Name	Clive Davis
Birth date	April 04, 1932
Birth place	New York City, New York
Death date
Occupation	Record producer, Music executive
Nationality	American }}

Clive Davis (born April 4, 1932) is an American record producer and music industry executive. He won five Grammy Awards and is a member of the Rock and Roll Hall of Fame as a non-performer. From 1967 to 1973 he was the President of Columbia Records. He was the founder and president of Arista Records from 1975 through 2000 until founding J Records. From 2002 until April 2008, Davis was the Chairman and CEO of the RCA Music Group (which included RCA Records, J Records and Arista Records), Chairman and CEO of J Records, and Chairman and CEO of BMG North America. Currently Davis is the Chief Creative Officer of Sony Music Entertainment. He currently plays a part in the careers of Alicia Keys, Rod Stewart, Jennifer Hudson, Christina Aguilera, Carlos Santana, Kelly Clarkson, Harry Connick, Jr., Leona Lewis, Barry Manilow, BC Jean and Seattle De Luca. Davis is credited with bringing Whitney Houston to prominence. Clive Davis is an alumnus of New York University, and the recorded music division of its Tisch School for the Arts is named after him.

Early life and education

Davis was born in Brooklyn, New York to a Jewish family, the son of Herman and Florence Davis. Davis was raised in the middle-class neighborhood of Crown Heights, Brooklyn. His mother died, aged 47, and his father died the following year when Davis was only a teenager, leaving him an orphan with no money. He received a full scholarship to New York University College of Arts and Science, where he graduated ''magna cum laude'', Phi Beta Kappa in 1953. He then received a full scholarship to Harvard Law School, where he was a member of the Board of Student Advisers and graduated in 1956.

Career

The CBS years

Davis practiced law in a small firm in New York, then moved on to the firm of Rosenman, Colin, Kaye, Petschek, and Freund two years later, where partner Ralph Colin had CBS as a client. Hired by a former colleague at the firm, Harvey Schein, Davis became assistant counsel of CBS subsidiary Columbia Records at the age of twenty-eight and general counsel the next year.

In a company reorganization of the operations of the Columbia Records Group, Goddard Lieberson, the president of the Group, appointed Davis Vice President and General Manager in 1966. In 1967 he was appointed President and became interested in the newest generation of folk rock and rock and roll. One of his earliest pop signings was the British folk-rock musician Donovan, who enjoyed a string of successful hit singles and albums released in the USA on the Epic label.

In June 1967, at the urging of his friend and business associate Lou Adler, Davis attended the Monterey Pop Festival. He immediately signed Janis Joplin with Big Brother & the Holding Company, and Columbia went on to sign Laura Nyro, Electric Flag, Santana, The Chambers Brothers, Bruce Springsteen, Chicago, Billy Joel, Blood, Sweat & Tears, Loggins & Messina and Pink Floyd. The company, which had previously avoided rock music (its few rock acts prior to the Davis presidency included The Byrds, Simon & Garfunkel, and Paul Revere and the Raiders), doubled its market share in three years. One of the biggest recordings released during Davis' tenure at Columbia was Lynn Anderson's "Rose Garden", in late 1970. It was Davis who insisted "Rose Garden" be the country singer's next single release. The song reached number one in 16 countries around the world and remained the biggest selling album by a female country artist for 27 years.

In 1972, Davis also signed Earth, Wind & Fire to Columbia Records. One of his most recognized accomplishments was signing the Boston group Aerosmith to Columbia Records in the early 1970s at New York City's Max's Kansas City, which was mentioned in the 1979 Aerosmith song "No Surprise", where Steven Tyler sings, "Old Clive Davis said he's surely gonna make you a star, just the way you are." Starting on December 30, 1978, Bob Weir of The Grateful Dead occasionally changed the lyrics of the Dead standard Jack Straw in concert from "we used to play for silver, now we play for life," to "we used to play for acid now we play for Clive."

The Arista years

After Davis was fired from CBS Records for allegedly using company funds to bankroll his son's bar mitzvah, Columbia Pictures (at the time unrelated to Columbia Records) hired him to be a consultant for the company's record and music operations. After taking time out to write his memoirs, he founded the company Arista Records (named after New York City's secondary school honor society of which he was a member).

At Arista, Davis signed Patti Smith, The Outlaws, Eric Carmen, Exposé, Ace of Base, Air Supply, Dionne Warwick, Ray Parker and Raydio, Aretha Franklin, and Alicia Keys, and he brought to the label Carly Simon, The Grateful Dead, The Kinks and Lou Reed. He founded Arista Nashville which became the home to Alan Jackson, Brooks & Dunn, Pam Tillis and Brad Paisley. Davis founded LaFace Records with L.A. Reid and Babyface. LaFace subsequently became became the home of TLC, Usher, Outkast, P!nk and Toni Braxton. He founded Bad Boy Records with Sean Combs and it became the home of the Notorious B.I.G., Puffy Combs, Mase, 112 and Faith Evans.

Davis was made aware of Cissy Houston's talented daughter Whitney Houston at a New York City nightclub. Impressed with what he heard, Davis signed her to Arista Records. Houston became one of the biggest selling artists in music history under the guidance of Davis at Arista Records. Davis left Arista in 2000 and started J Records, an independent label with financial backing from Arista parent Bertelsmann Music Group. BMG would buy a majority stake in J Records in 2002, and Davis would become president and CEO of the larger RCA Music Group.

Davis' continued success in breaking new artists was recognised by the music industry A&R; site HitQuarters when the executive was named "world's No.1 A&R; of 2001" based on worldwide chart data for that year.

Sony Music Entertainment

In 2004, BMG merged with Sony Music Entertainment to form Sony BMG. With the assets of CBS Records now under Sony's ownership, the joint venture would mean a return of sorts for Davis to his former employer. Davis remained with RCA Label Group until 2008, when he was named chief creative officer for Sony BMG. Barry Weiss, head of Sony's Zomba Group of Companies, replaced Davis as RCA Label Group's chairman. Sony BMG became Sony Music Entertainment in late 2008 when BMG sold its shares to Sony. Arista Records and J Records which were both founded by Davis were dissolved in October 2011 through the restructuring of RCA Records. All artists under those labels have been moved to RCA Records.

Awards

Grammy Awards

Clive Davis has won four Grammy Awards as a Producer:

2009: Best R&B; Album – ''Jennifer Hudson'', Jennifer Hudson

2006: Best Pop Vocal Album – ''Breakaway'', Kelly Clarkson

2000: Album of the Year – ''Supernatural'', Santana

2000: Best Rock Album – ''Supernatural'', Santana

Davis was also presented with the Recording Academy's Grammy Trustees Award in 2000 and the President's Merit Award in 2009.

Davis was inducted into the Rock and Roll Hall of Fame in 2000. The theater at the Grammy Museum was named the Clive Davis Theater in the year 2011.

References

Further reading

Davis, Clive (1975). ''Clive: Inside the Record Business''. William Morrow & Company, Inc.

Category:1932 births Category:American record producers Category:American music industry executives Category:American Jews Category:Rock and Roll Hall of Fame inductees Category:People from Brooklyn Category:Living people Category:Grammy Award winners Category:New York University alumni Category:Harvard Law School alumni Category:A&R; people Category:World Music Awards winners Category:Arista Records Category:Sony Music Entertainment

de:Clive Davis es:Clive Davis it:Clive Davis ja:クライヴ・デイヴィス nn:Clive Davis pt:Clive Davis fi:Clive Davis

birth name	Whitney Elizabeth Houston
background	solo_singer
birth date	August 09, 1963
birth place
death date	February 11, 2012
death place
instrument	Vocals, piano
genre	R&B;, soul, pop, dance, gospel
occupation	Singer, actress, model, film producer, record producer, songwriter
years active	1977–2012
label	Arista, RCA
associated acts	Cissy Houston, Dionne Warwick, Dee Dee Warwick, Aretha Franklin, Jermaine Jackson, Mariah Carey, Enrique Iglesias, Bobby Brown
website	130pxWhitney Houston's autograph }}

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the ''Guinness World Records'' cited her as the most-awarded female act of all-time. Houston was one of the world's best-selling music artists, having sold over 170 million albums, singles and videos worldwide. She released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for "How Will I Know", influenced several African American female artists to follow in her footsteps.

Houston is the only artist to chart seven consecutive No. 1 ''Billboard'' Hot 100 hits. She is the second artist behind Elton John and the only female artist to have two number-one ''Billboard'' 200 Album awards (formerly "Top Pop Album") on the ''Billboard'' magazine year-end charts. Houston's 1985 debut album ''Whitney Houston'' became the best-selling debut album by a female act at the time of its release. The album was named ''Rolling Stone''s best album of 1986, and was ranked at number 254 on ''Rolling Stone''s list of the 500 Greatest Albums of All Time. Her second studio album ''Whitney'' (1987) became the first album by a female artist to debut at number one on the ''Billboard'' 200 albums chart.

Houston's first acting role was as the star of the feature film ''The Bodyguard'' (1992). The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single "I Will Always Love You", became the best-selling single by a female artist in music history. With the album, Houston became the first act (solo or group, male or female) to sell more than a million copies of an album within a single week period under Nielsen SoundScan system. The album makes her the top female act in the top 10 list of the best-selling albums of all time, at number four. Houston continued to star in movies and contribute to their soundtracks, including the films ''Waiting to Exhale'' (1995) and ''The Preacher's Wife'' (1996). ''The Preacher's Wife'' soundtrack became the best-selling gospel album in history.

Life and career

1963–1976: Early life

Whitney Houston was born in what was then a middle-income neighborhood in Newark, New Jersey, the second child of Army serviceman and entertainment executive John Russell Houston, Jr. (September 13, 1920 – February 2, 2003), and gospel singer Cissy Houston (née Emily Drinkard). She was of African American, Native American and Dutch descent. Her mother, along with cousins Dionne Warwick and Dee Dee Warwick, godmother Darlene Love and honorary aunt Aretha Franklin were all notable figures in the gospel, rhythm and blues, pop, and soul genres. She met her honorary aunt at age 8, or 9, when her mother took her to a recording studio. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle-class area in East Orange, New Jersey, when she was four.

At the age of 11, Houston began to follow in her mother's footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, she attended Mount Saint Dominic Academy, a Catholic girls' high school in Caldwell, New Jersey, where she met her best friend Robyn Crawford, whom she described as the "sister she never had". While Houston was still in school, her mother continued to teach her how to sing. In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Chaka Khan, Gladys Knight, and Roberta Flack, most of whom would have an impact on her as a singer and performer.

1977–1984: Early career

Houston spent some of her teenage years touring nightclubs where her mother Cissy was performing, and she would occasionally get on stage and perform with her. In 1977, at age 14, she became a backup singer on the Michael Zager Band's single "Life's a Party". In 1978, at age 15, Houston sang background vocals on Chaka Khan's hit single "I'm Every Woman", a song she would later turn into a larger hit for herself on her monster-selling ''The Bodyguard'' soundtrack album. She also sang back-up on albums by Lou Rawls and Jermaine Jackson.

In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in ''Seventeen'' and became one of the first women of color to grace the cover of the magazine. She was also featured in layouts in the pages of ''Glamour'', ''Cosmopolitan'', ''Young Miss'', and appeared in a Canada Dry soft drink TV commercial. Her striking looks and girl-next-door charm made her one of the most sought after teen models of that time. While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called ''One Down'', which was credited to the group Material. For that project, Houston contributed the ballad "Memories", a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of ''The Village Voice'' called her contribution "one of the most gorgeous ballads you've ever heard". She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled ''Paul Jabara and Friends'', released by Columbia Records in 1983.

Houston had previously been offered several recording agencies (Michael Zager in 1980, and Elektra Records in 1981), however her mother declined the offers stating her daughter must first complete high school. In 1983, Gerry Griffith, an A&R; representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on ''The Merv Griffin Show''.

Houston signed with Arista in 1983, but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, ''Love Language''. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.

1985–1986: Rise to international prominence

With production from Michael Masser, Kashif, Jermaine Jackson, and Narada Michael Walden, Houston's debut album ''Whitney Houston'' was released in February 1985. ''Rolling Stone'' magazine praised Houston, calling her "one of the most exciting new voices in years" while ''The New York Times'' called the album "an impressive, musically conservative showcase for an exceptional vocal talent". Arista Records promoted Houston's album with three different singles from the album in the US, UK and other European countries. In the UK, the dance-funk "Someone for Me", which failed to chart in the country, was the first single while "All at Once" was in such European countries as the Netherlands and Belgium, where the song reached the top 5 on the singles charts, respectively.

In the US, the soulful ballad "You Give Good Love" was chosen as the lead single from Houston's debut to establish her in the black marketplace first. Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US ''Billboard'' Hot 100 chart, and No. 1 on the Hot R&B; chart. As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. "Thinking About You" was released as the promo single only to R&B-oriented; radio stations, which peaked at number ten on the US R&B; Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino, and other racial minorities while favoring white acts. The third US single, "How Will I Know", peaked at No. 1 and introduced Houston to the MTV audience thanks to its video. Houston's subsequent singles from this, and future albums, would make her the first African-American female artist to receive consistent heavy rotation on MTV.

By 1986, a year after its initial release, ''Whitney Houston'' topped the ''Billboard'' 200 albums chart and stayed there for 14 non-consecutive weeks. The final single, "Greatest Love of All", became Houston's biggest hit at the time after peaking No. 1 and remaining there for three weeks on the Hot 100 chart, which made her debut the first album by a female artist to yield three No. 1 hits. Houston was No. 1 artist of the year and ''Whitney Houston'' was the No. 1 album of the year on the 1986 ''Billboard'' year-end charts, making her the first female artist to earn that distinction. At the time, Houston released the best-selling debut album by a solo artist. Houston then embarked on her world tour, ''Greatest Love Tour''. The album had become an international success, and was certified 13× platinum (diamond) in the United States alone, and has sold a total of 25 million copies worldwide.

At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was not eligible for the Best New Artist category due to her previous hit R&B; duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for Best Pop Vocal Performance, Female for "Saving All My Love for You". Houston's performance of the song during the Grammy telecast later earned her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program.

Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is listed as one of ''Rolling Stone''s 500 Greatest Albums of All Time and on The Rock & Roll Hall of Fame's Definitive 200 list. Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today''. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.

1987–1991: ''Whitney'', ''I'm Your Baby Tonight'' and "The Star Spangled Banner"

With many expectations, Houston's second album, ''Whitney'', was released in June 1987. The album again featured production from Masser, Kashif and Walden as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. ''Rolling Stone'' said, "the narrow channel through which this talent has been directed is frustrating". Still, the album enjoyed commercial success. Houston became the first female artist in music history to debut at number one on the ''Billboard'' 200 albums chart, and the first artist to enter the albums chart at number one in both the US and UK, while also hitting number one or top ten in dozens of other countries around the world. The album's first single, "I Wanna Dance With Somebody (Who Loves Me)", was also a massive hit worldwide, peaking at No. 1 on the ''Billboard'' Hot 100 chart and topping the singles chart in many countries such as Australia, Germany and the UK. The next three singles, "Didn't We Almost Have It All", "So Emotional", and "Where Do Broken Hearts Go" all peaked at number one on the US Hot 100 chart, which gave her a total of seven consecutive number one hits, breaking the record of six previously shared by The Beatles and The Bee Gees. Houston became the first female artist to generate four number-one singles from one album. ''Whitney'' has been certified 9× Platinum in the US for shipments of over 9 million copies, and has sold a total of 20 million copies worldwide.

At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the ''Moment of Truth World Tour'', which was one of the ten highest grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest earning entertainers list according to ''Forbes'' magazine. She was the highest earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–88 according to ''Forbes'' magazine.

In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". They felt her singing on record lacked the soul that was present during her live concerts.

At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it". Houston took a more urban direction with her third studio album, ''I'm Your Baby Tonight'', released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. ''Rolling Stone'' felt it was her "best and most integrated album". while ''Entertainment Weekly'', at the time thought Houston's shift towards an urban direction was "superficial".

The album contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the ''Billboard'' Hot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B; chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B; top twenty. The album peaked at number three on the ''Billboard'' 200 and went on to be certified 4× platinum in the US while selling twelve million total worldwide.

In 1990, Houston was the spokesperson for a youth leadership conference hosted in Washington, D.C. She had a private audience with President George H. W. Bush in the Oval Office to discuss the associated challenges.

With America entangled in the Persian Gulf War, Houston performed "The Star Spangled Banner" at Super Bowl XXV at Tampa Stadium on January 27, 1991. Due to overwhelming response to her rendition, it was released as a commercial single and video of her performance, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached No. 50 in November 1968). Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors.

Her rendition was considered the benchmark for singers and critically acclaimed. ''Rolling Stone'' commented that "her singing stirs such strong patriotism. Unforgettable", and the performance ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Following the attacks on 9/11, it was released again by Arista Records, all profits going towards the firefighters and victims of the attacks. This time it peaked at No. 6 in the Hot 100 and was certified platinum by the Recording Industry Association of America.

Later in 1991, Houston put together her ''Welcome Home Heroes'' concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the ''I'm Your Baby Tonight World Tour''.

1992–1994: ''The Bodyguard''

With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston's first film role was in ''The Bodyguard'', released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. ''USA Today'' listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. Houston's mainstream appeal allowed people to look at the movie color-blind.

Still, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial relationship. In an interview with ''Rolling Stone'' in 1993, the singer commented that "people know who Whitney Houston is – I'm black. You can't hide that fact." Houston received a Razzie Award nomination for Worst Actress. ''The Washington Post'' said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking", and ''The New York Times'' commented that she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 due to rising ticket prices since the time the film was released.

The film's soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. ''Rolling Stone'' said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version of the song was acclaimed by many critics, regarding it as her "signature song" or "iconic performance". ''Rolling Stone'' and ''USA Today'' called her rendition "the tour-de-force". The single peaked at number one on the ''Billboard'' Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks.

The single was certified 4× platinum by the RIAA, making Houston the first female artist with a single to reach that level in the RIAA history and becoming the best-selling single by a female artist in the US. The song also became a global success, hitting number-one in almost all countries, and one of the best-selling singles of all time with 12 million copies sold. The soundtrack topped the ''Billboard'' 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any album on the chart in the Nielsen SoundScan era, and became one of the fastest selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first female artist to ever have three singles in the Top 11 simultaneously. The album was certified 17× platinum in the US alone, with worldwide sales of 44 million, making ''The Bodyguard'' the biggest-selling album by a female act on the list of the world's Top 10 best-selling albums, topping Shania Twain's 40 million sold for ''Come On Over''.

Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record 8 American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards including Entertainer of the Year, a record 5 World Music Awards, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour, ''The Bodyguard World Tour'', in 1993–94. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to ''Forbes'' magazine. Houston placed in the top five of ''Entertainment Weekly''s annual "Entertainer of the Year" ranking and was labeled by ''Premiere'' magazine as one of the 100 most powerful people in Hollywood.

In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".

1995–1997: ''Waiting to Exhale'', ''The Preacher's Wife'', and ''Cinderella''

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film ''Waiting to Exhale'', a motion picture about four African-American women struggling with relationships. Houston played the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers". After opening at number one and grossing $67 million in the US at the box office and $81 million worldwide, it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as ''How Stella Got Her Groove Back'' and the Tyler Perry movies that have become popular in the 2000s. The film is also notable for its portrayal of black women as strong middle class citizens as opposed to stereotypes. The reviews were mainly positive for the ensemble cast. ''The New York Times'' said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in 'The Bodyguard' seem so distant." Houston was nominated for an NAACP Image Award for "Outstanding Actress In A Motion Picture", but lost to her co-star Bassett.

The film's accompanying soundtrack, ''Waiting to Exhale: Original Soundtrack Album'', was produced by Houston and Babyface. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. The soundtrack received strong reviews as ''Entertainment Weekly'' said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks.... the soundtrack waits to exhale, hovering in sensuous suspense" and has since ranked it as one of the 100 Best Movie Soundtracks. Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work.

In 1996, Houston starred in the holiday comedy ''The Preacher's Wife'', with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film "The Bishop's Wife" which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. ''The San Francisco Chronicle'' said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice". Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.

Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. ''The Preacher's Wife: Original Soundtrack Album'' included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of ''USA Today'', noted the presence of her emotional depth, while ''The Times'' said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for".

In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's ''Cinderella''. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. However, Halle Berry also had rights to the project and she got her version going first. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Dionne Warwick by performing their hits during the three-night HBO Concert ''Classic Whitney'', live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received The Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.

1998–2000: ''My Love Is Your Love'' and ''Whitney: The Greatest Hits''

After spending much of the early and mid 1990s working on motion pictures and their soundtrack albums, Houston's first studio album in eight years, the critically acclaimed ''My Love Is Your Love'', was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album debuted at number thirteen, its peak position, on the ''Billboard'' 200 chart. It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, mid-tempo R&B;, reggae, torch songs, and ballads all with great dexterity.

From late 1998 to early 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK No. 4), a duet with Mariah Carey for 1998's ''The Prince of Egypt'' soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; "Heartbreak Hotel" (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B; Video, and number one on the US R&B; chart for seven weeks; "It's Not Right But It's Okay" (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B; Vocal Performance; "My Love Is Your Love" (US No. 4, UK No. 2) with 3 million copies sold worldwide; and "I Learned from the Best" (US No. 27, UK No. 19). These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the ''Billboard'' Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum, and a total of eleven million copies worldwide.

The album gave Houston some of her strongest reviews ever. ''Rolling Stone'' said Houston was singing "with a bite in her voice" and ''The Village Voice'' called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas Live '99, alongside Brandy, Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date ''My Love Is Your Love World Tour''. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named Top-selling R&B; Female Artist of the Century with certified US sales of 51 million copies at the time and ''The Bodyguard Soundtrack'' was named the Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA). She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B;.

In May 2000, ''Whitney: The Greatest Hits'' was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries. While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star Spangled Banner", and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 ''Precious Moments'' album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on ''The Merv Griffin Show'', and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.

2000–2005: ''Just Whitney''

In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on ''Michael Jackson: 30th Anniversary Special''. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position.

In 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times, including cocaine.

In December 2002, Houston released her fifth studio album, ''Just Whitney...''. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, ''Just Whitney...'' received mixed reviews. The album debuted at number 9 on the ''Billboard'' 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album, didn't fare well on the ''Billboard'' Hot 100, but became Hot Dance Club Play hits. ''Just Whitney...'' was certified platinum in the United States, and sold approximately three million worldwide.

On a June 2003 trip to Israel, Houston said of her visit, "I've never felt like this in any other country. I feel at home, I feel wonderful."

In late 2003, Houston released her first Christmas album ''One Wish: The Holiday Album'', with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long time friend Clive Davis. After the show, Davis and Houston announced plans to go into studio to work on her new album.

In early 2004, husband Bobby Brown starred in his own reality TV program, ''Being Bobby Brown'' (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The ''Hollywood Reporter'' said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.

2006–2012: Return to music, ''I Look to You'', tour and film comeback

Houston released her new album, ''I Look to You'', in August 2009. The album's first two singles are "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200 at No. 1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since '' The Bodyguard'', and Houston's first studio album to reach number one since 1987's ''Whitney''. Houston also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show ''Wetten, dass..?''. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on ''The X Factor'' in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes".

The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look to You" went gold. Houston appeared on the Italian version of ''The X Factor'', performing the same song "Million Dollar Bill" to excellent reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States. On January 26, 2010, her debut album was re-released in a special edition entitled ''Whitney Houston – The Deluxe Anniversary Edition''.

Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts due to illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.

In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single "I Look to You". On January 16, she received The BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors award was held at the Warner Theatre in Washington, D.C. and aired on February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper ''The Mirror'' reported that Houston was thinking about recording her eighth studio album and wanted to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration.

Houston also performed the song "I Look to You" on the 2011 BET ''Celebration of Gospel'', with gospel–jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy gala. In May 2011, Houston enrolled in a rehabilitation center again, as an out-patient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's "longstanding recovery process".

In September 2011, ''The Hollywood Reporter'' announced that Houston would produce and star alongside Jordin Sparks and Mike Epps in the remake of the 1976 film ''Sparkle''. In the film, Houston portrays Sparks' "not-so encouraging mother". Houston would have executive producer credits on top of acting credits according to Debra Martin Chase, producer of ''Sparkle''. She stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained ''Sparkle'' production rights. R&B; singer Aaliyah – originally tapped to star as Sparkle – died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston's remake of ''Sparkle'' was filmed in the fall of 2011, and is set for release by TriStar Pictures in August 2012.

Personal life

Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy, whom she dated. She then met R&B; singer Bobby Brown at the 1989 Soul Train Music Awards. After a three-year courtship, the two were married on July 18, 1992. On March 4, 1993, Houston gave birth to their daughter Bobbi Kristina Houston Brown, her only child, and his fourth. Brown would go on to have several run-ins with the law, including some jail time.

Though Houston was seen as a "good girl" with a perfect image in the 1980s and early 1990s, by the late 1990s, her behavior changed. She was often hours late for interviews, photo shoots and rehearsals, and canceling concerts and talk-show appearances. With the missed performances and weight loss, rumors about Houston using drugs with her husband circulated. On January 11, 2000, airport security guards discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaii airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against them, but rumors of drug usage between the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston had been scheduled to perform at the event, but failed to show up.

Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and longtime friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book ''The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards'', author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant", and that while Houston was to sing "Over the Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.

In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.

After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006, filing for divorce the following month. On February 1, 2007, Houston asked the court to fast track their divorce. The divorce was finalized on April 24, 2007, with Houston granted custody of the couple's daughter. On May 4, Houston sold the suburban Atlanta home featured in ''Being Bobby Brown'' for $1.19 million. A few days later, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston's divorce petition. Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support. In March 2007, Clive Davis of Arista Records announced that Houston would begin recording a new album. In October 2007, Arista released another compilation ''The Ultimate Collection'' outside the United States.

Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey's season premiere. The interview was billed as "the most anticipated music interview of the decade". Whitney admitted on the show to using drugs with former husband Bobby Brown, who "laced marijuana with rock cocaine". By 1996, she told Oprah, "[doing drugs] was an everyday thing... I wasn't happy by that point in time. I was losing myself."

Relations

Her mother is Gospel-trained vocalist Cissy Houston.

Houston's cousins, sisters Dee Dee Warwick and Dionne Warwick, also had successful singing careers. Their mother Lee Warwick, also an entertainer/manager, was Houston's maternal aunt.

Her cousin, once removed, Damon Elliott is a noted music producer, who has worked with Mýa, Pink, and Keyshia Cole.

In Dionne Warwicks 2010 autobiography, ''My Life, as I See It'', Warwick notes that opera diva, Leontyne Price, is a maternal cousin.

Death

On February 9, 2012, Houston visited singers Brandy and Monica, together with Clive Davis, at their rehearsals for Davis' pre-Grammy Awards party at the Beverly Hilton Hotel in Beverley Hills. That same day, she made her last public performance, when she joined Kelly Price on stage in Hollywood, California, and sang "Jesus Loves Me".

On February 11, 2012, Houston was found dead in suite 434 at the Beverly Hilton Hotel, submerged in the bathtub. The cause of death was not immediately known. It was later ruled by the coroner to have been "accidental drowning". Beverly Hills paramedics arrived at approximately 3:30 p.m. and found the singer unresponsive and performed CPR. Houston was pronounced dead at 3:55 p.m. PST. Local police said there were "no obvious signs of criminal intent." On March 22, 2012, the Los Angeles County coroner's office reported the cause of Houston's death was drowning and the "effects of atherosclerotic heart disease and cocaine use". The office stated the amount of cocaine found in Houston's body indicates she used the substance shortly before her death. Toxicology results revealed additional drugs in her system: Benadryl, Xanax, marijuana and Flexiril. The manner of death was listed as an "accident".

Houston had an invitation-only memorial on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted for four hours. Among those who performed at the funeral were Stevie Wonder (rewritten version of "Ribbon in the Sky," and "Love's in Need of Love Today"), CeCe Winans ("Don't Cry" and "Jesus Loves Me"), Alicia Keys ("Send Me an Angel"), Kim Burrell (rewritten version of "A Change Is Gonna Come") and R. Kelly ("I Look to You"), interspersed with hymns by the church choir and remarks by Clive Davis, Houston’s record producer; Kevin Costner; Ricky Minor her music director; her cousin Dionne Warwick and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service. Bobby Brown, Houston's ex-husband, was also invited to the funeral but he left before the service began. Houston was buried on Sunday, February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey next to her father, John Russell Houston, who died in 2003.

Reaction

The Clive Davis' pre-Grammy party that Houston was expected to attend, and that featured many of the biggest names in music and movies, went on as scheduled although it was quickly turned into a tribute to Houston. Davis spoke about Houston's death at the evening's start: "By now you have all learned of the unspeakably tragic news of our beloved Whitney's passing. I don't have to mask my emotion in front of a room full of so many dear friends. I am personally devastated by the loss of someone who has meant so much to me for so many years. Whitney was so full of life. She was so looking forward to tonight even though she wasn't scheduled to perform. Whitney was a beautiful person and a talent beyond compare. She graced this stage with her regal presence and gave so many memorable performances here over the years. Simply put, Whitney would have wanted the music to go on and her family asked that we carry on."

Tony Bennett spoke of Houston's death before performing at Davis' party. He said, "First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston". Bennett sang "How Do You Keep the Music Playing?" and said of Houston, "When I first heard her, I called Clive Davis and said, 'You finally found the greatest singer I've ever heard in my life.'"

Some celebrities opposed Davis' decision to continue on the party while a police investigation was being conducted in Houston's hotel room and her body was still in the building. Chaka Khan, in an interview with CNN's Piers Morgan on February 13, 2012, shared that she felt the party should have been canceled, saying "I thought that was complete insanity. And knowing Whitney I don't believe that she would have said 'the show must go on.' She's the kind of woman that would've said 'Stop everything! Un-unh. I'm not going to be there.' [...] I don't know what could motivate a person to have a party in a building where the person whose life he had influenced so enormously and whose life had been affected by hers. They were like... I don't understand how that party went on." Sharon Osbourne condemned the Davis party, declaring "I think it was disgraceful that the party went on. I don't want to be in a hotel room when there's someone you admire who's tragically lost their life four floors up. I'm not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong."

Several other celebrities released statements responding to Houston's death. Dolly Parton, whose song "I Will Always Love You" was covered by Houston, said, "I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed'." Aretha Franklin said, "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen." Mariah Carey said, "Heartbroken and in tears over the shocking death of my friend ... She will never be forgotten as one of the greatest voices to ever grace the earth." Oprah Winfrey, who did an in-depth interview with Houston in 2009, wrote on Twitter "To me Whitney was THE VOICE. We got to hear a part of God every time she sang. Heart is heavy, spirit grateful for the GIFT of her." Quincy Jones said, "I am absolutely heartbroken at the news of Whitney’s passing. Ashford & Simpson first made me aware of Whitney when she was just sixteen, and I always regretted not having had the opportunity to work with her. She was a true original and a talent beyond compare. I will miss her terribly."

Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who knew Houston including those that have worked with her, interviewed her along with some of her peers in the music industry. ''Saturday Night Live'' displayed a photo of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH-1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.

Houston's former husband, Bobby Brown, was reported to be "in and out of crying fits" since receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: "I love you, Whitney".

Ken Ehrlich, executive producer of the 54th Grammy Awards, announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012, awards. He said "event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston". Ehrlich went on to say: "It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years". At the start of the awards ceremony, a footage of Houston performing "I Will Always Love You" from 1994 Grammys was shown following a prayer read by host, LL Cool J. Later in the program following a montage of photos of musicians who died in 2011 with Houston singing "Saving All My Love for You" at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing "I Will Always Love You".

Houston was honored in the form of various tributes at the 43rd NAACP Image Awards, held on February 17. A image montage of Houston and important black figures who died in 2011 was followed by video footage from the 1994 ceremony, which depicted her accepting two Image Awards for outstanding female artist and entertainer of the year. Following the video tribute, Yolanda Adams delivered a rendition of "I Love the Lord" from ''The Preacher's Wife Soundtrack''. In the finale of the ceremony, Kirk Franklin and The Family started their performance with "Greatest Love of All." The 2012 BRIT Awards, which took place at London's O2 Arena on February 21, also paid tribute to Houston by playing a 30-second-video montage of her music videos with a snippet of "One Moment in Time" as the background music in the ceremony's first segment. New Jersey Governor Chris Christie said that all New Jersey state flags would be flown at half-staff on Tuesday, February 21 to honor Houston. Accompanied by Esperanza Spalding belting out "What a Wonderful World" along with the Southern California Children's Choir, Houston was featured in the ''In Memoriam'' montage alongside other cinema greats at the 84th Academy Awards, held at the Hollywood and Highland Center on February 26, 2012.

Artistry and legacy

Voice

Houston was a mezzo-soprano, and was commonly referred to as "The Voice" in reference to her exceptional vocal talent. Her vocal range extended from G below middle C (G₃) to high B-flat (B₅); she could belt out to treble F (F₅). She was third in MTV's list of 22 Greatest Voices, and sixth on ''Online Magazine COVE''s list of the 100 Best Pop Vocalists with a score of 48.5/50. In 2008, ''Rolling Stone'' listed Houston as the thirty-fourth of the 100 greatest singers of all time, stating, "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's 'I Will Always Love You' is a tour de force." Matthew Perpetua from ''Rolling Stone'' also eulogized Houston's vocal, enumerating ten performances, including "How Will I Know" from the 1986 MTV VMAs and "The Star Spangled Banner" at the 1991 Super Bowl. "Whitney Houston was blessed with an astonishing vocal range and extraordinary technical skill, but what truly made her a great singer was her ability to connect with a song and drive home its drama and emotion with incredible precision," he stated. "She was a brilliant performer, and her live shows often eclipsed her studio recordings."

Jon Caramanica of ''The New York Times'' commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [...] Hers was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances." Mariah Carey stated, "Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of ''I Look to You'', music critic Ann Powers of the ''Los Angeles Times'' writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano".

Lauren Everitt from BBC News Magazine commented on melisma used in Houston's recording and its influence. "An early 'I' in Whitney Houston's 'I Will Always Love You' takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable," stated Everitt. "The technique is repeated throughout the song, most pronouncedly on every 'I' and 'you'. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's love song that pushed the technique into the mainstream in the 90s. [...] But perhaps what Houston nailed best was moderation." Everitt said that "[i]n a climate of reality shows ripe with 'oversinging', it's easy to appreciate Houston's ability to save melisma for just the right moment".

Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from ''The New York Times'', in his review of Houston's Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer, writing, "Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing." With regard to her singing style, he added: "Her [Houston's] stylistic trademarks – shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration – infuse her interpretations with flashes of musical and emotional lightning."

Elysa Gardner of the ''Los Angeles Times'' in her review for ''The Preacher's Wife Soundtrack'' praised Houston's vocal ability highly, commenting, "She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama."

Influence

During the 1980s, MTV was coming into its own and received criticism for not playing enough videos by black artists. With Michael Jackson breaking down the color barrier for black male artists, Houston did the same for black female artists. She became the first black female artist to receive heavy rotation on the network following the success of the "How Will I Know" video. Following Houston's breakthrough, other African-American female artists, such as Janet Jackson and Anita Baker, were successful in popular music. Baker commented that "Because of what Whitney and Sade did, there was an opening for me... For radio stations, black women singers aren't taboo anymore."

Allmusic noted her contribution to the success of black artists on the pop scene, commenting, "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity" and that "the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake". ''The New York Times'' stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss of ''Time'' magazine commented on her initial success breaking various barriers:

Of her first album's ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace.

Stephen Holden of ''The New York Times'' said that Houston "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the ''Los Angeles Times'' referred to the singer as a "national treasure". Jon Caramanica, other music critic of ''The New York Times'', called Houston "R&B;'s great modernizer," adding "slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream". He also drew comparisons between Houston's influence and other big names' on 1980s pop:

She was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built worldviews around their voices; Ms. Houston’s voice was the worldview. She was someone more to be admired, like a museum piece, than to be emulated.

''The Independent''s music critic Andy Gill also wrote about Houston's influence on modern R&B; and singing competitions, comparing it to Michael Jackson's. "Because Whitney, more than any other single artist ― Michael Jackson included ― effectively mapped out the course of modern R&B;, setting the bar for standards of soul vocalese, and creating the original template for what we now routinely refer to as the 'soul diva'," stated Gill. "Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape." Gill said that there "are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning".

Houston was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake, and spawned a legion of imitators. ''Rolling Stone'', on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna". ''Essence'' ranked Houston the fifth on their list of 50 Most Influential R&B; Stars of all time, calling her "the diva to end all divas".

A number of artists have acknowledged Houston as an influence, including Celine Dion, Mariah Carey, Toni Braxton, Christina Aguilera, LeAnn Rimes, Jessica Simpson, Nelly Furtado, Kelly Clarkson, Britney Spears, Ciara, P!nk, Ashanti, Robin Thicke, Jennifer Hudson, Stacie Orrico, Amerie, and Destiny's Child. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told ''USA Today'' that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Celine Dion who was the third member of the troika that dominated female pop singing in the 1990s, did a telephone interview with ''Good Morning America'' on February 13, 2012, telling "Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her." Beyoncé told the ''Globe and Mail'' that Houston "inspired [her] to get up there and do what [she] did". She also wrote on her website on the day after Houston's death, "I, like every singer, always wanted to be just like [Houston]. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us."

Mary J. Blige said that Houston inviting her onstage during VH1's ''Divas Live'' show in 1999 "opened doors for [her] all over the world". Brandy stated, "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing." Kelly Rowland, in an ''Ebony'' feature article celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."

Alicia Keys said "Whitney is an artist who inspired me from [the time I was] a little girl". Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told ''Newsday'' that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called "the new Whitney Houston", also cites her as an influence. Lewis stated that she idolized her as a little girl.

Awards and achievements

Houston was the most awarded female artist of all time, according to Guinness World Records, with two Emmy Awards, six Grammy Awards, 30 Billboard Music Awards, 22 American Music Awards, among a total of 415 career awards as of 2010. She held the all-time record for the most American Music Awards of any female solo artist and shared the record with Michael Jackson for the most AMAs ever won in a single year with eight wins in 1994. Houston won a record 11 Billboard Music Awards at its fourth ceremony in 1993. She also had the record for the most WMAs won in a single year, winning five awards at the 6th World Music Awards in 1994.

In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era", behind Madonna and Janet Jackson. She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time". In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010. In November 2010, ''Billboard'' released its "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three whom not only went on to earn eight number one singles on the R&B;/Hip-Hop Songs chart, but also landed five number ones on R&B;/Hip-Hop Albums.

Houston's debut album is listed as one of the 500 Greatest Albums of All Time by ''Rolling Stone'' magazine and is on Rock and Roll Hall of Fame's Definitive 200 list. In 2004, ''Billboard'' picked the success of her first release on the charts as one of 110 Musical Milestones in its history. Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today'' in 2007. It stated that she paved the way for Mariah Carey's chart-topping vocal gymnastics. In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist to be given a BET Lifetime Achievement Award.

Houston was one of the world's best-selling music artists, having sold over 200 million albums and singles worldwide. She was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US.

She held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.

Discography

;Studio Albums

1985: ''Whitney Houston''

1987: ''Whitney''

1990: ''I'm Your Baby Tonight''

1998: ''My Love Is Your Love''

2002: ''Just Whitney''

2009: ''I Look to You''

;Holiday Albums

2003: ''One Wish: The Holiday Album''

Filmography

+ Film roles
! Year	! Title	! Role	Notes and awards
		Rachel Marron	Feature film	1993 MTV Movie Awards#Best Female Performance>Best Female Performance	1993 MTV Movie Awards#Breakthrough Performance>Best Breakthrough Performance	1993 MTV Movie Awards#Best On-Screen Duo>Best On-Screen Duo with co-star Kevin Costner	Golden Raspberry Award for Worst Actress#1990s>Worst Actress
	''Waiting to Exhale''	Savannah Jackson	Feature film	* Nominated – 1996 NAACP Image Award for Outstanding Actress in a Motion Picture
	''The Preacher's Wife''	Julia Biggs	Feature film	* Won – 1997 NAACP Image Award for Outstanding Actress in a Motion Picture	* Nominated – 1997 Blockbuster Entertainment Award for Favorite Female Actress(Comedy/Romance)	1997 Kids' Choice Awards#Favorite Movie Actress>Favorite Movie Actress
		Fairy Godmother		50th Primetime Emmy Awards>1998 Emmy Award for Outstanding Variety, Music Or Comedy Special	NAACP Image Award for Outstanding Television Movie, Mini-Series or Dramatic Special>Outstanding Television Movie/Mini-Series
		Emma	Posthumous release

+ Television roles
! Year	Title	Network	Role	Notes
	''Gimme a Break!''	NBC	Rita	"Katie's College" (Season 3, Episode 20, air date: March 15, 1984)
''As the World Turns''	CBS	Herself	Houston appeared on the soap on August 1–2, 1984, with Jermaine Jackson singing two duets off a new album he was releasing at the time: "Take Good Care of My Heart" and "Nobody Loves Me Like You Do." They taped their appearance on July 25 at CBS Studios in New York City.
	''Silver Spoons''	NBC	Herself	"Head Over Heels" (Season 4, Episode 1, air date: September 15, 1985)She performed the edited version of "Saving All My Love for You", changing some of the words.
	''Boston Public''	Fox	Herself	She performed "Try It On My Own" from the 2002 studio album ''Just Whitney''.

+ Commercials
! Year	Company	Promoting	Country	Notes
	Dr Pepper/Seven Up	Canada Dry(soft drink beverage)	United States		* Houston appeared in this commercial before debut as a professional singer and sang the praises of sugar-free Canada Dry Ginger Ale.
	Coca-Cola	Diet Coke(soft drink beverage)	United States		* Houston sang the Diet Coke theme song, "Just for the taste of it".
	Coca-Cola	Diet Coke(soft drink beverage)	United States		* Houston sang the other version of the Diet Coke advertising slogan at the time, "Just for the taste of it".	* Outside the United States, the second version of advertising was released, in which "Greatest Love of All" was used as background music.	1989 MTV Video Music Awards#Video of the Year>Video of the Year winning "This Note's for You" by Neil Young, parodied parts of this advertising to criticize pop/rock stars who make commercial endorsements, most notably Michael Jackson for Pepsi and Houston for Diet Coke, using look-alikes for them.
	Sanyo	Electronics(the stereo, TV)	Japan		Keith Thomas (producer)>Keith Thomas. It was released as a CD single in Japan and included in Japanese edition of ''I'm Your Baby Tonight''.	* Sanyo also sponsored Houston's 1990 Japan only Feels So Right Tour.
	AT&T;	Telephone services	United States		* Houston sang its theme song, "True Voice".
	Nissin	Consumer credit business	Japan		* Houston appeared on both print advetisement and TV commercial for Nissin, a nonbank finance company that lends to consumers and small businesses in Japan, with then the company's slogan "Make it happen with Nissin"

+ Film/TV Productions
! Year	! Title	! Director	Notes and awards
		Robert Iscove	Executive producer	50th Primetime Emmy Awards>1998 Emmy Award for Outstanding Variety, Music Or Comedy Special	NAACP Image Award for Outstanding Television Movie, Mini-Series or Dramatic Special>Outstanding Television Movie/Mini-Series
		Garry Marshall	Producer	Young Artist Awards>Young Artist Award for Best Family Feature Film – Comedy	Broadcast Film Critics Association Award for Broadcast Film Critics Association Awards 2001#Best Family Film (Live Action)>Best Family Film (Live Action)	Phoenix Film Critics Society>Phoenix Film Critics Society Award for Best Family Film	Teen Choice Awards>Teen Choice Award for Film – Choice Movie, Comedy
		Oz Scott	Producer
	''The Princess Diaries 2: Royal Engagement''	Garry Marshall	Producer
		Kenny Ortega	Co-executive producer

Tours

;World tours

''The Greatest Love World Tour'' (1986)

''Moment of Truth World Tour'' (1987–88)

''I'm Your Baby Tonight World Tour'' (1991)

''The Bodyguard World Tour'' (1993–94)

''My Love Is Your Love World Tour'' (1999)

''Nothing But Love World Tour'' (2010)

;Regional tours

''Feels So Right Tour'' (1990)

''Pacific Rim Tour'' (1997)

''The European Tour'' (1998)

''Soul Divas Tour'' (2004)

;Televised concerts

''Nelson Mandela 70th Birthday Tribute'' (1988)

''Welcome Home Heroes with Whitney Houston'' (1991)

''The Concert for a New South Africa'' (1994)

''Classic Whitney Live from Washington, D.C.'' (1997)

See also

American Music Award nominations for Whitney Houston

Grammy nominations for Whitney Houston

Honorific nicknames in popular music

List of artists who reached number one in the United States

List of artists who reached number one on the U.S. Dance chart

List of best-selling music artists

Melisma

References

Further reading

External links

Category:1963 births Category:2012 deaths Category:20th-century actors

Category:Actors from New Jersey Category:African American female models Category:African American female singers Category:African American film actors Category:African American record producers Category:African-American film producers Category:American dance musicians Category:American female models Category:American gospel singers Category:American mezzo-sopranos Category:American people of Dutch descent Category:American people of Native American descent Category:American pop singers Category:American rhythm and blues singers Category:Arista Records artists Category:Baptists from the United States Category:Burials in New Jersey Category:Emmy Award winners Category:Grammy Award winners Category:Participants in American reality television series Category:People from East Orange, New Jersey Category:Musicians from Newark, New Jersey Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers

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name	Chaka Khan
background	solo_singer
birth name	Yvette Marie Stevens
alias	Chaka Adunne Aduffe Hodarhi Karifi Khan, Queen of Funk
birth date	March 23, 1953
Birth place	Chicago, Illinois, United States
instrument	Vocals
occupation	Singer-songwriter
genre	R&B;, jazz, funk, soul, disco, adult contemporary
years active	1964–present
label	ABC (1972–1978) Warner Bros. (1978–1998)MCA (1979–1982)NPG (1998–2001) Burgundy (2005–2010)
associated acts	Rufus, Prince
website	}}

Chaka Khan (born Yvette Marie Stevens; March 23, 1953), frequently known as the "Queen of Funk", is a 10-time Grammy Award winning American singer-songwriter who gained fame in the 1970s as the frontwoman and focal point of the funk band Rufus.

While still a member of the group in 1978, Khan embarked on a successful solo career. Her signature hits, both with Rufus and as a solo performer, include "Tell Me Something Good", "Sweet Thing" which she wrote for her then husband Richard Holland, "Ain't Nobody", "I'm Every Woman", "I Feel for You" and "Through the Fire".

Biography

Early life: 1953–1972

Khan was born Yvette Marie Stevens in Chicago, Illinois. Raised in Chicago's rough South Side housing projects, Khan was the eldest of five children to Charles Stevens and Sandra Coleman. Her sister Yvonne Stevens later became a successful musician in her own right under the name Taka Boom. Her only brother Mark Stevens, who formed the funk group Aurra, also became a successful musician. She has two other sisters, Kathleen Burrell and Tammy McCrary, who is her current manager. Unlike many of her musical contemporaries, Khan was raised as Roman Catholic. Khan attributed her love of music to her grandmother, who introduced her to jazz music as a child. Khan became a fan of R&B; music as a preteen and at eleven formed her first all-female singing group the Crystalettes, which also included her sister Taka. In the late 1960s, Khan and her sister formed the vocal group Shades of Black and joined the Black Panther Party after befriending fellow member, activist and Chicago native Fred Hampton in 1967. While a member, she was given a name change to Chaka Adunne Aduffe Hodarhi Karifi by an African shaman. In 1969, she left the Panthers, dropped out of high school, having attended Calumet High School and Kenwood High School (now Kenwood Academy), and began to perform in small groups around the Chicago area, first performing with the group Lyfe, which included her then boyfriend Hassan Khan, whom she'd later marry. Khan was asked to replace the late Baby Huey of Baby Huey & the Babysitters after Huey's untimely death, in 1970. The group disbanded a year later. While performing in local bands in 1972, Khan was spotted by two members of a new group simply called Rufus and soon won her position in the group. The group later signed with ABC Records in 1973. Prior to Khan signing with the label, she married her on-again, off-again boyfriend Hassan Khan, changing her stage name to Chaka Khan.

Early career and success: 1973–1978

In 1974, Rufus released their self-titled debut album. Despite their fiery rendition of Stevie Wonder's "Maybe Your Baby" from Wonder's acclaimed ''Talking Book'' and the modest success of the Khan-led ballad "Whoever's Thrilling You (Is Killing Me)", the album failed to garner attention. That changed when Wonder himself collaborated with the group on a song he had written for Khan. That song, "Tell Me Something Good", became the group's breakthrough hit, reaching number-three on the Billboard Hot 100 in 1974 later winning the group their first Grammy Award. The single's success and the subsequent follow-up, "You Got the Love", which peaked at number-eleven on the Billboard Hot 100 helped their second parent album, ''Rags to Rufus'', go platinum selling over a million copies. Between 1974 and 1979, Rufus would release six platinum-selling albums including ''Rufusized'', ''Rufus Featuring Chaka Khan'', ''Ask Rufus'', ''Street Player'' and ''Masterjam''. Hits the group would score during this time included "Once You Get Started", "Sweet Thing", "Hollywood", "At Midnight (My Love Will Lift You Up)" and "Do You Love What You Feel".

The band gained a reputation as a live performing act with Khan becoming the star attraction, thanks to her powerful vocals and stage attire, which sometimes included Native American garb and showing her midriff. Most of the band's material was written and produced by the band itself with few exceptions. Khan has also been noted for being an instrumentalist playing drums and bass, she also provided percussion during her tenure with Rufus. Most of Khan's compositions were often collaborations with guitarist Tony Maiden. Relations between Khan and the group, particularly between Khan and group member Andre Fischer, became stormy. Several group members left with nearly every release. While Khan remained a member of the group, she signed a solo contract with Warner Bros in 1978. While Khan was busy at work on solo material, Rufus released three albums without Khan's participation including 1979's ''Numbers'', 1980's ''Party 'Til You're Broke'' and 1983's ''Seal in Red''.

Early solo career and final years with Rufus: 1978–1983

In 1978, Warner Bros. Records released Khan's solo debut album, which featured the crossover disco hit, "I'm Every Woman", written for her by songwriters Ashford & Simpson. The success of the single helped the album go platinum, selling over a million copies. Khan also was a featured performer on Quincy Jones' hit, "Stuff Like That", also released in 1978.

In 1979, Khan reunited with Rufus to collaborate on the Jones-produced ''Masterjam'', which featured their hit, "Do You Love What You Feel", which Khan sang with Tony Maiden. Despite her sometimes-acrimonious relationship with some of the group's band mates, Khan and Maiden have maintained a friendship over the years. In 1979 she also duetted with Ry Cooder on his album ''Bop Till You Drop''. In 1980, while Rufus released their second non-Khan release, ''Party 'Til You're Broke'', Khan released her second solo album, ''Naughty'', which featured Khan on the cover with her six-year-old daughter Milini. The album yielded the minor disco hit "Clouds" and went gold. Khan released two albums in 1981, the Rufus release, ''Camouflage'' and the solo album, ''What Cha' Gonna Do for Me''. The same year, Khan appeared on three tracks on Rick Wakeman's concept album ''1984''. In 1982, Khan issued two more solo albums, the jazz-oriented ''Echoes of an Era'' and a more funk/pop-oriented self-titled album. The latter album's track, the jazz-inflected "Bebop Medley", won Khan a Grammy and earned praise from Betty Carter who loved Khan's vocal scatting in the song.

In 1983, following the release of Rufus' final studio album, ''Seal in Red'', which did not feature Khan, the singer returned with Rufus on a live album, ''Stompin' at the Savoy - Live'', which featured the studio single, "Ain't Nobody", which became the group's final charting success reaching number twenty-two on the Billboard Hot 100 and number-one on the Hot R&B; chart, while also reaching the top ten in the United Kingdom. Following this release, Rufus separated for good.

''I Feel For You'' and Solo success: 1984–1996

In 1984, Khan released her sixth studio album, ''I Feel for You''. The title track was the first single released. Originally written and recorded by Prince for his eponymous follow-up to his debut album in 1979, it had been previously recorded by The Pointer Sisters and Mary Wells. Khan's version featured a harmonica solo by Stevie Wonder and an introductory rap by Grandmaster Melle Mel. This version of the song became a million-selling smash in the U.S. and UK, and it helped to relaunch Khan's career. ''I Feel For You'' topped not only the U.S. R&B; and dance charts, but achieved great success on U.S. pop charts, and reached number one in the United Kingdom as well. The song reached number three on the Billboard Hot 100 in December 1984, and remained on that chart for 26 weeks, well into 1985. It was listed as Billboard's number 5 song for the year 1985, and netted Prince the 1985 Grammy Award for Best R&B; Song. In addition to the song's successful radio airplay and sales, a music video of Chaka Khan with break dancers in an inner-city setting enjoyed heavy airplay on television and helped to solidify Chaka Khan's notoriety in popular culture.

Other singles which helped the ''I Feel For You'' album to go platinum included "This is my Night" and the ballad "Through the Fire", the latter which was also very successful on the adult contemporary charts. Khan was featured in Steve Winwood's 1986 number one hit, "Higher Love". That same year, a duet was planned with Robert Palmer for his album ''Riptide'', on the song "Addicted To Love". However, her manager declined to allow the duet to be released, citing the desire to not have too much "product" from her in the marketplace at one time; she was still credited for the vocal arrangements in the album's liner notes, and the song became an international hit. Khan followed up her successful ''I Feel For You'' album with 1986's ''Destiny'' and 1988's ''CK''. Khan found more success in the late 1980s with a remix album, ''Life is a Dance - The Remix Project'', which reached the top ten on the UK albums chart. As a result Khan performed regularly in the United Kingdom, where she maintained a strong fan base.

In 1990, she was a featured performer on another major hit when she collaborated with Ray Charles and Quincy Jones on a new jack swing cover of The Brothers Johnson's "I'll Be Good to You", which was featured on Jones' ''Back on the Block''. The song reached number-eighteen on the Billboard Hot 100 and number-one on the Hot R&B; chart, later winning Charles and Khan a Grammy for Best R&B; Vocal Performance By a Duo or Group. Khan returned with her first studio album in four years in 1992 with the release of ''The Woman I Am'', which went gold thanks to the R&B; success of the songs "Love You All My Lifetime" and "You Can Make the Story Right". Khan also contributed to soundtracks and worked on a follow-up to ''The Woman I Am'' which she titled ''Dare You to Love Me'', which was eventually shelved. In 1995, she and rapper Guru had a hit with the duet "Watch What You Say", in the UK. That same year, she provided a contemporary R&B; cover of the classic standard, "My Funny Valentine", for the ''Waiting to Exhale'' soundtrack. In 1996, following the release of her greatest-hits album, ''Epiphany: The Best of Chaka Khan, Vol. 1'', Khan abruptly left Warner Bros. after stating the label had neglected her and failed to release ''Dare You to Love Me''.

Later career and current work: 1998–present

In 1998, Khan signed a contract with Prince's NPG Records label and issued ''Come 2 My House'', followed by the single "Don't Talk 2 Strangers", a cover of a 1996 Prince song. Khan later went on a tour with Prince as a co-headlining act. In 2000, Khan departed from NPG and in 2004 released her first jazz covers album in twenty-two years with 2004's ''ClassiKhan''. She also covered "Little Wing" with Kenny Olson on the album ''Power of Soul: A Tribute to Jimi Hendrix''. Three years later, after signing with Burgundy Records, Khan released what many critics called a "comeback album" with ''Funk This'', produced by Jimmy Jam and Terry Lewis.

The album featured the hit, "Angel", and the Mary J. Blige duet, "Disrespectful". The latter track went to number one on the U.S. dance singles chart, winning the singers a Grammy Award, while ''Funk This'' also won a Grammy for Best R&B; Album. The album was notable for Khan's covers of Dee Dee Warwick's "Foolish Fool" and Prince's "Sign o' the Times". In 2008, Khan participated in the Broadway adaptation of ''The Color Purple'' playing Ms. Sofia to Fantasia Barrino's Celie.

In a 2008 interview Khan said that she, unlike other artists, felt very optimistic about the current changes in the recording industry, including music downloading. "I'm glad things are shifting and artists – not labels – are having more control over their art. My previous big record company (Warner Music) has vaults of my recordings that haven't seen the light of day that people need to hear. This includes Robert Palmer's original recording of "Addicted to Love" – which they took my vocals off of! We are working on getting it (and other tracks) all back now."

In 2009, Khan hit the road with singers Anastacia and Lulu for Here Come the Girls. In 2010, Khan contributed to vocals for Beverley Knight's "Soul Survivor", collaborated with Clay Aiken on a song for the kids show ''Phineas and Ferb'', and performed two songs with Japanese singer Ai on Ai's latest album ''The Last Ai''. Khan continues to perform to packed audiences both in her native United States and overseas.

On May 19, 2011, Khan was given the 2,440th Hollywood Walk of Fame star plaque on a section of Hollywood Boulevard in Los Angeles. Her family was present when the singer accepted the honor, as was Stevie Wonder, who had written her breakout hit "Tell Me Something Good".

On September 27, 2011, the Rock & Roll Hall of Fame committee announced that Khan and her former band Rufus were jointly nominated for induction to the hall. It was the collective's first nomination 13 years after they were first eligible. The group were nominated partly due to Khan's own storied reputation, including her own solo career in conjunction with her years with Rufus.

Recently, Khan Rerecorded her song, Super Life, under the title ''"Super Life: Fear Kills, Love Heals"'' with Eric Benet, Kelly Price, and Luke James in tribute to Trayvon Martin, a teenager who was killed Feb. 26. A number of celebrities also joined in the recording including Loretta Devine, Terry Crews, Eva Pigford, and reporter Kevin Frazier.

Personal life

Khan has been married twice and is the mother of two children, daughter Milini, 36, and son Damien Holland, 22. Khan's first marriage was to Hassan Khan, in 1970, when she was 17. They divorced a short time later. Milini's birth was the result of a relationship between Khan and Rahsaan Morris. Khan married her second husband, Richard Holland, in 1976. The marriage reportedly caused a rift between Khan and several members of Rufus, in particular, Andre Fischer. Khan dated a Chicago-area schoolteacher in the mid-1980s in the middle of her solo stardom. Following their separation, Khan moved to Europe, first settling in London, later buying a residence in Germany.

In the past, Khan struggled with drug abuse and alcoholism. Her drug use, which at times included cocaine and heroin, ended sometime in the early 1990s. Khan would have an on-again, off-again struggle with alcoholism until 2005 declaring herself sober. In 2006, her son Damien Holland was accused of murder after 17-year-old Christopher Bailey was shot to death. Khan testified on her son's behalf defending her son's innocence. Holland claimed the shooting was an accident and was found not guilty. Though she sang at both the 2000 Democratic and Republican conventions, Khan says that she is more of a "Democratic-minded person".

Recently Khan won temporary custody of her granddaughter after reporting that her granddaughter's mother, girlfriend of Khan's son Damien Holland, was unwilling to raise her due to her drug addiction. It was reported that Khan's son was also addicted to drugs.

Awards

Grammy Awards

To date, Chaka Khan has won 10 Grammy Awards, including two as a member of Rufus. She has received 22 Grammy Award nominations, including three as a member of Rufus.

Year	! Award category	! Nominated artist(s)	Nominated work	Track from	! Result
rowspan="2"	2008		Chaka Khan
	Chaka Khan, Mary J. Blige	"Disrespectful"	''Funk This''
	2007		Chaka Khan, Gerald Levert, Yolanda Adams, Carl Thomas	"Everyday (Family Reunion)"
	2003	Grammy Award for Best Traditional R&B; Vocal Performance	Best Traditional R&B; Vocal Performance	Chaka Khan, The Funk Brothers
	1998	Grammy Award for Best Female R&B; Vocal Performance	Best Female R&B; Vocal Performance	Chaka Khan
		Brandy, Tamia, Gladys Knight, Chaka Khan
	Chaka Khan, Meshell Ndegeocello	"Never Miss The Water"
	Luke Cresswell, Fiona Wilkes, Carl Smith, Fraser Morrison, Everett Bradley, Mr. X, Melle Mel, Coolio, Yo-Yo, Chaka Khan, Charlie Wilson, Shaquille O'Neal, Luniz		''Q's Jook Joint'' (Quincy Jones)
	1996	Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media	Best Song Written Specifically For A Motion Picture Or Television	Bruce Hornsby, Chaka Khan	"Love Me Still"
	1993	Grammy Award for Best Female R&B; Vocal Performance	Best R&B; Vocal Performance, Female	Chaka Khan
	1991	Grammy Award for Best R&B; Performance by a Duo or Group with Vocals	Best R&B; Performance By A Duo Or Group With Vocal	Ray Charles, Chaka Khan
	1987	Grammy Award for Best Female R&B; Vocal Performance	Best R&B; Vocal Performance, Female	Chaka Khan	colspan="2"
	1986	Grammy Award for Best Female R&B; Vocal Performance	Best R&B; Vocal Performance, Female	Chaka Khan	colspan="2"
	1985	Grammy Award for Best Female R&B; Vocal Performance	Best R&B; Vocal Performance, Female	Chaka Khan
		Chaka Khan	colspan="2"
	Arif Mardin, Chaka Khan	"Be Bop Medley"
	Rufus	"Ain't Nobody"
	1983	Grammy Award for Best Jazz Vocal Performance, Female	Best Jazz Vocal Performance, Female	Chaka Khan	colspan="2"
	1982	Grammy Award for Best Female R&B; Vocal Performance	Best R&B; Vocal Performance, Female	Chaka Khan	colspan="2"
	1979	Grammy Award for Best Female R&B; Vocal Performance	Best R&B; Vocal Performance, Female	Chaka Khan	"I'm Every Woman"
	1978	Grammy Award for Best R&B; Performance by a Duo or Group with Vocals	Best R&B; Vocal Performance By A Duo, Group Or Chorus	Rufus
	1975		Rufus	"Tell Me Something Good"

Soul Train Awards

1998 Lena Horne Award (Career Achievement) (Recipient)

2009 Legends Award (Career Achievement) (Recipient)

United Negro College Fund Award

2011 UNCF: Award of Excellence (Recipient)

American Music Award nominations

To date, she has had four American Music Award nominations. Favorite Female Artist - Soul/Rhythm & Blues (Nominee only. Award recipient was Tina Turner) Favorite Female Video Artist - Soul/Rhythm & Blues (Nominee only. Award recipient was Tina Turner) Favorite Female Artist - Soul/Rhythm & Blues (Nominee only. Award recipient was Stephanie Mills) Favorite Female Artist - Soul/Rhythm & Blues (Nominee only. Award recipient was Diana Ross) References:

Discography

''Chaka'' (1978)

''Naughty'' (1980)

''What Cha' Gonna Do for Me'' (1981)

''Chaka Khan'' (1982)

''I Feel for You'' (1984)

''Destiny'' (1986)

''CK'' (1988)

''The Woman I Am'' (1992)

''Come 2 My House'' (1998)

''ClassiKhan'' (2004)

''Funk This'' (2007)

See also

''Rufus discography''

References

External links

Chaka Khan official website

Chaka Khan Foundation

Chaka Khan at Wenig-Lamonica Associates

Category:1953 births Category:Living people Category:African American female singer-songwriters Category:American contraltos Category:American dance musicians Category:American emigrants to the United Kingdom Category:American expatriates in the United Kingdom Category:American expatriates in Germany Category:American funk singers Category:American jazz singers Category:American rhythm and blues singer-songwriters Category:American soul singers Category:American vegans Category:Black Panther Party members Category:Berklee College of Music alumni Category:Grammy Award winners Category:Illinois Democrats Category:Musicians from Chicago, Illinois Category:People from Lake County, Illinois Category:Rufus (band) members Category:Female jazz musicians

da:Chaka Khan de:Chaka Khan et:Chaka Khan es:Chaka Khan fr:Chaka Khan gl:Chaka Khan io:Chaka Khan id:Chaka Khan it:Chaka Khan lv:Čaka Hāna nl:Chaka Khan ja:チャカ・カーン no:Chaka Khan pl:Chaka Khan pt:Chaka Khan ru:Хан, Чака fi:Chaka Khan sv:Chaka Khan th:ชากา คาน tr:Chaka Khan uk:Чака Хан yo:Chaka Khan zh:夏卡·康

"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.

History

The term "the Man" in the American sense dates back to the late 19th Century. In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.

It was also used as a term for a drug dealer in the 1950s and 1960s and can be seen in such media as Curtis Mayfield's "No Thing On Me", William Burroughs's novel ''Naked Lunch'', and in the Velvet Underground song "I'm Waiting for the Man", in which Lou Reed sings about going to Uptown Manhattan, specifically Lexington Avenue and 125th Street, to buy heroin.

The use of this term was expanded to counterculture groups and their battles against authority, such as the Yippies, which, according to a May 19, 1969 article in ''U.S. News and World Report'', had the "avowed aim ... to destroy 'The Man', their term for the present system of government". The term eventually found its way into humorous usage, such as in a December 1979 motorcycle ad from the magazine ''Easyriders'' which featured the tagline, "California residents: Add 6% sales tax for The Man."

In present day, the phrase has been popularized in commercials and cinema, featuring particularly prominently as a recurring motif in the 2003 film School of Rock.

Use as praise

The term has also been used as an approbation or form of praise. This may refer to the recipient's status as the leader or authority within a particular context, or it might be assumed to be a shortened form of a phrase like "He is the man (who is in charge)." One example of this usage dates to 1879 when Otto von Bismarck commented, referring to Benjamin Disraeli's pre-eminent position at the Congress of Berlin, "The old Jew, he is the man."

In more modern usage, it can be a superlative compliment ("you da man!") indicating that the subject is currently standing out amongst his peers even though they have no special designation or rank, such as a basketball player who is performing better than the other players on the court. It can also be used as a genuine compliment with an implied, slightly exaggerated or sarcastic tone, usually indicating that the person has indeed impressed the speaker but by doing something relatively trivial.

See also

Absentee landlord

Big Brother (''Nineteen Eighty-Four'')

New World Order (conspiracy theory)

Ruling class

The Establishment

Power elite

Corrections officer

YTMND

Notes

References

Lighter, J.E. (Ed.). (1997). ''Random House Dictionary of American Slang''. New York: Random House.

Category:Slang expressions Category:Stock characters Category:English idioms Category:Pejorative terms for people Category:Military-industrial complex

de:The Man (Begriff)

name	Toni Braxton
background	solo_singer
birth name	Toni Michelle Braxton
birth date	October 07, 1967
Birth place	Severn, Maryland, United States
genre	R&B;, soul, pop
occupation	Singer-songwriter, record producer, actress
instrument	Vocals, piano
years active	1989–present
label	LaFace, Arista, Blackground, Atlantic
associated acts	The Braxtons, Tamar Braxton, Babyface, Kenny G
website	}}

Toni Michelle Braxton (born October 7, 1967) is an American R&B; singer-songwriter, record producer, and actress. Braxton has won six Grammy Awards, seven American Music Awards, and five Billboard Music Awards and has sold over 60 million records worldwide. She has a contralto vocal type.

Braxton topped the ''Billboard'' 200 with her 1993 self-titled debut album and continued that streak with her second studio album ''Secrets'', which spawned the number-one hits "You're Makin' Me High" and "Un-Break My Heart". Although she had successful albums and singles, Braxton shortly filed for bankruptcy, but then returned with her chart-topping third album, ''The Heat''. In 2009, she returned to the spotlight with "Yesterday", a #12 R&B; hit which serves as the first single off her new album ''Pulse'', released on May 4, 2010, which debuted at #1 on ''Billboard'' R&B; Album Chart. Braxton was involved in the 7th season of the reality show ''Dancing with the Stars''. Her professional partner was Alec Mazo. She was voted off in week five of the competition. It was announced on October 6, 2010 that Braxton once again had filed for bankruptcy. A reality series entitled Braxton Family Values, starring Toni and her sisters, debuted April 12, 2011 on WE tv. WE tv ordered a 13-episode second season of the show after the third episode of the first season. On September 18, 2011, Braxton was inducted into the Georgia Music Hall of Fame.

Early life and education

Braxton was born in Severn, Maryland. Toni's father, Michael Conrad Braxton, was a Methodist clergyman and power company worker, and her mother, Evelyn, a native of South Carolina, was a former opera singer and cosmetologist, as well as a pastor. The Braxton children were raised in a strict religious household. Braxton's first performing experience was singing in her church choir.

Toni and brother Michael Braxton Jr. are the eldest of the siblings, followed by younger sisters Traci, Towanda, Trina, and Tamar.

She attended Bowie State University to obtain a teaching degree but decided to sing professionally after she was discovered by William E. Pettaway Jr., who heard her singing to herself while pumping gas.

Music career

1989–92: ''The Braxtons''

Braxton and her four sisters (Traci, Towanda, Trina, and Tamar) began performing as ''The Braxtons'' in the late 1980s and were signed to Arista Records in 1989. Their first single, "Good Life", was released in 1990. Though the song was not successful, it attracted the attention of Antonio "L.A." Reid and Kenneth "Babyface" Edmonds.

With Braxton's low register sounding similar to that of Anita Baker, Reid and Babyface recruited her to record a demo of "Love Shoulda Brought You Home", a song that they had written for Anita Baker for the soundtrack of Eddie Murphy's film, ''Boomerang''. Baker, who was pregnant at the time, did not record the song but suggested that Braxton record it. Her recording was later included on the soundtrack along with "Give U My Heart", a duet by Braxton and Babyface. Braxton, meanwhile, was signed to Reid and Edmonds' Arista-distributed imprint, LaFace Records, and immediately began recording her solo debut album.

1993–95: ''Toni Braxton''

On July 13, 1993, LaFace Records released Braxton's self-titled debut album, ''Toni Braxton''. The album, which was primarily produced by Reid, Babyface, and Daryl Simmons, peaked at number one on the U.S. ''Billboard'' 200 albums chart. The first single, "Another Sad Love Song", peaked at number seven and number two on the ''Billboard'' Hot 100 and R&B; Singles charts respectively. The album's second single, "Breathe Again" peaked in the top five of both the Hot 100 and R&B; singles charts and no 2 in the UK. More singles from ''Toni Braxton'' were released in 1994, including "You Mean the World to Me", "Seven Whole Days", "I Belong to You", and "How Many Ways".

Braxton's debut album won her several awards, including three Grammy Awards (for Best New Artist and two consecutive awards for Best Female R&B; Vocal Performance in 1994 and 1995). She also won two American Music Awards (for Favorite Soul/R&B; New Artist and Favorite New Adult Contemporary Artist) in 1994 and another one in 1995 (for Favorite Soul/R&B; Album). ''Toni Braxton'' was certified 8x platinum in USA and has sales of over 10 million worldwide.

1996–98: ''Secrets''

In June 1996, Braxton released her second and most successful album, ''Secrets''. Braxton has said about the album: "The motivation for this album was to include a little bit of everything. Our aim was to come up with material that would have a familiar 'feel' to the people who bought the first album without being musically redundant." Along with Babyface, Braxton also worked with R. Kelly, Tony Rich, and David Foster on the album. Braxton was the co-executive producer of the album and co-wrote two of its songs, including the 1997 single "How Could an Angel Break My Heart", which was also later included on ''Diana Princess of Wales Tribute'', a Princess Diana memorial album.

With help from the album's first single, "You're Makin' Me High" (which became Braxton's first number-one hit on the Hot 100 singles chart), the album peaked at number two on the ''Billboard'' 200 albums chart. "You're Makin' Me High" also topped the R&B; singles chart for two weeks and saw similar success in Europe and Asia. The album's second single, "Un-Break My Heart" (written by Diane Warren)—which would later become the singer's signature song —became the biggest hit of her career spending eleven weeks at number one on the Hot 100 and also topping the Hot Dance Singles Sales chart for eleven weeks and the Hot Dance Music/Club Play chart for four weeks as well as reaching no 2 in the UK The song is the second biggest selling single by a female singer in ''Billboard'' history behind Whitney Houston's, "I Will Always Love You". Other singles from the album included the double A-side "I Don't Want To"/"I Love Me Some Him" (which peaked at number one on the Hot Dance Music/Club Play chart) and "How Could an Angel Break My Heart" which featured Kenny G, with whom Braxton later toured. After 92 weeks in the charts, ''Secrets'' is certified 8x platinum, becoming Braxton's second straight 8 million seller. Internationally, ''Secrets'' sold more than 15 million copies, thus cementing Braxton's superstar status.

Braxton topped the ''Billboard'' Year-End Charts as the Top Hot 100 Singles Artist — Female, Top R&B; Artist — Female (singles and albums), Top Hot R&B; Singles Artist — Female, Top Hot Dance Club Play Artist, and Top Hot Adult Contemporary Artist, while "Un-Break My Heart" became the Top Hot Dance Club Play Single and the Top Hot Adult Contemporary Track of the year. She won two Grammy Awards; one for Best Female Pop Vocal Performance and Best Female R&B; Vocal Performance and two American Music Awards for Favorite Female Soul/R&B; Artist and Favorite Soul/R&B; Album.

1999–01: ''The Heat''

In March 2000, LaFace Records released "He Wasn't Man Enough", the first single from Braxton's third studio album, ''The Heat''. By June 2000, the song peaked at number two on the Hot 100 chart. Braxton's music video for "He Wasn't Man Enough", which also featured actress Robin Givens, was nominated for two MTV Video Music Awards including Best Female Video and Best R&B; Video and a ''Billboard'' Music Video Award for Best R&B; Clip of the Year.

''The Heat'' was released on April 25, 2000. Debuting at number two on the ''Billboard'' 200 albums chart with first week sales of 194,448 copies sold, it remained in the top 20 for fifteen consecutive weeks. Braxton again worked with producers Babyface and Foster; also included in the staple were Rodney Jerkins, and new beau musician Keri Lewis. Braxton herself also took a more hands-on approach, co-writing and co-producing a handful of the tracks. "Gimme Some", a track on "The Heat", featured a rap verse from TLC star Lisa "Left-Eye" Lopes.

The albums second single, "Just Be a Man About It", peaked at number 32 on the Hot 100 and number six on the R&B; Charts. The third single, "Spanish Guitar", peaked at number 98 on the Hot 100 and number one on the Hot Dance & Club charts. The fourth single, "Maybe", peaked at 74 on the R&B; charts.

''The Heat'' was certified double platinum in the US with over 3 million copies sold worldwide. In February 2000, Braxton performed alongside Enrique Iglesias and Christina Aguilera during the Super Bowl Halftime show. Braxton topped the ''Billboard'' Year-End Charts as the Top R&B;/Hip-Hop Artist — Female, Top R&B;/Hip-Hop Album Artist — Female, and Top Hot R&B;/Hip-Hop Singles & Tracks Artist — Female. She also received the 2000 Aretha Franklin Award for Entertainer of the Year at the Soul Train Lady of Soul Awards. Braxton also picked up her sixth Grammy Award for "He Wasn't Man Enough" which won the 2001 Grammy Award for Best Female R&B; Vocal Performance and the album was nominated for Best R&B; Album. It won Best R&B;/Soul Album at the 2001 American Music Awards, her third win in a row.

In 2002, while gearing up for the release of her fourth studio album, Braxton discovered she was pregnant with her second child. Knowing that she wouldn't be able to promote the album properly, she unsuccessfully lobbied Arista Records to get the label to postpone its release until after she was to give birth. Arista Records refused and the album was released as planned in November 2002. It received very little promotion from Arista and Braxton herself, due to a complicated pregnancy that confined her to bed rest. Braxton accused the company of being unwilling to compromise and punishing her from not putting her career over family. On the show ''VH1 Inside Out — Family Comes First'', she documented the hardships of being pregnant with her second child at the same time as promoting an album.

2002–04: ''More Than a Woman''

In November 2002, Braxton's fourth studio album ''More Than a Woman'' was released. Opening to an instant commercial disappointment, the album peaked at number 13. The first single, The Neptunes-produced "Hit the Freeway", failed at radio and peaked at number 86 on the Hot 100. The two singles that followed ("A Better Man", "Lies, Lies, Lies") also failed to make a dent and missed the Hot 100 completely. Meanwhile, a promotional vinyl was sent out to DJs for "Give It Back"/"Let Me Show You the Way (Out)".

''More Than A Woman'' was certified gold by RIAA and sold more 800,000 copies worldwide.

Prior to the release of the album, a dispute erupted between Braxton and Irv Gotti when he played a rough cut of "No More Love", a song that he produced for the album that was to be the first single. Disapproving of Gotti broadcasting the unfinished track, Braxton withheld it from being released. The same year, Braxton was further annoyed when Jay-Z used the same sample of 2Pac's "Me And My Girlfriend" that she had already used on her track "Me & My Boyfriend" for his and Beyoncé's "'03 Bonnie & Clyde". Furious, Braxton lashed out in a radio interview, accusing Jay-Z and producer Kanye West of taking money out of her children's college fund.

2003–06: ''Libra''

In April 2003, Braxton abruptly left Arista Records, having been there for fourteen years, and immediately signed with Blackground Records—headed by Barry Hankerson, her manager at the time. The change of scenery, however, did not ultimately help her recording career. As had been the case during her final years at Arista—Braxton's fifth album, and first release on Blackground, ''Libra'' was released with scant promotion and accumulated poor sales.

In April 2005, Braxton's new label, Blackground/Universal, released "Please"—the first single from her fifth album, ''Libra''. The album was originally planned for a June release, but it was pushed back several times and was finally issued on September 27. Unfortunately for Braxton, her troubles with weak album promotion and lack of label commitment weren't over. "Please" peaked at number 36 on ''Billboard'' Hot R&B;/Hip-Hop Songs, while altogether missing the Hot 100. The album lacked promotion by Blackground, causing it to go under the radar of many.

Despite this, ''Libra'' still managed to debut at number four on the ''Billboard'' 200 selling 114,593 copies in the first week. ''Libra'' also peaked at number two on the Top R&B;/Hip-Hop Albums. Although that is strong for an album with little to no promotion, it became yet another commercial disappointment for Braxton. The album's second single, "Trippin' (That's the Way Love Works)" received less airplay and peaked at number 67 on the R&B; chart. The failure was ascribed to the non-video presence of the single and lack of label support. The album was certified gold in late 2005 and has since sold 679,000 copies worldwide.

Braxton, meanwhile, recorded a song with Il Divo titled "The Time of Our Lives". The song was used as the official 2006 FIFA World Cup anthem and was performed at the championship's opening day in Berlin, Germany on June 9. The song was also performed at the closing ceremonies making Braxton and Il Divo the first artists to be asked to perform for the opening and closing ceremonies. The song peaked at number 17 in Germany. As a result Edel Records decided to re-release ''Libra'' in Germany, including a new album cover, artwork, and the new anthem.

Braxton made an appearance on the season finale of ''American Idol 5'' where she performed Elvis Presley's "In the Ghetto" with soon-to-be winner Taylor Hicks.

2006–08: ''Toni Braxton: Revealed''

On May 19, 2006, the Flamingo Hotel and Casino in Las Vegas announced that Braxton would replace Wayne Newton as the casino's new headlining act on August 3, 2006. The show, entitled ''Toni Braxton: Revealed'', was to be performed six nights a week and was scheduled to run through March 2007. Braxton Later confirmed that she was extending her show through August 2007. The show became the first headlining show from an African American performer in Las Vegas to enter the top ten Vegas shows charting. Due to the success of the show, it was reported that Braxton would extend her show through August 2008. The singer subsequently took time off after being hospitalized for chest pains in April 2008. The show was later cancelled, and it was announced that the show was officially shut down in order for the singer to focus on her health.

Braxton has been released from her contract with Blackground after a number of disputes with former manager Barry Hankerson.

On January 12, 2007, Braxton filed a lawsuit in the U.S District Court in Manhattan against Hankerson for $10 million, alleging "fraud, deception and double dealing," in addition to mismanaging her relationship with Arista Records. According to Braxton, Hankerson placed his own personal financial interests ahead of hers by using "double-talk" to compromise the relationship between Braxton and her former recording label, Arista Records, with Hankerson allegedly telling Arista that ''"Braxton no longer wanted to record for Arista"'' and telling Braxton that ''"Arista was not interested in working with her anymore"''. Braxton also accused Hankerson of failing to send her on request copies of accounting statements, lying about deals that he made on her behalf and engaging in a vendetta against her by refusing to provide information to other managers that she sought to employ to manage her career.

The suit was settled with Braxton returning a $375,000 advance to Hankerson—who would also receive a percentage of the sales of her next album—and Hankerson releasing Braxton from her contract with him. The settlement also temporarily limited the companies in which Braxton can sign with.

In early August, various internet websites including TMZ.com and ''In Touch Weekly'' magazine began announcing that Braxton would be appearing on the seventh season of ''Dancing with the Stars''. The full cast of the next season of the show was confirmed on August 25, 2008 on ''Good Morning America'', which confirmed Braxton as a contestant in the season with her partner being Alec Mazo. They were voted off in the fifth week of the competition.

Braxton, Lance Bass, Maurice Greene and Marlee Matlin headlined ''Dancing with the Stars'' winter tour starting in December 2008 and finishing in February 2009.

rowspan="2"	Week #
	style="text-align:center; background:#faf6f6;"|Cha-Cha-Cha/ "Smooth"
	style="text-align:center; background:#faf6f6;"
	2		Rumba/ "I Can't Make You Love Me"		7		8		8		Safe
	3		Viennese Waltz/ "Für Elise"		8		7		7		Safe
	4		Samba/ "De Donde Soy"		7		7		8		Safe
	5		West Coast Swing/ "The Way You Make Me Feel"		7		7		8

2009–10: ''Pulse''

In October 2008, it was announced that Braxton signed to Atlantic Records. In the November 2008 issue of ''Jet'', Braxton discussed her time spent on ''Dancing with the Stars'' as well as dealing with her son's autism. Braxton also talked about being signed to Atlantic Records and the debut of her upcoming single. She added that the complete CD is scheduled to come out in some time in 2009. She also hinted at a cooking show with fellow ''Dancing with the Stars'' competitor, Rocco DiSpirito.

The DJ Frank E produced song "Yesterday" premiered on September 11, 2009 and features Trey Songz. It was released as the lead single from her sixth studio album ''Pulse''. "Yesterday" peaked at #12 on the U.S. ''Billboard'' Hot R&B;/Hip-Hop Songs chart making it her highest chart performance since her 2000 single "Just Be a Man About It", which peaked at #6. The single has been released worldwide on May 3, 2010. In the UK, "Yesterday" became Braxton's first hit single since the release of "Hit the Freeway", peaking at #50 on the UK Singles Chart and at #17 on the UK R&B; Singles Chart. The song also became a moderate hit in Europe, peaking at #20 on the German Singles Chart, at #17 on the Swiss Singles Chart and charting at #50 on the European Hot 100.

On January 29, Braxton's official website posted two new songs from the upcoming album, "Hands Tied" and "Make My Heart". The former peaked at #29 on the Hot R&B;/Hip-Hop Songs, the latter was sent to dance/club radio. She performed ''Make My Heart'' on The Wendy Williams Show. Videos for both songs "Make My Heart" and "Hands Tied" have been shot.

Braxton released her sixth studio album ''Pulse'' on May 4, 2010 in the US and on May 10, 2010 in the UK.

The album debuted at #9 on the US Billboard 200 chart and hit #1 on Billboard's R&B;/Hip-Hop Albums chart, becoming Braxton's fifth US top-ten album. It also achieved moderate chart success around the world. In Canada it debuted at #72 on the Top 100 Albums chart and in the United Kingdom it debuted at #28 on the Top 40 Albums and at #7 on the R&B; Albums chart. It entered at #18 on the German Album Chart. In Switzerland, the album hit #9. ''Pulse'' became Toni's first album to chart inside the European Top 100 Albums since her 2000 album ''The Heat''.

On June 28, Braxton posted a video for ''Woman''.

Toni Braxton was included as part of the "We Are the World 25 for Haiti" remake of the 1985 hit "We Are the World" to help benefit the people of Haiti following the January 12, 2010 magnitude 7.0 MW earthquake in Haiti. The new version of the song was recorded on February 1, 2010. Music legends Quincy Jones and Lionel Richie act as Executive Producers as well as Wyclef Jean. Artists involved included Celine Dion, Barbra Streisand, Janet Jackson, Tony Bennett, Wyclef Jean, Josh Groban, Pink, Usher, Mary J. Blige, Jennifer Hudson, Adam Levine, Justin Bieber, LL Cool J, among others.

2011-present : ''Braxton Family Values'' and ''I Heart You''

In January 2011, WE tv Network confirmed that it had signed Braxton for a reality series, ''Braxton Family Values'', which will be marketed as one of the network's flagship shows. The series debuted April 12, 2011, and looks at the relationship between the singer/songwriter Braxton, her mother, and her four sisters; Trina, Tamar, Traci and Towanda — all aspiring singers themselves — along with the interpersonal relationships of each family member. The show will also look at Braxton's heavily publicized separation from estranged husband, singer Keri Lewis. Toni parted ways with her long time manager Vincent Herbert, who is also husband of sister Tamar Braxton, and signed a new management deal with Los Angeles-based entertainment/production company 'The Collective'.

Braxton has confirmed work on her seventh studio album and that L.A. Reid would be producing on the album. Braxton announced at Mercedes-Benz 2012 Fall/Winter Fashion Week in an interview with Rocco Leo Gaglioti as a part of "Fashion News Live" that she would be releasing a new single titled "I Heart You" in March, and that there will be a total of ten songs on the new release (nine new songs with one remix). Braxton premiered "I Heart You" on 9 March 2012.

Acting career

Braxton has appeared on two Disney Broadway shows: She made her Broadway debut as Belle in ''"Beauty and the Beast''" beginning September 9, 1998 where she replaced Kim Huber. During her run in the show Alan Menken wrote a new song for the musical called "A Change in Me," which was specially written for Braxton and was used in the musical ever since. She left the production on February 28, 1999 and was succeeded by Andrea McArdle. Her role in "Beauty and the Beast" marked the first (and only) time a black woman commanded the leading role of Belle on Broadway. (In the UK, Michelle Gayle played the role in the West End.) It also marked the first time a black woman would star in a Disney musical on Broadway. She then starred in "Aida" as Aida beginning June 30, 2003 where she replaced Simone and left the cast on November 16, 2003 where she was replaced by Michelle Williams. In 2001, she made her movie acting debut in the feature film ''Kingdom Come''. In 2004, Braxton appeared as herself, voicing a singing character named Toni, in a special episode and DVD release of the children's television show Blue's Clues. In August 2005, Braxton announced that she would be shooting a sitcom pilot for The WB's fall 2006 line-up, though plans to put the show into full-production fell through when The WB announced it would cease to exist in fall 2006 (as part of a merger with UPN to form The CW), She has also starred in the TV sitcom, ''Kevin Hill''. Braxton has recently completed filming of "''The Oogieloves in the Big Balloon Adventure''" alongside Jaime Pressly and Cloris Leachman due to be released 2010. Her character - Rosalie Rosebud - is a singer, whose over-the-top personality was apparently inspired by Mariah Carey.

Personal life

Marriage, family, and son's autism

Braxton met musician Keri Lewis when his group, Mint Condition, opened for her on tour. On April 21, 2001, they were married. On December 2, 2001, she gave birth to their first child, a son named Denim Cole Braxton-Lewis. The couple's second son, Diezel Ky Braxton-Lewis, was born on March 31, 2003.

In an October 2006 concert at the Flamingo in Las Vegas, it was reported that Braxton broke down in tears discussing her son, Diezel, who had recently been diagnosed with autism. Braxton has been outspoken regarding her doctor's failure to diagnose Diezel's condition earlier, contending that if he had been diagnosed earlier, he could have been helped.

As well as becoming a spokeswoman for Autism Speaks, she is also a spokeswoman for the American Heart Association.

In November 2009, through her attorney Antavius Weems, Braxton announced that she and Lewis had separated.

Health problems

As of August 2007, rumors surfaced that she has been diagnosed with breast cancer. Toni stated to ''Access Hollywood'' that the breast cancer rumors were false and that her health is in great condition. However, in 2008, she had a benign lump removed from her breast.

On April 8, 2008, near the end of her two-year run at the Flamingo Hotel, Braxton was briefly hospitalized and the remaining dates on the show, which was scheduled to end on August 23, 2008, were canceled. Later, while appearing on Season 7 of Dancing with the Stars, she stated that she has been diagnosed with microvascular angina (small vessel disease).

On November 18, 2010, Braxton admitted to CBS News that she suffers from systemic lupus erythematosus, a potentially life threatening autoimmune disease. Braxton's brother also suffers from the disease, and her uncle died of complications from lupus.

Discography

1993: ''Toni Braxton''

1996: ''Secrets''

2000: ''The Heat''

2001: ''Snowflakes''

2002: ''More Than a Woman''

2005: ''Libra''

2010: ''Pulse''

Tours

Secrets Tour (1997)

Libra Tour (2006)

Awards and nominations

Filmography

2001: ''Kingdom Come'' - Juanita Slocumb

2002: ''Play'd: A Hip Hop Story'' (TV) - Shonda

2005: ''Kevin Hill'' (3 Episodes, TV Series) - Terry Knox

2010: ''The Oogieloves in the Big Balloon Adventure'' - Rosalie Rosebud

References

External links

Category:1967 births Category:Living people Category:Actors from Maryland Category:African American female activists Category:African American female singer-songwriters Category:African American film actors Category:African American pianists Category:American health activists Category:American contraltos Category:American pop singer-songwriters Category:American rhythm and blues singer-songwriters Category:American soul singers Category:Arista Records artists Category:Atlantic Records artists Category:Autism activists Category:Bowie State University alumni Category:Grammy Award winners Category:Musicians from Maryland Category:Participants in American reality television series Category:People from Anne Arundel County, Maryland Category:People from Atlanta, Georgia Category:People from the Las Vegas Valley Category:The Braxtons members

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