In jazz and blues, a blue note (also "worried" note^[1]) is a note sung or played at a slightly lower pitch than that of the major scale for expressive purposes. Typically the alteration is a semitone or less, but this varies among performers and genres. Country blues, in particular, features wide variations from the diatonic pitches with emotive blue-notes. Blue notes are often seen as akin to relative pitches found in traditional African work songs.

Blue notes (*): ♭3, (♯4)/♭5, ♭7

Like the blues in general, the blue notes can mean many things. One quality that they all have in common, however, is that they are flatter than one would expect, classically speaking. But this flatness may take several forms. On the one hand, it may be a microtonal affair of a quarter-tone or so. Here one may speak of neutral intervals, neither major nor minor. On the other hand, the flattening may be by a full semitone--as it must be, of course, on keyboard instruments. It may involve a glide, either upward or downward. Again, this may be a microtonal, almost imperceptible affair, or it may be a slur between notes a semitone apart, so that there is actually not one blue note but two. A blue note may even be marked by a microtonal shake of a kind common in Oriental music [sic].
The degrees of the mode treated in this way are, in order of frequency, the third, seventh, fifth, and sixth.

—Peter van der Merwe (1989), ^[2]

The blue notes are usually said to be the flattened third, flattened fifth, and flattened seventh scale degrees.^[3] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of tonalities".^[4] A similar conflict occurs between the notes of the minor scale and the minor blues scale, as heard in songs such as "Why Don't You Do Right?."

In the case of the flattened third over the root (or the flattened seventh over the dominant), the resulting chord is a neutral mixed third chord.

Blue notes are used in many blues songs, in jazz, and in conventional popular songs with a "blue" feeling, such as Harold Arlen's "Stormy Weather." Blue notes are also prevalent in English folk music.^[5] Bent or "blue notes", called in Ireland "long notes", play a vital part in Irish music.^[6]

See also[link]

• Blues scale
• Harmonic seventh

References[link]

Herbie Hancock
Hancock in concert at the Nice Jazz Festival 2010
Background information
Birth name	Herbert Jeffrey Hancock
Also known as	Herbie Hancock
Born	(1940-04-12) April 12, 1940 (age 72) Chicago, Illinois, United States
Genres	Jazz, bebop, post bop, jazz fusion, hard bop, jazz-funk, funk, R&B, electro funk, classical
Occupations	Musician, composer, bandleader
Instruments	Piano, synthesizer, organ, clavinet, keytar, vocoder
Years active	1961–present
Labels	Columbia, Blue Note, Verve, Warner Bros.
Associated acts	Miles Davis Quintet, Jaco Pastorius, Joni Mitchell, Stevie Wonder
Website	www.herbiehancock.com

Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist, keyboardist, bandleader and composer.^[1] As part of Miles Davis's Second Great Quintet, Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the "post-bop" sound. He was one of the first jazz musicians to embrace music synthesizers and funk music (characterized by syncopated drum beats). Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.

Hancock's best-known solo works include "Cantaloupe Island", "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaría), "Maiden Voyage", "Chameleon", and the singles "I Thought It Was You" and "Rockit". His 2007 tribute album River: The Joni Letters won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award after Getz/Gilberto in 1965.

Hancock is a member of Sōka Gakkai International.^[2][3]

On July 22, 2011 at a ceremony in Paris, Hancock was named UNESCO Goodwill Ambassador for the promotion of Intercultural Dialogue.

Early life and career[link]

Hancock was born in Chicago, Illinois. Like many jazz pianists, Hancock started with a classical music education. He studied from age seven, and his talent was recognized early. Considered a child prodigy,^[4] he played the first movement of Mozart's Piano Concerto No. 5 at a young people's concert with the Chicago Symphony at age eleven.^[5]

Through his teens, Hancock never had a jazz teacher, but developed his ear and sense of harmony. He was also influenced by records of the vocal group the Hi-Lo's. He reported that:

the time I actually heard the Hi-Lo's, I started picking that stuff out; my ear was happening. I could hear stuff and that's when I really learned some much farther-out voicings -like the harmonies I used on 'Speak Like a Child' -just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it came from.^[6]

In 1960, he heard Chris Anderson play just once, and begged him to accept him as a student.^[7] Hancock often mentions Anderson as his harmonic guru. Hancock left Grinnell College, moved to Chicago and began working with Donald Byrd and Coleman Hawkins, during which period he also took courses at Roosevelt University. (He later graduated from Grinnell with degrees in electrical engineering and music. Grinnell also awarded him an honorary Doctor of Fine Arts degree in 1972).^[5][8] Donald Byrd was attending the Manhattan School of Music in New York at the time and suggested that Hancock study composition with Vittorio Giannini, which he did for a short time in 1960. The pianist quickly earned a reputation, and played subsequent sessions with Oliver Nelson and Phil Woods. He recorded his first solo album Takin' Off for Blue Note Records in 1962. "Watermelon Man" (from Takin' Off) was to provide Mongo Santamaría with a hit single, but more importantly for Hancock, Takin' Off caught the attention of Miles Davis, who was at that time assembling a new band. Hancock was introduced to Davis by the young drummer Tony Williams, a member of the new band.

Miles Davis quintet and Blue Note[link]

Hancock received considerable attention when, in May 1963,^[5] he joined Miles Davis's Second Great Quintet. Davis personally sought out Hancock, whom he saw as one of the most promising talents in jazz. The rhythm section Davis organized was young but effective, comprising bassist Ron Carter, 17-year-old drummer Tony Williams, and Hancock on piano. After George Coleman and Sam Rivers each took a turn at the saxophone spot, the quintet would gel with Wayne Shorter on tenor saxophone. This quintet is often regarded as one of the finest jazz ensembles, and the rhythm section has been especially praised for its innovation and flexibility.

The second great quintet was where Hancock found his own voice as a pianist. Not only did he find new ways to use common chords, but he also popularized chords that had not previously been used in jazz. Hancock also developed a unique taste for "orchestral" accompaniment – using quartal harmony and Debussy-like harmonies, with stark contrasts then unheard of in jazz. With Williams and Carter he wove a labyrinth of rhythmic intricacy on, around and over existing melodic and chordal schemes. In the later half of the sixties their approach became so sophisticated and unorthodox that conventional chord changes would hardly be discernible; hence their improvisational concept would become known as "Time, No Changes". 

While in Davis's band, Hancock also found time to record dozens of sessions for the Blue Note label, both under his own name and as a sideman with other musicians such as Wayne Shorter, Tony Williams, Grant Green, Bobby Hutcherson, Sam Rivers, Donald Byrd, Kenny Dorham, Hank Mobley, Lee Morgan and Freddie Hubbard.

His albums Empyrean Isles (1964) and Maiden Voyage (1965) were to be two of the most famous and influential jazz LPs of the sixties, winning praise for both their innovation and accessibility (the latter demonstrated by the subsequent enormous popularity of the Maiden Voyage title track as a jazz standard, and by the jazz rap group US3 having a hit single with "Cantaloop" (derived from "Cantaloupe Island" on Empyrean Isles) some twenty five years later). Empyrean Isles featured the Davis rhythm section of Hancock, Carter and Williams with the addition of Freddie Hubbard on cornet, while Maiden Voyage also added former Davis saxophonist George Coleman (with Hubbard remaining on trumpet). Both albums are regarded as among the principal foundations of the post-bop style. Hancock also recorded several less-well-known but still critically acclaimed albums with larger ensembles – My Point of View (1963), Speak Like a Child (1968) and The Prisoner (1969) featured flugelhorn, alto flute and bass trombone. 1963's Inventions and Dimensions was an album of almost entirely improvised music, teaming Hancock with bassist Paul Chambers and two Latin percussionists, Willie Bobo and Osvaldo "Chihuahua" Martinez.

During this period, Hancock also composed the score to Michelangelo Antonioni's film Blowup, the first of many soundtracks he recorded in his career.

Davis had begun incorporating elements of rock and popular music into his recordings by the end of Hancock's tenure with the band. Despite some initial reluctance, Hancock began doubling on electric keyboards including the Fender Rhodes electric piano at Davis's insistence. Hancock adapted quickly to the new instruments, which proved to be instrumental in his future artistic endeavors.

Under the pretext that he had returned late from a honeymoon in Brazil, Hancock was dismissed from Davis's band. In the summer of 1968 Hancock formed his own sextet. However, although Davis soon disbanded his quintet to search for a new sound, Hancock, despite his departure from the working band, continued to appear on Miles Davis records for the next few years. Noteworthy appearances include In a Silent Way, A Tribute to Jack Johnson and On the Corner.

[edit] Fat Albert and Mwandishi

Hancock playing a Roland AX-7 keytar, at The Roundhouse, Camden, London, 2006

Hancock left Blue Note in 1969, signing up with Warner Bros. Records. In 1969, Hancock composed the soundtrack for the Bill Cosby animated children's television show Fat Albert and the Cosby Kids. Titled Fat Albert Rotunda, the album was mainly an R&B-influenced album with strong jazz overtones. One of the jazzier songs on the record, "Tell Me A Bedtime Story", was later re-worked as a more electronic sounding song for the Quincy Jones album, Sounds...and Stuff Like That.

Hancock became fascinated with accumulating musical gadgets and toys. Together with the profound influence of Davis's Bitches Brew, this fascination would culminate in a series of albums in which electronic instruments are coupled with acoustic instruments.

Hancock's first ventures into electronic music started with a sextet comprising Hancock, bassist Buster Williams and drummer Billy Hart, and a trio of horn players: Eddie Henderson (trumpet), Julian Priester (trombone), and multireedist Bennie Maupin. Dr. Patrick Gleeson was eventually added to the mix to play and program the synthesizers. In fact, Hancock was one of the first jazz pianists to completely embrace electronic keyboards.^{[citation needed]}

The sextet, later a septet with the addition of Gleeson, made three experimental albums under Hancock's name: Mwandishi (1971), Crossings (1972) (both on Warner Bros. Records), and Sextant (1973) (released on Columbia Records); two more, Realization and Inside Out, were recorded under Henderson's name with essentially the same personnel. The music often had very free improvisations and showed influence from the electronic music of some contemporary classical composers.

Synthesizer player Patrick Gleeson, one of the first musicians to play synthesizer on any jazz recording, introduced the instrument on Crossings, released in 1972, one of a handful of influential electronic jazz/fusion recordings to feature synthesizer that same year. On Crossings (as well as on I Sing the Body Electric), the synthesizer is used more as an improvisatory global orchestration device than as a strictly melodic instrument. This reflected Gleeson's (and Powell's) interest in contemporary European electronic music techniques and in the West Coast synthesis techniques of Morton Subotnick and other contemporaries, several of whom were resident at one time or another, as was Gleeson, at The Mills College Tape Music Center. An early review of Crossings in Downbeat magazine complained about the synthesizer, but a few years later the magazine noted in a cover story on Gleeson that he was "a pioneer" in the field of electronics in jazz. Gleeson used a modular Moog III for the recording of the album, but used an ARP 2600 synthesizer, and occasionally an ARP Soloist for the group's live performances. On Sextant Gleeson used the more compact ARP synthesizers instead of the larger Moog III for both studio and live performances. In the albums following The Crossings, Hancock started to play synth himself and unlike Gleeson, he plays it as a melodical and rhythm instrument just like electric pianos.

Hancock's three records released in 1971–1973, became later known as the "Mwandishi" albums, so-called after a Swahili name Hancock sometimes used during this era (Mwandishi is Swahili for writer). The first two, including Fat Albert Rotunda were made available on the 2-CD set Mwandishi: the Complete Warner Bros. Recordings, released in 1994, but are now sold as individual CD editions. Of the three electronic albums, Sextant is probably the most experimental since the Arp synthesizers are used extensively, and some advanced improvisation ("post-modal free impressionism") is found on the tracks "Hornets" and "Hidden Shadows" (which is in the meter 19/4). "Hornets" was later revised on the 2001 album Future2Future as "Virtual Hornets".

Among the instruments Hancock and Gleeson used were Fender Rhodes piano, ARP Odyssey, ARP 2600, ARP Pro Soloist Synthesizer, a Mellotron and the Moog synthesizer III.

All three Warner Bros. albums Fat Albert Rotunda, Mwandishi, and Crossings, were remastered in 2001 and released in Europe but were not released in the U.S.A. as of June 2005. In the Winter of 2006–7 a remastered edition of Crossings was announced and scheduled for release in the Spring.

[edit] Headhunters and Death Wish

Hancock performing in concert, 2006

After the sometimes "airy" and decidedly experimental "Mwandishi" albums, Hancock was eager to perform more "earthy" and "funky" music. The Mwandishi albums – though these days seen as respected early fusion recordings – had seen mixed reviews and poor sales, so it is probable that Hancock was motivated by financial concerns as well as artistic restlessness.^{[citation needed]} Hancock was also bothered by the fact that many people did not understand avant-garde music. He explained that he loved funk music, especially Sly Stone's music, so he wanted to try to make funk himself.

He gathered a new band, which he called The Headhunters, keeping only Maupin from the sextet and adding bassist Paul Jackson, percussionist Bill Summers, and drummer Harvey Mason. The album Head Hunters, released in 1973, was a major hit and crossed over to pop audiences, though it prompted criticism from some jazz fans. Head Hunters was recorded at Different Fur studios.

Despite charges of "selling out", Stephen Erlewine of Allmusic positively reviewed the album among other friendly critics, saying, "Head Hunters still sounds fresh and vital three decades after its initial release, and its genre-bending proved vastly influential on not only jazz, but funk, soul, and hip-hop."^[9]

Mason was replaced by Mike Clark, and the band released a second album, Thrust, the following year. (A live album from a Japan performance, consisting of compositions from those first two Head Hunters releases was released in 1975 as Flood. The record has since been released on CD in Japan.) This was almost as well received as its predecessor, if not attaining the same level of commercial success. The Headhunters made another successful album (called Survival of the Fittest) without Hancock, while Hancock himself started to make even more commercial albums, often featuring members of the band, but no longer billed as The Headhunters. The Headhunters reunited with Hancock in 1998 for Return of the Headhunters, and a version of the band (featuring Jackson and Clark) continues to play live and record.

In 1973, Hancock composed his second masterful soundtrack to the controversial film The Spook Who Sat By The Door. Then in 1974, he also composed the soundtrack to the first Death Wish film. One of his memorable songs, "Joanna's Theme", would later be re-recorded in 1997 on his duet album with Wayne Shorter 1 + 1.

Hancock's next jazz-funk albums of the 1970s were Man-Child (1975), and Secrets (1976), which point toward the more commercial direction Hancock would take over the next decade. These albums feature the members of the 'Headhunters' band, but also a variety of other musicians in important roles.

[edit] Back to the basics: VSOP and Future Shock

During late 1970s and early 1980s, Hancock toured with his "V.S.O.P." quintet, which featured all the members of the 1960s Miles Davis quintet except Davis, who was replaced by trumpet giant Freddie Hubbard. There was constant speculation that one day Davis would reunite with his classic band, but he never did so. VSOP recorded several live albums in the late 1970s, including VSOP (1976), and VSOP: The Quintet (1977).

In 1978, Hancock recorded a duet with Chick Corea, who had replaced him in the Miles Davis band a decade earlier. He also released a solo acoustic piano album titled The Piano (1978), which, like so many Hancock albums at the time, was initially released only in Japan. (It was finally released in the US in 2004.) Several other Japan-only releases have yet to surface in the US, such as Dedication (1974), VSOP: Tempest in the Colosseum (1977), and Direct Step (1978). Live Under the Sky was a VSOP album remastered for the US in 2004, and included an entire second concert from the July 1979 tour.

From 1978–1982, Hancock recorded many albums consisting of jazz-inflected disco and pop music, beginning with Sunlight (featuring guest musicians including Tony Williams and Jaco Pastorius on the last track) (1978). Singing through a vocoder, he earned a British hit,^[10] "I Thought It Was You", although critics were unimpressed.^[11] This led to more vocoder on the 1979 follow-up, Feets, Don't Fail Me Now, which gave him another UK hit in "You Bet Your Love".^[10] Albums such as Monster (1980), Magic Windows (1981), and Lite Me Up (1982) were some of Hancock's most criticized and unwelcomed albums, the market at the time being somewhat saturated with similar pop-jazz hybrids from the likes of former bandmate Freddie Hubbard. Hancock himself had quite a limited role in some of those albums, leaving singing, composing and even producing to others. Mr. Hands (1980) is perhaps the one album during this period that was critically acclaimed. To the delight of many fans, there were no vocals on the album, and one track featured Jaco Pastorius on bass. The album contained a wide variety of different styles, including a disco instrumental song, a Latin-jazz number and an electronic piece in which Hancock plays alone with the help of computers.

Hancock also found time to record more traditional jazz while creating more commercially oriented music. He toured with Tony Williams and Ron Carter in 1981, recording Herbie Hancock Trio, a five-track live album released only in Japan. A month later, he recorded Quartet with Wynton Marsalis, released in the US the following year. Hancock, Williams and Carter toured internationally with Wynton and his brother Branford Marsalis in what was affectionately known as "VSOP II". This quintet can be heard on Marsalis' debut album on Columbia (1981). In 1982 he contributed to the Simple Minds album New Gold Dream (81,82,83,84), playing a synthesizer solo on the track "Hunter and The Hunted".

In 1983, Hancock had a mainstream hit with the Grammy-award winning instrumental single "Rockit" from the album Future Shock. It was perhaps the first mainstream single to feature scratching, and also featured an innovative animated music video which was directed by Godley and Creme and showed several robot-like artworks by Jim Whiting. The video was a hit on MTV and reached No.8 in the UK.^[12] The video won five different categories at the inaugural MTV Video Music Awards. This single ushered in a collaboration with noted bassist and producer Bill Laswell. Hancock experimented with electronic music on a string of three LPs produced by Laswell: Future Shock (1983), Sound-System (1984) and Perfect Machine (1988). Despite the success of "Rockit", Hancock's trio of Laswell-produced albums (particularly the latter two) are among the most critically derided of his entire career, perhaps even more so than his erstwhile pop-jazz experiments. Hancock's level of actual contribution to these albums was also questioned, with some critics contending that the Laswell albums should have been labelled "Bill Laswell featuring Herbie Hancock".

During this period, he appeared onstage at the Grammy awards with Stevie Wonder, Howard Jones, and Thomas Dolby, in a famous synthesizer jam (The video on Youtube can be found here.). Lesser known works from the 1980s are the live album Jazz Africa and the studio album Village Life (1984), which were recorded with Gambian kora player Foday Musa Suso.^[13] Also, in 1985 Hancock performed as a guest on the album So Red The Rose by the Duran Duran offshoot group Arcadia. He also provided introductory and closing comments for the PBS rebroadcast in the United States of the BBC educational series from the mid-1980s, Rockschool (not to be confused with the most recent Gene Simmons' Rock School series).

In 1986, Hancock performed and acted in the film 'Round Midnight. He also wrote the score/soundtrack, for which he won an Academy Award for Original Music Score. Often he would write music for TV commercials. "Maiden Voyage", in fact, started out as a cologne advertisement. At the end of the Perfect Machine tour, Hancock decided to leave Columbia Records after a 15-plus-year relationship.

As of June 2005, almost half of his Columbia recordings have been remastered. The first three US releases, Sextant, Head Hunters and Thrust as well as the last four releases Future Shock, Sound-System, the soundtrack to Round Midnight and Perfect Machine. Everything released in America from Man-Child to Quartet has yet to be remastered. Some albums, made and initially released in the US, were remastered between 1999 and 2001 in other countries such as Magic Windows and Monster. Hancock also re-released some of his Japan-only releases in the West, such as The Piano.

1990s and later[link]

Hancock live in concert

After leaving Columbia, Hancock took a break. Then, with friends Ron Carter, Tony Williams, Wayne Shorter, and Davis admirer Wallace Roney, they recorded A Tribute to Miles, which was released in 1994. The album contained two live recordings and studio recording classics, with Roney playing Davis's part as trumpet player. The album won a Grammy for best group album. He also toured with Jack DeJohnette, Dave Holland and Pat Metheny in 1990 on their Parallel Realities tour, which included a memorable performance at the Montreux Jazz Festival in July 1990.

Hancock's next album, Dis Is Da Drum, released in 1994, saw him return to Acid Jazz. Also in 1994, he appeared on the Red Hot Organization's compilation album Stolen Moments: Red Hot + Cool. The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African-American community, was heralded as "Album of the Year" by Time Magazine.

1995's The New Standard found Hancock and an all-star band including John Scofield, Jack DeJohnette and Michael Brecker interpreting pop songs by Nirvana, Stevie Wonder, The Beatles, Prince, Peter Gabriel and others. A 1997 duet album with Wayne Shorter entitled 1 + 1 was successful, the song "Aung San Suu Kyi" winning the Grammy Award for Best Instrumental Composition. Hancock also achieved great success in 1998 with his album Gershwin's World, which featured inventive readings of George and Ira Gershwin standards by Hancock and a plethora of guest stars, including Stevie Wonder, Joni Mitchell and Shorter. Hancock toured the world in the support of Gershwin's World with a sextet that featured Cyro Baptista, Terri Lynne Carrington, Ira Coleman, Eli Degibri and Eddie Henderson.

In 2001, Hancock recorded Future2Future, which reunited Hancock with Bill Laswell and featured doses of electronica as well as turntablist Rob Swift of The X-Ecutioners. Hancock later toured with the band, and released a live concert DVD with a different lineup which also included the "Rockit" music video. Also in 2001, Hancock partnered with Michael Brecker and Roy Hargrove to record a live concert album saluting Davis and John Coltrane entitled Directions in Music: Live at Massey Hall, recorded live in Toronto. The threesome toured to support the album, and toured on and off through 2005.

The year 2005 saw the release of a duet album called Possibilities. It features duets with Carlos Santana, Paul Simon, Annie Lennox, John Mayer, Christina Aguilera, Sting and others. In 2006, Possibilities was nominated for Grammy awards in two categories: "A Song For You", featuring Christina Aguilera was nominated for a Grammy Award for Best Pop Instrumental Performance, and "Gelo No Montanha", featuring Trey Anastasio on guitar, was nominated for a Grammy Award for Best Instrumental Performance. Neither nomination resulted in an award.

Also in 2005, Hancock toured Europe with a new quartet that included Beninese guitarist Lionel Loueke, and explored textures ranging from ambient to straight jazz to African music. Plus, during the summer of 2005, Hancock re-staffed the famous Headhunters and went on tour with them, including a performance at The Bonnaroo Music & Arts Festival.

However, this lineup did not consist of any of the original Headhunters musicians. The group included Marcus Miller, Terri Lyne Carrington, Lionel Loueke and John Mayer. Hancock also served as the first artist in residence for Bonnaroo that summer.

Also in 2006, Sony BMG Music Entertainment (which bought out Hancock's old label, Columbia Records) released the two-disc retrospective The Essential Herbie Hancock. This two-disc set is the first compilation of Herbie's work at Warner Bros. Records, Blue Note Records, Columbia and at Verve/Polygram. This became Hancock's second major compilation of work since the 2002 Columbia-onlyThe Herbie Hancock Box, which was released at first in a plastic 4x4 cube then re-released in 2004 in a long box set. Hancock also in 2006, recorded a new song with Josh Groban and Eric Mouquet (co-founder of Deep Forest) entitled "Machine". It is featured on Josh Groban's CD Awake. Hancock also recorded and improvised with guitarist Lionel Loueke on Loueke's debut album Virgin Forest on the ObliqSound label in 2006, resulting in two improvisational tracks "Le Réveil des Agneaux (The Awakening of the Lambs)" and "La Poursuite du lion (The Lion's Pursuit)".

Hancock, a longtime associate and friend of Joni Mitchell released a 2007 album, River: The Joni Letters, that paid tribute to her work. Norah Jones and Tina Turner recorded vocals,^[14] as did Corinne Bailey Rae, and Leonard Cohen contributed a spoken piece set to Hancock's piano. Mitchell herself also made an appearance. The album was released on September 25, simultaneously with the release of Mitchell's album Shine.^[15] "River" was nominated for and won the 2008 Album of the Year Grammy Award, only the second jazz album ever to receive either honor. The album also won a Grammy for Best Contemporary Jazz Album, and the song "Both Sides Now" was nominated for Best Instrumental Jazz Solo.

Recently Hancock performed at the Shriner's Children's Hospital Charity Fundraiser with Sheila E, Jim Brickman, Kirk Whalum and Wendy Alane Wright.

His latest work includes assisting the production of the Kanye West track "RoboCop", found on 808s & Heartbreak.

On June 14, 2008, Hancock performed at Rhythm on the Vine at the South Coast Winery in Temecula, California, for Shriners Hospital for Children. Other performers at the event, that raised $515,000 for Shriners Hospital, were contemporary music artist Jim Brickman, and Sheila E. & the E. Family Band.^[16]

On January 18, 2009, Hancock performed at the We Are One concert, marking the start of inaugural celebrations for American President Barack Obama.^[17] Hancock also performed the Rhapsody in Blue at the 2009 Classical BRIT Awards with classical pianist Lang Lang. Hancock was named as the Los Angeles Philharmonic's creative chair for jazz for 2010–12.^[18] In June 2010, Hancock released his newest album, The Imagine Project.

On June 5, 2010, Hancock received an Alumni Award from his alma mater, Grinnell College.^[19]

Discography[link]

Filmography[link]

As a Leader[link]

• 2000: Dejohnette, Hancock, Holland and Metheny – Live in Concert
• 2002: Herbie Hancock Trio: Hurricane! with Ron Carter and Billy Cobham^[20]
• 2002: The Jazz Channel Presents Herbie Hancock (BET on Jazz) with Cyro Baptista, Terri Lynne Carrington, Ira Coleman, Eli Degibri and Eddie Henderson (recorded in 2000)
• 2004: Herbie Hancock – Future2Future Live
• 2006: Herbie Hancock – Possibilities with John Mayer, Christina Aguilera, Joss Stone, and more

Awards[link]

Academy Awards[link]

• 1986, Original Soundtrack, for Round Midnight

Grammy Awards[link]

1. 1984, Best R&B Instrumental Performance, for Rockit
2. 1985, Best R&B Instrumental Performance, for Sound-System
3. 1988, Best Instrumental Composition, for Call Sheet Blues
4. 1995, Best Jazz Instrumental Performance, Individual Or Group, for A Tribute to Miles
5. 1997, Best Instrumental Composition, for Manhattan (Island Of Lights And Love)
6. 1999, Best Instrumental Arrangement Accompanying Vocal(s), for St. Louis Blues
7. 1999, Best Jazz Instrumental Performance, Individual Or Group, for Gershwin's World
8. 2003, Best Jazz Instrumental Album, Individual or Group, for Directions in Music: Live at Massey Hall
9. 2003, Best Jazz Instrumental Solo, for My Ship
10. 2005, Best Jazz Instrumental Solo, for Speak Like a Child
11. 2008, Album of the Year, for River: The Joni Letters
12. 2008, Best Contemporary Jazz Album, for River: The Joni Letters
13. 2011, Best Improvised Jazz Solo, for A Change Is Gonna Come
14. 2011, Best Pop Collaboration with Vocals, for Imagine

Playboy Music Poll[link]

• Best Jazz Group, 1985
• Best Jazz Keyboards, 1985
• Best Jazz Album – Rockit, 1985
• Best Jazz Keyboards, 1986
• Best R&B Instrumentalist, 1987
• Best Jazz Instrumentalist, 1988

Keyboard Magazine's Readers Poll[link]

• Best Jazz & Pop Keyboardist, 1983
• Best Jazz Pianist, 1987
• Best Jazz Keyboardist, 1987
• Best Jazz Pianist, 1988

Other notable awards[link]

• MTV Awards (5 awards in total) – Best Concept Video – Rockit, 1983–84
• Gold Note Jazz Awards – NY Chapter of the National Black MBA Association, 1985
• French Award Officer of the Order of Arts & Letters - Paris, 1985
• BMI Film Music Award Round Midnight, 1986
• U.S. Radio Award "Best Original Music Scoring – Thom McAnn Shoes", 1986
• Los Angeles Film Critics Association "Best Score – Round Midnight", 1986
• BMI Film Music Award Colors, 1989
• Miles Davis Award, granted by the Montreal International Jazz Festival, 1997
• Soul Train Music Award "Best Jazz Album – The New Standard", 1997
• Festival International Jazz de Montreal Prix Miles Davis, 1997
• VH1's 100 Greatest Videos Rockit is "10th Greatest Video", 2001
• NEA Jazz Masters Award, 2004
• Downbeat Magazine Readers Poll Hall of Fame, 2005

^[21]

References[link]

External links[link]

• Official website of Herbie Hancock
• Official Herbie Hancock MySpace page
• Herbie Hancock at Verve Records
• River:The Joni Letters at Verve Records
• Possibilities Herbie Hancock
• Discography Herbie Hancock Discography
• Interview with Herbie Hancock on music and technology from AppleMatters
• Interview with Herbie Hancock on the "Possibilities" album release from LiveDaily
• Herbie Hancock: Outside The Comfort Zone Herbie Hancock interview from JamBase
• "Herbie Hancock: Essential Recordings" by Ted Gioia (www.jazz.com)
• Herbie Hancock's Grinnell College Alumni Award citation from Grinnell College Alumni Assembly on June 5, 2010.

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (November 2009)

Toby Keith
Keith in April 2010
Background information
Birth name	Toby Keith Covel
Born	(1961-07-08) July 8, 1961 (age 50)
Origin	Clinton, Oklahoma, U.S.
Genres	Country
Occupations	Singer-songwriter, record producer, actor
Instruments	Vocals, guitar
Years active	1993–present
Labels	Mercury Records Nashville Polydor A&M DreamWorks Nashville Show Dog-Universal (formerly of Show Dog Nashville)
Associated acts	Carter's Chord, Scotty Emerick, Lindsey Haun, Mac McAnally, Bobby Pinson, Trailer Choir, Stephen Cochran, Willie Nelson, Sting, Jewel Kilcher, Krystal Keith[1]
Website	TobyKeith.com

Toby Keith Covel (born July 8, 1961) best known as Toby Keith, is an American country music singer-songwriter, record producer and actor. Keith released his first four studio albums — 1993's Toby Keith, 1994's Boomtown, 1996's Blue Moon and 1997's Dream Walkin', plus a Greatest Hits package for various divisions of Mercury Records before leaving Mercury in 1998. These albums all earned gold or higher certification, and produced several chart singles, including his debut "Should've Been a Cowboy", which topped the country charts and was the most played country song of the 1990s. The song has received three million spins since then, according to Broadcast Music Incorporated.^[2]

Signed to Nashville DreamWorks in 1998, Keith released his breakthrough single "How Do You Like Me Now?!" that year. This song, the title track to his 1999 album of the same name, was the Number One country song of 2000, and one of several chart-toppers during his tenure on DreamWorks Nashville. His next three albums, Pull My Chain, Unleashed, and Shock'n Y'all, produced three more Number Ones each, and all of the albums were certified multi-platinum. A second Greatest Hits package followed in 2004, and after that, he released Honkytonk University.

When Dreamworks closed in 2005, Keith founded his own label, Show Dog Nashville, which became part of Show Dog-Universal Music in December 2009. He has released five studio albums on this label: 2006's White Trash with Money, 2007's Big Dog Daddy, 2008's That Don't Make Me a Bad Guy, 2009's American Ride and 2010's Bullets in the Gun as well as the compilation 35 Biggest Hits. He has also signed several other acts to the label, including Trailer Choir, Carter's Chord, Flynnville Train, Trace Adkins, Mac McAnally and Mica Roberts. Keith also made his acting debut in 2005, starring in the film Broken Bridges and co-starred with comedian Rodney Carrington in the 2008 film Beer for My Horses.

Keith has released thirteen studio albums, two Christmas albums, and multiple compilation albums. He has also charted more than forty singles on the Billboard Hot Country Songs charts, including nineteen Number One hits and sixteen additional Top Ten hits. His longest-lasting Number One hits are "Beer for My Horses" (a 2003 duet with Willie Nelson) and "As Good as I Once Was" (2005), at six weeks each.

Early life[link]

Keith was born in Clinton, Oklahoma, the son of Carolyn Joan (née Ross) and Hubert K. Covel Jr.^[3][4] He has a sister, Tonni, and a brother, Tracy. The family lived in Fort Smith, Arkansas, for a few years when Keith was in grade school, but moved to Moore, Oklahoma (a suburb of Oklahoma City) when he was still young.^[4] Before the family moved to Moore, he visited his grandmother in Fort Smith during the summers. His grandmother owned Billie Garner's Supper Club in Fort Smith,^{[citation needed]} where Keith became interested in the musicians who came there to play.^[4] He did odd jobs around the supper club and started getting up on the bandstand to play with the band. He got his first guitar at the age of eight.^[4] After the family moved to Moore, Oklahoma, Keith attended Highland West Junior High and Moore High School, where he played defensive end on the football team.^{[citation needed]}

Keith graduated from Moore High School and worked as a derrick hand in the oil fields. He worked his way up to become an operation manager. At the age of 20, he and his friends Scott Webb, Keith Cory and Danny Smith, with a few others, formed the band Easy Money, which played at local bars as he continued to work in the oil industry. At times, he would have to leave in the middle of a concert if he was paged to work in the oil field.

In 1982, the oil industry in Oklahoma began a rapid decline and Keith soon found himself unemployed. He fell back on his football training and played defensive end with the semi-pro Oklahoma City Drillers while continuing to perform with his band. (The Drillers were an unofficial farm club of the United States Football League's Oklahoma Outlaws; Keith tried out for the Outlaws but did not make the team.) He then returned to focus once again on music. His family and friends were doubtful he would succeed, but in 1984, Easy Money began playing the honky tonk circuit in Oklahoma and Texas. The band cut a single titled "Blue Moon" which received some airplay on local radio stations in Oklahoma.

Career[link]

In the early 1990s, Keith went to Nashville, Tennessee, where he hung out and busked on Music Row and at a place called Houndogs. He distributed copies of a demo tape the band had made to the many record companies in the city. There was no interest by any of the record labels, and Keith returned home feeling depressed. He had promised himself and God to have a recording contract by the time he was 30 years old or give up on music as a career, and had already passed that age without any prospects for a contract.

Fortunately for Keith, a flight attendant and fan of his gave a copy of Keith's demo tape to Harold Shedd, a Mercury Records executive, while he was traveling on a flight she was working. Shedd enjoyed what he heard, went to see Keith perform live and then signed him to a recording contract with Mercury. His debut single, "Should've Been a Cowboy" (1993), went to number 1 on the Billboard country singles chart, and his self-titled debut album was certified platinum. Other hit singles included "A Little Less Talk and a Lot More Action" and "Wish I Didn't Know Now".

Keith was moved to Polydor Records and released his next album, Boomtown (1994), then was moved to A & M Records Nashville, as those two labels merged and released Blue Moon (1996). The albums went gold and platinum, respectively. In 1996, Keith was also featured on the Beach Boys' now out-of-print 1996 album Stars and Stripes Vol. 1 performing a cover of their 1963 hit "Be True to Your School" with the Beach Boys themselves providing the harmonies and backing vocals.

A & M decided to fold their country division and Keith moved back to Mercury Records (now called Mercury Nashville), and released his fourth album, Dream Walkin'' (1997). The album featured a duet with Sting, "I'm So Happy I Can't Stop Crying", which had previously been a hit for Sting himself.

Toby Keith playing guitar

The first single off How Do You Like Me Now?! failed to make the Top 40 on the country charts. However, the follow-up single, which was the album's title track, went on to spend five weeks at number one, helping boost the album's sales to double platinum.

In 2002, he released the Unleashed album which included hit singles, "Who's Your Daddy?", "Beer for My Horses", and "Courtesy of the Red, White, & Blue".

On November 9, 2004, Keith released a remake of James Taylor and Carly Simon's "Mockingbird", a duet with his daughter, Krystal. They performed the song on the 2004 Country Music Awards. The song reached top 25 on the charts.

Keith was the subject of the January 2005 issue of Playboy's Playboy Interview. That year, Keith toured with rock guitarist Ted Nugent, whom Keith met in Iraq while they were both performing in USO-sponsored shows for the coalition troops.

On August 31, 2005, Keith parted ways with Universal Music Group — which had since bought DreamWorks — and launched his own record label, Show Dog Nashville. Its first release was Keith's album White Trash with Money, followed by the soundtrack to Broken Bridges. Big Dog Daddy, which featured his single "High Maintenance Woman", was released on June 12, 2007. The album debuted at the top of the Billboard 200 charts, his third album to reach this feat, after Unleashed and Shock'n Y'all.

He recorded a duet with Jimmy Buffett, "Piece of Work", which was featured on Buffett's album License to Chill.

In 2008, Keith completed his Biggest and Baddest Tour. On May 6, 2008, he released his 35 Biggest Hits 2CD set.^[5] The set was certified Platinum in August 2008.

In July 2008, Keith released a single, "She Never Cried in Front of Me". An album, That Don't Make Me a Bad Guy, followed on October 28, 2008.

In 2009, Keith toured the U.S. with fellow country star Trace Adkins on a tour known as America's Toughest Tour. The concert series was kicked off on June 18, 2009 at PNC Bank Performing Arts Center in Holmdel, New Jersey. Keith did a free show earlier in the day at Asbury Park's famous Stone Pony.

Keith's thirteenth studio album, American Ride, was released on October 6, 2009.

In 2010, Keith performed on another USO tour, this time in South Korea.

A studio album, Bullets in the Gun, was released on October 5, 2010.^[6]

A new studio album, Clancy's Tavern was released on October 23, 2011. One of its songs, "Red Solo Cup", became a viral hit and gave Keith his biggest hit on the Billboard Hot 100, peaking at #17.

In December 2011, Keith was named "Artist of the Decade" by the American Country Awards.^[7]

Television appearances[link]

Keith performed on a series of television advertisements for Telecom USA for that company's discount long distance telephone service 10-10-220. He also starred in Ford commercials, singing original songs such as "Ford Truck Man" and "Field Trip (Look Again)" while driving Ford trucks.

Keith made an appearance at the very first Total Nonstop Action Wrestling (then NWA-TNA) weekly pay-per-view on June 19, 2002, where his playing of "Courtesy of the Red, White and Blue" was interrupted by Jeff Jarrett. He would later enter the Gauntlet for the Gold main event, suplexing Jarrett and eliminating him from the match. A short video of the suplex is seen in the clip package when he goes onstage. He would appear the next week, on June 26, and help Scott Hall defeat Jarrett in singles action.

Keith received the "Colbert Bump" when he appeared on Comedy Central's The Colbert Report. He holds the distinction of being the only musical artist to have received a five star rating from Stephen Colbert on iTunes. Keith furthered this connection when he appeared in Colbert's 2008 Christmas Special as a hunter. Keith also made an appearance as a musical guest on the October 27, 2011 episode of the Colbert Report. Oct. 29, 2011 Toby Keith appeared on Fox Channel's "Huckabee" with former Gov. Mike Huckabee. He played "Bullets in the Gun" and he joined with Huckabee's house band to play a song at the end of the show.

Acting[link]

In the Autumn of 2005, he filmed Broken Bridges, written by Cherie Bennett and Jeff Gottesfeld, and directed by Steven Goldmann. This feature film from Paramount/CMT Films was released on September 8, 2006. In this contemporary story set in small-town Tennessee, Keith plays Bo Price, a washed-up country musician. The movie also stars Kelly Preston, Burt Reynolds, Tess Harper, and Lindsey Haun.

Keith wrote and starred in the 2008 movie Beer for My Horses, which is based on the 2003 hit song of the same name recorded by Keith and Willie Nelson.^[8]

Other business ventures[link]

In 2005, Keith opened Toby Keith's I Love This Bar & Grill in Oklahoma City, Oklahoma, as well as Tulsa, Oklahoma, and now also has restaurants in Thackerville, Oklahoma; Auburn Hills, Michigan; Kansas City; Las Vegas; Mesa, Arizona; St. Louis Park, Minnesota; Foxborough, Massachusetts;Cincinnati, Ohio and Denver, Colorado. Keith does not actually own the new restaurants; the new restaurant is the first in a franchise under Scottsdale, Arizona-based Capri Restaurant Group Enterprises LLC, which purchased the master license agreement to build more Toby Keith restaurants nationwide. Capri Restaurant Group is owned by Frank Capri, who opened the restaurant in Mesa in the shopping center known as Mesa Riverview and is planning on opening multiple locations across the country.^[9]

In 2009, Capri Restaurant Group announced that it will open another I Love this Bar & Grill location in Pittsburgh, Pennsylvania's South Side Works shopping and entertainment district.^[10]

February 2010 marked the opening of the Toby Keith's I Love This Bar & Grill in the Winstar World Casino, exit 1 on Interstate 35 in Oklahoma. Other locations opened in 2010 by the Capri Restaurant Group included those in Great Lakes Crossing in Auburn Hills, Michigan and in the Shops at West End in St. Louis Park, Minnesota. Expected to open in late 2011 is the location at The Shops at Oyster Point in Newport News, Virginia.^[11][12]

Keith also established a line of clothing, "TK Steelman", in early 2009.^[13]

Keith also supports Ally's House, a non-profit organization in Oklahoma designed to aid children with cancer. Of the charity, Keith said:

This is a special charity to me. I saw firsthand how a child's cancer diagnosis can devastate a family. Please join me in supporting these kids through Ally's House. We're gonna make it better for the kids.^[14]

In 2011, Keith also started showing his love for the flavors of Mexico by introducing a new drink named “Wild Shot". At first it was only available in Mexico, but now is sold and served in America. It is also a featured drink in his restaurant chain "I Love this Bar and Grill".

Political beliefs[link]

Since 2002, Keith has made numerous trips to the Middle East to bring entertainment and encouragement to US men and women serving on or near the front lines. “My father was a soldier. He taught his kids to respect veterans,” said Keith. “It’s that respect and the thank-you that we have a military that’s in place and ready to defend our nation; our freedom.”^[15]

In 2004, Keith called himself "a conservative Democrat who is sometimes embarrassed for his party".^[16] He endorsed the re-election of President George W. Bush in the 2004 presidential election and performed at a Dallas, Texas, rally on the night before the election. Keith also endorsed Democrat Dan Boren in his successful run in Oklahoma's 2nd congressional district and is good friends with former Democratic New Mexico Governor Bill Richardson. In a January 2007 interview with Newsday, Keith was asked whether he supported the Iraq War. He responded with "Never did," and said he favors setting a time limit on the campaign. He also said, "I don't apologize for being patriotic... If there is something socially incorrect about being patriotic and supporting your troops, then they can kiss my ass on that, because I'm not going to budge on that at all. And that has nothing to do with politics. Politics is what's killing America."

Keith performs for the troops at the O'Callahan's Cantina at Camp Lemonnier, Djibouti, on May 31, 2006.

In April 2008, Keith said that Barack Obama "looks like a great speaker and a great leader. And I think you can learn on your feet in there, so I don't hold people responsible for not having a whole bunch of political background in the House and Senate."^[17] At the same time he remarked, "I think [John] McCain is a great option too." In August 2008, he called Obama "the best Democratic candidate we've had since Bill Clinton".^[18]

In October 2008, Keith told CMT that he had left the Democratic Party and has re-registered as an independent. "My party that I've been affiliated with all these years doesn't stand for anything that I stand for anymore," he says. "They've lost any sensibility that they had, and they've allowed all the kooks in. So I'm going independent." He also told CMT that he would likely vote for the Republican ticket, partially because of his admiration for Sarah Palin.^[19]

In March 2009, Keith received the Johnny "Mike" Spann Memorial Semper Fidelis Award during a New York ceremony held by the Marine Corps-Law Enforcement Foundation. The trophy is named for the CIA operative (and former Marine Corps captain) who was the first U.S. casualty in the war in Afghanistan. "Spending time with our soldiers around the world is something I've always regarded as a privilege and honor," he said. "I'm certainly happy to accept this award, but I won't forget for a second who's really doing the heavy lifting to keep this country safe. And that's why I'll keep going back and spending time with those good folks every chance I get."^[20]

In April 2009, he voiced support for Obama on Afghanistan and other decisions: "He hired one of my best friends who I think should run for president someday...Gen. James Jones as a national security adviser. He's sending troops into Afghanistan, help is on the way there. And I'm seeing some really good middle range stuff. I'm giving our commander in chief a chance before I start grabbing. So far, I'm cool with it."^[21]

Courtesy of the Red, White & Blue[link]

On March 24, 2001, Keith’s father, H.K. Covel, was killed in a car accident. That event and the September 11 attacks in 2001 prompted Keith to write the song "Courtesy of the Red, White, & Blue", a song about his father’s patriotism and faith in the United States. At first, Keith refused to record the song and sang it only live at his concerts for military personnel. The reaction to the song, the lyrics of which express clear nationalistic and militaristic sentiments, was strong in many quarters, even to the point that the Commandant of the Marine Corps James L. Jones told Keith it was his "duty as an American citizen" to record the song.^[22] As the lead single from the album Unleashed (2002), "Courtesy of the Red, White, & Blue" peaked at number one over the Fourth of July weekend.

Keith visits with fans during brief breaks in filming the music video "American Soldier" in hangar 1600 at Edwards Air Force Base on November 17, 2003.

ABC invited Keith to sing "Courtesy of the Red, White, & Blue" on a 2002 Fourth of July concert it was producing, then rescinded the invitation after host Peter Jennings heard the song and vetoed it. Jennings said the song "probably wouldn’t set the right tone". "I find it interesting that he's not from the U.S.", Keith said of Jennings, who was Canadian. "I bet Dan Rather'd let me do it on his special."^[23][24]

Feud with the Dixie Chicks[link]

Keith had a public feud with the Dixie Chicks over the song "Courtesy of the Red, White, & Blue", in 2003 as well as over comments they made about President George W. Bush on stage during a concert in London. The lead singer of the Dixie Chicks, Natalie Maines, publicly stated that Keith's song was "ignorant, and it makes country music sound ignorant".^[25] Keith responded by belittling Maines' songwriting skills, and by displaying a backdrop at his concerts showing a doctored photo of Maines with Iraqi dictator Saddam Hussein. On May 21, 2003, Maines wore a T-shirt with the letters "FUTK" on the front at the Academy of Country Music Awards.^[26] While a spokesperson for the Dixie Chicks said that the acronym stood for "Friends United in Truth and Kindness," many, including host Vince Gill, took it to be a shot at Keith ("Fuck You Toby Keith"). In an October 2004 appearance on Real Time with Bill Maher, Maines finally confessed that it was indeed a shot at Keith, and that she "thought that nobody would get it".^[27]

In August 2003, Keith's representation publicly declared he was done feuding with Maines "because he's realized there are far more important things to concentrate on". Keith was referring specifically to the terminal illness of a former bandmate's daughter, Allison Faith Webb.^[28] However, he continues to refuse to say Maines' name, and claims that the doctored photo was intended to express his opinion that Maines' criticism was an attempt to squelch Keith's free speech.^[20]

In April 2008, a commercial spot to promote Al Gore's "We Campaign", involving both Keith and the Dixie Chicks, was proposed. However, the idea was eventually abandoned due to scheduling conflicts.^[29]

Personal life[link]

On March 24, 1984, Keith married Tricia Lucus. He is the father of three children—two daughters, Shelley Covel Rowland^[30](born 1980, adopted by Keith in 1984) and Krystal "Krystal Keith" LaDawn Covel Sandubrae (born 1985), and one son (Stelen Keith Covel, born 1997). He also has one granddaughter (born 2008; mother is Shelley) and one grandson (born 2010; mother is also Shelley). Daughter Krystal Keith has been known to sing with her father on stage and is an aspiring country singer, following in the footsteps of her dad.^[31] An avid University of Oklahoma sports fan, Keith is often seen at Oklahoma Sooners games and practices. He is also a fan of professional wrestling, being seen in the front row of numerous WWE shows that take place in Oklahoma, as well as performing "Courtesy of the Red, White, & Blue (The Angry American)" live at the first ever TNA Wrestling show on June 19, 2002. He is also a Free Will Baptist^[32].

On March 24, 2001, Keith's father was killed in a car accident on Interstate 35. On December 25, 2007, the Covel family was awarded $2.8 million for the wrongful death of H.K. Covel. Elias and Pedro Rodriguez, operators of Rodriguez Transportes of Tulsa, and the Republic Western Insurance Co. were found liable as they failed to properly equip the charter bus with properly working air brakes.^[33]

Keith has an honorary degree from Villanova University, which he attended for one year.

Tours[link]

• Brooks & Dunn's Neon Circus & Wild West Show 2001
• Unleashed Tour 2002
  • with Jamie O'Neal and Emerson Drive
• Big Throwdown Tour 2004
• Shock'N Y'all Tour 2005
• White Trash With Money Tour 2006
• Hookin' Up & Hangin' Out Tour 2007
  • with Miranda Lambert
• Big Dog Daddy Tour 2007
• Biggest & Baddest Tour 2008-2009
  • with Montgomery Gentry and Trailer Choir
• America's Toughest Tour 2009
  • with Trace Adkins Also Julianne Hough(Few Dates)
• Toby Keith's American Ride Tour 2010
  • with Trace Adkins & James Otto
• Locked & Loaded Tour 2011
  • with Eric Church & JT Hodges
• Live in Overdrive Tour
  • with Brantley Gilbert

Discography[link]

Studio albums[link]

• Toby Keith (1993)
• Boomtown (1994)
• Blue Moon (1996)
• Dream Walkin' (1997)
• How Do You Like Me Now?! (1999)
• Pull My Chain (2001)
• Unleashed (2002)
• Shock'n Y'all (2003)
• Honkytonk University (2005)
• White Trash with Money (2006)
• Big Dog Daddy (2007)
• That Don't Make Me a Bad Guy (2008)
• American Ride (2009)
• Bullets in the Gun (2010)
• Clancy's Tavern (2011)

Compilation albums[link]

• Greatest Hits Volume One (1998)
• 20th Century Masters: The Millennium Collection (2003)
• Greatest Hits 2 (2004)
• 35 Biggest Hits (2008)

Christmas albums[link]

• Christmas to Christmas (1995)
• A Classic Christmas (2007)

Number one singles[link]

• "Should've Been a Cowboy"
• "Who's That Man"
• "Me Too"
• "How Do You Like Me Now?!"
• "You Shouldn't Kiss Me Like This"
• "I'm Just Talkin' About Tonight"
• "I Wanna Talk About Me"
• "My List"
• "Courtesy of the Red, White, & Blue (The Angry American)"
• "Who's Your Daddy?"
• "Beer for My Horses" (duet with Willie Nelson)
• "I Love This Bar"
• "American Soldier"
• "Whiskey Girl"
• "As Good as I Once Was"
• "Love Me If You Can"
• "She Never Cried in Front of Me"
• "God Love Her"
• "American Ride"
• "Made in America"

Notable awards[link]

American Music Awards

• 2002 Favorite Country Album - "Unleashed"
• 2003 Favorite Country Album - "Shock'n Y'all"
• 2003 Favorite Country Male Artist
• 2005 Favorite Country Male Artist

Academy of Country Music

• 2000 Album of the Year - "How Do You Like Me Now?!"
• 2000 Top Male Vocalist
• 2002 Entertainer of the Year
• 2003 Album of the Year - "Shock'n Y'all"
• 2003 Entertainer of the Year
• 2003 Top Male Vocalist
• 2003 Video of the Year with Willie Nelson - "Beer for My Horses"

Country Music Association

• 2001 Male Vocalist of the Year

Billboard

• Country Artist Of The Decade

American Country Awards

• Visionary Artist Award at the Inagural American Country Awards, given out on Monday, December 6, 2010.

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Toby Keith

Wikimedia Commons has media related to: Toby Keith

• Toby Keith official website

Magnificent Seven or Magnificent 7 may refer to:

• The Magnificent Seven, a 1960 western film
• The Magnificent Seven (TV series), a 1997–2000 television series based on the 1960 film
• Magnificent Seven, London, a group of London cemeteries constructed in the 19th century
• Magnificent Seven (gymnastics), 1996 United States Olympic Women's Gymnastics Team
• Magnificent Seven (professional wrestling), a group of WCW professional wrestling heels in 2001.
• The Magnificent Seven, an alternative nickname to the Unsinkable Seven, the seven survivors of the 1963 and 1968 East African Safari Rally
• The Magnificent 7 (album), by The Supremes and The Four Tops.
• "The Magnificent Seven (song)", a single by The Clash
• "The Magnificent Seven" (Supernatural), an episode of the television series Supernatural
• The Magnificent Seven, a set of seven programme badges created by Scouting Ireland S.A.I. in the late 1990s
• Magnificent 7, a 2005 BBC drama featuring Helena Bonham Carter as Maggi—a character based on Jacqui Jackson
• The Magnificent Seven Deadly Sins was a 1971 motion picture
• The Magnificent Seven (neutron stars), a nickname for a group of nearby isolated neutron stars.

See also[link]

• The Maxnificent Seven, a Mighty Max cartoon episode

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Gearbox (3-speed) sketch by Jan G. Smith for the first Volvo ÖV4 prototypes. Date 5 januari 1925.

Jan Gustav Salomon Smith, born 19 June 1895 in Stockholm, Sweden, died 30 April 1966 in Stockholm. In the literature he is known as Jan G. Smith. He was an engineer with a M.Sc. degree from KTH, Stockholm. For many years he worked in the American automobile industry and returned to Sweden in 1924. His experiences from the American automobile industry was probably the main reason why Gustav Larson asked him to join the team of engineers that started the design work for Volvo's first automobile, ÖV 4, in 1924. He worked for Gustav Larson in the temporary "design office" in Gustav Larsons private flat in Stockholm about a year. A lot of Jan G. Smith's original drawings for the Volvo ÖV4, the gearbox, the main chassi components and technical papers that he had collected in America in the form of a private design book, are saved in the archive of the National Museum of Science and Technology, Stockholm, Sweden. After the Volvo project he was employed by ASEA in Västerås and later worked for the same company in Stockholm. Jan was replaced in the Volvo project by engineer Henry Westerberg that stayed with Volvo as a designer until 1980 at the age of 79 when he was retired.

Jan G. Smith was awarded a gold medal in 1929 by the Royal Swedish Academy of Engineering Sciences (IVA), together with Gustav Larson, "for their contribution to the national automobile industry in Sweden".

References[link]

• Title: Volvo Personvagnar från 20-tal till 80-tal, by Björn Eric Lindh, 1984. (Swedish language only). ISBN 91-86442-06-6
• Title: Volvo Göteborg Sverige, by Christer Olsson, 1996. (Swedish language only). ISBN 3-907150-57-0

External links[link]

• National Museum of Science and Technology, Sweden. Official website.
• Royal Swedish Academy of Engineering Sciences. Official website.