Stephen Joshua Sondheim (born March 22, 1930) is an American composer and lyricist for stage and film. He is the winner of an
Academy Award, multiple
Tony Awards (eight, more than any other composer) including the Special Tony Award for Lifetime Achievement in the Theatre, multiple
Grammy Awards, and a
Pulitzer Prize. Described by
Frank Rich of the New York Times as "the greatest, and perhaps best-known artist working in musical theatre", his most famous scores include (as composer/lyricist) ''
A Funny Thing Happened on the Way to the Forum'', ''
Company'', ''
Follies'', ''
A Little Night Music'', ''
Sweeney Todd'', ''
Sunday in the Park with George'', ''
Into the Woods'', and ''
Assassins''. He also wrote the lyrics for ''
West Side Story'' and ''
Gypsy''.
In addition to theatre, he has contributed to movies as well, including the 1981 Warren Beatty film ''Reds'', contributing the song "Goodbye For Now". He also wrote five songs for the 1990 movie ''Dick Tracy'', including ''Sooner or Later (I Always Get My Man)'', which won the Academy Award for Best Song.
He was also president of the Dramatists Guild from 1973 to 1981. On September 15, 2010, in honor of his 80th birthday, the Henry Miller's Theatre was renamed the Stephen Sondheim Theatre in his honor. He is also the only living composer with a quarterly journal published in his name.
Early years
Sondheim was born to a
Jewish family in New York City, to Etta Janet (née Fox) and Herbert Sondheim. He grew up on the
Upper West Side of
Manhattan and later, after his parents divorced, on a farm near
Doylestown, Pennsylvania. Herbert was a dress manufacturer and Foxy, his mother, designed the dresses. As an only child of well-to-do parents living in
the San Remo on
Central Park West, he is described in
Meryle Secrest's biography, ''Stephen Sondheim: A Life'', as having had an isolated and emotionally neglected childhood. While living in New York, Sondheim attended the
Ethical Culture affiliated
Fieldston School. Later, Sondheim attended the
New York Military Academy and
George School, a private
Quaker preparatory school in
Bucks County, Pennsylvania, where he wrote his first
musical ("By George!"). He also spent several summers at
Camp Androscoggin. He graduated from George School in 1946.
Sondheim traces his interest in theatre to ''Very Warm for May'', a Broadway musical he saw at age nine. "The curtain went up and revealed a piano," Sondheim recalled. "A butler took a duster and brushed it up, tinkling the keys. I thought that was thrilling."
When Stephen was ten, his father, a distant figure, abandoned him and his mother. His father sought custody of Stephen, but because he had left Fox for another woman (Alicia), his efforts failed. Herbert and Alicia had two sons together.
Stephen famously despised his mother; he once wrote a thank-you note to close friend Mary Rodgers that read, "Dear Mary and Hank, Thanks for the plate, but where was my mother's head? Love, Steve." When his mother died in the spring of 1992, he did not attend her funeral. His mother was allegedly psychologically abusive and distant, using Sondheim as a form of replacement for his father. Sondheim recalls "She would hold my hand in theatres." Sondheim said, "My mother was very angry at my father for leaving her, and she used me as a whipping boy. And she also had a set of values that even at that age I knew were suspect, in that she liked celebrities and money a lot. And, in a way, it was lucky for me, because I never would have met the Hammersteins if she hadn't liked celebrities. They had a son my age, Jamie, and we became fast friends, and that's how I sort of got adopted by them."
Career
Mentored by Oscar Hammerstein II
At about the age of ten, around the time of his parents' divorce, Sondheim became friends with Jimmy Hammerstein, son of the lyricist and playwright
Oscar Hammerstein II. The elder Hammerstein became Sondheim's surrogate father, and had a profound influence on him, especially in developing a love for musical theatre. It was at the opening of Hammerstein's musical ''
South Pacific'' that Sondheim met
Harold Prince, who would later direct many of Sondheim's shows. While at
George School, Sondheim wrote a comic musical based on the goings-on of his school, entitled ''By George''. It was a major success among his peers, and it considerably buoyed the young songwriter's ego; he took it to Hammerstein, and asked him to evaluate it as though he had no knowledge of its author. Hammerstein said it was the worst thing he had ever seen. "But if you want to know why it's terrible," Hammerstein offered, "I'll tell you." The rest of the day was spent going over the musical, and Sondheim would later say that "in that afternoon I learned more about songwriting and the musical theater than most people learn in a lifetime."
Thus began one of the most famous apprenticeships in the musical theatre, as Hammerstein designed a kind of course for Sondheim on the construction of a musical. This training primarily involved having Sondheim write four musicals, each with one of the following preconditions:
Based on a play he admired (which became ''All That Glitters'');
Based on a play he liked but thought was flawed, choosing the Maxwell Anderson play ''High Tor'';
Based on an existing novel or
short story not previously dramatized (which became his unfinished ''
Mary Poppins'' entitled ''Bad Tuesday'', not connected to the
musical film and
stage play scored by the
Sherman Brothers);
An original (which became ''Climb High'').
None of these "assignment" musicals were ever produced professionally. ''High Tor'' and ''Mary Poppins'' have never been produced at all; the rights holder for the original ''High Tor'' refused permission and his musical ''Mary Poppins'' was not finished.
In 1950, Sondheim graduated magna cum laude from Williams College in Williamstown, Massachusetts, where he was a member of Beta Theta Pi fraternity. His first teacher at Williams was Robert Barrow, and according to Sondheim
...everybody hated him because he was very dry, and I thought he was wonderful because he was very dry. And Barrow made me realize that all my romantic views of art were nonsense. I had always thought an angel came down and sat on your shoulder and whispered in your ear 'dah-dah-dah-DUM.' Never occurred to me that art was something worked out. And suddenly it was skies opening up. As soon as you find out what a leading tone is, you think, Oh my God. What a diatonic scale is—Oh my God! The logic of it. And, of course, what that meant to me was: Well, I can do that. Because you just don't know. You think it's a talent, you think you're born with this thing. What I've found out and what I believed is that everybody is talented. It's just that some people get it developed and some don't.
He went on to study composition with the composer
Milton Babbitt. Sondheim told biographer
Meryle Secrest, "I just wanted to study composition, theory, and harmony without the attendant musicology that comes in graduate school. But I knew I wanted to write for the theatre, so I wanted someone who did not disdain theatre music. Milton, who was a frustrated show composer, was a perfect combination." Babbitt and Sondheim were both fascinated with mathematics and together they studied songs by various composers, especially
Jerome Kern. Sondheim told Secrest that Kern had the ability "to develop a single motif through tiny variations into a long and never boring line and his maximum development of the minimum of material." Sondheim then said of Babbitt, "I am his maverick, his one student who went into the popular arts with all his serious artillery."
Sondheim says that when he asked Babbitt if he could study atonality, Babbitt replied "You haven’t exhausted tonal resources for yourself yet, so I’m not going to teach you
atonal." Sondheim agreed, and despite frequent dissonance and a highly chromatic style, his music remains resolutely tonal.
Broadway lyricist
"A few painful years of struggle" followed for Sondheim, during which he continually auditioned songs, living in his father's dining room to save money; he also spent time in Hollywood writing for the television series ''
Topper''. He devoured 1940s and '50s films and has called cinema his "basic language." (His film knowledge got him through ''
The $64,000 Question'' contestant tryouts.) Ironically, Sondheim has expressed his dislike of movie musicals, favoring classic dramas like ''
Citizen Kane'', ''
The Grapes of Wrath'', and ''
A Matter of Life and Death''. He adds that "studio directors like
Michael Curtiz and
Raoul Walsh ... were heroes of mine. They went from movie to movie to movie, and every third movie was good and every fifth movie was great. There wasn't any cultural pressure to make art."
In 1954, Sondheim wrote both music and lyrics for ''Saturday Night'', which was never produced on Broadway and was shelved until a 1997 production at London's Bridewell Theatre. In 1998 ''Saturday Night'' received a professional recording, followed by a revised version with two new songs and an Off-Broadway run at Second Stage Theatre in 2000 and a full British premiere with the new songs due in 2009 at London's Jermyn Street Theatre. The new songs were ''Montana Chem'' (a patter song that the characters nervously sing following the stock prices of Montana Chemical Corp, in which they have invested all their savings) and ''Delighted, I'm Sure'' (whose lyrics were written with the rest of the score in the 1950s but not the music).
Sondheim's big break came when he wrote the lyrics to ''West Side Story'', lyricizing Leonard Bernstein's music and Arthur Laurents's book. When he was 25, Sondheim was introduced to Bernstein, who had heard ''Saturday Night'' and quickly hired him to write the lyrics to ''West Side Story''. The 1957 show, directed by Jerome Robbins, ran for 732 performances. While this may be the best-known show Sondheim ever worked on, he has expressed dissatisfaction with his lyrics, stating they do not always fit the characters and are sometimes too consciously poetic. It has been rumored that while Bernstein was off trying to fix the musical ''Candide'', Sondheim wrote some of the music for ''West Side Story'', and that Bernstein’s co-lyricist billing credit mysteriously disappeared from the credits of ''West Side Story'' during the tryout, presumably as a trade-off.
In 1959, he wrote the lyrics for the musical, ''Gypsy''. Sondheim would have liked to write the music as well, but Ethel Merman, the star, insisted on a composer with a track record. Thus, Jule Styne was hired. Sondheim questioned if he should write only the lyrics for another show, but Hammerstein told him writing for a star would be valuable experience. Sondheim worked closely with book writer Arthur Laurents to create the show. It ran 702 performances.
Eventually Sondheim wrote both the music and lyrics, for ''A Funny Thing Happened on the Way to the Forum''. It opened in 1962 and ran 964 performances. The book, based on the farces of Plautus, was written by Burt Shevelove and Larry Gelbart. Sondheim's score was not especially well received at the time. Even though the show won several Tony Awards, including best musical, Sondheim did not even receive a nomination. In addition, some critics felt the songs were not properly integrated into the farcical action.
At this point, Sondheim had participated in three straight hits. His next show ended the streak. ''Anyone Can Whistle'' (1964) was a 9-performance flop, although it introduced Angela Lansbury to musical theatre and has developed a cult following.
In 1965 he wrote the lyrics only for ''Do I Hear a Waltz?'', with music by Richard Rodgers. He has said that this is the one project he has regretted. In 1966, he semi-anonymously provided the lyric for "The Boy From...", a parody of "The Girl from Ipanema", a highlight of the off-Broadway revue ''The Mad Show''. (The official songwriting credit went to the linguistically minded pseudonym "Esteban Rio Nido", which translates from the Spanish to "Stephen River Nest". In the show's playbill, the lyrics are credited to "Nom De Plume".) In 1968, he wrote the lyrics for ''The Race to Urga'', with Bernstein.
Collaborations with Hal Prince (1970–1981)
After the completion of ''Do I Hear a Waltz'', Sondheim has devoted himself to both composing and writing lyrics for a series of varied and adventurous musicals, beginning with the innovative "
concept musical" ''
Company'' in 1970.
Sondheim's work is notable for his use of complex polyphony in the vocal parts, such as the chorus of five minor characters who function as a sort of Greek chorus in 1973's ''A Little Night Music''. He also displays a penchant for angular harmonies and intricate melodies reminiscent of Bach (Sondheim has claimed that he "loves Bach" but his favorite period is Brahms to Stravinsky). To fans, Sondheim's musical sophistication is considered to be greater than that of many of his musical theatre peers, and his lyrics are likewise renowned for their ambiguity, wit, and urbanity.
Sondheim collaborated with producer/director Harold Prince on six musicals between 1970 and 1981. ''Company'' (1970) centered on a set of characters and themes rather than a straightforward plot. ''Follies'' (1971) was similarly structured, filled with pastiche songs echoing styles of earlier composers. ''A Little Night Music'' (1973), a more traditionally plotted show based on the film ''Smiles of a Summer Night'' by Ingmar Bergman, was one of his greatest successes. ''Time'' magazine called it "Sondheim's most brilliant accomplishment to date." Notably, the score was mostly composed in waltz time (either ¾ time, or multiples thereof.) Further success was accorded to ''A Little Night Music'' when "Send in the Clowns" became a hit single for Judy Collins. Although it was Sondheim's only Top 40 hit, his songs are frequently performed and recorded by cabaret artists and theatre singers in their solo careers.
''By Bernstein'' premiered at the off-Broadway Westside Theatre on November 23, 1975 and closed on December 7, 1975. It ran for 40 previews and 17 performances. The lyrics and music were by Leonard Bernstein, with additional lyrics from other lyricists, including Sondheim. It was conceived and written by Betty Comden and Adolph Green and Norman L. Berman. The production was directed by Michael Bawtree with a cast of Jack Bittner, Margery Cohen, Jim Corti, Ed Dixon, Patricia Elliott, Kurt Peterson, and Janie Sell. The two known songs that had Sondheim contributions are "In There" from the adaption of ''The Exception and the Rule'' (which would later be named ''The Race to Urga'') and a cut song from ''West Side Story'' "Kids Ain't (Like Everybody Else)".
''Pacific Overtures'' (1976) was the most non-traditional of the Sondheim—Prince collaborations, an intellectual exploration of the westernization of Japan. ''Sweeney Todd'' (1979), Sondheim's most operatic score and libretto (which, along with ''A Little Night Music'', has been seen in opera houses), once again explores an unlikely topic, this time murderous revenge and cannibalism. The book, by Hugh Wheeler, is based on Christopher Bond's 1973 stage version of the Victorian original.
''Merrily We Roll Along'' (1981), with a book by George Furth, is one of Sondheim's more "traditional" scores and was thought to hold potential to generate some hit songs (Frank Sinatra and Carly Simon each recorded a different song from the show). Sondheim's music director, Paul Gemignani, said, “Part of Steve’s ability is this extraordinary versatility.” ''Merrily'', however, was a 16-performance flop. "''Merrily'' did not succeed, but its score endures thanks to subsequent productions and recordings. According to Martin Gottfried, "Sondheim had set out to write traditional songs... But [despite] that there is nothing ordinary about the music." Sondheim and Furth have extensively revised the show since its initial opening.
In the late nineties, Sondheim reunited with Hal Prince for the musical comedy ''Wise Guys'', a project that took a long time to complete that follows brothers Addison and Wilson Mizner. Though a Broadway production starring Nathan Lane and Victor Garber and directed by Sam Mendes was announced for Spring 2000, the New York debut of the musical was delayed. Rechristened ''Bounce'' in 2003, the show was mounted at the Goodman Theatre in Chicago, and at the Kennedy Center in Washington, D.C.. ''Bounce'' received disappointing reviews and never reached Broadway. A revised version of ''Bounce'' premiered off-Broadway at The Public Theater under the new name ''Road Show'' from October 28, 2008 through December 28, 2008, under the direction of John Doyle.
Collaborations with John Weidman (1976-)
''
Pacific Overtures'' (1976) had music and lyrics by Sondheim and a book by John Weidman. It opened on Broadway at the
Winter Garden Theatre on January 11, 1976, and closed after 193 performances on June 27, 1976
''Assassins'' (1990) with music and lyrics by Sondheim and a book by Weidman. The show opened off-Broadway at the Playwrights Horizons on December 18, 1990, and closed on February 16, 1991 after 73 performances. The idea came from when Sondheim was a panelist at producer Stuart Ostrow's Musical Theater Lab, and he read a script by playwright Charles Gilbert. Sondheim asked Gilbert for permission to use his idea. Gilbert consented and offered to write the book; but Sondheim declined, having already had collaborator John Weidman in mind.
Weidman would also write the book for ''Road Show'', with music and lyrics by Sondheim.
Collaborations with James Lapine (1984–1994)
The failure of ''Merrily'' greatly affected Sondheim; he was ready to quit theatre and do movies or create
video games or write mysteries. He was later quoted as saying, "I wanted to find something to satisfy myself that does not involve Broadway and dealing with all those people who hate me and hate Hal." The collaboration between Sondheim and Prince would largely end after ''Merrily'' -- until the 2003 production of ''Bounce'', another failure.
However, instead of quitting the theatre following the failure of ''Merrily'', Sondheim decided "that there are better places to start a show", and found a new collaborator in the "artsy" James Lapine. Lapine has a taste "for the avant-garde and for visually oriented theatre in particular." Their first collaboration was ''Sunday in the Park with George'' (1984), in which Sondheim's music evoked the pointillist painting technique of its subject, Georges Seurat. In 1985, he and Lapine won the Pulitzer Prize for Drama for ''Sunday in the Park with George''. It is one of only nine musicals to receive this prestigious award. The show had its first revival on Broadway in 2008.
The Sondheim–Lapine collaboration also produced a musical reimagining classic fairy-tales, ''Into the Woods'' (1987), and the rhapsodic ''Passion'' (1994).
Later work
Regarding his interest in writing new work, Sondheim was quoted in a 2006 ''Time Out: London'' interview as saying, "No... It's age. It's a diminution of energy and the worry that there are no new ideas. It’s also an increasing lack of confidence. I’m not the only one. I’ve checked with other people. People expect more of you and you’re aware of it and you shouldn’t be." In December 2007, however, Sondheim said that, along with continued work on ''Bounce'', he was "nibbling at a couple of things with
John Weidman and
James Lapine."
Lapine created a "multimedia revue", formerly titled ''Sondheim: a Musical Revue'', which had been scheduled to premiere in April 2009 at the Alliance Theatre, Atlanta, Georgia. However, that production was canceled, due to "difficulties encountered by the commercial producers attached to the project...in raising the necessary funds". A revised version, ''Sondheim on Sondheim'', was produced by the Roundabout Theatre Company and premiered on Broadway at Studio 54 in a limited engagement from March 19, 2010 in previews, opening April 22 through June 13. The cast featured Barbara Cook, Vanessa L. Williams, Tom Wopat, Norm Lewis and Leslie Kritzer.
Conversation with Frank Rich
On April 28, 2002, during the Sondheim Celebration at the
Kennedy Center, Sondheim and
Frank Rich of the ''
New York Times'' held a "conversation". In March 2008, Sondheim and Rich appeared in four interviews/conversations in
California and
Portland, Oregon titled "A Little Night Conversation with Stephen Sondheim". In September 2008, they appeared at
Oberlin College in
Oberlin, Ohio. The ''
Cleveland Jewish News'' reported on the Oberlin event, writing: "Sondheim said: 'Movies are photographs; the stage is larger than life.' What musicals does Sondheim admire the most? ''
Porgy and Bess'' tops a list which includes ''
Carousel'', ''
She Loves Me'', and ''
The Wiz'', which he saw six times. Sondheim took a dim view of today’s musicals. What works now, he said, are musicals that are easy to take; audiences don’t want to be challenged." Sondheim and Rich had more conversations on January 18, 2009 at
Avery Fisher Hall, on February 2, 2009 at the Landmark Theatre,
Richmond, Virginia, on February 21, 2009 at the
Kimmel Center,
Philadelphia,
Pennsylvania, and on April 20, 2009 at the University of Akron College of Fine and Applied Arts, EJ Thomas Hall,
Akron,
Ohio. The conversations were reprised at Tufts and Brown Universities in February 2010 and the University of Tulsa in April 2010. They spoke again at
Lafayette College on March 8, 2011.
Sondheim had an additional "conversation with" Sean Patrick Flahaven (associate editor of ''The Sondheim Review'') at the Kravis Center in West Palm Beach, Florida, on February 4, 2009, during which he spoke of many of his songs and shows. "On the perennial struggles of Broadway: 'I don’t see any solution for Broadway's problems except subsidized theatre, as in most civilized countries of the world.'"
On February 1, 2011, Sondheim sat down with The Salt Lake Tribune's former theatre critic Nancy Melich in front of an audience of 1200 at the Kingsbury Hall. Melich said of the night
He was visibly taken by the university choir, who sang two songs during the evening, 'Children Will Listen' and 'Sunday', and then returned to reprise 'Sunday'. During that final moment, Sondheim and I were standing, facing the choir of students from the University of Utah's opera program, our backs to the audience, and I could see tears welling in his eyes as the voices rang out. Then, all of a sudden, he raised his arms and began conducting, urging the student singers to go full out, which they did, the crescendo building, their eyes locked with his, until the final 'on an ordinary Sunday' was sung. It was thrilling, and a perfect conclusion to a remarkable evening—nothing ordinary about it.
Work away from Broadway
Sondheim's career has been varied, encompassing much beyond the composition of musicals.
An avid fan of games, in 1968 and 1969 Sondheim published a series of cryptic crossword puzzles in ''New York'' magazine. In 1987, ''Time'' referred to his love of puzzlemaking as "legendary in theater circles," adding that the central character in Anthony Shaffer's hit play ''Sleuth'' was inspired by Sondheim. (There was a rumor that ''Sleuth'' was given the working title ''Who's Afraid of Stephen Sondheim?'', but in a ''New York Times'' interview on March 10, 1996, Shaffer denied ever using the title.) Sondheim's love of puzzles and mysteries can also be seen in the intricate "whodunit" he co-wrote with longtime friend Anthony Perkins, ''The Last of Sheila''. This 1973 film, directed by Herbert Ross, starred Dyan Cannon, Raquel Welch, James Mason, James Coburn and Richard Benjamin.
He tried his hand at playwriting one more time - in 1996 he collaborated with ''Company'' librettist George Furth on a play called ''Getting Away with Murder''. It was not a success, and the Broadway production closed after 29 previews and 17 performances.
His compositional efforts have included a number of film scores, notably a set of songs written for Warren Beatty's 1990 film version of ''Dick Tracy''; one song, "Sooner or Later (I Always Get My Man)" (as performed by Madonna), won Sondheim an Academy Award.
Unfinished/canceled works
Sondheim was asked to translate ''
Mahagonny-Songspiel'', although he did not state the time. He said, "But, I'm not a Brecht/Weill fan and that's really all there is to it. I'm an apostate: I like Weill's music when he came to America better than I do his stuff before.... I love The Threepenny Opera but, outside of The Threepenny Opera, the music of his I like is the stuff he wrote in America -- when he was not writing with Brecht, when he was writing for Broadway." He was also asked to musicalize
Nathanael West's ''
A Cool Million'' with
James Lapine around 1982, but he refused.
Sondheim worked with William Goldman on ''Singing Out Loud'', a movie musical, in 1992. Sondheim stated that Goldman wrote one or two drafts of the script and Sondheim wrote six and a half songs, only to have director Rob Reiner lose interest in the project. The songs ''Dawn'' and ''Sand'' from the project were recorded for the albums ''Sondheim at the Movies'' and ''Unsung Sondheim''. Sondheim and Leonard Bernstein wrote ''The Race to Urga'', scheduled to play at the Lincoln Center in 1969, but when Jerome Robbins left the project, it went unproduced. Sondheim also wrote some new songs for a proposed ''Into the Woods'' film, including one entitled ''Rainbows'', which Sondheim said will be in his second book. (to be published in October 2011). The project never got further than a readthrough.
Sondheim, in 1991, was working with Terrence McNally on a musical entitled ''All Together Now''. McNally said, "Steve was interested in telling the story of a relationship from the present back to the moment when the couple first met. We worked together a while, but we were both involved with so many other projects that this one fell through". The script, with concept notes by McNally and Sondheim, is archived in the Harry Ransom Humanities Research Center at the University of Texas at Austin. The story follows Arden Scott, a 30-something female sculptor and Daniel Nevin, a slightly younger, sexually charismatic restaurateur.
Books
Sondheim wrote a book of annotations of his lyrics titled ''
Finishing the Hat'' (2010), a collection of his lyrics "from productions dating 1954-1981. In addition to published and unpublished lyrics from ''West Side Story'', ''Follies'' and ''Company'', the tome finds Sondheim discussing his relationship with Oscar Hammerstein II and his collaborations with composers, actors and directors throughout his lengthy career." This book, part one of a two part series, is named after a song he wrote for ''Sunday in the Park With George''. Sondheim said "It's going to be long. I'm not, by nature, a prose writer, but I'm literate, and I have a couple of people who are vetting it for me, whom I trust, who are excellent prose writers." ''Finishing the Hat'' was published in October 2010. The review of the book in ''The New York Times'' stated that "The lyrics under consideration here, written during a 27-year period, aren’t presented as fixed and sacred paradigms, carefully removed from tissue paper for our reverent inspection. They’re living, evolving, flawed organisms, still being shaped and poked and talked to by the man who created them." The book was number 11 on ''The New York Times'' Hardcover Nonfiction list for November 5, 2010.
The follow-up book will be titled ''Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Wafflings, Diversions and Anecdotes'' and is to be published in October 2011. The book will begin with ''Sunday in the Park With George'', where ''Finishing the Hat'' stopped.
Major works
Unless otherwise noted, music and lyrics by Stephen Sondheim.
''Saturday Night'' (1954, though unproduced until 1997) (book by Julius J. Epstein and Philip G. Epstein)
''West Side Story'' (1957) (music by Leonard Bernstein; book by Arthur Laurents; directed by Jerome Robbins)
''Gypsy'' (1959) (music by Jule Styne; book by Arthur Laurents; directed by Jerome Robbins)
''A Funny Thing Happened on the Way to the Forum'' (1962) (book by Burt Shevelove and Larry Gelbart; directed by George Abbott)
''Anyone Can Whistle'' (1964) (book by Arthur Laurents; directed by Arthur Laurents)
''Do I Hear a Waltz?'' (1965) (music by Richard Rodgers; book by Arthur Laurents; directed by John Dexter)
''Company'' (1970) (book by George Furth; directed by Hal Prince)
''Follies'' (1971) (book by James Goldman; directed by Hal Prince)
''A Little Night Music'' (1973) (book by Hugh Wheeler; directed by Hal Prince)
''Pacific Overtures'' (1976) (book by John Weidman; directed by Hal Prince)
''Sweeney Todd'' (1979) (book by Hugh Wheeler; directed by Hal Prince)
''Merrily We Roll Along'' (1981) (book by George Furth; directed by Hal Prince)
''Sunday in the Park with George'' (1984) (book by James Lapine; directed by James Lapine)
''Into the Woods'' (1987) (book by James Lapine; directed by James Lapine)
''Assassins'' (1990) (book by John Weidman; directed by Jerry Zaks)
''Passion'' (1994) (book by James Lapine; directed by James Lapine)
''Bounce'' (2003) (book by John Weidman; directed by Hal Prince); retitled ''Road Show''
''
The Frogs'' - a musical version of
Aristophanes' comedy with book by
Burt Shevelove (1974). Second version (2004) with revised book by
Nathan Lane, contains seven new songs. First performed in the
Yale University swimming pool in May 1974.
''Road Show'' (2008) (book by John Weidman; directed by John Doyle); (formerly titled ''Bounce'')
Revues and anthologies
''
Side By Side By Sondheim'' (1976), ''
Marry Me A Little'' (1980), ''
You're Gonna Love Tomorrow'' (1983) ''
Putting It Together'' (1993), and ''
Sondheim on Sondheim'' (2010) are anthologies or revues of Sondheim's work as composer and lyricist, featuring both songs performed and cut from productions. ''
Jerome Robbins' Broadway'' features "You Gotta Have a Gimmick" from ''
Gypsy'', "Suite of Dances" from ''
West Side Story'', and "Comedy Tonight" from ''
A Funny Thing Happened on the Way to the Forum''. A new revue, ''Secret Sondheim ... a celebration of his lesser known work'', conceived and directed by Tim McArthur, plays the
Jermyn Street Theatre, London, in July 2010.
Sondheim's work is also featured in ''The Madwoman of Central Park West'', including the songs "Pretty Women" and "Everybody Ought to Have a Maid".
Minor works
Stage
''Girls of Summer'' (1956) (incidental music by Sondheim; play by N. Richard Nash)
''Invitation to a March'' (1960) (incidental music by Sondheim; play by Arthur Laurents)
''The World of Jules Feiffer'' (1962) (incidental music by Sondheim; sketches by Jules Feiffer)
''Hot Spot'' (1963) (music mostly by Mary Rodgers; lyrics mostly by Martin Charnin)
''The Mad Show'' (1966) (music mostly by Mary Rodgers; lyrics mostly by Marshall Barer) wrote the lyric for "The Boy From...", a parody of ''The Girl from Ipanema.'(Credited as Esteban Rio Nido [a translation of Stephen Sondheim])
''The Enclave'' (1973) (incidental music to the play by Arthur Laurents)
''Candide'' - Second Version (1974) (new lyrics by Sondheim; original lyrics by Richard Wilbur; music by Leonard Bernstein; book by Hugh Wheeler)
''By Bernstein'' (1975)- music and lyrics by
Leonard Bernstein, additional lyrics by
Betty Comden,
Adolph Green, John Latouche,
Jerry Leiber, and Stephen Sondheim; written and conceived by Comden and Green, with Michael Bawtree, Norman L. Berman and the Chelsea Theatre Center.
''
Getting Away with Murder'' (1996 on Broadway), a "comedy thriller" (non-musical play), co-written with George Furth.
''King Lear'' (2007), incidental music for a Public Theatre production of the Shakespeare tragedy, composed with orchestrator Michael Starobin. The production was directed by James Lapine and starred Kevin Kline.
Film and TV
''Topper'' (circa 1953), a non-musical television comedy series for which Sondheim co-wrote eleven episodes.
''Evening Primrose'' (1966), a made-for-TV musical about a secret society of people living in department stores and the romance between Ella, a department store denizen, and Charles, a poet who decides to live in the department store after renouncing the world. Four songs, including the cabaret standard "Take Me To The World" and the well-loved, if lesser-known, ballad "I Remember".
''The Last of Sheila'' (1973), a nonmusical film mystery written with Anthony Perkins. Perkins and Sondheim received a 1974 Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay.
Sondheim appears in the 1974 PBS television version of the play ''June Moon'' by George S. Kaufman and Ring Lardner. In the film, Sondheim plays a wise-cracking pianist named Maxie Schwartz.
"The Madam's Song", also called "I Never Do Anything Twice", for the film ''The Seven-Per-Cent Solution'' (1976).
The score for Alain Resnais's film ''Stavisky'' (1974).
In 1976 Sondheim appeared, together with theatre critic Frank Rich, John Weidman (book for "Pacific Overtures") and members of the original cast of "Pacific Overtures" in a television program titled "Anatomy of a Song." Sondheim plays piano as cast sings the song "Someone in a Tree". Sondheim discusses his working methods, the genesis of the show, and names "Someone in a Tree" his favorite song to date.
''A Little Night Music'', (1977) a movie adaptation of the stage work. Several of Sondheim's songs were dropped for the film version. However, he wrote a completely new song entitled "The Glamorous Life" to take the place of the song by the same name from the stage version. Sondheim also wrote new lyrics to "Night Waltz."
Music for the film ''Reds'' starring Warren Beatty (1981), including the song "Goodbye For Now."
Five songs for Warren Beatty's film ''Dick Tracy'' (1990), including "Sooner or Later (I Always Get My Man)", which won the Academy Award for Best Song.
Two songs for the film ''The Birdcage'' (1996) "It Takes All Kinds" (not used) and "Little Dream".
Cameo as himself in the 2003 film ''Camp''.
Sondheim had a guest part on ''The Simpsons'' episode "Yokel Chords" as himself (2007).
''Sweeney Todd'', (2007) a movie adaptation of the stage work, made with Sondheim's participation and approval, was directed by Tim Burton, featuring a largely nonmusical cast led by Johnny Depp and Helena Bonham Carter. All choral numbers were cut to focus more on the primary characters. The movie, in the USA and abroad, grossed over $150 million.
''Follies'' (2012), in pre-production is the film of Sondheim's ''Follies'', with a script by Aaron Sorkin.
Honors and awards
;Sondheim at 80
Several benefits and concerts were performed to celebrate Sondheim's 80th birthday in 2010. Among them were the
New York Philharmonic's ''Sondheim: The Birthday Concert'', which was held March 15 and 16, 2010 at
Lincoln Center's
Avery Fisher Hall and hosted by
David Hyde Pierce. The concert included Sondheim music and songs performed, in some cases, by the original performers.
Lonny Price directed, with
Paul Gemignani conducting. The performers included:
Laura Benanti,
Matt Cavenaugh,
Michael Cerveris,
Victoria Clark,
Jenn Colella,
Jason Danieley,
Alexander Gemignani,
Joanna Gleason,
Nathan Gunn,
George Hearn,
Patti LuPone,
Marin Mazzie,
Audra McDonald,
John McMartin,
Donna Murphy,
Karen Olivo,
Laura Osnes,
Mandy Patinkin,
Bernadette Peters,
Bobby Steggert,
Elaine Stritch,
Jim Walton,
Chip Zien, the 2009
Broadway revival cast of
West Side Story and a
ballet performed by
Blaine Hoven and
Maria Riccetto set to Stephen Sondheim's score of
Warren Beatty's ''
Reds''.
Jonathan Tunick also made a special appearance to pay tribute to his longtime collaborator. The concert was telecast on the PBS "Great Performances" show during November 2010, and the DVD of the performance was released on November 16, 2010.
The Roundabout Theatre Company benefit ''Sondheim 80'' was held on March 22, 2010. The evening included a performance of ''Sondheim on Sondheim'', plus dinner and a show at the New York Sheraton. There was "a very personal star-studded musical tribute" with new songs by contemporary musical theatre writers. The composers, who sang their own songs, included Tom Kitt and Brian Yorkey, Michael John LaChiusa, Andrew Lippa, Robert Lopez and Kristen Anderson-Lopez, Lin-Manuel Miranda (accompanied by Rita Moreno), Duncan Sheik, and Jeanine Tesori and David Lindsay-Abaire. Bernadette Peters performed a song (unnamed) that was dropped from a Sondheim show.
The New York City Center birthday celebration and benefit concert on April 26, 2010 featured (in order of appearance): Michael Cerveris, Alexander Gemignani, Donna Murphy, Debra Monk, Joanna Gleason, Maria Friedman, Mark Jacoby, Len Cariou, B.D. Wong, Claybourne Elder, Alexander Hanson, Catherine Zeta-Jones, Raul Esparza, Sutton Foster, Nathan Lane, Michele Pawk, the original cast of Into the Woods; Kim Crosby, Chip Zien, Danielle Ferland, & Ben Wright, Angela Lansbury, and Jim Walton. This concert was directed by John Doyle and co-hosted by Mia Farrow. During the concert, greetings were read. These greetings were written by: Sheila Hancock, Julia McKenzie, Milton Babbitt, Judi Dench, and Glynis Johns. After Catherine Zeta-Jones performed "Send in the Clowns," a recorded greeting from Julie Andrews was played. During her greeting, she sang a little of "Not a Day Goes By." Patti LuPone, Barbara Cook, Bernadette Peters, Tom Aldredge and Victor Garber were originally scheduled to perform, but withdrew from the concert. One of the beneficiaries of the concert was Young Playwrights Inc.
On 31 July 2010, a BBC Proms concert was held to celebrate Sondheim's 80th Birthday at the Royal Albert Hall in London. It featured songs from many of his musicals, including a performance of "Send in the Clowns" from ''A Little Night Music'' by Dame Judi Dench (reprising her role as Desirée from the 1995 production of that musical), and performances from many other stars of opera, Broadway, stage and screen, including Bryn Terfel and Maria Friedman.
On November 19, 2010, The New York Pops performed at Carnegie Hall to celebrate Sondheim's 80th birthday, led by Steven Reineke. Kate Baldwin, Aaron Lazar, Christiane Noll, Paul Betz, Renee Rakelle, Marilyn Maye (singing "I’m Still Here"), and Alexander Gemignani were all on hand to sing songs including "I Remember", "Another Hundred People", "Children Will Listen", and "Getting Married Today". Sondheim made an on-stage appearance during the concert's encore of his song "Old Friends".
;Honors
Sondheim has received the following honors:
Hutchinson Prize for Music Composition (at college graduation, 1950)
Elected to The American Academy of Arts and Letters (1983)
Kennedy Center Honors, Lifetime Achievement, (1993)
The
Algur H. Meadows Award,
Southern Methodist University, Dallas, Texas (November 12, 1994, taped and televised on the
A&E; television network January 12, 1995)
Special Award,
Olivier Award, 2011, "in recognition of his contribution to London theatre"; the award was presented at the ceremony by
Cameron Mackintosh and
Angela Lansbury.
;Awards
He has won these awards:
Pulitzer Prize in Drama, ''Sunday in the Park with George'' (1985)
Academy Award for Best Song, "Sooner or Later (I Always Get My Man)" from ''Dick Tracy'' (1990)
;Grammy Awards
''Company'' (1970, Best Score from an Original Cast Album)
''A Little Night Music'' (1973, Best Score from an Original Cast Album)
"Send in the Clowns" (1975, Song of the Year)
''Sweeney Todd'' (1979, Best Cast Show Album)
''Sunday in the Park With George'' (1984, Best Cast Show Album)
''Into the Woods'' (1988, Best Musical Cast Show Album)
''Passion'' (1994, Best Musical Cast Show Album)
''West Side Story'' (2010, Best Musical Cast Show Album)
;Tony Awards
''A Funny Thing Happened on the Way to the Forum'' (1963, Best Musical)
''Company'' (1971, Best Score, Best Lyrics)
''Follies'' (1972, Best Score)
''A Little Night Music'' (1973 Best Score)
''Sweeney Todd'' (1979, Best Score)
''Into The Woods'' (1988, Best Score)
''Passion'' (1994 Best Score)
Special Tony Award for Lifetime Achievement in the Theatre (2008)
;Drama Desk Awards
''Company'' (1969–70, Best Musical, Outstanding Music, Outstanding Lyrics)
''Follies'' (1970–71, Outstanding Music, Outstanding Lyrics)
''A Little Night Music'' (1972–73, Outstanding Music and Lyrics)
''Sweeney Todd'' (1978–79, Outstanding Musical, Outstanding Music, Outstanding Lyrics)
''Sunday in the Park with George'' (1983–84, Outstanding Musical, Outstanding Lyrics)
''Into the Woods'' (1987–88, Outstanding Musical, Outstanding Lyrics)
''Passion'' (1993–94, Outstanding Musical, Outstanding Music, Outstanding Lyrics)
;OBIE Awards
''Road Show'' (2009, Music and Lyrics)
;Laurence Olivier Awards
''Sweeney Todd'' (1980, Best New Musical)
''Follies'' (1987, Best New Musical)
''Candide'' (1988, Best New Musical)
''Sunday in the Park with George'' (1991, Best New Musical)
''Merrily We Roll Along'' (2001, Best New Musical)
''Society of London Theatre Special Award'', Stephen Sondheim (Honorary Award)
Legacy
;Young Playwrights
This organization, founded by Sondheim in 1981, is intended to introduce young people to writing for the theatre. He is the Executive Vice President.
;The Stephen Sondheim Center for the Performing Arts
The Stephen Sondheim Center for the Performing Arts opened December 7–9, 2007, and is located at the Fairfield Arts & Convention Center in Fairfield, Iowa. The Center opened with performances from seven Broadway performers, including Len Cariou, Liz Callaway, and Richard Kind, all of whom had taken part in the musicals of Sondheim. The center is the first one in the world named after him, with a Broadway theatre the second.
;The Stephen Sondheim Society
In 1993 the Stephen Sondheim Society was set up to promote and provide information about the works of Stephen Sondheim. ''The Sondheim Review'' is a quarterly magazine devoted to Sondheim's work. The Society aims to create a greater interest and appreciation of them by means of circulating information and providing a focal point where those interested can share such interests. It issues news, provides education, maintains a database of information, organizes productions, meetings, outings, and other events, assists with publicity and promotion, publishes articles, and performs other tasks.
;The Stephen Sondheim Society's Student Performer of the Year Competition
An annual event, the competition gives 12 young musical theatre students from top U.K. drama schools the opportunity to compete for a prize of £1,000. Per Sondheim's request, a prize is also offered for a new song by a young composer, judged by George Stiles and Anthony Drewe. Each contestant performs one Sondheim song and one new song. The 2010 event was judged by Maureen Lipman, Sally Ann Triplett and others who awarded Alex Young the winner. She sang ''Sunday in the Park with George'' and ''I Clean Up Around Here'' by Christopher Hamilton and Susannah Pearse. Second place went to Lewis Oatley, who sang ''Not While I'm Around'' and ''What Kind of Life Is This, Masha?'' by Conor Mitchell. The latter song won joint first place in the new song competition with Gwenyth Herbert's ''Lovely London Town''.
;Media
Most of the episode titles from the television series ''Desperate Housewives'' reference his work in some way, through the use of either song titles or lyrics.
;Musical Theatre Development
In 1990, Sondheim took the Cameron Mackintosh chair in musical theatre at Oxford, and in this capacity ran workshops with promising writers of musicals, such as George Stiles, Anthony Drewe, Andrew Peggie, Paul James, Stephen Keeling and others. These writers jointly set up the Mercury Workshop in 1992, which eventually merged with the New Musicals Alliance to become MMD, a UK-based organisation developing new musical theatre, of which Sondheim continues to be patron.
;The Sondheim Award
The Signature Theatre, Arlington, Virginia, established a new award, "The Sondheim Award", "as a tribute to America's most influential contemporary musical theatre composer." The first award was presented at a gala fund-raiser on April 27, 2009, with help from performers Bernadette Peters, Michael Cerveris, Will Gartshore and Eleasha Gamble. Sondheim himself was the first recipient of the award, which also includes a $5000 honorarium for the recipients' choice of a nonprofit organization. The 2010 honoree was Angela Lansbury, with Peters and Catherine Zeta-Jones as honorary hosts for the Gala Benefit held on April 12, 2010. The 2011 honoree was Bernadette Peters.
;The Stephen Sondheim Theatre
A Broadway theatre at West 43rd Street in New York City, The Henry Miller's Theatre, was renamed The Stephen Sondheim Theatre on September 15, 2010, in honor of his 80th birthday. In attendance were Nathan Lane, Patti LuPone, and John Weidman. Sondheim said of the naming, "I'm deeply embarrassed. Thrilled, but deeply embarrassed. I've always hated my last name. It just doesn't sing. I mean, it's not Belasco. And it's not Rodgers and it's not Simon. And it's not Wilson. It just doesn't sing. It sings better than Schoenfeld and Jacobs. But it just doesn't sing." Lane said of the day, "We love our corporate sponsors and we love their money, but there's something sacred about naming a theatre, and there's something about this that is right and just."
The new theatre's first shows were ''The Pee-wee Herman Show'' and the 2011 Broadway revival of Cole Porter's ''Anything Goes'' starring Tony Award-winner, Sutton Foster. The theatre is operated by the Roundabout Theatre Company.
Personal life
In ''
The Times'' in 2009, Alan Franks wrote: "Sondheim came out as gay only when he was about 40, and did not live with a partner until he was 61. This was Peter Jones, a dramatist; the two lived together for several years, until 1999." Sondheim discussed relationships in an interview with Frank Rich, who wrote, "His long solitary spell, he says, didn't faze him.... Well, in his case, does being gay play a part in it? 'Homosexuality, certainly it's a part of it. But the outsider feeling – somebody who people want to both kiss and kill – occurred quite early in my life.'" Sondheim's social life in the NYC gay scene is also discussed in many books by
Alan Helms.
See also
Assassinations in fiction
The Sondheim Review
Notes
References
Gottfried, Martin. ''Sondheim'' (1993), New York: Harry N. Abrams, Inc., ISBN 0-8109-3844-8
Secrest, Meryle. ''Stephen Sondheim: A Life'' (1998), New York: Alfred A. Knopf, ISBN 0-679-44817-9
Zadan, Craig. ''Sondheim & Co'' (1986, 2nd ed.), New York: Harper & Row, ISBN 0-06-015649-X
Further reading
Guernsey, Otis L. (Editor). ''Broadway Song and Story: Playwrights/Lyricists/Composers Discuss Their Hits'' (1986), Dodd Mead, ISBN 0-396-08753-1
External links
The Stephen Sondheim Society Web site of The Stephen Sondheim Society
The Quotable Stephen Sondheim Page
MusicalTalk Podcast featuring interview with Sondheim, Depp, Burton, Rickman, Carter and others.
MusicalTalk Podcast discussing the concert production of ''Sweeney Todd'' held at the Royal Festival Hall in the summer of 2007 in London. This episode features Emma Williams who along with being a MusicalTalk presenter, also starred as Johanna for this concert.
MusicalTalk Podcast with an in depth introduction to the work of Stephen Sondheim
Stephen Sondheim online-with Finishing The Chat
The Stephen Sondheim Reference Guide Comprehensive listings of productions and recordings information
''Fresh Air'' NPR radio interview with Sondheim from 2000 (20 minutes, streaming audio)
Kennedy Center interview with Sondheim, conducted by Frank Rich in 2002 (90 minutes, streaming video)
Stephen Sondheim Center for Performing Arts
MMD - developing new musical theatre with Sondheim as patron
Stephen Sondheim "The Story So Far" podcast series produced by Sony BMG Masterworks
News article "Sondheim 'Story So Far' available 9/30, including previously unreleased tracks", BroadwayWorld.com
Review "Sondheim has more story to tell" USA Today, 10/8/08
Stephen Sondeim: Alumni of Distinction – New York Military Academy archives page
Stephen Sondheim symposium held at Goldsmiths, University of London, in 2005
''BroadwayWorld.com'' interview with Stephen Sondheim, December 20, 2007
Review of "Finishing the Hat: Collected Lyrics (1954-1981)" November 2010
Category:American musical theatre composers
Category:American musical theatre lyricists
Category:Best Song Academy Award winning songwriters
Category:Drama Desk Award winners
Category:Edgar Award winners
Category:Ethical Culture Fieldston School alumni
Category:Grammy Award winners
Category:Jewish classical musicians
Category:Jewish American composers and songwriters
Category:Kennedy Center honorees
Category:LGBT musicians from the United States
Category:LGBT composers
Category:American Jews
Category:LGBT Jews
Category:Members of the American Academy of Arts and Letters
Category:New York Military Academy alumni
Category:People from New York City
Category:Pulitzer Prize for Drama winners
Category:Puzzle designers
Category:United States National Medal of Arts recipients
Category:Williams College alumni
Category:1930 births
Category:Living people
Category:Honorary Members of the Royal Academy of Music
ca:Stephen Sondheim
cy:Stephen Sondheim
de:Stephen Sondheim
es:Stephen Sondheim
fr:Stephen Sondheim
it:Stephen Sondheim
he:סטיבן סונדהיים
la:Stephanus Sondheim
nl:Stephen Sondheim
ja:スティーヴン・ソンドハイム
no:Stephen Sondheim
pl:Stephen Sondheim
pt:Stephen Sondheim
simple:Steven Sondheim
fi:Stephen Sondheim
sv:Stephen Sondheim
zh:史蒂芬·桑坦
