Jon Hopkins (born 1979) is a London-based producer and musician who writes and performs his own melodic electronica and dance music. After starting his career performing keyboard for Imogen Heap, he's produced or contributed to albums by Brian Eno, Coldplay, David Holmes, and others. Hopkins composed the soundtrack for the 2010 film ''Monsters'', which was nominated for an Ivor Novello Award for Best Original Score. His third solo album, ''Insides'', reached #15 on the Dance/Electronic Album Chart in 2009, and #2 on the American iTunes electronic chart. His collaborations on ''Small Craft on a Milk Sea'' with Brian Eno and Leo Abrahams and ''Diamond Mine'' with King Creosote both reached #82 on the UK Albums Chart. In 2011 ''Diamond Mine'' was nominated for a Mercury Prize, which is annually awarded for best album from the United Kingdom and Ireland.
Early life
Jon Hopkins was born in 1979 in
Wimbledon in the South of London, where he was raised. He first became aware of
electronic music after hearing early
house music on the radio at the age of seven or eight, and also became an avid fan of
New Order,
Depeche Mode, and the
Pet Shop Boys. These records inspired an early fascination with
synths.
At the age of 12 Hopkins began studying piano at the Junior Department of the Royal College of Music in London, where he continued until age 17. The composers that were greatly influential to him whilst studying were Ravel and Stravinsky, and he eventually won a competition to perform a concert of Ravel's ''Piano Concerto in G'' with an orchestra. For a time Hopkins considered becoming a professional pianist, only to decide classical performance was too formal and unnerving to pursue full time.
As a teenager he also listened avidly to acid house, early hardcore, grunge, as well as electronica artists such as Acen, Seefeel, and Plaid. When Hopkins was 14 he got his first computer, an Amiga 500, and started programming midi material. By the age of 15 he had saved up enough money from winning piano competitions to buy a low-level professional Roland synth, and on this he began creating his first full-length electronic compositions.
Early career
After finishing his final high school exams at age 17, Hopkins accompanied his friend
Leo Abrahams to an audition for
Imogen Heap's backing band. Hopkins decided to audition as well, and was hired to handle both keyboard and samples, while Abrahams was hired as guitarist. He toured with the new band for the entirety of 1998.
Just Music
;''Opalescent''
In 1999 Hopkins signed with boutique London label Just Music as a solo artist, and began recording his debut album ''Opalescent''. At the time he was also working part-time as a studio session musician. ''Opalescent'' attracted positive press attention upon its release, and several tracks were licensed to ''
Sex and the City''.
''The Guardian'' reviewed it as "''Opalescent'' is a beautifully realized debut. Using synth oozes, phased and echoed guitars and pianos and chilled beats, his wonderful tunes drift from calm to eerie power like a restless sea. It will delight any lovers of beautiful music." ''DJ Magazine'' gave it 4/5 stars, and stated "Piano, guitar strings and slow beats blend like the clouds at sunset (or an opiate smoothy) filtering in and out like elegantly wasted beauty. Darker drums add a further depth."
;''Contact Note''
Hopkins released his second album, ''Contact Note'', on Just Music in 2004 while still working as a studio musician. The album slowly gained an underground following but failed to take off, and led Hopkins to become disillusioned with his solo career, and take a break from writing in order to learn how to become a producer.
Brian Eno
By 2004
Leo Abrahams, a friend of Hopkins and former guitarist for
Imogen Heap, had been collaborating for some time with
ambient musician and producer
Brian Eno. Abrahams played some of Hopkins' second record for Eno, and Eno invited him to join them for a jam session. On the first day of their collaboration they came up with some of the music for Eno's upcoming album ''
Another Day on Earth'', and Hopkins became a long-term collaborator.
Shortly afterwards Hopkins also produced King Creosote's album ''Bombshell'', which initiated his relationship with the Fence Collective. He also co-wrote tracks with DJ and composer David Holmes for Holmes' ''Holy Pictures'' album, and remixed for James Yorkston.
Coldplay
;Production
In early 2007 Hopkins was invited by Brian Eno, who was producing
Coldplay's upcoming album ''
Viva la Vida or Death and All His Friends'', to join the band in the studio for a day. Hopkins ended up staying and contributing to the album for the next year, co-producing several tracks and playing
organs,
harmoniums, and other keyboard instruments on others. The intro to the track "
Violet Hill" came from an improvisation with Hopkins and
Davide Rossi, the album's string arranger. Throughout this time period Hopkins was periodically creating his own solo tracks, and his song "Light Through the Veins" was adapted to serve as the introduction to the album's first track "
Life In Technicolor." "Light Through the Veins" was also picked by the band to serve as the backing for the track "
The Escapist," which is hidden at the end of the album. ''Viva la Vida'' was released in 2008, and won
Best Rock Album at the
2009 Grammy Awards and became the best selling album of 2008.
;Touring
After the album release Coldplay asked Hopkins to serve as the pre-show DJ and opening act for their 2008 World Tour. Hopkins toured with the band for six months through England, the United States, and Japan. He performed at venues as varied as Madison Square Garden and the London O2 Arena, often to crowds as large as 20,000 people.
Later career
Hopkins also has co-writing or producing credits on albums by artists such as
David Holmes and Dan Arborise. He is also known for remixing a variety of artists, including
Wild Beasts,
Nosaj Thing,
Imogen Heap,
Four Tet, and
James Yorkston. He was also one of the few producers chosen by
Radio 1's
Rob Da Bank to remix film director
David Lynch's first electronica release, "Good Day Today" / "I Know," which was released on Sunday Best Records.
In 2008 Hopkins was commissioned by choreographer Wayne McGregor to compose music for ''Entity'', a production of McGregor's "Random Dance" group. ''Entity'' was performed live at Sadler's Wells in April 2008 to critical acclaim. A world tour followed throughout 2008 and 2009.
''Insides'' (2009)
Hopkins signed to
Domino Records in late 2008. Hopkins's third album, ''
Insides'', was released by Domino Records on May 5, 2009. It included the track "Light Through the Veins," which had previously been used on the Coldplay album. Some of the tracks had been written by Hopkins sporadically since his last release, while others were based on the music he had composed for the ''Entity'' production.
Hopkins developed an intense live show to support the release, resulting in club and festival performances across Europe and the United States. He secured supporting slots with The xx, Royksopp, and Four Tet. Many of his live shows utilized background visuals featuring the animations of Vince Collins.
;Reception
''Insides'' charted at #15 on the ''Billboard'' Dance/Electronic Albums chart and reached #2 in the electronic charts on the US iTunes. ''PopMatters'' listed the album as one of the top ten electronic albums of 2009.
According to reviews, the album "takes its cues from ambient electronica, but uses strings and piano, along with some very tasty beats and dubstep-influenced bass on some tracks." ''TinyMixTapes'' stated the album "strikes me as his single most aggressive release yet. His sense of timing, the clarity of his production, and the variety of effects he employs draw you into the story that each instrumental tells. Jon Hopkins is not a button-pushing man of presets; he is a bona fide composer and a trained pianist. Craftsmanship sets him apart, and allows ''Insides'' to be as incredibly moving as it is and always will be. It will easily be one of the best electronic albums of 2009."
Paul Clarke of the ''BBC'' wrote that "Hopkins [is] capable of producing music as epic, soaring and emotional as any power ballad in his own way. Take "Light Through The Veins" for example...a close relative of Ulrich Schnauss' "In All The Wrong Places", it's a majestic piece of widescreen shoegazing which grows ever more expansive throughout its entire ten minute duration...no amount of reflected glory could ever fully illuminate ''Insides''' mysterious depths."
Pure Scenius
In June 2009 Hopkins was invited by Brian Eno to play some solo shows at the Luminous Festival at the
Sydney Opera House. A few weeks prior to leaving, Brian Eno asked Hopkins to join with himself,
Underworld's
Karl Hyde,
Leo Abrahams, and the Sydney-based improv trio
The Necks in the group "Just Scenius," the planned finale for the Luminous Festival. They then improvised music based on pre-planned themes, putting on three 1.5 hour shows in the Opera House with Hyde on vocals. Pure Scenius was repeated a year later in
Brighton, when Eno was curating the
Brighton Festival.
Also in 2009, Hopkins collaborated with Tunng on the EP ''Seven Gulps of Air'', which was commissioned by designer Christopher Kelly for London Fashion Week. ''Seven Gulps of Air'' was listed as one of Drowned in Sound's singles of the year.
Film scores
In 2009 Hopkins collaborated with
Brian Eno and
Leo Abrahams to score the
Peter Jackson film ''
The Lovely Bones.'' In early 2010 Hopkins composed the score for the short film ''Rob and Valentyna in Scotland'' directed by Eric Lynne, which won an honorable mention for the short film-making award at
Sundance.
In 2010 Hopkins was commissioned to create the soundtrack for the British science fiction film ''Monsters,'' which was directed by Gareth Edwards. To create the score, Hopkins partly utilized string parts performed by arranger Davide Rossi and guitar by Leo Abrahams. The soundtrack album was released on November 29, 2010 on Domino Records. In 2011 the score was nominated for an Ivor Novello Award for Best Original Score.
Collaborations
;''Small Craft on a Milk Sea'' (2010)
In 2010 Hopkins collaborated with
Leo Abrahams and Brian Eno to create the album ''
Small Craft on a Milk Sea''. Released on
Warp Records in late 2010, the album is based on a three-week session of improvisation wherein the artists recorded about six hours of material a day.
;''Diamond Mine'' (2011)
In 2011 Hopkins collaborated with Scottish musician King Creosote to create the album ''Diamond Mine'', which featured lyrics and vocals by Creosote sung over musical backdrops arranged and recorded by Hopkins. The album was a culmination of about seven weeks of work spread over seven years of recording and collaboration, from whenever the two artists had the opportunity to get together. The album was released on March 28, 2011 to positive acclaim, which included a glowing review from NPR. On July 19, 2011, Hopkins and Anderson were announced as nominees for the 2011 Barclaycard Mercury Prize, which is annually awarded for best album from the United Kingdom and Ireland.
Live performances
Since 2009 Hopkins has performed shows at music festivals such as Moogfest,
Mutek in
Montreal, and
Electric Zoo in New York, as well as several performances at influential LA/San Francisco club night
Low End Theory. In 2008 and 2009 he supported Coldplay at venues including
Madison Square Garden and the London
O2 Arena, to crowds as large as 20,000 people. Between 2009 and 2011 he also toured with acts such as
Four Tet,
The xx, and
Royksopp.
Style
According to reviews, "Hopkins’s aesthetic is perpetually intriguing. He transcends genres, melding digital coldness with subtle, bucolic textures; veering from skewed elegance to strange, unsettling depths." "He makes powerfully emotive, instrumental music that consistently crosses genres, ranging from solo acoustic piano to explosive, bass-heavy electro." Also, he "meticulously constructs lush, downtempo arrangements, blending digital beats and soothing ambience."
Equipment
As of September 2010 his studio setup relies on a
Logic system, though all his previous releases were on
Cubase VST, used in conjunction with an old version of
SoundForge. He began using Logic when it became clear that his old system was not powerful enough to handle video for film soundtracks.
Discography
;Studio albums
{{tracklist
| collapsed = yes
| headline =
| title1 = Elegiac
| length1 =
| title2 = Private Universe
| length2 =
| title3 = Halcyon
| length3 =
| title4 = Opalescent
| length4 =
| title5 = Lost in Thought
| length5 =
| title6 = Fading Glow
| length6 =
| title7 = Apparition
| length7 =
| title8 = Inner Peace
| length8 =
| title9 = Cerulean
| length9 =
| title10 = Grace
| length10 =
| title11 = Cold Out There
| length11 =
| title12 = Afterlife
| length12 =
}}
{{tracklist
| collapsed = yes
| headline =
| title1 = Circle
| length1 =
| title2 = Second Sense
| note2 = vocals by Imogen Heap
| length2 =
| title3 = Contact Note
| note3 = vocals by Lisa Lindley-Jones
| length3 =
| title4 = Searchlight
| length4 =
| title5 = Symmetry
| length5 =
| title6 = 100
| length6 =
| title7 = Glasstop
| length7 =
| title8 = Sleepwalker
| length8 =
| title9 = Reprise
| note9 = vocals by Imogen Heap and Lisa Lindley-Jones
| length9 =
| title10 = Nightjar
| length10 =
| title11 = Black & Red
| length11 =
| title12 = Luna Moth
| note12 = vocals by Lisa Lindley-Jones
| length12 =
}}
{{tracklist
| collapsed = yes
| headline =
| title1 = The Wider Sun
| length1 = 2:37
| title2 = Vessel
| length2 = 4:44
| title3 = Insides
| length3 = 4:40
| title4 = Wire
| length4 = 4:43
| title5 = Colour Eye
| length5 = 5:13
| title6 = Light Through the Veins
| note6 = samples on Coldplay's "Life in Technicolor" and "The Escapist", from "Viva la Vida or Death and All His Friends"
| length6 = 9:21
| title7 = The Low Places
| length7 = 6:37
| title8 = Small Memory
| length8 = 1:43
| title9 = A Drifting Up
| length9 = 6:29
| title10 = Autumn Hill
| length10 = 2:40
}}
{{tracklist
| collapsed = yes
| headline =
| title1 = Prologue
| length1 = 1:14
| title2 = Journey
| length2 = 2:52
| title3 = Candles
| length3 = 2:28
| title4 = Water
| length4 = 1:18
| title5 = Underwater
| length5 = 2:00
| title6 = Spores
| length6 = 1:47
| title7 = Campfire
| length7 = 2:36
| title8 = Dawn
| length8 = 1:58
| title9 = Attack
| length9 = 1:57
| title10 = Temple
| length10 = 2:30
| title11 = Encounter
| length11 = 5:49
| title12 = Monsters Theme
| length12 = 4:55
}}
;EPs
{{tracklist
| collapsed = yes
| headline =
| title1 = Fairytale
| length1 = 4:52
| title2 = Song One
| length2 = 4:04
| title3 = The End
| length3 = 6:44
}}
{{tracklist
| collapsed = yes
| headline =
| title1 = The Fourth State
| length1 = 32:14
}}
{{tracklist
| collapsed = yes
| headline =
| title1 = Seven Gulps of Air
| note1 = with Tunng
| length1 = 3:36
| title2 = Small Memory (Tunng remix)
| length2 = 4:57
| title3 = The Low Places (Geese remix)
| length3 = 6:59
| title4 = A Drifting Down
| note4 = a new version of "A Drifting Up"
| length4 = 6:57
| title5 = Light Through the Veins (Tom Middleton remodel)
| length5 = 9:09
}}
;Singles
{{tracklist
| collapsed = yes
| headline =
| title1 = Light Through the Veins
| length1 = 9:25
| title2 = Light Through the Veins (Radio Edit)
| length2 = 4:21
| title3 = Light Through the Veins (David Holmes remix)
| length3 = 6:40
| title4 = Light Through the Veins (Ewan Pearson's Dowtown Lights remix)
| length4 = 14:35
}}
{{tracklist
| collapsed = yes
| headline =
| title1 = Vessel (Four Tet remix)
| length1 = ??
| title2 = Wire (Nathan Fake remix)
| length2 = ??
}}
;Collaborative albums
{|class="wikitable"
! rowspan="1"| Year
! rowspan="1"| Album details
! colspan="1"|UK Albums Chart
! rowspan="1"| Notes
|-
|align="right"|2010
|''Small Craft on a Milk Sea''
Released: October 19
Label: Warp Records
|align="center"|82
|
With Brian Eno and Leo Abrahams
|-
|align="right"|2011
|
''Diamond Mine''
Released: March 28
Label:
Domino Records
|align="center"|82
|
With King Creosote
|}
;Musical contributions
2005: ''Another Day on Earth'' by Brian Eno - keyboards
2006: ''Around in Circles'' by Dan Arborise - production, mixing
2006: ''De-Fence 10x10:02 EP
2007: ''Bombshell'' by King Creosote - production, mixing
2008: ''Viva La Vida'' by Coldplay - co-production, co-writing, keyboards
2008: ''The Holy Pictures'' by David Holmes
;Compilations
2006: "Wire" on ''Electric Fence''
2011: "Abandon Window" on ''For Nihon''
;Remixes
2002: "Breathe In" by Frou Frou
2003: "Deepest Blue" by Deepest Blue
2004: "Evergreen" by Clarkesville
2005: "Vice-Like Gist of It" by King Creosote
2006: "Spider" by Leo Abrahams (2006)
2007: "Woozy With Cider" by James Yorkston
2007: "Green Grows the Laurel" by The Memory Band
2009: "First Train Home" by Imogen Heap
2009: "Hey, Who Really Cares" by Headless Heroes (ft. Alela Diane)
2010: "Two Dancers" by Wild Beasts
2010: "Angel Echoes" by Four Tet
2010: "Us" by Nosaj Thing
2011: "I Know" by David Lynch
2011: "Panta Rei" by Agoria
References
Further reading
Jon Hopkins live in Berlin at CTM festival. 2009.
External links
Jon Hopkins on Domino Records
Jon Hopkins on MySpace
Jon Hopkins on Twitter
Jon Hopkins on Facebook
Jon Hopkins on Last.fm
Jon Hopkins on iTunes
Jon Hopkins on CD Universe
Category:1979 births
Category:Living people
Category:British electronic musicians
Category:British record producers
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