipping point of broad e-book usage. However, many publishers and authors have not endorsed the concept of electronic publishing, citing issues with demand, piracy and proprietary devices.

, new marketing models for e-books were being developed and dedicated reading hardware was produced. E-books (as opposed to ebook readers) have yet to achieve global distribution. In the United States, as of September 2009, the Amazon Kindle model and Sony's PRS-500 were the dominant e-reading devices. By March 2010, some reported that the Barnes & Noble Nook may be selling more units than the Kindle.

On January 27, 2010 Apple Inc. launched a multi-function device called the iPad and announced agreements with five of the six largest publishers that would allow Apple to distribute e-books. The iPad includes a built-in app for e-books called iBooks and the iBooks Store.

In July 2010, online bookseller Amazon.com reported sales of ebooks for its proprietary Kindle outnumbered sales of hardcover books for the first time ever during the second quarter of 2010, saying it sold 140 e-books for every 100 hardcover books, including hardcovers for which there was no digital edition. By January 2011, ebook sales at Amazon had surpassed its paperback sales. In the overall U.S. market, paperback book sales are still much larger than either hardcover or e-book; the American Publishing Association estimated e-books represented 8.5% of sales as of mid-2010, up from 3% a year before. In Canada, the option of ebook publishing took a higher profile when the novel, ''The Sentimentalists'', won the prestigious national Giller Prize. Owing to the small scale of the novel's independent publisher, the book was initially not widely available in printed form, but the ebook edition had no such problems with it becoming the top-selling title for Kobo devices.

Timeline

;1971

Michael S. Hart launches ''Project Gutenberg''.

;1985–1992

Robert Stein starts Voyager Company Expanded Books and books on CD-ROM.

;1992

Charles Stack's Book Stacks Unlimited begins selling new physical books online.

;1993 Zahur Klemath Zapata develops the first software to read digital books. Digital book version 1 and the first digital book is published ''On Murder Considered as one of the Fine Arts'' (Thomas de Quincey).

Digital Book, Inc. offers the first 50 digital books in floppy disk with Digital Book Format (DBF).

Hugo Award for Best Novel nominee texts published on CD-ROM by Brad Templeton.

Bibliobytes, a project of free digital books online in Internet.

;1995

Amazon starts to sell physical books on the Internet.

Online poet Alexis Kirke discusses the need for wireless internet electronic paper readers in his article "The Emuse".

;1996

Project Gutenberg reaches 1,000 titles. The target is 1,000,000.

;1998

Kim Blagg obtained the first ISBN issued to an ebook and began marketing multimedia-enhanced ebooks on CDs through retailers including amazon.com, bn.com and borders.com. Shortly thereafter through her company "Books OnScreen" she introduced the ebooks at the Book Expo America in Chicago, IL to an impressed, but unconvinced bookseller audience.

First ebook Readers: Rocket ebook and SoftBook.

Cybook / Cybook Gen1 Sold and manufactured at first by Cytale (1998–2003) then by Bookeen.

Websites selling ebooks in English, like ''eReader.com'' and ''eReads.com''.

;1999

Baen Books opens up the Baen Free Library.

Webscriptions starts selling unencrypted eBooks.

;2000

Microsoft Reader with ClearType technology.

Stephen King offers his book "Riding the Bullet" in digital file; it can only be read on a computer.

;2001

Todoebook.com, the first website selling ebooks in Spanish.

;2002

Random House and HarperCollins start to sell digital versions of their titles in English.

;2004

Sony Librie with e-ink.

;2005

Amazon buys Mobipocket.

;2006

Sony Reader with e-ink.

LibreDigital launched BookBrowse as an online reader for publisher content.

BooksOnBoard, one of the largest independent ebookstores, opens and sells ebooks and audiobooks in six different formats.

;2007

Amazon launches Kindle in US.

Bookeen launched Cybook Gen3 in Europe.

;2008

Adobe and Sony agreed to share their technologies (Reader and DRM).

Sony sells the Sony Reader PRS-505 in UK and France.

BooksOnBoard is first to sell ebooks for iPhones.

;2009

Bookeen releases the Cybook Opus in the US and in Europe.

Sony releases the Reader Pocket Edition and Reader Touch Edition.

Amazon releases the Kindle 2.

Amazon releases the Kindle DX in the US.

Barnes & Noble releases the Nook in the US.

;2010

Amazon releases the Kindle DX International Edition worldwide.

Bookeen reveals the Cybook Orizon at CES.

TurboSquid Magazine announces first magazine publication using Apple's iTunes LP format, however, this project was cancelled before it reached the market.

Apple releases the iPad with an e-book app called iBooks. Between its release in April 2010, to October, Apple had sold 7 million iPads.

Kobo Inc. releases its Kobo eReader to be sold at Indigo/Chapters in Canada and Borders in the United States.

Amazon.com reported that its e-book sales outnumbered sales of hardcover books for the first time ever during the second quarter of 2010.

Amazon releases the third generation kindle, available in 3G+Wi-Fi and Wi-Fi versions.

Kobo Inc. releases an updated Kobo eReader which now includes Wi-Fi.

Barnes & Noble releases the new NOOKcolor.

Sony releases its second generation Daily Edition PRS-950.

PocketBook expands its successful line of e-readers in the ever-growing market.

Google launches Google eBooks

;2011 Barnes & Noble releases the new Nook - The Simple Touch Reader Amazon.com announces in May that its e-book sales now exceed all of its printed book sales. Bookeen launches its own e-books store : BookeenStore.com and starts to sell digital versions of titles in French.

Formats

There are a variety of e-book formats used to create and publish e-books. A writer or publisher has many options when it comes to choosing a format for production. Every format has its proponents and champions, and debates over which format is best can become intense.

Comparison to printed books

Advantages

Over 2 million free books are available for download as of August 2009. Mobile availability of e-books may be provided for users with a mobile data connection, so that these e-books need not be stored on the device. An e-book can be offered indefinitely, without ever going "out of print". In the space that a comparably sized print book takes up, an e-reader can potentially contain thousands of e-books, limited only by its memory capacity. If space is at a premium, such as in a backpack or at home, it can be an advantage that an e-book collection takes up little room and weight.

E-book websites can include the ability to translate books into many different languages, making the works available to speakers of languages not covered by printed translations. Depending on the device, an e-book may be readable in low light or even total darkness. Many newer readers have the ability to display motion, enlarge or change fonts, use Text-to-speech software to read the text aloud for visually impaired, partially sighted, elderly or dyslectic people, search for key terms, find definitions, or allow highlighting bookmarking and annotation. Devices that utilize E Ink can imitate the look and ease of readability of a printed work while consuming very little power, allowing continuous reading for weeks at time.

While an e-book reader costs much more than one book, the electronic texts are at times cheaper. Moreover, a great share of e-books are available online for free, minus the minimal costs of the electronics required. For example, all fiction from before the year 1900 is in the public domain. Also, libraries lend more current e-book titles for limited times, free samples are available of many publications, and there are other lending models being piloted as well. E-books can be printed for less than the price of traditional new books using new on-demand book printers.

An e-book can be purchased/borrowed, downloaded, and used immediately, whereas when one buys or borrows a book, one must go to a bookshop, a home library, or public library during limited hours, or wait for a delivery. The production of e-books does not consume paper and ink. The necessary computer or e-reader uses less materials. Printed books use 3 times more raw materials and 78 times more water to produce albeit they do not require a machine for use (out of context ) Depending on possible digital rights management, e-books can be backed up to recover them in the case of loss or damage and it may be possible to recover a new copy without cost from the distributor. Compared to printed publishing, it is cheaper and easier for authors to self-publish e-books. Also, the dispersal of a free e-book copy can stimulate the sales of the printed version.

Drawbacks

Ebook formats and file types continue to develop and change through time through advances and developments in technology or the introduction of new proprietary formats. While printed books remain readable for many years, e-books may need to be copied or converted to a new carrier or file type over time. PDF and epub are growing standards, but are not universal.

Not all books are available as e-books. Paper books can be bought and wrapped for a present and a library of books can provide visual appeal, while the digital nature of e-books makes them non-visible or tangible. E-books cannot provide the physical feel of the cover, paper, and binding of the original printed work. An author who publishes a book often puts more into the work than simply the words on the pages. E-books may cause people "to do the grazing and quick reading that screens enable, rather than be by themselves with the author's ideas". They may use the e-books simply for reference purposes rather than reading for pleasure and leisure. Books with large pictures (such as children's books) or diagrams are more inconvenient for viewing and reading.

A book will never turn off and would be unusable only if damaged or after many decades. The shelf life of a printed book exceeds that of an e-book reader, as over time the reader's battery will drain and require recharging. Additionally, "As in the case of microfilm, there is no guarantee that [electronic] copies will last. Bits become degraded over time. Documents may get lost in cyberspace...Hardware and software become extinct at a distressing rate." E-book readers are more susceptible to damage from being dropped or hit than a print book. Due to faults in hardware or software, e-book readers may malfunction and data loss can occur. As with any piece of technology, the reader must be protected from the elements (such as extreme cold, heat, water, etc.), while print books are not susceptible to damage from electromagnetic pulses, surges, impacts, or extreme temperatures.

The cost of an e-book reader far exceeds that of a single book, and e-books often cost the same as their print versions. Due to the high cost of the initial investment in some form of e-reader, e-books are cost prohibitive to much of the world's population. Furthermore, there is no used e-book market, so consumers will neither be able to recoup some of their costs by selling an unwanted title they have finished, nor will they be able to buy used copies at significant discounts, as they can now easily do with printed books. Because of the high-tech appeal of the e-reader, they are a greater target for theft than an individual print book. Along with the theft of the physical device, any e-books it contains also become stolen. E-books purchased from vendors like Amazon or Barnes & Noble.com are stored "in the cloud" on servers and "digital lockers" and have the benefit of being easily retrieved if an e-reading device is lost. Not all e-booksellers are cloud based; if an e-book is stolen, accidentally lost, or deleted, in the absence of a backup it may have to be repurchased.

The display resolutions of reading devices are currently lower than those of printed materials. Because of proprietary formats or lack of file support, formatted e-books may be unusable on certain readers. Additionally, the reader's interaction with the reader may cause discomfort, for example glare on the screen or difficulty holding the device. Due to digital rights management, customers typically cannot resell or loan their e-books to other readers. However, some Barnes & Noble e-books are lendable for two weeks via their 'LendMe' technology. Additionally, the potential for piracy of e-books may make publishers and authors reluctant to distribute digitally. E-book readers require various toxic substances to produce, are non-biodegradable, and the disposal of their batteries in particular raises environmental concerns. As technologies rapidly change and old devices become obsolete, there will be larger amounts of toxic wastes that are not easily biodegradable like paper. Paper products are easily sustainable and reusable, unlike many rare earth minerals that are used up in electronic devices.

A rare or fine book can be an art object with a high monetary value. One can invest in first editions and out of print books. Some books will have a very high resale value. Real paper books can be used to decorate a home or office. Some finely bound, limited edition books can be considered very beautiful. Very old books often have great historical importance, and are one of a kind. Archives can easily store old paper books and documents, unlike e-books.

E-books and software can easily track data, times, usage, pages, and details about what one is reading and how often. Similar to this is the growing amount of data available through Google search engines, Facebook, and through data mining. For the first time in history it is now far easier to track and record what specific people might be reading. The notions of privacy, private writing, solitude, and personal reading are changing.

Reading devices for e-books in a reflowable format such as EPUB may display page numbers, but these numbers change from device to device depending on factors such as the size of the display and the selected font size. This makes them unsuitable for citation purposes. To remedy this problem, Amazon Kindle e-books contain what are called "location numbers", that is, numbers in the margin of the electronic text that indicate where the corresponding page begins in the printed version of the book.

Use of an e-book reader is disallowed on commercial airliners during takeoff and landing.

Digital rights management

Anti-circumvention techniques may be used to restrict what the user may do with an e-book. For instance, it may not be possible to transfer ownership of an e-book to another person, though such a transaction is common with physical books. Some devices can phone home to track readers and reading habits, restrict printing, or arbitrarily modify reading material. This includes restricting the copying and distribution of works in the public domain through the use of "click-wrap" licensing, effectively limiting the rights of the public to distribute, sell or use texts in the public domain freely.

Most e-book publishers do not warn their customers about the possible implications of the digital rights management tied to their products. Generally they claim that digital rights management is meant to prevent copying of the e-book. However in many cases it is also possible that digital rights management will result in the complete denial of access by the purchaser to the e-book. With some formats of DRM, the e-book is tied to a specific computer or device. In these cases the DRM will usually let the purchaser move the book a limited number of times after which they cannot use it on any additional devices. If the purchaser upgrades or replaces their devices eventually they may lose access to their purchase. Some forms of digital rights management depend on the existence of online services to authenticate the purchasers. When the company that provides the service goes out of business or decides to stop providing the service, the purchaser will no longer be able to access the e-book.

As with digital rights management in other media, e-books are more like rental or leasing than purchase. The restricted book comes with a number of restrictions, and eventually access to the purchase can be removed by a number of different parties involved. These include the publisher of the book, the provider of the DRM scheme, and the publisher of the reader software. These are all things that are significantly different from the realm of experiences anyone has had with a physical copy of the book.

Production

Some e-books are produced simultaneously with the production of a printed format, as described in electronic publishing, though in many instances they may not be put on sale until later. Often, e-books are produced from pre-existing hard-copy books, generally by document scanning, sometimes with the use of robotic book scanners, having the technology to quickly scan books without damaging the original print edition. Scanning a book produces a set of image files, which may additionally be converted into text format by an OCR program. Occasionally, as in some e-text projects, a book may be produced by re-entering the text from a keyboard.

As a newer development, sometimes only the electronic version of a book is produced by the publisher. It is even possible to release an e-book chapter by chapter as each chapter is written. This is useful in fields such as information technology where topics can change quickly in the months that it takes to write a typical book (See: Realtime Publishers). It is also possible to convert an electronic book to a printed book by print on demand. However these are exceptions as tradition dictates that a book be launched in the print format and later if the author wishes an electronic version is produced.

As of 2010, there is no industry-wide e-book bestseller list, but various e-book vendors compile bestseller lists, such as those by Amazon Kindle Bestsellers and Fictionwise. Two yearly awards for excellence in e-books are the EPIC eBook Award (formerly EPPIE) given by EPIC, and the Dream Realm Award for science fiction, fantasy and horror e-books. Both awards have been given since 2000.

e-Readers

e-Readers may be specifically designed for that purpose, or intended for other purposes as well. The term is restricted to hardware devices and used to describe a category type.

Specialized devices have the advantage of doing one thing well. Specifically, they tend to have the right screen size, battery lifespan, lighting and weight. A disadvantage of such devices is that they are often expensive when compared to multi-purpose devices such as laptops and PDAs.

In 2010, competition sent the price for the most popular electronic reading devices below USD 200.

Research released in March 2011 indicated that e-books and e-book readers are actually more popular with the older generation than the younger generation in the UK. The survey carried out by Silver Poll found that around 6% of over 55s owned an e-book reader compared with just 5% of 18-24 year olds.

The survey also revealed that the Amazon Kindle is the most popular e-book reader in the UK (47%) followed by the Apple iPad (31%) and the Sony Reader (14%). According to an IDC study from March 2011, sales for all e-book readers worldwide gained to 12.8 millions in 2010; 48% of them were kindle models, followed by Barnes & Noble Nook devices, Pandigital, Hanvon and Sony Readers (about 800,000 units for 2010).

It has been reported that there is a differing level of dissatisfaction amongst owners of different ebook readers due to poor availability of sought after ebook titles. A survey of the number of contemporary and popular titles available from ebook store, revealed that Amazon.com has the largest collection, over twice as large as Barnes and Noble, Sony Reader Store, Apple iBookstore and OverDrive, the public libraries lending system.

eReader applications

Some of the major book retailers have free eReader applications for the PC and Mac desktops as well as iPad, iPhone, Android, and Blackberry devices to allow reading eBooks without their respective devices - Amazon Kindle, Borders Kobo, and Barnes & Noble Nook.

Market Shares

{{bar box |width=300px |title=Quantity Market Shares of e-book sales in US by Goldman Sachs at 2010 |titlebar=#ddd |left1=Sellers |right1=Percent |bars= }}

See also

Comparison of e-book formats

Comparison of e-book readers

Accessible publishing

Blook

Digital edition

EBSCO Publishing

Digital library

Electronic paper

Electronic publishing

Flexible electronics

List of digital library projects

Memory hole

Networked book

Online book

Project Gutenberg

Tablet computer

Web fiction

Ebook awards

Notes

References

Doctorow, Cory (February 12, 2004). Ebooks: Neither E, Nor Books, ''O'Reilly Emerging Technologies Conference''

James, Bradley (November 20, 2002). The Electronic Book: Looking Beyond the Physical Codex, ''SciNet''

Lynch, Clifford (May 28, 2001). The Battle to Define the Future of the Book in the Digital World, ''First Monday - Peer reviewed journal on the Internet''

Pastore, Michael (January 28, 2008). 30 Benefits of Ebooks, ''Epublishers Weekly''

External links

Project Gutenberg

The Online Books Page

About the Google Book Settlement (GBS) and online books (rights)

E-Books Spark Battle Inside Publishing Industry (Washington Post, 27 Dec 2009)

Category:Books by type Category:Electronic publishing Category:Electronic paper technology Category:Web fiction

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Coordinates	40°26′30″N80°00′00″N
name	Amanda Hocking
birth date	July 12, 1984
occupation	Author
genre	Young-adult fiction
subject	Paranormal romance
website	http://amandahocking.blogspot.com/
portaldisp	}}

Amanda Hocking (born July 12, 1984) is an American writer of paranormal romance young-adult fiction.

Career

Hocking lives in Austin, Minnesota. Employed as an assisted living worker until 2010, she wrote 17 novels in her spare time.

In April 2010, she began self-publishing them as e-books. By March 2011, she had sold over a million copies of nine books and earned two million dollars from sales, something previously unheard of for self-published authors. In early 2011, Hocking averaged 9,000 book sales each day.

Work

Hocking's published work, so far entirely self-published, consists of ''My Blood Approves'', a vampire romance series; the ''Trylle Trilogy'', which covers a teenage girl's journey of self-discovery in an urban fantasy setting; and ''Hollowland'', a zombie novel. The ''New York Times'' characterized her novels as "part quirky girl-like-Hocking characters, part breakneck pacing, part Hollywood-style action and part bodice-ripping romance – they are literature as candy, a mash-up of creativity and commerce."

In March 2011, Hocking signed her first conventional publishing contract for four books, at a price of two million dollars, with St. Martin's Press. It concerns a new young-adult paranormal series to be called "Watersong." All three books in her previously self-published Trylle Trilogy have also been sold to St. Martin's Press, and will be released with them in early 2012 with wider distribution.

Bibliography

''My Blood Approves'' series:

:*''My Blood Approves'' (2010) :*''Fate'' (2010) :*''Flutter'' (2010) :*''Wisdom'' (2010) :*''Letters to Elise'' (novella, 2010) :*''Swear'' (2012)

''Trylle Trilogy'':

:*''Switched'' (self published 2010, with St. Martin's January 24, 2012) :*''Torn'' (self published 2010, with St. Martin's February 28, 2012) :*''Ascend'' (self published 2011, with St. Martin's April 24, 2012)

''The Hollows'' series:

:*''Hollowland'' (2010) :*''Hollowmen'' (Fall 2011)

''Virtue'' (2011)

''Watersong'' series: (with St. Martin's)

:*''Wake'' (Fall 2012) :*''Lullaby'' (2013) :*''Tidal'' (TBA) :*''Elegy'' (TBA)

Adaptations

In February 2011 the Trylle Trilogy was optioned for a film, with Terri Tatchell writing the screenplay.

External links

Amanda Hocking's blog and website

Amanda Hocking's Smashwords Author Profile

References

Category:Writers from Minnesota Category:Writers of young adult literature Category:American fantasy writers Category:Women novelists Category:1984 births Category:American romantic fiction writers Category:American bloggers Category:Living people Category:People from Austin, Minnesota

fr:Amanda Hocking pl:Amanda Hocking