Coordinates	40°26′30″N80°00′00″N
Name	Minor Threat
Background	group_or_band
Origin	Washington, D.C.United States
Instruments	Guitar, Vocals, Bass, Drums
Genre	Hardcore punk
Years active	1980–1981, 1982–1983
Label	Dischord
Past members	Ian MacKayeJeff NelsonBrian BakerLyle PreslarSteve Hansgen }}

Minor Threat was an American hardcore punk band formed in Washington, D.C. in 1980 and disbanded in 1983. The band was relatively short-lived, but had a strong influence on the hardcore punk music scene, both stylistically and in establishing a "do it yourself" (DIY) ethic for music distribution and concert promotion. Minor Threat's song "Straight Edge" became the eventual basis of the straight edge movement, while the band often professed their own "straight edge" ideals. Allmusic described Minor Threat's music as "iconic," and noted that their groundbreaking music "has held up better than [that of] most of their contemporaries."

Along with the fellow Washington, D.C. hardcore band Bad Brains and California band Black Flag, Minor Threat set the standard for many hardcore punk bands in the 1980s and 1990s. All of Minor Threat's records were released on Ian MacKaye and Jeff Nelson's own label, Dischord Records.

History

Early years

While at Wilson High School, Ian MacKaye and Jeff Nelson were in the Washington, D.C., punk band The Slinkees, which was soon renamed The Teen Idles. After that band broke up, MacKaye decided to switch from bass guitar to vocals, and organized Minor Threat with drummer Nelson, bassist Brian Baker, and guitarist Lyle Preslar. Minor Threat's first performance was in December 1980, opening on a bill with Bad Brains, Phfat Raskals, and S.O.A. The band's first 7" EPs, ''Minor Threat'' and ''In My Eyes'', were released in 1981. The group became popular regionally, and toured the United States East Coast and Midwest.

"Straight Edge", a song on the first EP, helped to inspire the straight edge movement. The song seemed to be a call for abstinence from alcohol and other drugs— a new thing in rock music, which initially found a small but dedicated following. Other prominent groups that subsequently advocated the straight edge stance included SS Decontrol and 7 Seconds.

Another Minor Threat song from the second EP, ''Out of Step'', further demonstrates the belief: "Don't smoke/Don't drink/Don't fuck/At least I can fucking think/I can't keep up/I'm out of step with the world." The "I" in the lyrics was usually only implied, mainly because it did not quite fit the rhythm of the song, like the version on ''First Two 7"s on a 12"''. The version on ''Out Of Step'' is slower, allotting a bridge where MacKaye explains his philosophy of straight edge, "This is not a set of rules, I'm not telling you what to do, all I'm saying is there are 3 things, that are like so important to the whole world that I don't happen to find much importance in, whether it's fucking, or whether it's playing golf, because of that, I feel... (chorus)". Some in Minor Threat—Jeff Nelson in particular—took exception to what they saw as MacKaye's imperious attitude on the song.

Minor Threat's song "Guilty of Being White" led to some accusations of racism, but MacKaye has strongly denied such intentions and said that some listeners misinterpreted his words. The song was inspired by his experiences at Wilson High School, whose student population was 70 percent black. There, MacKaye and his friends were routinely picked on by black students. Slayer later covered the song, with the last iteration of the lyric "Guilty of being white" changed to "Guilty of being right." In an interview, MacKaye has stated that he was offended that some perceived racist overtones in the lyrics, saying, "To me, at the time and now, it seemed clear it's an anti-racist song. Of course, it didn't occur to me at the time I wrote it that anybody outside of my twenty or thirty friends who I was singing to would ever have to actually ponder the lyrics or even consider them."

Hiatus

In the time between the release of the band's second seven-inch EP and the ''Out of Step'' record, the band briefly split when guitarist Lyle Preslar moved to Illinois for college – during his semester at Northwestern University, Preslar was a member of Big Black for a few tempestuous rehearsals. During that period, MacKaye and Nelson put together a studio-only project called Skewbald/Grand Union; in a reflection of the slowly increasing disagreements between the two musicians, they were unable to decide on one name. The group recorded three untitled songs, which would be released posthumously as Dischord's 50th release. During Minor Threat's inactive period, Brian Baker also briefly played guitar for Government Issue and appeared on the ''Make An Effort'' EP.

In March 1982, at the urging of Bad Brains' H.R., Preslar left college to re-form Minor Threat. Shortly afterwards, the cuts ''Minor Threat'' and ''In My Eyes'' were rereleased as ''First Two 7"s on a 12"''. The reunited band featured an expanded lineup: Steve Hansgen joined as the band's bassist and Baker switched to second guitar.

When "Out of Step" was rerecorded for the LP ''Out of Step'', MacKaye inserted a spoken section explaining, "This is not a set of rules..." An ideological door had already been opened, however, and by 1982, some straight-edge punks, such as followers of the band SS Decontrol, were swatting beers out of people's hands at clubs. Minor Threat, however, did not promote such overt behavior.

Breakup

Minor Threat broke up in 1983. A contributing factor was disagreement over musical direction. MacKaye was allegedly skipping practice sessions towards the end of the band's career, and he wrote the lyrics to the songs on the ''Salad Days'' EP in the studio. That was quite a contrast with the earlier recordings, as he had written and co-written the music for much of the band's early material. Minor Threat, which had returned to being a four-piece group with the departure of Hansgen, played its last show on September 23, 1983, with go-go band Trouble Funk and the Big Boys, ending with "Last Song", which was the original title of "Salad Days".

Alternatively, MacKaye stated that he did not "check out" on hardcore, but in fact hardcore "checked out". Explaining this, he stated that at a 1984 Minutemen show, a fan struck MacKaye's younger brother Alec in the face, and he punched the fan back, then realizing that the violence was "stupid", and that he saw his role in the stupidity. MacKaye claimed that immediately after this he decided to leave the hardcore scene.

Subsequent activities

MacKaye went on to found Embrace with former members of the Faith, the obscure Egg Hunt with Jeff Nelson and later Fugazi and the Evens, as well as collaborating on Pailhead.

Brian Baker went on to play in Junkyard, The Meatmen, Dag Nasty and Government Issue. He currently plays in Bad Religion.

Lyle Preslar was briefly a member of Glenn Danzig's Samhain, and his playing appears on a few songs on the band's first record. He joined The Meatmen in 1984, along with fellow Minor Threat member Brian Baker. He later ran Caroline Records, signing and working with (among others) Peter Gabriel, Ben Folds, Chemical Brothers, and Idaho, and ran marketing for Sire Records. He graduated from Rutgers University law school and lives in New Jersey.

Jeff Nelson played less-frantic alternative rock with Three and The High-Back Chairs before retiring from live performance. He runs his own label, Adult Swim Records, distributed by Dischord, and is a graphic artist and a political activist in Toledo, Ohio. The band's own Dischord Records released material by many bands from the Washington, D.C., area, such as Government Issue, Void, Scream, Fugazi, Artificial Peace, Rites of Spring, Gray Matter, and Dag Nasty, and has become a respected independent record label.

Steve Hansgen formed Second Wind with Minor Threat roadie Rich Moore. He also worked with Tool in 1992 on the production of their first EP, ''Opiate''.

Copyright issues

"Major Threat"

In 2005, a mock up of the cover of Minor Threat's first EP (also used on the ''First Two 7"s on a 12"'' LP and ''Complete Discography'' CD) was copied by athletic footwear manufacturer Nike for use on a promotional poster for a skateboarding tour called "Major Threat". Nike also altered Minor Threat's logo (designed by Jeff Nelson) for the same campaign, as well as featuring Nike shoes in the new picture, rather than the combat boots worn by Ian MacKaye's younger brother Alec on the original.

MacKaye issued a press statement condemning Nike's actions and said that he would discuss legal options with the other members of the band. Meanwhile, fans, at the encouragement of Dischord, organized a letter-writing campaign protesting Nike's infringement. On June 27, 2005, Nike issued a statement apologizing to Minor Threat, Dischord Records, and their fans for the "Major Threat" campaign and said that all promotional artwork (print and digital) that they could acquire were destroyed.

"Salad Days"

On October 29, 2005, Fox played the first few seconds of Minor Threat's "Salad Days" during an NFL broadcast. Use of the song was not cleared by Dischord Records or any of the members of Minor Threat. Fox claimed that the clip was too short to have violated any copyrights.

Wheelhouse Pickles

In 2007, Brooklyn-based company Wheelhouse Pickles marketed a pepper sauce named "Minor Threat Sauce". Requesting only that the original label design (which was based on the "Bottled Violence" artwork) be amended, Ian MacKaye gave the product his endorsement. A small mention of this was made in music magazine Revolver, where MacKaye commented "I don't really like hot sauce but I like the Minor Threat stuff".

Members

Ian MacKaye – vocals (1980–1983)

Lyle Preslar – guitar (1980–1983)

Brian Baker – bass (1980–1982, 1983); guitar (1982–1983)

Steve Hansgen – bass (1982–1983)

Jeff Nelson – drums (1980–1983)

Discography

Albums

''Out of Step'' (1983)

''First Two 7"s on a 12"'' (1984)

EPs

''Minor Threat'' (1981)

''In My Eyes'' (1981)

''Salad Days'' (1985)

Demos

''First Demo Tape'' (1981, released 2003)

Compilation appearances

''Flex Your Head'' (1982) – "Stand Up", "12XU"

''20 Years of Dischord'' (2002) – "Screaming at a Wall", "Straight Edge", "Understand", "Asshole Dub"

''Left of the Dial: Dispatches from the '80s Underground'' (2004) – "Straight Edge"

''American Hardcore: The History of American Punk Rock 1980-1986'' (2006) – "Filler"

Other releases

''First Two 7"s on a 12"'' (1984)

''Complete Discography'' (1989)

''First Demo Tape'' (2003)

References

Further reading

Long Washington Post Express interview with Brian Baker from 2007

Andersen, Mark & Jenkins, Mark (2001), ''Dance of Days: Two Decades of Punk in the Nation's Capitol,'' New York, NY: Akashic Books, ISBN 1-888451-44-0.

Azerrad, Michael (2001), ''Our Band Could Be Your Life: Scenes From the American Indie Underground, 1981-1991'', Boston, MA: Little Brown, ISBN 978-0-316-78753-6 .

Connolly, Cynthia; Clague, Leslie & Cheslow, Sharon (1988), ''Banned in DC: Photos and Anecdotes From the DC Punk Underground 1979-85'', Washington, DC: Sun Dog Propaganda, ISBN 978-0-9620944-0-8 .

External links

Minor Threat Profile by Dischord Records

Minor Threat Profile by Southern Records

Minor Threat article from ''Rekindling the Punk Flame'' by Shana Ting Lipton.

Minor Threat interview, 1983 from ''If This Goes On'' by Sharon Cheslow and Colin Sears

Minor Threat article, 1983 from ''MRR''

Category:Dischord Records artists Category:Hardcore punk groups from Washington, D.C. Category:Musical groups established in 1980 Category:Straight edge groups Category:American punk rock groups

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