name	Anne
gender	Female/ Male
meaning	Favored, Grace
language	English,Telugu,French
seealso	Anna, Ann, Ana }}

Anne'', alternatively spelled Ane or Ann is a form of the Latin female given name Anna. This in turn is a representation of the Hebrew Hannah''' or ''Hanani'', meaning 'He [= God] has favoured me', the name of the mother of the prophet Samuel. Anne is a common name in France.

"Anne", is also a surname belongs to the Kamma Caste based out in India"say like "Jithendra Anne" & Pronunced as Aaney.

It is sometimes used as a male name in the Netherlands (for example ''Anne de Vries''). It has also been used for males in France (''Anne de Montmorency'') and Scotland (''Lord Anne Hamilton'')

Notable people named Anne

Anne Bancroft, American actress (1931-2005)

Anne Baxter, American actress (1923-1985)

Anne Boleyn, Queen consort and second wife of King Henry VIII of England (c. 1501/1507 - 1536)

Anne Bradstreet (c. 1612-1672), America's first published poet

Anne Brontë (1820-1849), British novelist and poet

Anne de Montmorency (1493-1567), constable of France, soldier, statesman, and diplomat

Anne de Noailles (d. 1678), first Duke of Noailles

Anne de Vries (1904–1964), Dutch writer from Drenthe

Lord Anne Douglas-Hamilton (1709-1748), Scottish nobleman

Anne, Duchess of Luxembourg (1432-1462)

Anne Francis (1930-2011), American actress

Anne Frank (1929-1945), Jewish-German diarist

Anne Hathaway

*Anne Hathaway (actress) (born 1982), American actress

*Anne Hathaway (Shakespeare) (1556-1623), wife of William Shakespeare

Anne Hutchinson, American religious dissenter (1591-1643)

Anne Hyde, Duchess of York

Anne Judkins (born 1964), New Zealand race walker

Anne Keothavong (1866-1936), British tennis player

Anne Kornblut, author of ''Notes from the Cracked Ceiling''

Anne Kremer (born 1975), Luxembourgish tennis player

Anne Meara, American actress and comedian (1929- )

Anne Murray, Canadian singer (1945- )

Anne of Austria, Queen consort of France

Anne of Brittany (1488-1514), Breton ruler, Queen consort of France

Anne of Cleves, fourth wife of King Henry VIII

Anne, Queen of Great Britain (1665-1714), Queen of England, Scotland and Ireland; after 1707 Queen of Great Britain

Anne Provoost, Flemish author

Anne Rice, American author

Anne Veski (born 1956), Estonian pop singer

Anne Vondeling, Dutch politician

Princess Anne, the name and title of several individuals

*Anne, only daughter of Queen Elizabeth II

Watanabe Anne 渡辺杏 '' (Anne/杏), Japanese model/actress

Saint Anne, Mother of the Virgin Mary

Jithendra Anne, Born and brought up in Andhra

Anne Clausen, Danish actress

Notable people with the middle name Anne

Jacqueline Anne "Jackie" French, Australian children's author

Notable people named Ann

Ann Alexander Smith

Ann Bancroft

Ann Bonny

Ann Brashares

Ann Donahue

Ann Druyan

Ann Dunham

Ann-Margret

Ann Radcliffe

Ann Sothern

Ann Wilson

Julia Ann

Keren Ann

LeAnn Rimes

Name used in fiction

Ann Darrow from the ''King Kong'' motion pictures (1933 and 2005)

Anne Elliot from Jane Austen's ''Persuasion (novel)''

Raggedy Ann

Anne Page from Shakespeare's ''The Merry Wives of Windsor''

Anne Shirley from L. M. Montgomery's ''Anne of Green Gables''

See also

Queen Anne

Lady Anne

Ann Arbor, Michigan

References

Category:Feminine given names Category:Masculine given names

br:Anne da:Hanne de:Anne is:Anne no:Anne nn:Anne fi:Anne

name	Anne Bancroft
alt	Black-and-white studio publicity headshot of Bancroft (late 1960s)
birth name	Anna Maria Louisa Italiano
birth date	September 17, 1931
birth place	The Bronx, New York, U.S.
death date	June 06, 2005
death place	New York City, New York, U.S.
death cause	Uterine cancer
occupation	Actress
years active	1951–2005
spouse	(divorced) (her death)
children	Max Brooks (born 1972)
parents	Michael Italiano (1905-2001)Mildred DiNapoli(1907-2010)
website	}}

Anne Bancroft (September 17, 1931 – June 6, 2005) was an American actress associated with the method acting school, which she had studied under Lee Strasberg. Respected for her acting prowess and versatility, Bancroft was often acknowledged for her work in film, theatre and television. She won one Academy Award, three BAFTA Awards, two Golden Globes, two Tony Awards and two Emmy Awards, and several other awards and nominations.

She made her film debut in ''Don't Bother to Knock'' (1952) and, following a string of supporting film roles during the 1950s, won an Academy Award for Best Actress for her performance in ''The Miracle Worker'' (1962), receiving subsequent nominations for her roles in ''The Pumpkin Eater'' (1964), ''The Graduate'' (1967), ''The Turning Point'' (1977), and ''Agnes of God'' (1985). Bancroft's other acclaimed movies as a lead actress include ''Young Winston'' (1972), ''The Prisoner of Second Avenue'' (1975), ''To Be or Not to Be'' (1983), and ''84 Charing Cross Road'' (1987).

Later in her career, she made the transition back to supporting roles in theatrical films such as ''Point of No Return'' (1993), ''Home for the Holidays'' (1995), ''Great Expectations'' (1998), ''Antz'' (1998),''Keeping the Faith'' (2000), and ''Heartbreakers'' (2001). She also starred in seven television films, the last of which was ''The Roman Spring of Mrs. Stone'' (2003) for which she received Emmy and Screen Actors Guild Award nominations.

Bancroft died of uterine cancer, age 73, in 2005. Among her survivors was her husband of 40 years, Mel Brooks, and their son Max Brooks.

Early life

Bancroft was born Anna Maria Louisa Italiano in The Bronx, New York, the daughter of Mildred (née DiNapoli), a telephone operator, and Michael Italiano, a dress pattern maker. Her parents were both children of Italian immigrants. She was brought up as a Roman Catholic. Bancroft graduated from Christopher Columbus High School in the Bronx in 1948, and attended HB Studio, the American Academy of Dramatic Arts, the Actors Studio, and the American Film Institute's Directing Workshop for Women at the University of California, Los Angeles. After appearing in a number of live television dramas under the name Anne Marno, she was told to change her surname for her film debut in ''Don't Bother to Knock''.

Career

Bancroft was a contract player in the early days of her career just as the studio contract system was ending. She left Hollywood because of the poor quality of roles she was being offered and returned to New York.

In 1958, Bancroft made her Broadway debut as lovelorn, Bronx-talkin' Gittel Mosca opposite Henry Fonda (as the married man Gittel loves) in William Gibson's two-character play ''Two for the Seesaw'', directed by Arthur Penn. For Gittel, she won the Tony Award for Best Performance by a Featured Actress in a Play. (Though her role was quite equal to Fonda's, he, an established film actor, was the star, and so she was eligible in the featured category).

She subsequently won the Tony Award for Best Performance by a Leading Actress in a Play in 1960, again with playwright Gibson and director Penn, when she played Annie Sullivan, the sight-impaired, heroically indefatigable Irish girl who teaches the child Helen Keller to communicate in ''The Miracle Worker''. She took the latter role to Hollywood, and won the Academy Award for Best Actress, with Patty Duke repeating her own success as Helen alongside Bancroft in the 1962 film version of the play. Bancroft had returned to Broadway to star in ''Mother Courage and Her Children'', so Joan Crawford accepted Bancroft's Oscar on her behalf, and later presented the award to her in New York. She is one of the very distinct few to have won an Academy Award and Tony Award for the same role. Bancroft also co-starred as a medieval nun obsessed with a priest opposite Jason Robards in the 1965 Broadway production of John Whiting's play ''The Devils''. Produced by Alexander H. Cohen and directed by Michael Cacoyannis, it ran for a total of 63 performances.

Bancroft received a second Academy Award nomination in 1965 for her performance in ''The Pumpkin Eater''. Her best-known role during this period was as Mrs. Robinson in ''The Graduate'' (1967), for which she received a third Academy Award nomination. In the film, she played an unhappily married woman who seduces a family friend, the much-younger recent college graduate played by Dustin Hoffman. In the movie, Hoffman's character later dates and falls in love with her daughter. Bancroft was ambivalent about her appearance in ''The Graduate''; she stated in several interviews that the role overshadowed all of her other work. Despite her character becoming an archetype of the "older woman" role, Bancroft was only six years older than Dustin Hoffman.

A CBS television special, ''Annie: the Women in the Life of a Man'' (1970), won Bancroft an Emmy Award for her singing and acting. Bancroft is one of a very select few entertainers to win an Oscar, an Emmy and a Tony award. She followed that success with a second television special, ''Annie and The Hoods'' (1974), which was telecast on ABC and featured her husband Mel Brooks as a guest star. She made an uncredited cameo in the film ''Blazing Saddles'' (1974), directed by Brooks. She received a fourth Academy Award nomination for her performance in ''The Turning Point'' (1977) opposite Shirley Maclaine, and a fifth nomination for her performance in ''Agnes of God'' (1985) opposite Jane Fonda.

Bancroft made her debut as a screenwriter and director in ''Fatso'' (1980), in which she starred along with Dom DeLuise. Bancroft was also the original choice to play Joan Crawford in the film ''Mommie Dearest'' (1981), but backed out at the eleventh hour, and was replaced by Faye Dunaway. She was also a front-runner for the role of Aurora Greenway in ''Terms of Endearment'' (1983), but declined in order to act in the remake of ''To Be or Not to Be'' (1983), with her husband Mel Brooks.

During the 1990s and the first half of the 2000s, Bancroft took supporting roles in a number of films in which she co-starred with major film stars, including ''Honeymoon in Vegas'' (1992) with Nicolas Cage; ''Love Potion No. 9'' (1992) with Sandra Bullock; ''Malice'' (1993) with Nicole Kidman; ''Point of No Return'' (1993) with Bridget Fonda; ''Home for the Holidays'' (1995) with Robert Downey Jr. and directed by Jodie Foster; ''How to Make an American Quilt'' (1995) with Winona Ryder, ''G.I. Jane'' (1997) with Demi Moore; ''Great Expectations'' (1998) with Gwyneth Paltrow; ''Keeping the Faith'' (2000) with Ben Stiller; and ''Heartbreakers'' (2001) with Jennifer Love Hewitt, Sigourney Weaver and Gene Hackman. She also lent her voice to the animated film ''Antz'' (1998) which also featured performances from Jennifer Lopez, Sharon Stone, and Woody Allen.

Bancroft also starred in several television movies and miniseries, receiving six Emmy Award nominations (winning twice), eight Golden Globe nominations (winning twice), and two Screen Actors Guild Awards. Her final screen appearance was in the television film ''The Roman Spring of Mrs. Stone'' (2003) for which she received critical acclaim. Her last project was the animated feature ''Delgo'', released posthumously in 2008.

She received a star on the Hollywood Walk of Fame at 6368 Hollywood Boulevard, for her work in television. At the time of her star's installation (1960), she had recently appeared in several TV series.

Marriage and family

Bancroft was married to Martin May from July 1, 1953, to February 13, 1957. They had no children.

In 1961, Bancroft met Mel Brooks at a rehearsal for the Perry Como variety show. Bancroft and Brooks married on August 5, 1964, at the Manhattan Marriage Bureau near New York City Hall and were together until her death. In 1972 Bancroft gave birth to her only child, Maximillian Brooks.

They were seen three times on the screen together: once dancing a tango in Brooks's ''Silent Movie'' (1976); in his remake of ''To Be or Not to Be'' (1983); and in the episode entitled "Opening Night" (2004) of the HBO show ''Curb Your Enthusiasm''. They were also in ''Dracula: Dead and Loving It'' (1995), but never appeared together. Brooks produced the film ''The Elephant Man'' (1980), in which Bancroft acted. He also was executive-producer for the film ''84 Charing Cross Road'' (1987) in which she starred. Both Brooks and Bancroft appeared in season six of ''The Simpsons''. According to the DVD commentary, when Bancroft came to record her lines for the episode "Fear of Flying", the Simpsons writers asked if Brooks had come with her (which he had); she joked, "I can't get rid of him!" In 2010, Brooks credited Bancroft as being the guiding force behind his involvement in developing ''The Producers'' and ''Young Frankenstein'' for the musical theatre, citing an early meeting as "From that day, until her death on June 5, 2005, we were glued together."

In April 2005, two months before her death, Bancroft became a grandmother when her daughter-in-law Michelle gave birth to a boy, Henry Michael Brooks.

Death

Anne Bancroft died, age 73, of uterine cancer on June 6, 2005, at Mount Sinai Hospital in New York City. Her death surprised many, even some of her friends. She was intensely private and had not released details of her illness. She is interred at Kensico Cemetery in Valhalla, New York, near her parents, Mildred (who died in April 2010, five years after her daughter) and Michael Italiano. A white marble monument with a weeping angel adorns her grave. Her last film, ''Delgo'', was dedicated to her memory.

Work

Theatre

! Year	! Title	! Role
1958	''Two for the Seesaw''	Tony Award for Best Performance by a Featured Actress in a Play
1959	''''	Tony Award for Best Performance by a Leading Actress in a Play
1963	''Mother Courage and Her Children''
1965	''''
1967	''''
1968	''''
1977		Nominated—Tony Award for Best Performance by a Leading Actress in a Play
1981	''Duet for One''
2002

Film

! Year	! Title	! Role	Notes
1952	''Don't Bother to Knock''	Lyn Lesley
1953	''Tonight We Sing''	Emma Hurok
1953	''Treasure of the Golden Condor''	Marie, Comtesse de St. Malo
1953	''''	Marian Foley
1954	''Gorilla at Large''	Laverne Miller
1954	''Demetrius and the Gladiators''	Paula
1955	''''	Katie Bishop
1955		Kathy Lupo
1955	''''	María Ibinia
1955	''''	Rosalie Regalzyk
1955	''''	Corinna Marston
1956	''Walk the Proud Land''	Tianay
1957		Marie Gardner
1957	''''	Angelita
1957	''''	Beth Dixon
1962	''''	Annie Sullivan
1964	''''	Jo Armitage Oscar	BAFTA Award for Best Actress in a Leading Role
1965	''''	Inga Dyson
1966	''[[7 Women''	Dr. D.R. Cartwright
1967	''''	Mrs. Robinson	Golden Globe Award for Best Actress – Motion Picture Musical or ComedyNominated — Academy Award for Best ActressNominated — BAFTA Award for Best Actress in a Leading Role
1972	''Young Winston''	Lady Randolph Churchill	Nominated — BAFTA Award for Best Actress in a Leading Role
1974	''Blazing Saddles''	Extra in Church Congregation	uncredited
1975	''''	Edna Edison	Nominated — BAFTA Award for Best Actress in a Leading Role
1975	''''	Ursula, The Countess
1976		Carla Bondi
1976	''Silent Movie''	Herself
1977	''''	Emma Jacklin	National Board of Review Award for Best ActressNominated—Academy Award for Best ActressNominated — BAFTA Award for Best Actress in a Leading RoleNominated — Golden Globe Award for Best Actress – Motion Picture Drama
1977	''Jesus of Nazareth''	Mary Magdalene
1980		Antoinette	also director and writer
1980	''''	Mrs. Kendal
1983		Anna Bronski	Nominated — Golden Globe Award for Best Actress – Motion Picture Musical or Comedy
1984	''Garbo Talks''	Estelle Rolfe	Nominated — Golden Globe Award for Best Actress – Motion Picture Musical or Comedy
1985	''Agnes of God''	Mother Miriam Ruth	Nominated — Academy Award for Best ActressNominated — Golden Globe Award for Best Actress – Motion Picture Drama
1986	''''	Thelma Cates	Nominated — Golden Globe Award for Best Actress – Motion Picture Drama
1987		Helene Hanff	BAFTA Award for Best Actress in a Leading Role
1988		Ma Beckoff
1989	''Bert Rigby, You're a Fool''	Meredith Perlestein
1992	''Honeymoon in Vegas''	Bea Singer
1992		Madame Ruth
1993		Amanda
1993		Mrs. Kennsinger
1993		Dr. Catherine Holland
1995	''How to Make an American Quilt''	Glady Joe Cleary	Nominated — Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
1995		Adele Larson
1995	''Dracula: Dead and Loving It''	Madame Ouspenskaya (Gypsy Woman)
1996	''''	Dr. Renata Baumbauer
1997	''G.I. Jane''	Sen. Lillian DeHaven
1997	''Critical Care''	Nun
1998		Ms. Dinsmoor
1998	''Mark Twain's America in 3D''	Narrator
1998	''Antz''	Queen	voice
2000	''Keeping the Faith''	Ruth Schram
2000	''Up at the Villa''	Princess San Ferdinando
2001		Gloria Vogal/Barbara
2001	''In Search of Peace''	Golda Meir	voice
2008		Sedessa	voice

Television

! Year	! Title	! Role	Notes
1967	''ABC Stage 67'' – ''I'm Getting Married''	Virginia
1970	''Annie: The Women in the Life of a Man''
1974	''Annie and the Hoods''
1977		Mary Magdalene	Miniseries
1982		Marco's mother	Miniseries
1990	''Freddie and Max''	Maxine (Max) Chandler	Six episodes
1992	''Broadway Bound''	Kate Jerome	Nominated — Primetime Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie
1992	''Mrs. Cage''	Lillian Cage	Nominated — Primetime Emmy Award for Outstanding Lead Actress – Miniseries or a Movie
1994		Lucy Marsden (age 99–100)	Nominated — Primetime Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie
1994	''Great Performances'' – ''The Mother''	Mrs. Fanning
1994	''''	Dr. Zweig
1996		Abigail Tillerman	Nominated — Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie
1999	''Deep in My Heart''	Gerry Eileen Cummins	Primetime Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie
2001	''Haven''	Mama Gruber	Nominated—Primetime Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie
2003	''''	Contessa	Nominated — Primetime Emmy Award for Outstanding Supporting Actress – Miniseries or a MovieNominated — Satellite Award for Best Actress – Miniseries or Television FilmNominated — Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie
2004	''Curb Your Enthusiasm''	Herself

References

External links

Category:1931 births Category:2005 deaths Category:20th-century actors Category:21st-century actors Category:Actors Studio alumni Category:American Academy of Dramatic Arts alumni Category:American people of Italian descent Category:American film actors Category:American film directors Category:American screenwriters Category:American stage actors Category:American television actors Category:American voice actors Category:BAFTA winners (people) Category:Best Actress Academy Award winners Category:Best Drama Actress Golden Globe (film) winners Category:Best Musical or Comedy Actress Golden Globe (film) winners Category:Cancer deaths in New York Category:Deaths from uterine cancer Category:Emmy Award winners Category:People from the Bronx Category:Tony Award winners

an:Anne Bancroft bg:Ан Банкрофт ca:Anne Bancroft cs:Anne Bancroftová cy:Anne Bancroft da:Anne Bancroft de:Anne Bancroft el:Αν Μπάνκροφτ es:Anne Bancroft eo:Anne Bancroft eu:Anne Bancroft fa:آن بنکرافت fr:Anne Bancroft gl:Anne Bancroft hr:Anne Bancroft id:Anne Bancroft it:Anne Bancroft he:אן בנקרופט la:Anna Bancroft lb:Anne Bancroft nl:Anne Bancroft ja:アン・バンクロフト no:Anne Bancroft pl:Anne Bancroft pt:Anne Bancroft ro:Anne Bancroft ru:Энн Бэнкрофт simple:Anne Bancroft sk:Anne Bancroftová sr:Ен Банкрофт sh:Anne Bancroft fi:Anne Bancroft sv:Anne Bancroft tl:Anne Bancroft th:แอนน์ แบนครอฟต์ tg:Анне Банкрофт uk:Енн Бенкрофт ur:این بینکرافٹ yo:Anne Bancroft

name	Anne Frank
birth name	Annelies Marie Frank
birth date	June 12, 1929
birth place	Frankfurt am Main, Weimar Germany
death date	Early March 1945 (aged 15)
death place	Bergen-Belsen concentration camp, Lower Saxony, Nazi Germany
nationality	German until 1941Stateless from 1941
notableworks	''The Diary of a Young Girl'' (1947)
influences	Cissy van Marxveldt
religion	Judaism
signature	Anne Frank signature.svg }}

Annelies Marie "Anne" Frank (; 12 June 1929early March 1945) was one of the most renowned and most discussed Jewish victims of the Holocaust. Acknowledged for the quality of her writing, her diary has become one of the world's most widely read books, and has been the basis for several plays and films. Born in the city of Frankfurt am Main in Weimar Germany, she lived most of her life in or near Amsterdam, in the Netherlands. Born a German national, Frank lost her citizenship in 1941 when Nazi Germany passed the anti-Semitic Nuremberg Laws. She gained international fame posthumously after her diary was published. It documents her experiences hiding during the German occupation of the Netherlands in World War II.

The Frank family moved from Germany to Amsterdam in 1933, the year the Nazis gained control over Germany. By the beginning of 1940, they were trapped in Amsterdam by the Nazi occupation of the Netherlands. As persecutions of the Jewish population increased in July 1942, the family went into hiding in the hidden rooms of Anne's father, Otto Frank's, office building. After two years, the group was betrayed and transported to concentration camps. Anne Frank and her sister, Margot, were eventually transferred to the Bergen-Belsen concentration camp, where they both died of typhus in March 1945.

Otto Frank, the only survivor of the family, returned to Amsterdam after the war to find that Anne's diary had been saved, and his efforts led to its publication in 1947. It was translated from its original Dutch and first published in English in 1952 as ''The Diary of a Young Girl''. It has since been translated into many languages. The diary, which was given to Anne on her 13th birthday, chronicles her life from 12 June 1942 until 1 August 1944.

Early life

Anne Frank was born on 12 June 1929 in Frankfurt, Germany, the second daughter of Otto Frank (1889–1980) and Edith Frank-Holländer (1900–45). Margot Frank (1926–45) was her elder sister. The Franks were liberal Jews, did not observe all of the customs and traditions of Judaism, and lived in an assimilated community of Jewish and non-Jewish citizens of various religions. Edith Frank was the more devout parent, while Otto Frank was interested in scholarly pursuits and had an extensive library; both parents encouraged the children to read.

On 13 March 1933, elections were held in Frankfurt for the municipal council, and Adolf Hitler's Nazi Party won. Antisemitic demonstrations occurred almost immediately, and the Franks began to fear what would happen to them if they remained in Germany. Later that year, Edith and the children went to Aachen, where they stayed with Edith's mother, Rosa Holländer. Otto Frank remained in Frankfurt, but after receiving an offer to start a company in Amsterdam, he moved there to organise the business and to arrange accommodations for his family. The Franks were among 300,000 Jews who fled Germany between 1933 and 1939.

Otto Frank began working at the Opekta Works, a company that sold fruit extract pectin, and found an apartment on the Merwedeplein (Merwede Square) in Amsterdam. By February 1934, Edith and the children had arrived in Amsterdam, and the two girls were enrolled in school—Margot in public school and Anne in a Montessori school. Margot demonstrated ability in arithmetic, and Anne showed aptitude for reading and writing. Her friend Hanneli Goslar later recalled that from early childhood, Frank frequently wrote, although she shielded her work with her hands and refused to discuss the content of her writing. The Frank sisters had highly distinct personalities, Margot being well-mannered, reserved, and studious, while Anne was outspoken, energetic, and extroverted.

In 1938 Otto Frank started a second company, Pectacon, which was a wholesaler of herbs, pickling salts, and mixed spices, used in the production of sausages. Hermann van Pels was employed by Pectacon as an advisor about spices. A Jewish butcher, he had fled Osnabrück in Germany with his family. In 1939 Edith's mother came to live with the Franks, and remained with them until her death in January 1942.

In May 1940, Germany invaded the Netherlands, and the occupation government began to persecute Jews by the implementation of restrictive and discriminatory laws; mandatory registration and segregation soon followed. The Frank sisters were excelling in their studies and had many friends, but with the introduction of a decree that Jewish children could attend only Jewish schools, they were enrolled at the Jewish Lyceum. Anne became a friend of Jacqueline van Maarsen in the Lyceum. In April 1941 Otto Frank took action to prevent Pectacon from being confiscated as a Jewish-owned business. He transferred his shares in Pectacon to Johannes Kleiman and resigned as director. The company was liquidated and all assets transferred to Gies and Company, headed by Jan Gies. In December 1941 Frank followed a similar process to save Opekta. The businesses continued with little obvious change and their survival allowed Frank to earn a minimal income, but sufficient to provide for his family.

Time period chronicled in the diary

Before going into hiding

For her 13th birthday on 12 June 1942, Anne Frank received a book she had shown her father in a shop window a few days earlier. Although it was an autograph book, bound with red-and-white checkered cloth and with a small lock on the front, Frank decided she would use it as a diary, and began writing in it almost immediately. While many of her early entries relate the mundane aspects of her life, she also discusses some of the changes that had taken place in the Netherlands since the German occupation. In her entry dated 20 June 1942, she lists many of the restrictions that had been placed upon the lives of the Dutch Jewish population, and also notes her sorrow at the death of her grandmother earlier in the year. Frank dreamed about becoming an actress. She loved watching movies, but the Dutch Jews were forbidden access to movie theaters from 8 January 1941 onwards.

In July 1942, Margot Frank received a call-up notice from the Zentralstelle für jüdische Auswanderung (Central Office for Jewish Emigration) ordering her to report for relocation to a work camp. Otto Frank told his family that they would go into hiding in rooms above and behind Opekta's premises on the Prinsengracht, a street along one of Amsterdam's canals, where some of his most trusted employees would help them. The call-up notice forced them to relocate several weeks earlier than had been anticipated.

Life in the ''Achterhuis''

On the morning of Monday, 6 July 1942, the family moved into their hiding place, a secret annex. Their apartment was left in a state of disarray to create the impression that they had left suddenly, and Otto Frank left a note that hinted they were going to Switzerland. The need for secrecy forced them to leave behind Anne's cat, Moortje. As Jews were not allowed to use public transport, they walked several kilometers from their home, with each of them wearing several layers of clothing as they did not dare be seen carrying luggage. The ''Achterhuis'' (a Dutch word denoting the rear part of a house, translated as the "Secret Annexe" in English editions of the diary) was a three-story space entered from a landing above the Opekta offices. Two small rooms, with an adjoining bathroom and toilet, were on the first level, and above that a larger open room, with a small room beside it. From this smaller room, a ladder led to the attic. The door to the ''Achterhuis'' was later covered by a bookcase to ensure it remained undiscovered. The main building, situated a block from the Westerkerk, was nondescript, old, and typical of buildings in the western quarters of Amsterdam.

Victor Kugler, Johannes Kleiman, Miep Gies, and Bep Voskuijl were the only employees who knew of the people in hiding. Along with Gies' husband Jan Gies and Voskuijl's father Johannes Hendrik Voskuijl, they were the "helpers" for the duration of their confinement. The only connection between the outside world and the occupants of the house, they kept the occupants informed of war news and political developments. They catered to all of their needs, ensured their safety, and supplied them with food, a task that grew more difficult with the passage of time. Frank wrote of their dedication and of their efforts to boost morale within the household during the most dangerous of times. All were aware that, if caught, they could face the death penalty for sheltering Jews.

On 13 July 1942, the Franks were joined by the van Pels family: Hermann, Auguste, and 16-year-old Peter, and then in November by Fritz Pfeffer, a dentist and friend of the family. Frank wrote of her pleasure at having new people to talk to, but tensions quickly developed within the group forced to live in such confined conditions. After sharing her room with Pfeffer, she found him to be insufferable and resented his intrusion, and she clashed with Auguste van Pels, whom she regarded as foolish. She regarded Hermann van Pels and Fritz Pfeffer as selfish, particularly in regard to the amount of food they consumed. Some time later, after first dismissing the shy and awkward Peter van Pels, she recognised a kinship with him and the two entered a romance. She received her first kiss from him, but her infatuation with him began to wane as she questioned whether her feelings for him were genuine, or resulted from their shared confinement. Anne Frank formed a close bond with each of the helpers, and Otto Frank later recalled that she had anticipated their daily visits with impatient enthusiasm. He observed that Anne's closest friendship was with Bep Voskuijl, "the young typist ... the two of them often stood whispering in the corner."

In her writing, Frank examined her relationships with the members of her family, and the strong differences in each of their personalities. She considered herself to be closest emotionally to her father, who later commented, "I got on better with Anne than with Margot, who was more attached to her mother. The reason for that may have been that Margot rarely showed her feelings and didn't need as much support because she didn't suffer from mood swings as much as Anne did." The Frank sisters formed a closer relationship than had existed before they went into hiding, although Anne sometimes expressed jealousy towards Margot, particularly when members of the household criticised Anne for lacking Margot's gentle and placid nature. As Anne began to mature, the sisters were able to confide in each other. In her entry of 12 January 1944, Frank wrote, "Margot's much nicer ... She's not nearly so catty these days and is becoming a real friend. She no longer thinks of me as a little baby who doesn't count."

Frank frequently wrote of her difficult relationship with her mother, and of her ambivalence towards her. On 7 November 1942 she described her "contempt" for her mother and her inability to "confront her with her carelessness, her sarcasm and her hard-heartedness," before concluding, "She's not a mother to me." Later, as she revised her diary, Frank felt ashamed of her harsh attitude, writing: "Anne, is it really you who mentioned hate, oh Anne, how could you?" She came to understand that their differences resulted from misunderstandings that were as much her fault as her mother's, and saw that she had added unnecessarily to her mother's suffering. With this realization, Frank began to treat her mother with a degree of tolerance and respect.

The Frank sisters each hoped to return to school as soon as they were able, and continued with their studies while in hiding. Margot took a shorthand course by correspondence in Bep Voskuijl's name and received high marks. Most of Anne's time was spent reading and studying, and she regularly wrote and edited her diary entries. In addition to providing a narrative of events as they occurred, she wrote about her feelings, beliefs, and ambitions, subjects she felt she could not discuss with anyone. As her confidence in her writing grew, and as she began to mature, she wrote of more abstract subjects such as her belief in God, and how she defined human nature.

Frank aspired to become a journalist, writing in her diary on Wednesday, 5 April 1944: She continued writing regularly until her last entry of 1 August 1944.

Arrest

On the morning of 4 August 1944, the ''Achterhuis'' was stormed by the German Order Police (''Grüne Polizei'') following a tip from an informer who was never identified. Led by Schutzstaffel Oberscharführer Karl Silberbauer of the Sicherheitsdienst, the group included at least three members of the Security Police. The Franks, van Pelses, and Pfeffer were taken to Gestapo headquarters, where they were interrogated and held overnight. On 5 August they were transferred to the Huis van Bewaring (House of Detention), an overcrowded prison on the Weteringschans. Two days later they were transported to the Westerbork transit camp, through which by that time more than 100,000 Jews, mostly Dutch and German, had passed. Having been arrested in hiding, they were considered criminals and were sent to the Punishment Barracks for hard labor.

Victor Kugler and Johannes Kleiman were arrested and jailed at the penal camp for enemies of the regime at Amersfoort. Kleiman was released after seven weeks, but Kugler was held in various work camps until the war's end. Miep Gies and Bep Voskuijl were questioned and threatened by the Security Police but were not detained. They returned to the ''Achterhuis'' the following day, and found Anne's papers strewn on the floor. They collected them, as well as several family photograph albums, and Gies resolved to return them to Anne after the war. On 7 August 1944, Gies attempted to facilitate the release of the prisoners by confronting Karl Silberbauer‎ and offering him money to intervene, but he refused.

Deportation and death

On 3 September 1944, the group was deported on what would be the last transport from Westerbork to the Auschwitz concentration camp, and arrived after a three-day journey. On the same train was Bloeme Evers-Emden, an Amsterdam native who had befriended Margot and Anne in the Jewish Lyceum in 1941. Bloeme saw Anne, Margot, and their mother regularly in Auschwitz, and was interviewed for her remembrances of the Frank women in Auschwitz in the 1988 television documentary ''The Last Seven Months of Anne Frank'' by Dutch filmmaker Willy Lindwer and the 1995 BBC documentary ''Anne Frank Remembered''.

In the chaos that marked the unloading of the trains, the men were forcibly separated from the women and children, and Otto Frank was wrenched from his family. Of the 1,019 passengers, 549—including all children younger than 15—were sent directly to the gas chambers. Frank had turned 15 three months earlier and was one of the youngest people to be spared from her transport. She was soon made aware that most people were gassed upon arrival, and never learned that the entire group from the ''Achterhuis'' had survived this selection. She reasoned that her father, in his mid-fifties and not particularly robust, had been killed immediately after they were separated.

With the other females not selected for immediate death, Frank was forced to strip naked to be disinfected, had her head shaved and was tattooed with an identifying number on her arm. By day, the women were used as slave labor and Frank was forced to haul rocks and dig rolls of sod; by night, they were crammed into overcrowded barracks. Some witnesses later testified Frank became withdrawn and tearful when she saw children being led to the gas chambers; others reported that more often she displayed strength and courage. Her gregarious and confident nature allowed her to obtain extra bread rations for her mother, sister, and herself. Disease was rampant; before long, Frank's skin became badly infected by scabies. The Frank sisters were moved into an infirmary, which was in a state of constant darkness and infested with rats and mice. Edith Frank stopped eating, saving every morsel of food for her daughters and passing her rations to them through a hole she made at the bottom of the infirmary wall.

In October 1944 the Frank women were slated to join a transport to the Liebau labor camp in Upper Silesia. Bloeme Evers-Emden was slated to be on this transport. But Anne was prohibited from going because she had developed scabies, and her mother and sister opted to stay with her. Bloeme went on without them.

On 28 October selections began for women to be relocated to Bergen-Belsen. More than 8,000 women, including Anne and Margot Frank and Auguste van Pels, were transported. Edith Frank was left behind and later died from starvation. Tents were erected at Bergen-Belsen to accommodate the influx of prisoners, and as the population rose, the death toll due to disease increased rapidly. Frank was briefly reunited with two friends, Hanneli Goslar and Nanette Blitz, who were confined in another section of the camp. Goslar and Blitz both survived the war and later discussed the brief conversations they had conducted with Frank through a fence. Blitz described her as bald, emaciated, and shivering. Goslar noted Auguste van Pels was with Anne and Margot Frank, and was caring for Margot, who was severely ill. Neither of them saw Margot, as she was too weak to leave her bunk. Anne told both Blitz and Goslar she believed her parents were dead, and for that reason she did not wish to live any longer. Goslar later estimated their meetings had taken place in late January or early February 1945.

In March 1945 a typhus epidemic spread through the camp, killing 17,000 prisoners. Witnesses later testified Margot fell from her bunk in her weakened state and was killed by the shock. A few days later, Anne died. This was only a few weeks before the camp was liberated by British troops on 15 April 1945; the exact dates were not recorded. After liberation, the camp was burned in an effort to prevent further spread of disease, and Anne and Margot were buried in a mass grave; the exact whereabouts remain unknown.

After the war, it was estimated of the 107,000 Jews deported from the Netherlands between 1942 and 1944, only 5,000 survived. An estimated 30,000 Jews remained in the Netherlands, with many people aided by the Dutch underground. Approximately two-thirds of this group survived the war.

Otto Frank survived his internment in Auschwitz. After the war ended, he returned to Amsterdam, where he was sheltered by Jan and Miep Gies as he attempted to locate his family. He learned of the death of his wife, Edith, in Auschwitz, but he remained hopeful that his daughters had survived. After several weeks, he discovered Margot and Anne had also died. He attempted to determine the fates of his daughters' friends and learned many had been murdered. Susanne ''Sanne'' Ledermann, often mentioned in Anne's diary, had been gassed along with her parents; her sister, Barbara, a close friend of Margot, had survived. Several of the Frank sisters' school friends had survived, as had the extended families of both Otto and Edith Frank, as they had fled Germany during the mid 1930s, with individual family members settling in Switzerland, the United Kingdom, and the United States.

''The Diary of a Young Girl''

Publication

In July 1945, after the Red Cross confirmed the deaths of the Frank sisters, Miep Gies gave Otto Frank the diary and a bundle of loose notes that she had saved in the hope of returning them to Anne. Otto Frank later commented that he had not realized Anne had kept such an accurate and well-written record of their time in hiding. In his memoir, he described the painful process of reading the diary, recognizing the events described and recalling that he had already heard some of the more amusing episodes read aloud by his daughter. He saw for the first time the more private side of his daughter and those sections of the diary she had not discussed with anyone, noting, "For me it was a revelation ... I had no idea of the depth of her thoughts and feelings ... She had kept all these feelings to herself". Moved by her repeated wish to be an author, he began to consider having it published.

Frank's diary began as a private expression of her thoughts; she wrote several times that she would never allow anyone to read it. She candidly described her life, her family and companions, and their situation, while beginning to recognise her ambition to write fiction for publication. In March 1944, she heard a radio broadcast by Gerrit Bolkestein—a member of the Dutch government in exile—who said that when the war ended, he would create a public record of the Dutch people's oppression under German occupation. He mentioned the publication of letters and diaries, and Frank decided to submit her work when the time came. She began editing her writing, removing some sections and rewriting others, with a view to publication. Her original notebook was supplemented by additional notebooks and loose-leaf sheets of paper. She created pseudonyms for the members of the household and the helpers. The van Pels family became Hermann, Petronella, and Peter van Daan, and Fritz Pfeffer became Albert Düssell. In this edited version, she addressed each entry to "Kitty," a fictional character in Cissy van Marxveldt's ''Joop ter Heul'' novels that Anne enjoyed reading. Otto Frank used her original diary, known as "version A", and her edited version, known as "version B", to produce the first version for publication. He removed certain passages, most notably those in which Frank is critical of her parents (especially her mother), and sections that discussed Frank's growing sexuality. Although he restored the true identities of his own family, he retained all of the other pseudonyms.

Otto Frank gave the diary to the historian Annie Romein-Verschoor, who tried unsuccessfully to have it published. She then gave it to her husband Jan Romein, who wrote an article about it, titled "Kinderstem" ("A Child's Voice"), which was published in the newspaper ''Het Parool'' on 3 April 1946. He wrote that the diary "stammered out in a child's voice, embodies all the hideousness of fascism, more so than all the evidence at Nuremberg put together." His article attracted attention from publishers, and the diary was published in the Netherlands as ''Het Achterhuis'' in 1947, followed by a second run in 1950.

It was first published in Germany and France in 1950, and after being rejected by several publishers, was first published in the United Kingdom in 1952. The first American edition, published in 1952 under the title ''Anne Frank: The Diary of a Young Girl'', was positively reviewed. The book was successful in France, Germany, and the United States, but in the United Kingdom it failed to attract an audience and by 1953 was out of print. Its most noteworthy success was in Japan (ironically, an ally of Germany during the war), where it received critical acclaim and sold more than 100,000 copies in its first edition. In Japan, Anne Frank quickly was identified as an important cultural figure who represented the destruction of youth during the war.

A play by Frances Goodrich and Albert Hackett based upon the diary premiered in New York City on 5 October 1955, and later won a Pulitzer Prize for Drama. It was followed by the 1959 movie ''The Diary of Anne Frank'', which was a critical and commercial success. Biographer Melissa Müller later wrote that the dramatization had "contributed greatly to the romanticizing, sentimentalizing and universalizing of Anne's story." Over the years the popularity of the diary grew, and in many schools, particularly in the United States, it was included as part of the curriculum, introducing Anne Frank to new generations of readers.

In 1986 the Dutch Institute for War Documentation published the "Critical Edition" of the diary. It includes comparisons from all known versions, both edited and unedited. It includes discussion asserting the diary's authentication, as well as additional historical information relating to the family and the diary itself.

Cornelis Suijk—a former director of the Anne Frank Foundation and president of the U.S. Center for Holocaust Education Foundation—announced in 1999 that he was in the possession of five pages that had been removed by Otto Frank from the diary prior to publication; Suijk claimed that Otto Frank gave these pages to him shortly before his death in 1980. The missing diary entries contain critical remarks by Anne Frank about her parents' strained marriage and discuss Frank's lack of affection for her mother. Some controversy ensued when Suijk claimed publishing rights over the five pages; he intended to sell them to raise money for his foundation. The Netherlands Institute for War Documentation, the formal owner of the manuscript, demanded the pages be handed over. In 2000 the Dutch Ministry of Education, Culture and Science agreed to donate US$300,000 to Suijk's Foundation, and the pages were returned in 2001. Since then, they have been included in new editions of the diary.

Reception

The diary has been praised for its literary merits. Commenting on Anne Frank's writing style, the dramatist Meyer Levin commended Frank for "sustaining the tension of a well-constructed novel", and was so impressed by the quality of her work that he collaborated with Otto Frank on a dramatization of the diary shortly after its publication. Meyer became obsessed with Anne Frank, which he wrote about in his autobiography ''The Obsession''. The poet John Berryman called the book a unique depiction, not merely of adolescence but of the "conversion of a child into a person as it is happening in a precise, confident, economical style stunning in its honesty".

In her introduction to the diary's first American edition, Eleanor Roosevelt described it as "one of the wisest and most moving commentaries on war and its impact on human beings that I have ever read." John F. Kennedy discussed Anne Frank in a 1961 speech, and said, "Of all the multitudes who throughout history have spoken for human dignity in times of great suffering and loss, no voice is more compelling than that of Anne Frank." In the same year, the Soviet writer Ilya Ehrenburg wrote of her: "one voice speaks for six million—the voice not of a sage or a poet but of an ordinary little girl."

As Anne Frank's stature as both a writer and humanist has grown, she has been discussed specifically as a symbol of the Holocaust and more broadly as a representative of persecution. Hillary Rodham Clinton, in her acceptance speech for an Elie Wiesel Humanitarian Award in 1994, read from Anne Frank's diary and spoke of her "awakening us to the folly of indifference and the terrible toll it takes on our young," which Clinton related to contemporary events in Sarajevo, Somalia and Rwanda. After receiving a humanitarian award from the Anne Frank Foundation in 1994, Nelson Mandela addressed a crowd in Johannesburg, saying he had read Anne Frank's diary while in prison and "derived much encouragement from it." He likened her struggle against Nazism to his struggle against apartheid, drawing a parallel between the two philosophies: "Because these beliefs are patently false, and because they were, and will always be, challenged by the likes of Anne Frank, they are bound to fail." Also in 1994, Václav Havel said "Anne Frank's legacy is very much alive and it can address us fully" in relation to the political and social changes occurring at the time in former Eastern Bloc countries.

Primo Levi suggested Anne Frank is frequently identified as a single representative of the millions of people who suffered and died as she did because "One single Anne Frank moves us more than the countless others who suffered just as she did but whose faces have remained in the shadows. Perhaps it is better that way; if we were capable of taking in all the suffering of all those people, we would not be able to live." In her closing message in Müller's biography of Anne Frank, Miep Gies expressed a similar thought, though she attempted to dispel what she felt was a growing misconception that "Anne symbolises the six million victims of the Holocaust", writing: "Anne's life and death were her own individual fate, an individual fate that happened six million times over. Anne cannot, and should not, stand for the many individuals whom the Nazis robbed of their lives ... But her fate helps us grasp the immense loss the world suffered because of the Holocaust."

Otto Frank spent the remainder of his life as custodian of his daughter's legacy, saying, "It's a strange role. In the normal family relationship, it is the child of the famous parent who has the honor and the burden of continuing the task. In my case the role is reversed." He recalled his publisher's explaining why he thought the diary has been so widely read, with the comment, "he said that the diary encompasses so many areas of life that each reader can find something that moves him personally". Simon Wiesenthal expressed a similar sentiment when he said that the diary had raised more widespread awareness of the Holocaust than had been achieved during the Nuremberg Trials, because "people identified with this child. This was the impact of the Holocaust, this was a family like my family, like your family and so you could understand this."

In June 1999 ''Time'' magazine published a special edition titled "Time 100: The Most Important People of the Century". Anne Frank was selected as one of the "Heroes & Icons", and the writer, Roger Rosenblatt, described her legacy with the comment, "The passions the book ignites suggest that everyone owns Anne Frank, that she has risen above the Holocaust, Judaism, girlhood and even goodness and become a totemic figure of the modern world—the moral individual mind beset by the machinery of destruction, insisting on the right to live and question and hope for the future of human beings." He notes that while her courage and pragmatism are admired, her ability to analyze herself and the quality of her writing are the key components of her appeal. He writes, "The reason for her immortality was basically literary. She was an extraordinarily good writer, for any age, and the quality of her work seemed a direct result of a ruthlessly honest disposition."

Denials and legal action

After the diary became widely known in the late 1950s, various allegations against the diary were published, with the earliest published criticisms occurring in Sweden and Norway. The allegations in the Swedish Nazi magazine ''Fria ord'' ("''Free Words''") in 1957 came from the Danish author and critic Harald Nielsen, who had written antisemitic articles about the Danish-Jewish author Georg Brandes. Among the accusations was a claim that the diary had been written by Meyer Levin, and that Anne Frank had not really existed.

In 1958 Simon Wiesenthal was challenged by a group of protesters at a performance of ''The Diary of Anne Frank'' in Vienna, who asserted that Anne Frank had never existed, and who challenged Wiesenthal to prove her existence by finding the man who had arrested her. He began searching for Karl Silberbauer and found him in 1963. When interviewed, Silberbauer readily admitted his role, and identified Anne Frank from a photograph as one of the people arrested. He provided a full account of events, even recalling emptying a briefcase full of papers onto the floor. His statement corroborated the version of events that had previously been presented by witnesses such as Otto Frank.

Opponents of the diary continued to express the view that it was not written by a child, but had been created as pro-Jewish propaganda, with Otto Frank accused of fraud. In 1959 Frank took legal action in Lübeck against Lothar Stielau, a school teacher and former Hitler Youth member who published a school paper that described the diary as a forgery. The complaint was extended to include Heinrich Buddegerg, who wrote a letter in support of Stielau, which was published in a Lübeck newspaper. The court examined the diary in 1960, and authenticated the handwriting as matching that in letters known to have been written by Anne Frank. They declared the diary to be genuine. Stielau recanted his earlier statement, and Otto Frank did not pursue the case any further.

In 1976 Otto Frank took action against Heinz Roth of Frankfurt, who published pamphlets stating that the diary was a forgery. The judge ruled that if he published further statements he would be subjected to a fine of 500,000 German marks and a six-month jail sentence. Roth appealed against the court's decision and died in 1978, a year before his appeal was rejected.

Otto Frank mounted a lawsuit in 1976 against Ernst Römer, who distributed a pamphlet titled "The Diary of Anne Frank, Bestseller, A Lie". When a man named Edgar Geiss distributed the same pamphlet in the courtroom, he too was prosecuted. Römer was fined 1,500 Deutschmarks, and Geiss was sentenced to six months imprisonment. The sentence was reduced on appeal, and the case was dropped following a subsequent appeal because the statutory limitation for libel had expired.

With Otto Frank's death in 1980, the original diary, including letters and loose sheets, were willed to the Dutch Institute for War Documentation, who commissioned a forensic study of the diary through the Netherlands Ministry of Justice in 1986. They examined the handwriting against known examples and found that they matched. They determined that the paper, glue, and ink were readily available during the time the diary was said to have been written. They concluded that the diary is authentic, and their findings were published in what has become known as the "Critical Edition" of the diary. On 23 March 1990, the Hamburg Regional Court confirmed the diary's authenticity.

In 1991 Holocaust deniers Robert Faurisson and Siegfried Verbeke produced a booklet titled ''The Diary of Anne Frank: A Critical Approach''. They claimed that Otto Frank wrote the diary, based on assertions that the diary contained several contradictions, that hiding in the ''Achterhuis'' would have been impossible, and that the prose style and handwriting were not those of a teenager.

The Anne Frank House in Amsterdam and the Anne Frank Funds in Basel instigated a civil law suit in December 1993, to prohibit the further distribution of ''The Diary of Anne Frank: A Critical Approach'' in the Netherlands. On 9 December 1998, the Amsterdam District Court ruled in favour of the claimants, forbade any further denial of the authenticity of the diary and unsolicited distribution of publications to that effect, and imposed a penalty of 25,000 guilders per infringement.

Legacy

On 3 May 1957, a group of citizens, including Otto Frank, established the Anne Frank Stichting in an effort to rescue the Prinsengracht building from demolition and to make it accessible to the public. The Anne Frank House opened on 3 May 1960. It consists of the Opekta warehouse and offices and the ''Achterhuis'', all unfurnished so that visitors can walk freely through the rooms. Some personal relics of the former occupants remain, such as movie star photographs glued by Anne to a wall, a section of wallpaper on which Otto Frank marked the height of his growing daughters, and a map on the wall where he recorded the advance of the Allied Forces, all now protected behind Perspex sheets. From the small room which was once home to Peter van Pels, a walkway connects the building to its neighbours, also purchased by the Foundation. These other buildings are used to house the diary, as well as rotating exhibits that chronicle aspects of the Holocaust and more contemporary examinations of racial intolerance around the world. One of Amsterdam's main tourist attractions, it received a record 965,000 visitors in 2005. The House provides information via the internet and offers exhibitions that in 2005 travelled to 32 countries in Europe, Asia, North America, and South America.

In 1963 Otto Frank and his second wife, Elfriede Geiringer-Markovits, set up the Anne Frank Fonds as a charitable foundation, based in Basel, Switzerland. The Fonds raises money to donate to causes "as it sees fit". Upon his death, Otto willed the diary's copyright to the Fonds, on the provision that the first 80,000 Swiss francs in income each year was to be distributed to his heirs. Any income above this figure is to be retained by the Fonds for use on whatever projects its administrators considered worthy. It provides funding for the medical treatment of the Righteous among the Nations on a yearly basis. The Fonds aims to educate young people against racism, and loaned some of Anne Frank's papers to the United States Holocaust Memorial Museum in Washington for an exhibition in 2003. Its annual report that year outlined its efforts to contribute on a global level, with support for projects in Germany, Israel, India, Switzerland, the United Kingdom, and the United States.

The Merwedeplein apartment, where the Frank family lived from 1933 until 1942, remained privately owned until the 2000s. After becoming the focus of a television documentary, the building—in a serious state of disrepair—was purchased by a Dutch housing corporation. Aided by photographs taken by the Frank family and descriptions in letters written by Anne Frank, it was restored to its 1930s appearance. Teresien da Silva of the Anne Frank House and Frank's cousin, Bernhard "Buddy" Elias, contributed to the restoration project. It opened in 2005. Each year, a writer who is unable to write freely in his or her own country is selected for a year-long tenancy, during which they reside and write in the apartment. The first writer selected was the Algerian novelist and poet El-Mahdi Acherchour.

In June 2007 "Buddy" Elias donated some 25,000 family documents to the Anne Frank House. Among the artifacts are Frank family photographs taken in Germany and Holland and the letter Otto Frank sent his mother in 1945, informing her that his wife and daughters had perished in Nazi concentration camps.

In November 2007 the Anne Frank tree, infected with a fungal disease affecting the trunk, was scheduled to be cut down to prevent it from falling on the surrounding buildings. Dutch economist Arnold Heertje said about the tree: "This is not just any tree. The Anne Frank tree is bound up with the persecution of the Jews." The Tree Foundation, a group of tree conservationists, started a civil case to stop the felling of the horse chestnut, which received international media attention. A Dutch court ordered city officials and conservationists to explore alternatives and come to a solution. The parties built a steel construction that was expected to prolong the life of the tree up to 15 years. However, it was only three years later that gale-force winds blew down the tree on 23 August 2010.

Over the years, several films about Anne Frank appeared. Her life and writings have inspired a diverse group of artists and social commentators to make reference to her in literature, popular music, television, and other media. These include ''The Anne Frank Ballet'' by Adam Darius, first performed in 1959, and the choral work ''Annelies'', first performed in 2005. The only known footage of the real Anne Frank comes from a 1941 silent film recorded for her newlywed next-door neighbor. She is seen leaning out of a second-floor window in an attempt to better view the bride and groom. The couple, who survived the war, gave the film to the Anne Frank House.

In 1999 ''Time'' named Anne Frank among the heroes and icons of the 20th century on their list ''The Most Important People of the Century'', stating: "With a diary kept in a secret attic, she braved the Nazis and lent a searing voice to the fight for human dignity". Philip Roth called her the "lost little daughter" of Franz Kafka. On 9 March 2012 ''Der Spiegel'' announced that Madame Tussauds wax museum had unveiled an exhibit featuring a likeness of Anne Frank.

See also

Hélène Berr – French diarist

Hana Brady – Jewish Holocaust victim; subject of the children's book ''Hana's Suitcase''

Helga Deen – wrote a diary in Herzogenbusch concentration camp (Camp Vught)

Etty Hillesum – wrote a diary in Amsterdam and Camp Westerbork

Věra Kohnová – Czech diarist

David Koker – wrote a diary in Herzogenbusch concentration camp (Camp Vught)

Janet Langhart – Writer of one-act play "Anne and Emmett"

Rutka Laskier – Polish diarist

Ruth Maier – Austrian diarist

People associated with Anne Frank

Tanya Savicheva – Soviet diarist

Sophie Scholl – German student executed by the Nazis

''Searching for Anne Frank: Letters from Amsterdam to Iowa'' (book)

Henio Zytomirski – Polish Holocaust victim

Notes and references

Explanatory notes {{notes | notes =

{{efn | name = list | , includes a reproduction of part of the transport list showing the names of each of the Frank family. }} }}

Citations

Bibliography

; This edition, a new translation, includes material excluded from the earlier edition. ; With a note from Miep Gies

Online

External links

Anne Frank Center, United States

Anne Frank House

Anne Frank Trust UK

Anne Frank-Fonds (Foundation)

BBC: ''The Diary of Anne Frank''

Video: The only existing film images of Anne Frank

Anne Frank's last remaining close relative, Buddy Elias, ''BBC News'' video interview about Anne, 25 February 2011

Dina Porat, Biography of Anne Frank, Jewish Women Encyclopedia

The History Channel:Anne Frank

Video: What Anne Frank Might Have Looked Like at 80 by ''The Daily Telegraph''

United States Holocaust Memorial Museum – Exhibition "Anne Frank: An Unfinished Story" and Encyclopedia Anne Frank

Category:1929 births Category:1945 deaths Category:Bergen-Belsen concentration camp victims Category:Children who died in Nazi concentration camps Category:Deaths from typhus Category:Dutch diarists Category:Dutch Jews Category:Dutch people of German descent Category:Dutch civilians killed in World War II Category:Dutch women writers Category:Historians of fascism Category:German diarists Category:German expatriates in the Netherlands Category:German Jews Category:German women writers Category:Jewish refugees Category:Jewish women writers Category:People from Amsterdam Category:People from Frankfurt Category:Stateless persons Category:Teen writers Category:Women diarists Category:Women in World War II Category:Writers who died in Nazi concentration camps Category:Auschwitz concentration camp inmates

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Name	John Reed
Birth date	February 07, 1969
Birth place	TriBeCa, New York City
Nationality	American
Alma mater	Columbia University
Occupation	novelist
Website	''http://www.johnreed.tv''

John Reed (born February 7, 1969) is an American novelist. He is the author of four novels: ''A Still Small Voice'' (2000), ''Snowball's Chance'' (2002) with a preface by Alexander Cockburn, ''The Whole'' (2005), and ''All the World's a Grave: A New Play by William Shakespeare'' (2008). His fifth book, ''Tales of Woe'' (2010), is a collection of twenty-five stories, chronicling true stories of abject misery.

Biography

Born in 1969 in New York City, Reed is the son of artist David Reed and Judy Rifka. He attended Hampshire College, and received a Masters in Fine Art in Creative Writing from Columbia University. He teaches at The New School.

Reed was an early contributor to, and subsequently an editor with, ''Open City'', a New York literary journal published by Robert Bingham, who later founded the book series.

Works

He is affiliated with the ''New York Press'' and ''The Brooklyn Rail''. "Americans are extremely sophisticated in terms of narrative forms," said Reed in an interview. "We see it in commercials, we see it on TV, we see it in movies. But the narrative forms we're talking about are three acts, five acts, depending on how you want to look at it. They're all based on a Christian model of sin, suffering, redemption; which is not a large model."

A Still Small Voice

''A Still Small Voice'' (Delacorte 2000, Delta 2001), Reed’s first novel, is a historical novel based on the life of a girl growing up in Kentucky from 1850-1870.

Snowball's Chance

''Snowball's Chance'' (Roof Books 2002/2003), Reed’s second novel was a controversial send-up of George Orwell’s ''Animal Farm'', and ended in a cataclysmic attack on the “Twin Mills” (reminiscent of the 9/11 attack on the World Trade Center). It became a bestseller in the field of books by independent literary publishers.

The Whole, or, Duh Whole

''The Whole'', Reed’s third novel, parodied MTV and was released in 2005 by MTV Books (Simon & Schuster). The novel described a gigantic hole that appears in the middle of the country, which engulfs four states.

All the World's a Grave

Reed, in a new work, returns to the overhaul of canonical English writers in ''All the World's a Grave'', fall 2008, Penguin Books. The work, subtitled "''A New Play by William Shakespeare''", is a tragedy in five acts, a "mash-up" constructed of lines drawn from five Shakespeare tragedies and one Shakespeare history; Hamlet, King Lear, Macbeth, Othello, Romeo & Juliet and Henry V. In the "literary trick" (as described by Page Six of The New York Post) Shakespeare's lines are rearranged into a wholly new story, in which Prince Hamlet of Denmark goes to war to claim his bride and the daughter of King Lear, Juliet. Upon a triumphant return home, Hamlet discovers that his mother has murdered his father, and married Macbeth. Visited by his father's ghost, and goaded by the opportunistic Lieutenant Iago, Hamlet is driven mad by the erroneous belief that Juliet is having an affair with General Romeo.

References

External links

John Reed's website

All the World's a Grave'', book website.

Kill the beavers!, ''The Daily Telegraph'', November 22, 2002.

John Reed: Saint George and the Damn Truth, ''Moby Lives'', Nove,ber 10, 2003.

John Reed: The Whole, an excerpt, ''Brooklyn Rail'', January 2005.

Dinitia Smith: A Pig Returns to the Farm, Thumbing His Snout at Orwell, ''The New York Times'', November 25, 2002.

Cathy Young: Blaming the Victim, ''Reason.com'', December 3, 2002.

Andrea Scrima: Review of Tales of Woe, Rumpus, November 16, 2010.

Interview with Arthur Phillips on rewriting Shakespeare

Category:1969 births Category:Living people Category:American novelists Category:American humorists Category:Writers from New York Category:Hampshire College alumni Category:Columbia University alumni Category:George Orwell Category:The New School faculty

name	Alexander Perls
background	non_vocal_instrumentalist
birth name	Alexander Perls Rousmaniere
alias	009 Sound SystemAalborg Soundtracks
born	May 11, 1976 (age 35)
education	Oberlin College University College London
genre	Electronic music, trance, Progressive trance, Electro house, house
occupation	MusicianMusic producer
years active	1998–present
label	Track One Recordings
website	Official site
notable instruments	}}

Alexander Perls is a musician and record producer. His notable projects include 009 Sound System and Aalborg Soundtracks, which songs are entirely written, performed, and produced by Perls.

Perls' songs are known for their mix of electronic, trance and controversial religious related lyrics, which listeners have alternately interpreted as the work of a Christian, or a work of an atheist.

Born in Boston, Massachusetts, Perls is the grandson of Klaus Perls, the German art dealer, nephew of Nick Perls, the founder of Yazoo Recordings, and nephew of John Rousmaniere, the author, and great-grand-nephew of Albert Hamilton Gordon.

While studying as an exchange student at University College London in 1997, Perls worked with the post-rock collective Piano Magic. Following Perls' graduation from Oberlin College in 1998, he worked briefly for the Barbara Gladstone Gallery, a leading contemporary art dealership in New York, and then settled into a career as songwriter and music producer.

Between 2000 and 2008, Perls primarily wrote and recorded songs for other dance music producers, including well-known artists such as David Guetta, Paul van Dyk, Ian Carey, ATB, and Robert M. first in New York City, and after 2006, in Los Angeles. From 2000 to 2003 he was one of the members of the electronic music duo CIRC, which released one album and several singles and remixes.. His song "Dreamscape" has been dubbed "YouTube's National Anthem" by his own recording company due to its popularity as background music in YouTube videos.

Between 2002 and 2004, Perls' music publishing catalog was represented by Bug Music. Between 2004 and 2011, Perls' music publishing catalog was represented outside the United States by the Independent Music Group. Since 2011, Perl's catalog has been represented outside the United States by Kobalt Music.

In 2011, Track One Recordings opened a remix competition for Perls' well known productions Dreamscape and Born To Be Wasted.

Several of Perls' songs under the artist names "009 Sound System" and "Aalborg Soundtracks" have been included as free soundtracks with Ezvid, a freeware video maker for Windows.

Perls' song "Wings" was created to be the theme song for the Wings Flying Hoodie, a sweatshirt with a built in inflatable travel pillow and eyemask.

Discography

Annex Trax, Vol. 1 (2008)

009 Sound System (2008)

Singles

Wings and Time (2009)

Trinity (2009)

Within a Single (2009)

When You're Young (2011)

Dream We Knew (2011)

Powerstation (2011)

Wings (extended edit) (2011)

EP

Holy Ghost (2010)

References

External links

Movies

"Dreamscape" - Le chevaliers du ciel - France - 2005

Category:Living people Category:1976 births Category:American electronic musicians

fr:009 Sound System it:Alexander Perls