Coordinates	34°03′″N118°15′″N
Name	Vorbis
Logo
Extension	.ogg .oga
Mime	audio/ogg, audio/vorbis, audio/vorbis-config
Owner	Xiph.Org Foundation
Released
Latest release version	Vorbis I
Latest release date
Genre	Audio compression format
Containedby	Ogg, Matroska, WebM
Standard	Specification
Url	}}

name	libvorbis
developer	Xiph.Org Foundation
released
latest release version	1.3.2
latest release date
programming language	C
operating system	Cross-platform
genre	Audio codec, reference implementation
license	BSD-style license
website	Xiph.org downloads }}

Vorbis is a free software / open source project headed by the Xiph.Org Foundation (formerly Xiphophorus company). The project produces an audio format specification and software implementation (codec) for lossy audio compression. Vorbis is most commonly used in conjunction with the Ogg container format and it is therefore often referred to as Ogg Vorbis.

Vorbis is a continuation of audio compression development started in 1993 by Chris Montgomery. Intensive development began following a September 1998 letter from the Fraunhofer Society announcing plans to charge licensing fees for the MP3 audio format. Vorbis project started as part of the Xiphophorus company's Ogg project (also known as OggSquish multimedia project). Chris Montgomery began work on the project and was assisted by a growing number of other developers. They continued refining the source code until the Vorbis file format was frozen for 1.0 in May 2000 and a stable version (1.0) of the reference software was released on July 19, 2002.

The Xiph.Org Foundation maintains a reference implementation, libvorbis, the latest official version of which is 1.3.2, released on November 1, 2010. There are also some fine-tuned forks, most notably aoTuV, that offer better audio quality, particularly at low bitrates. These improvements are periodically merged back into the reference codebase.

Name

"Vorbis" is named after a ''Discworld'' character, Exquisitor Vorbis in ''Small Gods'' by Terry Pratchett. The Ogg format, however, is ''not'' named for Nanny Ogg, another Discworld character; the name is in fact derived from ogging, jargon that arose in the computer game Netrek.

Usage

The Vorbis format has proven popular among supporters of free software. They argue that its higher fidelity and completely free nature, unencumbered by patents, make it a well-suited replacement for patented and restricted formats like MP3.

Vorbis has different uses for consumer products. Many video game titles such as 18 Wheels of Steel, Halo, Unreal Tournament 2004, Unreal Tournament 3, Mafia: The City of Lost Heaven, Jets 'n' guns, Grand Theft Auto: San Andreas, Crimsonland, Devil May Cry 3, Live For Speed and Guitar Hero: On Tour store in-game audio as Vorbis. Popular software players support Vorbis playback either natively or through an external plugin. A number of Web sites, including Wikipedia, use it. Others include Jamendo and Mindawn, as well as several national radio stations like JazzRadio, Absolute Radio, NPR, Radio New Zealand and Deutschlandradio. The Spotify audio streaming service uses Vorbis for its audio streams.

Quality: Codec comparisons

Vorbis had been shown to perform significantly better than many other lossy audio formats in the past in that it produced smaller files at equivalent or higher quality while retaining computational complexity comparable to other MDCT formats such as AAC or Windows Media Audio. However, there have not been many significant tests run in recent years.

Listening tests have attempted to find the best quality lossy audio codecs at certain bitrates. Some conclusions made by listening tests: Low bitrate (less than 64 kbit/s): the most recent (2007) public multiformat test at 48 kbit/s showed that aoTuV Vorbis had a better quality than WMA and LC-AAC, the same quality as WMA Professional, and a lower quality than HE-AAC. Mid to low bitrates (less than 128 kbit/s down to 64 kbit/s): private tests in 2005 at 80 kbit/s and 96 kbit/s showed that aoTuV Vorbis had a better quality than other lossy audio formats (LC-AAC, HE-AAC, MP3, MPC, WMA). High bitrates (more than 128 kbit/s): most people do not hear significant differences. However, trained listeners can often hear significant differences between codecs at identical bitrates, and aoTuV Vorbis performed better than LC-AAC, MP3, and MPC.

Due to the ever-evolving nature of audio codecs, the results of many of these tests have become outdated.

Listening tests

Listening tests are normally carried out as ABX tests, i.e., the listener has to identify an unknown sample X as being A or B, with A (the original) and B (the encoded version) available for reference. The outcome of a test must be statistically significant. This setup ensures that the listener is not biased by his/her expectations, and that the outcome is very unlikely to be the result of chance. If sample X can be identified reliably, the listener can assign a score as a subjective judgement of the quality. Otherwise, the encoded version is considered to be ''transparent''. Below are links to several listening test results. 2005, July comparison - AAC vs MP3 vs Vorbis vs WMA at 80 kbit/s. States that aoTuV beta 4 is the best encoder for either classical or various music in this bitrate, and that its quality is comparable to the LAME ABR MP3 at 128 kbit/s. 2005, August comparison - AAC vs MP3 vs Vorbis vs WMA at 96 kbit/s. States that aoTuV beta 4 and AAC are tied as the best encoders for classical music in this bitrate, while aoTuV beta 4 is the best encoder for pop music, even better than LAME at 128 kbit/s. 2005, August comparison - MPC vs Vorbis vs MP3 vs AAC at 180 kbit/s. An audiophile listening test, which states that, for classical music, aoTuV beta 4 has 93% percent probability of being the best encoder, tied with MPC. MPC is tied with both Vorbis, in the first place, and LAME in the second. 2011, April comparison by Hydrogenaudio - LC-AAC vs Vorbis vs HE-AAC vs Opus at 48 kbit/s. Vorbis was on average between LC-AAC and HE-AAC, while the upcoming Opus (by Xiph, previously known as CELT) was best.

Audio quality: Characteristic artifacts

As with most modern formats, the most consistently cited problem with Vorbis is pre-echo, a faint copy of a sharp attack that occurs just before the actual sound (the sound of castanets is commonly cited as causing this effect).

When the bitrate is too low to encode the audio without perceptible loss, Vorbis exhibits an analog noise-like failure mode, which can be described as reverberations in a room or amphitheater. Vorbis's behavior is due to the noise floor approach to encoding; see technical details.

Technical details

+ Vorbis nominal bitrate at quality levels for 44.1 kHz stereo input. The new libvorbis v1.2 usually compress better than these values (effective bitrate may vary).
! Quality	Nominal Bitrate
!	! Official Xiph.Org Foundation Vorbis	! aoTuV beta 3 and later
-q-2	not available	32 kbit/s
-q-1	45 kbit/s	48 kbit/s
-q0
-q1
-q2
-q3
-q4
-q5
-q6
-q7
-q8
-q9
-q10

Vorbis is intended for sample rates from 8 kHz telephony to 192 kHz digital masters and a range of channel representations (monaural, polyphonic, stereo, quadraphonic, 5.1, ambisonic, or up to 255 discrete channels). Given 44.1 kHz (standard CD audio sampling frequency) stereo input, the encoder will produce output from roughly 45 to 500 kbit/s (32 to 500 kbit/s for aoTuV tunings) depending on the specified quality setting. Quality setting goes from -0.1 to 1.0 for the Xiph library and -0.2 to 1.0 for aoTuV. Encoding front-ends map these values to an integer-based quality setting that goes from -1 to 10 for the Xiph library and -2 to 10 for aoTuV. Files encoded with a given quality setting should have the same quality of sound in all versions of the encoder, but newer versions should be able to achieve that quality with a lower bitrate. The bit rates mentioned above are only approximate; Vorbis is inherently variable-bitrate (VBR), so bitrate may vary considerably from sample to sample. (It is a free-form variable-bitrate codec and packets have no minimum size, maximum size, or fixed/expected size.)

Vorbis aims to be more efficient than MP3, with ''data compression transparency'' being available at lower bitrates.

Outline of coder algorithm

Vorbis I is a forward-adaptive monolithic transform codec based on the modified discrete cosine transform (MDCT). Vorbis uses the modified discrete cosine transform for converting sound data from the time domain to the frequency domain. The resulting frequency-domain data is broken into noise floor and residue components, and then quantized and entropy coded using a codebook-based vector quantization algorithm. The decompression algorithm reverses these stages. The noise floor approach gives Vorbis its characteristic analog noise-like failure mode when the bitrate is too low to encode the audio without perceptible loss. The sound of compression artifacts at low bitrates can be perhaps described as reverberations in an amphitheater or a room.

Tuned versions

Various tuned versions of the encoder (Garf, aoTuV or MegaMix) attempt to provide better sound at a specified quality setting, usually by dealing with certain problematic waveforms by temporarily increasing the bitrate. The most consistently cited problem with Vorbis is ''pre-echo'', a faint copy of a sharp attack that occurs just before the actual sound (the sound of castanets is commonly cited as causing this effect). Most of the tuned versions of Vorbis attempt to fix this problem and to increase the sound quality of lower quality settings (-q-2 through -q4). Some tuning suggestions created by the Vorbis user community (especially the aoTuV beta 2 tunings) have been incorporated into the 1.1.0 release.

Bitrate peeling

The Vorbis ''format'' supports bitrate peeling for reducing the bitrate of already encoded files without re-encoding, and several experimental implementations exist. However, the quality is "unusable", and markedly inferior to decoding and re-encoding.

The reason that peeling programs degrade quality so severely is that the format does not specify the relative importance of signal data, nor do existing encoders order the data in order of importance, hence peelers cannot easily determine if data is important or not.

Container formats

Vorbis streams can be encapsulated in other media container formats besides Ogg. A commonly used alternative is Matroska. It is also used in WebM, a container format based on a subset of Matroska. Vorbis streams can also be encapsulated in an RTP payload format.

Metadata

Vorbis metadata, called Vorbis comments, supports metadata tags similar to those implemented in the ID3 standard for MP3. The metadata is stored in a vector of eight-bit-clean strings of arbitrary length and size. The size of the vector and the size of each string in bytes is limited to 2³²-1 (about 4.3 billion, or any positive integer that can be expressed in 32 bits). This vector is stored in the second header packet that begins a Vorbis bitstream.

The strings are assumed to be encoded as UTF-8. Music tags are typically implemented as strings of the form "[TAG]=[VALUE]", for instance, "ARTIST=The John Smith Band". The tags are case-insensitive, thus typing "ARTIST=The John Smith Band" would be the same as "artist=The John Smith Band". Like the current version of ID3, users and encoding software are free to use whichever tags are appropriate for the content. For example, an encoder could use localized tag labels, live music tracks might contain a "Venue=" tag or files could have multiple genre definitions. Most applications also support common de facto standards such as discnumber and ReplayGain information.

Licensing

Knowledge of Vorbis' specifications is in the public domain. Concerning the specification itself, the Xiph.Org Foundation reserves the right to set the Vorbis specification and certify compliance. Its libraries are released under the revised 3-clause BSD license and its tools are released under the GNU General Public License. The libraries were originally released under the GNU Lesser General Public Licence, but a BSD license was later chosen with the endorsement of Richard Stallman. The Xiph.Org Foundation states that Vorbis, like all its developments, is completely free from the licensing or patent issues raised by other proprietary formats such as MP3. Although the Xiph.Org Foundation states it has conducted a patent search that supports its claims, outside parties (notably engineers working on rival formats) have expressed doubt that Vorbis is free of patented technology.

The Xiph.Org Foundation has not released an official statement on the patent status of Vorbis, pointing out that such a statement is technically impossible due to the number and scope of patents in existence and the questionable validity of many of them. Such issues cannot be resolved outside of a court of law.

Vorbis is supported by several large digital audio player manufacturers such as Samsung, SanDisk, Rio, Neuros Technology, Cowon, and iriver.

Support

Hardware

''Tremor'', a version of the Vorbis decoder which uses fixed-point arithmetic (rather than floating point), was made available to the public on September 2, 2002 (also under a BSD-style license). Tremor, or platform specific versions based on it, is more suited to implementation on the limited facilities available in commercial portable players. A number of versions that make adjustments for specific platforms and include customized optimizations for given embedded microprocessors have been produced. Several hardware manufacturers have expressed intentions to produce Vorbis-compliant devices and new Vorbis devices seem to be appearing at a steady rate.

Openmoko Neo 1973 and Neo Freerunner

Devices based on Google's Android platform support Ogg Vorbis media files.

Digital audio players such as Cowon's D2 and iAudio X5 ship with Ogg Vorbis support.

Samsung YP series of digital audio players ships with Ogg Vorbis support. The majority of iriver devices provide Ogg Vorbis support up to Q10 bitrates. (as July 2008)

Cowon C2 (OGG and FLAC support)

Sandisk added Vorbis capability to the 1.01.29 firmware for the Sansa Clip player. (added in May 2008)

Sandisk added Vorbis capability for the Sansa Fuze player in the 1.01.15 firmware update. (added October 3, 2008)

Sandisk Sansa Clip+

Sandisk Sansa Fuze+

Meizu's M6 and M3 Digital Audio Players

Elta 8844 MPEG4 DVD/DivX player can play music files in both MP3 or Ogg/Vorbis format

Vedia A10 plays OGG Vorbis and FLAC in addition to MP3, AAC and other formats

S1 MP3 Players Ogg Vorbis also supported since at least 2006, though this is not typically listed on the player's packaging.

GamePark Holding's Linux based portable gaming consoles (GP32, GP2X F100-F200, GP2X Wiz) officially support Ogg Vorbis.

Pioneer XW-NAV1K

RIM BlackBerry 9800 "Torch" and 9670 "Style"

VDO Dayton CD1737X car radio supports 8-192kbps Ogg Vorbis files

Apple's iPod does not natively support Vorbis but through the use of Rockbox, an open-source firmware project, is capable of decoding Vorbis files. Similar statements apply to other devices capable of running Rockbox, as well. The Xiph.Org Foundation wiki has an up-to-date list of Vorbis-supporting hardware, such as portables, PDAs, and microchips. Also see Internet radio device for an overview.

Application software

Software supporting Vorbis exists for many platforms. The multi-platform open-source VLC media player and MPlayer can play ".ogg" vorbis files, as can Winamp and foobar2000. Although Apple iTunes does not natively support Vorbis, the Xiph.Org Foundation provides a QuickTime component which can be used in iTunes and QuickTime on both Microsoft Windows and Mac OS. Windows Media Player also does not natively support Vorbis; however, DirectShow filters exist to decode Vorbis in Windows Media Player and other Windows multimedia players that support DirectShow. Vorbis is also supported in the multi-platform audio editing software Audacity, in the multi-platform multimedia frameworks FFmpeg, GStreamer and Helix DNA. Vorbis is well-supported on the Linux platform in programs like XMMS, xine, Amarok and many more. A list of Vorbis-supporting software can be found at the Xiph.Org Foundation wiki and Vorbis.com website. For more information about support in software media players look at comparison of media players. Users can test these programs using the list of Vorbis audio streams available on the same wiki.

Some newer Ubisoft games use Vorbis files renamed with the filename extension .sb0. It can therefore be played using a compatible player, although sometimes one must force a different sampling rate to hear it correctly. A number of tools are available for extracting sound from archived files such as the .m4b of Myst IV: Revelation.

As originally recommended by HTML 5, these web browsers natively support Vorbis audio (without a plug-in) using the element: Mozilla Firefox 3.5 (and later versions), Google Chrome (as of version 3.0.182.2), SeaMonkey (as of version 2.0). Opera 9.5 experimental video builds released in 2007 and 2008 have only support and play back Vorbis audio included in Ogg video files. Opera 10.5 browser has support for Vorbis audio, WAVE PCM audio and Theora video.

Other implementations

The Xiph.Org Foundation's reference implementation is free and open sourced and it is dual-licensed under the BSD License and the GNU Lesser General Public License (LGPL). There are no restriction to other developers for writing compliant encoders and decoders.

aoTuV

aoTuV is a modified version of the reference encoder created by a Japanese developer named Aoyumi (aoTuV stands for Aoyumi Tuned Vorbis), which improves its quality, especially at lower bitrates. Initially built upon Vorbis 1.0, the improvements of aoTuV Beta2 were merged back into Vorbis 1.1. Further improvements were released, the current Beta 6.03 version (released on April 25, 2011) is an improvement of libvorbis 1.3.2.

Lancer

Lancer is a modified version of aoTuV which keeps the quality of aoTuV and significantly improves its encoding speed, using architecture-specific SIMD instructions instead of floating-point instructions. The last version is based on aoTuV Beta 5 (released on November 11, 2006).

Tremor

Tremor is an implementation of a Vorbis decoder using fixed-point arithmetic. It is intended for environments when a floating-point arithmetic unit is unavailable. The Xiph.Org Foundation has expressed interest in modifying Tremor into a floating-point version, which would replace the current floating-point reference decoder.

FFmpeg

The libavcodec library contains an LGPL-licensed Vorbis decoder that is faster than the reference implementation.

stb_vorbis

stb_vorbis is a C implementation of an Ogg Vorbis decoder placed in the public domain. It lacks some minor features present in the reference implementation (notably seeking), but it claims to be fully compliant with the format specification.

See also

Comparison of audio codecs

FreeCast, peer-to-peer Vorbis streaming

Juce, cross-platform C++ toolkit with embedded Vorbis support

Ogg bitstream format

PocketOgg: a Vorbis player program for Windows CE for Pocket PC

Sb0, a file format related to Vorbis, used in certain Ubisoft games

Vorbis comment, metadata format used by Vorbis

XSPF, playlist format

Xiph QuickTime Components, official QuickTime implementation

References

External links

The Xiph.Org Foundation

Vorbis site - Xiph reference implementation

* Vorbis wiki — mostly developer information

* List of video games using Vorbis

* Vorbis FAQ

* Vorbis documentation

Cross Reference and Data Structures

Other encoder / decoder implementation:

* List of decoders

* List of encoders

* Xiph reference implementation

* aoTuV - aoTuV Vorbis tuned implementation

* Vorbis acceleration project - Optimized versions of aoTuV Vorbis encoder and other SSE/MultiThread optimizations

* Fixed-point version of the Vorbis decoder

Software / hardware supporting Vorbis:

*GSMArena Phone Finder All Phones with Ogg Vorbis support.

* List of encoder frontends

RealPlayer Plug-In

* Vorbis binaries at Rarewares

* Directshow Filters for Ogg Vorbis, Speex, Theora and FLAC

* QuickTime component for QuickTime and iTunes

Other useful links:

* Series of demo pages on ongoing Vorbis improvements by Monty

* Ogg (Vorbis) vs. Lame (MP3) - a comparison at 128..350kbps, Vorbis_1.0beta4 X Lame_3.88, year 2001

* Modified discrete cosine transform Description

* Christopher "Monty" Montgomery (main developer) interview, slashdot.org

* Vorbis at Hydrogenaudio wiki

* An Introduction to Compressed Audio with Vorbis

RFC 5215 - RTP Payload Format for Vorbis Encoded Audio (audio/vorbis, audio/vorbis-config)

RFC 5334 - Ogg Media Types

Category:Audio codecs Category:Free multimedia codecs, containers, and splitters Category:Lossy compression algorithms Category:Xiph.Org projects

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Coordinates	34°03′″N118°15′″N
name	Markus Schulz
landscape	yes
background	non_vocal_instrumentalist
origin	Eschwege, Germany
birth name	Markus Schulz
genre	Trance
years active	1990–present
label	Coldharbour Recordings, Armada Music, Ultra Records
associated acts	Dakota, Himmel
website	http://www.markusschulz.com }}

Markus Schulz born February 03, 1975 is a German trance music DJ and producer who resides in Miami, Florida, USA. He is best-known for his weekly radio show titled Global DJ Broadcast that airs on Digitally Imported radio, After Hours FM and other online stations. He is also the founder of the EDM label Coldharbour Recordings.

Producing

Schulz has released six mix compilations and three artist albums under his own name. He has also released productions and albums, Thoughts Become Things and Thoughts Become Things II, under the alias Dakota. Through his work with remixing tracks, he has had the opportunity to work with such artists as: Depeche Mode, Madonna, Everything But The Girl, Jewel, Oceanlab, Gabriel & Dresden, Télépopmusik, Fat Boy Slim, Miro, Book Of Love, Blue Amazon, and PQM. His remixes of "Intuition" and "Stand" by Jewel both hit #1 on the Billboard club chart.

Performing

When not in the studio working on new mixes, Schulz maintains an extensive international touring schedule. He originally held a seven-year residency at The Works in Phoenix, Arizona, where he developed his style. Since then, he has performed at clubs all over the world and has DJ'ed at some of the largest festivals and events, including: Electric Daisy Carnival, Electric Zoo, Monster Massive, Together As One, Ultra Music Festival, Amsterdam Dance Event, Nature One, Dance Valley, Love Parade, Global Gathering, ETD Pop, Trance Energy 2010, Bang Music Festival, Future Music Festival, Bal en Blanc and at the Episodes 250, 300, 350, 400, 450, and 500 of A State Of Trance.

On October 28, 2010, DJ Magazine announced the results of their annual Top 100 DJ Poll, placing Schulz at #8 DJ in the world.

Discography

Albums

''Without You Near'' (2005, Armada Music) ''Progression'' (2007, Armada Music)

''Progression Progressed - The Remixes'' (2008, Armada Music)

''Dakota - Thoughts Become Things'' (2009, Armada Music) ''Do You Dream?'' (2010, Armada Music)

''Do You Dream? - The Remixes (2011, Armada Music)''

''Markus Schulz presents Dakota – Thoughts Become Things II (1 July 2011, Armada Music)''

Compilations

''Coldharbour Sessions'' (2004, Armada Music) ''Miami '05'' (2005, Moist Music) ''Ibiza '06'' (2006, Moist Music) ''Amsterdam '08'' (2008, Armada Music) ''Toronto '09'' (2009, Armada Music) ''Las Vegas '10'' (2010, Armada Music) ''Prague '11'' (2011, Armada Music)

Singles

1998 Markus Schulz - You Won’t See Me Cry

1999 Dakota - Swirl

2002 Dakota - Frozen Time

2002 Dakota - Lost in Brixton

2002 Dakota - Jah Powah

2002 Dakota - Zero Gravity

2002 Dakota - Sunshine Yellow

2003 Dakota - Abandoned in Queens

2003 Markus Schulz presents Elevation - Clear Blue

2004 Markus Schulz presents Elevation - Largo

2004 Markus Schulz presents Elevation - Somewhere

2005 Markus Schulz featuring Anita Kelsey - First Time

2005 Markus Schulz and Departure with Gabriel & Dresden - Without You Near

2006 Markus Schulz featuring Carrie Skipper - Never be the Same Again

2007 Markus Schulz vs. Chakra - I Am

2007 Markus Schulz - Fly to Colors

2007 Dakota - Amsterdam

2007 Dakota - Progression

2008 Dakota - Hypnotic

2008 Markus Schulz featuring Departure - Cause You Know

2008 Markus Schulz featuring Dauby – Perfect

2008 Markus Schulz vs. Andy Moor - Daydream

2008 Markus Schulz - The New World

2009 Dakota - Chinook

2009 Dakota - Johnny the Fox

2009 Dakota - Sin City

2009 Markus Schulz - Do You Dream

2009 Dakota - Roxy ’84

2009 Dakota - Koolhaus

2009 Dakota - Steel Libido

2009 Dakota - Mr. Cappuccino

2010 Markus Schulz featuring Khaz - Dark Heart Waiting

2010 Markus Schulz featuring Justine Suissa - Perception

2010 Markus Schulz - Rain

2010 Markus Schulz - Future Cities

2011 Dakota - Sinners

2011 Markus Schulz & Jochen Miller - Rotunda

2011 Dakota - Sleepwalkers

Remixes

1993 Sagat - Why Is It? Fuk Dat

1993 The Movement - Shake That

1994 Glenn "Sweet G" Toby - I Can Tell

1994 Sweet Sable - Old Times' Sake

1994 Transglobal Underground - Temple Head

1994 2 Unlimited - Throw The Groove Down

1994 Sandra Bernhard - You Make Me Feel

1995 Amber McFadden - Do You Want Me

1995 Truce - Pump It

1995 Real McCoy - Come And Get Your Love

1995 Bette Midler - To Deserve You

1995 Backstreet Boys - We've Got It Going On

1996 Lina Santiago - Feels So Good (Show Me Your Love)

1996 Backstreet Boys - Get Down (You're The One For Me)

1996 Technotronic - Move It To The Rhythm

1996 Madonna - Love Don't Live Here Anymore

1996 Liz Torres - Set Yourself Free

1996 Armand Van Helden - The Funk Phenomena

1996 James Newton Howard - Theme From ER

1996 Backstreet Boys - We've Got It Going On

1997 RuPaul - A Little Bit Of Love

1997 Groove Junkies -

1997 Poe - Hello

1997 e-N Feat. Ceevox - That Sound

1997 Tilly Lilly - Roller Coaster

1997 Electronic - Second Nature

1997 Blue Amazon - No Other Love

1997 LNR - Work It To The Bone

1998 Cynthia - If I Had The Chance

1998 Vertigo Deluxe - Out Of My Mind

1998 The B-52's - Debbie

1999 Everything But The Girl - Lullaby Of Clubland

1999 Dream Traveler - Time

2000 Himmel - Celebrate Life

2000 Masters Of Balance - Dreamworld

2000 Pablo Gargano - Eurogoal

2000 PQM - The Flying Song

2000 Aaron Lazarus - Your Time Will Come

2001 Pablo Gargano - Absolution

2001 Carissa Mondavi - Solid Ground

2001 Rouge - Jingalay

2001 Daniel Ash - Burning Man

2001 Fatboy Slim - Sunset (Bird Of Prey)

2001 Luzon - Manilla Sunrise

2001 Book Of Love - I Touch Roses

2002 Miro - By Your Side

2003 Motorcycle - As The Rush Comes

2003 Jewel - Intuition

2003 Karada - Last Flight

2003 Billy Paul Williams - So In Love

2003 Jewel - Stand

2004 Aly & Fila - Spirit Of Ka

2004 George Hales - Autumn Falls

2004 Solid Globe - Sahara

2004 Filterheadz - Yimanya

2004 Plastic Angel - Distorted Reality

2004 Clubbervision - Dream Off

2004 Kobbe & Austin Leeds - Fusing Love

2004 Airwave - Ladyblue

2004 Myth - Millionfold

2004 OceanLab - Satellite

2004 Piece Process - Solar Myth

2004 Space Manoeuvres - Stage One

2004 Deepsky - Talk Like A Stranger

2004 Whirlpool - Under The Sun

2004 Mark Otten – Tranquility

2005 Tomonari & Tommy Pi - C Sharp 2005

2005 Ridgewalkers - Find

2005 Departure - She Turns

2005 Nalin & Kane - Open Your Eyes (The Child You Are)

2006 Kyau & Albert - Are You Fine?

2006 Eluna - Severence

2006 Yoshimoto - Du What U Du

2007 Kamera - Lies

2007 Andrew Bennett - Menar

2007 Joop - The Future

2008 Destination X - Dangerous

2008 John O'Callaghan feat. Audrey Gallagher - Big Sky

2008 Rank 1 - Airwave

2008 Sia - Buttons

2008 Mike Foyle - Bittersweet Nightshade

2009 Dance 2 Trance - Power of American Natives

2009 Jester Music feat. Lavoie - Dressed In White

2009 Cosmic Gate - Sign Of The Times

2009 Ferry Corsten - Brain Box

2010 Cosmic Gate - The Drums

External links

Official Website

Markus Schulz Facebook Page

Markus Schulz MySpace Page

Markus Schulz Twitter Page

Markus Schulz YouTube Page

References

Category:Electronic music radio shows Category:German trance musicians Category:Remixers Category:Living people Category:Armada Music artists Category:1966 births

bg:Маркус Шулц cs:Markus Schulz de:Markus Schulz es:Markus Schulz fa:مارکوس شولتز fr:Markus Schulz it:Markus Schulz lt:Markus Schulz hu:Markus Schulz nl:Markus Schulz pl:Markus Schulz pt:Markus Schulz ru:Шульц, Маркус sl:Markus Schulz tr:Markus Schulz