Scott Leo "Taye" Diggs (born January 2, 1971) is an American theatre, film and television actor. He is perhaps best known for his roles in the Broadway musical Rent, the motion picture How Stella Got Her Groove Back, and the television series Private Practice. His nickname, Taye, comes from the playful pronunciation of Scotty as "Scottay".^[1]

Early life[link]

Diggs was born in Newark, New Jersey but grew up in Rochester, New York,^[2] the son of Marcia (née Berry), a teacher and actress, and Jeffries Diggs.^[3] He attended Allendale Columbia School in Rochester and later transferred to School of the Arts. He starred in the first production of "It All Adds Up", an original musical by the piano teacher and musician John Gabriele and math teacher Jack Donovan. He is the oldest of five children; he has two brothers, Gabriel and Michael, and two sisters, Shalom and Christian.^[4][5] Diggs received a Bachelor of Fine Arts degree in musical theater from Syracuse University. He performed many times at the popular Lakes Region Summer Theatre in Meredith, New Hampshire. Diggs's Broadway debut was in the ensemble cast of the 1994 Tony Award-winning revival of the musical Carousel. In 1995, he also performed as a dancer in Sebastian's Caribbean Carnival at Tokyo Disneyland.

Career[link]

In 1996, he originated the role of the nasty landlord Benny in Jonathan Larson's Tony Award- and Pulitzer Prize-winning Rent, which also starred his future wife, Idina Menzel. After Rent he appeared as Mr. Black alongside Idina Menzel's character of Kate in Andrew Lippa's off-Broadway production of The Wild Party at Manhattan Theatre Club. Diggs also played The Bandleader in the 2002 film version of the long-running Broadway revival of Chicago and filled in as Billy Flynn on Broadway.^[6] He also temporarily filled in for Norbert Leo Butz (an original Rent standby) as the love interest Fiyero of Idina Menzel's Elphaba character in Wicked.

Diggs then moved from stage to television, with a role on the soap opera Guiding Light. In 1998, he made his film debut in How Stella Got Her Groove Back. This movie brought Diggs much acclaim and exposure. The following year he played a tantric sex god in Doug Liman's Go, and an AWOL groom in the coming-of-age drama The Wood. Malcolm D. Lee's The Best Man features Diggs as the eponymous character, an author and best friend of the groom (portrayed by Morris Chestnut). He also starred in the remake of William Castle's The House on Haunted Hill. Diggs was featured in an episode of America's Next Top Model, to help the contestants through an acting challenge. Another notable role of his was when he guest starred on the comedy-drama Ally Mcbeal as a lawyer named Jackson Duper who was the love interest of the character Renee Raddick and also the possible love interest on the Ling Woo character.

Diggs portrayed the title character on the short-lived UPN television series Kevin Hill which despite critical acclaim was not renewed for a second season due to the troubles that UPN was having^{[citation needed]}. He reprised the role of Benny for the 2005 Rent film. Diggs is featured on the following cast recordings: Carousel 1994 revival cast; Rent 1996 original Broadway cast; The Wild Party original off-Broadway cast. He also sings on the Rent film soundtrack. In 2002, he reprised his role as the Bandleader in the film adaptation of Chicago, and also played opposite Christian Bale as Bale's partner/antagonist Brandt in the dystopian sci-fi thriller Equilibrium.

In 2003, Diggs was on Punk'd after being tricked by Ashton Kutcher, while getting a check-up at a Punk'd-operated doctor's office. In early 2006, Diggs guest-starred for several episodes as Will Truman's love interest, James, on the final season of Will & Grace. In May, ABC picked up his pilot, Day Break, in which he portrayed a detective trapped in the same day and forced to relive it to clear his name of murder; the show debuted in mid-November 2006, but was abruptly canceled due to poor ratings. Although his film and television career continue to move forward, he still returns to the stage frequently. Most recently he was seen alongside James McDaniel in Charles Fuller's A Soldier's Play at Second Stage Theatre in New York.

Diggs co-stars opposite Kate Walsh in Private Practice, the fall 2007 spin-off of Grey's Anatomy.^[7] Diggs had a guest role on The West Wing as a Secret Service agent in charge of the security detail for the President's daughter. He then guest-starred on Grey's Anatomy again in the Grey's Anatomy/Private Practice Crossover Event. Diggs stars in the live adaptation of the comic Dylan Dog: Dead of Night.^[8] He also narrated the ESPN Films documentary The Fab Five about University of Michigan basketball players Chris Webber, Juwan Howard, Jalen Rose, Jimmy King, and Ray Jackson.

Personal life[link]

Diggs married Rent co-star actress Idina Menzel on January 11, 2003. Their son, Walker Nathaniel Diggs, was born on September 2, 2009. He also co-owns and co-directs a dance company, dre.dance with fellow Broadway veteran, Andrew Palermo.^[9]

Filmography[link]

TV credits[link]

Awards and honors[link]

In popular culture[link]

• In 2012, in the "Dr. Klaustus" episode of the animated TV series American Dad, the character Roger the Alien sees a picture of Diggs in a magazine and comments that he's "still perfect." He refers to Diggs as "my constant, my ebony north star".

References[link]

Notes

External links[link]

• Taye Diggs' official website
• Taye Diggs on Twitter
• Taye Diggs on Facebook
• Taye Diggs at the Internet Movie Database
• Taye Diggs at the Internet Broadway Database
• Taye Diggs at the Internet Off-Broadway Database
• Taye Diggs interview

The term black people is used in some socially-based systems of racial classification for humans of a dark-skinned phenotype, relative to other racial groups represented in a particular social context. Different societies apply different criteria regarding who is classified as "black", and often social variables such as class and socio-economic status also play a role, so that relatively dark-skinned people can be classified as white if they fulfill other social criteria of "whiteness" and relatively light-skinned people can be classified as black if they fulfill the social criteria for "blackness" in a particular setting.^[1]

As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as "black". But, particularly in the United States, the racial or ethnic classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry, or to exhibit cultural traits associated with being "African-American". As a result, in the United States the term "black people" is not an indicator of skin color but of socially based racial classification.^[2]

Some definitions of the term include only people of relatively recent Sub-Saharan African descent (see African diaspora). Among the members of this group, dark skin is most often accompanied by the expression of natural afro-hair texture. Other definitions of the term "black people" extend to other populations characterized by dark skin, sometimes including people indigenous to Oceania.^[3][4]

Physiological traits[link]

Dark skin[link]

Map of indigenous skin color distribution in the world based on Von Luschan's chromatic scale.

The evolution of dark skin is linked intrinsically to the loss of body hair in humans. By 1.2 million years ago, all people having descendants today had the same receptor protein of today's Africans; their skin was dark, and the intense sun lowered the chance of survival of those with lighter skin that resulted from mutational variation in the receptor protein.^[5] This is significantly earlier than the speciation of Homo sapiens from Homo erectus some 250,000 years ago.

Skin cancer as a result of ultraviolet light radiation causing mutations in the skin is less common among people with dark skin than it is among those with light skin.^[6][7] Dark skin prevents an essential B vitamin, folate, from being destroyed. In the absence of modern medicine and diet, a person with dark skin in the tropics would live longer, be healthier and more likely to reproduce than a person with light skin. As evidence of this expectation of adverse effects of light skin in the tropics, White South Africans ^[8] and white Australians have some of the highest rates of skin cancer in the world.^[9]

Conversely, as dark skin prevents sunlight from penetrating the skin, it hinders the production of vitamin D₃. When humans migrated to less sun-intensive regions in the north, low vitamin D₃ levels became a problem, and humans with lighter skin were more successful in reproducing. White people of Europe, who have low levels of melanin, naturally have an almost colorless skin pigmentation, especially when untanned. This low level of pigmentation allows the blood vessels to become visible, which gives the characteristic pale pink color of white people. The loss of melanin in white people is thought to have been caused by a mutation in one letter out of 3.1 billion letters of DNA.^[10]

The genetic mutations leading to light skin, though different among East Asians and Europeans,^[11] suggest the two groups experienced a similar selective pressure due to settlement in northern latitudes.^[12]

Black skin pigmentation has been linked to a number of other properties, including tactile characteristics, and slower and less pronounced development of wrinkles.^[13]

Hair[link]

The texture of hair in people of Sub-Saharan African ancestry is noticeably different from that of European and Asian populations. Herodotus described the peoples of Libya (the "western Ethiopians") as woolly-haired.

Such "afro-hair" texture is denser than its straight counterparts. Due to this, it is often referred to as "coily", "thick", "nappy", "bushy", or "woolly". For several reasons, possibly including its relatively flat cross section (among other factors^[14]), this hair type conveys a dry or matte appearance.^[15][16] Its unique shape renders it prone to breakage when combed or brushed.^[16]

The specific characteristics of the natural afro-hair form are unique among all mammals.^{[clarification needed][dubious – discuss][17]} The texture likely predates the evolution of dark skin. It evolved when, as pre-human australopithecines lost most of their fur to enable perspiration, the need to protect the newly exposed pale skin underneath this body hair was crucial (see^[18] in light of Rogers and others., 2004 and Harding and others., 2000). The trait ceased to be essential to survival at the equator upon the evolution of hairless dark skin. Yet it has continued to be expressed vestigially among most Melanesians, Andaman Islanders, and sub-Saharan Africans.

Sub-Saharan Africa[link]

A black woman and her albino son from Tanzania

Sub-Saharan Africa is a common, if imprecise term that encompasses African countries located south of the Sahara Desert. It is commonly used to differentiate the region culturally, ecologically, politically and, more controversially, racially, from North Africa, which has historically been considered part of the Mediterranean sphere and whose residents are primarily of Arab ethnicity.

Because the indigenous people of this region are primarily dark-skinned, it is alternatively called "Black Africa".^[19] However the terminology Black Africa and Sub-Sahara Africa is considered by some as a pejorative term and a vestige of colonialism, which divided Africa into European terms of homogeneity.^[20] Some criticize the use of the term, because, as it has become in many quarters synonymous with Black Africa, people may not realize that there are also indigenous black populations in North Africa. In addition, the Sahara cuts across countries such as Mauritania, Mali, Niger, and Chad, leaving some parts of them in North Africa and some in sub-Saharan Africa.

Some black Africans prefer to be culturally distinguished from those who live in the north of the continent.^[21]

Cultural ideas of a black race[link]

South Africa[link]

A Khoisan man, an ethnic group in South Africa.

In South Africa during the apartheid era, the population was classified into four main racial groups: Black, White, Asian (mostly Indian), and Coloured. The Coloured group included people of mixed Bantu, Khoisan, and European descent (with some Malay ancestry, especially in the Western Cape). The Coloured definition occupied an intermediary position between the Black and White definitions in South Africa.

The apartheid bureaucracy devised complex (and often arbitrary) criteria in the Population Registration Act to determine who belonged in which group. Minor officials administered tests to enforce the classifications. When it was unclear from a person's physical appearance whether a person was to be considered Colored or Black, the "pencil test" was employed. This involved inserting a pencil in a person's hair to determine if the hair was kinky enough for the pencil to get stuck.^[22]

During the apartheid era, those classed as "Coloured" were oppressed and discriminated against. But, they had limited rights and overall had slightly better socioeconomic conditions than those classed as "Black".

In the post-apartheid era, the ANC government's laws in support of their affirmative action policies define "Black" people to include "Africans", "Coloureds" and "Asians". Their affirmative action policies have also favored "Africans" over "Coloureds". Some South Africans categorized as "African Black" openly state that "Coloureds" did not suffer as much as they did during apartheid. The popular saying by "Coloured" South Africans to illustrate their dilemma is:

We were not white enough under apartheid, and we are not black enough under the ANC (African National Congress)

In 2008, the High Court in South Africa ruled that Chinese South Africans who were residents during the apartheid era (and their descendents) are to be reclassified as "Black people" solely for the purposes of accessing affirmative action benefits, because they were also "disadvantaged" by racial discrimination. Chinese people who arrived in the country after the end of apartheid do not qualify.^[23]

Other than by appearance, "Coloureds" can usually be distinguished from "Blacks" by language. Most speak Afrikaans or English as a first language, as opposed to Bantu languages such as Zulu or Xhosa. They also tend to have more European-sounding names than Bantu names.^[24]

In the Middle East[link]

Near East and North Africa[link]

Black African and Near Eastern peoples have interacted since prehistoric times.^[25][26] Some historians estimate that as many as 14 million black slaves were transported across the Red Sea, Indian Ocean, and Sahara Desert in the Arab slave trade from 650 to 1900 CE.^[27][28] The Moroccan Sultan Moulay Ismail "the Bloodthirsty" (1672–1727) raised a corps of 150,000 black slaves, called his Black Guard, who coerced the country into submission.^[29][30]

13th century slave market in Yemen. Yemen officially abolished slavery in 1962.^[31]

In more recent times, about 1000 CE, interactions between black people and Arabs resulted in the incorporation of extensive Arabic vocabulary into Swahili, which became a useful lingua franca for merchants. Some of this linguistic exchange occurred as part of the slave trade; the history of Islam and slavery shows that the major juristic schools traditionally accepted the institution of slavery.^[32] As a result, Arab influence spread along the east coast of Africa and to some extent into the interior (see Swahili people). Timbuktu was a trading outpost that linked West Africa with Berber, Arab, and Jewish traders throughout the Arab World. As a result of these interactions, some female-mediated gene flow into the Middle East from Sub-Saharan Africa can be observed in certain populations.^[33]

According to Dr. Carlos Moore, resident scholar at Brazil's University of the state of Bahia, Afro-multiracials in the Arab world self-identify in ways that resemble Latin America. He claims that black-looking Arabs, much like black-looking Latin Americans, consider themselves white because they have some distant white ancestry.^[34]

Soldiers of the Free Arabian Legion in Greece, September 1943.

Moore also claims that a film about Egyptian President Anwar Sadat had to be canceled when Sadat discovered that an African-American had been cast to play him. In fact, the 1983 television movie Sadat, starring Louis Gossett, Jr., was not canceled. The Egyptian government refused to let the drama air in Egypt, partially on the grounds of the casting of Gossett.^[35]

Sadat's mother was a dark-skinned Sudanese woman and his father was a lighter-skinned Egyptian. In response to an advertisement for an acting position he remarked, "I am not white but I am not exactly black either. My blackness is tending to reddish".^[36]

Fathia Nkrumah was another Egyptian with ties to Black Africa. She was the late wife of Ghanaian revolutionary Kwame Nkrumah, whose marriage was seen as helping plant the seeds of cooperation between Egypt and other African countries as they struggled for independence from European colonization. This helped advance the formation of the African Union.^[37]

Bashi-bazouk of the Ottoman Empire by Jean-Léon Gérôme, 1869

Because of the patriarchal nature of Arab society, Arab men enslaved more black women than men, and used more black female slaves than males. The men interpreted the Qur'an to permit sexual relations between a male master and his female slave outside of marriage,^[38][39] leading to many mixed-race children. When an enslaved woman became pregnant with her Arab master's child, she became umm walad or “mother of a child”, a status that granted her privileged rights. The child was allowed to prosper from the wealth of the father and was given rights of inheritance.^[40] Because the society was patrilineal, the children took their fathers' status at birth and were born free. Some succeeded their fathers as rulers, as was the case with Sultan Ahmad al-Mansur, who ruled Morocco from 1578 to 1608. His mother was a Fulani concubine of his father.

Such tolerance, however, was not extended to wholly black persons, even when technically "free." Arabs commonly believed that blacks were slaves.^[41] The term "abd", (Arabic: عبد‎,) "slave," remains a common term for black people in the Middle East, and, depending on the context, usually though not always derogatory.^[42]

Turkey[link]

Beginning several centuries ago, a number of sub-Saharan Africans were brought by slave traders during the Ottoman Empire to plantations between Antalya and Istanbul in modern-day Turkey.^[43] Some of their descendants remain, mixed with the rest of the population in these areas, and many migrated to larger cities. Some came from the island of Crete following the population exchange between Greece and Turkey in 1923.^[44]

Israel[link]

An African Hebrew Israelites of Jerusalem child in Dimona.

About 150,000 black people live in Israel, amounting to just over 2% of the nation's population. The vast majority of these, some 120,000, are Beta Israel,^[45] most of whom came during the 1980s and 1990s from Ethiopia.^[46] In addition, Israel is home to over 5,000 members of the African Hebrew Israelites of Jerusalem movement, who reside mainly in a distinct neighborhood in the Negev town of Dimona. Unknown numbers of black converts to Judaism reside in Israel, most of them converts from the UK, Canada, and the United States. Thousands of mixed-race individuals with non-black Jewish relatives also live in Israel.

In the Americas[link]

Approximately 12 million Africans were shipped to the Americas during the Atlantic slave trade from 1492 to 1888. Today their descendants number approximately 150 million,^[47] most of whom live in the United States, the Caribbean and Latin America. Most notably Brazil has the largest population in the world, aside from Nigeria, of individuals of at least partial African descent. Many have a multiracial background of African, Amerindian, European and Asian ancestry. The various regions developed complex social conventions with which their multi-ethnic populations were classified.

United States[link]

Harriet Tubman, an African-American abolitionist and conductor of the Underground Railroad.

In the first 200 years that black people were in the United States, they commonly referred to themselves as Africans. In Africa, people primarily identified themselves by ethnic group (closely allied to language) and not by skin color. Individuals would be Ashanti, Igbo, Bakongo or Wolof. But when Africans were brought to the Americas, they were forced to give up their ethnic affiliations when they were combined with other groups from Africa. In areas of the Upper South, different ethnic groups were brought together. This is significant as Africans came from a vast geographic region, the West African coastline stretching from Senegal to Angola and in some cases from the south east coast such as Mozambique. A new identity and culture was born that incorporated elements of the various ethnic groups and of European cultural heritage, resulting in fusions such as the Black church and Black English. This new identity was based on African ancestry and slave status rather than any one ethnic group.^[48]

In March 1807, Britain, which largely controlled the Atlantic, declared the trans-atlantic slave trade illegal, as did the United States. (The latter prohibition took effect January 1, 1808, the earliest date on which Congress had the power to do so under Article I, Section 9 of the United States Constitution.)

By that time, the majority of black people were U.S.-born, so use of the term "African" became problematic. Though initially a source of pride, many blacks feared the use of African as an identity would be a hindrance to their fight for full citizenship in the US. They also felt that it would give ammunition to those who were advocating repatriating black people back to Africa. In 1835 black leaders called upon black Americans to remove the title of "African" from their institutions and replace it with "Negro" or "Colored American". A few institutions chose to keep their historic names, such as the African Methodist Episcopal Church. "Negro" and "colored" remained the popular terms until the late 1960s.^[49]

The term black was used throughout but not frequently as it carried a certain stigma. In his 1963 "I Have a Dream" speech,^[50] Martin Luther King, Jr. uses the terms negro fifteen times and black four times. Each time he uses black it is in parallel construction with white, for example, "black men and white men".^[51]

With the successes of the civil rights movement, a new term was needed to break from the past and help shed the reminders of legalized discrimination. In place of Negro, activists promoted the use of black as standing for racial pride, militancy and power. Some of the turning points included the use of the term "Black Power" by Kwame Toure (Stokely Carmichael) and the release of James Brown's song "Say It Loud - I'm Black and I'm Proud".

African-American Michael Jordan, considered by many the greatest basketball player in history.

In 1988 Jesse Jackson urged Americans to use the term African American because the term has a historical cultural base. Since then African-American and black have essentially a coequal status. Controversy continues over which term is more appropriate. Some such as Maulana Karenga and Owen Alik Shahadah argue African-American is more appropriate because it accurately articulates geography and historical origin.^[48] Others have argued that "black" is a better term because "African" suggests foreignness, despite the long presence of black people in the US.^[52] Still others believe the term black is inaccurate because African Americans have a variety of skin tones.^{[citation needed]} Surveys show that the majority of black Americans have no preference for "African American" or "Black,"^[53] although they have a slight preference for "black" in personal settings and "African-American" in more formal settings.^[54] Increases in the number of immigrants to the United States from Africa, the Caribbean and Latin America have brought up questions about who uses the term African-American. The more recent African immigrants may sometimes view themselves, and be viewed, as culturally distinct from native-born people who are descendants of African slaves.^[55]

The U.S. census race definitions says a black is a person having origins in any of the black racial groups of Africa. It includes people who indicate their race as "Black, African Am., or Negro," or who provide written entries such as African-American, Afro-American, Kenyan, Nigerian, or Haitian. However, the Census Bureau notes that these classifications are socio-political constructs and should not be interpreted as scientific or anthropological.^[56]

A black Gl and a Chinese soldier place the flag of their ally on the front of their jeep, truck convoy on the Stilwell Road, Burma, 1945

A considerable portion of the U.S. population identified as black also has some Native American or European ancestry. For instance, genetic studies of African-American people show an ancestry that is on average 17–18% European.^[57]

One-drop rule[link]

Since the late nineteenth century, the South used a colloquial term, the one-drop rule, to classify as black a person of any known African ancestry. This practice of hypodescent was not put into law until the early twentieth century.^[58] Legally the definition varied from state to state, and was more flexible in the eighteenth and nineteenth centuries before the American Civil War. For instance, Thomas Jefferson held persons who were legally white (less than 25% Black) according to Virginia law at the time, but, because they were born to slave mothers, they were born into slavery, according to the principle of partus sequitur ventrem, which Virginia adopted into law in 1662.

Outside of the US, some other countries have adopted the one-drop rule, but the definition of who is black and the extent to which the one-drop "rule" applies varies greatly from country to country.

The one-drop rule may have originated as a means of increasing the number of black slaves^[59] and been maintained as an attempt to keep the white race pure.^[60] One of the results of the one-drop rule was uniting the African-American community.^[58] Some of the most prominent civil-rights activists were multiracial, and advocated equality for all.^{[citation needed]}

Blackness[link]

Barack Obama, the first black president of the United States, was throughout his campaign criticized as being either "too black" or "not black enough".^[61][62][63]

The concept of blackness in the United States has been described^{[by whom?]} as the degree to which one associates themselves with mainstream African-American culture and values. To a certain extent, this concept is not so much about race but more about culture and behavior. Blackness can be contrasted with "acting white," where black Americans are said to behave with assumed characteristics of stereotypical white Americans, with regard to fashion, dialect, taste in music,^[64] and possibly, from the perspective of a significant number of black youth, academic achievement.^[65]

The notion of blackness can also be extended to non-black people. Toni Morrison once described Bill Clinton as the first black president,^[66] because of his warm relations with African Americans, his poor upbringing and also because he is a jazz musician. Christopher Hitchens was offended by the notion of Clinton as the first black president noting "we can still define blackness by the following symptoms: alcoholic mothers, under-the-bridge habits...the tendency to sexual predation and shameless perjury about the same". Some black activists were also offended, claiming Clinton used his knowledge of black culture to exploit black people like no other president before^[67] for political gain, while not serving black interests. They note his lack of action during the Rwanda genocide^[68] and his welfare reform which some claim led to the worst child poverty since the 1960s^[69] along with the fact that the number of black people in jail increased during his administration.^[70]

The question of blackness also arose in Democrat Barack Obama's 2008 presidential campaign. Commentators have questioned whether Obama, who was elected the first black President of the United States, is black enough, as his mother was white American, and his father was a black Kenyan immigrant.^[61][63] Obama refers to himself interchangeably as black and African-American.^[71] "Is Barack Obama the first black President of the United States?"^[72]

Brazil[link]

The topic of race in Brazil is a complex and diverse one.^{[citation needed]} A Brazilian child was never automatically identified with the racial type of one or both parents, nor were there only two categories to choose from. Between a pure black and a very light mulatto over a dozen racial categories would be recognized in conformity with the combinations of hair color, hair texture, eye color, and skin color. These types grade into each other like the colors of the spectrum, and no one category stands significantly isolated from the rest. That is, race referred to appearance, not heredity.^[73]

Jongo, a Brazilian dance of African origin, c. 1822

There is some disagreement among scholars over the effects of social status on racial classifications in Brazil. It is generally believed that upward mobility and education results in reclassification of individuals into lighter skinned categories. The popular claim is that in Brazil poor whites are considered black and wealthy blacks are considered white. Some scholars disagree arguing that whitening of one's social status may be open to people of mixed race, but a typically black person will consistently be identified as black regardless of wealth or social status.^[74][75] Multiracial persons can even reappreciate their African heritage and start to declare themselves as black persons with increasings of social status and education.

Statistics[link]

From the year 1500 to 1850 an estimated 3.5 million Africans were forcibly shipped to Brazil.^[74] It is estimated that more than half of the Brazilian population is at least in part descendants of these Africans. Brazil has the largest population of Afro-descendants outside of Africa. In contrast to the US there were no segregation or anti-miscegenation laws in Brazil and as a result intermarriage has affected a large majority of the Brazilian population. Even much of the white/Asian population has either African or Amerindian blood. According to the last census of the twentieth century 54% identified themselves as white, 6.2% identified themselves as black and 39.5% identified themselves as Pardo (brown) — a broad multiracial category.^[77]

A philosophy of whitening emerged in Brazil in the nineteenth century. Until recently the government did not keep data on race. However, statisticians estimate that in 1835 half the population was black, one fifth was Pardo (brown) and one fourth white. By 2000 the black population had fallen to only 6.2% and the Pardo had increased to 40% and white to 55%. Essentially most of the black population was absorbed into the multiracial category by intermixing.^[73] A recent study found that at least 29% of the middle class white Brazilian population had some recent African ancestry.^[78]

Race relations in Brazil[link]

Afro-Brazilian women during a Candomblé ceremony.

Because of the ideology of miscegenation, Brazil has avoided the polarization of society into black and white. The bitter and sometimes violent racial tensions that divide the US are notably absent in Brazil. According to the census, 6.7% of Brazilians said they were black, compared with 6.2% in 2000, and 43.1% said they were mixed race, up from 38.5%. According to Brazil's minister for racial equality, Elio Ferreira de Araujo, attributed the change to growing pride among his country's black and indigenous communities.^[79]

However, the philosophy of the racial democracy in Brazil has drawn criticism from some quarters. Brazil has one of the largest gaps in income distribution in the world. The richest 10% of the population earn 28 times the average income of the bottom 40%. The richest 10 percent is almost exclusively white. One-third of the population lives under the poverty line, with blacks and other non-whites accounting for 70 percent of the poor.^[80]

Fruit sellers in Rio de Janeiro c. 1820

In the US, black people earn 75% of what white people earn.^[81] In Brazil, non-whites earn less than 50% of what whites earn. Some have posited that Brazil does in fact practice the one-drop rule when social economic factors are considered. This is because the gap in income between blacks and other non-whites is relatively small compared to the large gap between whites and non-whites. Other factors such as illiteracy and education level show the same patterns.^[82] Unlike in the US where African Americans were united in the civil-rights struggle, in Brazil the philosophy of whitening has helped divide blacks from other non-whites and prevented a more active civil rights movement.

Though Brazilians of African heritage make up a large percentage ^[83] the population there are very few black politicians. The city of Salvador, Bahia, for instance, is 80% Afro-Brazilian but has never had a black mayor. Critics indicate that US cities that have a black majority, such as Detroit and New Orleans, have never had white mayors since first electing black mayors in the 1970s.^[79][84]

Black people in Brazil c. 1821

Non-white people also have limited media visibility. The Latin American media, in particular the Brazilian media, has been accused of hiding its Black, Indigenous, Multiracial and East Asian population. For example the telenovelas or soaps are said to be a hotbed of largely light-eyed white and light-skinned mulattoes and mestizos (often deemed as white persons in Brazil if achieving the middle class or higher social status) actors. Most rare empowered persons of color represented in Latin American media possess typically Caucasian features due to a mix of racist standards of beauty, colourism and lookism. Nevertheless, in the last years, the number of empowered afrodescendants (either economically or by other ways) increased in Brazilian media coverage. Despite Brazil also possessing criminal black man stereotypes, it is considered a huge prejudice and mostly not used in a disordered way by the media, in spite of sometimes common "humouristic" sexist jokes and LGBT stereotyping ^[85] and as such lack of politically correctness in native race issues is not a major problem (there are way more stereotypes of Asian people, Europeans or U.S. Americans, for example).

These patterns of discrimination against non-whites have led some to advocate for the use of the Portuguese term 'negro' to encompass non-whites so as to renew a black consciousness and identity, in effect an African descent rule.^[86] It generates criticism since Pardo, or Brown people, is intended to include caboclos (mestizos), assimilated Amerindians and tri-racials, not only afrodescendants — thus Brazilian of some or no recent African descent, as most White Brazilians, become 60–70% of the population, breaking the argument of possible Brazilian one-drop rule since real noticeable mulattoes, cafuzos (zambos) and black persons are a minority and the Brazilian poor represents larger percents in Brazil. As one would expect from an underdeveloped country, there are pockets of poverty in White-majority and Japanese Brazilian-majority areas, rarer in urban developments but common in rural areas. They are even more common among Mestizo-majority areas, and Amerindian communities.

In Asia and Australasia[link]

Siddi folk dancers performing at Devaliya Naka, Sasan Gir, Gujarat.

China[link]

As of August, 2008, The Migration Information Source article noted that "A Nigerian Embassy spokesman estimated that Nigerians possibly make up the largest group of Black Africans in China, with about 2,000 to 3,000 Nigerians in Guangdong in 2006. Most businessmen only stay temporarily."^[87][88]

An ethnic Ati woman of the Philippines. The Negritos were the earliest inhabitants of Southeast Asia.

India and Southeast Asia[link]

The Great Andamanese are one of five Negrito ethnic groups (Adivasi or tribal) native to the Andaman and Nicobar Islands; they are among the first inhabitants of what is now India, arriving over 70,000 years ago. They are facing extinction.^[89] The other four ethnic groups are the Jangil, Jarawa, Onge and Sentinelese. By their external physical appearance (phenotype) such people resemble Black Africans with dark skin and sometimes tightly coiled hair. There have been suggestions of a Black African origin. However, in the case of the Andamanese people, a study conducted by the NCBI indicated that the Andamanese people possessed closer affinities with the Southeast Asian population than with the Black African population.^[90]

In South India there are also several communities of Black African descent, such as the Sheedis/Siddis, specifically the Siddis of Karnataka, who descend from Black African slaves. In Pakistan, these descendants are known as the Makrani.

Other black people of Southeast Asia, collectively known as Negritos, include the Semang peoples of Malaysia, the Mani of Thailand the Aeta of Luzon and the Ati of Panay in the Philippines.^[91]

Melanesia[link]

There are several groups of dark-skinned people who live in various parts of Asia, Australia and Oceania who sometimes are referred to as black people. They include the Indigenous Australians, the Melanesians (now divided into Austronesian-speaking populations and Papuans, and including the great genetic diversity of New Guinea), the Semang people of the Malay peninsula, and indigenous first nation Fijians. They are as genetically, anthropologically and culturally related to Africans only as much as all other non-Africans are related to Africans, and because of this it has been deemed controversial to label them black people in the sense of some relation to the native African peoples and the African diaspora that is not similarly present in other Asian, Oceanic or European populations.

In Europe[link]

Portrait of a black woman, Katherine, in Antwerp, 1521, by Albrecht Dürer.

United Kingdom[link]

According to the Office for National Statistics, as of the 2001 census, there are over a million black people in the United Kingdom; 1% of the total population describe themselves as "Black Caribbean", 0.8% as "Black African", and 0.2% as "Black other".^[92] Britain encouraged the immigration of workers from the Caribbean after World War II; the first symbolic movement was those who came on the ship the Empire Windrush. The preferred official umbrella term is "black and minority ethnic" (BME), but sometimes the term "black" is used on its own, to express unified opposition to racism, as in the Southall Black Sisters, which started with a mainly British Asian constituency, and the National Black Police Association, which has a membership of "African, African-Caribbean and Asian origin".^[93]

France[link]

The pioneering Chadian-French rapper MC Solaar.

While census collection of ethnic background is illegal in France, it is estimated that there are about 2.5 – 5 million black people residing there.^[94][95]

Balkans[link]

Due to the Ottoman slave trade that had flourished in the Balkans, the coastal town of Ulcinj in Montenegro had its own black community.^[96] As a consequence of the slave trade and privateer activity, a considerable number of Ulcinj inhabitants until 1878 were black.^[97] The Ottoman Army also sent an estimated 30,000 Black African troops and cavalrymen to its expedition in Hungary during the Austro-Turkish War of 1716–18.^[98]

Eastern Europe[link]

As African states became independent in the 1960s, the Soviet Union offered many of their citizens the chance to study in Russia. Over a period of 40 years, about 400,000 African students from various countries moved to Russia to pursue higher studies, including many Black Africans.^[99][100] This extended beyond the Soviet Union to many countries of the Eastern bloc.

A cultural classification of people as "black" exists in Russia. Certain groups of people who are ethnically different, and generally darker than ethnic Russians are pejoratively referred to as "blacks" (chernye), and face specific sorts of social exclusion (see Racism in Russia). Roma, Georgians, and Tatars fall into this category.^[101] Those referred to as "black" are from the former Soviet republics, predominantly peoples of the Caucasus, for example, Chechens.^[102] Although "Caucasian" is used in American English to mean "white people", in Russian – and most other varieties of English – it only refers to the Caucasus, not European people in general.

See also[link]

Footnotes[link]

External links[link]

• two African American boys Clarence 'Grandpa' Liv and Alonzo 'Teddy' Tucker at the Wright Brothers bicycle shop, 1897(old-pictures.com database)
• Clarence Liv and Alonzo 'Teddy' Tucker at the Wright Cycle Company, photo taken by Wright Brothers 1897(old-pictures.com)

Idina Menzel
Background information
Birth name	Idina Kim Mentzel
Born	(1971-05-30) May 30, 1971 (age 41) Queens, New York, U.S.
Genres	Broadway, pop, vocal
Occupations	Singer, actress, songwriter
Years active	1995–present
Labels	Hollywood (1998–1999) Warner Bros. (2007–2010) Walkman Records (2012–present)
Website	idinamenzel.com

Idina Kim Menzel ( /ɪˈdiːnə mɛnˈzɛl/; born Mentzel on May 30, 1971) is an American actress, singer and songwriter.

She rose to prominence for her performance as Maureen Johnson in the Broadway musical Rent, a role which she reprised for the 2005 film adaptation. In 2004 she won the Tony Award for originating the role of Elphaba in the hugely successful Broadway blockbuster Wicked.

Early life[link]

Menzel was born in Queens, New York.^[1][2] Her mother, Helene, is a therapist, and her father, Stuart Mentzel, worked as a pajama salesman.^[3] Her family is Jewish;^[4][5] her grandparents immigrated from Russia and elsewhere in Eastern Europe.^[6] Her family lived in East Brunswick, Somerset and Marlboro, New Jersey from when she was in kindergarten to third grade, but she considers herself raised in Syosset, New York, with her younger sister Cara. Idina changed her last name to Menzel to better reflect the pronunciation the Mentzel family had adopted in America.^[7] When Menzel was 15 years old, her parents divorced and she began working as a wedding and bar mitzvah singer, a job which she continued throughout her time at New York University's Tisch School of the Arts.^[8] She earned a Bachelors of Fine Arts degree in Drama at NYU prior to being cast in Jonathan Larson's rock musical Rent. She was friends with actor Adam Pascal before they worked together in Rent.^[3]

Theater career[link]

In 1995, Menzel auditioned for Rent, which became her first professional theater job and her Broadway debut. Rent opened off-Broadway at the New York Theatre Workshop on January 26, 1996, but it moved to Broadway's Nederlander Theatre due to its popularity. For her performance as Maureen Johnson in the original cast of the musical, Menzel received a Tony nomination as Best Featured Actress in a Musical losing to Ann Duquesnay for Bring in 'da Noise, Bring in 'da Funk. Her final performance in the musical was on July 1, 1997.

Following the success of Rent, Menzel released her first solo album entitled Still I Can't Be Still on Hollywood Records, Menzel also originated the role of Dorothy in Summer of ’42 at Goodspeed Opera House in Connecticut, starred as Sheila in the New York City Center Encores! production of Hair and appeared on Broadway as Amneris in Aida. Menzel earned a Drama Desk Award nomination for her performance as Kate in the Manhattan Theatre Club's 2000 off-Broadway production of Andrew Lippa's The Wild Party. Her other off-Broadway credits include the pre-Broadway run of Rent and The Vagina Monologues.^[9]

In 2003, Menzel starred with actress and singer Kristin Chenoweth on Broadway in Wicked, a musical by Stephen Schwartz and Winnie Holzman based upon the popular 1995 Gregory Maguire novel. Menzel received the 2004 Tony Award for Best Leading Actress in a Musical for her portrayal of Elphaba, the Wicked Witch of the West. On her second-to-last performance of Wicked on January 8, 2005, she fell through a trap door and cracked a lower rib. The injury prevented her from performing in the January 9 show. Menzel did, however, make a special out-of-costume appearance at that performance, performed her final song, and received a 5 minute long standing ovation.^[10] Menzel was replaced by Elphaba standby Shoshana Bean.

Following Wicked, Menzel appeared off-Broadway in the Public Theater's production of See What I Wanna See, a Michael John LaChiusa-penned musical whose run ended in December 2005, for which she received Drama Desk Award and Drama League Award nominations. She reprised her Tony Award-winning role as Elphaba in the West End production of Wicked when it opened at London's Apollo Victoria Theater on September 7, 2006.^[11] During her run, she was the highest paid female performer in the West End at $30,000 per week. Menzel finished her West End run on December 30, 2006. She was succeeded by Elphaba standby Kerry Ellis.

Menzel played the role of Florence in the 21st Anniversary concert of Chess at the Royal Albert Hall, London from May 12–13, 2008 alongside Kerry Ellis, Adam Pascal and Josh Groban.

In 2008, Menzel headlined the Powerhouse Theatre's reading of Steven Sater and Duncan Sheik's musical Nero from July 11–13, performing the role of Nero's mistress, Poppea.^[12]

According to an interview, Menzel is planning to return to the Broadway stage in a new original musical.^[13]

Film, television, recording and singing career[link]

Menzel's film roles include appearances in Just a Kiss, Kissing Jessica Stein, The Tollbooth, Water, Ask the Dust, Enchanted, and Rent, in which she and five other original cast members reprised their stage roles. As a singer, Menzel is known for her wide vocal range and her use of the 'belt' technique.

Menzel performed at the 1998 Lilith Fair summer concert festival and continues to write and perform original music. She has toured extensively and frequently performs in various venues throughout New York City. She produced and released her debut album, Still I Can't Be Still, for Hollywood Records in 1998. One single from the album, "Minuet", made the Radio & Records CHR/Pop Tracks chart at #48 in October 1998.^[14]

Her second album, Here, was released independently by Zel Records in 2004. Menzel has contributed to soundtracks, including those for the film The Other Sister and the ABC television dramedy Desperate Housewives. She also appears on Ray Charles's album Genius and Friends, which was released in 2005, on the track "I Will Be There." In 2007, she appeared on the Beowulf soundtrack singing the end credits song, "A Hero Comes Home". Also in 2007, Menzel's powerful singing voice led her to be asked to accompany the baritone British X-Factor runner-up Rhydian Roberts on his debut album, duetting on the song "What if".

Her third solo album, I Stand, was released on January 29, 2008. It includes many new songs, including the lead single, "Brave", the title track "I Stand", and a song released on EP, "Gorgeous". The album debuted at #58 in the Billboard 200, making it the first solo album by Menzel to make the charts. There are five versions of this album: the original version, the special limited edition, the iTunes version, the Barnes & Noble edition, and the Borders edition. Menzel wrote many of the songs on her album.

On April 1, 2008, Menzel kicked off her 2008-2009 "I Stand" tour in support of her new album performing 4 sold out legs. The concert at Rose Hall at Lincoln Center in New York City was filmed for the PBS series "Soundstage". Menzel was joined by special guests, superstar Josh Groban and saxophonist Ravi Coltrane.

On November 11, 2008, Menzel released "Hope," written by Paul Hampton, benefitting Stand Up to Cancer.

On November 27, 2008, Menzel performed "I Stand" on the M&M Candies float as part of the Macy's Thanksgiving Day Parade.^[15][16]

Menzel has a recurring guest star role in the television series Glee, playing Shelby Corcoran, the coach of the rival glee club Vocal Adrenaline. When the series first premiered, Glee fans had noted a strong physical resemblance between Menzel and Lea Michele who portrays the character Rachel Berry. According to her husband, actor Taye Diggs, Menzel expressed interest in possibly guest starring as the biological mother of Rachel.^[17] The character was introduced in the April 13, 2010 episode "Hell-O", and it was revealed in the May 18, 2010 episode, "Dream On", that Shelby is, in fact, Rachel's biological mother, having answered an ad from Rachel's two gay dads looking for a 'mother' to help them have a baby. Lea Michele and Idina Menzel sing "I Dreamed a Dream" from Les Misérables and "Poker Face" originally by Lady Gaga together. Menzel returned to Glee in Season 3 episode "I Am Unicorn", her role this time as a teacher causing trouble for Rachel, Quinn, Puck, and former flame Will Schuster.^[18]

On July 19, 2010, Menzel performed "Defying Gravity" and "What I Did For Love" in front of President Barack Obama and First Lady Michelle Obama at A Broadway Celebration: In Performance at the White House. The concert aired on PBS October 20, 2010.^[19]

In April 2010, Menzel returned to concert stage embarking on a tour with different symphony orchestras. Her performances included collaborations with the New York Philharmonic, the Boston Pops Orchestra, and the North Carolina Symphony. In October 2011, Menzel returned to London to perform a one night only concert in the United Kingdom at the Royal Albert Hall with the Royal Philharmonic Orchestra with Marvin Hamlisch conducting. Menzel's concert stop in Toronto was filmed at The Royal Conservatory of Music on November 17 and 18, 2011 for her second PBS special. She was accompanied by the Kitchener-Waterloo Symphony with Marvin Hamlisch conducting and special guest Taye Diggs, Menzel's husband. "Idina Menzel Live: Barefoot at the Symphony" will be released as a live CD and DVD and air on PBS in March 2012.^[20]

On January 5, 2012, Menzel announced she will continue live performances in 2012. The first date she announced was July 8, 2012 at Ravinia Festival near Chicago, Illinois.^[21]

Personal life[link]

Menzel married actor Taye Diggs on January 11, 2003. They met in 1995 during the original production of Rent, in which Diggs portrayed the role of Benjamin Coffin III, the landlord.^[22] They have a son, Walker Nathaniel Diggs, born in 2009.^[23] They have a Yorkshire Terrier named Sammy Davis Jr.^[24] and two cats named Ella and Coltrane, also known as their "Jazz Cats" because they were named after jazz performers Ella Fitzgerald and John Coltrane.^[25]

Charity[link]

Menzel was an Honorary Chair of the Imperial Court of New York's Annual Charity Coronation Ball, Night of A Thousand Gowns on March 21, 2009. Other Honorary Chairs for the evening's charity event included Sir Elton John CBE, Patti LuPone, John Cameron Mitchell, Joan Rivers and Dame Robin Strasser.^[26]

On May 17, 2009, Menzel performed at a special benefit concert in Atlanta, Georgia to raise money for the Pace Academy Diversity Program in coordination with the Ron Clark Academy.^[27] The event resulted in the funding of two scholarships for Ron Clark Academy students to attend Pace Academy. The event was organized and hosted by Philip McAdoo, a former Rent cast member and current Diversity Program Director at Pace Academy.^[28][29]

In 2010, Menzel founded the A BroaderWay Foundation with husband Taye Diggs as a means of supporting young people in the arts. A BroaderWay sponsors camp programs, theater workshops, innovative educational programming and offers scholarships and opportunities to experience professional performances. In Summer 2011, Camp BroaderWay welcomed young girls from under-served metro New York communities to a 10-day performing arts camp, run by Menzel and a team of acclaimed professional Broadway artists including Taye Diggs. During this camp the girls collaborated with Broadway artists to write an original musical that was performed at a theatre in New York. The camp took place at Belvoir Terrace Summer Camp in Lenox, MA.^[30]

Theatre, film and television credits[link]

Discography[link]

Solo albums[link]

Singles[link]

Cast recordings[link]

Miscellaneous[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Idina Menzel

• Official website
• Idina Menzel at the Internet Broadway Database
• Idina Menzel at the Internet Movie Database
• Interview with Idina Menzel at TonyAwards.com

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (August 2008)

Yunjin Kim
Born	Kim Yun-jin (1973-11-07) November 7, 1973 (age 38) Seoul, South Korea
Occupation	Actress
Years active	1996–present
Spouse	Jeong Hyeok Park (2010 – present)
Korean name
Hangul	김윤진
Hanja	金侖珍
Revised Romanization	Gim Yunjin
McCune–Reischauer	Kim Yunjin

Yunjin Kim (born November 7, 1973) is a Korean American^[1][2] film and theater actress. Although she is best known in the English-speaking world for her role as Sun on the American television series Lost, Kim has also appeared in numerous film and TV projects in South Korea.

Biography[link]

Early life[link]

Kim was born in Seoul, South Korea. At the age of ten, Kim immigrated to the United States with her family.^[3] They lived in Staten Island, New York. She joined the middle school drama club in the 7th grade and performed in the musical My Fair Lady.

Kim attended high school at the prestigious Fiorello H. LaGuardia High School of Music & Art and Performing Arts, a public high school located in Manhattan. From there, she went on to study drama at the London Academy of Performing Arts and later earned her BFA degree in drama at Boston University. Kim has remarked that in her zeal to become Americanized quickly, she studied acting, academics and pronunciation with equal intensity. She is also a trained dancer and martial arts fighter.^[4]

Career[link]

After graduation, Kim devoted herself full time to acting. She garnered several minor parts on MTV, in soap opera-style dramas on ABC, and on the off-Broadway stage. In 1997 she starred in Splendid Holiday, a Korean TV drama being shot on location in New York. In part due to this experience, Kim decided to return to Korea. She was quickly cast in the TV drama Wedding Dress and was also invited to act in Lee Kwangmo's feature Spring in My Hometown, although she ended up not taking this role. Her breakthrough debut came in the 1999 film Shiri, South Korea's first blockbuster film. Shiri became the highest grossing film in Korean history at the time, making her an instant star throughout the country. In November 2000 she continued her association with KangJeGyu Film in the big-budget The Legend of Gingko.

After acting in a Japanese film and a low-profile feature set in Los Angeles, Kim appeared in the big-budget sci-fi feature Yesterday, which ended up bombing spectacularly at the box office. Then in 2002, Kim took the lead role in Ardor, the feature film debut of acclaimed documentarist Byun Young-ju. The film was invited to screen in a non-competitive section at the 2003 Berlin film festival, and Kim's acting earned widespread praise.

After a couple quiet years, in 2004 Kim started appearing in the popular U.S. television series Lost, which introduced her to audiences in the US. She was on the show for all 6 seasons.

In July 2003, Kim signed a three-year contract with William Morris.

In May 2006, Maxim named Kim No. 98 on its annual List.^[5] In October 2006 she was featured on the cover of Stuff, as well as an inside spread.

She will stars on the upcoming ABC drama series Mistresses.^[6]

Personal life[link]

Kim married her former manager Jeong Hyeok Park in March 2010 on the island of Oahu, after shooting her final scenes for Lost.^[7]

Filmography[link]

Film[link]