Coordinates	54°1′30″N15°59′17″N
name	Padosan
director	Jyoti Swaroop
producer	Mehmood, N. C. Sippy
writer	Rajendra Krishan
starring	Sunil Dutt, Saira Banu, Kishore Kumar, Mehmood
music	Rahul Dev Burman
cinematography	K.H.Kapadia
editing	D.N.Pai
distributor	Kailash Dossani Investments Pvt. Ltd., Mehmood Productions
released	1968
runtime	157 min.
country	India
language	Hindi
followed by	}}

''Padosan'' (Hindi: पड़ोसन, Urdu: پڑوسن) is a 1968 Indian Hindi film. Directed by Jyoti Swaroop Produced by [Mehmood Ali|Mehmood]], N. C. Sippy], and written by [[Rajendra Krishan. The music is by R.D. Burman.

''Indiatimes Movies'' ranks the movie amongst the ''Top 25 Must See Bollywood Films''.

The movie is a lighthearted comedy and tells the story of a simpleton Bhola(Sunil Dutt) and his neighbour Bindu(Saira Banu). Dutt falls for his neighbour and woos her with a little help from his friends (Kishore Kumar, Mukri, Raj Kishore and Keshto Mukherjee). Mehmood as the South Indian musician and rival to Sunil Dutt is among the highlights of the film.

It is based on a Bengali story "Pasher Bari" by Arun Chowdhury, which was first adapted in Bengali in 1952. It was made in Telugu as Pakkinti Ammayi (1953) starring Anjali Devi, Relangi, and singer A. M. Rajah, in Kannada as 'Pakkadamane Hudugi' (2003) starring Raghavendra Rajkumar and Anant Nag, and in Tamil as Adutha Veettu Penn (1960) . It was again remade into the Telugu film Pakkinti Ammayi (1981) starring Jayasudha, K. Chakravarthi and S.P. Balasubrahmanyam.

Synopsis

A simpleton named Bhola (Sunil Dutt) falls in love with his neighbor Bindu (Saira Banu). To impress her he wants to sing to her. However, he isn't a good singer and so seeks the help of his friend, Guru Vidyapati (Kishore Kumar). Guru, a famous singer, agrees to help his friend. To impress Bindu, Guru sings in the background and Bhola mouths the words. Bindu is charmed by what she thinks is Bhola's singing. They become friends and fall in love. Bindu has a music teacher named Master Pillai/Masterji (Mehmood) who is also in love with her and keeps proposing to her. Bindu loves Bhola and hence refuses Masterji.

One day Bindu finds out about Bhola's lie. She is very upset and refuses to meet Bhola. In a rage, she decides to marry Masterji instead. They both prepare for the wedding, while Bhola thinks of a way to get Bindu back.

On the wedding day, Guru gets an idea. He makes Bhola pretend to have committed suicide. He puts a fake suicide note next to Bhola. Bhola has a noose around his neck and a chair next to him. Guru goes and tells the news to Bindu. She is shocked. She leaves her wedding altar and runs to Bhola. She reads the note and starts to repent. Bindu then tries to wake Bhola up. Bhola wakes up and Bindu is delighted. She tells Masterji that she wants to marry Bhola and he agrees. Bhola and Bindu get married.

Music

The music of the film was composed by Rahul Dev Burman and the lyrics were written by Rajendra Krishan.

The soundtrack included following songs:

''Mere Saamne Wali Khidki Mein'' (Kishore Kumar)

''Bhai Bhatur'' (Lata Mangeshkar)

''Ek Chatur Naar Karke Shringaar'' (Kishore Kumar, Manna Dey)

''Kehna Hai'' (Kishore Kumar)

''Main Chali Main Chali'' (Lata Mangeshkar)

''Mere Bhole Balam'' (Kishore Kumar)

''Sharm Aati Hai Magar'' (Lata Mangeshkar)

''Sanwariya Sanwariya'' (Manna Dey)

Reportedly the song 'Ek Chatur Naar' (a duet by Kishore Kumar and Manna Dey) was partly improvised by Kishore Kumar at the time of recording and Manna Dey, determined to show Kishore Kumar how he would sing the duet better (since Kishore had not been trained classically), got into the mood of the song and immortalized 'Ek Chatur Naar'. Legend also has it that Manna Dey was upset by the fact that in the picturisation of the song, the singing competition between the two heroes (Dutt and Mehmood) was won by Dutt, for whom the background singing was done by Kishore. Dey didn't like the fact that a classically trained singer like himself would have to lose, though only on-screen, to an un-trained singer (Kishore). In the song, at a couple of times Mehmood had to say "sur gadbad jee" against Sunil Dutt where Kishore was singing hence Dey refused to say those words so Mehmood gave his own voice for the same.

Kishore Kumar's character in the film was inspired by the personality of his uncle, Dhananjay Banerjee (a classical singer), and Music Director Khemchand Prakash.

Cast

Sunil Dutt .... as Bhola

Saira Banu .... as Bindoo

Mehmood .... as Master Pillai / Masterji

Kishore Kumar .... as Vidyapati (Bhola's Friend)

Mukri .... as Banarsi

Keshto Mukherjee .... as Kolkatiya

Raj Kishore .... as Lahori

Om Prakash .... as Kunwar Pratap Singh (Bhola's Uncle)

Dulari .... as Bhola's Aunty

Agha .... as Bindoo's Father

Sunder .... as Pandit Janki Prasad

References

External links

Category:1968 films Category:Indian films Category:Hindi-language films Category:Compositions by Rahul Dev Burman

de:Padosan te:పడోసన్

Coordinates	54°1′30″N15°59′17″N
name	Kishore Kumar| image Gangulybros01.jpg
background	solo_singer
spouse	Rama Devi, Madhubala, Yogeeta Bali, Leena Chandawarkar
birth name	Abhas Kumar Ganguly
born	August 04, 1929Khandwa, Central Provinces and Berar
died	October 13, 1987Mumbai, Maharashtra
genre	Playback, Rabindra Sangeet, rock and roll
occupation	Singer, actor, director, musician, producer
years active	1946–1987 }}

Kishore Kumar (, , ; born Abhas Kumar Ganguly 4 August 1929 – 13 October 1987) was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He was the winner of 8 Filmfare Award for Best Male Playback Singer and holds the record for most number of Filmfare Awards won for that category.

Early life

Kishore Kumar was born into the Bengali Brahmin Ganguly family in Khandwa, Central Provinces and Berar (now in Madhya Pradesh) as Abhas Kumar Ganguly. His father Kunjalal Ganguly (Gangopadhya) was a lawyer. His mother Gouri Devi came from a wealthy Bengali family. Kishore was the youngest of four siblings, the other three being Ashok Kumar (the eldest), Sati Devi, and Anoop Kumar.

While Kishore was still a child, Ashok Kumar became a Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and tried to follow Saigal's singing style.

Career

After Ashok Kumar became a Bollywood star, the Ganguly family used to visit Bombay regularly. Abhas Kumar changed his name to Kishore Kumar and started his cinema career as a chorus singer at Bombay Talkies, where his brother worked. His first film as an actor was ''Shikari'' (1946), in which Ashok Kumar played the lead role. Music director Khemchand Prakash gave him a chance to sing the song ''Marne ki duayen kyon mangu'' for the film ''Ziddi'' (1948). After this, Kishore Kumar got many other assignments, but he was not very serious about a film career. In 1949, he decided to settle in Mumbai.

Kishore Kumar played hero in the Bombay Talkies film ''Andolan'' (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.

He starred in Bimal Roy's ''Naukri'' (1954) and Hrishikesh Mukherjee's directorial debut ''Musafir'' (1957). Salil Chowdhury, the music director for ''Naukri'' was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music. However, after hearing his voice, he gave him the song ''Chhota sa ghar hoga'', which was supposed to be sung by Hemant Kumar.

Kishore Kumar starred in films ''New Delhi'''' (1957), ''Aasha'' (1957), ''Chalti Ka Naam Gaadi'' (1958), ''Half Ticket'' (1962), and ''Padosan'' (1968). ''Chalti Ka Naam Gaadi'', his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving brothers.

Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of ''Mashaal'' (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. Kishore Kumar did not have a formal training in music. He kept Burman's advice in mind, and eventually developed his own style of singing, which featured the yodeling that he had heard on some records of Jimmie Rodgers bought by his brother Anoop Kumar.

S. D. Burman recorded with Kishore for Dev Anand's ''Munimji'' (1954), ''Taxi Driver'' (1954), ''House No. 44'' (1955), ''Funtoosh'' (1956), ''Nau Do Gyarah'' (1957), ''Paying Guest'' (1957), ''Guide'' (1965), ''Jewel Thief'' (1967), ''Prem Pujari'' (1970), and ''Tere Mere Sapne'' (1971). He also composed music for Kishore Kumar's home production ''Chalti Ka Naam Gaadi'' (1958). Some of their initial films included the songs ''Maana Janaab Ne Pukara Nahin'' from ''Paying Guest'', ''Hum Hain Rahi Pyar Ke'' from ''Nau Do Gyarah'' (1957), ''Ai Meri Topi Palat Ke Aa'' from ''Funtoosh'', and ''Ek Ladki Bheegi Bhaagi Si'' and ''Haal Kaisa Hai Janaab Ka'' from ''Chalti Ka Naam Gaadi'' (1958). Asha Bhosle and Kishore Kumar performed duets composed by S. D. Burman including ''Chhod Do Aanchal'' from ''Paying Guest'' (1957), ''Ankhon Mein Kya Ji'' from ''Nau Do Gyarah'' (1957), ''Haal Kaisa Hai Janaab Ka'' and ''Paanch Rupaiya Baara Aana'' from ''Chalti Ka Naam Gaadi'' (1958), ''Chhedo Na Meri Zulfein'' from ''Ganga Ki Lahren'' (1964), and ''Arre Yaar Meri Tum Bhi Ho Gajab'' from ''[Teen Devian|Teen Deviyan]'' (1965).

C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer. and their collaborations include ''Eena Meena Deeka'' from ''Aasha'' (1957). Kishore Kumar's work includes, ''Nakhrewaali'' from ''New Delhi'' (1956) by Shankar Jaikishan, and ''C.A.T. Cat Maane Billi'' and ''Hum To Mohabbat Karega'' from ''Dilli Ka Thug'' (1958) by Ravi.

Kishore Kumar produced, directed, and acted in the film ''Jhumroo'' (1961). He wrote the lyrics for the title song, ''Main Hoon Jhumroo'', and composed music for all the songs in the film. Later, he produced and directed the film ''Door Gagan Ki Chhaon Mein'' (1964). He also wrote the script and composed music for the film. The film is based on the relationship between a father (Kishore Kumar), and his deaf and mute son (played by his real-life son, Amit Kumar). He made another two films called ''Door Ka Rahi'' (1971) and ''Door Waadiyon Mein Kahin'' (1980).

In the 1960s, as an actor, Kishore Kumar built up a notoriety for coming late for the shootings, or bunking them altogether. His films flopped frequently, and he also landed in income tax trouble. As a singer, his work in this period includes ''Zaroorat Hai Zaroorat Hai'' from ''Manmauji'' (1961), ''Gaata Rahe Mera Dil'' from ''Guide'' (1965), and ''Yeh Dil Na Hota Bechara'' from ''Jewel Thief'' (1967).

In the late 1960s, Rahul Dev Burman worked together on the soundtrack of the film ''Padosan'' (1968), in which Kishore Kumar sang the songs ''Mere Saamne Wali Khidki Mein'' and ''Kehna Hai''. ''Padosan'' was a comedy film starring Kishore Kumar as a dramatist-musician, Mehmood as a Carnatic music and dance teacher, and Sunil Dutt as a simpleton named Bhola. Kishore Kumar's character in the film was inspired by the personality of Kishore's own uncle, Dhananjay Bannerjee (a classical singer). The highlight of the film was a musical, comical duel between Kishore Kumar-Sunil Dutt and Mehmood, ''Ek Chatur Nar Karke Singaar''.

1970's and 1980's

In 1969, Shakti Samanta produced and directed the film ''Aradhana'', for which the music was composed by S. D. Burman. S. D. Burman fell ill after recording some duet songs with Mohammed Rafi, Asha Bhosle, Lata Mangeshkar and Kishore Kumar. Afterwards, his son and assistant Rahul Dev Burman took over the recording. R. D. Burman got Kishore Kumar to solo sing the songs ''Mere Sapno Ki Rani'' and ''Roop Tera Mastana''. Kishore Kumar won his first Filmfare award for the song "Roop Tera Mastana".

In 1970s & 1980s Kishore Kumar sang for Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra, Sanjeev Kumar, Dev Anand, Shashi Kapoor, Randhir Kapoor, Rishi Kapoor, Mithun Chakraborty, Sanjay Dutt, Sunny Deol, Anil Kapoor and Jackie Shroff.

S. D. Burman and Kishore Kumar continued to work together, including ''Phoolon Ke Rang Se'' and ''Shokhiyon Mein Ghola Jaaye'' from ''Prem Pujari'' (1969), ''Aaj Madhosh Hua Jaaye Re'', ''Khilte Hain Gul Yahan'' and ''O Meri Sharmilee'' from ''Sharmilee'' (1971), ''Meet na mila'' from ''Abhimaan'' (1973), ''Pyaar Ke Is Khel Mein'' from ''Jugnu''. In 1975, S. D. Burman composed his last song for Kishore Kumar. S. D. Burman went into a coma for the second time, soon after Kishore recorded the song ''Badi Sooni Sooni Hai Zindagi'' for the film ''Mili''.

R. D. Burman frequently used Kishore Kumar as the male singer, and recorded several songs with him in the 1970s. Some Kishore Kumar-R. D. Burman songs include ''O Maajhi Re'' from ''Khushboo'', ''Yeh Shaam Mastaani'' and ''Yeh Jo Mohabbat Hai'' from ''Kati Patang'' (1971), ''Kuchh To Log Kahenge'' from ''Amar Prem'' (1972), "Raat Kali Ek Khwab Mein Aayi" from ''Buddha Mil Gaya ''(1971), ''Musafir Hoon Yaaron'' from ''Parichay'' (1972), ''Diye Jalte Hain'' from ''Namak Haraam'' (1973), ''Meri Bheegi Bheegi Si'' from ''Anamika'' (1973), ''Zindagi Ke Safar Mein'' from ''Aap Ki Kasam'' (1974), ''Agar Tum Na Hote'', ''Humein Tum Se Pyaar Kitna'' from ''Kudrat'', "Mere Naina Saawan Bhadon" from ''Mehbooba'', and ''Chingari Koi Bhadke'' (''Amar Prem''), ''Jab Bhi Koi Kangana'' from ''Shaukeen'' (1986). R. D. Burman also recorded several duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include ''Panna Ki Tamanna'' from ''Heera Panna'' (1973), ''Neend Chura Ke Raaton Mein'' from the film ''Shareef Budmaash'', ''Kya Yehi Pyaar Hai'' from Sanjay Dutt's debut film ''Rocky'' (1981), ''Sagar Kinare'' from ''Sagar'' in [1985], ''Aap Ki Aankhon Mein Kuchh'' from ''Ghar'', ''Jaane Ja Dhoondta'' and ''Nahi Nahi'' from ''Jawani Diwani'', "Kharoshoo" from ''Harjai'' (1982).

Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) also composed many songs sung by Kishore Kumar. Some of their songs include ''Mere Mehboob Qayamat Hogi'' from ''Mr. X In Bombay'', ''Mere Naseeb Mein Aye Dost'' from ''Do Raaste'', ''Yeh Jeevan Hai'' from ''Piya Ka Ghar'', ''Mere Dil Mein Aaj Kya Hai'' from ''Daag: A Poem of Love'', ''Nahi Mai Nahi Dekh Sakta'' from ''Majboor'', ''Mere diwanepan ki bhi'' from ''Mehboob Ki Mehndi'', ''Naach Meri Bulbul'' from ''Roti'', ''Chal Chal Mere Haathi'' from ''Haathi Mere Saathi'', ''Gaadi Bula Rahi Hai'' from ''Dost'', ''Ruk Jaana Nahi'' from ''Imtihaan'', ''Ek Ritu Aaye'' from ''Gautam Govinda'', ''My Name Is Anthony Gonsalves'' from ''Amar Akbar Anthony'' ''Bahut Khoobsurat Jawan Ek Ladki'' from ''Dostana'' and ''Om Shanti Om'' as well as ''Paisa Yeh Paisa'' from ''Karz''. Laxmikant-Pyarelal also composed several Kishore-Lata duets, including ''Achchha To Hum Chalte Hain'' from ''Aan Milo Sajna'', ''Gore Rang Pe Na Itna'' from ''Roti'', ''Main Solah Baras Ki'' from ''Karz'', and ''Din Mahine Saal'' from ''Avtaar'', ''Tu Kitne Baras Ki'' from ''Karz''. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films ''Dostana'', ''Ram Balram'' and ''Deedaar-E-Yaar''. L-P composed a duet with Kishore Kumar and Alisha Chinoy, ''I love you (Kaate Nahin Katate Yeh Din Yeh Raat)'' from ''Mr. India'' in (1987). Salil Chowdhury recorded songs like ''Koi Hota Jisko Apna'' from ''Mere Apne'' and ''Gujar Gaye Din Din'' from ''Annadata''. Ravindra Jain recorded ''Ghungroo Ki Tarah'', and the duet ''Tota Maina Ki Kahani'' from ''Fakira''. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as ''Hazar Rahein'' from ''Thodisi Bewafai'', ''Aankhon Mein Humne Aapke Sapne Sajaye Hain'', ''Chandani Raat Mein Ek Bar''. Hridaynath Mangeshkar recorded ''Zindagi Aa Raha Hoon Main'' from ''Mashaal''. Kalyanji-Anandji recorded several songs with Kishore Kumar including ''Zindagi Ka Safar'' and ''Jeevan Se Bhari Teri Aankhein'', from ''Safar'', ''Pal Pal Dil Ke Paas'' from ''Black Mail'', ''Apne Jeevan Ki Uljhan'' from ''Uljhan'', ''Mera Jeevan Kora Kagaz'' from ''Kora Kagaz'', ''O Saathi Re'' from ''Muqaddar Ka Sikandar'', ''Khaike Paan Banaraswala'' from ''Don'', ''Neele Neele Ambar Par'' from ''Kalakar'' and ''Pal Bhar Ke Liye'' from ''Johny Mera Naam''.

Other composers including Rajesh Roshan, Sapan Chakravarty, Jaidev, Chitragupta (composer), Usha Khanna, Sohnik Omi, Prem Dhawan, Vanraj Bhatia and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's film ''Julie'' featured songs sung by Kishore Kumar, ''Bhool Gaya Saab Kuchh'' (duet with Lata Mangeshkar) and ''Dil Kya Kare Jab Kisise''. Their other songs include ''Chhookar mere man ko'' from ''Yaarana'', ''Tune Abhi Dekha Nahin'' from ''Do Aur Do Paanch'' and ''Kahan Tak Ye Man Ko Andhere Chhalenge'' from ''Baaton Baaton Mein''. Bappi Lahiri also recorded many songs with Kishore Kumar, including ''Pag Ghunghroo Bandh'' from ''Namak Halal'' (1982), ''Manzilen Apni Jagah Hai'' from ''Sharaabi'' (1984) and ''Chalte Chalte Mere Ye Geet'' from ''Chalte Chalte'' (1976), ''Saason Se Nahi Kadmose Nahi'' from ''Mohabbat'' in (1987) and duets with (Lata Mangeshkar)) like ''Taa thaiya'' from ''Himmatwala'' in (1984), ''Albela Mausam'' from ''Tohfa'' in (1985) and another duet ''Pyar Ka Tohfa'' from the same film.

During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for an Indian National Congress rally in Mumbai, but Kishore Kumar refused. As a result, the government put an unofficial ban on playing Kishore Kumar songs on the All India Radio or television.

Later years

Kishore Kumar produced and directed some movies in the late 1970s and early 1980s, such as ''Badhti Ka Naam Daadhi'' (1978), ''Zindagi'' (1981) and ''Door Wadiyon Mein Kahin'' (1980). His last appearance as an actor was in ''Door Wadiyon Mein Kahin''.

With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar also became a Bollywood singer in the 1980s. Kishore Kumar also continued singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.

Kishore Kumar stopped singing for Amitabh Bachchan in the mid-1980s, after Bachchan did not do a guest appearance in a film produced by him but called a truce with him by singing for him in ''Toofan''. He also temporarily stopped singing for Mithun Chakraborty, after Yogeeta Bali divorced him and married Chakraborty. However, later Kumar sang for him in many films like ''Disco Dancer'', ''Muddat'', and ''Pyar Ka Mandir''.

In the mid-1980s, Kishore Kumar sang for Anil Kapoor in Kapoor's debut film as a leading man, ''Woh Saat Din'' and also recorded ''Mr. India''. He sang a duet with Alka Yagnik, ''Tumse Badhkar Duniya Mein Na Dekha'' for ''Kaamchor'' in (1986). He also recorded some songs for the film ''Saagar'' with R. D. Burman. By this time, he had decided to retire and was planning to go back to his birthplace, Khandwa.

On 13 October 1987, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was ''Guru Guru'', a duet with Asha Bhosle, for the film ''Waqt Ki Aawaz'' (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.

Kishore Kumar's song ''Pal Bhar Ke Liye'' from the film ''Johny Mera Naam'' (1970) was used in an episode of ''The Simpsons'' titled "Kiss Kiss, Bang Bangalore". His songs have also been featured in several films, including ''Such a Long Journey'' (1998) and ''Side Streets'' (1998). Sony TV organised the television singing contest ''K for Kishore'' to search for a singer like Kishore Kumar.

Personal life

Kishore Kumar married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958.

Kishore's second wife was actress Madhubala, who had worked with him on many films including his home production ''Chalti Ka Naam Gaadi'' (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore in 1960. Madhubala was a Muslim, and the two had a civil marriage. Kishore converted to Islam and took the name Karim Abdul. The doctors in London told Madhubala that she would not live for long. The marriage lasted for nine years, and ended with Madhubala's death on 23 February 1969.

Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore was married to Leena Chandavarkar from 1980 until his death. Kishore Kumar sired two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.

Kumar is said to have been paranoid about not being paid. During recordings, he would sing only after his secretary confirmed that the producer had made the payment. Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). On the sets of ''Bhai Bhai'', Kishore Kumar refused to act because the director M V Raman owed him five thousand rupees. Ashok Kumar persuaded him to do the scene. But, when the shooting started, he walked across the floor and, each time he walked a few places, he said, ''Paanch Hazzar Rupaiya'' (five thousand rupees) and did a somersault. After he reached the end of the floor, he went out of the studio, jumped into his car, and ordered his driver Abdul to drive away. On another occasion, when producer R. C. Talwar did not pay his dues in spite of repeated reminders, Kishore turned up at Talwar's residence one morning and started shouting "''Hey Talwar, de de mere aath hazaar''" ("Hey Talwar, give me my eight thousand"). He did this every morning until Talwar paid him.

The film ''Anand'' (1971) was originally supposed to star Kishore Kumar and Mehmood Ali in the lead. Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.

In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film ''Dal Mein Kala'' (1964). When actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Mukherjee was one of the first persons to appreciate Kishore's singing talent.

Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior. Kishore Kumar had put a "''Beware of Kishore''" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. Kishore Kumar was a loner, and in an interview with Pritish Nandy (1985), he said that he had no friends – he preferred talking to his trees instead. Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.

According to another reported incident, once Kishore Kumar was to record a song for producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kishore going out in his car. Sippy pleaded him to stop his car, but Kishore only increased the speed of his car. Sippy chased him to Madh Island, where Kishore Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kishore Kumar refused to recognize or talk to him and threatened to call police. Sippy had to return. Next morning, Kishore Kumar reported for the recording. An angry Sippy questioned him about his behavior on the previous day. However, Kishore Kumar insisted that Sippy must have seen a dream, and claimed that he was in Khandwa on the previous day.

Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut". In the 1960s, a financier named Kalidas Batvabbal, patently disgusted with Kishore Kumar's alleged lack of cooperation during the shooting of ''Half Ticket'', gave him away to the income tax authorities. Kishore had to face a raid at his house. Later, Kishore invited Batvabbal home, tricked him by asking him to enter a cupboard for a "chat" and locked him inside. He unlocked Batvabbal after two hours and told him "Don’t ever come to my house again."

Awards

; Filmfare Awards

Winner:

! Year	! Song	! Film	! Music director	! Lyricist
1969	''Roop tera mastaana''		Sachin Dev Burman	Anand Bakshi
1975	''Dil aisa kisi ne Mera''	''Amanush''	Shyamal Mitra	Indeevar
1978	''Khaike Pan Banaras Wala''		Kalyanji-Anandji	Anjaan
1980	''Hazaar raahen mudke dekheen''	''Thodisi Bewafaii''	Khayyam	Gulzar
1982	''Pag ghungroo baandh ke meera nachi''	''Namak Halaal''	Bappi Lahiri	Anjaan
1983	''Hamen aur jeene ki''	''Agar Tum Na Hote''	Rahul Dev Burman	Gulshan Bawra
1984	''Manzilen apni jagah''	''Sharaabi''	Bappi Lahiri	Anjaan
1985	''Saagar Kinaare''	''Saagar''	Rahul Dev Burman	Javed Akhtar

Nominated:

! Year	! Song	! Film	! Music Director	! Lyricist
1971	''Zindagi Ek Safar''		Shankar-Jaikishan	Hasrat Jaipuri
1971	''Yeh Jo Mohabbat Hai''	Kati Patang	Rahul Dev Burman	Anand Bakshi
1972	''Chingari Koi Bhadke''	Amar Prem	Rahul Dev Burman	Anand Bakshi
1973	''Mere Dil Mein Aaj''	''Daag: A Poem of Love''	Laxmikant-Pyarelal	Sahir Ludhianvi
1974	''Gaadi Bula Rahi Hai''	''Dost''	Laxmikant-Pyarelal	Anand Bakshi
1974	''Mera Jeevan Kora Kagaz''	''Kora Kagaz''	Kalyanji Anandji	M.G.Hashmat
1975	''Main Pyaasa Tum''	''Faraar''	Kalyanji Anandji	Rajendra Krishan
1975	''O Manjhi Re''		Rahul Dev Burman
1977	''Aap Ke Anurodh''	''Anurodh''	Laxmikant-Pyarelal	Anand Bakshi
1978	''O Saathi Re''	Muqaddar Ka Sikander	Kalyanji-Anandji	Anjaan
1978	''Hum Bewafa Harghiz''		Rahul Dev Burman	Anand Bakshi
1979	''Ek Rasta Hai Zindagi''	''Kaala Patthar''	Rajesh Roshan	Sahir Ludhianvi
1980	''Om Shanthi Om''		Laxmikant-Pyarelal	Anand Bakshi
1981	''Hameh Tumse Pyar''	''Kudrat''	Rahul Dev Burman	Majrooh Sultanpuri
1981	''Chhookar Mere Mann Ko''		Rajesh Roshan	Anjaan
1983	''Shayad Meri Shaadi''	''Souten''	Usha Khanna	Sawan Kumar
1984	''De De Pyar De''	Sharaabi	Bappi Lahiri	Anjaan
1984	''Inteha Ho Gayi''	Sharaabi	Bappi Lahiri	Anjaan
1984	''Log Kehete Hai Main''	Sharaabi	Bappi Lahiri	Anjaan

; Bengal Film Journalists' Association Awards

Winner: 1971 - Best Male Playback Singer for ''Aradhana'' 1972 - Best Male Playback Singer for ''Andaz'' 1973 - Best Male Playback Singer for ''Hare Rama Hare Krishna'' 1975 - Best Male Playback Singer for ''Kora Kagaz''

See also

Kishore Kumar filmography

List of Indian playback singers

Hindi songs

References

Further reading

External links

Category:1929 births Category:1987 deaths Category:Bengali people Category:People from Khandwa Category:Indian male singers Category:Indian actors Category:Indian film actors Category:Indian film singers Category:Cardiovascular disease deaths in India Category:Indian comedians Category:Bollywood playback singers Category:Yodelers Category:Bengali musicians Category:Bengali actors Category:Assamese playback singers Category:Indian former Muslims Category:People from Mumbai Category:Hindi film actors Category:Hindi-language film directors Category:Indian film directors Category:Indian film producers

bn:কিশোর কুমার de:Kishore Kumar es:Kishore Kumar fr:Kishore Kumar hi:किशोर कुमार ml:കിഷോർ കുമാർ mr:किशोर कुमार ne:किशोर कुमार sd:ڪشور ڪمار Kishore Kumar sv:Kishore Kumar te:కిషోర్ కుమార్ ur:کشور کمار

Coordinates	54°1′30″N15°59′17″N
name	Anuradha Paudwal
background	solo_singer
birth date	October 27, 1954
instrument	Vocalist
genre	playback singing, bhajans
occupation	Singer
years active	1973–present }}

Anuradha Paudwal () is a popular playback singer in Bollywood in India. She has sung songs in Hindi and Marathi.

Biography

She studied at Xavier's College in Mumbai. She was married to the late Arun Paudwal, who worked with music director S. D. Burman as his assistant. Her singing career started in 1973 with the movie, Abhimaan, (starring Amitabh Bachchan and Jaya Bachchan) in which she sang a ''Shloka'' (a Sanskrit verse). In the same year she also made her Marathi film debut with "Yashoda" (music by Datta Davjekar). In 1974, she brought out a record of Non-film Marathi songs or "''bhav geeten''" which became very popular.

In 1976, she got her break as a playback singer in Hindi films with Kalicharan(starring Shatrugan Sinha and Reena Roy). Her first solo was in the movie, Aap Beeti, (starring Hema Malini and Shashi Kapoor). Laxmikant-Pyarelal were the music-composer duo for that movie. She also occasionally sang songs for composers Rajesh Roshan (Des Pardes), Jaidev (Dooriyan, Laila Majnu), Kalyanji-Anandji (Kalaakar, Vidhataa), and Usha Khanna (Souten, Sajan Bina Suhagan).

Anuradha sang in a number of Marathi movies including the memorable "Disate Majalaa" (Ashtavinayak), "Raja Lalakaari", and "Kaalyaa Maatita Maatitaa". Most of these movies had music by the duo of Anil-Arun, Arun being her husband, who collaborated with Anil Mohile to form a pair.

Anuradha apparently never received any formal training in classical music, stating in an interview, "I have not received any formal training in classical music. I have tried many times, but it has never worked out. I learnt a little here and a little there, but ultimately, I just practiced for many hours listening to Lataji".

Anuradha gained recognition with her popular numbers for the movie, Hero, for composers Laxmikant-Pyarelal. Her collaboration with Laxmikant Pyarelal produced more success with songs for "Meri Jung"(O mere Kwabon ke), "Batwara" (Thaare Vaaste Re Dola-Tu Maaro Kaun Lage),"Nagina" and many more. "Ram Lakhan" saw Laxmikant Pyarelal giving three major hit songs to Anuradha. Their association ended with "Tezaab" where she sang two good numbers for them- "Kehdo ki tum" and "Hum tumko Dilbar Kyon mane".

Following this she collaborated with movie producer, Gulshan Kumar, and began a success streak with the movies, Lal Dupatta Malmal Ka, Tezaab, Aashiqui, and Dil Hai Ke Manta Nahin. She along with Gulshan Kumar were instrumental in getting many unknown playback singers to the fore, including Kumar Sanu, Udit Narayan, Abhijeet, Sonu Nigam. New Music directors, including her husband Arun Paudwal, were introduced to the music world. Nadeem-Shravan, Anu Malik, Anand-Milind, Nikhil Vinay and Amar Utpal all collaborated with T-Series (Gulshan Kumar's music label) and started a new era of melody in Bollywood.She has sung maximum duets with Udit Narayan and Kumar Sanu. Her other notable songs were also for the famous duo Shiv-Hari, Shivakumar Sharma and HariPrasad Chaurasia for the movie "Sahebaan". She has also sung for RD BUrman in her initial days and actually convinced him to make songs for Gulshan Kumar's label in his last days and the song "Aja Meri Jaan" set to one of the background score of R.D.Burman from "Saagar" is still popular. Anuradha also sang beautiful duets with her co-singers from the south, notably S.P.Balasubrahmanyam and K.J. Yesudas.

Anuradha has had her share of controversies as well. She was one of the rare singers to bloom during the reign of the Mangeshkar sisters in the Bollywood music industry. She was also under much controversy when she dubbed the songs of Alka Yagnik in the film "Dil". This also caused rifts between Anand-Milind and Alka Yagnik, thereby causing them to not collaborate for 2 years. Later in 1998, Anuradha Paudwal dubbed the songs of Alka Yagnik once again for the film Itihaas, this time under the music direction of Dilip Sen-Sameer Sen. However, Alka Yagnik, protested, to which the music company, T-Series was forced to include both versions of the same song, one in the voice of Alka Yagnik and the other in the voice of Anuradha Paudwal. She further went to dub Lata Mangeshkar's song in "Radha Ka Sangam" citing that her voice suited the heroine better. Anu Malik, a smaller name then, who had composed the soundtrack of ''Radha Ka Sangam'', protested against this move.

At her peak, Anuradha announced that henceforth she would sing exclusively for "T-Series", and concentrated on devotional songs and "cover-version" albums. T-Series used her attractive and pleasing looks to good effect in numerous Bhajan and promotional videos. She was the first playback singer whose face featured on music covers more than the film's actors. She sang for T-series for some time and then went into a sabbatical. After about five years, she restarted her playback career. She sang a few hit songs for her old music directors but the reception for her comeback was mild.

Although Anuradha has significantly cutback in singing for films, she has continued on with her popularity for singing devotional songs and creating devotional albums, which ultimately remains her forte. She has collaborated with Pandit Jasraj on his "Geet Govind , many devotional albums with Anup Jalota. Her voice is well suited on devotional numbers

In Marathi Anuradha has sung for music directors like her husband Arun Paudwal, Anil-Arun (i.e. Anil Mohile and Arun Paudwal duo), Hridaynath Mangeshkar, Shridhar Phadke

Awards and recognition

1986: Filmfare Award in the ''Best Female Playback'' category for the song ''Mere Mann Bajaa Mridang'' in the movie, Utsav.

1990: National Film Award for female playback for the song ''He Ek Reshami'' in the Marathi film ''Kalat Nakalat''

1991: Filmfare Award in the ''Best Female Playback'' category for the song ''Nazar Ke Saamne'' in the movie, Aashiqui.

1992: Filmfare Award in the ''Best Female Playback'' category for the song ''Dil Hai Ke Manta Nahi'' in the movie, Dil Hai Ki Manta Nahin.

1993: Filmfare Award in the ''Best Female Playback'' category for ''Dhak dhak'' in the movie, Beta.

References

External links

List of Hindi movies with songs by Anuradha Paudwal

Bio at HindiLyrix.com

Category:1954 births Category:Living people Category:Bollywood playback singers Category:Indian female singers Category:Marathi playback singers Category:Filmfare Awards winners Category:Place of birth missing (living people) Category:Marathi-language singers

es:Anuradha Paudwal fr:Anuradha Paudwal hi:अनुराधा पौडवाल mr:अनुराधा पौडवाल