name | The Right HonourableThe Lord ByronFRS |
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birth name | George Gordon Byron |
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birth date | January 22, 1788 |
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birth place | Dover, Kent,England |
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death date | April 19, 1824 |
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death place | Missolonghi, Aetolia-Acarnania, Greece |
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occupation | Poet, Politician |
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nationality | British |
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movement | Romanticism |
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notableworks | ''Don Juan'', ''Childe Harold's Pilgrimage'' |
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children | Ada Lovelace, Allegra Byron |
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influences | John Milton, Alexander Pope, Edmund Spenser |
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influenced | Alexander Pushkin, Ivan Turgenev, Mikhail Lermontov, Seamus Heaney, Ilia Chavchavadze, Ebenezer Elliott, Knut Hamsun, John Clare, Charlotte Brontë, Emily Brontë, Anne Brontë, Gustave Flaubert |
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portaldisp | }} |
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George Gordon Byron, 6th Baron Byron, later George Gordon Noel, 6th Baron Byron, FRS (22 January 1788 – 19 April 1824), commonly known simply as Lord Byron, was an English poet and a leading figure in the Romantic movement. Amongst Byron's best-known works are the brief poems ''She Walks in Beauty'', ''When We Two Parted'', and ''So, we'll go no more a roving'', in addition to the narrative poems ''Childe Harold's Pilgrimage'' and ''Don Juan''. He is regarded as one of the greatest British poets and remains widely read and influential.
Byron was celebrated in life for aristocratic excesses including huge debts, numerous love affairs, rumors of a scandalous incestuous liaison with his half-sister, and self-imposed exile. He was famously described by Lady Caroline Lamb as "mad, bad and dangerous to know".
He travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greeks revere him as a national hero.
He died from a fever contracted while in Missolonghi in Greece.
Name
Byron's names changed throughout his life. He was the son of Captain John "Mad Jack" Byron and his second wife, the former Catherine Gordon (d. 1811), a descendant of Cardinal Beaton and heiress of the Gight estate in Aberdeenshire, Scotland. Byron's father had previously seduced the married Marchioness of Caermarthen, and after she divorced her husband the Earl, had married her. His treatment of her was described as "brutal and vicious", and she died after having given birth to two daughters, only one of which survived: Byron's half-sister, Augusta.
Byron's paternal grandparents were Vice-Admiral The Hon. John "Foulweather Jack" Byron and Sophia Trevanion.
Vice Admiral John Byron had circumnavigated the globe, and was the younger brother of the 5th Baron Byron, known as "the Wicked Lord".
He was christened "George Gordon Byron" at St Marylebone Parish Church after his maternal grandfather, George Gordon of Gight, a descendant of James I of Scotland, who had committed suicide
in 1779.
In order to claim his second wife's estate in Scotland, Byron's father had taken the additional surname "Gordon", becoming "John Byron Gordon", and he was occasionally styled "John Byron Gordon of Gight". Byron himself used this surname for a time and was registered at school in Aberdeen as "George Byron Gordon". At the age of 10, he inherited the English Barony of Byron of Rochdale, becoming "Lord Byron", and eventually dropped the double surname (though after this point his surname was secondary to his peerage).
When Byron's mother-in-law, Judith Noel died in 1822, her will required that he change his surname to "Noel" in order to inherit half her estate, and so he obtained a Royal Warrant allowing him to "take and use the surname of Noel only". The Royal Warrant also allowed him to "subscribe the said surname of Noel before all titles of honour", and from that point he signed himself "Noel Byron" (the usual signature of a peer being merely the peerage, in this case simply "Byron"). It is speculated that this was so that his initals would read "N.B." mimicing those of his hero, Napoleon Bonaparte. He was also sometimes referred to as "Lord Noel Byron", as if "Noel" were part of his title, and likewise his wife was sometimes called "Lady Noel Byron". Lady Byron eventually succeeded to the Barony of Wentworth, becoming "Lady Wentworth".
Early Life
John Byron married his second wife for the same reason he married his first: her fortune. Byron's mother had to sell her land and title to pay her new husband's debts, and in the space of two years the large estate, worth some £23,500, had been squandered, leaving the former heiress with an annual income in trust of only £150. In a move to avoid his creditors, Catherine accompanied her profligate husband to France in 1786, but returned to England at the end of 1787 in order to gave birth to her son on English soil. He was born on January 22 in lodgings on Holles Street in London.
Catherine moved back to Aberdeenshire in 1790, where Byron spent his childhood. His father soon joined them in their lodgings in Queen Street, but the couple quickly separated. Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husband's continuing to appear in order to borrow money from her. As a result, she fell even further into debt to support his demands. It was once of these importunate loans which allowed him to travel to Valenciennes, France, where he died in 1791.
When Byron's great-uncle, the "wicked" Lord Byron, died on 21 May 1798, the 10-year-old boy became the 6th Baron Byron of Rochdale and inherited the ancestral home, Newstead Abbey in Nottinghamshire. His mother proudly took him to England, but the Abbey was in an embarassing state of disrepair and rather than live there, his mother decided to rent to Lord Grey de Ruthyn, among others, during his adolescence.
Described as "a woman without judgment or self-command", Catherine either spoiled and indulged her son or aggravated him with her capricious stubbornness. Her drinking disgusted him, and he often mocked her for being short and corpulent, which made it difficult for her to catch him to discipline him. She once retaliated and, in a fit of temper, referred to him as "a lame brat".
Birth Defect
From birth, Byron suffered from an deformity of his right foot. Generally referred to as a "
clubfoot", some modern medical experts maintain that it was a consequence of infantile paralysis (
poliomyelitis), and others that it was a
dysplasia, a failure of the bones to form properly. Whatever the cause, he was afflicted with a limp that caused him lifelong psychological and physical misery, aggravated by painful and pointless "medical treatment" in his childhood and the nagging suspicion that with proper care it might have been cured. He was extremely self-conscious about this from a young age, nicknaming himself '''' (French for "the limping devil", after the nickname given to
Asmodeus by
Alain-René Lesage in his 1707 novel of the same name). Although he often wore specially made shoes in an attempt to hide the deformed foot, he refused to wear any type of brace that might improve the limp.
John Galt felt his oversensitivity to the "innocent fault in his foot was unmanly and excessive" because the limp was "not greatly inconspicuous." He first met Byron on a voyage to Sardinia and didn't realize he had any deficiency for several days, and still could not tell at first if the lameness was a temporary injury or not. But by the time he met Byron he was an adult and had worked to develop "a mode of walking across a room by which it was scarcely at all perceptible". The motion of the ship at sea may also have helped to create a favorable first impression and hide any deficiencies in his gait, but Galt's biography is also described as being "rather well-meant than well-written", so Galt may be guilty of minimizing a defect that was actually still quite noticeable.
'Anticipated Life' and The Poet's Psyche
"I am such a strange mélangé of good and evil that it would be difficult to describe me."
As a boy, his character is described as a "mixture of affectionate sweetness and playfulness, by which it was impossible not to be attached", alhough he also exhibited "silent rages, moody sullenness and revenge" with a precocious bent for attachment and obsession. He described his first intense feelings at age eight for Mary Duff, his distant cousin:
"How very odd that I should have been so devotedly fond of that girl, at an age when I could neither feel passion, nor know the meaning of the word and the effect! My mother used always to rally me about this childish amour, and at last, many years after, when I was sixteen, she told me one day, 'O Byron, I have had a letter from Edinburgh, and your old sweetheart, Mary Duff, is married to Mr C***.' And what was my answer? I really cannot explain or account for my feelings at that moment, but they nearly threw me into convulsions...How the deuce did all this occur so early? Where could it originate? I certainly had no sexual ideas for years afterwards; and yet my misery, my love for that girl were so violent, that I sometimes doubt if I have ever been really attached since. Be that as it may, hearing of her marriage several years after was like a thunder-stroke — it nearly choked me—to the horror of my mother and the astonishment and almost incredulity of every body. And it is a phenomenon in my existence (for I was not eight years old) which has puzzled, and will puzzle me to the latest hour of it; and lately, I know not why, the recollection (not the attachment) has recurred as forcibly as ever...But, the more I reflect, the more I am bewildered to assign any cause for this precocity of affection."
Byron also became attached to Margaret Parker, another distant cousin,. While his recollection of his love for Mary Duff is that he was ignorant of adult sexuality during this time, and was bewildered as to the source of the intensity of his feelings, he would later confess that:
"My passions were developed very early — so early, that few would believe me — if I were to state the period — and the facts which accompanied it. Perhaps this was one of the reasons that caused the anticipated melancholy of my thoughts — having anticipated life."
This is the only reference Byron himself makes to the event, and he is ambiguous as to how old he was when it occured. After his death, his lawyer wrote to a mutual friend telling him a "singular fact" about Byron's life which was "scarcely fit for narration". But he disclosed it nonetheless, thnking it might explain Byron's sexual "propensities":
"When nine years old at his mother's house a [F]ree Scotch girl [May, sometimes called Mary, Gray, one of his first caretakers] used to come to bed to him and play tricks with his person."
Gray later used these sexual intimacies as leverage to ensure his silence if he were tempted to disclose the "low company" she kept during drinking binges. She was later dismissed, supposedly for beating Byron when he was 11.
A few years later, while he was still a child, Lord Grey (unrelated to May Grey), a suitor of his mother's, also made sexual advances to him. Bryon's personality has been characterized as exceptionally proud and sensitive, especially when it came to his his deformity. And although Byron was a very self-centered individual, it is probable that like most children, he would have been deeply disturbed by these sexual advances. His extreme reaction to seeing his mother flirting outrageously with Lord Grey after the incident suggests this; he did not tell her of Gray's conduct toward him, he simply refused to speak to him again and ignored his mother's commands to be reconciled.
Bryon's proclivity for, and experimentation in, bisexuality may be a result of his being sexually imprinted by both genders at an early age. Leslie Marchand, Byron's recent biographer, theorizes that Lord Grey's advances prompted Bryon's later sexual liaisons with young men at Harrow and Cambridge.
While he desired to be seen as sophisticated, uncaring and invincible, he actually cared deeply what people thought of him.
He believed his tendency to melancholy and depression was inherited, and he wrote in 1821, "I am not sure that long life is desirable for one of my temper & constitutional depression of Spirits." He later earned a reputation as being extravagant, courageous, unconventional, eccentric, flamboyant and controversial. He was independent and given to extremes of temper; on at least one trip, his travelling companions were so puzzled by his mood swings they thought he was mentally ill.
In spite of these difficulties and eccentricties, Byron was noted for the extreme loyalty he inspired among his friends.
Education and Early Loves
Byron received his early formal education at
Aberdeen Grammar School, and in August 1799, entered the school of Dr.
William Glennie, in
Dulwich. Placed under the care of a Dr. Bailey, he was encouraged to exercise in moderation, but could not restrain himself from "violent" bouts in an attempt to overcompensate for his deformed foot. His mother interfered with his studies, often withdrawing him from school, with the result that he lacked discipline and his classical studies were neglected.
In 1801 he was sent to Harrow, where he remained until July 1805. An undistinguished student and an unskilled cricketeer, he did represent the school during the very first Eton v Harrow cricket match at Lord's in 1805,
His lack of moderation was not just restricted to physical exercise. Byron fell in love with Mary Chaworth, whom he met while at school, and she was the reason he refused to return to Harrow in September 1803. His mother wrote, "He has no indisposition that I know of but love, desperate love, the worst of all maladies in my opinion. In short, the boy is distractedly in love with Miss Chaworth." In Byron's later memoirs, "Mary Chaworth is portrayed as the first object of his adult sexual feelings."
Byron finally returned in January 1804, to a more settled period which saw the formation of a circle of emotional involvements with other Harrow boys, which he recalled with great vividness: "My School friendships were with ''me passions'' (for I was always violent)." The most enduring of those was with John FitzGibbon, 2nd Earl of Clare — four years Byron's junior — whom he was to meet unexpectedly many years later in Italy (1821). His nostalgic poems about his Harrow friendships, ''Childish Recollections'' (1806), express a prescient "consciousness of sexual differences that may in the end make England untenable to him".
"Ah! Sure some stronger impulse vibrates here,
Which whispers friendship will be doubly dear
To one, who thus for kindred hearts must roam,
And seek abroad, the love denied at home."
The following autumn he attended Trinity College, Cambridge., where he met and formed a close friendship with the younger John Edleston. About his "protégé" he wrote, "He has been my almost constant associate since October, 1805, when I entered Trinity College. His voice first attracted my attention, his countenance fixed it, and his manners attached me to him for ever." In his memory Byron composed ''Thyrza'', a series of elegies.
In later years he described the affair as "a violent, though ''pure'' love and passion." This statement, however, needs to be read in the context of hardening public attitudes toward homosexuality in England, and the severe sanctions (including public hanging) against convicted or even suspected offenders. The liaison, on the other hand, may well have been 'pure' out of respect for Edleston's innocence, in contrast to the (probably) more sexually overt relations experienced at Harrow School.
Also while at Cambridge he formed lifelong friendships with men such as John Cam Hobhouse and Francis Hodgson, a Fellow at King's College, with whom he corresponded on literary and other matters until the end of his life.
Another biographer, Fiona MacCarthy, has posited that Byron's true sexual yearnings were for adolescent males.
Physical Appearance
Byron's adult height was about , his weight fluctuating between and . He was renowned for his personal beauty, which he enhanced by wearing curl-papers in his hair at night. He was athletic, being a competent boxer and horse-rider and an excellent swimmer.
Byron and other writers, such as his friend Hobhouse, described his eating habits in detail. At the time he entered Cambridge, he went on a strict diet to control his weight. He also exercised a great deal, and at that time wore a great number of clothes to cause himself to perspire. For most of his life he was a vegetarian, and often lived for days on dry biscuits and white wine. Occasionally he would eat large helpings of meat and desserts, after which he would purge himself. Although he is described by Galt and others as having a predilection for "violent" exercise, Hobhouse makes the excuse that the pain in his deformed foot made physical activity difficult, and his weight problem was the result.
Early career
While not at school or college, Byron lived with his mother at Burgage Manor in Southwell, Nottinghamshire, in some antagonism.While there, he cultivated friendships with Elizabeth Pigot and her brother, John, with whom he staged two plays for the entertainment of the community.
During this time, with the help of Elizabeth Pigot, who copied many of his rough drafts, he was encouraged to write his first volumes of poetry. ''Fugitive Pieces'' was printed by Ridge of Newark, which contained poems written when Byron was only 14. However, it was promptly recalled and burned on the advice of his friend, the Reverend Thomas Beecher, on account of its more amorous verses, particularly the poem ''To Mary''.
''Hours of Idleness'', which collected many of the previous poems, along with more recent compositions, was the culminating book. The savage, anonymous criticism this received (now known to be the work of Henry Peter Brougham) in the ''Edinburgh Review'' prompted his first major satire, ''English Bards and Scotch Reviewers'' (1809). It was put into the hands of his relation R.C. Dallas requesting him to "...get it published without his name" Dallas gives a large series of changes and alterations, as well as the reasoning for some of them. He also states that Byron had originally intended to prefix an argument to this poem, and Dallas quotes it. Although the work was published anonymously, by April, Dallas is writing that "you are already pretty generally known to be the author." The work so upset some of his critics they challenged Byron to a duel; over time, in subsequent editions, it became a mark of prestige to be the target of Byron's pen.
After his return from his travels, he again entrusted Dallas as his literary agent to publish his poem ''Childe Harold's Pilgrimage'', which Byron thought of little account. The first two cantos of ''Childe Harold's Pilgrimage'' were published in 1812, and were received with acclaim.
In his own words, "I awoke one morning and found myself famous". He followed up his success with the poem's last two cantos, as well as four equally celebrated ''Oriental Tales'', ''The Giaour'', ''The Bride of Abydos'', ''The Corsair'', and ''Lara, A Tale''. About the same time, he began his intimacy with his future biographer, Thomas Moore.
Personal life
First travels to the East
Byron racked up numerous debts as a young man, due to what his mother termed a "reckless disregard for money". She lived at Newstead during this time, in fear of her son's creditors.
He had planned to spend early 1808 cruising with his cousin George Bettesworth, who was captain of the 32-gun frigate HMS ''Tartar''. Bettesworth's unfortunate death at the Battle of Alvøen in May 1808 made that impossible.
From 1809 to 1811, Byron went on the Grand Tour, then customary for a young nobleman. The Napoleonic Wars forced him to avoid most of Europe, and he instead turned to the Mediterranean. Correspondence among his circle of Cambridge friends also suggests that a key motive was the hope of homosexual experience,
and other theories saying that he was worried about a possible dalliance with the married Mary Chaworth, his former love (the subject of his poem from this time, "To a Lady: On Being Asked My Reason for Quitting England in the Spring"). Attraction to the Levant was probably a motive in itself; he had read about the Ottoman and Persian lands as a child, was attracted to Islam (especially Sufi mysticism), and later wrote, “With these countries, and events connected with them, all my really poetical feelings begin and end." He travelled from England over Portugal, Spain and the Mediterranean to Albania and spent time at the court of Ali Pasha of Ioannina,
and in Athens. For most of the trip, he had a travelling companion in his friend John Cam Hobhouse. Many of these letters are referred to with details in ''Recollections of the Life of Lord Byron.''
Byron began his trip in Portugal from where he wrote a letter to his friend Mr. Hodgson in which he describes his mastery of the Portuguese language, consisting mainly of swearing and insults. Byron particularly enjoyed his stay in Sintra that is described in Childe Harold's Pilgrimage as "glorious Eden". From Lisbon he travelled overland to Seville, Jerez de la Frontera, Cadiz, Gibraltar and from there by sea on to Malta and Greece.
While in Athens, Byron met Nicolò Giraud, who became quite close and taught him Italian. It was also presumed that the two had an intimate relationship involving a sexual affair. Byron sent Giraud to school at a monastery in Malta and bequeathed him a sizeable sum of seven thousand pounds sterling. The will, however, was later cancelled. In 1810 in Athens Byron wrote Maid of Athens, ere we part for a 12-year-old girl, Teresa Makri [1798–1875], and reportedly offered £ 500 for her. The offer was not accepted.
Byron made his way to Smyrna where he and Hobhouse cadged a ride to Constantinople on HMS ''Salsette''. While ''Salsette'' was anchored awaiting Ottoman permission to dock at the city, on 3 May 1810 Byron and Lieutenant Ekenhead, of ''Salsette''s marines, swam the Hellespont. Byron commemorated this feat in the second canto of ''Don Juan''.
Affairs and scandals
In 1812, Byron embarked on a well-publicised affair with the married Lady Caroline Lamb that shocked the British public.
Byron eventually broke off the relationship and moved swiftly on to others (such as that with Lady Oxford), but Lamb never entirely recovered, pursuing him even after he tired of her. She was emotionally disturbed, and lost so much weight that Byron cruelly commented to her mother-in-law, his friend Lady Melbourne, that he was "haunted by a skeleton".
She began to call on him at home, sometimes dressed in disguise as a page boy, at a time when such an act could ruin both of them socially. One day, during such a visit, she wrote on a book at his desk, "Remember me!" As a retort, Byron wrote a poem entitled ''Remember Thee! Remember Thee!'' which concludes with the line "Thou false to him, thou fiend to me".
As a child, Byron had seen little of his half-sister Augusta Leigh; in adulthood, he formed a close relationship with her that has been interpreted by some as incestuous, and by others as innocent. Augusta (who was married) gave birth on 15 April 1814 to her third daughter, Elizabeth Medora Leigh.
Eventually Byron began to court Lady Caroline's cousin Anne Isabella Milbanke ("Annabella"), who refused his first proposal of marriage but later accepted him. Milbanke was a highly moral woman, intelligent and mathematically gifted; she was also an heiress. They married at Seaham Hall, County Durham, on 2 January 1815. The marriage proved unhappy. He treated her poorly. They had a daughter (Augusta Ada). On 16 January 1816, Lady Byron left him, taking Ada with her. On 21 April, Byron signed the Deed of Separation. Rumours of marital violence, adultery with actresses, incest with Augusta Leigh, and sodomy were circulated, assisted by a jealous Lady Caroline. In a letter, Augusta quoted him as saying: "Even to have such a thing said is utter destruction and ruin to a man from which he can never recover."
Later years
After this break-up of his domestic life, Byron again left England, and, as it turned out, it was forever. He passed through Belgium and continued up the Rhine River. In the summer of 1816 he settled at the Villa Diodati by Lake Geneva, Switzerland, with his personal physician, the young, brilliant, and handsome John William Polidori. There Byron befriended the poet Percy Bysshe Shelley, and Shelley's future wife Mary Godwin. He was also joined by Mary's stepsister, Claire Clairmont, with whom he had had an affair in London.
Kept indoors at the Villa Diodati by the "incessant rain" of "that wet, ungenial summer" over three days in June, the five turned to reading fantastical stories, including ''Fantasmagoriana'', and then devising their own tales. Mary Shelley produced what would become ''Frankenstein, or The Modern Prometheus'', and Polidori was inspired by a fragmentary story of Byron's, "Fragment of a Novel", to produce ''The Vampyre'', the progenitor of the romantic vampire genre. Byron's story fragment was published as a postscript to ''Mazeppa''; he also wrote the third canto of ''Childe Harold''. Byron wintered in Venice, pausing his travels when he fell in love with Marianna Segati, in whose Venice house he was lodging, and who was soon replaced by 22-year-old Margarita Cogni; both women were married. Cogni could not read or write, and she left her husband to move into Byron's Venice house. Their fighting often caused Byron to spend the night in his gondola; when he asked her to leave the house, she threw herself into the Venetian canal.
In 1817, he journeyed to Rome. On returning to Venice, he wrote the fourth canto of ''Childe Harold''. About the same time, he sold Newstead and published ''Manfred'', ''Cain'' and ''The Deformed Transformed''. The first five cantos of ''Don Juan'' were written between 1818 and 1820, during which period he made the acquaintance of the young Countess Guiccioli, who found her first love in Byron, who in turn asked her to elope with him. It was about this time that he received a visit from Thomas Moore, to whom he confided his autobiography or "life and adventures", which Moore, Hobhouse, and Byron's publisher, John Murray, burned in 1824, a month after Byron's death.
Children
Byron had a child, The Hon. Augusta Ada Byron ("Ada", later Countess of Lovelace), in 1815 with Annabella Byron, Lady Byron (''née'' Anne Isabella Milbanke, or "Annabella"), later Lady Wentworth. Ada Lovelace, notable in her own right, collaborated with Charles Babbage on the analytical engine, a predecessor to modern computers. She is recognised as the world's first programmer.
He also had an illegitimate child in 1817, Clara Allegra Byron, with Claire Clairmont, stepsister of Mary Shelley and stepdaughter of ''Political Justice'' and ''Caleb Williams'' writer, William Godwin.
Allegra is not entitled to the style "The Hon." as is usually given to the daughter of barons, since she was illegitimate. Born in Bath in 1817, Allegra lived with Byron for a few months in Venice; he refused to allow an Englishwoman caring for the girl to adopt her, and objected to her being raised in the Shelleys' household. He wished for her to be brought up Catholic and not marry an Englishman. He made arrangements for her to inherit 5,000 lira upon marriage, or when she reached the age of 21, provided she did not marry a native of Britain.
However, the girl died aged five of a fever in Bagna Cavallo, Italy while Byron was in Pisa; he was deeply upset by the news. He had Allegra's body sent back to England to be buried at his old school, Harrow, because Protestants could not be buried in consecrated ground in Catholic countries. At one time he himself had wanted to be buried at Harrow. Byron was indifferent towards Allegra's mother, Claire Clairmont.
Although it cannot be proved, some attest that Augusta Leigh's child, Elizabeth Medora Leigh, was fathered by Byron.
It is thought that Lord Byron had a son by a maid he employed at Newstead named Lucy. A letter of his to John Hanson from Newstead Abbey, dated 17 January 1809, refers to the situation: "You will discharge my Cook, & Laundry Maid, the other two I shall retain to take care of the house, more especially as the youngest is pregnant (I need not tell you by whom) and I cannot have the girl on the parish." The letter may be found in many editions of Byron's letters, such as Marchand's 1982 Byron's Letters and Journals. The poem "To My Son" may be about this child; however, the dating gives difficulties; some editors attribute the poem to a date two years earlier than the letter.
Political career
Byron first took his seat in the
House of Lords 13 Mar 1809, but left London on 11 Jun 1809 for the Continent. A strong advocate of social reform, he received particular praise as one of the few
Parliamentary defenders of the
Luddites: specifically, he was against a death penalty for Luddite "frame breakers" in
Nottinghamshire, who destroyed textile machines that were putting them out of work. His first speech before the Lords was loaded with sarcastic references to the "benefits" of automation, which he saw as producing inferior material as well as putting people out of work. He said later that he "spoke very violent sentences with a sort of modest impudence", and thought he came across as "a bit theatrical". The full text of the speech, which he had previously written out, were presented to Dallas in manuscript form and he quotes it in his work.
In another Parliamentary speech he expressed opposition to the established religion because it was unfair to people of other faiths. These experiences inspired Byron to write political poems such as ''Song for the Luddites'' (1816) and ''The Landlords' Interest'', Canto XIV of ''The Age of Bronze''.
Examples of poems in which he attacked his political opponents include ''
Wellington: The Best of the Cut-Throats'' (1819); and ''The Intellectual Eunuch
Castlereagh'' (1818).
Life abroad
Reasons for his departure
Ultimately, Byron resolved to escape the censure of British society (due to allegations of
sodomy and
incest) by living abroad, thereby freeing himself of the need to conceal his sexual interests (MacCarthy pp. 86, 314). Byron left England in 1816 and did not return for the last eight years of his life, even to bury his daughter.
The Armenians in Venice
In 1816, Byron visited
Saint Lazarus Island in Venice, where he acquainted himself with
Armenian culture with the help of the abbots belonging to the
Mechitarist Order. With the help of Father H. Avgerian, he learned the
Armenian language, and attended many seminars about language and history. He wrote ''English Grammar and Armenian'' (''Qerakanutyun angghiakan yev hayeren'') in 1817, and ''Armenian Grammar and English'' (''Qerakanutyun hayeren yev angghiakan'') in 1819, where he included quotations from
classical and
modern Armenian. Byron also participated in the compilation of the ''English Armenian dictionary'' (''Barraran angghieren yev hayeren'', 1821) and wrote the preface in which he explained the relationship of the Armenians with and the oppression of the
Turkish "
pashas" and the
Persian satraps, and their struggle of liberation. His two main translations are the ''Epistle of Paul to the Corinthians'', two chapters of
Movses Khorenatsi's ''
History of Armenia'' and sections of
Nerses of Lambron's ''Orations''. His fascination was so great that he even considered a replacement of the
Cain story of the Bible with that of the legend of Armenian patriarch
Haik. He may be credited with the birth of
Armenology and its propagation. His profound lyricism and ideological courage has inspired many Armenian poets, the likes of
Ghevond Alishan,
Smbat Shahaziz,
Hovhannes Tumanyan, Ruben Vorberian and others.
In Italy and Greece
From 1821 to 1822, he finished Cantos 6–12 of ''Don Juan'' at Pisa, and in the same year he joined with Leigh Hunt and Percy Bysshe Shelley in starting a short-lived newspaper, ''The Liberal'', in the first number of which appeared ''The Vision of Judgment''.
For the first time since his arrival in Italy, Byron found himself tempted to give dinner parties; his guests included the Shelleys, Edward Ellerker Williams, Thomas Medwin, John Taaffe, and Edward John Trelawney; and "never," as Shelley said, "did he display himself to more advantage than on these occasions; being at once polite and cordial, full of social hilarity and the most perfect good humour; never diverg ing into ungraceful merriment, and yet keeping up the spirit of liveliness throughout the evening." Shelley and Williams rented a house on the coast and had a schooner built. Byron decided to have his own yacht, and engaged Trelawny’s friend, Captain Daniel Roberts (Royal Navy officer), to design and construct the boat. Named the ''Bolivar'', it was later sold to Charles John Gardiner, 1st Earl of Blessington, and Marguerite, Countess of Blessington when Byron left for Greece in 1823.
Byron attended the funeral of Shelley, which was orchestrated by Trelawny after Williams and Shelley drowned in a boating accident on 8 July 1822.
His last Italian home was Genoa, where he was still accompanied by the Countess Guiccioli, and the Blessingtons; providing the material for Lady Blessington’s work: ''Conversations with Lord Byron'', an important text in the reception of Byron in the period immediately after his death.
Byron was living in Genoa, when in 1823, while growing bored with his life there, he accepted overtures for his support from representatives of the movement for Greek independence from the Ottoman Empire. With the assistance of his banker and Captain Roberts, Byron chartered the Brig ''Hercules'' to take him to Greece. On 16 July, Byron left Genoa arriving at Kefalonia in the Ionian Islands on 4 August. His voyage is covered in detail in ''Sailing with Byron from Genoa to Cephalonia.''
There is a mystical coincidence in Byron’s chartering the ''Hercules''. The vessel was launched only a few miles south of Seaham Hall, where in 1815 Byron married Annabella Milbanke. Between 1815 and 1823 the vessel was in service between England and Canada. Suddenly in 1823, the ship’s Captain decided to sail to Genoa and offer the ''Hercules'' for charter. After taking Byron to Greece, the ship returned to England, never again to venture into the Mediterranean. "The Hercules was age 37 when on 21 September 1852, her life ended when she went aground near Hartlepool, only 25 miles south of Sunderland, where in 1815, her keel was laid; Byron’s keel was laid nine months before his official birth date, 22 January 1788; therefore in ship-years, he was age 37, when he died in Missolonghi."
Byron spent £4000 of his own money to refit the Greek fleet, then sailed for Missolonghi in western Greece, arriving on 29 December, to join Alexandros Mavrokordatos, a Greek politician with military power. During this time, Byron pursued his Greek page, Lukas Chalandritsanos, but the affections went unrequited. When the famous Danish sculptor Thorvaldsen heard about Byron's heroics in Greece, he voluntarily resculpted his earlier bust of Byron in Greek marble.
Death
Mavrokordatos and Byron planned to attack the Turkish-held fortress of
Lepanto, at the mouth of the
Gulf of Corinth. Byron employed a fire-master to prepare artillery and took part of the rebel army under his own command, despite his lack of
military experience, but before the expedition could sail, on 15 February 1824, he fell ill, and the usual remedy of
bloodletting weakened him further. He made a partial recovery, but in early April he caught a violent cold which therapeutic bleeding, insisted on by his doctors, aggravated. It is suspected this treatment, carried out with unsterilised medical instrumentation, may have caused him to develop
sepsis. He developed a violent fever, and died on 19 April. His physician at the time, Dutch Julius van Millingen, was unable to prevent his death. It has been said that had Byron lived and gone on to defeat the Ottomans, he might have been declared King of Greece. However, this is unlikely.
Post mortem
Alfred, Lord Tennyson would later recall the shocked reaction in Britain when word was received of Byron's death. The Greeks mourned Lord Byron deeply, and he became a hero. The national poet of Greece, Dionysios Solomos, wrote a poem about the unexpected loss, named ''To the Death of Lord Byron''.
Βύρων ("Vyron"), the Greek form of "Byron", continues in popularity as a masculine name in Greece, and a suburb of Athens is called Vyronas in his honour.
Byron's body was embalmed, but the Greeks wanted some part of their hero to stay with them. According to some sources, his heart remained at Missolonghi.
According to others, it was his lungs, which were placed in an urn that was later lost when the city was sacked. His other remains were sent to England for burial in Westminster Abbey, but the Abbey refused for reason of "questionable morality".
Huge crowds viewed his body as he lay in state for two days in London. He is buried at the Church of St. Mary Magdalene in Hucknall, Nottinghamshire.
At her request, Ada Lovelace, the child he never knew, was buried next to him. In later years, the Abbey allowed a duplicate of a marble slab given by the King of Greece, which is laid directly above Byron's grave. Byron's friends raised the sum of 1,000 pounds to commission a statue of the writer; Thorvaldsen offered to sculpt it for that amount. However, for ten years after the statue was completed in 1834, most British institutions turned it down, and it remained in storage. The statue was refused by the British Museum, St. Paul's Cathedral, Westminster Abbey and the National Gallery. Trinity College, Cambridge, finally placed the statue of Byron in its library.
In 1969, 145 years after Byron's death, a memorial to him was finally placed in Westminster Abbey.
The memorial had been lobbied for since 1907; ''The New York Times'' wrote, "People are beginning to ask whether this ignoring of Byron is not a thing of which England should be ashamed ... a bust or a tablet might be put in the Poets' Corner and England be relieved of ingratitude toward one of her really great sons."
Robert Ripley had drawn a picture of Boatswain's grave with the caption "Lord Byron's dog has a magnificent tomb while Lord Byron himself has none". This came as a shock to the English, particularly schoolchildren, who, Ripley said, raised funds of their own accord to provide the poet with a suitable memorial. (Source: ''Ripley's Believe It or Not!'', 3rd Series, 1950; p. xvi.)
On a very central area of Athens, Greece, outside the National Garden, is a statue depicting Greece in the form of a woman crowning Byron. The statue was made by the French Henri-Michel Chapu and Alexandre Laguiere.
Upon his death, the barony passed to Byron's cousin George Anson Byron, a career military officer.
Poetic works
Byron wrote prolifically.
In 1832 his publisher,
John Murray, released the complete works in 14 duodecimo volumes, including a life by
Thomas Moore. Subsequent editions were released in 17 volumes, first published a year later, in 1833.
Although Byron falls chronologically into the period most commonly associated with Romantic poetry, much of his work looks back to the satiric tradition of Alexander Pope and John Dryden.
''Don Juan''
Byron's magnum opus, ''Don Juan'', a poem spanning 17 cantos, ranks as one of the most important long poems published in England since John Milton's ''Paradise Lost''. The masterpiece, often called the epic of its time, has roots deep in literary tradition and, although regarded by early Victorians as somewhat shocking, equally involves itself with its own contemporary world at all levels — social, political, literary and ideological.
Byron published the first two cantos anonymously in 1819 after disputes with his regular publisher over the shocking nature of the poetry; by this time, he had been a famous poet for seven years, and when he self-published the beginning cantos, they were well received in some quarters. It was then released volume by volume through his regular publishing house. By 1822, cautious acceptance by the public had turned to outrage, and Byron's publisher refused to continue to publish the works. In Canto III of ''Don Juan'', Byron expresses his detestation for poets such as William Wordsworth and Samuel Taylor Coleridge.
Byronic hero
The figure of the
Byronic hero pervades much of his work, and Byron himself is considered to epitomise many of the characteristics of this literary figure. Scholars have traced the literary history of the Byronic hero from
John Milton, and many authors and artists of the
Romantic movement show Byron's influence during the 19th century and beyond, including
Charlotte and
Emily Brontë. The Byronic hero presents an idealised, but flawed character whose attributes include: great talent; great passion; a distaste for society and social institutions; a lack of respect for rank and privilege (although possessing both); being thwarted in love by social constraint or death; rebellion; exile; an unsavory secret past; arrogance; overconfidence or lack of foresight; and, ultimately, a self-destructive manner.
Parthenon marbles
Byron was a bitter opponent of Lord Elgin's removal of the Parthenon marbles from Greece, and "reacted with fury" when Elgin's agent gave him a tour of the Parthenon, during which he saw the missing friezes and metopes. He penned a poem, ''The Curse of Minerva'', to denounce Elgin's actions.
He enjoyed adventure, especially relating to the sea.
The first recorded notable example of open water swimming took place on 3 May 1810 when Lord Byron swam from Europe To Asia across the Hellespont Strait. This is often seen as the birth of the sport and pastime and to commemorate it, the event is recreated every year as an open water swimming event.
Celebrity
Byron is considered to be the first modern-style celebrity. His image as the personification of the Byronic hero fascinated the public, and his wife Annabella coined the term "Byromania" to refer to the commotion surrounding him. His self-awareness and personal promotion are seen as a beginning to what would become the modern rock star; he would instruct artists painting portraits of him not to paint him with pen or book in hand, but as a "man of action." While Byron first welcomed fame, he later turned from it by going into voluntary exile from Britain.
Fondness for animals
Byron had a great love of animals, most notably for a
Newfoundland dog named Boatswain. When the animal contracted
rabies, Byron nursed him, albeit unsuccessfully, without any thought or fear of becoming bitten and infected.
Although deep in debt at the time, Byron commissioned an impressive marble funerary monument for Boatswain at Newstead Abbey, larger than his own, and the only building work which he ever carried out on his estate. In his 1811 will, Byron requested that he be buried with him. The 26 verse poem, ''Epitaph to a Dog'', has become one of his best-known works, but a draft of an 1830 letter by Hobhouse shows him to be the author, and that Byron decided to use Hobhouse's lengthy epitaph instead of his own, which read: "To mark a friend's remains these stones arise/I never knew but one—and here he lies."
Byron also kept a tame bear while he was a student at Trinity, out of resentment for rules forbidding pet dogs like nhis beloved Boatswain. There being no mention of bears in their statutes, the college authorities had no legal basis for complaining: Byron even suggested that he would apply for a college fellowship for the bear.
During his lifetime, in addition to numerous dogs and horses, Byron kept a fox, four monkeys, a parrot, five cats, an
eagle, a
crow, a
crocodile, a
falcon, five peacocks, two guinea hens, an Egyptian
crane, a
badger, three
geese, a
heron and a goat with a broken leg.
Except for the horses, they all resided indoors at his homes in England, Switzerland, Italy and Greece.
Lasting influence
The re-founding of the
Byron Society in 1971 reflects the fascination that many people have for Byron and his work.
This society has become very active, publishing an annual journal. Today 36 Byron Societies function throughout the world, and an International Conference takes place annually.
Byron exercised a marked influence on Continental literature and art, and his reputation as a poet is higher in many European countries than in Britain or America, although not as high as in his time, when he was widely thought to be the greatest poet in the world. Byron has inspired the works of Franz Liszt, Hector Berlioz, and Giuseppe Verdi.
Depictions in Fiction and Film
Byron first appeared as a thinly disguised fictional character in his ex-love Lady Caroline Lamb's book ''Glenarvon'', published in 1816.
The archetypal vampire character, notably Bram Stoker's Dracula, is based on Byron. The gothic ideal of a decadent, pale and aristocratic individual who enamors himself to whomever he meets, but who is perceived to have a dark and dangerous inner-self is a literary form derived from characteristations of Byron. The image of a vampire portrayed as an aristocrat was created by John Polidori, in "The Vampyre", during the summer of 1816 which he spent in the company of Byron. The titled Count Dracula is a reprise of this character.
Byron is the main character of the film ''Byron'' by the Greek film maker Nikos Koundouros.
Byron's spirit is one of the title characters of the ''Ghosts of Albion'' books by Amber Benson and Christopher Golden. John Crowley's book ''Lord Byron's Novel: The Evening Land'' (2005) involves the rediscovery of a lost manuscript by Lord Byron, as does Frederic Prokosch's ''The Missolonghi Manuscript'' (1968).
Byron appears as a character in Tim Powers's time travel/alternative history novels ''The Stress of Her Regard'' (1989) and ''The Anubis Gates'' (1983), Walter Jon Williams's fantasy novella ''Wall, Stone Craft'' (1994), and also in Susanna Clarke's alternative history ''Jonathan Strange & Mr Norrell'' (2004).
Byron appears as an immortal, still living in modern times, in the television show ''Highlander: The Series'' in the fifth season episode ''The Modern Prometheus'', living as a decadent rock star.
Tom Holland, in his 1995 novel ''The Vampyre: Being the True Pilgrimage of George Gordon, Sixth Lord Byron'', romantically describes how Lord Byron became a vampire during his first visit to Greece — a fictional transformation that explains much of his subsequent behaviour towards family and friends, and finds support in quotes from Byron poems and the diaries of John Cam Hobhouse. It is written as though Byron is retelling part of his life to his great great-great-great-granddaughter. He describes travelling in Greece, Italy, Switzerland, meeting Percy Bysshe Shelley, Shelley's death, and many other events in life around that time. The Byron as vampire character returns in the 1996 sequel ''Supping with Panthers''.
Byron and Percy and Mary Shelley are portrayed in Roger Corman's final film ''Frankenstein Unbound'', where the time traveller Dr. Buchanan (played by John Hurt) meets them as well as Victor von Frankenstein (played by Raúl Juliá).
''The Black Drama'' by Manly Wade Wellman,
originally published in Weird Tales, involves the rediscovery and production of a lost play by Byron (from which Polidori's ''The Vampyre'' was plagiarised) by a man who purports to be a descendant of the poet.
Tom Stoppard's play ''Arcadia'' revolves around a modern researcher's attempts to find out what made Byron leave the country, while Howard Brenton's play ''Bloody Poetry'' features Byron, in addition to Polidori, the Shelleys and Claire Clairmont.
Television portrayals include a major 2003 BBC drama on Byron's life, and minor appearances in ''Highlander: The Series'' (as well as the Shelleys), ''Blackadder the Third'', episode 60 (Darkling) of ''Star Trek: Voyager'', and was also parodied in the animated sketch series, Monkey Dust.
He makes an appearance in the alternative history novel ''The Difference Engine'' by William Gibson and Bruce Sterling. In a Britain powered by the massive, steam-driven, mechanical computers invented by Charles Babbage, he is leader of the ''Industrial Radical Party'', eventually becoming Prime Minister.
The events featuring the Shelleys' and Byron's relationship at the house beside Lake Geneva in 1816 have been fictionalised in film at least three times.
# A 1986 British production, ''Gothic'', directed by Ken Russell, and starring Gabriel Byrne as Byron.
# A 1988 Spanish production, ''Rowing with the wind'' aka (''Remando al viento''), starring Hugh Grant as Byron.
# A 1988 U.S.A. production ''Haunted Summer''. Adapted by Lewis John Carlino from the speculative novel by Anne Edwards, starring Philip Anglim as Lord Byron.
The brief prologue to ''Bride of Frankenstein'' includes Gavin Gordon as Byron, begging Mary Shelley to tell the rest of her Frankenstein story.
Novelist Benjamin Markovits produced a trilogy about the life of Byron. ''Imposture'' (2007) looked at the poet from the point of view of his friend and doctor, John Polidori. ''A Quiet Adjustment'' (2008), is an account of Byron's marriage that is more sympathetic to his wife, Annabella. ''Childish Loves''(2011) is a reimagining of Byron's lost memoirs, dealing with questions about his childhood and sexual awakening.
Byron is portrayed as an immortal in the book, ''Divine Fire'', by Melanie Jackson.
In the comic thriller, ''Edward Trencom's Nose'' by Giles Milton, several of Edward's ancestors are poisoned, along with Byron.
In ''The Grim Adventures of Billy & Mandy'' episode "Ecto Cooler" (2005), the episode opens with a quote from ''Don Juan''. Byron's ghost appears to instruct Billy on how to be cool.
In the novel ''The History of Lucy's Love Life in Ten and a Half Chapters'', Lucy Lyons uses a time machine to visit 1813 and meet her idol, Byron.
Byron is depicted in Tennessee William's play ''Camino Real''.
Byron's life is the subject of the 2003 made for television movie ''Byron'' starring Jonny Lee Miller.
Byron is depicted as the villain/antagonist in the novel ''Jane Bites Back '' written by Michael Thomas Ford, published by Ballantine Books, 2010. A novel based on the premise that Jane Austen (and Lord Byron) are Vampires living in the modern day literary world.
The play ''A Year Without A Summer'' by Brad C. Hodson is about Byron, Polidori, the Shelleys, and Claire Clairmont and the famous summer of 1816 at the Villa Diodati. As opposed to other works dealing with the same period, the play is more a biopic dealing with Byron's divorce and exile from England, than with the Shelleys' lives.
Lawrence Durrell wrote a poem called ''Byron'' as a lyrical soliloquy; it was first published in 1944.
Susanna Roxman's ''Allegra'' in her 1996 collection Broken Angels (Dionysia Press, Edinburgh) is a poem about Byron's daughter by Claire Clairmont. In this text, Byron is referred to as "Papa".
Dan Chapman's 2010 vampire novella ''The Postmodern Malady of Dr. Peter Hudson'' begins at the time of Lord Byron's death and uses biographical information about him in the construction of its title character. It also directly quotes some of his work.
Stephanie Barron's series of ''Jane Austen Mysteries'' has Lord Byron a suspect of murder in the 2010 book, ''Jane and the Madness of Lord Byron.''
He appears in a parallel story line in the novel ''The Fire'' by Katherine Neville.
Musical settings of, or music inspired by, poems by Byron
1820 – William Crathern: ''My Boat is On the Shore'' (1820), a setting for voice and piano of words from the poem ''To Thomas More'' written by Byron in 1817
c. 1820–1860 – Carl Loewe: 24 songs
1833 – Gaetano Donizetti: ''Parisina'', opera
1834 – Hector Berlioz: ''Harold en Italie'', symphony in four movements for viola and orchestra
1835 – Gaetano Donizetti: ''Marino Faliero'', opera
1844 – Hector Berlioz: ''Le Corsaire'' overture (possibly also inspired by James Fenimore Cooper's ''Red Rover'' as the original title is ''Le Corsaire Rouge'')
1844 – Giuseppe Verdi: ''I due Foscari'', opera in three acts
1848 – Giuseppe Verdi: ''Il corsaro'', opera in three acts
1849 – Robert Schumann: Overture and incidental music to ''Manfred''
1849–54 – Franz Liszt: ''Tasso, Lamento e trionfo'', symphonic poem
1885 – Pyotr Ilyich Tchaikovsky: Manfred Symphony in B minor, Op. 58
1896 – Hugo Wolf: ''Vier Gedichte nach Heine, Shakespeare und Lord Byron'' for voice and piano: 3. Sonne der Schlummerlosen 4. Keine gleicht von allen Schönen
1916 – Pietro Mascagni: ''Parisina'', opera in four acts
1934 – Germaine Tailleferre: ''Two Poems of Lord Byron'' (1. Sometimes in moments... 2. 'Tis Done I heard it in my dreams... for Voice and Piano (Tailleferre's only setting of English language texts)
1942 – Arnold Schoenberg: ''Ode to Napoleon'' for reciter, string quartet and piano
mid 1970s: Arion Quinn: ''She Walks in Beauty''
1984 – David Bowie: Music video for ''Blue Jean'' and short promotional video for Blue Jean, ''Jazzin' for Blue Jean'' features him playing an rock star named Screaming Lord Byron (''cf.'' Screaming Lord Sutch). His attire for the rock star mimics that of Lord Byron's in the portrait by Thomas Phillips.
1997 – Solefald: ''When the Moon is on the Wave''
2002 – Ariella Uliano: ''So We'll Go No More A'Roving''
2002 – Warren Zevon: ''Lord Byron's Luggage''
2004 – Leonard Cohen: ''No More A-Roving''
2005 – Cockfighter (band): ''Destruction''
2006 – Kris Delmhorst: ''We'll Go No More A-Roving''
2006 – Cradle Of Filth: ''The Byronic Man'' featuring HIM's Ville Valo
2008 – ALPHA 60: ''The rock, the vulture, and the chain''
2008 – Schiller (band) has a song called "Nacht" with Ben Becker on its album, Sehnsucht (Schiller album), which has video on Youtube. The lyrics are a shortened version of a poem in German called Die Seele that is attributed to Lord Byron. It appears to be a translation of the Byron poem, "When coldness wraps this suffering clay" from the collection, Hebrew Melodies. The Identity of the translator/author of Die Seele is unknown although the text may be from "Lord Byrons Werke In sechs Bänden" translated by Otto Gildemeister, 3rd Volume, Fifth Edition, Berlin 1903 (pages 134–135).
2011 – Agustí Charles: ''Lord Byron. Un estiu sense estiu. Opera en dos actes (Lord Byron. A summer without a summer. Opera in two actes)''. Libretto in Catalan by Marc Rosich, world premiere at Staatstheater Darmstadt, March 2011.
Perth rock band Eleventh He Reaches London are named in reference to the eleventh canto of Don Juan, in which Don Juan arrives in London. Their debut album, The Good Fight for Harmony also featured a track entitled "What Would Don Juan Do?"
Bibliography
Major works
''Hours of Idleness'' (1807)
''English Bards and Scotch Reviewers'' (1809)
''Childe Harold's Pilgrimage, Cantos I & II'' (1812)
''The Giaour'' (1813)
''The Bride of Abydos'' (1813)
''The Corsair'' (1814)
''Lara, A Tale'' (1814)
''Hebrew Melodies'' (1815)
''The Siege of Corinth'' (1816) (text on Wikisource)
''Parisina'' (1816)
''The Prisoner of Chillon'' (1816) (text on Wikisource)
''The Dream'' (1816)
''Prometheus'' (1816)
''Darkness'' (1816)
''Manfred'' (1817) (text on Wikisource)
''The Lament of Tasso'' (1817)
''Beppo'' (1818)
''Childe Harold's Pilgrimage'' (1818) (text on Wikisource)
''Don Juan'' (1819–1824; incomplete on Byron's death in 1824)
''Mazeppa'' (1819)
''The Prophecy of Dante'' (1819)
''Marino Faliero'' (1820)
''Sardanapalus'' (1821)
''The Two Foscari'' (1821)
''Cain'' (1821)
''The Vision of Judgment'' (1821)
''Heaven and Earth (drama)|Heaven and Earth'' (1821)
''Werner'' (1822)
''The Age of Bronze'' (1823)
''The Island'' (1823)
''The Deformed Transformed'' (1824)
Major poems
''The First Kiss of Love'' (1806) (text on Wikisource)
''Thoughts Suggested by a College Examination'' (1806) (text on Wikisource)
''To a Beautiful Quaker'' (1807) (text on Wikisource)
''The Cornelian'' (1807) (text on Wikisource)
''Lines Addressed to a Young Lady'' (1807) (text on Wikisource)
''Lachin y Garr'' (1807) (text on Wikisource)
''Epitaph to a Dog'' (1808) (text on Wikisource)
''Maid of Athens, ere we part'' (1810) (text on Wikisource)
''She Walks in Beauty'' (1814) (text on Wikisource)
''My Soul is Dark'' (1815) (text on Wikisource)
''When We Two Parted'' (1817) (text on Wikisource)
''Love's Last Adieu''
''So, we'll go no more a roving'' (1830) (text on Wikisource)
See also
Asteroid 3306 Byron
Bridge of Sighs, a Venice landmark Byron denominated
Timeline of Lord Byron
David Crane (historian)
Mikhail Lermontov (often compared as the Russian Byron)
References
:
Further reading
Blackstone, Byron: 'Byron and Islam: the triple Eros' (Journal of European Studies vol. 4 no. 4, Dec. 1974, 325–63)
Crompton, Louis. ''Byron and Greek Love: Homophobia in 19th-Century England''. Faber and Faber, 1985.
Garrett, Martin: ''George Gordon, Lord Byron''. (British Library Writers' Lives). London: British Library, 2000. ISBN 0-7123-4657-0.
Garrett, Martin. 'Palgrave Literary Dictionary of Byron'. Palgrave, 2010. ISBN 978-0-230-00897-7
Guiccioli, Teresa, contessa di, ''Lord Byron's Life in Italy'', transl. Michael Rees, ed. Peter Cochran, 2005, ISBN 0-87413-716-0.
Grosskurth, Phyllis: ''Byron: The Flawed Angel''. Hodder, 1997. ISBN 0-340-60753-X
MacCarthy, Fiona: ''Byron: Life and Legend''. John Murray, 2002. ISBN 0-7195-5621-X.
Marchand, Leslie A., editor, Edition of Byron's Letters, Harvard University Press:
* ''Byron's Letters and Journals, Volume I, 'In my hot youth', 1798–1810'', (1973)
* ''Byron's Letters and Journals, Volume II, 'Famous in my time', 1810–1812'', (1973)
* ''Byron's Letters and Journals, Volume III, 'Alas! the love of women', 1813–1814'', (1974)
* ''Byron's Letters and Journals, Volume IV, 'Wedlock's the devil', 1814–1815'', (1975)
* ''Byron's Letters and Journals, Volume V, 'So late into the night', 1816–1817'', (1976)
* ''Byron's Letters and Journals, Volume VI, 'The flesh is frail', 1818–1819'', (1976)
* ''Byron's Letters and Journals, Volume VII, 'Between two worlds', 1820'', (1978)
* ''Byron's Letters and Journals, Volume VIII, 'Born for opposition', 1821'', (1978)
* ''Byron's Letters and Journals, Volume IX, 'In the wind's eye', 1821–1822'', (1978)
* ''Byron's Letters and Journals, Volume X, 'A heart for every fate', 1822–1823'', (1980)
* ''Byron's Letters and Journals, Volume XI, 'For freedom's battle', 1823–1824'', (1981)
* ''Byron's Letters and Journals, Volume XII, 'The trouble of an index', index'', (1982)
* ''Lord Byron: Selected Letters and Journals'', (1982)
McGann, Jerome: ''Byron and Romanticism''. Cambridge: Cambridge University Press, 2002. ISBN 0-521-00722-4.
Oueijan, Naji B. ''A Compendium of Eastern Elements in Byron's Oriental Tales''. New York: Peter Lang Publishing, 1999.
Prell, Donald: ''Sailing with Byron from Genoa to Cephalonia''. Strand Publishing, 2009, ISBN 0-9741975-5-6.
Prell, Donald: ''Lord Byron Coincidence or Destiny''. Strand Publishing, 2009, http://www.strand-publishing.com/page6/page6.html
Rosen, Fred: ''Bentham, Byron and Greece''. Clarendon Press, Oxford, 1992. ISBN 0-19-820078-1.
St Clair, William, ''That Greece Might Still Be Free: The Philhellenes in the War of Independence'', (Cambridge: Open Book Publishers, 2008)
Open Book Publishers
Thiollet, Jean-Pierre: ''Carré d'Art: Barbey d'Aurevilly, lord Byron, Salvador Dali, Jean-Edern Hallier'', Anagramme éditions, 2008. ISBN 978-2-35035-189-6
External links
Works
Works by Byron in audio format from LibriVox
Poems by Lord Byron at PoetryFoundation.org
Byron's 1816–1824 letters to Murray and Moore about Armenian studies and translations
Creative Commons animated adaption of ''When We Two Parted''
The Byron Society
Poems by Lord Byron at PoetryFoundation.org
The International Byron Society
Byron's Grave
George Gordon, Lord Byron at Find-A-Grave
Hucknall Parish Church, Byron's final resting place
Statue of Byron at Trinity College, Cambridge
The Byron Chronology
The Life and Work of Lord Byron
Lord George Gordon Byron—Biography & Works
Centre for Byron Studies, University of Nottingham
Byron page on The Literature Network
Byron Collection at the Harry Ransom Center at the University of Texas at Austin
Byron Materials at Arkansas State
Pictures of Byron's Walk, Seaham, County Durham
Official page of the Byron & Butler family
Greece Honors British Poet As Independence War Hero, Sarasota Herald-Tribune – 21 Apr 1974
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nl:Lord Byron (schrijver)
ja:ジョージ・ゴードン・バイロン
no:Lord Byron
nn:George Gordon Byron
oc:Lord Byron
pnb:بائرن
pl:George Gordon Byron
pt:Lord Byron
kaa:George Byron
ro:George Gordon Byron
rue:Джордж Ґордон Байрон
ru:Байрон, Джордж Гордон
sah:Дьордь Гордон Байрон
sa:जार्ज बैरन
sq:George Gordon Byron
simple:Lord Byron
sk:George Gordon Byron
sl:George Noel Gordon Byron
srn:George Byron
sr:Џорџ Гордон Бајрон
sh:George Gordon Byron
fi:George Gordon Byron
sv:George Gordon Byron
tl:George Byron, Ika-6 na Barong Byron
ta:ஜார்ஜ் கோர்டன் பைரன்
tt:Джордж Байрон
tr:George Gordon Byron
uk:Джордж Гордон Байрон
ur:لارڈ بائرن
vi:Lord Byron
vo:George Gordon Byron
war:George Byron
yo:Lord Byron
zh-yue:拜倫
bat-smg:Džuordžos Nuoelės Guorduons Bairuons
zh:喬治·戈登·拜倫