The Moors murders were carried out by Ian Brady and Myra Hindley between July 1963 and October 1965, in and around what is now Greater Manchester, England. The victims were five children aged between 10 and 17—Pauline Reade, John Kilbride, Keith Bennett, Lesley Ann Downey and Edward Evans—at least four of whom were sexually assaulted. The murders are so named because two of the victims were discovered in graves dug on Saddleworth Moor; a third grave was discovered on the moor in 1987, more than 20 years after Brady and Hindley's trial in 1966. The body of a fourth victim, Keith Bennett, is also suspected to be buried there, but despite repeated searches it remains undiscovered.
The police were initially aware of only three killings, those of Edward Evans, Lesley Ann Downey and John Kilbride. The investigation was reopened in 1985, after Brady was reported in the press as having confessed to the murders of Pauline Reade and Keith Bennett. Brady and Hindley were taken separately to Saddleworth Moor to assist the police in their search for the graves, both by then having confessed to the additional murders.
See No Evil is part of the adage "see no evil, hear no evil, speak no evil."
See No Evil may also refer to:
See No Evil 2 is a 2014 slasher film directed by the Soska sisters, written by Nathan Brookes and Bobby Lee Darby, produced by Michael Luisi, and starring Danielle Harris, Katharine Isabelle and professional wrestler Kane. It is the sequel to the 2006 See No Evil. Unlike the original, which had a theatrical release, the film was released in 2014 direct to DVD and Blu-ray. The film received mixed to positive reviews, mostly focused on the Soskas' directorial style.
Amy (Danielle Harris) prepares to leave from her job at the city morgue while Seth (Kaj-Erik Eriksen) and their boss Holden (Michael Eklund) work the graveyard shift. As Amy is leaving to meet friends at a bar for her birthday, Holden receives news that a number of bodies are being delivered, the victims of a mass murder committed by Jacob Goodnight (Kane) at the Blackwell Hotel. Amy decides to cancel her plans and help her colleagues with the deliveries. Amy and Seth process the corpses, including that of Goodnight. As Amy leaves Seth to finish the work, she is surprised to find Holden has allowed her friends Tamara (Katharine Isabelle), Kayla (Chelan Simmons), Carter (Lee Majdoub) and her brother Will (Greyston Holt) to throw a birthday party in the morgue. During the party, Will warns Seth to stay away from Amy, believing she deserves better than him, causing Seth to leave the party and return to work. Will tells Amy of his disapproval of her dropping out of Med School to work in the morgue, angering Amy, who also leaves the party.
"See No Evil" is the second episode of the second season of the American police drama television series Homicide: Life on the Street, and the eleventh overall episode of the series. It originally aired on NBC in the United States on January 13, 1994. In the episode, Felton's friend kills his father in an assisted suicide, and Felton tries to convince Lewis to look the other way. In a subplot, Pembleton investigates what appears to be the police shooting of an unarmed suspect.
The episode was directed by Chris Menaul and written by series creator Paul Attanasio. Wilford Brimley made a guest appearance as Harry Prentice, an ill and bed-ridden man who convinces his son to help him kill himself. Attanasio deliberately wrote the script so it would be morally questionable whether police handling of both the suicide and the police shooting were done in an ethically correct way. Pembleton's investigation was based on a real-life investigation into a suspicious shooting featured in David Simon's non-fiction book Homicide: A Year on the Killing Streets, on which the Homicide series was based.
See No Evil: The Moors Murders is a British two-part television serial directed by Christopher Menaul. It was produced by Granada Television and broadcast on ITV during May 2006. It tells the story of the Moors murders, which were committed during the 1960s by Myra Hindley and Ian Brady, from the view of Hindley's sister Maureen Smith and her husband David.
The film is the first known dramatisation of the notorious killing spree. It was produced to mark the 40th anniversary of Hindley and Brady's trial. It was made with the full backing of the victims' families, and was based on two years research, including interviews with detectives, relatives of the murdered children, and Hindley's brother-in-law David Smith.
The only murder which featured in the serial was the final murder: that of 17-year-old Edward Evans at Hindley and Brady's house in Hattersley. However, the investigation into the disappearance of the four other victims was mentioned on several occasions earlier in the film, particularly that of 12-year-old John Kilbride (the second victim).
The Moors were Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily, and Malta during the Middle Ages. The Moors were initially of Berber and Arab descent, though the term was later applied to Africans, Iberian Christian converts to Islam, and people of mixed ancestry.
In 711 the Moors invaded the Iberian Peninsula from North Africa and called the territory Al-Andalus, which at its peak included most of modern-day Spain, Portugal, and Septimania. The Moors occupied Mazara on Sicily in 827, developing it as a port, and they eventually consolidated the rest of the island and some of southern Italy. Differences in religion and culture led to a centuries-long conflict with the Christian kingdoms of Europe, which tried to reclaim control of Muslim areas; this conflict was referred to as the Reconquista. In 1224 the Muslims were expelled from Sicily to the settlement of Lucera, which was destroyed by European Christians in 1300. The fall of Granada in 1492 marked the end of Muslim rule in Iberia, although a Muslim minority persisted until their expulsion in 1609.
Moor may refer to:
lyrics by Harry Conklin
On the fields of our fathers land
Marsh green pride of ENGLAND
On the moors our fathers rest
Their tales are not forgotten
In the days of kings and honor
knights defended pure hearts
On the fields where our fathers rest
Their tales are boldly spoken (LISTEN)
Bend your ear in amazement
Hear this tale from long ago
Of magic and of madmen
loves tangled web of woe
One shining knight in silver
Intentions pure as gold
One maiden fair as moonlight
Dressed in royal robes
On the fields of our fathers land
Marsh green pride of ENGLAND
On the moors our fathers rest
Their tales are not forgotten
On these fields pure love is sought
Yet vengeance has it's cruelty
The search for truth and honor
Is blinded by a beauty
The lady of the lake holds the power of a nation
A sword of valor held high above all else
A royal maiden cries out her song of longing
Longing for her shining knight to take her to the stars
On these fields of green they lay
Entwined in lovers union
A brave knight knowing nothing more
Than following his heart
When the MOORS sing out their story
A kings heart will be broken
Broken by a lifelong friend
And his bride they call the queen of wales
Hold true to your heart
Hold true to your soul
Hold true to your country men
Hold true and never falter
Love will conquer all
History has proved
Kings and kingdoms crumble
On the soft green MOORS of ENGLAND
O'er the kings round table
Jealousy rears its head
Honor has no place this night
The kings heart is filled with dread
Excaliber the sword of truth
Penetrates the soul
It leaves a wound that never heals
Now the queen will pay with her very soul
A gallant knight will fight this day
For queen and for honor
Gladly ending all the strife
Between a queen and king
Once Morgana's spell is broken
By this shining knight in silver
Trading life's blood for his honor