45:56
El Al Flight 1862-Air crash Investigation -The Full Episode. Amazing Aircraft Crashes 1
Most Extraordinary Cases gekos.no Air Crash Investigation - Most Extraordinary Cases The s...
published: 13 Feb 2011
Author: gekosink
El Al Flight 1862-Air crash Investigation -The Full Episode. Amazing Aircraft Crashes 1
Most Extraordinary Cases gekos.no Air Crash Investigation - Most Extraordinary Cases The smallest and seemingly insignificant mistakes can sometimes lead to the most catastrophic outcomes. Here, the consequences and lessons of aviation's most high-profile accidents are explained in detail. This is a compilation Air Crash Investigation's Most Extraordinary Cases. Amazing Aircraft Crashes
2:15
Gatling 1862
An animation of Richard Gatling's first Battery gun, modeled from his 1862 patent. The...
published: 28 Aug 2010
Author: vbbsmyt
Gatling 1862
An animation of Richard Gatling's first Battery gun, modeled from his 1862 patent. The original model fired the standard .58 paper cartridge used in American Civil War muzzle loading rifles. The paper cartridges were loaded into steel chambers, which were then picked up from a hopper by a shaped carrier. As the lock assembly rotates, a small ramp (green) at the rear of the casing pushes each lock forwards and this moves the steel chamber against the rear of the barrel. A firing hammer is cocked by an inclined cam (yellow) and released at the 12 o'clock position. Note later models of Gatling gun fire when the barrel is almost at its lowest position (7 o'clock). All of Gatling's first models were destroyed in a fire at the Cincinnati Eagle Iron Works. He built a second batch. 12 were sold to General Butler, and saw limited use during the siege of Petersberg. The second batch of guns used a metallic cartridge loaded into the steel chamber. For more information on this animation, google for victorian ship models and anti torpedo boat guns.
6:36
2 My Indian Heroes Saintly Baba Allauddin Khan 1862-1972
www.aacm.org Ustad Baba Allauddin Khan Saheb was a Muslim and a Hindu - ahead of his time ...
published: 19 Jun 2008
Author: anandjee47
2 My Indian Heroes Saintly Baba Allauddin Khan 1862-1972
www.aacm.org Ustad Baba Allauddin Khan Saheb was a Muslim and a Hindu - ahead of his time - like Akbar. When many people hear the name Allauddin Khan, they think of a grumpy old man (after all, he lived to 110) with a hot temper but a heart of gold -- anecdotes about him range from throwing a tabla tuning hammer at the Maharaja himself to taking care of disabled beggars. (Nikhil Banerjee said that the tough image was "deliberately projected in order not to allow any liberty to the disciple. He always had the tension that soft treatment on his part would only spoil them". Allauddin Khan was a very religious man, and though Muslim by name, was strongly devoted to the goddess Saraswati, in the form of Sarada Devi, to whom there stands an old and famous temple atop a hill in Maihar. This is why Allauddin, despite more lucrative offers from other courts, never left Maihar, refusing to move away even for hospital treatment -- he would rather die near Sarada Devi than live someplace else. A few years before the turn of the century, he married Madanmanjari Devi (1888--?). He had one son and sarod heir, Ali Akbar Khan, and three daughters, Sharija, Jehanara and Annapurna Devi. After Sharija got married, and her jealous mother-in-law burnt her tanpura, Allauddin decided not to train his other daughters, but Annapurna proved so talented he changed his mind. She later married and divorced Ravi Shankar. This man alone created Ali Akbar Khan (and his children), Annpurna Devi, Ravi <b>...</b>
8:05
Israel 747 cargo plane 1862 crash in Holland 1992 (part 5 of 5)
Israel 747 cargo plane 1862 crash in Holland 1992 (part 5of 5), crashing into a residentia...
published: 17 Jun 2009
Author: hkwilliac
Israel 747 cargo plane 1862 crash in Holland 1992 (part 5 of 5)
Israel 747 cargo plane 1862 crash in Holland 1992 (part 5of 5), crashing into a residential building.
8:35
Minnesota Massacre of 1862
In 1862 the Dakota or Santee Sioux angered over late annuity payments, late food distribut...
published: 09 Jan 2009
Author: 7thUSCavalryman
Minnesota Massacre of 1862
In 1862 the Dakota or Santee Sioux angered over late annuity payments, late food distribution and corrupt practices of white traders began an uprising in Minnesota. Before it was over at least 644 white men, women and children were dead. Many of whom were mutilated, tortured, and indecently violated. In the aftermath 303 warriors were tried and sentenced to death for war crimes. President Lincoln commuted the sentences of 264 of the warriors. One other warrior later received a reprieve as well. On December, 26 1862 the 38 condemned prisoners were executed by hanging in what remains the largest execution in US history. www.americanheritage.com www.accessgenealogy.com www.dakotauprising.com
2:12
Claude Debussy (1862-1918): "Il pleure dans mon coeur"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
Author: d60944
Claude Debussy (1862-1918): "Il pleure dans mon coeur"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. Sadly he made no solo piano acoustic recordings, only piano rolls. However, he was recorded as accompanist to the soprano Mary Garden, in 1904, performing some of his own vocal music. This is one of his "Ariettes Oubliées" (forgotten airs).
5:35
Claude Debussy (1862-1918): "La soirée dans Grenade"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
Author: d60944
Claude Debussy (1862-1918): "La soirée dans Grenade"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for. This evocative work is from the set of pieces called Estampes, composed in 1903.
6:37
PBLV Episode 1862 La colocation Ninon/Rudy
...
published: 29 Nov 2011
Author: FithonyVideos
PBLV Episode 1862 La colocation Ninon/Rudy
12:16
Shooting Colts 1862 Police Revolver.mov
In this video we examine Colt's 1862 Police revolvers. The 5-shot .36 caliber cap and ...
published: 20 Feb 2012
Author: duelist1954
Shooting Colts 1862 Police Revolver.mov
In this video we examine Colt's 1862 Police revolvers. The 5-shot .36 caliber cap and ball revolver evolved out of the Colt 1849 Pocket model in .31 caliber, similar to the development of the 1860 Army revolver from the 1851 Navy. We'll shoot the 1862 police and discuss loading and capping issues.
4:31
Claude Debussy (1862-1918): "D'un cahier d'esquisses"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
Author: d60944
Claude Debussy (1862-1918): "D'un cahier d'esquisses"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for.
4:23
Playmobil: Civil War 1862
War is sorrowful, but there is one thing infinitely more horrible than the worst horrors o...
published: 21 Jun 2008
Author: worbthebest
Playmobil: Civil War 1862
War is sorrowful, but there is one thing infinitely more horrible than the worst horrors of war, and that is the feeling that nothing is worth fighting for
3:29
Claude Debussy (1862-1918): "La plus que lente"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
Author: d60944
Claude Debussy (1862-1918): "La plus que lente"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for. This work, "La plus que lente", is a very slow waltz of sorts, composed in 1910.
6:29
Battle of Malvern Hill, 1862
The Battle of Malvern Hill was the last battle in the Seven Days' Battles outside Rich...
published: 22 May 2008
Author: VideoHistoryToday
Battle of Malvern Hill, 1862
The Battle of Malvern Hill was the last battle in the Seven Days' Battles outside Richmond, VA, in 1862. The battle came about as the Union army retreated to Harrison's Landing in a successful attempt to avoid Lee's Confederate advance. The video starts on the Union artillery line moving around the edge of the battlefield anti-clockwise (counter clockwise) to cover the Confederate positions and artillery.Please take a look at Video History Today www.videohistorytoday.com , the first web site to offer unique collections of re-usable original video clips designed for teachers and students. The idea behind Video History Today is to give schools the raw material to make mini-documentaries and video essays on historical subjects. Initial packages focus on World War I (Somme and Ieper areas), The Holocaust, the American Civil War and D-Day & Normandy 1944.
5:02
Claude Debussy (1862-1918): "La cathédrale engloutie"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
Author: d60944
Claude Debussy (1862-1918): "La cathédrale engloutie"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. This piece is number ten in the first book of Préludes. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for. Debussy makes important changes to the music here, doubling the tempo when bars are notated in 3/2 (the prevailing tempo being 6/4).
Vimeo results:
6:25
Burial Site - Canon 5DmkII Short Film
Please visit my website and blog for more information about this film. Link: http://www.to...
published: 27 Jun 2009
Author: Tom Guilmette
Burial Site - Canon 5DmkII Short Film
Please visit my website and blog for more information about this film. Link: http://www.tomguilmette.com/wp/my-blog/archives/1840 and http://www.tomguilmette.com/wp/my-blog/archives/1862
This is my first film shot with the Canon 5DmkII digital SLR. This camera is simply amazing and it is really changing the "film-look for video" game.
The idea for this film came to me a few days ago. I wanted to shoot in an old, abandoned house with no electricity. My goal was to light the entire film with available light and light from a single oil lamp. The low light capability of this camera is unlike anything I have ever used before. This camera is amazing when shooting with the light from a single flame.
I called my friend, Adam, and asked him if he would meet me at on old vacant farm house in Attleboro, Massachusetts so that we could shoot a film.
We brought a few props, like the old tin, oil lamp and photograph for the film and shot non-stop from 11am to 5pm. We started outside in the rain and then moved into the dank dirt-floor basement. Later in the afternoon, we shot upstairs in the decaying house.
All sound was recorded separately with the Zoom h4 stereo recorder with the built in microphones.
I used Vinten tripods, and especially loved my new Vinten baby legs when shooting with the Vision 3 (spring#1) to get the low angles.
I edited this project with very little grading to the final film with Final Cut Pro and Magic Bullet Looks. If you have any questions about the Canon 5DmkII or the making of this film, please visit my website and post your comments there. Link: http://www.tomguilmette.com
I have also posted the untreated rough cut of the 1960 farm house flashback. This rough cut includes reference audio directly from the 5Dmk2 microphone. I figured this might be helpful to those who want to hear how the built in mic sounds. Link: http://vimeo.com/5302278
Special Thanks to:
Matt Johnson
Chris Nicini
Joe Francazio
TRT: 6 minutes 25 seconds
Size: 139.44 MB
Type: Quicktime mpeg4 720p HDTV
78:24
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. Th...
published: 22 Sep 2009
Author: Victoria and Albert Museum
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. The purpose of the lecture is to celebrate the legacy of the Museum’s founding director, and explore its implications for museums, culture and society today.
The lecture, entitled 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum' was delivered by Professor Sir Christopher Frayling. He presented new research on the “chamber of horrors� (a contemporary nickname for one of the V&A;'s earliest galleries, 'Decorations on False Principles', that opened in 1852) and the myths and realities of its reception, then opened up a wider debate on design education and museums from the nineteenth century to the present day.
Transcript:
Mark Jones: The annual Henry Cole lecture has been initiated to celebrate Henry Cole's legacy and to explore the contribution that culture can make to education and society today. It has also been launched to celebrate the opening of the Sackler Centre for arts education, including the Hochhauser Auditorium in which we sit tonight. There could be no one better than Professor Sir Christopher Frayling to give the inaugural Henry Cole Lecture. Christopher is a rare being: an intellectual who is a great communicator; a theorist who has a firm grip on the practical realities of life: a writer who truly and instinctively understands the words of making design and visual communication. As an enormously successful and respected Rector of the Royal College of Art, as Chairman of the Arts Council, and as a member and chair of boards too numerous to mention - but not forgetting the Royal Mint Advisory Committee which has recently been responsible for redesigning the coinage (personal interest) and as by far the longest-serving Trustee of the V&A;, he brings together culture, education and public service in a way which Henry Cole would have approved and admired. So it's more than fitting that he should be giving this first Henry Cole Lecture, 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum'.
CHRISTOPHER FRAYLING:
Thank you very much indeed Mark and thank you very much for inviting me to give this first Henry Cole Lecture. Just how much of an honour it is for me will I hope become clear as the lecture progresses.
Mark, Chairpeople, ladies and gentlemen:
Hidden away in the garden of the South Kensington Museum - now the Madejski Garden of the V&A; - there is a small and easily overlooked commemorative plaque that doesn't have a museum number. It reads: 'In Memory of Jim Died 1879 Aged 15 Years, Faithful Dog of Sir Henry Cole of this Museum'. Jim had in fact died on 30 January 1879. He was with Henry Cole in his heyday, as the king of South Kensington - its museums and colleges - and saw him through to retirement from the public service and beyond. And next to this inscription there's another one dedicated to Jim's successor, Tycho, and dated 1885. The dogs are actually buried in the garden. Now we know from Henry Cole's diary that between 1864 and 1879 Jim, who was a cairn terrier, was often to be seen in public at his master's side. In 1864 they were together inspecting the new memorial to the Great Exhibition of 1851 just behind the Albert Hall - a statue of Prince Albert by Joseph Durham on a lofty plinth covered in statistics about the income, expenditure and visitor numbers to the Great Exhibition: 6,039,195 to be exact. Cole had been a tireless champion of Prince Albert and according to the Princess Royal (later Empress of Prussia) there was a family saying in Buckingham Palace at the time, invented by Albert himself, that when things needed doing 'when we want steam we must get Cole'. We may therefore assume that when looking at the memorial, Cole was interested in the inscription, the statistics and the likeness of Prince Albert, while Jim was more interested in the possibilities of the plinth. In early 1866 - these are five studies of Jim, an etching by Henry Cole himself of 1864. In early 1866, first thing in the morning, soon after the workmen's bell had rung, Henry and Jim would set forth together from Cole's newly constructed official residence in the Museum (where he moved in July 1863) to tour the building sites of South Kensington - a name which was first invented by Cole when he re-named the museum The South Kensington Museum to describe the new developments happening around Brompton Church. According to 'The Builder' magazine, these two well-known figures would 'be seen clambering over bricks, mortar and girders up ladders and about scaffolding'. Several buildings in the South Kensington Renaissance Revival style were springing up all around them: The Natural History Museum, The College of Science, the extension to this Museum. And on the morning the Bethnal Green Museum opened - 24 June 1872 - Jim showed a healthy distaste for his master's well-known predilection for pomp and
Youtube results:
8:31
The Story of Swat (1862-1969) part 1
...
published: 13 Oct 2010
Author: swatbulbul
The Story of Swat (1862-1969) part 1
3:05
Claude Debussy (1862-1918): "Danseuses de Delphes"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his ...
published: 24 Feb 2008
Author: d60944
Claude Debussy (1862-1918): "Danseuses de Delphes"
The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. This piece is number one in the first book of Préludes. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for.
2:39
HORNETS NEST SHILOH 1862
history...
published: 11 Oct 2010
Author: mrsox1979
HORNETS NEST SHILOH 1862
history
9:23
1 of 5 Battle of Antietam 1862.mp4
...
published: 26 Feb 2010
Author: kelandsmith1
1 of 5 Battle of Antietam 1862.mp4
![Wesselburen (German pronunciation: [vÉ›sÉ™lˈbuË?Ê?É™n]) is a municipality in the district of Dithmarschen in the German Federal State of Schleswig-Holstein. It is situated near the North Sea coast, approximately 11 km west of Heide. Wesselburen is part of the Amt (](http://web.archive.org./web/20120827083012/http://cdn5.wn.com/pd/6c/a4/b780942680809d7523b250bdfd03_medium.jpg "Wesselburen (German pronunciation: [vÉ›sÉ™lˈbuË?Ê?É™n]) is a municipality in the district of Dithmarschen in the German Federal State of Schleswig-Holstein. It is situated near the North Sea coast, approximately 11 km west of Heide. Wesselburen is part of the Amt (")
