An image (from ) is an artifact, for example a two-dimensional picture, that has a similar appearance to some subject—usually a physical object or a person.

Characteristics

Images may be two-dimensional, such as a photograph, screen display, and as well as a three-dimensional, such as a statue or hologram. They may be ''captured'' by optical devices—such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water surfaces.

The word ''image'' is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, or an abstract painting. In this wider sense, images can also be ''rendered'' manually, such as by drawing, painting, carving, rendered automatically by printing or computer graphics technology, or developed by a combination of methods, especially in a pseudo-photograph.

A volatile image is one that exists only for a short period of time. This may be a reflection of an object by a mirror, a projection of a camera obscura, or a scene displayed on a cathode ray tube. A fixed image, also called a hard copy, is one that has been recorded on a material object, such as paper or textile by photography or digital processes.

A mental image exists in an individual's mind: something one remembers or imagines. The subject of an image need not be real; it may be an abstract concept, such as a graph, function, or "imaginary" entity. For example, Sigmund Freud claimed to have dreamed purely in aural-images of dialogs. The development of synthetic acoustic technologies and the creation of sound art have led to a consideration of the possibilities of a sound-image made up of irreducible phonic substance beyond linguistic or musicological analysis.

A still image is a single static image, as distinguished from a kinetic image (see below). This phrase is used in photography, visual media and the computer industry to emphasize that one is not talking about movies, or in very precise or pedantic technical writing such as a standard.

A film still is a photograph taken on the set of a movie or television program during production, used for promotional purposes.

Moving image

A ''moving image'' is typically a movie (film), or video, including digital video. It could also be an animated display such as a zoetrope.

See also

Animation

Cinematography

Computer animation

Computer-generated imagery

Digital image

Digital imaging

Film

Fine art photography

Painting

Photograph

Photography

Video

External links

The B-Z Reaction: The Moving or the Still Image?

FACE: Friends of Active Copyright Education

Library of Congress - Format Descriptions for Still Images

Image Processing - Online Open Research Group

Category:Photography Category:Digital photography Category:Computer graphics Category:Graphic design Category:Vision

ar:صورة da:Billede de:Abbild es:Imagen et:Pilt eo:Bildo fa:تصویر fr:Image ga:Íomhá hi:प्रतिबिम्ब io:Imajo id:Citra it:Immagine ka:სურათი lv:Attēls hu:Kép ja:画像 ko:상 (시각) mn:Зураг no:Bilde pt:Imagem ru:Образ (информация) simple:Picture fi:Kuva ta:படிமம் te:చిత్రం tg:Акс uk:Картина yi:בילד zh:图像 tr:görüntü

name	David Bowie
background	solo_singer
birth name	David Robert Jones
birth date	January 08, 1947
birth place	Brixton, London, England
occupation	Musician, singer-songwriter,record producer, actor
years active	1964–present
instrument	Vocals, guitar, saxophone, piano, keyboards, harpsichord, synthesizer, mellotron, harmonica, koto, drums, vibraphone, viola, cello
genre	Rock, glam rock, art rock, pop
associated acts	The Riot Squad, Arnold Corns, Tin Machine, The Hype, The Lower Third, The Konrads, Iggy Pop, Brain Eno
label	Deram, RCA, Virgin, EMI, ISO, Columbia, BMG, Pye
website	davidbowie.com }}

David Bowie ( ; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s. He is known for his distinctive voice and the intellectual depth and eclecticism of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars''. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album ''Young Americans'', which the singer characterised as "plastic soul". The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album ''Low'' (1977)—the first of three collaborations with Brian Eno over the next two years. The so-called "Berlin Trilogy" albums all reached the UK top five and garnered lasting critical praise.

After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album ''Scary Monsters (and Super Creeps)'', and "Under Pressure", a 1981 collaboration with Queen. He then reached a new commercial peak in 1983 with ''Let's Dance'', which yielded several hit singles. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. His last recorded album was ''Reality'' (2003), which was supported by the 2003–04 Reality Tour.

Buckley says of Bowie: "His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure." In the BBC's 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums. In the UK, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the US, five Platinum and seven Gold certifications. In 2004, ''Rolling Stone'' ranked him 39th on their list of the "100 Greatest Artists of All Time", and 23rd on their list of the best singers of all-time.

Biography

1947–62: early years

David Bowie was born David Robert Jones in Brixton, London, on 8 January 1947. His mother, Margaret Mary "Peggy" (née Burns), of Irish descent, worked as a cinema usherette, while his father, Haywood Stenton "John" Jones was a promotions officer for Barnardo's. The family lived at 40 Stansfield Road, located near the border of the south London areas of Brixton and Stockwell. A neighbour recalled that "London in the forties was the worst possible place, and the worst possible time for a child to grow up in." Bowie attended Stockwell Infants School until he was six years old, acquiring a reputation as a gifted and single-minded child—and a defiant brawler.

In 1953 the family moved to the suburb of Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including Frankie Lymon and the Teenagers, The Platters, Fats Domino, Elvis Presley and Little Richard. Upon listening to "Tutti Frutti", Bowie would later say, "I had heard God". Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as "mesmerizing ... like someone from another planet." Failing his eleven plus exam at the conclusion of his Burnt Ash Junior education, Bowie joined Bromley Technical High School.

It was an unusual technical school, as biographer Christopher Sandford writes:

Bowie studied art, music, and design, including layout and typesetting. After Terry Burns, his half-brother, introduced him to modern jazz, his enthusiasm for players like Charles Mingus and John Coltrane led his mother to give him a plastic alto saxophone in 1961; he was soon receiving lessons from a local musician. He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–68: the Konrads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall. "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by The Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie renamed himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, ''David Bowie'', an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years.

Bowie's fascination with the bizarre was fuelled when he met dancer Lindsay Kemp: "He lived on his emotions, he was a wonderful influence. His day-to-day life was the most theatrical thing I had ever seen, ever. It was everything I thought Bohemia probably was. I joined the circus." Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." Studying the dramatic arts under Kemp, from avant-garde theatre and mime to commedia dell'arte, Bowie became immersed in the creation of personae to present to the world. Satirising life in a British prison, meanwhile, the Bowie-penned "Over the Wall We Go" became a 1967 single for Oscar; another Bowie composition, "Silly Boy Blue", was released by Billy Fury the following year. After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–73: psychedelic folk to glam rock

''Space Oddity'' to ''Hunky Dory''

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, ''Love You till Tuesday'', was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Breaking up with Farthingale shortly after completion of the film, Bowie moved in with Mary Finnigan as her lodger. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. This soon morphed into the Beckenham Arts Lab, and became extremely popular. The Arts Lab hosted a free festival in a local park, later immortalised by Bowie in his song "Memory of a Free Festival". "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, ''Space Oddity'', followed in November; originally issued in the UK as ''David Bowie'', it caused some confusion with its predecessor of the same name, and the early US release was instead titled ''Man of Words/Man of Music''. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release.

Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". The shortcoming was underlined by his artistic rivalry with Marc Bolan, who was at the time acting as his session guitarist. A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. Known as The Hype, the band members created characters for themselves and wore elaborate costumes that prefigured the glam style of The Spiders From Mars. After a disastrous opening gig at the London Roundhouse, they reverted to a configuration presenting Bowie as a solo artist. Their initial studio work was marred by a heated disagreement between Bowie and Cambridge over the latter's drumming style; matters came to a head when Bowie, enraged, accused, "You're fucking up my album." Cambridge summarily quit and was replaced by Mick Woodmansey. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries.

The studio sessions continued and resulted in Bowie's third album, ''The Man Who Sold the World'' (1970). Characterised by the heavy rock sound of his new backing band, it was a marked departure from the acoustic guitar and folk rock style established by ''Space Oddity''. To promote it in the United States, Mercury Records financed a coast-to-coast publicity tour in which Bowie, between January and February 1971, was interviewed by radio stations and the media. Exploiting his androgynous appearance, the original cover of the UK version unveiled two months later would depict the singer wearing a dress: taking the garment with him, he wore it during interviews—to the approval of critics, including ''Rolling Stone''s John Mendelsohn who described him as "ravishing, almost disconcertingly reminiscent of Lauren Bacall"—and in the street, to mixed reaction including laughter and, in the case of one male pedestrian, producing a gun and telling Bowie to "kiss my ass". During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". A girlfriend recalled his "scrawling notes on a cocktail napkin about a crazy rock star named Iggy or Ziggy", and on his return to England he declared his intention to create a character "who looks like he's landed from Mars".

''Hunky Dory'' (1971) found Visconti, Bowie's producer and bassist, supplanted in both roles, by Ken Scott and Trevor Bolder respectively. The album saw the partial return of the fey pop singer of "Space Oddity", with light fare such as "Kooks", a song written for his son, Duncan Zowie Haywood Jones, born on 30 May. (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word ''zoe'', life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time but was ranked No.16 by voters in the All Time Top 1000 Albums.

''Ziggy Stardust''

With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". Dressed in a striking costume, his hair dyed red, Bowie launched his Ziggy Stardust stage show with the Spiders from Mars—Ronson, Bolder and Woodmansey—at the Toby Jug pub in Tolworth on 10 February 1972. The show was hugely popular, catapulting him to stardom as he toured the UK over the course of the next six months and creating, as described by Buckley, a "cult of Bowie" that was "unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." ''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972), combining the hard rock elements of ''The Man Who Sold the World'' with the lighter experimental rock and pop of ''Hunky Dory'', was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July ''Top of the Pops'' performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old ''Hunky Dory''. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Lou Reed's 1972 solo breakthrough ''Transformer'', co-producing the album with Mick Ronson. His own ''Aladdin Sane'' (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. ''Aladdin Sane'' spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both ''Ziggy Stardust'' and ''Aladdin Sane'', were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film ''Ziggy Stardust and the Spiders from Mars''.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: ''The Man Who Sold the World'' had been re-released in 1972 along with ''Space Oddity''. "Life on Mars?", from ''Hunky Dory'', was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. ''Pin Ups'', a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–76: soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. ''Diamond Dogs'' (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's ''1984'' to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, ''Cracked Actor'', featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, ''David Live'', ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". ''David Live'' nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was ''Young Americans'' (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. ''Young Americans'' yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Lennon would call Bowie's work as "great, but just rock and roll with lipstick on". Earning the distinction of being one of the first white artists to appear on the US variety show ''Soul Train'', Bowie mimed "Fame", as well as "Golden Years", his October single, and that it was offered to Elvis Presley to perform, but Presley declined it. ''Young Americans'' was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US. Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of ''Ziggy Stardust'' alone), existed essentially on loose change." In 1975, in a move echoing Ken Pitt's acrimonious dismissal five years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door." Michael Lippman, Bowie's lawyer during the negotiations, became his new manager; Lippman in turn would be awarded substantial compensation when Bowie fired him the following year.

''Station to Station'' (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film ''The Man Who Fell to Earth'' the same year. Developing the funk and soul of ''Young Americans'', ''Station to Station'' also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree.

''Station to Station''s January 1976 release was followed in February by a three-and-a-half-month concert tour of Europe and North America. Featuring a starkly lit set, the Isolar – 1976 Tour highlighted songs from the album, including the dramatic and lengthy title track, the ballads "Wild Is the Wind" and "Word on a Wing", and the funkier "TVC 15" and "Stay". The core band that coalesced around this album and tour—rhythm guitarist Alomar, bassist George Murray, and drummer Dennis Davis—would continue as a stable unit for the remainder of the 1970s. The tour was highly successful but mired in political controversy. Bowie was quoted in Stockholm as saying that "Britain could benefit from a Fascist leader", and detained by customs on the Russian/Polish border for possessing Nazi paraphernalia. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in ''NME''. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in ''The Times'', "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–79: the Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Iggy Pop, with Bowie as a co-writer and musician, completed his solo album debut, ''The Idiot'', and its follow-up, ''Lust for Life'', touring the UK, Europe, and the US in March and April 1977. ''Low'' (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, ''Low'' yielded the UK number three single "Sound and Vision", and its own performance surpassed that of ''Station to Station'' in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described ''Low'' as "a work of genius" in 1992, when he used it as the basis for his ''Symphony No. 1 "Low"''; subsequently, Glass used Bowie's next album as the basis for his 1996 ''Symphony No. 4 "Heroes"''. Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing ''Low''s minimalist, instrumental approach, the second of the trilogy, ''"Heroes"'' (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like ''Low'', ''"Heroes"'' evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show ''Marc'', and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing ''Low'' and ''"Heroes"'', Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album ''Stage'', released the same year.

The final piece in what Bowie called his "triptych", ''Lodger'' (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's ''Sergeant Pepper'' [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." ''Lodger'' reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–89: from superstar to megastar

''Scary Monsters (and Super Creeps)'' (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While ''Scary Monsters'' utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Robert Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in ''The Elephant Man''. The same year, he made a cameo appearance in the German film ''Christiane F.'', a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as ''Christiane F.'' a few months later.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play ''Baal''. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as ''David Bowie in Bertolt Brecht's Baal''. In March 1982, the month before Paul Schrader's film ''Cat People'' came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with ''Let's Dance''. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film ''From Here to Eternity''), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. ''Let's Dance'' was followed by the Serious Moonlight Tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The world tour lasted six months and was extremely popular. Stevie Ray Vaughan was guest guitarist playing solo on "Let's Dance".

''Tonight'' (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Mick Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of ''The Falcon and the Snowman''. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film ''Absolute Beginners''. It was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film ''Labyrinth'', for which he wrote five songs. His final solo album of the decade was 1987's ''Never Let Me Down'', where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting ''Never Let Me Down'', and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–91: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, whom Bowie had known since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album ''Lust For Life''.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, ''Tin Machine'' (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. Tin Machine's first world tour was a commercial success, but there was growing reluctance—among fans and critics alike—to accept Bowie's presentation as merely a band member. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. ''Tin Machine II''s arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of four ancient nude Kouroi statues, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album ''Tin Machine Live: Oy Vey, Baby'' failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–99: electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced ''Black Tie White Noise''. Making prominent use of electronic instruments, the album, which reunited Bowie with ''Let's Dance'' producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on ''The Buddha of Suburbia'' (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in ''Black Tie White Noise'', and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial ''Outside'' (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, ''Earthling'' (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film ''Showgirls'' was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US ''Billboard'' Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for ''The Rugrats Movie''. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.

1999–present: neoclassicist Bowie

Bowie created the soundtrack for ''Omikron'', a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album '''Hours...''' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album ''Toy'', intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions was the 2002 album ''Heathen''. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of ''Heathen'', and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual ''Meltdown'' festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's ''Low'' era. ''Reality'' (2003) followed, and its accompanying world tour, the A Reality Tour, with an estimated attendance of 722,000, grossed more than any other in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

Since recuperating from the heart surgery, Bowie has reduced his musical output, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film ''Shrek 2''. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the film ''Stealth''. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album ''Return to Cookie Mountain'', made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album ''No Balance Palace''.

Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive, a performance that marks the last time Bowie performed his music on stage.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, ''Anywhere I Lay My Head''. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. ''A Reality Tour'', a double album of live material from the 2003 concert tour, was released in January 2010.

In late March 2011, ''Toy'', Bowie's previously unreleased album from 2001, was leaked onto the internet, containing material used for ''Heathen'' and most of its single B-sides, as well as unheard new versions of his early back catalogue.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says, "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production ''Pierrot in Turquoise'' (later made into the 1970 television film ''The Looking Glass Murders''). In the black-and-white short ''The Image'' (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel ''The Virgin Soldiers'' saw Bowie make a brief appearance as an extra. Bowie starred in ''The Hunger'' (1983), a revisionist vampire film, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, ''Merry Christmas, Mr. Lawrence'', based on Laurens van der Post's novel ''The Seed and the Sower'', Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Bowie had a cameo in ''Yellowbeard'', a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film ''Into the Night''. He declined to play the villain Max Zorin in the James Bond film ''A View to a Kill'' (1985).

''Absolute Beginners'' (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy ''Labyrinth'' found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film ''The Last Temptation of Christ''. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in ''The Linguini Incident'' (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's ''Twin Peaks: Fire Walk with Me'' (1992). He took a small but pivotal role as Andy Warhol in ''Basquiat'', artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's Spaghetti Western ''Il Mio West'' (1998, released as ''Gunslinger's Revenge'' in the US in 2005) as the most feared gunfighter in the region. He played the ageing gangster Bernie in Andrew Goth's ''Everybody Loves Sunshine'' (1999), and appeared in the TV horror serial of ''The Hunger''. In ''Mr. Rice's Secret'' (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in ''Zoolander''.

Bowie portrayed physicist Nikola Tesla in the Christopher Nolan film, ''The Prestige'' (2006), which was about the bitter rivalry between two magicians in the late 19th century. He voice-acted in the animated film ''Arthur and the Invisibles'' as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the ''SpongeBob's Atlantis SquarePantis'' television film. In the 2008 film ''August'', directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for ''The Man Who Fell to Earth''.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Michael Watts of ''Melody Maker'' in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust.

In a 1983 interview with ''Rolling Stone'', Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by ''Blender'' whether he still believed his public declaration was the biggest mistake he ever made, he replied: }}

Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women."

Musicianship

From the time of his earliest recordings in the 1960s, Bowie has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, ''David Bowie'' (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop.

Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historian Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, ... Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. ... The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced ... has created perhaps the biggest cult in popular culture. ... His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996. Through perpetual reinvention, he has seen his influence continue to broaden and extend: music reviewer Brad Filicky writes that over the decades, "Bowie has become known as a musical chameleon, changing and dictating trends as much as he has altered his style to fit", influencing fashion and pop culture.". Biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film ''The Man Who Fell to Earth'', he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the royal honour of Commander of the British Empire in 2000, and turned down a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 250 million albums. In the United Kingdom, he has been awarded 9 Platinum, 11 Gold and 8 Silver albums, and in the United States, 5 Platinum and 7 Gold. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, ''Rolling Stone'' magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time. Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

''David Bowie'' (1967)

''Space Oddity'' (1969)

''The Man Who Sold the World'' (1970)

''Hunky Dory'' (1971)

''The Rise and Fall of Ziggy Stardust and the Spiders from Mars'' (1972)

''Aladdin Sane'' (1973)

''Pin Ups'' (1973)

''Diamond Dogs'' (1974)

''Young Americans'' (1975)

''Station to Station'' (1976)

''Low'' (1977)

''"Heroes"'' (1977)

''Lodger'' (1979)

''Scary Monsters (and Super Creeps)'' (1980)

''Let's Dance'' (1983)

''Tonight'' (1984)

''Never Let Me Down'' (1987)

''Black Tie White Noise'' (1993)

''Outside'' (1995)

''Earthling'' (1997)

'''Hours...''' (1999)

''Heathen'' (2002)

''Reality'' (2003)

Filmography

As Actor

{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Film ! style="background:#B0C4DE;" | Role ! style="background:#B0C4DE;" | Notes |- | 1967 | ''The Image'' | The Boy | short film |- | 1969 | ''The Virgin Soldiers'' | Soldier |(extra) |- | 1970 | ''Pierrot in Turquoise or The Looking Glass Murders'' | Cloud | television film |- | 1976 | ''The Man Who Fell to Earth'' | Thomas Jerome Newton | Saturn Award for Best Actor |- | 1978 | ''Just a Gigolo'' | Paul Ambrosius von Przygodski | |- | 1981 | ''Christiane F. (''Wir Kinder vom Bahnhof Zoo)'' | Himself | cameo |- |rowspan="2"| 1982 | ''The Snowman'' | Narrator | re-released version |- | ''Baal'' | Baal | television film |- |rowspan="3"| 1983 | ''Merry Christmas, Mr. Lawrence'' | Maj. Jack 'Strafer' Celliers | |- | ''The Hunger'' | John | |- | ''Yellowbeard'' | The Shark | cameo (uncredited) |- | 1985 | ''Into the Night'' | Colin Morris | cameo |- |rowspan="2"| 1986 | ''Labyrinth'' | Jareth the Goblin King | |- | ''Absolute Beginners'' | Vendice Partners | |- | 1988 | ''The Last Temptation of Christ'' | Pontius Pilate | cameo |- | 1991 | ''The Linguini Incident'' | Monte | |- | 1991 | ''Twin Peaks: Fire Walk with Me'' | Phillip Jeffries | cameo |- | 1996 || ''Basquiat'' || Andy Warhol || |- | 1998 || ''Gunslinger's Revenge'' (''Il mio West'') || Jack Sikora || |- | 1999 || ''Everybody Loves Sunshine'' || Bernie || |- | 2000 || ''Mr. Rice's Secret'' || William Rice || |- | 2001 || ''Zoolander'' || Himself || cameo (nominated for MTV Movie Award) |- | 2006 || ''The Prestige'' || Nikola Tesla || |- | 2007 || ''Arthur and the Invisibles'' || Emperor Maltazard || voice: English version |- | 2008 || ''August'' || Cyrus Ogilvie || cameo |- | 2008 || ''Spongebob Squarepants'' || L.R.H || guest voice |- | 2009 || ''Bandslam'' || Himself || cameo |- |}

As Musician

''Ziggy Stardust and the Spiders from Mars: The Motion Picture'' (1983) (VHS, DVD in 2003)

''Love You Till Tuesday'' (1984) (VHS, DVD in 2005)

''Serious Moonlight'' (1984) (VHS, unofficial DVD in 1999, official DVD in 2006)

''Glass Spider'' (1988) (VHS, unofficial DVD as ''Glass Spider Tour'' in 2001, official DVD in 2007)

''Bowie – The Video Collection'' (1993) (VHS)

''Black Tie White Noise'' (1993) (VHS, DVD in 2005)

''Best of Bowie'' (2002) (DVD)

''A Reality Tour'' (2004) (DVD)

As Producer

''Büvös vadász'' (1994) (... aka Magic Hunter)

''Passaggio per il paradiso'' (1998) (... aka Gentle Into the Night, ... aka Passage to Paradise)

''Scott Walker: 30 Century Man'' (2006)

Documentaries

''Love You Till Tuesday'' (1969) (as the subject, short)

''Ziggy Stardust and the Spiders from Mars'' (1973) (as the subject, documentary/concert film)

''Cracked Actor'' (1974) (as the subject, BBC)

''Group Madness'' (1983)

''Cool Cats: Twenty-Five Years of Rock 'N' Roll Style'' (1983)

''Queen: The Magic Years'' (1987)

''Imagine: John Lennon'' (1988)

''Superstar: The Life and Times of Andy Warhol'' (1990)

''Travelling Light'' (1992)

''Inspirations'' (1997)

''Lou Reed: Rock and Roll Heart'' (1998)

''Mayor of the Sunset Strip'' (2003)

See also

Best selling music artists

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Notes

References

Further reading

Trynka Paul, ''Starman: David Bowie – The Definitive Biography'', Little, Brown Book Group Limited, 2011

Cann, David, ''Any Day Now: David Bowie the London Years 1947–1974'', Kenneth Pitt in Books, 2011

Jacke, Andreas, ''David Bowie – Station To Station'', Psychosozial- Verlag, 2011

Seabrook, Thomas Jerome, ''Bowie in Berlin: A New Career in a New Town'', Jawbone Press, 2008.

Spitz, Marc, ''Bowie: A Biography'', Crown Publishers, 2009.

Tremlett, George, ''David Bowie: Living on the Brink'', Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", ''The Aesthetics of Self-Invention: Oscar Wilde to David Bowie'', University of Minnesota Press, 2004.

Welch, Chris, ''David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song'', Da Capo Press, 1999.

Wilcken, Hugo, ''33⅓: David Bowie's'' Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Documentary Film - David Bowie: Sound and Vision

Bowieart – paintings, printmakings, etc.

Category:1947 births Category:Actors from London Category:Bisexual actors Category:Bisexual musicians Category:Brit Award winners Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres Category:Decca Records artists Category:EMI Records artists Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT people from England Category:Living people Category:Musicians from London Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Singers from London Category:Saturn Award winners Category:Virgin Records artists Category:Androgyny Category:Tin Machine members

az:Devid Boui be:Дэвід Боўі bg:Дейвид Боуи bs:David Bowie br:David Bowie ca:David Bowie cs:David Bowie co:David Bowie cy:David Bowie da:David Bowie de:David Bowie et:David Bowie el:Ντέιβιντ Μπόουι es:David Bowie eo:David Bowie eu:David Bowie fa:دیوید بویی fr:David Bowie ga:David Bowie gl:David Bowie ko:데이비드 보위 hi:डेविड बोवी hr:David Bowie io:David Bowie id:David Bowie is:David Bowie it:David Bowie he:דייוויד בואי jv:David Bowie ka:დევიდ ბოუი lv:Deivids Bovijs lt:David Bowie li:David Bowie hu:David Bowie mk:Дејвид Боуви nl:David Bowie ja:デヴィッド・ボウイ no:David Bowie nn:David Bowie oc:David Bowie uz:David Bowie pms:David Bowie pl:David Bowie pt:David Bowie ro:David Bowie ru:Боуи, Дэвид sq:David Bowie scn:David Bowie simple:David Bowie sk:David Bowie sl:David Bowie sr:Дејвид Боуи sh:David Bowie fi:David Bowie sv:David Bowie te:డేవిడ్ బౌవీ th:เดวิด โบวี tr:David Bowie uk:Девід Боуї vi:David Bowie vls:David Bowie zh-yue:大衛寶兒 zh:大卫·鲍伊

Name	Trey Songz
Background	solo_singer
Birth name	Tremaine Aldon Neverson
Alias
Birth date	November 28, 1984
Birth place	Petersburg, Virginia,
Instrument	Vocals, keyboards, sampler
Genre	R&B;, hip hop
Occupation	Singer-songwriter, record producer, actor
Years active	2004–present
Label	Atlantic, Songbook
Associated acts	Drake, Troy Taylor, Twista, Juvenile, Bun B, Rick Ross, Plies
Website	www.treysongz.com }}

Tremaine "Trey" Aldon Neverson (born November 28, 1984), better known by his stage name Trey Songz, is an American singer-songwriter, rapper, record producer and actor. His debut album, ''I Gotta Make It'', was released in 2005, while his second album, ''Trey Day'', was released in 2007. His third album, ''Ready'', was released in 2009 while his fourth studio album, ''Passion, Pain & Pleasure'', was released on September 14, 2010.

Life and career

1984–2004: Early life and career beginnings

Songz was born Tremaine Aldon Neverson on November 28, 1984, in Petersburg, Virginia. Raised as a military brat, Songz did not have aspirations to have a musical career as a child due to his shyness, saying "Singing wasn't a reality for me, until other people started noticing I sounded good." He recognized his vocal abilities at the age of 14. Reluctant to sing, he began performing with encouragement by friends and family in high school. Record producer Troy Taylor discovered Songz during a talent show in 2000, which led him to signing a recording contract with Atlantic Records in 2002. After graduating from high school in 2002, Songz moved to New Jersey to begin recording his debut album, though recording didn't actually begin until 2003.

2004–2008''I Gotta Make It'' and ''Trey Day''

While recording his debut album in 2004, Songz released multiple mixtapes under the alias ''Prince of Virginia''. One of the mixtapes featured an "answer track" to R. Kelly's "Trapped in the Closet", entitled "Open the Closet". The song gave Trey some notoriety. His debut album, ''I Gotta Make It'' was released on July 26, 2005. It debuted at #20 on the ''Billboard'' 200, selling 40,000 copies in its first week of sales. It has sold 300,000 records in the US, but was never certified by the RIAA. Songz's debut single, ''Gotta Make It'', featuring Twista, was released in March 2005 and reached #87 on the ''Billboard'' Hot 100 and #21 on the Hot R&B;/Hip-Hop Songs. It garnered success in the R&B;/urban community but failed to make a mark in mainstream music. The album's second and final single, ''Gotta Go'', was released in July 2005 and reached #67 on the Hot 100 and #11 on the Hot R&B;/Hip-Hop Songs chart, becoming even more successful than his debut single in the R&B;/urban community and in the mainstream community. After promotion for his debut concluded, he was featured on the lead single from Twista's fifth album, ''The Day After''. The single, "Girl Tonite", reached #14 on the Hot 100 and #3 on the Hot R&B;/Hip-Hop Songs chart, becoming a huge hit.

In mid-2006, Songz began work on a follow-up album to his debut with longtime collaborator Troy Taylor and also employed hitmakers Bryan-Michael Cox, Danja, Stargate (production team) and R. Kelly to help create the album. Trey aimed for the album to be more mainstream-oriented than his debut album. His second studio album, ''Trey Day'', was released on October 2, 2007. The album reached #11 on the ''Billboard'' 200, selling 73,000 copies in its first week. It has since sold 400,000 records in the US, becoming his second album not to be certified by the RIAA. The album was going to be released on May 8, 2007, but was continually delayed in order for a successful single to precede the album, as the lead single failed to impact charts.

His second album was preceded by the lead single, "Wonder Woman", which was released in February 2007. It reached #54 on the Hot R&B;/Hip-Hop Songs chart, but failed to impact the Hot 100. Because of the single's failure, his second album was delayed from May 2007 to October 2007. The album's second single, "Can't Help but Wait", was released in August 2007 and was released to promote his second album and the film ''Step Up 2 the Streets'' soundtrack as a single for it. The single reached #14 on the Hot 100, and #2 on the Hot R&B;/Hip-Hop Songs chart. It became Songz's first Top 20 hit on the Hot 100, and helped to boost his second album's sales. The single was also nominated for Best Male R&B; Vocal Performance at the 2008 50th Grammy Awards. The third single from the album, "Last Time", was released in January 2008 and reached #69 on the Hot 100, and #9 on the Hot R&B;/Hip-Hop Songs chart. The fourth and final single from the album, "Missin' You", was released in May 2008, but failed to chart completely. In mid-2008, Songz was nominated for a BET Award for Best Male R&B; Artist but did not win the award.

2009–2011: ''Ready'' and ''Passion, Pain & Pleasure''

In late 2008, Trey began work on his third studio album with Bryan-Michael Cox, Sean Garrett, Stargate and Troy Taylor and aimed for the record to be more mature than his first two. Before releasing his third album, Songz released a mixtape titled ''Anticipation'' in June 2009 through his blog, which featured songs from his third album. Another mixtape from Trey was released in the summer of 2009, called ''Genesis''. ''Genesis'' was a collection of Trey Songz's first recordings when he was fifteen years old and was released to show his fans the dedication that he had to making a record when he was young. Trey released his third studio album, ''Ready'', on August 31, 2009. The album reached #3 on the ''Billboard'' 200, selling 131,000 copies in its first week. These are his best first week sales to date and the album was his first to reach the Top 10 on the Billboard 200. The album has since sold over 800,000 records in the US, earning a Gold certification from the RIAA in February 2010, becoming his first album to be certified by the RIAA.

The lead single from the album, "I Need a Girl", was released in April 2009 and reached #5 on the Hot R&B;/Hip-Hop songs chart and #59 on the Hot 100, becoming an R&B;/urban hit but not a mainstream hit. A promotional single, "Successful", featuring rapper Drake, was released in June 2009 and reached #17 on the Hot 100, becoming Songz's third Top 20 hit. The single also served as the second and final single from Drake's EP, ''So Far Gone''. The second official single from his third album, "LOL Smiley Face", featuring Soulja Boy Tell 'Em and Gucci Mane, was released in August 2009 and reached #51 on the Hot 100 and #12 on the Hot R&B;/Hip-Hop Songs chart. The third single from the album, "I Invented Sex", featuring Drake, was released in October 2009 and reached #42 on the Hot 100 but #1 on the Hot R&B;/Hip-Hop Songs chart, becoming his first single to top that chart. Like the first two singles from the album, it achieved success in the R&B;/urban community but only some mainstream success. charted within the ''Billboard'' Hot 100, and topped the R&B; chart. The fourth single from the album, "Say Aah", featuring rapper Fabolous, was released in January 2010 and reached #9 on the Hot 100 and #3 on the Hot R&B;/Hip-Hop Songs chart. The single has become Trey's highest charting single on the Hot 100 and one of his most successful singles on the Hot R&B;/Hip-Hop Songs chart.

The fifth and final single from the album, "Neighbors Know My Name", was released in February 2010 and reached #43 on the Hot 100 and #4 on the Hot R&B;/Hip-Hop Songs chart. A sixth single, "Yo Side of the Bed", was going to be released in June 2010, but its release was canceled due to unknown reasons. A music video, featuring singer Keri Hilson, was filmed and released, however. Songz was also the opening act for Jay-Z on his Jay-Z Fall Tour in late 2009. The album was nominated for Best Contemporary R&B; Album at the 52nd Grammy Awards in 2010, but lost to Beyoncé's ''I Am... Sasha Fierce''. On April 1, 2010, he recorded an episode of MTV Unplugged, which aired on April 26, 2010. A documentary-series about Trey, ''Trey Songz: My Moment'', began in June 2010 to positive reviews and high ratings. The 10-part series will end in August 2010 and follows Trey during his time as opening act on Jay-Z's Jay-Z Fall Tour in late 2009.

Songz's fourth studio album, ''Passion, Pain & Pleasure'', was released on September 14, 2010. Trey began work on the album in early 2010 with Sean Garrett, Troy Taylor and Stargate and has stated that the album will be his most personal to date. The album was completed in July 2010. The album's lead single, "Bottoms Up", featuring female rapper Nicki Minaj, was released on July 27, 2010 and has reached number twenty-four on the Hot R&B;/Hip-Hop Songs chart and was shared enough on Facebook to appear as a trending video on ItsTrending. Its video was filmed on July 31, 2010 and is pending release. Trey also filmed the video for the album's second single, "Can't Be Friends", on August 1, 2010. "Can't Be Friends" was released as the album's second single in August 2010. Songz embarked on the ''Passion, Pain & Pleasure Tour'' on August 6, 2010 with singer Monica. The tour is his first headlining tour to date and consists of shows in venues that seat 3,000 to 5,000 people. Songz also contributed the song "Already Taken" to the ''Step Up 3D'' soundtrack, which was released on July 27, 2010. He filmed a video for the song, which was released in July 2010. The leading lady in the video is former girlfriend and professional dancer Helen Gedlu. Songz appeared at the 2010 MTV Video Music Awards on September 12, 2010. Songz performed at BET Awards 2011 which broadcasted on June 26, 2011.

In July 2011, he was cast in ''The Texas Chainsaw Massacre 3D'' as Ryan, the male lead role.

2011–present: ''Inevitable'' and ''Chapter 5''

On August 18, 2011, it was announced Songz will be working on his fifth studio titled ''Chapter 5''. In an interview Trey said the album, which will act as the follow-up to ''Passion, Pain & Pleasure'', is said to be nearing completion. He also carried on to say "It’s my sixth year in the game so I’ve been here for a while now. You can expect the best me you’ve ever heard. I don’t have any release dates in mind right now but I’m just making music and enjoying myself in the studio and having fun. When I get to a place where I feel comfortable saying a date or all of that, people will definitely know. I have a few dream collaborations on that album that I want, but they say if you blow out your candle and make a wish you can’t tell people what you ask for or it won’t come true."

On November 28, 2011, on his birthday, Songz released his Inevitable EP to prepare for the release of his album. In February 2012, Songz will embark on his Anticipation 2our to promote his mixtape Anticipation 2 and to raise awareness of his new album.

Discography

''I Gotta Make It'' (2005)

''Trey Day'' (2007)

''Ready'' (2009)

''Passion, Pain & Pleasure'' (2010)

''Chapter V'' (2012)

Tours

Passion, Pain & Pleasure Tour (headliner) (2010)

OMG Tour (opening for Usher) (2010)

Anticipation 2our (headliner) (2012)

Filmography

{|class="wikitable" style="font-size: 95%;" !style="background:#B0C4DE;"|Year !style="background:#B0C4DE;"|Title !style="background:#B0C4DE;"|Role !style="background:#B0C4DE;"|Notes |- |2008 |''Queen of Media'' |DJ I.V. |film |- |2009 |''Lincoln Heights'' |Himself |Episode: "Relative Unknown" |- |2010 |''Preacher's Kid'' |small role |- |2010 |''When I Was 17'' |Himself |Interview-like show, about what he did when he was 17 |- |2010 |''Trey Songz: My Moment'' |Himself |Interview-Documentary show, following him around on tour with Jay-Z. |- |2012 |''The Texas Chainsaw Massacre 3D'' |Ryan |film |}

Awards and nominations

{|class="wikitable" !Year !Award !Result |- |rowspan="3"|2008 |BET Award for Best Male R&B; Artist | |- |Grammy Award for Best Male R&B; Vocal Performance for "Can't Help but Wait" | |- |Ozone Award for Best R&B; Artist | |- |rowspan="1"|2009 |Soul Train Awards for Best Collaboration "Successful" | |- |rowspan="5"|2010 |Grammy Award for Best Contemporary R&B; Album for "Ready" | |- |BET Award for Best Male R&B; Artist | |- |BET Award for Best Collaboration for "Say Ahh" w/ Fabolous | |- |BET Award for Best Collaboration for "Successful" w/ Drake | |- |BET Award for Viewer's Choice for "Say Ahh" w/ Fabolous | |- |rowspan="2"|2011 |BET Award for Best Male R&B; Artist | |- |BET Award for Coca-Cola's Viewer's Choice for "Bottom's Up" | |}

References

External links

Official website

Category:1984 births Category:African-American actors Category:African American musicians Category:African American singers Category:American actors Category:American rhythm and blues singers Category:American tenors Category:Atlantic Records artists Category:Living people Category:Military brats Category:People from Petersburg, Virginia Category:Musicians from Virginia

da:Trey Songz de:Trey Songz es:Trey Songz fr:Trey Songz hr:Trey Songz it:Trey Songz he:טריי סונגז sw:Trey Songz mk:Треј Сонгз nl:Trey Songz ja:トレイ・ソングス no:Trey Songz pl:Trey Songz pt:Trey Songz simple:Trey Songz so:Trey songz fi:Trey Songz sv:Trey Songz tr:Trey Songz zh:崔·颂

name	Myocardial infarction
diseasesdb	8664
icd10	-
icd9
medlineplus	000195
emedicinesubj	med
emedicinetopic	1567
emedicine mult
meshid	D009203 }}

Myocardial infarction (MI) or acute myocardial infarction (AMI), commonly known as a heart attack, results from the interruption of blood supply to a part of the heart, causing heart cells to die. This is most commonly due to occlusion (blockage) of a coronary artery following the rupture of a vulnerable atherosclerotic plaque, which is an unstable collection of lipids (cholesterol and fatty acids) and white blood cells (especially macrophages) in the wall of an artery. The resulting ischemia (restriction in blood supply) and ensuing oxygen shortage, if left untreated for a sufficient period of time, can cause damage or death (''infarction'') of heart muscle tissue (''myocardium'').

Classical symptoms of acute myocardial infarction include sudden chest pain (typically radiating to the left arm or left side of the neck), shortness of breath, nausea, vomiting, palpitations, sweating, and anxiety (often described as a sense of impending doom). Women may experience fewer typical symptoms than men, most commonly shortness of breath, weakness, a feeling of indigestion, and fatigue. Approximately one-quarter of all myocardial infarctions are "silent", that is without chest pain or other symptoms.

Among the diagnostic tests available to detect heart muscle damage are an electrocardiogram (ECG), echocardiography, cardiac MRI and various blood tests. The most often used blood markers are the creatine kinase-MB (CK-MB) fraction and the troponin levels. Immediate treatment for suspected acute myocardial infarction includes oxygen, aspirin, and sublingual nitroglycerin.

Most cases of STEMI (ST elevation MI) are treated with thrombolysis or percutaneous coronary intervention (PCI). NSTEMI (non-ST elevation MI) should be managed with medication, although PCI is often performed during hospital admission. In people who have multiple blockages and who are relatively stable, or in a few emergency cases, bypass surgery may be an option, especially in diabetics.

Ischemic heart disease (which includes myocardial infarction, angina pectoris and heart failure when preceded by myocardial infarction) was the leading cause of death for both men and women worldwide in 2004. Important risk factors are previous cardiovascular disease, older age, tobacco smoking, high blood levels of certain lipids (triglycerides, low-density lipoprotein) and low levels of high density lipoprotein (HDL), diabetes, high blood pressure, obesity, chronic kidney disease, heart failure, excessive alcohol consumption, the abuse of certain drugs (such as cocaine and methamphetamine), and chronic high stress levels.

Classification

There are two basic types of acute myocardial infarction: Transmural: associated with atherosclerosis involving major coronary artery. It can be subclassified into anterior, posterior, inferior, lateral or septal. Transmural infarcts extend through the whole thickness of the heart muscle and are usually a result of complete occlusion of the area's blood supply. Subendocardial: involving a small area in the subendocardial wall of the left ventricle, ventricular septum, or papillary muscles. The subendocardial area is particularly susceptible to ischemia.

In the clinical context, a myocardial infarction can be further subclassified into a ST elevation MI (STEMI) versus a non-ST elevation MI (non-STEMI) based on ECG changes.

The phrase ''heart attack'' is sometimes used incorrectly to describe sudden cardiac death, which may or may not be the result of acute myocardial infarction. A heart attack is different from, but can be the cause of cardiac arrest, which is the stopping of the heartbeat, and cardiac arrhythmia, an abnormal heartbeat. It is also distinct from heart failure, in which the pumping action of the heart is impaired; however severe myocardial infarction may lead to heart failure.

A 2007 consensus document classifies myocardial infarction into five main types:

Type 1 – Spontaneous myocardial infarction related to ischaemia due to a primary coronary event such as plaque erosion and/or rupture, fissuring, or dissection

Type 2 – Myocardial infarction secondary to ischaemia due to either increased oxygen demand or decreased supply, e.g. coronary artery spasm, coronary embolism, anaemia, arrhythmias, hypertension, or hypotension

Type 3 – Sudden unexpected cardiac death, including cardiac arrest, often with symptoms suggestive of myocardial ischaemia, accompanied by new ST elevation, or new LBBB, or evidence of fresh thrombus in a coronary artery by angiography and/or at autopsy, but death occurring before blood samples could be obtained, or at a time before the appearance of cardiac biomarkers in the blood

Type 4 – Associated with coronary angioplasty or stents:

* Type 4a – Myocardial infarction associated with PCI

* Type 4b – Myocardial infarction associated with stent thrombosis as documented by angiography or at autopsy

Type 5 – Myocardial infarction associated with CABG

Signs and symptoms

The onset of symptoms in myocardial infarction (MI) is usually gradual, over several minutes, and rarely instantaneous. Chest pain is the most common symptom of acute myocardial infarction and is often described as a sensation of tightness, pressure, or squeezing. Chest pain due to ischemia (a lack of blood and hence oxygen supply) of the heart muscle is termed angina pectoris. Pain radiates most often to the left arm, but may also radiate to the lower jaw, neck, right arm, back, and epigastrium, where it may mimic heartburn. Levine's sign, in which the patient localizes the chest pain by clenching their fist over the sternum, has classically been thought to be predictive of cardiac chest pain, although a prospective observational study showed that it had a poor positive predictive value.

Shortness of breath (dyspnea) occurs when the damage to the heart limits the output of the left ventricle, causing left ventricular failure and consequent pulmonary edema. Other symptoms include diaphoresis (an excessive form of sweating), weakness, light-headedness, nausea, vomiting, and palpitations. These symptoms are likely induced by a massive surge of catecholamines from the sympathetic nervous system which occurs in response to pain and the hemodynamic abnormalities that result from cardiac dysfunction. Loss of consciousness (due to inadequate cerebral perfusion and cardiogenic shock) and sudden death (frequently due to the development of ventricular fibrillation) can occur in myocardial infarctions.

Women and older patients report atypical symptoms more frequently than their male and younger counterparts. Women also report more numerous symptoms compared with men (2.6 on average vs 1.8 symptoms in men). The most common symptoms of MI in women include dyspnea (shortness of breath), weakness, and fatigue. Fatigue, sleep disturbances, and dyspnea have been reported as frequently occurring symptoms that may manifest as long as one month before the actual clinically manifested ischemic event. In women, chest pain may be less predictive of coronary ischemia than in men.

Approximately one-fourth of all myocardial infarctions are silent, without chest pain or other symptoms. These cases can be discovered later on electrocardiograms, using blood enzyme tests or at autopsy without a prior history of related complaints. A silent course is more common in the elderly, in patients with diabetes mellitus and after heart transplantation, probably because the donor heart is not fully innervated by the nervous system of the recipient. In diabetics, differences in pain threshold, autonomic neuropathy, and psychological factors have been cited as possible explanations for the lack of symptoms.

Any group of symptoms compatible with a sudden interruption of the blood flow to the heart are called an acute coronary syndrome.

The differential diagnosis includes other catastrophic causes of chest pain, such as pulmonary embolism, aortic dissection, pericardial effusion causing cardiac tamponade, tension pneumothorax, and esophageal rupture. Other non-catastrophic differentials include gastroesophageal reflux and Tietze's syndrome.

Causes

Heart attack rates are higher in association with intense exertion, be it psychological stress or physical exertion, especially if the exertion is more intense than the individual usually performs. The period of intense exercise and subsequent recovery is associated with about a 6-fold higher myocardial infarction rate (compared with other more relaxed time frames) for people who are physically very fit. For those in poor physical condition, the rate differential is over 35-fold higher. One observed mechanism for this phenomenon is the increased arterial pulse pressure stretching and relaxation of arteries with each heart beat, which, as has been observed with intravascular ultrasound, increases mechanical "shear stress" on atheromas and the likelihood of plaque rupture.

Acute severe infection, such as pneumonia, can trigger myocardial infarction. A more controversial link is that between ''Chlamydophila pneumoniae'' infection and atherosclerosis. While this intracellular organism has been demonstrated in atherosclerotic plaques, evidence is inconclusive as to whether it can be considered a causative factor. Treatment with antibiotics in patients with proven atherosclerosis has not demonstrated a decreased risk of heart attacks or other coronary vascular diseases.

There is an association of an increased incidence of a heart attack in the morning hours, more specifically around 9 a.m. Some investigators have noticed that the ability of platelets to aggregate varies according to a circadian rhythm, although they have not proven causation.

Risk factors

In general, risk factors for atherosclerosis are risk factors for myocardial infarction:

Age — Men acquire an independent risk factor at age 45, Women acquire an independent risk factor at age 55; in addition, individuals acquire another independent risk factor if they have a first-degree male relative (brother, father) who suffered a coronary vascular event at or before age 55. Another independent risk factor is acquired if one has a first-degree female relative (mother, sister) who suffered a coronary vascular event at age 65 or younger.

Males are more at risk than females.

Diabetes (with or without insulin resistance)

High blood pressure

Dyslipidemia/hypercholesterolemia (abnormal levels of lipoproteins in the blood), particularly high low-density lipoprotein, low high-density lipoprotein and high Triglycerides

Tobacco smoking including secondhand smoke

Air pollution

Family history of ischaemic heart disease (IHD)

Obesity (defined by a body mass index of more than 30 kg/m², or alternatively by waist circumference or waist-hip ratio).

Hyperhomocysteinemia (high homocysteine)

Stress — Occupations with high stress index are known to have susceptibility for atherosclerosis

Alcohol — Studies show that prolonged exposure to high quantities of alcohol can increase the risk of heart attack

Many of these risk factors are modifiable, so many heart attacks can be prevented by maintaining a healthier lifestyle. Physical activity, for example, is associated with a lower risk profile. Non-modifiable risk factors include age, sex, and family history of an early heart attack (before the age of 60), which is thought of as reflecting a genetic predisposition.

Socioeconomic factors such as a shorter education and lower income (particularly in women), and unmarried cohabitation are also correlated with a higher risk of MI. To understand epidemiological study results, it is important to note that many factors associated with MI mediate their risk via other factors. For example, the effect of education is partially based on its effect on income and marital status.

Women who use combined oral contraceptive pills have a modestly increased risk of myocardial infarction, especially in the presence of other risk factors, such as smoking.

Inflammation is known to be an important step in the process of atherosclerotic plaque formation. C-reactive protein (CRP) is a sensitive but non-specific marker for inflammation. Elevated CRP blood levels, especially measured with high-sensitivity assays, can predict the risk of MI, as well as stroke and development of diabetes. Moreover, some drugs for MI might also reduce CRP levels. The use of high-sensitivity CRP assays as a means of screening the general population is advised against, but it may be used optionally at the physician's discretion in patients who already present with other risk factors or known coronary artery disease. Whether CRP plays a direct role in atherosclerosis remains uncertain.

Inflammation in periodontal disease may be linked to coronary heart disease, and, since periodontitis is very common, this could have great consequences for public health. Serological studies measuring antibody levels against typical periodontitis-causing bacteria found that such antibodies were more present in subjects with coronary heart disease. Periodontitis tends to increase blood levels of CRP, fibrinogen and cytokines; thus, periodontitis may mediate its effect on MI risk via other risk factors. Preclinical research suggests that periodontal bacteria can promote aggregation of platelets and promote the formation of foam cells. A role for specific periodontal bacteria has been suggested but remains to be established. There is some evidence that influenza may trigger an acute myocardial infarction.

Baldness, hair greying, a diagonal earlobe crease (Frank's sign) and possibly other skin features have been suggested as independent risk factors for MI. Their role remains controversial; a common denominator of these signs and the risk of MI is supposed, possibly genetic.

Calcium deposition is another part of atherosclerotic plaque formation. Calcium deposits in the coronary arteries can be detected with CT scans. Several studies have shown that coronary calcium can provide predictive information beyond that of classical risk factors.

The European Society of Cardiology and the European Association for Cardiovascular Prevention and Rehabilitation have developed an interactive tool for prediction and managing the risk of heart attack and stroke in Europe. HeartScore is aimed at supporting clinicians in optimising individual cardiovascular risk reduction. The Heartscore Programme is available in 12 languages and offers web-based or PC version.

Pathophysiology

Acute myocardial infarction refers to two subtypes of acute coronary syndrome, namely non-ST-elevated myocardial infarction and ST-elevated myocardial infarction, which are most frequently (but not always) a manifestation of coronary artery disease. The most common triggering event is the disruption of an atherosclerotic plaque in an epicardial coronary artery, which leads to a clotting cascade, sometimes resulting in total occlusion of the artery. Atherosclerosis is the gradual buildup of cholesterol and fibrous tissue in plaques in the wall of arteries (in this case, the coronary arteries), typically over decades. Blood stream column irregularities visible on angiography reflect artery lumen narrowing as a result of decades of advancing atherosclerosis. Plaques can become unstable, rupture, and additionally promote a thrombus (blood clot) that occludes the artery; this can occur in minutes. When a severe enough plaque rupture occurs in the coronary vasculature, it leads to myocardial infarction (necrosis of downstream myocardium).

If impaired blood flow to the heart lasts long enough, it triggers a process called the ischemic cascade; the heart cells in the territory of the occluded coronary artery die (chiefly through necrosis) and do not grow back. A collagen scar forms in its place. Recent studies indicate that another form of cell death called apoptosis also plays a role in the process of tissue damage subsequent to myocardial infarction. As a result, the patient's heart will be permanently damaged. This myocardial scarring also puts the patient at risk for potentially life threatening arrhythmias, and may result in the formation of a ventricular aneurysm that can rupture with catastrophic consequences.

Injured heart tissue conducts electrical impulses more slowly than normal heart tissue. The difference in conduction velocity between injured and uninjured tissue can trigger re-entry or a feedback loop that is believed to be the cause of many lethal arrhythmias. The most serious of these arrhythmias is ventricular fibrillation (''V-Fib''/VF), an extremely fast and chaotic heart rhythm that is the leading cause of sudden cardiac death. Another life-threatening arrhythmia is ventricular tachycardia (''V-Tach''/VT), which may or may not cause sudden cardiac death. However, ventricular tachycardia usually results in rapid heart rates that prevent the heart from pumping blood effectively. Cardiac output and blood pressure may fall to dangerous levels, which can lead to further coronary ischemia and extension of the infarct.

The cardiac defibrillator is a device that was specifically designed to terminate these potentially fatal arrhythmias. The device works by delivering an electrical shock to the patient in order to depolarize a critical mass of the heart muscle, in effect "rebooting" the heart. This therapy is time dependent, and the odds of successful defibrillation decline rapidly after the onset of cardiopulmonary arrest.

Diagnosis

The diagnosis of myocardial infarction can be made after assessing patient's complaints and physical status. ECG changes, coronary angiogram and levels of cardiac markers help to confirm the diagnosis. ECG gives valuable clues to identify the site of myocardial damage while coronary angiogram allows visualization of narrowing or obstructions in the heart vessels. At autopsy, a pathologist can diagnose a myocardial infarction based on anatomopathological findings.

A chest radiograph and routine blood tests may indicate complications or precipitating causes and are often performed upon arrival to an emergency department. New regional wall motion abnormalities on an echocardiogram are also suggestive of a myocardial infarction. Echo may be performed in equivocal cases by the on-call cardiologist. In stable patients whose symptoms have resolved by the time of evaluation, Technetium (99mTc) sestamibi (i.e. a "MIBI scan") or thallium-201 chloride can be used in nuclear medicine to visualize areas of reduced blood flow in conjunction with physiologic or pharmocologic stress. Thallium may also be used to determine viability of tissue, distinguishing whether non-functional myocardium is actually dead or merely in a state of hibernation or of being stunned.

WHO criteria formulated in 1979 have classically been used to diagnose MI; a patient is diagnosed with myocardial infarction if two (probable) or three (definite) of the following criteria are satisfied: # Clinical history of ischaemic type chest pain lasting for more than 20 minutes # Changes in serial ECG tracings # Rise and fall of serum cardiac biomarkers such as creatine kinase-MB fraction and troponin

The WHO criteria were refined in 2000 to give more prominence to cardiac biomarkers. According to the new guidelines, a cardiac troponin rise accompanied by either typical symptoms, pathological Q waves, ST elevation or depression, or coronary intervention is diagnostic of MI.

Prevention

The risk of a recurrent myocardial infarction decreases with strict blood pressure management and lifestyle changes, chiefly smoking cessation, regular exercise, a sensible diet for those with heart disease, and limitation of alcohol intake. People are usually commenced on several long-term medications post-MI, with the aim of preventing secondary cardiovascular events such as further myocardial infarctions, congestive heart failure or cerebrovascular accident (CVA). Unless contraindicated, such medications may include:

Antiplatelet drug therapy such as aspirin and/or clopidogrel should be continued to reduce the risk of plaque rupture and recurrent myocardial infarction. Aspirin is first-line, owing to its low cost and comparable efficacy, with clopidogrel reserved for patients intolerant of aspirin. The combination of clopidogrel and aspirin may further reduce risk of cardiovascular events, however the risk of hemorrhage is increased. Beta blocker therapy such as metoprolol or carvedilol should be commenced. These have been particularly beneficial in high-risk patients such as those with left ventricular dysfunction and/or continuing cardiac ischaemia. β-Blockers decrease mortality and morbidity. They also improve symptoms of cardiac ischemia in NSTEMI. ACE inhibitor therapy should be commenced 24–48 hours post-MI in hemodynamically-stable patients, particularly in patients with a history of MI, diabetes mellitus, hypertension, anterior location of infarct (as assessed by ECG), and/or evidence of left ventricular dysfunction. ACE inhibitors reduce mortality, the development of heart failure, and decrease ventricular remodelling post-MI. Statin therapy has been shown to reduce mortality and morbidity post-MI. The effects of statins may be more than their LDL lowering effects. The general consensus is that statins have plaque stabilization and multiple other ("pleiotropic") effects that may prevent myocardial infarction in addition to their effects on blood lipids. The aldosterone antagonist agent eplerenone has been shown to further reduce risk of cardiovascular death post-MI in patients with heart failure and left ventricular dysfunction, when used in conjunction with standard therapies above. Spironolactone is another option that is sometimes preferable to eplerenone due to cost. Evidence supports the consumption of polyunsaturated fats instead of saturated fats as a measure of decreasing coronary heart disease. Omega-3 fatty acids, commonly found in fish, have been shown to reduce mortality post-MI. While the mechanism by which these fatty acids decrease mortality is unknown, it has been postulated that the survival benefit is due to electrical stabilization and the prevention of ventricular fibrillation. However, further studies in a high-risk subset have not shown a clear-cut decrease in potentially fatal arrhythmias due to omega-3 fatty acids.

Blood donation may reduce the risk of heart disease for men, but the link has not been firmly established.

A Cochrane review found that giving heparin to people with heart conditions like unstable angina and some forms of heart attacks reduces the risk of having another heart attack. However, heparin also increases the chance of suffering from minor bleeding.

Management

An MI is a medical emergency that requires immediate medical attention. Treatment attempts to salvage as much myocardium as possible and to prevent further complications, hence the phrase "time is muscle". Oxygen, aspirin, and nitroglycerin may be administered. Morphine was classically used if nitroglycerin was not effective; however, it may increase mortality in the setting of NSTEMI. A 2009 and 2010 review of high flow oxygen in myocardial infarction found increased mortality and infarct size, calling into question the recommendation about its routine use. Other analgesics such as nitrous oxide are of unknown benefit. Percutaneous coronary intervention (PCI) or fibrinolysis are recommended in those with an STEMI.

Prognosis

The prognosis post myocardial infarction varies greatly, depending on a person's health, the extent of the heart damage and the treatment given. For the period 2005–2008 in the United States, the median mortality at 30 days was 16.6% with a range from 10.9% to 24.9% depending on the hospital. Using variables available in the emergency room, people with a higher risk of adverse outcome can be identified. One study found that 0.4% of patients with a low-risk profile died after 90 days, whereas in high-risk people it was 21.1%.

Some of the more reproduced risk-stratifying factors include: age, hemodynamic parameters (such as heart failure, cardiac arrest on admission, systolic blood pressure, or Killip class of two or greater), ST-segment deviation, diabetes, serum creatinine, peripheral vascular disease and elevation of cardiac markers. Assessment of left ventricular ejection fraction may increase the predictive power. The prognostic importance of Q-waves is debated. Prognosis is significantly worsened if a mechanical complication such as papillary muscle or myocardial free wall rupture occur. Morbidity and mortality from myocardial infarction has improved over the years due to better treatment.

Complications

Complications may occur immediately following the heart attack (in the acute phase), or may need time to develop (a chronic problem). Acute complications may include heart failure if the damaged heart is no longer able to adequately pump blood around the body; aneurysm or rupture of the myocardium; mitral regurgitation, in particular if the infarction causes dysfunction of the papillary muscle; and arrhythmias, such as ventricular fibrillation, ventricular tachycardia, atrial fibrillation and heart block. Longer-term complications include heart failure, atrial fibrillation, and the increased risk of a second myocardial infarction.

Epidemiology

Myocardial infarction is a common presentation of ischemic heart disease. The WHO estimated in 2002, that 12.6 percent of worldwide deaths were from ischemic heart disease with it the leading cause of death in developed countries, and third to AIDS and lower respiratory infections in developing countries. Worldwide more than 3 million people have STEMIs and 4 million have NSTEMIs a year.

Coronary heart disease is responsible for 1 in 5 deaths in the United States. It is becoming more common in the developing world such that, in India, cardiovascular disease (CVD) is the leading cause of death. The deaths due to CVD in India were 32% of all deaths in 2007 and are expected to rise from 1.17 million in 1990 and 1.59 million in 2000 to 2.03 million in 2010. Although a relatively new epidemic in India, it has quickly become a major health issue with deaths due to CVD expected to double during 1985–2015. Mortality estimates due to CVD vary widely by state, ranging from 10% in Meghalaya to 49% in Punjab (percentage of all deaths). Punjab (49%), Goa (42%), Tamil Nadu (36%) and Andhra Pradesh (31%) have the highest CVD related mortality estimates. State-wise differences are correlated with prevalence of specific dietary risk factors in the states. Moderate physical exercise is associated with reduced incidence of CVD in India (those that exercise have less than half the risk of those that do not).

Legal implications

At common law, in general a myocardial infarction is a disease, but may sometimes be an injury. This has implications for no-fault insurance schemes such as workers' compensation. In general, a heart attack is not covered; however, it may be a work-related injury if it results, for example, from unusual emotional stress or unusual exertion. In addition, in some jurisdictions, heart attacks suffered by persons in particular occupations such as police officers may be classified as line-of-duty injuries by statute or policy. In some countries or states, a person having suffered from a myocardial infarction may be prevented from participating in activity that puts other people's lives at risk, for example driving a car or flying an airplane.

Research

Patients who receive stem cell treatment by coronary artery injections of stem cells derived from their own bone marrow after a myocardial infarction (MI) show improvements in left ventricular ejection fraction and end-diastolic volume not seen with placebo. The larger the initial infarct size, the greater the effect of the infusion. Clinical trials of progenitor cell infusion as a treatment approach to ST elevation MI are proceeding.

There are currently 3 biomaterial and tissue engineering approaches for the treatment of MI, but these are in an even earlier stage of medical research, so many questions and issues must be addressed before they can be applied to patients. The first involves polymeric left ventricular restraints in the prevention of heart failure. The second utilizes ''in vitro'' engineered cardiac tissue, which is subsequently implanted ''in vivo''. The final approach entails injecting cells and/or a scaffold into the myocardium to create ''in situ'' engineered cardiac tissue.

References

External links

American Heart Association's Heart Attack web site – Information and resources for preventing, recognizing and treating heart attack.

Heart Attack – overview of resources from MedlinePlus

Category:Aging-associated diseases Category:Causes of death Category:Ischemic heart diseases Category:Medical emergencies

ar:احتشاء عضل القلب an:Infarcto de miocardio be:Востры інфаркт міякарда be-x-old:Востры інфаркт міякарда bs:Infarkt miokarda bg:Инфаркт на миокарда ca:Infart miocardíac ceb:Atake sa kasingkasing cs:Infarkt myokardu cy:Trawiad ar y galon da:Akut myokardieinfarkt de:Myokardinfarkt dv:ހާރޓް އެޓޭކް ޖެހުން et:Müokardi infarkt el:Έμφραγμα του μυοκαρδίου es:Infarto agudo de miocardio eo:Korinfarkto eu:Miokardio infartu akutu fa:سکته قلبی fr:Infarctus du myocarde gu:હૃદયરોગનો હુમલો ko:심근 경색 hi:हृदयाघात hr:Infarkt miokarda id:Serangan jantung is:Hjartaáfall it:Infarto miocardico acuto he:התקף לב kn:ಹೃದಯಾಘಾತ kk:Миокард инфарктысы ku:Mirina masûlkeyên dil la:Infarctus cordis lv:Miokarda infarkts lt:Miokardo infarktas hu:Szívinfarktus mk:Срцев напад ml:ഹൃദയാഘാതം mr:हृदयाघात mn:Зүрхний шигдээс nl:Hartinfarct ja:心筋梗塞 no:Hjerteinfarkt nn:Hjarteåtak oc:Infart miocardiac pnb:دل دا دورہ pl:Zawał mięśnia sercowego pt:Infarto agudo do miocárdio ro:Infarct miocardic qu:Sunqu p'itiy ru:Острый инфаркт миокарда sq:Infarkti miokardial si:හෘදයාබාධය simple:Myocardial infarction sl:Miokardni infarkt sr:Срчани удар sh:Srčani udar fi:Sydäninfarkti sv:Hjärtinfarkt ta:மாரடைப்பு te:గుండెపోటు th:กล้ามเนื้อหัวใจตายเหตุขาดเลือด tr:Kalp krizi uk:Гострий інфаркт міокарда ur:احتشاء عضل قلب vi:Nhồi máu cơ tim war:Atake ha kasingkasing yi:הארץ אטאקע zh:心肌梗死

Name	Snoop Dogg
Birth name	Calvin Cordozar Broadus, Jr.
Birth date	October 20, 1971
Origin	Long Beach, California, United States
Occupation	Rapper
Genre	Hip hop
Years active	1992–present
Label	Death Row, No Limit, Priority, Star Trak, Geffen, Doggystyle
Associated acts	Tha Dogg Pound, Tha Eastsidaz, 213, Dr. Dre, Warren G, Nate Dogg, 2Pac, Pharell, R. Kelly, Ice Cube, Akon, 50 Cent, Brandy Norwood, Eminem, Katy Perry, The-Dream, Wiz Khalifa
Website
Background	solo_singer }}

Calvin Cordozar Broadus, Jr. (born October 20, 1971), better known by his stage name Snoop Dogg (formerly known as Snoop Doggy Dogg), is an American rapper, singer, record producer, and actor. Snoop is best known as a rapper in the West Coast hip hop scene, and for being one of Dr. Dre's most notable protégés. Snoop Dogg was a Crip gang member while in high school. Shortly after graduation, he was arrested for cocaine possession and spent six months in Wayside County Jail. His music career began in 1992 after his release when he was discovered by Dr. Dre. He collaborated on several tracks on Dre's solo debut, ''The Chronic'' and on the titular theme song to the film ''Deep Cover''.

Snoop's debut album ''Doggystyle'', was released in 1993 under Death Row Records making a debut at No.1 on both the Billboard 200 and R&B; charts. Selling almost a million copies in the first week of its release, ''Doggystyle'' quickly became certified 4× platinum in 1994 and spawned several hit singles, including "What's My Name" and "Gin & Juice". In 1994, Snoop released a soundtrack on Death Row Records for the short film ''Murder Was The Case'', starring himself. In early 1996, Snoop Dogg was cleared of charges over his bodyguard's 1993 murder of Philip Woldemariam. His second album, late 1996's ''Tha Doggfather'', also debuted at No.1 on both charts with "Snoop's Upside Ya Head" as the lead single. The album sold only half as well, being certified double platinum in 1997.

''Tha Doggfather'' was his last release for Death Row before he signed with No Limit Records, where he recorded his next three albums. ''Da Game Is to Be Sold, Not to Be Told'' in 1998, ''No Limit Top Dogg'' in 1999 (making it his last album of the 90s), and ''Tha Last Meal'' in 2000, which was his last No Limit Records album. Snoop then signed with Priority/Capitol/EMI Records in 2002, where he released his album ''Paid tha Cost to Be da Boss''. Then he signed with Geffen Records in 2004 for his next three albums ''R&G; (Rhythm & Gangsta): The Masterpiece'', ''Tha Blue Carpet Treatment'', and ''Ego Trippin'''. ''Malice 'n Wonderland'' (2009) and ''Doggumentary'' (2011), his most recent release, were on Priority.

In addition to music, Snoop Dogg has starred in motion pictures and hosted several television shows: ''Doggy Fizzle Televizzle'', ''Snoop Dogg's Father Hood'' and ''Dogg After Dark''. He also coaches a youth football league and high school football team. He has run into many legal troubles, some of which caused him to be legally banned from the UK and Australia, although the UK ban was later reversed after a long legal battle. He is the cousin of Nate Dogg, Daz Dillinger, RBX and Lil' ½ Dead and the cousin of R&B; singers Brandy and Ray J. Starting September 2009, Snoop was hired by EMI as the chairman of a reactivated Priority Records.

Life and career

Early life

Named after his stepfather, Calvin Cordozar Broadus, Sr. (December 10, 1948 – November 9, 1985, Los Angeles), Calvin Broadus was born October 20, 1971 at the Los Altos Hospital in Long Beach, California, the second of three sons of Beverly Broadus (née Tate; born April 27, 1951, McComb, Mississippi). His father, Vernall Varnado (born December 13, 1949, Magnolia, Mississippi), was a Vietnam veteran, singer, and mail carrier who was said to be frequently absent from his life. Broadus' parents nicknamed him "Snoopy" as a child because of his appearance, but usually addressed him as Calvin at home. His mother and stepfather divorced in 1975. At an early age, Broadus began singing in Golgotha Trinity Baptist Church and playing piano; when he was in sixth grade, he began rapping. He attended Long Beach Polytechnic High School, and was convicted for cocaine possession, serving six months at the Wayside County Jail.

As a teenager, Snoop Dogg frequently ran into trouble with the law. Snoop Dogg was a member of the Rollin' 20 Crips gang in the Eastside of Long Beach, although he stated in 1993 that he never joined a gang. Shortly after graduating from high school, he was arrested for possession of cocaine. Snoop Dogg's conviction caused him to be frequently in and out of prison for the first three years after he graduated from high school. Snoop, along with his cousins Nate Dogg and Lil' ½ Dead and friend Warren G, recorded home made tapes as a group called 213, named after the Long Beach area code at the time. One of his early solo freestyles over En Vogue's "Hold On" had made it to a mixtape which was heard by influential producer Dr. Dre, who phoned to invite him to an audition. Former N.W.A member The D.O.C. taught him how to structure his lyrics and separate the thematics into verses, hooks and chorus.

1992–93: ''Doggystyle''

When he began recording, Broadus took the stage name Snoop Doggy Dogg. Dr. Dre began working with Snoop Dogg, first on the theme song of the 1992 film ''Deep Cover'', and then on Dr. Dre's debut solo album ''The Chronic'' with the other members of his former starting group, Tha Dogg Pound. The huge success of Snoop Dogg's debut ''Doggystyle'' was partially because of this intense exposure.

To fuel the ascendance of West Coast G-funk hip hop, the singles "Who Am I (What's My Name)?" and "Gin and Juice" reached the top ten most-played songs in the United States, and the album stayed on the Billboard charts for several months. Gangsta rap became the center of arguments for censorship and labeling, with Snoop Dogg often used as an example of violent and misogynistic musicians. ''Doggystyle'', much like ''The Chronic'', featured a host of rappers signed to or affiliated with the Death Row label including Daz Dillinger, Kurupt, Nate Dogg and others. ''Rolling Stone'' music critic Touré asserted that Snoop had a relatively soft vocal delivery compared to other rappers: "Snoop's vocal style is part of what distinguishes him: where many rappers scream, figuratively and literally, he speaks softly."

A short film about Snoop Dogg's murder trial called ''Murder Was The Case'', was released in 1994, along with an accompanying soundtrack. On July 6, 1995, Doggy Style Records, Inc., a record label founded by Snoop Dogg, was registered with the California Secretary of State as business entity number C1923139.

1996–97: ''Tha Doggfather''

After Snoop Dogg was acquitted of murder charges on February 20, 1996, he and the mother of his son and their kennel of 20 pit bulls moved into a home in the hills of Claremont, California and by August 1996 Doggy Style Records, a subsidiary of Death Row Records, signed The Gap Band's Charlie Wilson as one of the record label's first artists.

However, by the time Snoop Dogg's second album, ''Tha Doggfather'', was released in November 1996, the price of living (or sometimes just imitating) the gangsta life had become very evident. Among the many notable hip hop industry deaths and convictions were the death of Snoop Dogg's friend and labelmate 2Pac and the racketeering indictment of Death Row co-founder Suge Knight. Dr. Dre had left Death Row earlier in 1996 because of a contract dispute, so Snoop Dogg co-produced ''Tha Doggfather'' with Daz Dillinger and DJ Pooh.

This album featured a distinct change of style as compared to ''Doggystyle'', and the leadoff single, "Snoop's Upside Ya Head", featured a collaboration with Gap Band frontman Charlie Wilson. While the album sold reasonably well, it was not as successful as its predecessor. However, ''Tha Doggfather'' had a somewhat softer approach to the G-funk style. The immediate aftermath of Dr. Dre's withdrawal from Death Row Records, realizing that he was subject to an iron-clad time-based contract (i.e., that Death Row practically owned anything he produced for a number of years), Snoop Dogg refused to produce any more tracks for Suge Knight, other than the insulting "Fuck Death Row", until his contract expired. In an interview with Neil Strauss in 1998, Snoop Dogg stated that though he had been given lavish gifts by his former label they had withheld royalty payments to the artist.

Stephen Thomas Erlewine of Allmusic said that after ''Tha Doggfather'', Snoop Dogg began "moving away from his gangsta roots toward a calmer lyrical aesthetic": for instance, Snoop participated in the 1997 Lollapalooza concert tour, which featured mainly alternative rock music. Troy J. Augusto of ''Variety'' noticed that Snoop's set at Lollapalooza attracted "much dancing, and, strangely, even a small mosh pit" in the audience.

1998–2000: ''No Limit'', ''Top Dogg'' and ''Tha Last Meal''

Snoop signed with Master P's No Limit Records (distributed by Priority/EMI Records) in 1998 and debuted on the label with ''Da Game Is to Be Sold, Not to Be Told'' that year. His other albums from No Limit were ''No Limit Top Dogg'' in 1999 (selling over 1,503,865 copies) and ''Tha Last Meal'' in 2000 (selling over 1,000,000). In 2001, his autobiography, ''Tha Doggfather'', was published.

2002: ''Paid tha Cost to Be da Bo$$''

In 2002 he released the album ''Paid tha Cost to Be da Bo$$'', on Priority/Capitol/EMI Records, selling over 1,300,000 copies. The album featured the hit singles "From tha Chuuuch to da Palace" and "Beautiful", featuring guest vocals by Pharrell. By this stage in his career, Snoop Dogg had left behind his "gangster" image and embraced a "pimp" image.

2004–05: ''R&G; (Rhythm & Gangsta): The Masterpiece''

In 2004, Snoop signed to Geffen Records/Star Trak Entertainment both of which are distributed through Interscope Records; Star Trak is headed by producer duo The Neptunes, which produced several tracks for Snoop's 2004 release ''R&G; (Rhythm & Gangsta): The Masterpiece''. "Drop It Like It's Hot" (featuring Pharrell), the first single released from the album, was a hit and became Snoop Dogg's first single to reach number one. His third release was "Signs", featuring Justin Timberlake and Charlie Wilson, which entered the UK chart at #2. This was his highest entry ever in the UK chart. The album sold 1,724,000 copies in the U.S. alone, and most of its singles were heavily played on radio and television. Snoop Dogg joined Warren G and Nate Dogg to form the group 213 and released album ''The Hard Way'' in 2004. Debuting at No.4 on the ''Billboard'' 200 and No.1 on the Top R&B;/Hip-Hop Albums, it included single "Groupie Luv". Together with fellow rappers Lil' Jon, Xzibit and David Banner, Snoop Dogg appeared in the music video for Korn's "Twisted Transistor".

2006: ''Tha Blue Carpet Treatment''

Snoop Dogg's appeared on two tracks from Ice Cube's 2006 album ''Laugh Now, Cry Later'', including the single "Go to Church", and on several tracks on Tha Dogg Pound's ''Cali Iz Active'' the same year. Also, his latest song, "Real Talk", was leaked over the Internet in the summer of 2006 and a video was later released on the Internet. "Real Talk" was a dedication to former Crips leader Stanley "Tookie" Williams and a diss to Arnold Schwarzenegger, the Governor of California. Two other singles on which Snoop made a guest performance were "Keep Bouncing" by Too $hort (also with will.i.am of The Black Eyed Peas) and "Gangsta Walk" by Coolio.

Snoop's 2006 album, ''Tha Blue Carpet Treatment'', debuted on the Billboard 200 at No.5 and has sold over 850,000 copies. The album and the second single "That's That Shit" featuring R. Kelly were well received by critics. In the album, he collaborated in a video with E-40 and other West Coast rappers for his single "Candy (Drippin' Like Water)".

2007–08: ''Ego Trippin'''

In July 2007, Snoop Dogg also made history by becoming the first artist to release a track as a ringtone prior to its release as a single, which was "It's the D.O.G." On July 7, 2007, Snoop Dogg performed at the Live Earth concert, Hamburg. Snoop Dogg has ventured into singing for Bollywood with his first ever rap for an Indian movie ''Singh Is Kinng''; the title of the song is also "Singh is Kinng". He also appears in the movie as himself. The album featuring the song was released on June 8, 2008 on Junglee Music Records. He released his ninth studio album, ''Ego Trippin''' (selling 400,000 copies in the U.S.), along with the first single, "Sexual Eruption". The single peaked at No.7 on the Billboard 100, featuring Snoop using autotune. The album featured production from QDT (Quik-Dogg-Teddy).

2009–10: ''Malice n Wonderland'' and ''More Malice''

Snoop was appointed an executive position at Priority Records. His tenth studio album, ''Malice n Wonderland'', was released on December 8, 2009. The first single from the album, "Gangsta Luv", featuring The-Dream, peaked at No.35 on the Billboard Hot 100. The album debuted at No.23 on the Billboard 200, selling 61,000 copies its first week, making it his lowest charting album. His third single, "I Wanna Rock", peaked at No.41 on the Billboard Hot 100. Snoop features on the latest Gorillaz album, ''Plastic Beach''. The fourth single from ''Malice n Wonderland'', titled "Pronto", featuring Soulja Boy Tell 'Em, was released on iTunes on December 1, 2009. Snoop re-released the album under the name ''More Malice''.

2011–12: ''Doggumentary''

Snoop collaborated with Katy Perry on the first single from her second mainstream album, "California Gurls", which was released on May 11, 2010. Snoop can also be heard on the track "Flashing" by Dr. Dre and on Curren$y's song "Seat Change". He was also featured on a new single from Australian singer Jessica Mauboy, titled "Get 'em Girls" (released September 2010). Snoop's latest effort was backing American recording artist, Emii, on her second single entitled "Mr. Romeo" (released October 26, 2010 as a follow-up to "Magic"). Snoop also collaborated with American comedy troupe The Lonely Island in their song "Turtleneck & Chain", in their 2011 album ''Turtleneck & Chain''.

Snoop Dogg's newest studio album is ''Doggumentary'', The album was renamed to ''Doggumentary'' and was released during March 2011. Snoop was featured on Gorillaz' latest album ''Plastic Beach'' on a track called: "Welcome to the World of the Plastic Beach" with the The Hypnotic Brass, he also completed another track with them entitled "Sumthing Like This Night" which does not appear on ''Plastic Beach'', yet does appear on ''Doggumentary''. He also appears on the latest Tech N9ne album ''All 6's and 7's'' (released June 7, 2011) on a track called "Pornographic" which also features E-40 and Krizz Kaliko.

2012–present: ''Reincarnated''

On February 4, 2012, Snoop Dogg announced a new documentary alongside his new upcoming studio album entitled ''Reincarnated''. Snoop Dogg is set to headline the Osheaga Festival in Montreal, Canada this summer.

Other ventures

Media appearances

Snoop Dogg has appeared on television and in films throughout his career. In 1998, Snoop had a cameo appearance in the film ''Half Baked'' as the "Scavenger Smoker". In 2000, Snoop (as "Michael J. Corleone") directed ''Snoop Dogg's Doggystyle'', a pornographic film produced by Hustler. The film, combining hip hop with x-rated material, was a huge success and won "Top Selling Release of the Year" at the 2002 AVN Awards. Snoop then directed ''Snoop Dogg's Hustlaz: Diary of a Pimp'' in 2002 (using the nickname "Snoop Scorsese").

In 2001, Snoop lent his voice to the animated show ''King of the Hill'', in which he played a white pimp named Alabaster Jones. He played a lead character in the movie ''The Wash'' with Dr. Dre. He portrayed a drug dealer in a wheelchair in the film ''Training Day'', featuring Denzel Washington. In 2001, Snoop starred in the horror film ''Bones'', with him playing a murdered mobster who returns from the dead to exact his revenge against those who murdered him.

In 2002, Snoop hosted, starred in, and produced his own MTV sketch comedy show entitled Doggy Fizzle Televizzle. Snoop was filmed for a brief cameo appearance in the television movie ''It's a Very Merry Muppet Christmas Movie'' (2002), but his performance was omitted from the final cut of the movie. On November 8, 2004, Snoop Dogg was starred in the episode "Two of a Kind" of NBC's series ''Las Vegas''.

In 2004, Snoop appeared on the Showtime series ''The L Word'' as the character "Slim Daddy". He also notably played the drug dealer-turned-informant character of Huggy Bear, in the 2004 remake film of the 1970s TV-series of the same name, ''Starsky & Hutch''. He appeared as himself in the episode "MILF Money" of ''Weeds'', and made an appearance on the TV shows ''Entourage'' and ''Monk'', for which he recorded a version of the theme, in July 2007.

Snoop founded his own production company, Snoopadelic Films, in 2005. Their debut film was ''Boss'n Up'', a film inspired by Snoop Dogg's album ''R&G;'', starring Lil Jon and Trina.

In December 2007, his reality show ''Snoop Dogg's Father Hood'' premiered on the E! channel. Snoop Dogg joined the NBA's Entertainment League. On March 30, 2008 he appeared at WrestleMania XXIV as a ''Master of Ceremonies'' for a tag team match between Maria and Ashley Massaro as they took on Beth Phoenix and Melina.

On May 8 and May 9, 2008, Snoop appeared as himself on the ABC soap opera ''One Life to Live'', with a new opening theme recorded by the artist presented for both episodes. In the episodes, Snoop performs at the bachelorette party for character Adriana Cramer, and credits Bo Buchanan with helping him get his start in show business. On February 24, 2010, Snoop Dogg reprised his role, performing his song "I Wanna Rock" from his new album, ''Malice n Wonderland'', as well as once again performing a special remixed, vocal rendition of the show's opening theme. In recent interviews he has explained that, as a child, ''One Life to Live'' was one of his favorite shows, and he still regards the show fondly. He has also stated that he has always been a particular fan of Robert S. Woods, who has portrayed the character of Bo Buchanan since 1979.

In 2009, Snoop Dogg appeared in Sacha Baron Cohen's film ''Brüno'' as himself performing a rap addition to the song "Dove Of Peace". On October 19, 2009, Snoop Dogg was the guest host of ''WWE Raw''.

In July 2009, Snoop revealed his desire to appear in the popular soap opera Coronation Street while touring in the UK. However ITV bosses were said to be less keen.

In 2010, Snoop Dogg appeared in an episode of I Get That a Lot on CBS as a parking-lot attendant.

In June 2010, Snoop created a music video for True Blood accompanying a song he wrote for one of the main characters of the show entitled "Oh Sookie."

In March 2011, Snoop participated in Comedy Central's Roast of Donald Trump with other comedians and media personalities.

January 2, 2012, appeared on the The Price Is Right and raised $72,000 for his charity, Snoop Youth Football League.

Endorsements

St. Ides

Snoop Dogg 40 Oz Malt liquor

Adidas Originals

Boost Mobile cell phone

Chrysler 300

Colt 45 Blast

Metro PCS Samsung Galaxy 4G

Orbit Gum

AOL commercial with Jerry Stiller

Cal Worthington's Ford dealership in Long Beach, California

"Snoop Doggs" – foot-long hot dogs manufactured in Massachusetts, a joint venture with Platinum One Media

"Snoop Dogg Board Company (SDBC)" – skateboards and Luggage fabrication company (with Pentagon Distribution)

"Snooperbowl" and "Snoop Youth Football league"

"Chronic Candy" – candy that tastes like marijuana (from Switzerland and is currently banned in some cities of US)

''Love Don't Live Here No More, Doggy Tales Vol.1'' – love novel (co-written by David E. Talbert, published by Atria and Snoopadelic Films) ISBN 0-7432-7363-X ''Tha Doggfather : The Times, Trials, And Hardcore Truths Of Snoop Dogg'' – autobiography (published by William Morrow) Hardcover ISBN 0-688-17158-3, Paperback ISBN 0-06-107607-4

''Fear & Respect'' (project cancelled as of March 1, 2006) – PlayStation 2 video game (developed by Midway Games)

"Doggy Biscuitz" – shoe brand (in partnership with Pony International)

"Snoop Dogg Clothing" – streetwear (distributed at Macy's)

"WRFF" – unique design scooters (in cooperation with Salton, Inc.) "Hip Hop Gaming League" – a celebrity online gaming competition (hosted by Global Gaming League) "Snoop Dogg figures" (Vital Toys, SOTA Toys)

"Snoop Dogg Boxing" – mobile phone game (Sony Pictures Mobile)

"Snoop Dogg Pet Accessory Line" (in conjunction with Jakks Pacific) Snoop Dogg is a celebrity voice of a TomTom GPS navigation system. He stated on George Lopez's talk show Lopez Tonight that he is tired of hearing directions from the same woman. In August 2008, Snoop Dogg announced the launch of a new streetwear line called Rich & Infamous, via a partnership with Robert Thorne Co. The line was unveiled during the Magic Tradeshow in Las Vegas. "Hack is Wack" – Promoting Norton AntiVirus. "Coffee Cup With A Cause" with 7 Eleven. "Serious Pimp" clothing line. "iFizzle" iPhone Application. "Vybe Mobile" "Pepsi Max" – Zero Calories

Style and rap skills

Kool Moe Dee ranks Snoop at No.33 in his book ''There's a God on the Mic'', and says he has "an ultra-smooth, laidback delivery", and "flavor-filled melodic rhyming". Peter Shapiro describes Snoop's delivery as a "molasses drawl" and Allmusic notes his "drawled, laconic rhyming" style. Kool Moe Dee refers to Snoop's use of vocabulary, saying he "keeps it real simple...he simplifies it and he's effective in his simplicity".

Snoop is known to freestyle some of his lyrics on the spot for some songs – in the book ''How to Rap'', Lady of Rage says, "Snoop Dogg, when I worked with him earlier in his career, that's how created his stuff... he would freestyle, he wasn't a writer then, he was a freestyler," and The D.O.C. states, "Snoop's [rap] was a one take willy, but his shit was all freestyle. He hadn't written nothing down. He just came in and started busting. The song was "Tha Shiznit"—that was all freestyle. He started busting and when we got to the break, Dre cut the machine off, did the chorus and told Snoop to come back in. He did that throughout the record. That's when Snoop was in the zone then."

Peter Shapiro says that Snoop debuted on "Deep Cover" with a "shockingly original flow – which sounded like a Slick Rick born in South Carolina instead of South London" and adds that he "showed where his style came from by covering Slick Rick's 'La Di Da Di'". as well as 'linking with rhythm' in his compound rhymes, using alliteration, and employing a "sparse" flow with good use of pauses.

Snoop re-popularized the use of ''-izzle speak'', particularly in the pop and hip-hop music industry.

Personal life

Broadus's father left the family when Broadus was three months old. Snoop married his high school sweetheart, Shante Taylor, on June 12, 1997. On May 21, 2004, he filed for divorce from Shante, citing irreconcilable differences. The couple renewed their wedding vows on January 12, 2008. R&B; singers Brandy and Ray J are his first cousins. In 2002, the rapper announced he was giving up marijuana, one of his image trademarks, for good. According to his IMDb biography, Snoop is a fan of the thrash metal band Metallica and performed their song "Sad But True" on the band's 2003 MTV Icon Special which is available on YouTube. A DNA test read by George Lopez on ''Lopez Tonight'' revealed Snoop Dogg to be of 0% East Asian, 23% Native American, 6% European, and 71% African descent.

Snoop is an avid fan of hometown teams Los Angeles Dodgers and the Los Angeles Lakers. Snoop is also an avid Pittsburgh Steelers fan. and is often seen wearing Pittsburgh Steelers apparel. Snoop has mentioned that his love for the Steelers began in the 1970s during the team's dynasty years while watching the team with his grandfather growing up in L.A. In the 2005 offseason, Snoop mentioned that he wanted to be an NFL head coach, "probably for the Steelers". The following year, he was in attendance for the Steelers' victory in Super Bowl XL and later in Super Bowl XLIII. He is also a fan of the Oakland Raiders and Dallas Cowboys, often wearing a No.5 jersey, and has been seen at Raiders training camps. He did his own free style rap based on his similarities with Tony Romo. He is also a fan of the USC Trojans Football team. He has also shown affection for the New England Patriots, as he has been seen performing at the Gillette Stadium and picked the Patriots as the favorite to win Super Bowl XXXIX against the Eagles. On August 6, 2009, Snoop visited the training camp of the Baltimore Ravens at McDaniel College in Westminster, Maryland. He was invited by Ray Lewis the day after his concert at the Merriweather Post Pavilion in Columbia, Maryland.

A certified football coach, Snoop Dogg has been head coach for his son's youth football teams and the John A. Rowland High School team.

Snoop Dogg is an avid hockey fan; he sported a Pittsburgh Penguins jersey (with the name and number 'GIN AND JUICE' 94 on the back) and a jersey of the now-defunct Springfield (MA) Indians of the American Hockey League in his 1994 music video, "Gin And Juice". On the E! show, ''Snoop Dogg’s Father Hood'', Snoop Dogg and his family received lessons on playing hockey from the Anaheim Ducks, then returning to the Honda Center to cheer on the Ducks against the Vancouver Canucks in the episode ''Snow in da Hood''.

In 2009, it was revealed that Snoop Dogg was a member of the Nation of Islam. On March 1, 2009, he made an appearance at the Nation of Islam's annual Saviours' Day holiday, where he praised minister Louis Farrakhan. Snoop claimed to be a member of the Nation of Islam, but he declined to give the date on which he joined. He also donated $1,000 to the organization.

Snoop claimed in a 2006 interview with ''Rolling Stone'' magazine that unlike other hip hop artists who've superficially adopted the pimp persona, he was an actual professional pimp in 2003 and 2004, saying "That shit was my natural calling and once I got involved with it, it became fun. It was like shootin' layups for me. I was makin' 'em every time." He goes on to say that upon the advice of some of the other pimps he knew, he eventually gave up pimping to spend more time with his family.

Legal issues

Shortly after graduating from high school, he was arrested for possession of cocaine.

While recording ''Doggystyle'' in August 1993, Snoop Dogg was arrested in connection with the death of Phillip Woldermarian, a member of a rival gang who was shot and killed by Snoop's bodyguard, McKinley Lee; Snoop was charged with murder along with Lee as he was driving the vehicle from which the shooting had commenced. Snoop and Lee were defended by Johnnie Cochran. Both Snoop and Lee were acquitted; Lee was acquitted on grounds of self-defense, but Snoop Dogg remained entangled in the legal battles around the case for three years.

In July 1993, Snoop was stopped for a traffic violation and a firearm was found by police while conducting a search of his car. In February 1997, he pleaded guilty to possession of a handgun and was ordered to record three public service announcements, pay a $1,000 fine, and serve three years' probation.

In May 1998, Snoop Dogg was fined and arrested for a misdemeanor of marijuana possession.

In October 2001, Snoop Dogg was arrested again for a misdemeanor of marijuana possession. In 2002 he pleaded no contest and was fined a total of $398.30 and received a suspended 30-day jail sentence.

Snoop Dogg, Tha Dogg Pound, and The Game were sued for assaulting a fan on stage at a May 2005 concert at the White River Amphitheatre in Auburn, Washington. The accuser, Richard Monroe, Jr., claimed he was beaten by the artists' entourage while mounting the stage. He alleged that he reacted to an "open invite" to come on stage. Before he could, Snoop’s bodyguards grabbed him and he was beaten unconscious by crewmembers, including the rapper and producer Soopafly; Snoop and The Game were included in the suit for not intervening. The lawsuit focuses on a pecuniary claim of $22 million in punitive and compensatory damages, battery, negligence, and intentional infliction of emotional distress. The concerned parties appeared in court in April 2009.

On April 26, 2006, Snoop Dogg and members of his entourage were arrested after being turned away from British Airways' first class lounge at Heathrow Airport. Snoop and his party were not allowed to enter the lounge because some of the entourage were flying first class, other members in economy class. After the group was escorted outside, they vandalized a duty-free shop by throwing whiskey bottles. Seven police officers were injured in the midst of the disturbance. After a night in jail, Snoop and the other men were released on bail on April 27, but he was unable to perform at the Premier Foods People's Concert in Johannesburg on the same day. As part of his bail conditions, he had to return to the police station in May. The group has been banned by British Airways for "the foreseeable future." When Snoop Dogg appeared at a London police station on May 11, he was cautioned for affray under Section 4 of the Public Order Act for use of threatening words or behavior. On May 15, the Home Office decided that Snoop Dogg should be denied entry to the United Kingdom for the foreseeable future due to the incident at Heathrow as well as his previous convictions in the United States for drugs and firearms offenses. Snoop Dogg's visa card was rejected by local authorities on March 24, 2007 because of the Heathrow incident. A concert at London's Wembley Arena on March 27 went ahead with Diddy (with whom he toured Europe) and the rest of the show. However the decision affected four more British performances in Cardiff, Manchester and Glasgow and Budapest (due to rescheduling). As of March 2010, Snoop Dogg has been allowed back into the UK.

On September 27, 2006, Snoop Dogg was detained at John Wayne Airport in Orange County, California by airport security, after airport screeners found a collapsible police baton in Snoop's carry-on bag. The baton was confiscated but Snoop was allowed to board the flight. He has been charged with various weapons violations stemming from this incident. Donald Etra, Snoop's lawyer, told deputies the baton was a prop for a musical sketch. Snoop was sentenced to three years' probation and 160 hours of community service starting on September 20, 2007.

Snoop Dogg was arrested again on October 26, 2006 at Bob Hope Airport in Burbank, California while parked in a passenger loading zone. Approached by airport security for a traffic infraction, he was found in possession of marijuana and a firearm, according to a police statement. He was transported to Burbank Police Department Jail, booked, and released on $35,000 bond. He faced firearm and drug possession charges on December 12 at Burbank Superior Court.

He was again arrested on November 29, 2006, after performing on ''The Tonight Show'', for possession of marijuana and a firearm.

Snoop was arrested again on March 12, 2007 in Stockholm, Sweden after performing in a concert with P. Diddy in Stockholm's Globe Arena after he and a female companion reportedly "reeked" of marijuana. They were released four hours later after providing a urine sample. The results on urine determined whether charges would be pressed. However the rapper denied all charges.

On April 26, 2007, the Australian Department of Immigration and Citizenship banned him from entering the country on character grounds, citing his prior criminal convictions. He had been scheduled to appear at the MTV Australia Video Music Awards on April 29, 2007. Australian Department of Immigration and Citizenship lifted the ban in September 2008 and had granted him visa to tour Australia. DIAC said "In making this decision, the department weighed his criminal convictions against his previous behaviour while in Australia, recent conduct – including charity work – and any likely risk to the Australian community ... We took into account all relevant factors and, on balance, the department decided to grant the visa."

Snoop Dogg's many legal issues forced San Francisco mayor Gavin Newsom to withdraw his plan to issue a proclamation to the rapper.

Snoop Dogg was banned from Parkpop, a festival in the Netherlands on June 27, 2010, where he was scheduled to perform. The mayor and law enforcement officials asked organizers of the festival to find an artist more “open and friendly” to play the event.

Snoop Dogg was arrested again on January 7, 2012 for possession of Marijuana charge after Border control agents discovered a small amount of marijuana on his tour bus. Snoop Dogg was stopped at the same Sierra Blanca, Texas, checkpoint on Saturday where country singer Willie Nelson was arrested for marijuana possession in 2010. The agents conducted a routine inspection of his tour bus at the U.S.– Mexico border checkpoint, east of El Paso, Texas and thought they smelled marijuana. Snoop Dogg was issued a citation for possession of drug paraphernalia, released and given a court date of Friday, January 20, 2012.

Discography

''Doggystyle'' (1993)

''Tha Doggfather'' (1996)

''Da Game Is to Be Sold, Not to Be Told'' (1998)

''No Limit Top Dogg'' (1999)

''Tha Last Meal'' (2000)

''Paid tha Cost to Be da Boss'' (2002)

''R&G; (Rhythm & Gangsta): The Masterpiece'' (2004)

''Tha Blue Carpet Treatment'' (2006)

''Ego Trippin''' (2008)

''Malice n Wonderland'' (2009)

''Doggumentary'' (2011)

''Reincarnated'' (2012)

Filmography

1994: ''Murder Was the Case'' (Platinum)

1998: ''Caught Up''

1998: ''Half Baked'' (cameo appearance)

1998: ''Da Game of Life''

1998: ''Hot Boyz''

1998: ''Ride''

1999: ''Whiteboyz''

1999: ''Urban Menace''

2000: ''Tha Eastsidaz''

2000: ''Up in Smoke Tour''

2001: ''Baby Boy''

2001: ''Training Day''

2001: ''King of the Hill'' (voice)

2001: ''Bones''

2001: ''The Wash''

2003: ''Malibu's Most Wanted''

2003: ''Old School''

2004: ''Starsky & Hutch''

2004: ''Soul Plane''

2004: ''Volcano High''

2005: ''Boss'n Up''

2005: ''Racing Stripes'' (voice)

2006: ''The Tenants''

2006: ''''Weeds'''': Himself

2006: ''Hood of Horror''

2007: ''Arthur and the Invisibles'' (voice)

2007: ''Monk''

* During the opening credits, he covered the title song by Randy Newman "It's a Jungle out There".

2007: ''The Boondocks''

2008: ''Singh Is Kinng'' (as Himself)

2008: ''Snoop Dogg's Father Hood'' (as Himself)

2009: ''Futurama: Into the Wild Green Yonder'' (voice)

2009: ''Dogg After Dark'': Himself

2009: ''Xavier: Renegade Angel'' (voice)

2009: ''Brüno'' (cameo appearance)

2009: ''Falling Up''

2010: ''Down for Life''

2010: ''One Life to Live'' as Calvin Broadus

2010: ''Straight Outta L.A.'' (as Himself)

2010: ''Freaknik: The Musical''

2010: ''Malice n Wonderland'' as Malice

2010: ''Big Time Christmas'' as Himself

2011: ''90210 (TV series)'' as Himself

2011: ''Roast of Donald Trump''

Awards

Snoop Dogg was also a judge for the 7th annual Independent Music Awards to support independent artists' careers.

Further reading

References

External links

Snoop Dogg at Geffen Records

Category:1971 births Category:Living people Category:African American film actors Category:American rappers Category:American people of Native American descent Category:African American rappers Category:American cannabis activists Category:American film actors Category:American film producers Category:American hip hop record producers Category:American music industry executives Category:American music video directors Category:American pop musicians Category:American record producers Category:American television actors Category:American voice actors Category:Crips Category:Death Row Records artists Category:G-funk Category:Hip hop activists Category:Hip hop singers Category:Hip hop record producers Category:Members of the Nation of Islam Category:No Limit Records artists Category:Participants in American reality television series Category:People acquitted of murder Category:People convicted of drug offenses Category:People from Long Beach, California Category:People self-identifying as substance abusers Category:Priority Records artists Category:Pseudonymous rappers Category:Rappers from Los Angeles, California Category:West Coast hip hop musicians

ar:سنوب دوغ bg:Снуп Дог bs:Snoop Dogg ca:Snoop Dogg cs:Snoop Dogg cy:Snoop Dogg da:Snoop Dogg de:Snoop Dogg et:Snoop Dogg es:Snoop Dogg eo:Snoop Dogg eu:Snoop Dogg fa:اسنوپ داگ fo:Snoop Dogg fr:Snoop Dogg fy:Snoop Dogg ko:스눕 독 hy:Սնուփ Դոգ hi:स्नूप दॉग hr:Snoop Dogg id:Snoop Dogg is:Snoop Dogg it:Snoop Dogg he:סנופ דוג ka:სნუპ დოგი kk:Snoop Dogg sw:Snoop Doggy lv:Snoop Dogg lt:Snoop Dogg hu:Snoop Dogg nl:Snoop Dogg ja:スヌープ・ドッグ no:Snoop Dogg pl:Snoop Dogg pt:Snoop Dogg ro:Snoop Dogg ru:Snoop Dogg stq:Snoop Dogg simple:Snoop Dogg sk:Snoop Dogg sr:Снуп Дог sh:Snoop Dogg fi:Snoop Dogg sv:Snoop Dogg ta:ஸ்னூப் டாக் th:สนูป ด็อกก์ tr:Snoop Dogg uk:Snoop Dogg yo:Snoop Dogg zh:史努比狗狗